Sos Quotes

We've searched our database for all the quotes and captions related to Sos. Here they are! All 100 of them:

I don't like ass kissers, flag wavers or team players. I like people who buck the system. Individualists. I often warn people: "Somewhere along the way, someone is going to tell you, 'There is no "I" in team.' What you should tell them is, 'Maybe not. But there is an "I" in independence, individuality and integrity.'" Avoid teams at all cost. Keep your circle small. Never join a group that has a name. If they say, "We're the So-and-Sos," take a walk. And if, somehow, you must join, if it's unavoidable, such as a union or a trade association, go ahead and join. But don't participate; it will be your death. And if they tell you you're not a team player, congratulate them on being observant.
George Carlin
Pero el amor, esa palabra... Moralista Horacio, temeroso de pasiones sin una razón de aguas hondas, desconcertado y arisco en la ciudad donde el amor se llama con todos los nombres de todas las calles, de todas las casas, de todos los pisos, de todas las habitaciones, de todas las camas, de todos los sueños, de todos los olvidos o los recuerdos. Amor mío, no te quiero por vos ni por mí ni por los dos juntos, no te quiero porque la sangre me llame a quererte, te quiero porque no sos mía, porque estás del otro lado, ahí donde me invitás a saltar y no puedo dar el salto, porque en lo más profundo de la posesión no estás en mí, no te alcanzo, no paso de tu cuerpo, de tu risa, hay horas en que me atormenta que me ames (cómo te gusta usar el verbo amar, con qué cursilería lo vas dejando caer sobre los platos y las sábanas y los autobuses), me atormenta tu amor que no me sirve de puente porque un puente no se sostiene de un solo lado...
Julio Cortázar
Amor mío, no te quiero por vos ni por mí ni por los dos juntos, no te quiero porque la sangre me llame a quererte, te quiero porque no sos mía, porque estás del otro lado, ahí donde me invitás a saltar y no puedo dar el salto, porque en lo más profundo de la posesión no estás en mí, no te alcanzo, no paso de tu cuerpo, de tu risa, hay horas en que me atormenta que me ames (cómo te gusta usar el verbo amar, con qué cursilería lo vas dejando caer sobre los platos y las sábanas y los autobuses), me atormenta tu amor que no me sirve de puente porque un puente no se sostiene de un solo lado.
Julio Cortázar
Mi táctica es mirarte aprender como sos quererte como sos mi táctica es hablarte y escucharte construir con palabras un puente indestructible mi táctica es quedarme en tu recuerdo no sé cómo ni sé con qué pretexto pero quedarme en vos mi táctica es ser franco y saber que sos franca y que no nos vendamos simulacros para que entre los dos no haya telón ni abismos mi estrategia es en cambio más profunda y más simple mi estrategia es que un día cualquiera no sé cómo ni sé con qué pretexto por fin me necesites
Mario Benedetti
Are you sure, sweetheart, that you want to be well?… Just so’s you’re sure, sweetheart, and ready to be healed, cause wholeness is no trifling matter. A lot of weight when you’re well.
Toni Cade Bambara (The Salt Eaters)
Amor mío, no te quiero por vos ni por mí ni por los dos juntos, no te quiero porque la sangre me llame a quererte, te quiero porque no sos mía, porque estás del otro lado, ahí donde me invitás a saltar y no puedo dar el salto, porque en lo más profundo de la posesión no estás en mí, no te alcanzo, no paso de tu cuerpo, de tu risa,
Julio Cortázar (Hopscotch)
Human rights, dissidence, antiracism, SOS-this, SOS-that: these are soft, easy, post coitum historicum ideologies, 'after-the-orgy' ideologies for an easy-going generation which has known neither hard ideologies nor radical philosophies. The ideology of a generation which is neo-sentimental in its politics too, which has rediscovered altruism, conviviality, international charity and the individual bleeding heart. Emotional outpourings, solidarity, cosmopolitan emotiveness, multi-media pathos: all soft values harshly condemned by the Nietzschean, Marxo-Freudian age... A new generation, that of the spoilt children of the crisis, whereas the preceding one was that of the accursed children of history.
Jean Baudrillard (Cool Memories)
If you'd just learn to do as I say from the beginning, I wouldn't have to follow up your errors with reproving smirks and repeated I-told-you-sos.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Do I look like I know how to twerk? I'm a small blonde boy.
Ashton Irwin of 5SOS
Mi táctica es mirarte aprender como sos quererte como sos Mi táctica es hablarte y escucharte construir con palabras un puente indestructible Mi táctica es quedarme en tu recuerdo no sé cómo ni sé con qué pretexto pero quedarme en vos Mi táctica es ser franco y saber que sos franca y que no nos vendamos simulacros para que entre los dos no haya telón ni abismos Mi estrategia es en cambio más profunda y más simple Mi estrategia es que un día cualquiera no sé cómo ni sé con qué pretexto por fin me necesites.
Mario Benedetti (Inventario uno: Poesía completa, 1950-1985)
Curtain Opened, Heard the Crowd Roar
5 Seconds of Summer (5 Seconds of Summer: Hey, Let’s Make a Band!: The Official 5SOS Book)
But it was for your own good.” – Nick “So’s the spanking I’m about to give you.” – Cherise “I’m too big to spank.” – Nick “Fine, you’re grounded until your grandkids are old.” – Cherise “Kind of hard to do. How am I supposed to have grandkids if I’m grounded?” – Nick “Precisely my point, you demon spawn. You’re never going to get off restriction.” – Cherise
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
Find something that makes you happy and don’t let anyone take it away from you.
Luke Hemmings
Just keeping being you. Don't worry what people think. Being you is cool, okay?
Ashton Irwin
The clock in the wireless shack said 12:45 A.M. when the Titanic sent the first SOS call in history.
Walter Lord (A Night to Remember)
Never look down unless you're helping them up.
