Spacious Room Quotes

Most people think that they want spacious homes, but they don’t realize how the emptiness of a large room just amplifies the emptiness in a broken heart. And we’re all broken, in one way or another.

Charles sat in lone splendor on a huge couch in the middle of Angus's spacious living room--while the other ten or twelve people present made themselves at home on the other side of the room. Anna surveyed the scene. "Okay," she said. "Who's been being a grouch?

Hope locates itself in the premises that we don’t know what will happen and that in the spaciousness of uncertainty is room to act. When you recognize uncertainty, you recognize that you may be able to influence the outcomes–you alone or you in concert with a few dozen or several million others. Hope is an embrace of the unknown and knowable, a alternative to the certainty of both optimists and pessimists. Optimists think it will all be fine without our involvement; pessimists take the opposite position; both excuse themselves from acting. It’s the belief that what we do matters even though how and when it may matter, who and what it may impact, are not things we can know beforehand. We may not, in fact, know them afterward either, but they matter all the same, and history is full of people whose influence was most powerful after they were gone.

Tito had set up his headquarters in the Town Hall and Alix found him in a spacious room overlooking the main square. As always, he was dressed in the simple grey tunic and breeches of Partisan uniform, without any badges of rank or other decoration. It was enough that something in his bearing and in his eyes projected a natural authority. Lying under his desk was his Alsatian dog, Luks, his constant companion. He greeted her with a smile. ‘Ah, my flame of the forest! Come in. Sit, sit.’ Alix felt a warm flush of pleasure. The nickname was one Tito had coined for her in the course of the many battles they had fought and it signified a special relationship that had begun in the early days of the war, before they left Belgrade, when she had been able to bring a contingent of workers from her father’s estate to join the cause and, more importantly, with Drago’s help, reveal the location of arms handed out by the agents of the Special Operations Executive, (known to its members as SOE), to village heads in preparation for possible resistance. Tito had decided then that she was his lucky charm.

Thus the dream house must possess every virtue. How­ ever spacious, it must also be a cottage, a dove-cote, a nest, a chrysalis. Intimacy needs the heart of a nest. Erasmus, his biographer tells us, was long "in finding a nook in his fine house in which he could put his little body with safety. He ended by confining himself to one room until he could breathe the parched air that was necessary to him.

This was an attractive room, spacious and well designed, but it had the comfortably shabby air of a place whose inhabitants had long ago stopped seeing it.

Hope locates itself in the premises that we don't know what will happen and that in the spaciousness of uncertainty is room to act.

My job is to transcend my own agenda in order to see the wider context and my job is to cultivate the kind of spaciousness where permission is possible. I try to create the room in which everyone is both participating and responsible.

The walls and ceiling are a deep, dark burgundy, giving a womb-like effect to the spacious room,

the heaven to which Jesus points is the spaciousness within ourselves—one that makes room for those who threaten us, for those who are different, even for those who have betrayed us.

You once said you would like to sit beside me while I write. Listen, in that case I could not write (I can’t do much, anyway), but in that case I could not write at all. For writing means revealing oneself to excess; that utmost of selfrevelation and surrender, in which a human being, when involved with others, would feel he was losing himself, and from which, therefore, he will always shrink as long as he is in his right mind—for everyone wants to live as long as he is alive —even that degree of selfrevelation and surrender is not enough for writing. Writing that springs from the surface of existence— when there is no other way and the deeper wells have dried up—is nothing, and collapses the moment a truer emotion makes that surface shake. This is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough. This is why there is never enough time at one’s disposal, for the roads are long and it is easy to go astray, there are even times when one becomes afraid and has the desire—even without any constraint or enticement—to run back (a desire always severely punished later on), how much more so if one were suddenly to receive a kiss from the most beloved lips! I have often thought that the best mode of life for me would be to sit in the innermost room of a spacious locked cellar with my writing things and a lamp. Food would be brought and always put down far away from my room, outside the cellar’s outermost door. The walk to my food, in my dressing gown, through the vaulted cellars, would be my only exercise. I would then return to my table, eat slowly and with deliberation, then start writing again at once. And how I would write! From what depths I would drag it up! Without effort! For extreme concentration knows no effort. The trouble is that I might not be able to keep it up for long, and at the first failure—which perhaps even in these circumstances could not be avoided—would be bound to end in a grandiose fit of madness.

I'm discovering that once somebody physically moves out of your life, it's impossible for things not to change no matter how hard you try to keep them the same. The place you keep in your heart for that person is always there but it gets smaller and smaller, and I just moved my dad from a spacious loft to a cramped studio. The fact is, he has to make room in his heart for a new baby, and I suspect the place in his heart for me will get smaller too. How could it not?

Fanny's imagination had prepared her for something grander than a mere, spacious, oblong room, fitted up for the purpose of devotion—with nothing more striking or more solemn than the profusion of mahogany, and the crimson velvet cushions appearing over the ledge of the family gallery above. "I am disappointed, cousin," said she, in a low voice to Edmund. "This is not my idea of a chapel. There is nothing awful here, nothing melancholy, nothing grand. Here are no aisles, no arches, no inscriptions, no banners. No banners, cousin, to be 'blown by the night wind of Heaven.' No signs that a 'Scottish monarch sleeps below.

His hostess was one of those women who even in an overcrowded room can create a sense of spaciousness.

My Caprice was a spacious cruiser, well insulated from the world—one motored along the highways as if sitting in a middle-class living room equipped with an engine and tires.

they may prove well in lecture-rooms, yet not prove at all under the spacious clouds and along the landscape and flowing currents.

A great many of my thoughts fell into the ‘unhelpful and unproductive’ category. ‘If you’re worried about losing these creative thoughts,’ he gestured somewhat dismissively, ‘then where do you think they come from in the first place? Do those moments of inspiration come from cold, rational thinking, or do they arise from the stillness and the spaciousness of the mind? When the mind is always busy there’s no room for these thoughts to arise, so by training your mind you’ll actually make more space for these creative thoughts to arise. The point is, don’t be a slave to your mind. If you want to direct your mind and use it well, then good. But what use is the mind if it’s all over the place, with no sense of direction or stability?

Wisdom is a large and spacious thing. It needs plenty of free room. One must learn about things divine and human, the past and the future, the ephemeral and the eternal; and one must learn about Time.

