“
It's a funny thing about life, once you begin to take note of the things you are grateful for, you begin to lose sight of the things that you lack.
”
”
Germany Kent
“
I think that's Justin Bieber.
Standing in front of a line up of Lay's potato chips, Qhuinn looked overhead to the speaker inset into the ceiling tiles. Yup, I'm right, and I hate that I know that.
Next to him John Matthew signed, How do you know?
The little shit is everywhere.
I swear, that kid is proof the Antichrist is coming.
Maybe it's already here.
Would explain Miley Cyrus.
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
I’m not going anywhere until you hear me out.”
Oh, please no. Anything except having to listen to her lecture. I push the button that calls the nurse.
“Can we help you, Alex?” a voice bellows through the speaker.
“I’m bein’ tortured.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Ladies and gentleman," he said over the speakers, "welcome aboard this recently liberated Gulfstream V. If I could have your attention for just a few moments, I'd like to go over the safety features of this aircraft. It has an engine, to make us go, and wings, to keep us in the air. There are seatbelts, which won't do you an awful lot of good if we fly into the side of a mountain.
”
”
Derek Landy (The Maleficent Seven (Skulduggery Pleasant, #7.5))
“
His phone rang again, and he turned it on speaker. “Adair residence—”
“Shut up, Cabe.” Silas’s voice filled the car. “Your Lexus isn’t a residence, and I know you’re driving, because I’m watching your GPS dot move down the road.
”
”
Jane Washington (Charcoal Tears (Seraph Black, #1))
“
Static cackled from the cafeteria speaker. A bored female voice come on. “Victoria Brennan, please report to the headmaster's office. Victoria Brennan to the headmaster's office.”
Classmates glanced our way. Whispers sprang up around me.
“Not good.” Shelton was reaching for his earlobe.
“Tell them you have amnesia,” Hi said. “Or dementia. Pretend you're Joan of Arc.”
“Thanks for the support, guys. If I'm not back for class, look for my body in the harbor.”
Hiram's hand flew up. “I call her iTunes collection. Shelton can have the mutt.”
“Nice.
”
”
Kathy Reichs (Exposure (Virals, #4))
“
It's funny how after all those years attending youth events with light shows and bands, after all the contemporary Christian music and contemporary Christian books, after all the updated technology and dynamic speakers and missional enterprises and relevant marketing strategies designed to make Christianity cool, all I wanted from the church when I was ready to give it up was a quiet sanctuary and some candles. All I wanted was a safe place to be. Like so many, I was in search of sanctuary.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
So a scientist and an engineer are tossed into separate rooms, stocked with tools and parts, and told that they aren't allowed out until they've produced a working prototype for a radio receiver. After two days, the scientist has covered the walls in scribbling and looks like a mad man, raving about how not only is it impossible to build a receiver with the parts given but that he's proven that radio is theoretically impossible anyway. When they check on the engineer, they find that he'd built the receiver in less than a day, fashioned a crude speaker and antenna, and had found a radio broadcast he liked and hadn't bothered to tell them he'd finished.
”
”
Joshua Dalzelle
“
Artemis hooked the speaker over one ear, adjusting the mike stem so it wound across his
mouth.
'Foaly? Are you listening?'
'Are you kidding?' came the reply. 'This is better than human soap operas.
”
”
Eoin Colfer (The Eternity Code (Artemis Fowl, #3))
“
Think back through your experiences and make a bullet point list of funny stories that have happened to you or your friends. Travel, school, college, parties, work, interaction with parents/in-laws, embarrassing situations, etc. Looking at old photos will help to jog memories.
”
”
David Nihill (Do You Talk Funny? 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
“
The human species thinks in metaphors and learns through stories.
”
”
David Nihill (Do You Talk Funny?: 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
David Nihill (Do You Talk Funny? 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
“
The end of laughter is followed by the height of listening.” — Jeffrey Gitomer
”
”
David Nihill (Do You Talk Funny? 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
“
Combining storytelling, humanity, and laughter will give you a huge advantage in your public speaking and the odds are good that you already have all the raw material you need.
”
”
David Nihill (Do You Talk Funny? 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
“
Just a minute, Miss Frazetti, I'm getting dressed.'