Calum Hood
Never ever give up the fight
Ashton Irwin
The first song I learned from start to finish was that awful tune ‘Ode to Joy’ – you probably would have heard it at school.
5 Seconds of Summer (5 Seconds of Summer: Hey, Let’s Make a Band!: The Official 5SOS Book)
Real bands save fans, real fans save bands.
Michael Clifford
Books’ve got to have a name on ’em so’s everyone knows who’s guilty.
Terry Pratchett (Maskerade (Discworld, #18))
Just remember, Harry, I told you this was a bad idea.” “Preemptive I-told-you-sos,” I said. “Now I’ve seen everything.
Jim Butcher (Summer Knight (The Dresden Files, #4))
Тонкините морзови знаци - тиренцето на късия нос и двете точки на очите - вкупом изписваха SOS: помогнете ми, кажете ми какво става ...
Петя Караколева (Къщата сутрин)
It goes on,” Tuck repeated, “to the ocean. But this rowboat now, it’s stuck. If we didn’t move it out ourself, it would stay here forever, trying to get loose, but stuck. That’s what us Tucks are, Winnie. Stuck so’s we can’t move on. We ain’t part of the wheel no more. Dropped off, Winnie. Left behind. And everywhere around us, things is moving and growing and changing. You, for instance. A child now, but someday a woman. And after that, moving on to make room for the new children.
Natalie Babbitt (Tuck Everlasting)
Amor mío, no te quiero por vos ni por mí ni por los dos juntos, no te quiero porque la sangre me llame a quererte, te quiero porque no sos mía, porque estás del otro lado, ahí donde me invitás a saltar y no puedo dar el salto, porque en lo más profundo de la posesión no estás en mí, no te alcanzo, no paso de tu cuerpo, de tu risa, hay horas en que me atormenta que me ames (cómo te gusta usar el verbo amar, con qué cursilería lo vas dejando caer sobre los platos y las sábanas y los autobuses), me atormenta tu amor que no me sirve de puente porque un puente no se sostiene de un solo lado, jamás Wright ni Le Corbusier van a hacer un puente sostenido de un solo lado, y no me mires con esos ojos de pájaro, para vos la operación del amor es tan sencilla, te curarás antes que yo y eso que me querés como yo no te quiero.
Julio Cortázar (Hopscotch)
That moment when you realize not everyone is going to like you, it's a nice one.
Luke Hemmings
cómo voy a creer / dijo el fulano que la utopía ya no existe si vos / mengana dulce osada / eterna si vos / sos mi utopía.
Mario Benedetti (El amor, las mujeres y la vida)
Praying is sending an SOS to the heavenly unknown.
Mehmet Murat ildan
What do you mean SOS?” “Same old shit, Dickie. It’s always SOS with you.
J.D. Robb (Rapture in Death (In Death, #4))
And tonight I'm feelin like an astronaut, sending sos from this tiny box,and i lost the signal when i lifted off, now i'm stuck up here and the world forgot, can i please come down? Cuz i'm tired of drifting round and round....can i please come down? Now I lie awake and scream in my zero gravity...and its starting to weigh down on me....lets abort this mission now....CAN I PLEASE COME DOWN? So tonight I'm calling all the astronauts, all the lonely people that the world forgot, if you hear my voice, come pick me up, cuz ur all i've got...
Simple Plan
Para vos puede ser fácil, por que estás en cero. Como dijiste hace rato, sos tu único equipaje. Pero yo he ido fabricándome tentaciones, y cayendo en ellas. Viste, te sentaste un cuarto de hora en ese mounstro, y cuando te pedí que vinieras a la alfombra, te costó abandonarlo. Todo es así. El confort es muelle, cada vez mas muelle, ablanda, aquieta, inmoviliza. Y si a pesar de todo te movés, es para ganar más plata, a fin de conseguir más confort.
Mario Benedetti (La vecina orilla)
I noticed vaguely that I was getting so’s I could see some good in the life around me.
Ken Kesey
In earlier times, one had an easier conscience about being a person than one does today. People were like cornstalks in a field, probably more violently tossed back and forth by God, hail, fire, pestilence, and war than they are today, but as a whole, as a city, a region, a field, and as to what personal movement was left to the individual stalk – all this was clearly defined and could be answered for. But today responsibility’s center of gravity is not in people but in circumstances. Have we not noticed that experiences have made themselves independent of people? They have gone on the stage, into books, into the reports of research institutes and explorers, into ideological or religious communities, which foster certain kinds of experience at the expense of others as if they are conducting a kind of social experiment, and insofar as experiences are not actually being developed, they are simply left dangling in the air. Who can say nowadays that his anger is really his own anger when so many people talk about it and claim to know more about it than he does? A world of qualities without a man has arisen, of experiences without the person who experiences them, and it almost looks as though ideally private experience is a thing of the past, and that the friendly burden of personal responsibility is to dissolve into a system of formulas of possible meanings. Probably the dissolution of the anthropocentric point of view, which for such a long time considered man to be at the center of the universe but which has been fading away for centuries, has finally arrived at the “I” itself, for the belief that the most important thing about experience is the experiencing, or of action the doing, is beginning to strike most people as naïve. There are probably people who still lead personal lives, who say “We saw the So-and-sos yesterday” or “We’ll do this or that today” and enjoy it without its needing to have any content of significance. They like everything that comes in contact with their fingers, and are purely private persons insofar as this is at all possible. In contact with such people, the world becomes a private world and shines like a rainbow. They may be very happy, but this kind of people usually seems absurd to the others, although it is still not at all clear why. And suddenly, in view of these reflections, Ulrich had to smile and admit to himself that he was, after all, a character, even without having one.
Robert Musil (The Man Without Qualities: Volume I)
That’s what us Tucks are, Winnie. Stuck so’s we can’t move on. We ain’t part of the wheel no more. Dropped off, Winnie. Left behind. And everywhere around us, things is moving and growing and changing.