Let us be women who Love. Let us be women willing to lay down our sword words, our sharp looks, our ignorant silence and towering stance and fill the earth now with extravagant Love. Let us be women who Love. Let us be women who make room. Let us be women who open our arms and invite others into an honest, spacious, glorious embrace. Let us be women who carry each other. Let us be women who give from what we have. Let us be women who leap to do the difficult things, the unexpected things and the necessary things. Let us be women who live for Peace. Let us be women who breathe Hope. Let us be women who create beauty. Let us be women who Love. Let us be a sanctuary where God may dwell. Let us be a garden for tender souls. Let us be a table where others may feast on the goodness of God. Let us be a womb for Life to grow. Let us be women who Love. Let us rise to the questions of our time. Let us speak to the injustices in our world. Let us move the mountains of fear and intimidation Let us shout down the walls that separate and divide. Let us fill the earth with the fragrance of Love. Let us be women who Love. Let us listen for those who have been silenced. Let us honor those who have been devalued. Let us say, Enough! with abuse, abandonment, diminishing and hiding. Let us not rest until every person is free and equal. Let us be women who Love. Let us be women who are savvy, smart and wise. Let us be women who shine with the light of God in us. Let us be women who take courage and sing the song in our hearts. Let us be women who say, Yes, to the beautiful, unique purpose seeded in our souls. Let us be women who call out the song in another’s heart. Let us be women who teach our children to do the same. Let us be women who Love. Let us be women who Love, in spite of fear. Let us be women who Love, in spite of our stories. Let us be women who Love loudly, beautifully, Divinely. Let us be women who Love.

People are built like houses inside- they have stairwells, spacious halls, vestibules that are always too weakly lit to count the doors into the rooms, row upon row of apartments, damp chambers, slimy, tiled bathrooms with cast-iron baths, steps with handrails taut as veins, artery-like corridors, joint-like landings, passages, guest rooms, draughty chambers into which a sudden current of warm air flows, closets, twists and turns and cubby-holes, and larders full of forgotten supplies.

The hall, the bedroom, the kitchen are all stuffed full of art and artifact. Only the living room—at the back of the apartment—is spacious and bare. No sofa or tables there, nothing but two large windows, an easel, and a stool. “This is where I do my living,” she said, when she

Rooms in one of those spacious old houses with the large windows facing the sun, and plenty of books—if I were that abstracted but happy form of reptile called a bookworm, which I believed I am prevented from being only by my sex, the genus, I am told, being persistently male, I would take care to spend at least one of my life’s winters in Putbus. How divinely quiet it would be. What a place for him who intends to pass an examination, to write a book, or who wants the crumples got by crushing together too long with his fellows to be smoothed out of his soul.

Hope locates itself in the premises that we don’t know what will happen and that in the spaciousness of uncertainty is room to act. When you recognize uncertainty, you recognize that you may be able to influence the outcomes–you alone or you in concert with a few dozen or several million others. Hope is an embrace of the unknown and unknowable, a alternative to the certainty of both optimists and pessimists. Optimists think it will all be fine without our involvement; pessimists take the opposite position; both excuse themselves from acting. It’s the belief that what we do matters even though how and when it may matter, who and what is may impact, are not things we can know beforehand. We may not, in fact, know them afterward either, but they matter all the same, and history is full of people whose influence was most powerful after they were gone.

I always imagined J.K. Rowling putting quill to a paper in a remote castle overlooking a spacious Scottish estate. Currently as I write this I am in my Star Wars/Marvel themed guest room,dressed in my Grumpy cat pajamas, and looking at dozens of half empty Diet Coke cans scattered across my desk.

The ideal of quiet and of genteel retirement, in 1835, was found in Washington Square, where the Doctor built himself a handsome, modern, wide-fronted house, with a big balcony before the drawing-room windows, and a flight of marble steps ascending to a portal which was also faced with white marble. This structure, and many of its neighbours, which it exactly resembled, were supposed, forty years ago, to embody the last results of architectural science, and they remain to this day very solid and honourable dwellings. In front of them was the Square, containing a considerable quantity of inexpensive vegetation, enclosed by a wooden paling, which increased its rural and accessible appearance; and round the corner was the more august precinct of the Fifth Avenue, taking its origin at this point with a spacious and confident air which already marked it for high destinies. I know not whether it is owing to the tenderness of early associations, but this portion of New York appears to many persons the most delectable. It has a kind of established repose which is not of frequent occurrence in other quarters of the long, shrill city; it has a riper, richer, more honourable look than any of the upper ramifications of the great longitudinal thoroughfare—the look of having had something of a social history.

The practicing artist is, by definition, someone who is able to build a life around his or her own creative work. Inevitably, such a person will have considered his or her attitude to time. What matters is not how much they actually have, but how best to inhabit it and make it spacious: how to allow room in which attention can take root.

All the way from locker room to board room, the boys and men of Beartown Ice Hockey Club are brought together by a single motto: "High ceilings and thick walls." Hard walls are as much a part of the game as high checks, but the building is solid and spacious enough to keep any fights that take place inside from spilling outside. That applies both on the ice and off of it because everyone needs to realize that the good of the club comes before anything else.

Being in love, however, is something we say yes to. It is a willing yielding into love’s presence. It is a conscious easing of defenses. When we accept the presence of love and give ourselves to it, we glimpse immense freedom and spaciousness. There is room to move around, unencumbered by fear and doubt. Being in love is like a breath of liberation for our spirits. It awakens our passion and inspires a vitality within us that we never knew we had. Love always seeks freedom; love wants to play.

The kitchen. Scent of cumin, ajwain and cardamom. On the table, a little pile of nutmeg. Thick, oily vapor rose from the pot on the stove. The room was warm and spacious, the window high and wide. Tiny drops of condensation covered the top of the glass. Smoke soared towards the ceiling in shafts of light. I noticed many shiny pots and pans hanging on the whitewashed walls. And strings of lal mirchi, and idli makers, and thalis, and conical molds for kulfi. In the corner the tandoor was ready. Its orange glow stirred in the utensils on the walls.