'Hurry it up, Mo,' snapped Carla, her voice crackly through the cheap speakers. 'I'm getting old
here.
”
”
Eoin Colfer (The Eternity Code (Artemis Fowl, #3))
“
More often than not, an inspirational or motivational speaker is someone who makes money from telling us that we can do all of the things that we can do … and pretty much all of the things that we cannot do.
”
”
Mokokoma Mokhonoana
“
Morning Mister Mayhew" he said. It was not a welcoming "morning". It was the kind of "morning" that implied that the speaker really did not care if the recipient lived or died - nor indeed, for that matter, if it was even morning
”
”
Neil Gaiman (Neverwhere)
“
It’s funny. Before you got here, the Bishop tried to tell us all that you were Satan. Quim’s the only one in the family that took him seriously. But if the Bishop had told us you were Ender, we would have stoned you to death in the praça the day you arrived.”
“Why don’t you now?”
“We know you now. That makes all the difference, doesn’t it? Even Quim doesn’t hate you now. When you really know somebody, you can’t hate them.”
“Or maybe it’s just that you can’t really know them until you stop hating them.
”
”
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
“
Give me six hours to chop down a tree and I will spend the first four sharpening the axe.” ― Abraham Lincoln
”
”
David Nihill (Do You Talk Funny? 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
“
If you're getting chased by a lion, you don't need to run faster than the lion, just the people running with you. - Tim Ferris
”
”
David Nihill (Do You Talk Funny? 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
“
The most powerful stories are not about the storyteller, they are about the person who is hearing the story.
”
”
David Nihill (Do You Talk Funny?: 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
“
You are hereby warned that any movement on your part not explicitly endorsed by verbal authorization on my part may pose a direct physical risk to you, as well as consequential psychological and possibly, depending on your personal belief system, spiritual risks ensuing from your personal reaction to said physical risk. Any movement on your part constitutes an implicit and irrevocable acceptance of such risk," the first MetaCop says. There is a little speaker on his belt, simultaneously translating all of this into Spanish and Japanese.
"Or as we used to say," the other MetaCop says, "freeze, sucker!"
"Under provisions of The Mews at Windsor Heights Code, we are authorized to enforce law, national security concerns, and societal harmony on said territory also. A treaty between The Mews at Windsor Heights and White Columns authorizes us to place you in temporary custody until your status as an Investigatory Focus has been resolved."
"Your ass is busted," the second MetaCop says.
"As your demeanor has been nonaggressive and you carry no visible weapons, we are not authorized to employ heroic measures to ensure your cooperation," the first MetaCop says.
"You stay cool and we'll stay cool," the second MetaCop says.
"However, we are equipped with devices, including but not limited to projectile weapons, which, if used, may pose an extreme and immediate threat to your health and well-being."
"Make one funny move and we'll blow your head off," the second MetaCop says.
”
”
Neal Stephenson (Snow Crash)
“
guess there’s no way to convince a person of that, but it’s true. Stuttering’s funny, Audra. Spooky. On one level you’re not even aware it’s happening. But . . . it’s also something you can hear in your mind. It’s like part of your head is working an instant ahead of the rest. Or one of those reverb systems kids used to put in their jalopies back in the fifties, when the sound in the rear speaker would come just a split second a-after
”
”
Stephen King (It)
“
It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues.
In what other language do people drive in a parkway and park in a driveway?
In what other language do people play at a recital and recite at a play?
Why does night fall but never break and day break but never fall?
Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo?
Why does a man get a hernia and a woman a hysterectomy?
Why do we pack suits in a garment bag and garments in a suitcase?
Why do privates eat in the general mess and generals eat in the private mess?
Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper?
Why are people who ride motorcycles called bikers and people who ride bikes called cyclists?
Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom?
Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women?
Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane:
In what other language do they call the third hand on the clock the second hand?
Why do they call them apartments when they’re all together?
Why do we call them buildings, when they’re already built?
Why it is called a TV set when you get only one?
Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus?
And why, pray tell, does lisp have an s in it?
If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...
”
”
Richard Lederer
“
The best advice came from the legendary actor the late Sir John Mills, who I sat next to backstage at a lecture we were doing together. He told me he considered the key to public speaking to be this: “Be sincere, be brief, be seated.”
