“
A secret is a strange thing.
There are three kinds of secrets. One is the sort everyone knows about, the sort you need at least two people for. One to keep it. One to never know. The second is a harder kind of secret: one you keep from yourself. Every day, thousands of confessions are kept from their would-be confessors, none of these people knowing that their never-admitted secrets all boil down to the same three words: I am afraid.
And then there is the third kind of secret, the most hidden kind. A secret no one knows about. Perhaps it was known once, but was taken to the grave. Or maybe it is a useless mystery, arcane and lonely, unfound because no one ever looked for it.
Sometimes, some rare times, a secret stays undiscovered because it is something too big for the mind to hold. It is too strange, too vast, too terrifying to contemplate.
All of us have secrets in our lives. We’re keepers or keptfrom, players or played. Secrets and cockroaches — that’s what will be left at the end of it all.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
The House is valuable because it is the House. It is enough in and of Itself. It is not the means to an end.
”
”
Susanna Clarke (Piranesi)
“
When we stay locked up in the spectrum of unsolved life stories and keep hiding in an arcane prism, life remains a mystery behind perpetual tensions and a journey in a world beyond appearances. (“Une femme peut en cacher une autre")
”
”
Erik Pevernagie
“
Nothing like an arcane literary debate with your tyrannical master while you pass the time leading to your execution.
”
”
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
“
Life is too short to waste time on books that end badly
”
”
Jayne Ann Krentz (Running Hot (Arcane Society, #5))
“
I suppose we decided to be girls because being boys seems to require giving up half your brain cells.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite.
”
”
Ezra Pound
“
Deep down, you see, I long to be arcane, esoteric. I would love to confound people with their own language.
”
”
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Life may be an arcane riddle, a play with many complementary acts or an unfinished chronicle with odd sequences. Still and all, whatever we might think or do, let us above all be attentive and expectant, since everyone is waiting for the pieces to fall into place, at one time or another. ("Drunken sailor" )
”
”
Erik Pevernagie
“
Fear has always been a very important whistleblower. Our emotion and our history can provoke fear that may arrest us at any time or at any place. Above and beyond, fear might be contagious and its scent, sometimes sensual, sometimes mystical or animal, can exude the musty and arcane smell of destiny. ("One could still feel the smell of fear" )
”
”
Erik Pevernagie
“
The study of law can be disappointing at times, a matter of applying narrow rules and arcane procedure to an uncooperative reality; a sort of glorified accounting that serves to regulate the affairs of those who have power--and that all too often seeks to explain, to those who do not, the ultimate wisdom and justness of their condition.
But that's not all the law is. The law is also memory; the law also records a long-running conversation, a nation arguing with its conscience.
”
”
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
“
There was nothing like having a dead husband return from the grave to ruin a fine spring morning.
”
”
Amanda Quick (Second Sight (Arcane Society, #1))
“
So the freshness lives on
in a lemon,
in the sweet-smelling house of the rind,
the proportions, arcane and acerb.
”
”
Pablo Neruda (Odes to Common Things)
“
Friends may come and go
but enemies accumulate.
”
”
Jayne Ann Krentz (In Too Deep (Arcane Society, #10; Looking Glass Trilogy, #1))
“
Some string theorists prefer to believe that string theory is too arcane to be understood by human beings, rather than consider the possibility that it might just be wrong.
”
”
Lee Smolin (The Trouble with Physics: The Rise of String Theory, the Fall of a Science and What Comes Next)
“
You've had your warning, Cabal. Now, prepare to face the terrible arcane wrath of Maleficarus!" Somewhere, a sheep bleated and quite ruined the effect.
”
”
Jonathan L. Howard (Johannes Cabal the Necromancer (Johannes Cabal, #1))
“
Probably a good idea, let me know how it ends"
"I already know how it ends"
"You read the ending first?"
"I always read the ending before I commit to the whole book."
"If you know how it ends, why read the book?"
"I don't read for the ending. I read for the story".
”
”
Jayne Ann Krentz (Running Hot (Arcane Society, #5))
“
One of them had a large wooden sign nailed to its door proclaiming, NO SYMPATHY! I wondered what non-arcane visitors might think of the warning.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Unfortunately for a multitude of occultists, humor is a rare ingredient in their lives. In fact it is their very lack of humor that has impelled them into the arcane and esoteric.