This bears relevance to the issue of our wholeness. Your nervous system is imprinted with the rhythms of the mechanical sounds in which it is immersed—your cells tugged by the frenzy of its jittery beat. You may not even realize how long it’s been since they’ve come truly to rest until you move so far into nature that you escape all audible evidence of machinery. If you can remain there long enough, you may feel the undercurrent of driving, repetitive white noise slowly leave your body, making room for the spacious orchestra of the wide world around you.

You are a passenger. We are all, often, passengers. The boat, history, is going somewhere. You are not the captain. But you have excellent accommodations. Of course, down there in the hold are famished immigrants or enslaved Africans or press-ganged tars. You can’t help them—you do feel sorry for them—and you can’t control the captain, either. Cosseted though you may be, you are actually quite powerless. A gesture on your part might relieve your bad conscience, if you have a bad conscience, but would not materially improve their situation. How would it help them to give up your own spacious cabin, with the room you require for your copious belongings, since, although those below have very few belongings, there are so many of them? The food you are eating would never be enough to feed all of them; indeed, if prepared with them in mind as well, it would no longer be as refined; and of course the view would be spoiled (crowds spoil a view, crowds litter, etc.). So you have no choice but to enjoy the excellent food and the view. Nevertheless, assuming you are not indifferent, you think a lot about what is going on. Even if it is not your responsibility, how can it be your responsibility, you are still a participant and a witness. (First- or second-class passengers, these are the points of view from which most accounts of history are written.) And if those being persecuted are those who might have had accommodations as agreeable as your own, people of your own rank or who have your interests, you are far less likely to be indifferent to their present distress. Of course, you cannot prevent them from being punished if they are in fact guilty. But, assuming you are not indifferent, that you are a decent person, you will try to intervene when you can. Counsel leniency. Or at least prudence. The

This Room and Everything in It" Lie still now while I prepare for my future, certain hard days ahead, when I’ll need what I know so clearly this moment. I am making use of the one thing I learned of all the things my father tried to teach me: the art of memory. I am letting this room and everything in it stand for my ideas about love and its difficulties. I’ll let your love-cries, those spacious notes of a moment ago, stand for distance. Your scent, that scent of spice and a wound, I’ll let stand for mystery. Your sunken belly is the daily cup of milk I drank as a boy before morning prayer. The sun on the face of the wall is God, the face I can’t see, my soul, and so on, each thing standing for a separate idea, and those ideas forming the constellation of my greater idea. And one day, when I need to tell myself something intelligent about love, I’ll close my eyes and recall this room and everything in it: My body is estrangement. This desire, perfection. Your closed eyes my extinction. Now I’ve forgotten my idea. The book on the windowsill, riffled by wind . . . the even-numbered pages are the past, the odd- numbered pages, the future. The sun is God, your body is milk . . . useless, useless . . . your cries are song, my body’s not me . . . no good . . . my idea has evaporated . . . your hair is time, your thighs are song . . . it had something to do with death . . . it had something to do with love.

God, yes. Please kiss me.” He does slam into me then. Half lifting me to press me into the hallway wall, whooshing the breath from my body and his lips at first travel along the pulse in my throat and move up to steal the breath out of me. We kiss as though it’s all we want to do in the world. His taste blooms through me, jig-sawing his lust to my own until I can’t see through the arousal I feel for him. We’re panting when we part, but not too far. My fingers in his hair restrict him from moving from my mouth and I moan for more. He grins at my neediness. “Do you have a preference, cara, bed or the couch in the den?” I blink. Assaulted with his scent, it’s a wonder I still know my own name having him this close. Gabriella. See, I do know it. “What?” “You’re right,” he says with a grunt to his tone, striding off with me in his arms and he takes a swift left and down another hallway before climbing his townhouse stairs two at a time to the next level. “The bed is more spacious; I need room for what I want to do to you. We’ll get around to the couch when I don’t want to fucking eat you alive.” Oh Oh. My whole being flatlines. “Dominic.” I sound like one of those breathy hussies, but I can’t help it. With a few words and the way his two hands are squeezing my butt, I’m on fire for him. He rushes his mouth against my neck, striding down a long white hallway upstairs. “I know, cara. I fucking know, hold on for a minute more.

You look very pretty,” said my mother at last, opening the conversation. “And how do you like being the wife of a master glass-maker here at Rougemont?” “Well enough,” replied Cathie, “but I find it rather fatiguing.” “No doubt,” said my mother, “and a great responsibility. How many workmen are employed here, and how many of them are married with families?” Cathie opened large eyes. “I have no idea,” she said. “I have never spoken to any of them.” I thought this would silence my mother, but she quickly recovered. “In that case,” she continued, “what do you do with your time?” Cathie hesitated. “I give orders to the servants,” she said, “and I watch them polish the floors. The rooms are very spacious, as you can see.” “I can indeed,” replied my mother. “No wonder you are fatigued.

the Man of Fancy preceded the company to another noble saloon, the pillars of which were solid golden sunbeams taken out of the sky in the first hour in the morning. Thus, as they retained all their living lustre, the room was filled with the most cheerful radiance imaginable, yet not too dazzling to be borne with comfort and delight. The windows were beautifully adorned with curtains made of the many-colored clouds of sunrise, all imbued with virgin light, and hanging in magnificent festoons from the ceiling to the floor. Moreover, there were fragments of rainbows scattered through the room; so that the guests, astonished at one another, reciprocally saw their heads made glorious by the seven primary hues; or, if they chose,—as who would not?—they could grasp a rainbow in the air and convert it to their own apparel and adornment. But the morning light and scattered rainbows were only a type and symbol of the real wonders of the apartment. By an influence akin to magic, yet perfectly natural, whatever means and opportunities of joy are neglected in the lower world had been carefully gathered up and deposited in the saloon of morning sunshine. As may well be conceived, therefore, there was material enough to supply, not merely a joyous evening, but also a happy lifetime, to more than as many people as that spacious apartment could contain.