Inspired words. And it changed the way I spoke publicly from then on. Keep it short. Keep it from the heart.
Men tend to think that they have to be funny, witty, or incisive onstage. You don’t. You just have to be honest. If you can be intimate and give the inside story--emotions, doubts, struggles, fears, the lot--then people will respond.
I went on to give thanks all around the world to some of the biggest corporations in business--and I always tried to live by that. Make it personal, and people will stand beside you.
As I started to do bigger and bigger events for companies, I wrongly assumed that I should, in turn, start to look much smarter and speak more “corporately.” I was dead wrong--and I learned that fast. When we pretend, people get bored.
But stay yourself, talk intimately, and keep the message simple, and it doesn’t matter what the hell you wear.
It does, though, take courage, in front of five thousand people, to open yourself up and say you really struggle with self-doubt. Especially when you are meant to be there as a motivational speaker.
But if you keep it real, then you give people something real to take away.
“If he can, then so can I” is always going to be a powerful message. For kids, for businessmen--and for aspiring adventurers.
I really am pretty average. I promise you. Ask Shara…ask Hugo.
I am ordinary, but I am determined.
I did, though--as the corporation started to pay me more--begin to doubt whether I was really worth the money. It all seemed kind of weird to me. I mean, was my talk a hundred times better now than the one I gave in the Drakensberg Mountains?
No.
But on the other hand, if you can help people feel stronger and more capable because of what you tell them, then it becomes worthwhile for companies in ways that are impossible to quantify.
If that wasn’t true, then I wouldn’t get asked to speak so often, still to this day.
And the story of Everest--a mountain, like life, and like business--is always going to work as a metaphor. You have got to work together, work hard, and go the extra mile. Look after each other, be ambitious, and take calculated, well-timed risks.
Give your heart to the goal, and it will repay you.
Now, are we talking business or climbing?
That’s what I mean.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Writers and speakers whose words are usually not informative, funny, or thought-provoking are a waste of the ability to write or speak.
”
”
Mokokoma Mokhonoana
“
The applause light comes on. The audience claps like crazy. Theme music swells out of the speaker.
”
”
James Patterson (I Funny TV: A Middle School Story (I Funny Series Book 4))
“
The world is a funny place and your existence within it is probably funnier. Accepting
”
”
David Nihill (Do You Talk Funny?: 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
“
So, what if you are not naturally funny? Don’t get discouraged. Do your research, gather ideas, and find your fun. Seek ways to laugh. Not only will doing this provide you with new material for making a great first impression, but laughter will bring you personal delight and satisfaction. Putting a smile on someone’s face is one of the best gifts you can deliver.
”
”
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
“
When Humor Falls Flat
“Humor is not a "one-size fits all" guarantee. What is hilarious to one person may be offensive to another. By being emotionally intelligent and self-aware, you can discern how, when, why, or where to be funny . . . or not. You might be walking on thin ice and risk making a damaging first impression if you use humor that is:
• At the expense of others.
• Thoughtless sarcasm.
• Belittling or condescending.
• Hitting below the belt.
• Creepy or profane.
• Raunchy humor with sexual innuendo.
• Politically incorrect.
• Mean-spirited.
”
”
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
“
Create New Pictures We can create new mental movies whenever we choose to do so. And when we develop (and concentrate on) new images that evoke powerful feelings and sensations, we’ll act in ways that support those new pictures! So, the first step is to create an image of your desired outcome. You are limited only by your imagination. As you know, most people are terrified about public speaking. In survey after survey, it is listed as the #1 fear that people have—ranked ahead of the fear of death! So, when most people are asked to even consider making a speech, what kinds of pictures do they run through their minds? They see themselves standing nervously in front of the audience. Perhaps they’re having trouble remembering what they want to say. Run these images over and over on your mental screen and you can be sure that you won’t have much success as a speaker! Instead, form a picture in your mind in which you’re confidently giving your presentation. The audience members are listening to your every word. You look sharp. Your delivery is smooth. You tell a funny story and the audience is laughing. At the end, you get a warm round of applause. People come up afterward to congratulate you. Do you see how these kinds of mental images can help you to become a better speaker? Recognize, however, that the pictures in your mind are not fulfilled overnight. But, by being patient and by persistently focusing on these mental images, you’ll automatically start acting in ways that support your vision.