”
”
Anton Szandor LaVey (The Devil's Notebook)
“
Still, something did not seem right, and Robin could tell from Victoire’s and Ramy’s faces that they thought so too. It took him a moment to realize what it was that grated on him, and when he did, it would bother him constantly, now and thereafter; it would seem a great paradox, the fact that after everything they had told Letty, all the pain they had shared, she was the one who needed comfort.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
And the minibar in my hotel room was mysteriously emptied."
"By arcane forces beyond the understanding of normal human beings?" asked Myfanwy as she sifted through the in-box. It was the sort of question you learned to ask automatically when you worked with the Checquy.
"No, it was me," admitted Shantay without a shred of embarrassment.
”
”
Daniel O'Malley (The Rook (The Checquy Files, #1))
“
It has been suggested that hanging out with a dust bunny who carries a purse might have a negative impact on my image as a hard-core crime fighter."
"Don't be ridiculous. It's a very nice clutch.
”
”
Jayne Castle (Canyons of Night (Rainshadow, #0; Ghost Hunters, #8; Looking Glass Trilogy, #3; Arcane Society, #12))
“
Translation means doing violence upon the original, means warping and distorting it for foreign, unintended eyes. So then where does that leave us? How can we conclude, except by acknowledging that an act of translation is then necessarily always an act of betrayal?
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
But that’s the great contradiction of colonialism.’ Cathy uttered this like a simple matter of fact. ‘It’s built to destroy that which it prizes most.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
Power did not lie in the tip of a pen. Power did not work against its own interests. Power could only be brought to heel by acts of defiance it could not ignore. With brute, unflinching force. With violence.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
Talent is useful, but always keep your dagger sharp.
”
”
Amanda Quick (Quicksilver (Arcane Society, #11; Looking Glass Trilogy, #2))
“
Science is an integral part of culture. It's not this foreign thing, done by an arcane priesthood. It's one of the glories of the human intellectual tradition.
”
”
Stephen Jay Gould
“
This is how you hustle the arcane. Skirt the rules but don’t break them.
”
”
Victor LaValle (The Ballad of Black Tom)
“
My name is Kvothe, pronounced nearly the same as "quothe." Names are important as they tell you a great deal about a person. I've had more names than anyone has a right to. The Adem call me Maedre. Which, depending on how it's spoken, can mean The Flame, The Thunder, or The Broken Tree.
"The Flame" is obvious if you've ever seen me. I have red hair, bright. If I had been born a couple of hundred years ago I would probably have been burned as a demon. I keep it short but it's unruly. When left to its own devices, it sticks up and makes me look as if I have been set afire.
"The Thunder" I attribute to a strong baritone and a great deal of stage training at an early age.
I've never thought of "The Broken Tree" as very significant. Although in retrospect, I suppose it could be considered at least partially prophetic.
My first mentor called me E'lir because I was clever and I knew it. My first real lover called me Dulator because she liked the sound of it. I have been called Shadicar, Lightfinger, and Six-String. I have been called Kvothe the Bloodless, Kvothe the Arcane, and Kvothe Kingkiller. I have earned those names. Bought and paid for them.
But I was brought up as Kvothe. My father once told me it meant "to know."
I have, of course, been called many other things. Most of them uncouth, although very few were unearned.
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep.
You may have heard of me.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
They were men at Oxford; they were not Oxford men. But the enormity of this knowledge was so devastating, such a vicious antithesis to the three golden days they’d blindly enjoyed, that neither of them could say it out loud.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
I am crushed by your poor opinion
But will endeavor to carry on.
”
”
Amanda Quick (Second Sight (Arcane Society, #1))
“
The world rarely shrieks its meaning at you. It whispers, in private languages and obscure modalities, in arcane and quixotic imagery, through symbol systems in which every element has multiple meanings determined by juxtaposition.
”
”
Gregory Maguire (Out of Oz (The Wicked Years, #4))
“
Science, the largest religion of the twentieth century, had become tarnished by images of exploding space shuttles, crack babies, and a generation of complacent Americans who allowed the television to raise their children. People were looking for something - I think they just didn't know what. And even though they were once again starting to open their eyes to the world of magic and the arcane that had been with them all the while, they still thought I must be some kind of joke.