Natalie Babbitt (Tuck Everlasting)
Just because the rose died on the vine, doesn't mean it lied to you when it was in bloom.
Michael Clifford
The time spent building a solid foundation will pay for itself ten-fold.
Darren Varndell (SEO SoS: Search Engine Optimization First Aid Guide (EZ Website Promotion))
Mercy might be the mark of a great man, but then so’s a tombstone.” – Extract from the personal memoirs of Dread Emperor Terribilis II
ErraticErrata (So You Want to Be a Villain? (A Practical Guide to Evil, #1))
Sos más en mí que yo de mí. Te existo, péndulo del aire.
Juan Gelman (Salarios Del Impío y Otros Poemas)
Tenés miedo; querés estar seguro. No sé de qué... Sos como un médico, no como un poeta.
Julio Cortázar (Rayuela: 50 Edición conmemorativa)
Creo que todo aquello a lo que tratás de aferrarte sólo crea más sufrimiento, ya sea un trabajo, la apariencia de tu cuerpo, el lugar donde vivís, tu sentido de quién sos.
Estanislao Bachrach (EnCambio: Aprendé a modificar tu cerebro para cambiar tu vida y sentirte mejor (Caballo de fuego) (Spanish Edition))
Qué complicado. Vos sos como un testigo, sos el que va al museo y mira los cuadros. Quiero decir que los cuadros están ahí y vos en el museo, cerca y lejos al mismo tiempo.
Julio Cortázar (Hopscotch)
But I thought she thought he was just a big pile of jobbies?” he said. “I seen her oout walkin’, an’ when he comes ridin’ past, she sticks her nose in th’ air and looks the other wa’. In fact, sometimes I seen her wait aroound a full five-and-twenty minutes for him tae come past, just so’s she can do that.
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
Hey, when’s your birthday?” “You going to buy me something?” “Easy there.” “Coming up, actually,” I say. “So’s mine.” “November eleventh.” She gawks. “That’s my birthday, too.” “You’re kidding.” “I am not. Eleven eleven.” I lift my glass. “To eleven eleven.” We toast.
A.J. Finn (The Woman in the Window)
S.O.S. I NEED YOUR HELP. I AM INJURED, NEAR DEATH, AND TOO WEAK TO HIKE OUT OF HERE. I AM ALL ALONE, THIS IS NO JOKE. IN THE NAME OF GOD, PLEASE REMAIN TO SAVE ME. I AM OUT COLLECTING BERRIES CLOSE BY AND SHALL RETURN THIS EVENING. THANK YOU, CHRIS MCCANDLESS. AUGUST?
Jon Krakauer (Into the Wild)
Who am I when I don't know myself?
5 Seconds of Summer
Then one day in school, I turned round to the others and said, 'Dude, what if we started a band like All Time Low?
5 Seconds of Summer (Hey, Let's Make a Band!: The Official 5SOS Book)
Ma intereseaza decupajul, ca in cazul fotografiei. De ce e fotografia arta? Pentru ca, din realitatea pe care o stim cu totii, se decupeaza o chestie semnificativa. Cam asta fac si eu, decupand bucati semnificative din realitate, pe care le asamblez in asa fel incat sa spuna ceea ce vreau eu. Fictionalizez, bineinteles, mai adaug si un sos, nu las bucatile de carne macra. Pe de o parte, feliile de realitate sunt trecute prin subiectivitatea mea, sunt repovestite. Dupa prelucrarea aceasta, le mai adaug si sosul care sa le faca apetisante din punct de vedere literar.
Cezar Paul-Badescu
So what do we do now?” asked Alai. “The bugger war’s over, and so’s the war down there on Earth, and even the war here. What do we do now?” “We’re kids,” said Petra. “They’ll probably make us go to school. It’s a law. You have to go to school till you’re seventeen.” They all laughed at that.
Orson Scott Card (Ender's Game (Ender's Saga, #1))
Thank you, 4:00 p.m., for being the time of day that thoroughly confuses me: post-homework and pre-dinner. I am already exhausted and fairly irritable. The children are losing their ever-loving minds, and husband is still tucked away in his sane office with all mental faculties intact and won’t answer my SOS texts to hurry and come home or their blood is on your hands. Do I make a coffee? Or pour a glass of wine? Yours, Witching-Hour Survivor.
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
Out along the dim six-o’clock street, I saw leafless trees standing, striking the sidewalk there like wooden lightning, concrete split apart where they hit, all in a fenced-in ring. An iron line of pickets stuck out of the ground along the front of a tangleweed yard, and on back was a big frame house with a porch, leaning a rickety shoulder hard into the wind so’s not to be sent tumbling away a couple of blocks like an empty cardboard grocery box.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
...Amor mío, no te quiero por vos ni por mí ni por los dos juntos, no te quiero porque la sangre me llame a quererte, te quiero porque no sos mía, porque estás del otro lado, ahí donde me invitás a saltar y no puedo dar el salto, porque en lo más profundo de la posesión no estás en mí, no te alcanzo, no paso de tu cuerpo, de tu risa, hay horas en que me atormenta que me ames (cómo te gusta usar el verbo amar, con qué cursilería lo vas dejando caer sobre los platos y las sábanas y los autobuses), me atormenta tu amor que no me sirve de puente porque un puente no se sostiene de un solo lado, jamás Wright ni Le Corbusier van a hacer un puente sostenido de un solo lado, y no me mires con esos ojos de pájaro, para vos la operación del amor es tan sencilla, te curarás antes que yo y eso que me querés como yo no te quiero. Claro que te curarás, porque vivís en la salud, después de mí será cualquier otro, eso se cambia como los corpiños...