He ran long at the White House, and arrived late to his next meeting with Hillary Clinton, Jake Sullivan and Frank Ruggiero—their first major strategy session on Taliban talks after the secret meeting with A-Rod. She was waiting in her outer office, a spacious room paneled in white and gilt wood, with tasseled blue and pink curtains and an array of colorfully upholstered chairs and couches. In my time reporting to her later, I only ever saw Clinton take the couch, with guests of honor in the large chair kitty-corner to her. She’d left it open for him that day. “He came rushing in. . . . ” Clinton later said. “And, you know, he was saying ‘oh I’m so sorry, I’m so sorry.’ ” He sat down heavily and shrugged off his coat, rattling off a litany of his latest meetings, including his stop-in at the White House. “That was typical Richard. It was, like, ‘I’m doing a million things and I’m trying to keep all the balls in the air,’ ” she remembered. As he was talking, a “scarlet red” flush went up his face, according to Clinton. He pressed his hands over his eyes, his chest heaving. “Richard, what’s the matter?” Clinton asked. “Something horrible is happening,” he said. A few minutes later, Holbrooke was in an ambulance, strapped to a gurney, headed to nearby George Washington University Hospital, where Clinton had told her own internist to prepare the emergency room. In his typically brash style, he’d demanded that the ambulance take him to the more distant Sibley Memorial Hospital. Clinton overruled him. One of our deputies on the SRAP team, Dan Feldman, rode with him and held his hand. Feldman didn’t have his BlackBerry, so he scrawled notes on a State Department expense form for a dinner at Meiwah Restaurant as Holbrooke dictated messages and a doctor assessed him. The notes are a nonlinear stream of Holbrooke’s indomitable personality, slashed through with medical realities. “Call Eric in Axelrod’s office,” the first read. Nearby: “aortic dissection—type A . . . operation risk @ > 50 percent”—that would be chance of death. A series of messages for people in his life, again interrupted by his deteriorating condition: “S”—Secretary Clinton—“why always together for medical crises?” (The year before, he’d been with Clinton when she fell to the concrete floor of the State Department garage, fracturing her elbow.) “Kids—how much love them + stepkids” . . . “best staff ever” . . . “don’t let him die here” . . . “vascular surgery” . . . “no flow, no feeling legs” . . . “clot” . . . and then, again: “don’t let him die here want to die at home w/ his fam.” The seriousness of the situation fully dawning on him, Holbrooke turned to job succession: “Tell Frank”—Ruggiero—“he’s acting.” And finally: “I love so many people . . . I have a lot left to do . . . my career in public service is over.” Holbrooke cracked wise until they put him under for surgery. “Get me anything you need,” he demanded. “A pig’s heart. Dan’s heart.

had spent more than a year writing a second draft of his book during the hours he wasn’t at one of his jobs. He worked late at night in a small room we’d converted to a study at the rear of our apartment—a crowded, book-strewn bunker I referred to lovingly as the Hole. I’d sometimes go in, stepping over his piles of paper to sit on the ottoman in front of his chair while he worked, trying to lasso him with a joke and a smile, to tease him back from whatever far-off fields he’d been galloping through. He was good-humored about my intrusions, but only if I didn’t stay too long. Barack, I’ve come to understand, is the sort of person who needs a hole, a closed-off little warren where he can read and write undisturbed. It’s like a hatch that opens directly onto the spacious skies of his brain. Time spent there seems to fuel him. In deference to this, we’ve managed to create some version of a hole inside every home we’ve ever lived in—any quiet corner or alcove will do. To this day, when we arrive at a rental house in Hawaii or on Martha’s Vineyard, Barack goes off looking for an empty room that can serve as the vacation hole. There, he can flip between the six or seven books he’s reading simultaneously and toss his newspapers on the floor. For him, the Hole is a kind of sacred high place, where insights are birthed and clarity comes to visit. For me, it’s an off-putting and disorderly mess. One requirement has always been that the Hole, wherever it is, have a door

Derrida says adieu to Ishmael and to democracy. He hears the salvation in the “Latinity” of ‘salut’. Perhaps we should learn enough Arabic for simple greetings, enough to say Ahlan wa sahlan and Marhaba. Marhaba, which is used as English speakers use ‘Hello,’ carries within it the idea that the one greeted is welcome, that there is plenty of room. Arabic words, like words in Hebrew, are formed from roots. Each root leads to a tree of words. The root of the word r-h-b gives us rahb, which means spacious or roomy but also ‘unconfined’ and ‘open-minded, broad-minded, frank, liberal.’ It is also the root of rahaba, the word for the public square. Marhaba is a good greeting for liberals, who at their open-minded, broad-minded best, can find that there is plenty of room in the public square. The Egyptian poet Farouk Mustafa translated Ahlan wa Sahlan as “you are among your people, and your keep is easy.” Like Marhaba, the greeting marks a welcome, a curious one. Ahlan wa sahlan is not saud simply to one’s own, to family and friends and fellow citizens. It is said to foreigners, to travelers, to people who are not, in the ordinary sense, one’s own. Like the American “Come in, make yourself at home”, it is said to people who are not at home, who might be turned away. The greeting recognizes a difference only to set it aside. Ahlan wa sahlan recognizes that there are different nations, and that they might find themselves in a foreign country, among an alien people. This greeting marks the possibility that the other, the alien, the wanderer, and the refugee might be met with welcome rather than with fear.

While the following tragedy may be revolting to read, it must not be forgotten that the existence of it is far more revolting. In Devonshire Place, Lisson Grove, a short while back died an old woman of seventy-five years of age. At the inquest the coroner's officer stated that all he found in the room was a lot of old rags covered with vermin. He had got himself smothered with the vermin. The room was in a shocking condition, and he had never seen anything like it. Everything was absolutely covered with vermin.' The doctor said: 'He found deceased lying across the fender on her back. She had one garment and her stockings on. The body was quite alive with vermin, and all the clothes in the room were absolutely gray with insects. Deceased was very badly nourished and was very emaciated. She had extensive sores on her legs, and her stockings were adherent to those sores. The sores were the result of vermin. Over her bony chest leaped and rolled hundreds, thousands, myriads of vermin.' A man present at the inquest wrote; 'I had the evil fortune to see the body of the unfortunate woman as it lay in the mortuary; and even now the memory of that gruesome sight makes me shudder. There she lay in the mortuary shell, so starved and emaciated that she was a mere bundle of skin and bones. Her hair, which was matted with filth, was simply a nest of vermin. If it is not good for your mother and my mother so to die, then it is not good for this woman, whosoever's mother she might be, so to die. Bishop Wilkinson, who has lived in Zululand, recently said, 'No headman of an African village would allow such a promiscuous mixing of young men and women, boys and girls.' He had reference to the children of the overcrowded folk, who at five have nothing to learn and much to unlearn which they will never unlearn. It is notorious that here in the Ghetto the houses of the poor are greater profit earners than the mansions of the rich. Not only does the poor worker have to live like a beast, but he pays proportionately more for it than does the rich man for his spacious comfort. A class of house-sweaters has been made possible by the competition of the poor for houses. There are more people than there is room, and numbers are in the workhouse because they cannot find shelter elsewhere. Not only are houses let, but they are sublet, and sub-sublet down to the very rooms.