”
”
Jim Butcher (Storm Front (The Dresden Files, #1))
“
The best way to avoid abuses is for the populace in general to be scientifically literate, to understand the implications of such investigations. In exchange for freedom of inquiry, scientists are obliged to explain their work. If science is considered a closed priesthood, too difficult and arcane for the average person to understand, the dangers of abuse are greater. But if science is a topic of general interest and concern - if both its delights and its social consequences are discussed regularly and competently in the schools, the press, and at the dinner table - we have greatly improved our prospects for learning how the world really is and for improving both it and us.
”
”
Carl Sagan
“
Language was just difference. A thousand different ways of seeing, of moving through the world. No; a thousand worlds within one. And translation – a necessary endeavour, however futile, to move between them.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
I long ago became convinced that the most reliable source for arcane and obscure and seemingly unobtainable information does not lie with the government or law enforcement agencies. Apparently neither the CIA nor the military intelligence apparatus inside the Pentagon had even a slight inkling of the Soviet Union's impending collapse, right up to the moment the Kremlin's leaders were trying to cut deals for their memoirs with New York publishers. Or, if a person really wishes a lesson in the subjective nature of official information, he can always call the IRS and ask for help with his tax forms, then call back a half hour later and ask the same questions to a different representative. So where do you go to find a researcher who is intelligent, imaginative, skilled in the use of computers, devoted to discovering the truth, and knowledgeable about science, technology, history, and literature, and who usually works for dirt and gets credit for nothing? After lunch I drove to the city library on Main and asked the reference librarian to find what she could on Junior Crudup.
”
”
James Lee Burke (Last Car to Elysian Fields (Dave Robicheaux, #13))
“
Language was always the companion of empire, and as such, together they begin, grow, and flourish. And later, together, they fall.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
Isn’t that funny?’ Ramy glanced sideways at him. ‘The British are turning my homeland into a narco-military state to pump drugs into yours. That’s how this empire connects us.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
It’s French, Letty.’ Ramy rolled his eyes. ‘Latin’s flimsiest daughter. How hard could it be?
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
Mystery readers were everywhere, voracious, highly partisan, and passionate. They were among the store’s best customers, and unfailingly polite. In private they embraced a bloodthirsty desire for vengeance and the use of arcane poisons and sneaky sleuthing, but in public they were charming and generous. Romance readers tended to be fun and have strong opinions. Nonfiction readers asked a lot of questions and were easily amused. It was the serious novel folks and poetry fans you had to watch out for.
”
”
Abbi Waxman (The Bookish Life of Nina Hill)
“
It’s been a tough couple of years for condescending nerds. And if bookstores fall, Jon, America will be inundated with a wandering, snarky underclass of unemployable purveyors of useless and arcane esoterica.
”
”
John Hodgman
“
Defying empire, it turned out, was fun.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
Let them hate, so long as they fear.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
Headaches from using my attunement? I could deal with them. Existential terror at the possibility of destroying my own mind? Pretty much routine at this point.
Doing paperwork for the government?
Now that was brutal.
”
”
Andrew Rowe (Sufficiently Advanced Magic (Arcane Ascension, #1))
“
One day you're young with all your fine plans for the future. The next you're in the future and it doesn't look at all the way you thought it would.
”
”
Amanda Quick (Burning Lamp (Arcane Society, #8; Dreamlight Trilogy, #2))
“
Now he was astonished by how much he missed them. The English made regular use of only two flavours – salty and not salty – and did not seem to recognize any of the others. For a country that profited so well from trading in spices, its citizens were violently averse to actually using them; in all his time in Hampstead, he never tasted a dish that could be properly described as ‘seasoned’, let alone ‘spicy’.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
I want to live,’ she repeated, ‘and live, and thrive, and survive them. I want a future. I don’t think death is a reprieve. I think it’s – it’s just the end. It forecloses everything – a future where I might be happy, and free. And it’s not about being brave. It’s about wanting another chance. Even if all I did was run away, even if I never lifted a finger to help anyone else as long as I lived – at least I would get to be happy. At least the world might be all right, just for a day, just for me. Is that selfish?
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
Travel sounds fun until you realize what you really want is to stay at home with a cup of tea and a stack of books by a warm fire.
”
”
R.F. Kuang (Babel, or The Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
I will love you all the days of my life and beyond.
”
”
Amanda Quick (The Third Circle (Arcane Society, #4))
“
He had rid my inherited house of a lustful ghost, opened my eyes to a concealed world of strange forces and arcane knowledge, and buggered me twice.