Julio Cortázar (Hopscotch)
I recall a battle once,’ said Dickens, looking up at a tree. 'In history, it was. And there was this company, see, and they was a ragtag of different squads and covered in mud in any case, and they found themselves hiding in a field of carrots. So as a badge they all pulled up carrots and stuck them on their helmets so’s they’d know who their friends were and incidentally have a nourishing snack for later, which is never to be sneezed at on a battlefield.’ 'Well? So what?“ said Dibbler. 'So what’s wrong with a lilac flower?’ said Dickens, reaching up and pulling down a laden branch. 'Makes a spanking plume, even if you can’t eat it…’ And now, Vimes thought, it ends.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
Boy you really missed the boat. I’ll make it simple, so’s even fuckin you can understand. Papa God growed us up till we could wear long pants; then he licensed his name to dollar bills, left some car keys on the table, and got the fuck outta town”. Water rushes to his eye-holes. “Don’t be lookin up at no sky for help. Look down here, at us twisted dreamers”. He takes hold of my shoulders, spins me around, and punches me towards the mirror on the wall. “You’re the God. Take responsibility. Exercise your power
D.B.C. Pierre
Спомням си, че в СПБ имахме една група, която се наричаше „SOS”, имаше и списък на хора, готови да отговарят на конкретни въпроси по различни теми. Аз съм луда на тема справки и когато не мога да намеря нещо, се обаждам или на Димитри, или на Кръстан, или на Тодор. Освен тях в този списък имаше например археолог, физик, химик, свещеник, бяха си оставили телефоните и всеки можеше да се обади с конкретен въпрос към тях. Това беше голяма помощ. В тази група влизаха и невероятните Сергей Влахов и Сидер Флорин. (Жени Божилова)
Емил Басат (Преводът – лица и маски, книга 2)
What is the silence of six and what are you going to do about it?
E.C. Myers (The Silence of Six (SOS, #1))
I'm stuck in between a nightmare and lost dreams
5 Seconds of Summer
It's a a damn good day to be alive.
Michael Clifford
Just kiss my ass to the people who thought I was never gonna make it
Michael Clifford from 5SOS
Enough of medical ethics. Let Uncle Hippocrates rest in peace. It’s time to send an S.O.S to Uncle Omar Khayyam instead.
Anurag Shourie (Half A Shadow)
J’ai claqué la porte en laissant sur mon bureau la lettre de démission la plus courte de l’histoire. « Mes dossiers, tu peux te les fourrer dans le cul. Joyeuses Fêtes ! »
Catherine Bourgault (On est pris avec le père Noël ! (S.O.S. t. 2) (French Edition))
I hate Arizona. It always eight hundred degrees outside and everybody’s always saying, “But it’s a dry heat!” So’s the inside of my microwave.
Joan Rivers (I Hate Everyone...Starting with Me)
Michael Wants Another Slice
Ashton Irwin of 5SOS
Te gusta salvar a las personas de sus miserias, cambiarles el dolor por risa. Dime chica de sonrisa rota ¿Quién te va a salvar a ti de ti misma?
Magalí Tajes Parga (Caos: Nadie puede decirte quién sos (Spanish Edition))
Abrazáte en tu caos, es en donde más te necesitás.
Magalí Tajes Parga (Caos: Nadie puede decirte quién sos (Spanish Edition))
-(...) ¿Vos sos escritora? -Algo así. -Ah. Yo quiero ser mecánica de autos. Y si no me da el cerebro, dijo Paola, voy a ser escritora.
Leila Guerriero (Los suicidas del fin del mundo: Crónica de un pueblo patagónico)
Si escribís desde siempre no podés decir "quiero ser escritor". Ya lo sos.
Matías Zitterkopf
Pero el amor, esa palabra… Moralista Horacio, temeroso de pasiones sin una razón de aguas hondas, desconcertado y arisco en la ciudad donde el amor se llama con todos los nombres de todas las calles, de todas las casas, de todos los pisos, de todas las habitaciones, de todas las camas, de todos los sueños, de todos los olvidos o los recuerdos. Amor mío, no te quiero por vos ni por mí ni por los dos juntos, no te quiero porque la sangre me llame a quererte, te quiero porque no sos mía, porque estás del otro lado, ahí donde me invitás a saltar y no puedo dar el salto, porque en lo más profundo de la posesión no estás en mí, no te alcanzo, no paso de tu cuerpo, de tu risa, hay horas en que me atormenta que me ames (cómo te gusta usar el verbo amar, con qué cursilería lo vas dejando caer sobre los platos y las sábanas y los autobuses), me atormenta tu amor que no me sirve de puente porque un puente no se sostiene de un solo lado, jamás Wright ni Le Corbusier van a hacer un puente sostenido de un solo lado, y no me mires con esos ojos de pájaro, para vos la operación del amor es tan sencilla, te curarás antes que yo y eso que me querés como yo no te quiero. Claro que te curarás, porque vivís en la salud, después de mí será cualquier otro, eso se cambia como los corpiños. Tan triste oyendo al cínico Horacio que quiere un amor pasaporte, amor pasamontañas, amor llave, amor revólver, amor que le dé los mil ojos de Argos, la ubicuidad, el silencio desde donde la música es posible, la raíz desde donde se podría empezar a tejer una lengua. Y es tonto porque todo eso duerme un poco en vos, no habría más que sumergirte en un vaso de agua como una flor japonesa y poco a poco empezarían a brotar los pétalos coloreados, se hincharían las formas combadas, crecería la hermosura. Dadora de infinito, yo no sé tomar, perdoname. Me estás alcanzando una manzana y yo he dejado los dientes en la mesa de luz. Stop, ya está bien así. También puedo ser grosero, fijate. Pero fijate bien, porque no es gratuito. ¿Por qué stop? Por miedo de empezar las fabricaciones, son tan fáciles. Sacás una idea de ahí, un sentimiento del otro estante, los atás con ayuda de palabras, perras negras, y resulta que te quiero. Total parcial: te quiero. Total general: te amo. Así viven muchos amigos míos, sin hablar de un tío y dos primos, convencidos del amor-que-sienten-por-sus-esposas. De la palabra a los actos, che; en general sin verba no hay res. Lo que mucha gente llama amar consiste en elegir a una mujer y casarse con ella. La eligen, te lo juro, los he visto. Como si se pudiese elegir en el amor, como si no fuera un rayo que te parte los huesos y te deja estaqueado en la mitad del patio. Vos dirás que la eligen porque-la-aman, yo creo que es al verse. A Beatriz no se la elige, a Julieta no se la elige. Vos no elegís la lluvia que te va a calar hasta los huesos cuando salís de un concierto.