The beginning point is that there is open space, belonging to no one. There is always primordial intelligence connected with the space and openness. Vidya, which means “intelligence” in Sanskrit—precision, sharpness, sharpness with space, sharpness with room in which to put things, exchange things. It is like a spacious hall where there is room to dance about, where there is no danger of knocking things over or tripping over things, for there is completely open space. We are this space, we are one with it, with vidya, intelligence, and openness. But if we are this all the time, where did the confusion come from, where has the space gone, what has happened? Nothing has happened, as a matter of fact. We just became too active in that space. Because it is spacious, it brings inspiration to dance about; but our dance became a bit too active, we began to spin more than was necessary to express the space. At this point we became self-conscious, conscious that “I” am dancing in the space. At such a point, space is no longer space as such. It becomes solid. Instead of being one with the space, we feel solid space as a separate entity, as tangible. This is the first experience of duality—space and I, I am dancing in this space, and this spaciousness is a solid, separate thing. Duality means “space and I,” rather than being completely one with the space. This is the birth of “form,” of “other.” Then a kind of blackout occurs, in the sense that we forget what we were doing. There is a sudden halt, a pause; and we turn around and “discover” solid space, as though we had never before done anything at all, as though we were not the creators of all that solidity. There is a gap. Having already created solidified space, then we are overwhelmed by it and begin to become lost in it. There is a blackout and then, suddenly, an awakening. When we awaken, we refuse to see the space as openness, refuse to see its smooth and ventilating quality. We completely ignore it, which is called avidya. A means “negation,” vidya means “intelligence,” so it is “un-intelligence.” Because this extreme intelligence has been transformed into the perception of solid space, because this intelligence with a sharp and precise and flowing luminous quality has become static, therefore it is called avidya, “ignorance.” We deliberately ignore. We are not satisfied just to dance in the space but we want to have a partner, and so we choose the space as our partner. If you choose space as your partner in the dance, then of course you want it to dance with you. In order to possess it as a partner, you have to solidify it and ignore its flowing, open quality. This is avidya, ignorance, ignoring the intelligence.

It’s all out in the Back Bay,” the reporter explained. “There is a big apartment house there, a fashionable establishment, in a side street, just off Commonwealth Avenue. It is five stories in all, and is cut up into small suites, of two and three rooms with a bath. These suites are handsomely, even luxuriously furnished, and are occupied by people who can afford to pay big rents. Generally these are young unmarried men, although in several cases they are husband and wife. It is a house of every modern improvement, elevator service, hall boys, liveried door men, spacious corridors and all that. It has both the gas and electric systems of lighting. Tenants are at liberty to use either or both.

Pause, reflect, admire, take heed of your ways—so these ancient tablets are always advising and exhorting us. One leaves the church marveling at the spacious days when unknown citizens could occupy so much room with their bones and confidently request so much attention for their virtues when we—behold how we jostle and skip and circumvent each other in the street, how sharply we cut corners, how nimbly we skip beneath motor cars. The mere process of keeping alive needs all our energy. We have no time, we were about to say, to think about life or death either, when suddenly we run against the enormous walls of St. Paul’s.

Let us be women who Love. Let us be women willing to lay down our sword words, our sharp looks, our ignorant silence and towering stance and fill the earth now with extravagant Love. Let us be women who Love. Let us be women who make room. Let us be women who open our arms and invite others into an honest, spacious, glorious embrace. Let us be women who carry each other. Let us be women who give from what we have. Let us be women who leap to do the difficult things, the unexpected things and the necessary things. Let us be women who live for Peace. Let us be women who breathe Hope. Let us be women who create beauty. Let us be women who Love. Let us be a sanctuary where God may dwell. Let us be a garden for tender souls. Let us be a table where others may feast on the goodness of God. Let us be a womb for Life to grow. Let us be women who Love. Let us rise to the questions of our time. Let us speak to the injustices in our world. Let us move the mountains of fear and intimidation. Let us shout down the walls that separate and divide. Let us fill the earth with the fragrance of Love. Let us be women who Love. Let us listen for those who have been silenced. Let us honour those who have been devalued. Let us say, Enough! with abuse, abandonment, diminishing and hiding. Let us not rest until every person is free and equal. Let us be women who Love. Let us be women who are savvy, smart, and wise. Let us be women who shine with the light of God in us. Let us be women who take courage and sing the song in our hearts. Let us be women who say, Yes to the beautiful, unique purpose seeded in our souls. Let us be women who call out the song in another’s heart. Let us be women who teach our children to do the same. Let us be women who Love. Let us be women who Love, in spite of fear. Let us be women who Love, in spite of our stories. Let us be women who Love loudly, beautifully, Divinely. Let us be women who Love.

Her office was a spacious room on the first floor, with a high ceiling and expansive windows.

People thought I was bad, but Kavi didn’t give two fucks who he put a bullet in. That nigga was a loose cannon. Charmaine and her grease monkey ass son better chill before we make room in Tal’s grave for they ass. The Muslims always say may yo’ grave be spacious, and ion know if they ass into Islam, but we can practice the spacious part in a couple of hours.

For Vanni and Paul, Joe designed a larger version of Paul’s house, but with changes that although slight, gave it a different appearance altogether, so it didn’t look like a copy and was better suited for a growing family. The features they loved were there—the wide hallways, spacious rooms, high ceilings, large garage. And it had to have more bedrooms—Paul was going to fill her with babies. He

He raised the leather curtain and showed us into the next room. “Little study” is not how I would have described it; it was spacious, with walls of exquisite antique shelving crammed with handsomely bound books all of venerable age. What impressed me more than the books were some small glass cases filled with objects hard to identify—they looked like stones. And there were little animals, whether stuffed, mummified, or delicately reproduced I couldn’t say. Everything was bathed in a diffuse crepuscular light that came from a large double-mullioned window at the end, with leaded diamond panes of transparent amber. The light from the window blended with that of a great lamp on a dark mahogany table covered with papers. It was one of those lamps sometimes found on reading tables in old libraries, with a dome of green glass that could cast a white oval on the page while leaving the surroundings in an opalescent penumbra. This play of two sources of light, both unnatural, somehow enlivened the polychrome of the ceiling. The ceiling was vaulted, supported on all four sides by a decorative fiction: little brick-red columns with tiny gilded capitals. The many trompe l’oeil images, divided into seven areas, enhanced the effect of depth, and the whole room had the feeling of a mortuary chapel, impalpably sinful, melancholy, sensual.

