Souvenir T Shirt Quotes

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Patch was dressed in the usual: black shirt, black jeans and a thin silver necklace that flashed against his dark complexion. His sleeves were pushed up his forearms, and I could see his muscles working as he punched buttons. He was tall and lean and hard, and I wouldn't have been surprised if under his clothes he bore several scars, souvenirs from street fights and other reckless behavior. Not that I wanted a look under his clothes.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
What exactly did you find in Atlanta?” Frank unzipped his backpack and started bringing out souvenirs. “Some peach preserves. A couple of T-shirts. A snow globe. And, um, these not-really-Chinese handcuffs.” Annabeth forced herself to stay calm. “How about you start from the top—of the story, not the backpack.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
And these?” I crooned as I fingered his nipple rings. “Something of a souvenir from Fiji.” “You couldn’t just get a t-shirt?
Priscilla West (Forbidden Surrender (Forever, #1))
I used to have this fantasy that in some distant Star Wars sequel, we’d finally stop all the shooting and screaming at each other and would go to a shopping-and-beauty planet, where the stormtroopers would have to get facials, and Chewbacca would have to get pedicures and bikini and eyebrow waxes. I felt at some point that I should get—okay, fine, maybe not equal time—but just a few scenes where we all did a lot of girly things. Imagine the shopping we might have done on Tatooine! Or a little Death Star souvenir shop where you could get T-shirts that said “My parents got the force and jumped to light speed and all I got was this lousy t-shirt!” or “My boyfriend blew Jabba the Hutt and all I got” . . . etc., etc. You get the gist of my drift.
Carrie Fisher (Wishful Drinking)
When, during the course of an interview for The New Yorker, I told the interviewer (Mark Singer) that I believed stories are found things, like fossils in the ground, he said that he didn't believe me. I replied that that was fine, as long as he believed that I believe it. And I do. Stories aren't souvenir tee-shirts or GameBoys. Stories are relics, part of an undiscovered pre-existing world. The writer's job is to use the tools in his or her toolbox to get as much of each one out of the ground intact as possible. Sometimes the fossil you uncover is small; a seashell. Sometimes it's enormous, a Tyrannosaurus Rex with all those gigantic ribs and grinning teeth. Either way, short story or thousand-page whopper of a novel, the techniques of excavation remain basically the same.
Stephen King
Frida Kahlo, San Miguel, Ash Wednesday You faded so long ago but here in the souvenir arcade you’re everywhere: the printed cotton bags, the pierced tin boxes, the scarlet T-shirts, the beaded crosses; your coiled braids, your level stare, your body of a deer or martyr. It’s a meme you can turn into if your ending’s strange enough and ardent, and involves much pain. The rope of a hanged man brings good luck; saints dangle upside down or offer their breasts on a plate and we wear them, we invoke them, insert them between our flesh and danger. Fireworks, two streets over. Something’s burning somewhere, or did burn, once. A torn silk veil, a yellowing letter: I’m dying here. Love on a skewer, a heart in flames. We breathe you in, thin smoke, grief in the form of ashes. Yesterday the children smashed their hollowed eggs on the heads of others, baptizing them with glitter. Shell fragments litter the park like the wings of crushed butterflies, like sand, like confetti: azure, sunset, blood, your colours.
Margaret Atwood (Dearly: New Poems)
En rentrant lentement à la maison, Alain observait les jeunes filles qui, toutes, montraient leur nombril dénudé entre le pantalon ceinturé très bas et le tee-shirt coupé très court. Comme si leur pouvoir de séduction ne se concentrait plus dans leurs cuisses, ni dans leurs fesses, ni dans leurs seins, mais dans ce petit trou rond situé au milieu du corps. Je me répète? Je commence ce chapitre par les mêmes mots que j’ai employés au tout début de ce roman? Je le sais. Mais même si j’ai déjà parlé de la passion d’Alain pour l’énigme du nombril, je ne veux pas cacher que cette énigme le préoccupe toujours, comme vous êtes vous aussi préoccupes pendant des mois, sinon des années, par les mêmes problèmes (certainement beaucoup plus nuls que celui qui obsède Alain). En déambulant dans les rues, donc, il pensait souvent au nombril, sans gêne de se répéter, et même avec une étrange obstination; car le nombril réveillait en lui un lointain souvenir: le souvenir de sa dernière rencontre avec sa mère.
Milan Kundera (The Festival of Insignificance)
People are trying to get in?” “Sure. Just like that guy on the train. Curiosity seekers, freelance writers, photographers. It’s amazing. It’s barely been a day, Alice, and already the ghouls are descending. I figure by tomorrow someone’ll be selling T-shirts and souvenir beer mugs.