Julio Cortázar
The recent recognition that the genetic code possesses a unique capacity to resist errors caused by mutation imparts the biochemical intelligent design argument with an entirely new level of credibility. Like a giant SOS shaped with letters ablaze, the optimal nature of the genetic code signals that an Intelligent Agent used those rules to start and sustain life.
Fazale Rana (The Cell's Design (Reasons to Believe): How Chemistry Reveals the Creator's Artistry)
Podés reírte y ser cruel y sádica y hacer cosas increíbles y desenfrenadas y reírte aún más pero no por ello dejar de saber que te reís dentro de un círculo incandescente, infernal, y aun ebria, aun fornicando con cuatro marineros, saber, con un saber que viene de que vos sos vos, saber que se juega con lo terrible, que se trata de algo eminentemente dramático y esencial.
Alejandra Pizarnik (Diarios: edición definitiva)
So this book is like a thank you. We want everyone to know the story of how four Western Sydney teenagers picked up their instruments and dreamt of being one of the biggest bands in the world.
5 Seconds of Summer (Hey, Let's Make a Band!: The Official 5SOS Book)
Why is it a surprise that I'm a girl? Did I seem particularly masculine online?" "No, but... you didn't seem particularly feminine," Max said. "What does that even mean?" He massaged the corners of his eyes. "I don't know. Forget it." "You didn't seem particularly sexist online, but here we are.
E.C. Myers (The Silence of Six (SOS, #1))
This world rubs me raw, scours me smooth like an SOS pad put to a grease-caked skillet. And pain: it stabs and scrapes and pulls me back to earth, my final B&B, that worm-spun cot of cool black sod.
Chila Woychik (On Being a Rat and Other Observations)
I got more sense’n to leave my gun whar I cain’t reach it so’s a bahr could git me. And yore back ain’t no ribbons. It’s got a scratch on it, but it ain’t near as bad as yore a-sayin’ it is. Yore the complainin’est man I ever—
Rebecca Paisley (The Barefoot Bride (Rags to Riches Romance))
Entonces empezó a hablar atropelladamente, impulsada por un deseo repentino de franqueza: Tengo la horrible sensación de que pasa el tiempo y no hago nada y nada acontece, y nada me conmueve hasta la raíz. Miro a Esteban y miro a Jaime y estoy segura de que ellos también se sienten desgraciados. A veces (no te enojes, papá) también te miro a vos y pienso que no quisiera llegar a los cincuenta años y tener tu temple, tu equilibrio, sencillamente porque los encuentro chatos, gastados. Me siento con una gran disponibilidad de energía, y no sé en qué emplearla, no sé qué hacer con ella. Creo que vos te resignaste a ser opaco, y eso me parece horrible, porque yo sé que no sos opaco. Por lo menos, que no lo eras. Le contesté (¿qué otra cosa podía decirle?) que tenía razón, que hiciera lo posible por salir de nosotros, de nuestra órbita, que me gustaba mucho oírla gritar esa inconformidad, que me parecía estar escuchando un grito mío, de hace muchos años
Mario Benedetti (La tregua)
At first I couldn't believe it. I waited, not moving my cock, which was rock hard thanks to this pulsing grip. But yes, here it was again. The same pattern, the same rhythm. I was being signaled by an asshole in Morse code. And it was signaling SOS.
James Lear (The Secret Tunnel (Mitch Mitchell Mystery, #2))
Il faut vous dire que, la dernière fois que Jade a essaye de se tuer, elle a avale dix gélules d'ultra-levure. Tout juste de quoi avoir des gaz pendant deux heures. C'est ce qui s'appelle vouloir en finir ... Le pire c'est qu'elle a appelle SOS médecin.
Gilles Legardinier (Demain j'arrête!)
Is that so hard to believe? My mother claimed I was so withdrawn and strange because I was born on the longest night of the year. She tried one year to have my birthday on another day, but forgot to do it the next time—there was probably a more advantageous party she had to plan.” “Now I know where Nesta gets it. Honestly, it’s a shame we can’t stay longer—if only to see who’ll be left standing: her or Cassian.” “My money’s on Nesta.” A soft chuckle that snaked along my bones—a reminder that he’d once bet on me. Had been the only one Under the Mountain who had put money on me defeating the Middengard Wyrm. He said, “So’s mine.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I was part of your train but my railroad car was disconnected and switched at the track, and now my friends and I are on a separate journey learning how not to rock the lifeboat, sending out a patient S.O.S to you for help. I reach out with love, possibly one of a dying breed, the old survival of the fittest theory, or perhaps I am throwing you a lifeline from my Rectangular Bubble.
Ann Lloyd (Vodka On My Wheaties)
There is someone out there who needs just a line or a sentence of your life testimony to believe he or she can also make it. Keeping your testimony away from them is more of suspending their accomplishments till further notice! Come on! Let's learn from you!
Israelmore Ayivor (The Great Hand Book of Quotes)
Talk? Well, it’s just Muff Potter, Muff Potter, Muff Potter all the time. It keeps me in a sweat, constant, so’s I want to hide som’ers.” “That’s just the same way they go on round me. I reckon he’s a goner. Don’t you feel sorry for him, sometimes?” “Most always—most always. He ain’t
Mark Twain (The Adventures of Tom Sawyer)
A year earlier, no company had been accorded more faith than Enron; by late November, none was trusted less. And so, a gasping gurgle, a desperate SOS: Enron, the emblem of free markets, the champion of deregulation, reached into its depleted treasury and forked over $100,000 to each of the major political parties' campaign war chests. Then, it shuttered its online trading unit - its erstwhile gem. On November 28, Standard & Poor's downgraded Enron to junk-bond level - which triggered provisions in Enron's debt requiring it to immediately repay billions of its obligations. This it could not do. Its stock was seventy cents and falling, and, now, no gatekeepers and no credit remained. Accordingly, in the first week of December, Enron, the archetype of shareholder value, availed itself of the time-honored protection for those who have lost their credit: bankruptcy.