”
”
K.J. Charles (The Secret Casebook of Simon Feximal)
“
And Robin found it incredible, how this country, whose citizens prided themselves so much on being better than the rest of the world, could not make it through an afternoon tea without borrowed goods.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
It’s hard to accept what you don’t want to see.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
I have been called Kvothe the Bloodless, Kvothe the Arcane, and Kvothe Kingkiller. I have earned those names. Bought and paid for them.
But I was brought up as Kvothe. My father once told me it meant "to know."
I have, of course, been called many other things. Most of them uncouth, although very few were unearned.
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep.
You may have heard of me.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
The dangerous plant did not flower in every generation, they said.
”
”
Amanda Quick (The Perfect Poison (Arcane Society, #6))
“
We can pull atoms apart, peer back at the first light and predict the end of the universe with just a handful of equations, squiggly lines and arcane symbols that normal people cannot fathom, even though they hold sway over their lives. But it's not just regular folks; even scientists no longer comprehend the world. Take quantum mechanics, the crown jewel of our species, the most accurate, far-ranging and beautiful of all our physical theories. It lies behind the supremacy of our smartphones, behind the Internet, behind the coming promise of godlike computing power. It has completely reshaped our world. We know how to use it, it works as if by some strange miracle, and yet there is not a human soul, alive or dead, who actually gets it. The mind cannot come to grips with its paradoxes and contradictions. It's as if the theory had fallen to earth from another planet, and we simply scamper around it like apes, toying and playing with it, but with no true understanding.
”
”
Benjamín Labatut (When We Cease to Understand the World)
“
The word loss was inadequate. Loss just meant a lack, meant something was missing, but it did not encompass the totality of this severance, this terrifying un-anchoring from all that he’d ever known.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
He hated this place. He loved it. He resented how it treated him. He still wanted to be a part of it – because it felt so good to be a part of it, to speak to its professors as an intellectual equal, to be in on the great game.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
Do you think I am a fool, Masha? All this time, and you speak to me as though I were a flighty pinprick of a girl. I am a magician! Did you never think, even once, that I loved lipstick and rouge for more than their color alone? I am a student of their lore, and it is arcane and hermetic beyond the dreams of alchemists. Did you never wonder why I gave you so many pots, so many creams, so much perfume?
”
”
Catherynne M. Valente (Deathless)
“
That’s just what translation is, I think. That’s all speaking is. Listening to the other and trying to see past your own biases to glimpse what they’re trying to say. Showing yourself to the world, and hoping someone else understands.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
even when I couldn’t see it I liked knowing it was there for the depth and solidity it gave things, the reinforcement to infrastructure, an invisible, bedrock rightness that reassured me just as it was reassuring to know that far away, whales swam untroubled in Baltic waters and monks in arcane time zones chanted ceaselessly for the salvation of the world.
”
”
Donna Tartt (The Goldfinch)
“
It was the day of my Judgment, and I was prepared in a thousand ways that didn’t matter.
”
”
Andrew Rowe (Sufficiently Advanced Magic (Arcane Ascension, #1))
“
I’ve often wished that I had some suave and socially acceptable hobby that I could fall back on in times like this. You know, play the violin (or was it the viola) like Sherlock Holmes, or maybe twiddle away on the pipe organ like the Disney version of Captain Nemo. But I don’t. I’m sort of the arcane equivalent of a classic computer geek. I do magic, in one form or another, and that’s pretty much it. I really need to get a life, one of these days
”
”
Jim Butcher (Storm Front (The Dresden Files, #1))
“
You mustn’t hit her over the head with it. Women like to be romanced like the heroines in the sensation novels.” “What the devil do you know about sensation novels?” “A man can learn a great deal about women from novels,” Matt said. “You should try it sometime.
”
”
Amanda Quick (Quicksilver (Arcane Society, #11; Looking Glass Trilogy, #2))
“
I would walk into hell to keep you safe.
”
”
Amanda Quick (Quicksilver (Arcane Society, #11; Looking Glass Trilogy, #2))
“
For pity's sake, you are lying in a coffin, Mrs. Crofton. Unless you wish to be buried, I strongly suggest that you resurrect yourself immediately.
”
”
Amanda Quick (Quicksilver (Arcane Society, #11; Looking Glass Trilogy, #2))
“
Has some married man asked you to be his mistress? If so, give me his name and I will see to it that he disappears.