Chet Williamson (A Haunting of Horrors: A Twenty-Novel eBook Bundle of Horror and the Occult)
I’m Captain Florida, the state history pimp Gatherin’ more data than a DEA blimp West Palm, Tampa Bay, Miami-Dade Cruisin’ the coasts till Johnny Vegas gets laid Developer ho’s, and the politician bitches Smackin’ ’em down, while I’m takin’ lots of pictures Hurricanes, sinkholes, natural disaster ’Scuse me while I kick back, with my View-Master (S:) I’m Captain Florida, obscure facts are all legit (C:) I’m Coleman, the sidekick, with a big bong hit (S:) I’m Captain Florida, staying literate (C:) Coleman sees a book and says, “Fuck that shit” Ain’t never been caught, slippin’ nooses down the Keys Got more buoyancy than Elián González Knockin’ off the parasites, and takin’ all their moola Recruiting my apostles for the Church of Don Shula I’m an old-school gangster with a psycho ex-wife Molly Packin’ Glocks, a shotgun and my 7-Eleven coffee Trippin’ the theme parks, the malls, the time-shares Bustin’ my rhymes through all the red-tide scares (S:) I’m the surge in the storms, don’t believe the hype (C:) I’m his stoned number two, where’d I put my hash pipe? (S:) Florida, no appointments and a tank of gas (C:) Tequila, no employment and a bag of grass Think you’ve seen it all? I beg to differ Mosquitoes like bats and a peg-leg stripper The scammers, the schemers, the real estate liars Birthday-party clowns in a meth-lab fire But dig us, don’t diss us, pay a visit, don’t be late And statistics always lie, so ignore the murder rate Beaches, palm trees and golfing is our curse Our residents won’t bite, but a few will shoot first Everglades, orange groves, alligators, Buffett Scarface, Hemingway, an Andrew Jackson to suck it Solarcaine, Rogaine, eight balls of cocaine See the hall of fame for the criminally insane Artifacts, folklore, roadside attractions Crackers, Haitians, Cuban-exile factions The early-bird specials, drivin’ like molasses Condo-meeting fistfights in cataract glasses (S:) I’m the native tourist, with the rants that can’t be beat (C:) Serge, I think I put my shoes on the wrong feet (S:) A stack of old postcards in another dingy room (C:) A cold Bud forty and a magic mushroom Can’t stop, turnpike, keep ridin’ like the wind Gotta make a detour for a souvenir pin But if you like to litter, you’re just liable to get hurt Do ya like the MAC-10 under my tropical shirt? I just keep meeting jerks, I’m a human land-filler But it’s totally unfair, this term “serial killer” The police never rest, always breakin’ in my pad But sunshine is my bling, and I’m hangin’ like a chad (S:) Serge has got to roll and drop the mike on this rap . . . (C:) Coleman’s climbin’ in the tub, to take a little nap . . . (S:) . . . Disappearin’ in the swamp—and goin’ tangent, tangent, tangent . . . (C:) He’s goin’ tangent, tangent . . . (Fade-out) (S:) I’m goin’ tangent, tangent . . . (C:) Fuck goin’ platinum, he’s goin’ tangent, tangent . . . (S:) . . . Wikipedia all up and down your ass . . . (C:) Wikity-Wikity-Wikity . . .
Tim Dorsey (Electric Barracuda (Serge Storms #13))
The maneless male lions—eventually shot by a railroad engineer, Colonel John H. Patterson (portrayed by Val Kilmer, Boulder’s Hamlet, in the 1996 movie The Ghost and the Darkness)—now reside, stuffed, at Chicago’s Field Museum, where one can purchase souvenir mugs, posters, and T-shirts displaying the killers in an innocuous, colorful, Lion King–style graphic. Leopards,
David Baron (The Beast in the Garden: A Modern Parable of Man and Nature)
I suppose you must feel some bitterness against the historians," Roger ventured. "All the writers who got it wrong--made him out to be a hero. I mean, you can't go anywhere in the Highlands without seeing the Bonnie Prince on toffee tins and souvenir tourist mugs." Claire shook her head, gazing off in the distance. The evening mist was growing heavier, the bushes beginning to drip again from the tips of their leaves. "Not the historians. No, not them. Their greatest crime is that they presume to know what happened, how things come about, when they only have what the past chose to leave them behind--for the most part, they think what they were meant to think, and it's a rare one that sees what really happened, behind the smokescreen of artifacts and paper." There was a faint rumble in the distance. The evening passenger train from London, Roger knew. You could hear the whistle from the manse on clear nights. "No, the fault lies with the artists," Claire went on. The writers, the singers, the tellers of tales. It's them that take the past and re-create it to their liking. Them that could take a fool and give you back a hero, take a sot and make him a king." "Are they all liars, then?" Roger asked. Claire shrugged. In spite of the chilly air, she had taken off the jacket to her suit; the damp molded the cotton shirt to show the fineness of collarbone and shoulder blades. "Liars?" she asked. "Or sorcerers? Do they see the bones in the dust of the earth, see the essence of a thing that was, and clothe it in new flesh, so the plodding beast reemerges as a fabulous monster?