”
”
Jeff Keller (Attitude Is Everything: Change Your Attitude ... Change Your Life!)
“
All too often we fail to see the good in a difficult situation. Our minds are wired in such a funny way that we tend to believe just because a door closed it must be a bad thing.
”
”
Lindsey Rietzsch (Successful Failures: Recognizing the Divine Role That Opposition Plays in Life's Quest for Success)
“
The people that look after the elephants were completely smashed. They drink this stuff called arrack. For “Save a Prayer,” John and I were on an elephant, Simon was on one with Andy, and Roger was on one of his own. And they brought a female elephant who let out this enormous noise, which one of the guys in the crew was taping. He thought, Oh, this will be funny, and he played it back through the speakers. Nobody knew that it was her mating call. So the elephant with Roger on its back charges down the swamp and mounts this other elephant. Roger’s hanging on for dear life, and all of the mahouts are rolling around, thinking it’s hilarious. If he’d fallen off, he could have been trampled to death.
”
”
Craig Marks (I Want My MTV: The Uncensored Story of the Music Video Revolution)
“
Speaking of feelings, there’s so much intense teasing between you and your brothers, Jep. Do feelings ever get hurt?
Jep: I love my brothers and would do anything for them. I know they feel the same about me. Alan has always been there for me with a nonjudgmental attitude, a listening ear, and wise advice. Jase is such a good teacher about wildlife, and he’s the best speaker in our family. He studies, prepares, and he’s always able to look at the funny side of life. I really respect his knowledge. I’ve always thought Willie is the coolest guy in the world. I’ve loved and looked up to him from the first moment I can remember. I’d tag along with him more than anybody else, and he took the time to teach me basketball and baseball. I copied him in just about everything, and I know sometimes it got on his nerves. I was so much younger than my brothers that I really didn’t start stuff, but I sure didn’t mind going to tell on them. They’d get spanked, and I wouldn’t.
”
”
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
Eventually we discovered Bleeker Bob's in the West Village on 118 West Third Street. One time I was there I literally tried to rip the first Iron Maiden album out of the hands of a friend of mine. [...] I was having a tug-of-war with this guy over who was gonna buy it. [...] If I hadn't won, I would've gone home and gotten my shitty little tape recorder that you have to use two fingers to push play and record on, and I would've brought that to my friend's house and held it in front of a speaker to tape the record so I'd have something to listen to until I could find another copy. Yeah, it'd sound terrible but so what? We didn't know anything else. When I hear people say, 'I hate MP3s, they sound like shit,' I'm like, 'Fuck you, you hae no idea, you first-world-problem-having motherfucker.
”
”
Scott Ian (I'm the Man: The Story of That Guy from Anthrax)
“
As a professional speaker, my facial expressions are essential for effectively telling stories, engaging audiences, fostering involvement, and connecting on a personal level. One day I decided to get Botox in my forehead to erase a few wrinkles and signs of aging. Much to my surprise and disappointment, I could no longer raise my eyebrows. My face was stuck in a heavy-browed expression, which is the polar-opposite of my joyful spirit and enthusiastic nature. It makes a funny story, but it taught me that authenticity wins over vanity any day!
”
”
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
“
When I was a young and aspiring speaker, I sought mentorship from a man who had been a Dale Carnegie trainer for decades. Eagerly wanting to know how to improve my stage presence and build my career, I contacted Dr. Joe Carnley in Destin, Florida and invited him out to lunch.
After we placed our order at the Harbor Docks Restaurant, he dove right in and gave me some of the best advice of my life. He said, “Susan, you have to make them laugh! When they leave your presentations, you want them to feel better and leave happier than when they came in. Help them enjoy your time together.”
He continued to describe the magical power that humor has over the human spirit. When we craft humor into our speeches, we can take our audiences on a journey they will never forget.
Immediately after our delightful lunch ended, I drove straight to a Books-a-Million store and headed for the humor section. Since I was not a particularly funny person, I needed all the help I could get. For over an hour I stood there reading titles, flipping through funny books, and enjoying outrageous belly laughs, giggles, and snorts. People were staring, and probably thinking, “I want what she is having!”