”
”
Amanda Quick (Quicksilver (Arcane Society, #11; Looking Glass Trilogy, #2))
“
Sometimes the world’s most brilliant ideas don’t work. Doesn’t make them any less insightful.
”
”
Andrew Rowe (On the Shoulders of Titans (Arcane Ascension, #2))
“
I have always found that it is far more convenient to be rich rather than to be poor.
”
”
Amanda Quick (Burning Lamp (Arcane Society, #8; Dreamlight Trilogy, #2))
“
All things being equal, he preferred to do business with people who were sane.
”
”
Amanda Quick (Burning Lamp (Arcane Society, #8; Dreamlight Trilogy, #2))
“
Quot linguas quis callet, tot homines valet. The more languages you speak, the more men you are worth. CHARLES V
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
Colonialism is not a machine capable of thinking, a body endowed with reason. It is naked violence and only gives in when confronted with greater violence. FRANTZ FANON, The Wretched of the Earth, trans. Richard Philcox
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
A surrogate activity is an activity that is directed toward an artificial goal that the individual pursues for the sake of the “fulfillment” that he gets from pursuing the goal, not because he needs to attain the goal itself. For instance, there is no practical motive for building enormous muscles, hitting a little ball into a hole or acquiring a complete series of postage stamps. Yet many people in our society devote themselves with passion to bodybuilding, golf or stamp-collecting. Some people are more “other-directed” than others, and therefore will more readily attach importance to a surrogate activity simply because the people around them treat it as important or because society tells them it is important. That is why some people get very serious about essentially trivial activities such as sports, or bridge, or chess, or arcane scholarly pursuits, whereas others who are more clear-sighted never see these things as anything but the surrogate activities that they are, and consequently never attach enough importance to them to satisfy their need for the power process in that way.
”
”
Theodore John Kaczynski (Industrial Society and Its Future)
“
You know, it would be very easy for Gilmore to break his neck on these stairs," Matt offered with a hopeful air. "Accidents do happen."
"That won't be necessary, thank you," Virginia said.
"Just a leg perhaps?
”
”
Amanda Quick (Quicksilver (Arcane Society, #11; Looking Glass Trilogy, #2))
“
As I pulled into the parking lot, I reflected that odds were that not a lot of clandestine meetings involving mystical assassination, theft of arcane power, and the balance of power in the realms of the supernatural had taken place in a Wal-Mart Super Center. But then again, maybe they had. Hell, for all I knew, the Mole Men used the changing rooms as a place to discuss plans for world domination with the Psychic Jellyfish from Planet X and the Disembodied Brains-in-a-Jar from the Klaatuu Nebula. I know I wouldn't have looked for them there.
”
”
Jim Butcher (Summer Knight (The Dresden Files, #4))
“
The impediment to scientific thinking is not, I think, the difficulty of the subject. Complex intellectual feats have been mainstays even of oppressed cultures. Shamans, magicians and theologians are highly skilled in their intricate and arcane arts. No, the impediment is political and hierarchical.
”
”
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
“
Anger was a chokehold. Anger did not empower you. It sat on your chest; it squeezed your ribs until you felt trapped, suffocated, out of options. Anger simmered, then exploded. Anger was constriction, and the consequent rage a desperate attempt to breathe.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
By the time they’d finished their tea, they were almost in love with each other – not quite yet, because true love took time and memories, but as close to love as first impressions could take them.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
She fastened the invisible corset of her composure snugly around herself and prepared to move forward with her plan.
”
”
Amanda Quick (The Perfect Poison (Arcane Society, #6))
“
Idly he toyed with the notion of ripping Leybrook's head off his shoulders. It would be a very pleasant, extremely satisfying project, but Virginia would probably not approve.
”
”
Amanda Quick (Quicksilver (Arcane Society, #11; Looking Glass Trilogy, #2))
“
Language was just difference. A thousand different ways of seeing, of moving through the world.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
The feminine was an idea that existed in theory, the stuff of novels or a rare phenomenon to be glimpsed from across the street.
”
”
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
I just read this great quote by Junot Diaz, he was talking about true intimacy, and he was saying that it was the willingness to be vulnerable and to be found out. That’s what I felt that YA did. It wasn't pretentious, and it wasn’t hiding its heart. It wanted to be found out...