Lass, if I have you here for such a short time, I doona want to quarrel with you. For now, let me show you Kinevane.” He crossed to the thick curtains, opening them wide, then returned for her. Though she stiffened and leaned away, he lifted her into his arms, carrying her across the spacious room to the balcony. “You’ll be surprised to know that it’s still mine. No Walmart.

know my way around here now!” The group, impressed, followed Kells. “Why can’t I go, too?” Belinda asked. “Because I have plans for you, Miss Jessup,” he drawled. He caught her hand in his and led her toward the white frame house. “What sort of plans?” she asked suspiciously. He paused with a secretive grin. “What do you think?” He leaned closer, threatening her mouth with his, so that when he spoke she felt his clean, minty breath on her lips. “Well, I could be thinking about how big and soft the sofa in the living room is,” he murmured. “And how well two people would fit on it.” She could barely breathe. Her heart was thumping madly against her rib cage. “Or,” he added, lifting his head, “I might have something purely innocent in mind. Why not come with me and find out?” He tugged at her hand and she fell into step beside him, just when she’d told herself she wasn’t about to do that. He led her up the steps and into the house. It was cool and airy, with light colored furniture and sedate throw rugs. There were plain white priscilla curtains at the windows, and the kitchen was spacious and furnished in white and yellow. “It’s very nice,” she said involuntarily, turning around to look at her surroundings.

Most people think that they want spacious homes, but they don't realize how the emptiness of a large room just amplifies the emptiness in a broken heart.

The first time I walked through the spacious house, I didn't see possibility or a new start. I saw a big, empty space. These rooms looked like all I did not have, every room a challenge, rather than an opportunity.

Perhaps we all need to develop what Wendy Vanderwal-Gritter calls a “generous spaciousness”: The point is not to call for a watered-down discipleship. The point is we all need generous spaciousness in our walk with Christ. We all need room to live in the tension of the call to virtue and the longing for happiness. And we all need to find safety and grace in our friendships and community so that we don’t have to try figure this out alone.

Home life proceeded rather peacefully, with a tacit understanding of live and let live. The outside world was hard to cope with and thus the home became a haven. We lived in a small apartment: a bedroom, a living room that served also as a dining room, a big kitchen and a spacious entrance hall. I did not ask for a separate room since it was unrealistic to expect it.

We were divided into adoptive families, and there was always someone from the Kibbutz who accompanied us to immediately take care of any problem that might come up. The rooms we got were spacious wooden huts, and we were divided into two in each room. I adapted nicely after learning to switch on the boiler. I felt free in my room and the Kibbutz. I enjoyed my new place. Although I found it hard to work with the boiler, but with time I found a way to get used to the new situation. At Tiberias, heating water was done using electricity and solar panels installed on the roof, and here we heated water with a boiler, at least that is what they called the small device that operated on kerosene. In the tiny shower room there was a kind of boiler which, to me, looked like a threatening missile, and from it was an arrangement of dripping kerosene, that when it was burned, would heat the water. I loved hearing the noise the boiler made when it worked. The noise rose and fell  according to the pace of the kerosene drip. Sometimes, in my mind, I saw it taking off into the sky.

The small Chinese man sank onto the plush leather sofa. He sank so low on the large brown sofa, it looked like it would swallow him whole. He sat, clutching his briefcase close to his chest, his alert eyes scanning the spacious room. Opposite him, across a glass table sat a large African Minister in a freshly pressed Italian suit.

With room to breathe and room to think, we can live a more meaningful life. And this type of 'room' is not necessarily physical space; rather, it is the absence of all that is extraneous alongside the sweet feeling of liberation that comes with realising that you have enough, and that you are enough, just as you are. To put it another way, that you can become spacious in yourself as your home becomes your place to be fearless, completely at ease and absolutely splendid in your imperfections and obsessions.

Closing my eyes, I can see the main entrance, the paneled front windows, the wide portico and three gray-black speckled granite steps leading up to the massive front door of whisky-colored oak, often propped open by a heavy curling stone and often manned by one red-coated footman, and inside the spacious hall and its white stone floor, with gray star-shaped tiles, and the huge fireplace with its beautiful mantel of ornately carved dark wood, and to one side a kind of utility room, and to the left, by the tall windows, hooks for fishing rods and walking sticks and rubber waders and heavy waterproofs—so many waterproofs, because summer could be wet and cold all over Scotland, but it was biting in this Siberian nook—and then the light brown wooden door leading to the corridor with the crimson carpet and the walls papered in cream, a pattern of gold flock, raised like braille, and then the many rooms along the corridor, each with a specific purpose, like sitting or reading, TV or tea, and one special room for the pages, many of whom I loved like dotty uncles, and finally the castle’s main chamber, built in the nineteenth century, nearly on top of the site of another castle dating to the fourteenth century, within a few generations of another Prince Harry, who got himself exiled, then came back and annihilated everything and everyone in sight.

When we are married - and we will be married, I know we will, I see the long years of our marriage ahead like a great spacious welcoming firelit room - when we are married we shall have a house in London because I want to show you off. I want to wave you around in pride. We'll have that - but we'll also have Porlock, or somewhere like Porlock because we're going to want to be alone, and work, and shut the door on people...

The owner, Hugh Elliott, laid out a 1910 photograph of the drugstore when you could buy a freshly concocted purge or balm, or a fountain Bromo-Seltzer, or a dulcimer; although the pharmaceuticals were gone, you could still get a Bromo or a dulcimer (next to the Texas Instruments 1025 Memory Calculator). The photograph showed one other change: what had been a spacious room of several bent-steel chairs and tables was now top to bottom with merchandise. What had been a place of community was now a stuffed retail outlet. Across the nation, that change was the history of the soda fountain pharmacy.