The humor section was one of the smallest in the entire bookstore, but it may well have been the most important. When I turned around, I noticed the opposite aisle was the “Self-Improvement” section. It ran half the length of the store and displayed hundreds of books. At that cathartic moment, I had a huge "Ah-Ha" moment.
”
”
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
“
Follow your heart, but take your brain with you!" After buying an armload of funny books filled with clean jokes, one-liners, and speech openers, I discovered how truly "spot-on" Joe had been. Inserting humorous zingers throughout my programs has worked like a charm and improved my presentation skills.
”
”
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
“
Expand Your Repertoire . . .
Professional humorists and comedians, like Jeanie Robertson, maintain joke files filled with assorted topics, anecdotes, and titles. When something outrageously funny happens, she makes a note of it, puts it away, and saves it for the day she can integrate it into her hilarious presentations.
”
”
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
“
Find Your Funny Bone . . .
Life provides plenty of material for things for you to laugh at. Seek irony, coincidence, and the abundance of simple humor in life’s little absurdities.
”
”
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
“
Watch, Listen, & Learn . . .
Broaden your sense of humor by watching funny movies and shows, reading funny books, visiting live comedy shows, or enjoying YouTube clips.
”
”
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
“
Funny how in a material world full of pundits and economists obsessed with assets and liabilities -personally, economically and globally - few speak about the greatest of all these…YOU.
”
”
Rasheed Ogunlaru
“
The Guest Speaker The guest speaker for an event was running late and left home in such a hurry that he forgot his false teeth. When he sat down at the head table he realized he had forgotten his teeth. He didn’t know what he was going to do. There was not enough time to go back home and he had to speak soon. He explained the predicament to a man sitting next to him. To his surprise the man said, “Oh no problem,” and pulled out of his pocket a set of false teeth. “Here try these.” The speaker tried them, but they were too loose. The man pulled out of another pocket a different set of false teeth. “Give these a try,” he said. This second set did not fit well either, still too tight. The man said, “I have one more set you can try.” This set fit perfectly. The guest speaker ate dinner and then enamored the crowd with his talk. As everyone was leaving the speaker walked up to the man and returned the borrowed false teeth. “Thanks for helping me out of a real jam there,” the speaker said. “Say, I really like your style and I am looking for a new dentist. Where is your office, I would like to come for a visit sometime?” The man said, “I was glad to help and you are welcome to come by my office anytime to visit. But I am not a dentist. I am a mortician.
”
”
Peter Jenkins (Funny Jokes for Adults: All Clean Jokes, Funny Jokes that are Perfect to Share with Family and Friends, Great for Any Occasion)
“
Humor is more than entertainment or joke telling—it’s a powerful social lubricant that eases and enriches communication, interpersonal relations, and education. Humor is a universal speech opener because it immediately earns the speaker respectful attention. It’s psychologically impossible to hate someone with whom you’ve laughed. When we laugh, we temporarily give ourselves over to the person who makes us laugh. —Robert Orben
”
”
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
“
You don´t need a stage to prove that you´re a bad speaker.
”
”
Alin Sav
“
Writing was what saved the stutterer. It saved him the trouble of speaking.
”
”
Michael Bassey Johnson (Stamerenophobia)
“
He’s”—the first speaker waved his hands vaguely, trying to get across the point that someone was a hamper of food, several folding chairs, a tablecloth, an assortment of cooking gear and an entire colony of ants short of a picnic—“mental. And he’s got a funny eye.