Roger Lowenstein (Origins of the Crash: The Great Bubble and Its Undoing)
They were for all practical purposes alone in the frozen Antarctic seas. It had been very nearly a year since they had last been in contact with civilization. Nobody in the outside world knew they were in trouble, much less where they were. They had no radio transmitter with which to notify any would-be rescuers, and it is doubtful that any rescuers could have reached them even if they had been able to broadcast an SOS. It was 1915, and there were no helicopters, no Weasels, no Sno-Cats, no suitable planes. Thus their plight was naked and terrifying in its simplicity. If they were to get out—they had to get themselves out.
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
Nadie pide lo que no necesita. A medida que pasan los años, esas necesidades no satisfechas siguen operando con la misma intensidad que en sus comienzos. Pero los adultos estamos cada vez menos dispuestos a comprender los mensajes, sobre todo repitiendo la frase “ya sos grande”. O la de peor categoría: “Eso es una regresión”.
Laura Gutman (Mujeres visibles, madres invisibles (Spanish Edition))
Manuela de La Mancha,” says a deep voice. It sounds strange to hear such a long name, but that’s the manada I’m pretending to be from. “Hola, Marilén,” I say to Tiago and Saysa’s great-grandmother, whom I met moments ago. “No sos bruja.” You’re not a witch. My tongue feels like sandpaper, and my mouth seals dry. Since our wolf-shadows roam outside the Citadel, and my fangs and claws are retracted, I didn’t think there would be any indicator of my identity— “No te preocupes, no vengo a interrogarte.” Don’t worry, I’m not here to interrogate you. She moves closer, and the way her steely eyes seem to see more than others reminds me of Perla. “Toda la vida soñé con conocerte,” she whispers. My whole life I’ve dreamt of meeting you. Her long black hair is in a tight, elegant bun that pulls her skin, stretching it so that if there’s a single wrinkle, I don’t see it. “La primera de nosotras que nació fuera de su jaula.” The first of us to be born outside her cage.
Romina Garber (Lobizona (Wolves of No World, #1))
La moneda permanece estable en cuanto los especuladores van a un campo de trabajo. Tuve igualmente que hacerle comprender a Schacht que los beneficios excessivos deben retirarse del ciclo económico. Todas estas cosas sos simples y naturales. Lo fundamental es no permitir que los judíos metan en ellas su nariz. La base de la política comercial judía reside en hacer que los negocios lleguen a ser incomprensibles para un cérebro normal. Al que no comprende nada se la calífica de ignorante! En el fondo, la única razón de la existencia de tales argucias es que lo enredan todo. Sólo los profesores no han comprendido que el valor del dinero depende de las mercancías que el dinero tiene detrás.
Adolf Hitler
Handwritten in neat block letters on a page torn from a novel by Nikolay Gogol, it read: S.O.S. I NEED YOUR HELP. I AM INJURED, NEAR DEATH, AND TOO WEAK TO HIKE OUT OF HERE I AM ALL ALONE, THIS IS NO JOKE. IN THE NAME OF GOD, PLEASE REMAIN TO SAVE ME. I AM OUT COLLECTING BERRIES CLOSE BY AND SHALL RETURN THIS EVENING. THANK YOU, CHRIS MCCANDLESS. AUGUST?
Jon Krakauer (Into the Wild)
The most convincing and enduring foe of the global financial economy ultimately is the global financial economy itself. - Ulrich Beck
Richard Swift (S.O.S. Alternatives to Capitalism)
From the pocket of her windbreaker he extracted what he falsely believed to be a portable marine radio, which along with two granola bars he'd pilfered from Honey's belongings after she was snatched by the club-handed lunatic. Shreave started pressing buttons on the compact gadget and barking, "Mayday! Mayday! There was no response from the Coast Guard pilot or any other human, and for a good reason. Except for its LED screen, the instrument in Shreave's possession was electronically dissimilar to a radio in all significant respects. Most crucial was the absence of either an audio receiver or a transmitter. "SOS! SOS!" he persisted. "Help!" The device was in fact a mobile GPS unit, as technogically impenetrable to Shreave as the Taser gun he'd found beneath Honey's bed.
Carl Hiaasen
So often it can seem like life would be so much easier if people didn’t need each other, or if everyone could just ask for what they need in a way we can hear, or if everyone could just intuit what we need so we don’t have to say it. It’s so easy to think people are islands, and anyone who gets stranded on another island did something wrong, or they should reach out to the other support systems they may or may not have, because we “shouldn’t have to” take care of them. And that is all the more reason we should choose the friendships we cultivate carefully, so that if someone we’ve chosen, someone we love, is more isolated than we knew and doesn’t have anyone but us, we will see this as a gift, an opportunity to be the person who finally shows up. To see their SOS and finally answer the call, ideally, before they even have to make it.
Lane Moore (You Will Find Your People: How to Make Meaningful Friendships as an Adult)
One indicator of the self-conscious dissociation of radicals like Gitlin and Hayden from reformers like King is that neither of them, nor any other white student activist, sos leader, or anti-war spokesman was in Memphis for the demonstrations King was organizing in 1968 at the time he was killed.. In fact, no one in the New Left (at least no one who mattered) could still be called a serious supporter of King in the year before he was assassinated.