Walter had seen failing bodies in the convalescent homes where his mom worked. But he didn’t imagine pushing a syringe into papery skin when he thought of his future. He didn’t think about what doctors actually did. He needed some profession. He’d once walked over a lawn to a classmate’s house. (The boy’s father, whom Walter had never met, was a cardiologist.) A recently groomed dog thumped its tail against the door, which opened to a spacious room of light and warm clutter. Walter wanted that.

at ease in the spacious and comfy room where his thoughts can move freely.

Self directed scholarship has an aesthetic dimension. For a long time I had on the wall of my study the following quote by Jacques Le Goff, the great French medievalist, who believes that the Renaissance came out of independent humanists, not professional scholars. He examined the striking contrast in period paintings, drawings and renditions that compare Medieval university members and humanists: “One is a professor surrounded and besieged by huddled students. The other is a solitary scholar, sitting in the tranquility and privacy of his chambers, at ease in the spacious and comfy room where his thoughts can move freely. Here we encounter the tumult of schools, the dust of classrooms, the indifference to beauty in collective workplaces,There, it is all order and beauty,Luxe, calme et volupté

The brownstone was full of light. The spacious living room designed in a quiet and unobtrusive Japanese style was sophisticated as well as cozy. The beige tones enhanced a peaceful, homey atmosphere.

The floor and bed were covered in baskets and bags filled with magazines and papers. When my client came home from work, she moved the things on her bed to the floor and when she woke up, she put them back on the bed to make a path to the door so she could go to work. Her lifestyle could not have been called “feminine” by any stretch of the imagination. “What do you mean by a ‘feminine lifestyle’?” I asked. She thought for a long moment before finally responding. “Well, when I come home from work, the floor would be clear of clutter … and my room, as tidy as a hotel suite with nothing obstructing the line of sight. I’d have a pink bedspread and a white antique-style lamp. Before going to bed, I would have a bath, burn aromatherapy oils, and listen to classical piano or violin while doing yoga and drinking herbal tea. I would fall asleep with a feeling of unhurried spaciousness.” Her

I stand by the door I neither go too far in nor stay too far out The door is the most important door in the world. It is the door through which men walk when they find God. There's no use in my going way inside and staying there ​ When so many are still outside and they, as much as I, crave to know where the door is And all that so many ever find is only the wall where a door ought to be. They creep along the wall like blind men with outstretched, groping hands Feeling for a door, knowing there must be a door, yet they never find it. So I stand by the door. The most tremendous thing in the world is for men to find that door - The door to God. The most important thing any man can do Is to take hold of one of those blind, groping hands and put it on the latch - The latch that only clicks and opens to the man's own touch. Men die outside that door As starving beggars die on cold nights in cruel cities in the dead of winter Die for want of what is within their grasp They live on the other side of it, live because they have found it Nothing else matters compared to helping them find it And open it and walk in and find Him. So I stand by the door. Go in great saints, go all the way in Go way down in the cavernous cellars and way into the spacious attics It is a vast roomy house, this house where God is. Go into the deepest of hidden casements of withdrawal, of silence, of sainthood Some must inhabit those inner rooms, And know the depths and heights of God And call outside to the rest of us how wonderful it is Sometimes I take a deeper look in, sometimes venture in a little farther But my place seems close to the opening So I stand by the door… I admire the people who go way in, But I wish they would not forget how it was before they got in Then they would be able to help the people who have not yet even found the door Or the people who want to run away from God again You can go in too deeply and stay in too long and forget the people outside the door As for me, I shall take my old accustomed place Near enough to God to hear Him and know He is there But not far from men as to not hear them and remember that they are there too. Where? Outside the door. Thousands of them, millions of them But more important for me, one of them, two of them, ten of them Whose hands I am intended to put on the latch So I shall stand by the door and wait for those who seek it. I had rather be a doorkeeper, so I stand by the door. — Samuel Shoemaker

What do you want your first impression of your home to be every day when you return? You don't have to face clutter and mess [in the garage], as you probably do now. Instead, you can experience spaciousness and order. What's even better is that it's going to be not just a practical reality but also a metaphor of the new life you are creating for yourself-- a life of openness, freedom, and opportunity.

The love was quiet and spacious, like emerging from a late afternoon nap in a still room on a warm summer day and opening your eyes to marvel at how far the sun has moved across the sky.

And Piglet was running, speeding, from one life to another. She was in the margins of her decisions, inhabiting the space in between. It felt oddly lonely, she noticed—or spacious, maybe—when there was enough room to spread out.

They sat in the spacious living room, reached by a series of steps that plunged the area below ground level. A glass roof opened onto a limpid, deep blue sky. It reminded Lucie of a kind of giant vivarium. Luc Szpilman uncapped a beer; his interlocutor opted for water. Somewhere in the house someone was playing a musical instrument. The notes danced, light and mesmerizing.

Hope locates itself in the premises that we don’t know what will happen and that in the spaciousness of uncertainty is room to act. When you recognize uncertainty, you recognize that you may be able to influence the outcomes–you alone or you in concert with a few dozen or several million others. Hope is an embrace of the unknown and unknowable, an alternative to the certainty of both optimists and pessimists. Optimists think it will all be fine without our involvement; pessimists take the opposite position; both excuse themselves from acting. It’s the belief that what we do matters even though how and when it may matter, who and what it may impact, are not things we can know beforehand. We may not, in fact, know them afterward either, but they matter all the same, and history is full of people whose influence was most powerful after they were gone.

In a city as cramped as London was at that time, they were lucky to have the spacious apartment they did, including the hidden archive room that Matthew revealed to Diana, decorated with strange hanging files filled with de Clermont family secrets.

warm, spacious drawing room. The walls were lined with double-paned casement windows

Paradoxically, shared silence also creates harmonies. Silences in our culture and families are often a bad sign, that we’re not speaking to each other, and silences can be hollow, as in childhood when we were sent to our rooms, or as in adulthood, with words that cannot be spoken. The hard silence between frustrated people always feels cluttered. But holy silence is spacious and inviting. You can drink it down. We offer it to ourselves when we work, rest, meditate, bike, read. When we hike by ourselves, we hear a silence still pristine with crunching leaves and birdsong. Silence can be a system of peace, which is mercy, easily offered to a friend needing quiet, harder when the person is one’s own annoying self.