”
”
Terry Pratchett (Hogfather (Discworld, #20))
“
It was an odd promise considering the source. Rod’s career, until that point, had been anything but a paradigm of reform. His father-in-law, Dick Mell, was a Chicago alderman and ward boss, and used his influence to get Rod elected to the state legislature in Springfield. After four years of doing little in state government, opportunity struck. Dan Rostenkowski, the longtime congressman from Chicago’s north side, was forced to resign in scandal after being caught writing personal checks on his government account. In the next election, a Republican—Mike Flanagan—managed to win the seat. But this was a Democratic district through and through and whoever won the nomination to oppose Flanagan next time around was guaranteed victory. Rod, although having accomplished literally nothing in his four years in the state legislature, had two things going for him: his innate political skills and his father-in-law. In many ways, Rod exemplified the distinction between the skill set needed to run for office and the skill set needed to serve in office. Rod was an incredible public speaker. Charismatic. Charming. Funny. Self-deprecating. He could go into a black church, sing gospel—unironically—and bring the place down. He knew what you wanted to hear and had no qualms saying it, regardless of what it was or whether he actually meant it. He could shine in a speech to the state legislature, at a union hall, and in a TV ad. His retail political skills were better than anyone I’d ever seen (except maybe Bill Clinton) and when you combined that with his ward boss father-in-law’s clout, beating more-qualified opponents to win the Democratic nomination to the House was within reach.
”
”
Bradley Tusk (The Fixer: My Adventures Saving Startups from Death by Politics)
“
Francisco's personal story is complex. Like my family, he lived through the brutal U.S.-backed civil war in El Salvador, experiencing imperialist political terror up close, watching his loved ones killed. Francisco has his own painful history, his own harmful patterns, his own demons to unpack, but also his own strengths. He is a powerful speaker and storyteller; he is funny, smart, and charismatic. When he has put his talents in service of his organizing and advocacy work, he is strikingly passionate and effective. On one level, he has harmed and betrayed people who trusted him. Yet on another he has demonstrated that he is willing to work to build a better world. He is a complex person, like all people, full of contradictions. I believe in a path back. I believe accountability can be a step toward greater wholeness, personally and as a movement.
”
”
Leah Lakshmi Piepzna-Samarasinha (Beyond Survival: Strategies and Stories from the Transformative Justice Movement)
“
Silence means the audience is listening to you.
”
”
David Nihill (Do You Talk Funny?: 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
“
See what everyone else is doing and don't do it.
”
”
David Nihill (Do You Talk Funny?: 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
“
He turned to his side, with the kind of creepily glazed look our eyeballs make when we’re alone in a room, brushing our teeth, chewing, or wiping our ass. His blanket was still wet with warm semen. He thought about his father. Then he remembered he needed to wash the clothes in the laundromat. His semen dripped and he thought about bird feeding. There was one bird who loved his safflower seeds. He ground his teeth and imagined what it was like to be born in Africa. He reflected on his most recent online English tutor lesson learning from a native speaker. He was fluent, but it paid to feel like you had a friend somewhere. Then he thought of peanut butter. The thoughts of the human mind transition so quickly that it only ever seems strange when we say it aloud to someone else. Otherwise, we’re all secretly freaks with our mouths shut. He laid there ugly.
”
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Kristian Ventura (The Goodbye Song)
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Change is a funny thing. Although most people say they want to change—so they can have a better life, with more love, more dreams, and more fun—the fact is that many of us are afraid of change. Faced with the real prospect of it, we look at our lives and decide that being where we are right now isn’t so bad, after all. Better the devil you know than the one you don’t, we tell ourselves. Tony Robbins, the great motivational speaker and coach, calls this attitude a kind of “no man’s land” of the soul. It’s a place where your life isn’t really that great, but it really isn’t that bad, either. It’s just so-so.
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David Bach (Smart Couples Finish Rich: 9 Steps to Creating a Rich Future for You and Your Partner)
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world had become. I’d dropped each joy, one by one, not noticing they were gone or really remembering I’d had them at all. I stopped listening to music, stopped dancing, stopped going on country drives. I stopped enjoying food, found no pleasure in good company, but instead a temporary lessening of misery, which made me a super-fun presence. Depression is so talented at turning you from a foodie into someone who wishes they could just eat a compressed nutrition bar every day, except about everything. I started to do and fall in love with all my favorite activities again, with gusto. I remembered what it was to put a new song I loved on repeat, to make little involuntary happy noises when biting into a soft ball of burrata, to push the Miata to 6,000 rpms, to rewrite Carly Rae Jepsen lyrics to be about my dog, to put on heels and a slip to mop while “Dangerous Woman” plays out of the speakers at full volume.
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Kelly Williams Brown (Easy Crafts for the Insane: A Mostly Funny Memoir of Mental Illness and Making Things)