It felt like those moments when you go to a party and you're standing around for a long time, going, I don't fit in here, what am I going to talk to these people about? And everybody's getting drunk, and then you find this one person, and you end up sitting in some corner talking about all these arcane things.
And then before you know it you're having a conversation about the meaning of life and it's four o’clock in the morning. That kind of feeling, that kind of intimacy — I felt like that's what I got from YA.
”
”
Libba Bray
“
Robin’s mind was spinning with claret, or else he wouldn’t have managed what he said next. ‘Why won’t you dance with Letty?’ ‘I’m not looking to start a row.’ ‘No, really.’ ‘Please, Birdie.’ Ramy sighed. ‘You know how it is.’ ‘She wants you,’ Robin said. He’d only just realized this, and now that he said it out loud, it seemed so obvious that he felt stupid for not seeing it earlier. ‘Very badly. So why—’ ‘Don’t you know why?’ Their eyes met. Robin felt a prickle at the back of his neck. The space between them felt very charged, like the moment between lightning and thunder, and Robin had no idea what was going on or what would happen next, only that it all felt very strange and terrifying, like teetering over the edge of a windy, roaring cliff.
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R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
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Mercer opens hi mouth to argue, and Bastion Banister chooses this moment to open his mouth and snap at the circling bee. To his own evident surprise, he captures it, and there’s a curious little glonking noise as he swallows it whole. Mercer cringes slightly, as if expecting the dog to explode.
Nothing happens.
“All right,” Polly Cradle says, and then, pro forma, “Bastion, you’re a very naughty boy.”
“Yes,” Mercer says acidly. “The dog has consumed a possibly lethal technological device of immense sophistication, deprived us of our only piece of tangible evidence and possibly doomed us all to some sort of arcane scientific retaliative strike. By all means, chide him severely with your voice. That will solve everyone’s problems.
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Nick Harkaway (Angelmaker)
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Every article and review and book that I have ever published has constituted an appeal to the person or persons to whom I should have talked before I dared to write it. I never launch any little essay without the hope—and the fear, because the encounter may also be embarrassing—that I shall draw a letter that begins, 'Dear Mr. Hitchens, it seems that you are unaware that…' It is in this sense that authorship is collaborative with 'the reader.' And there's no help for it: you only find out what you ought to have known by pretending to know at least some of it already.
It doesn't matter how obscure or arcane or esoteric your place of publication may be: some sweet law ensures that the person who should be scrutinizing your work eventually does do so.
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Christopher Hitchens (Hitch 22: A Memoir)
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Borges is particularly stimulating to a man who works in the cinema, because the unusual thing about his writing is that it is like a dream, extraordinarily farsighted in calling up from the unconscious complete images in which the thing itself, and its meaning, coexist - exactly as happens in a film. And, just as happens in dreams, in Borges the incongruous, the absurd, the contradictory, the arcane and the repetitive, although as powerfully imaginative as ever, are at the same time illumined like the careful details of something larger, something unknown, and are the faultless elements of a cruelly perfect, indifferent mosaic. Even the fact that Borges's work is strangely fragmentary makes me think of a broken dreamlike flow; and the heterogeneous quality of his work - stories, essays, poems - I prefer to see not as the union of the multiple threads in a greedy, impatient talent, but as a mysterious sign of unending change.
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Federico Fellini
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Once Smith had you, he would most likely have tried to negotiate for the lamp."
Everything inside her warmed gently. "You'd give up the lamp if you thought my life depended on it?"
"Without a second thought."
"Oh, Griffin, I'm truly touched. I know how important the lamp is to you."
"And then I'd slit the bastard's throat."
She groaned and rested her forehead on her knees. "Two birds with one lamp. Who says a crime lord can't be a romantic at heart?
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Amanda Quick (Burning Lamp (Arcane Society, #8; Dreamlight Trilogy, #2))
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If only one could engrave entire memories in silver, thought Robin, to be manifested again and again for years to come – not the cruel distortion of the daguerreotype, but a pure and impossible distillation of emotions and sensations. For simple ink on paper was not enough to describe this golden afternoon; the warmth of uncomplicated friendship, all fights forgotten, all sins forgiven; the sunlight melting away the memory of the classroom chill; the sticky taste of lemon on their tongues and their startled, delighted relief.