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
This project may be preceeded or followed by the clothing organization steps found in the next section of this book. ORGANIZE CLOTHING examples of storage bedroom closet (walk-in or standard) dresser armoire underbed storage boxes trunk or storage ottoman nightstand supplies needed trash bags/recycling bin, donation box, relocation box, fix-it box spray cleaner and cleaning cloth broom and dust pan and/or vacuum storage containers label maker and/or tags to hang from containers/baskets time commitment 4–10 hours quick assessment questions What are the main categories of clothing? What items could be placed in off-season storage? What types of things need quick and instant access? potential goals for this space make getting ready in the morning a snap make it easier to put away clothing in the evening and on laundry day get rid of clothing that no longer fits create a new wardrobe make the closet visually appealing quick-toss list any clothing that is stained or ripped shoes that are past their prime clothing left over from the high school years (unless, of course, you’re still in high school) souvenir t-shirts broken jewelry socks without mates underwear that has lost its elasticity dry-cleaner hangers and plastic bags storage containers bins/boxes/baskets that are open-top bins/boxes/baskets with lids
Sara Pedersen (Learn to Organize: A Professional Organizer’s Tell-All Guide to Home Organizing)
potential goals for this space make getting ready in the morning a snap make it easier to put away clothing in the evening and on laundry day get rid of clothing that no longer fits create a new wardrobe make the closet visually appealing quick-toss list any clothing that is stained or ripped shoes that are past their prime clothing left over from the high school years (unless, of course, you’re still in high school) souvenir t-shirts broken jewelry socks without mates underwear that has lost its elasticity dry-cleaner hangers and plastic bags storage containers bins/boxes/baskets that are open-top bins/boxes/baskets with lids double
Sara Pedersen (Learn to Organize: A Professional Organizer’s Tell-All Guide to Home Organizing)
What exactly did you find in Atlanta?’ Frank unzipped his backpack and starting bringing out souvenirs. ‘Some peach preserves. A couple of T-shirts. A snow globe. And, um, these not-really-Chinese handcuffs.’ Annabeth forced herself to stay calm. ‘How about you start from the top – of the story, not the backpack.
Rick Riordan (The Mark of Athena (Heroes of Olympus, #3))
Later, I sat down drunk on the corner of Carondelet and Canal Streets, listening for the rumble of the streetcar that would take me back uptown to my apartment, watching the evening sun bleed from the streets, the city shifting into night, when it truly became New Orleans: the music, the constant festival, the smell of late evening dinners pouring out, layering the beer-soaked streets, prostitutes, clubs with DJs, rowdy gay bars, dirty strip clubs, the insane out for a walk, college students vomiting in trash cans, daiquiri bars lit up like supermarkets, washing-machine-sized mixers built into the wall spinning every color of daiquiri, lone trumpet players, grown women crying, clawing at men in suits, portrait painters, spangers (spare change beggars), gutter punks with dogs, kids tap-dancing with spinning bike wheels on their heads, the golden cowboy frozen on a milk crate, his golden gun pointed at a child in the crowd, fortune-tellers, psycho preachers, mumblers, fighters, rock-faced college boys out for a date rape, club chicks wearing silver miniskirts, horse-drawn carriages, plastic cups piling against the high curbs of Bourbon Street, jazz music pressing up against rock-and-roll cover bands, murderers, scam artists, hippies selling anything, magic shows and people on unicycles, flying cockroaches the size of pocket rockets, rats without fear, men in drag, business execs wandering drunk in packs, deciding not to tell their wives, sluts sucking dick on open balconies, cops on horseback looking down blouses, cars wading across the river of drunks on Bourbon Street, the people screaming at them, pouring drinks on the hood, putting their asses to the window, whole bars of people laughing, shot girls with test tubes of neon-colored booze, bouncers dragging skinny white boys out by their necks, college girls rubbing each other’s backs after vomiting tequila, T-shirts, drinks sold in a green two-foot tube with a small souvenir grenade in the bottom, people stumbling, tripping, falling, laughing on the sidewalk in the filth, laughing too hard to stand back up, thin rivers of piss leaking out from corners, brides with dirty dresses, men in G-strings, mangy dogs, balloon animals, camcorders, twenty-four-hour 3-4-1, free admission, amateur night, black-eyed strippers, drunk bicyclers, clouds of termites like brown mist surrounding streetlamps, ventriloquists, bikers, people sitting on mailboxes, coffee with chicory, soul singers, the shoeless, the drunks, the blissful, the ignorant, the beaten, the assholes, the cheaters, the douche bags, the comedians, the holy, the broken, the affluent, the beggars, the forgotten, and the soft spring air pregnant with every scent created by such a town.
Jacob Tomsky (Heads in Beds: A Reckless Memoir of Hotels, Hustles, and So-Called Hospitality)
Before I could do any sleuthing, though, I still had the question of Uncle Louis.
Christy Fifield (Murder Buys a T-shirt (A Haunted Souvenir Shop Mystery #1))