David Horowitz (Hating Whitey and Other Progressive Causes)
During our endless search for the newest trends for the lowest prices, we become complicit in the forced-labor industry. Chinese manufacturers often believe they have no choice but to secretly outsource to gulags, because they cannot meet the global consumer demand for budget prices and the latest trends. Studies have shown it is precisely brands’ demands for lower prices, faster production, and fulfillment of unanticipated orders that compel factories to illegally subcontract work to places like labor camps.
Amelia Pang (Made in China: A Prisoner, an SOS Letter, and the Hidden Cost of America's Cheap Goods)
The prayer that moves Omnipotence to pity, and summons all the hosts of heaven to help, is not the prayer of nicely rounded periods--Faultily faultless, icily regular, splendidly null--but the prayer of passionate entreaty. It is a call--a call such as a doctor receives at dead of night; a call such as the fireman receives when all the alarms are clanging; a call such as the ships receive in mid-ocean, when, hurtling through the darkness and the void, there comes the wireless message, 'S.O.S.' 'Call upon Me in the day of trouble, and I will deliver thee, and thou shalt glorify Me.
F.W. Boreham (A Handful of Stars Texts That Have Moved Great Minds)
Tuck and me, we got each other,” she said, “and that’s a lot. The boys, now, they go their separate ways. They’re some different, don’t always get on too good. But they come home whenever the spirit moves, and every ten years, first week of August, they meet at the spring and come home together so’s we can be a family again for a little while. That’s why we was there this morning. One way or another, it all works out.” She folded her arms and nodded, more to herself than to Winnie. “Life’s got to be lived, no matter how long or short,” she said calmly. “You got to take what comes. We just go along, like everybody else, one day at a time. Funny--we don’t feel no different. Leastways, I don’t. Sometimes I forget about what’s happened to us, forget it altogether. And then sometimes it comes over me and I wonder why it happened to us. We’re plain as salt, us Tucks. We don’t deserve no blessings--if it is a blessing. And, likewise, I don’t see how we deserve to be cursed, if it’s a curse. Still-there’s no use trying to figure why things fall the way they do. Things just are, and fussing don’t bring changes. Tuck, now, he’s got a few other ideas, but I expect he’ll tell you.
Natalie Babbitt (Tuck Everlasting)
1) The Titanic hit the iceberg in the North Atlantic, approximately 400 miles off the coast of Newfoundland. 2) The Titanic was considered unsinkable because she was built with huge watertight doors to contain any possible leaks. However, when the ship hit the iceberg, six watertight compartments quickly filled up with water, dooming the ship. 3) The signal SOS was chosen as an international distress call because of the simplicity of the three letters in Morse code: three dots, three dashes, and three dots. 4) No one knows for certain exactly how long the musicians played on the Titanic, but legend says they played until the ship went down, and their last song was the hymn “Nearer My God to Thee.” 5) More than 1,500 people perished in the Titanic disaster, while 705 people escaped in lifeboats and were eventually rescued by a ship named the Carpathia. 6) After the sinking of the Titanic, laws were changed so that every ship was required to have enough lifeboats to carryall its passengers. Also, the International Ice Patrol was formed, so that ships would have warning about ice conditions. 7) In 1985, a scientist named Dr. Robert Ballard discovered the undersea wreck of the Titanic.
Mary Pope Osborne (Tonight on the Titanic (Magic Tree House, #17))
Many speak of the legendary and gigantic starship Titanic, a majestic and luxurious cruise liner launched from the great shipbuilding asteroid complexes of Artrifactovol some hundreds of years ago now, and with good reason. It was sensationally beautiful, staggeringly huge and more pleasantly equipped than any ship in what now remains of history (see page 113 [on the Campaign for Real Time]) but it had the misfortune to be built in the very earliest days of Improbability Physics, long before this difficult and cussed branch of knowledge was fully, or at all, understood. The designers and engineers decided, in their innocence, to build a prototype Improbability Field into it, which was meant, supposedly, to ensure that it was Infinitely Improbable that anything would ever go wrong with any pan of the ship. They did not realize that because of the quasi-reciprocal and circular nature of all Improbability calculations, anything that was Infinitely Improbable was actually very likely to happen almost immediately. The starship Titanic was a monstrously pretty sight as it lay beached like a silver Arcturan Megavoidwhale among the laserlit tracery of its construction gantries, a brilliant cloud of pins and needles of light against the deep interstellar blackness; but when launched, it did not even manage to complete its very first radio message—an SOS—before undergoing a sudden and gratuitous total existence failure.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
Trouble with arms is, everyone thought they were recession-proof, but they’re not. Iran–Iraq was an arms dealers’ charter, and they thought it would never end. Since then it’s been downhill all the way. Too many manufacturers chasing too few wars. Too much loose hardware being dumped on the market. Too much peace about and not enough hard currency. Our Dicky did a bit of the Serbo-Croat thing, of course – Croats via Athens, Serbs via Poland – but the numbers weren’t in his league and there were too many dogs in the hunt. Cuba’s gone dead, so’s South Africa, they make their own. Ireland isn’t worth a light or he’d have done that too. Peru, he’s got a thing going there, supplying the Shining Path boys. And he’s been making a play for the Muslim insurgents in the Southern Philippines, but the North Koreans are in there ahead of him and I’ve a suspicion he’s going to get his nose bloodied again.
John le Carré (The Night Manager)
I thought that you would be frozen in awe when you found the sequence, when you heard a bird's song repeating my Morse code, my cry for help, my S.O.S, when you saw the same numbers in the petals of a flower and the structure of a pine cone, when you saw with your own eyes the interconnectedness of all things. But I was wrong. You searched for a male god, a creator, an intelligent designer, or you banished the beauty and mystery of the world beneath the cold concrete grave of closed-eye skepticism. The few of you who could still hear my music felt tortured and misunderstood; you reached out for any conspiracy theory large enough to explain your alienated despair, your sense that the Earth was dying and no one cared. But listen to me -- you are not alone. Run your fingers through the grass and grab it in your fists, feel my pulse echoing through your blood. You. Are. Not. Alone. And I -- I am not dead yet.