Peter Sloterdijk, in his 2005 book Im Weltinnenraum (In the World Interior of Capital), agreed with Benjamin that capitalism functions, in part, by creating exclusive spaces to keep out the undesirable and unmoneyed – be they gated estates, malls with security guards, or fortress Europe – but denied that such grand interiors of capital contained any hope for a better world. Indeed, Sloterdijk argued that another, grander capitalist temple of glass and steel, namely Joseph Paxton’s Crystal Palace built to house the Great Exhibition of 1851 in London, was a better, but less hopeful, metaphor for capitalism. ‘The arcades formed a canopied intermezzo between streets or squares’, wrote Sloterdijk, ‘the crystal palace, on the other hand invoked the idea of an enclosure so spacious that one might never have to leave it.’18 Inside the Palace, the world’s most diverting flora, fauna and industrial products were displayed under climate controlled, obligingly sanitary conditions under one roof, thus precluding the necessity for travel, while whatever remained outside (war, genocide, slavery, unpleasant tropical diseases) dwindled into irrelevance. In that respect, Crystal Palace rather than the Parisian arcade was the blueprint for how capitalism has functioned since. ‘Who can deny’, Sloterdijk wrote, ‘that in its primary aspects, the western world – especially the European Union – embodies such a great interior today?’19 In The Arcades Project, Benjamin took the bourgeois drawing room to be emblematic of private space under early capitalism, one in which the private citizen could hole up from the irksome world; under late capitalism, for Sloterdijk, the exclusion zone had expanded from drawing room to the size of a continent.

As an alchemist of God’s grace, I was allowed into the most private rooms of people’s lives, which gave me a more spacious heart.

While we slept five-to-a-room, priests had nice, spacious houses. The parish priest's was by far the grandest on the estate. Even better, groups of curates lived together in what seemed to a ten-year-old boy the perfect circle of male pals. Priests had housekeepers to look after them – like having a mammy who was not the boss of you. They had cars – very rare in Crumlin. And they had prestige – people looked up to them and they could wander into any house at will for a cup of tea or a plate of rashers and eggs.

Dreaming of a Basement Remodel? Discover Its Potential and Cost with a Cost Calculator With our Cost Calculator, You’ll Get a Glimpse of Your Basement's Transformation Cost. Something is enticing about the idea of turning an often under-utilized basement into a uniquely yours space. For many homeowners, the basement represents untapped potential, a blank canvas awaiting your personal touch. Yet, as the wheels of inspiration start to turn, concerns about costs often bubble up. You're left wondering, "How much will my dream basement remodel cost?" Picture Your Dream Remodel Before delving into the numbers, let's help you visualize the possibilities. Here are some ideas to fuel your imagination: Entertainment Haven: Imagine a high-tech home theater with plush reclining chairs, surround sound, and a popcorn machine in the corner. Add a mini-bar and a pool table, and you have the ultimate entertainment zone. Home Gym: Why pay for a gym membership when you can have a personal workout space downstairs? Fit it out with your favorite equipment, a wall of mirrors, and even a sauna for post-workout relaxation. Personal Library: Floor-to-ceiling bookshelves, a cozy fireplace, comfy chairs, and warm lighting. Your basement can become the quiet escape where you dive into your favorite novels. Guest Suite: Create a luxurious guest room with an attached bath. It's not just a space for your guests; it's a retreat they'll rave about. Kid’s Playroom: Bright colors, creative storage solutions, and a place for all the toys. The basement can be the perfect place for your kids to let their imaginations run wild. Craft or Art Studio: With ample storage, good lighting, and spacious tables, your basement can transform into a sanctuary for all your creative pursuits. Each idea is an invitation to dream, to envision what your basement can become. Each idea is customizable and tailored to fit your tastes and the specific quirks of your space. Estimating: Dive into the Numbers with Our Cost Calculator Dreams are priceless, but bringing them to reality has a price tag. This is where most homeowners pause, anxiety creeping in. But fear not! Figuring out the costs doesn't mean letting go of your dream. Instead, it's about making informed decisions, adjusting as needed, and moving forward with clarity and confidence. To ease this process, we have a solution for you. If you're curious about how far your money will go and want an estimate tailored to your vision, we've got you covered. Use our Cost Calculator to get an approximate figure for your dream basement remodel. Remember, every dream remodel begins with an idea and a vision. And while costs are essential, the joy and value of a beautifully remodeled basement can far outweigh the investment. Start dreaming, start planning, and let us help you make it a reality! Stay Connected & See Our Credibility Firsthand!

Hope locates itself in the premises that we don’t know what will happen and that in the spaciousness of uncertainty is room to act. When you recognize uncertainty, you recognize that you may be able to influence the outcomes—you alone or you in concert with a few dozen or several million others. Hope is an embrace of the unknown and the unknowable, an alternative to the certainty of both optimists and pessimists. Optimists think it will all be fine without our involvement; pessimists take the opposite position; both excuse themselves from acting. It’s the belief that what we do matters even though how and when it may matter, who and what it may impact, are not things we can know beforehand. We may not, in fact, know them afterward either, but they matter all the same, and history is full of people whose influence was most powerful after they were gone.

Woe to him who builds his house by unrighteousness, and his upper rooms by injustice; who makes his neighbors work for nothing, and does not give them their wages; who says, “I will build myself a spacious house with large upper rooms,” and who cuts out windows for it, paneling it with cedar, and painting it with vermilion. Are you a king because you compete in cedar? Did not your father eat and drink and do justice and righteousness? Then it was well with him. He judged the cause of the poor and needy; then it was well. Is not this to know me? says the LORD. But your eyes and heart are only on your dishonest gain, for shedding innocent blood, and for practicing oppression and violence.

It seems to me that spaciousness comes to us in three primary ways. First, it appears as spaciousness of form: physical, geographic spaces like the wide openness of fields, water, and sky and the welcoming simplicity of uncluttered rooms. Second, it comes as spaciousness of time: pauses in activity when we are freed from tasks, agendas, and other demands. Third, we encounter spaciousness of soul. This is inner emptiness, the room inside our hearts, the unfulfilled quality of our consciousness.

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