Sarah Warden (Blood of Earth (Vampires for Earth, #2))
trigger, a gook bullet hit him square in the head an blowed it inside out. He lyin on the ground, han still holdin to the gun for dear life, which he does not have any more of now. Oh God, it were awful—an gettin worst. No tellin what them gooks would of done if they caught us. I call out to Doyle to come here, but they is no answer. I jerk the machine gun from po ole Bones’ fingers an squirm over to Doyle, but he an the two other guys layin there shot. They dead, but Doyle still breathin, so’s I grap him up an thow him over my shoulder like a flour sack an start runnin thru the brush towards Charlie Company, cause I scared outta my wits. I runnin for maybe twenty yards an bullets wizzin all aroun me from behin, an I figger I be shot in the ass for sure. But then I crash thru a canebreak an come upon a area with low grass an to my suprise it is filled with gooks, lyin down, lookin the other way, an shootin at Charlie Company—I guess. Now what do I do? I got gooks behin me, gooks in front of me an gooks right under my feet. I don’t
Winston Groom (Forrest Gump (Vintage Contemporaries))
clothes off, cept for the big chef’s hat I was wearin at the time. An it blowed stew all over us, so’s we looked like—well, I don’t know what we looked like—but man, it was strange. Incredibly, it didn’t do nothin to all them guys settin out there in the mess hall neither. Jus lef em settin at they tables, covered with stew, actin kinda shell-shocked or somethin—but it sure did shut their asses up about when they food is gonna be ready. Suddenly the company commander come runnin into the buildin. “What was that!” he shouted. “What happen?” He look at the two of us, an then holler, “Sergeant Kranz, is that you?” “Gump—Boiler—Stew!” the sergeant say, an then he kind of git holt of hissef an grapped a meat cleaver off the wall. “Gump—Boiler—Stew!” he scream, an come after me with the cleaver. I done run out the door, an he be chasin me all over the parade grounds, an even thru the Officer’s Club an the Motorpool. I outrunned him tho, cause that is my specialty, but let me say this: they ain’t no question in my mind that I am up the creek for sure. One night, the next fall, the phone rung in the barracks an it was Bubba. He say they done dropped his atheletic scholarship cause his foot broke worst than they thought, an so he’s leavin school too. But he axed if I can git off to come up to Birmingham to watch the University play them geeks from Mississippi. But I am confined to quarters that Saturday, as I have been ever weekend since the stew
Winston Groom (Forrest Gump (Vintage Contemporaries))
Everyone knows this, don’t they?” Cohen gaped at him in astonishment. “Blood-sucking ghosts, as a matter of fact,” said Rincewind. “After all, everyone knows that’s what you get beyond the Wall, don’t they?” Lord Hong sneered. But the warlords stared at Rincewind with the expressions of people who strongly suspected that the people beyond the Wall were flesh and blood but who also relied on millions of people not believing that this was so. “Ridiculous! You are not invisible blood-sucking ghosts,” said one of them. Cohen opened his mouth so that the diamond teeth glinted. “’S right,” he said. “Fact is … we’re the visible sort.” “Hah! A pathetic attempt!” said Lord Hong. “Ghosts or no ghosts, we will beat you!” “Well, that went better than I expected,” Mr. Saveloy remarked as the warlords strode out. “Was that an attempt at a little bit of psychological warfare there, Mr. Rincewind?” “Is that what it was? I know about that kind of stuff,” said Cohen. “It’s where you bang your shield all night before the fight so’s the enemy can’t get any sleep and you sing, ‘We’re gonna cut yer tonkers off,’ and stuff like that.” “Similar,” said Mr. Saveloy, diplomatically. “But it failed to work, I’m afraid. Lord Hong and his generals are rather too sophisticated. It’s a great shame you couldn’t try it on the common soldiers.” There was a faint squeak of rabbit behind them. They turned, and looked at the somewhat under-age cadre of the Red Army that was being ushered in. Butterfly was with them. She even gave Rincewind a very faint smile. Rincewind had always relied on running away. But sometimes, perhaps, you had to stand and fight, if only because there was nowhere left to run. But
Terry Pratchett (Interesting Times (Discworld, #17))
The American Anti-Slavery Society, on the other hand, said the war was “waged solely for the detestable and horrible purpose of extending and perpetuating American slavery throughout the vast territory of Mexico.” A twenty-seven-year-old Boston poet and abolitionist, James Russell Lowell, began writing satirical poems in the Boston Courier (they were later collected as the Biglow Papers). In them, a New England farmer, Hosea Biglow, spoke, in his own dialect, on the war: Ez fer war, I call it murder,—     There you hev it plain an’ flat; I don’t want to go no furder     Than my Testyment fer that. . . . They may talk o’ Freedom’s airy     Tell they’er pupple in the face,— It’s a grand gret cemetary     Fer the barthrights of our race; They jest want this Californy     So’s to lug new slave-states in To abuse ye, an’ to scorn ye,     An’ to plunder ye like sin. The war had barely begun, the summer of 1846, when a writer, Henry David Thoreau, who lived in Concord, Massachusetts, refused to pay his Massachusetts poll tax, denouncing the Mexican war. He was put in jail and spent one night there. His friends, without his consent, paid his tax, and he was released. Two years later, he gave a lecture, “Resistance to Civil Government,” which was then printed as an essay, “Civil Disobedience”: It is not desirable to cultivate a respect for the law, so much as for the right. . . . Law never made men a whit more just; and, by means of their respect for it, even the well-disposed are daily made the agents of injustice. A common and natural result of an undue respect for law is, that you may see a file of soldiers . . . marching in admirable order over hill and dale to the wars, against their wills, ay, against their common sense and consciences, which makes it very steep marching indeed, and produces a palpitation of the heart.
Howard Zinn (A People's History of the United States: 1492 to Present)