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R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
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Pamphlets. They’d thought they could win this with pamphlets. He almost laughed at the absurdity. Power did not lie in the tip of a pen. Power did not work against its own interests. Power could only be brought to heel by acts of defiance it could not ignore. With brute, unflinching force. With violence.
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R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
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Violence shows them how much we’re willing to give up,’ said Griffin. ‘Violence is the only language they understand, because their system of extraction is inherently violent. Violence shocks the system. And the system cannot survive the shock. You have no idea what you’re capable of, truly. You can’t imagine how the world might shift unless you pull the trigger.’ Griffin pointed at the middle birch. ‘Pull the trigger, kid.
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R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
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Within sixty-minute limits or one-hundred-yard limits or the limits of a game board, we can look for perfect moments or perfect structures. In my fiction I think this search sometimes turns out to be a cruel delusion.
No optimism, no pessimism. No homesickness for lost values or for the way fiction used to be written.
Everybody seems to know everything. Subjects surface and are totally exhausted in a matter of days or weeks, totally played out by the publishing industry and the broadcast industry. Nothing is too arcane to escape the treatment, the process. Making things difficult for the reader is less an attack on the reader than it is on the age and its facile knowledge-market.
The writer is the person who stands outside society, independent of affiliation and independent of influence. The writer is the man or woman who automatically takes a stance against his or her government. There are so many temptations for American writers to become part of the system and part of the structure that now, more than ever, we have to resist. American writers ought to stand and live in the margins, and be more dangerous. Writers in repressive societies are considered dangerous. That’s why so many of them are in jail.
Some people prefer to believe in conspiracy because they are made anxious by random acts. Believing in conspiracy is almost comforting because, in a sense, a conspiracy is a story we tell each other to ward off the dread of chaotic and random acts. Conspiracy offers coherence.
I see contemporary violence as a kind of sardonic response to the promise of consumer fulfillment in America... I see this desperation against the backdrop of brightly colored packages and products and consumer happiness and every promise that American life makes day by day and minute by minute everywhere we go.
Discarded pages mark the physical dimensions of a writer’s labor.
Film allows us to examine ourselves in ways earlier societies could not—examine ourselves, imitate ourselves, extend ourselves, reshape our reality. It permeates our lives, this double vision, and also detaches us, turns some of us into actors doing walk-throughs.
Every new novel stretches the term of the contract—let me live long enough to do one more book.
You become a serious novelist by living long enough.
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Don DeLillo
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Robin wondered then how much of Anthony’s life had been spent carefully translating himself to white people, how much of his genial, affable polish was an artful construction to fit a particular idea of a Black man in white England and to afford himself maximum access within an institution like Babel. And he wondered if there would ever be a day that came when all this was unnecessary, when white people would look at him and Anthony and simply listen, when their words would have worth and value because they were uttered, when they would not have to hide who they were, when they wouldn’t have to go through endless distortions just to be understood.
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R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
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When Magnus looked at Imasu, he saw Imasu had dropped his head into his hands.
"Er," Magnus said. "Are you quite all right?"
"I was simply overcome," Imasu said in a faint voice.
Magnus preened slightly. "Ah. Well."
"By how awful that was," Imasu said.
Magnus blinked. "Pardon?"
"I can't live a lie any longer!" Imasu burst out. "I have tried to be encouraging. Dignitaries of the town have been sent to me, asking me to plead with you to stop. My own sainted mother begged me, with tears in her eyes - "
"It isn't as bad as all that - "
"Yes, it is!" It was like a dam of musical critique had broken. Imasu turned on him with eyes that flashed instead of shining. "It is worse than you can possibly imagine! When you play, all of my mother's flowers lose the will to live and expire on the instant. The quinoa has no flavor now. The llamas are migrating because of your music, and llamas are not a migratory animal. The children now believe there is a sickly monster, half horse and half large mournful chicken, that lives in the lake and calls out to the world to grant it the sweet release of death. The townspeople believe that you and I are performing arcane magic rituals - "
"Well, that one was rather a good guess," Magnus remarked.
" - using the skull of an elephant, an improbably large mushroom, and one of your very peculiar hats!"
"Or not," said Magnus. "Furthermore, my hats are extraordinary."
"I will not argue with that." Imasu scrubbed a hand through his thick black hair, which curled and clung to his fingers like inky vines. "Look, I know that I was wrong. I saw a handsome man, thought that it would not hurt to talk a little about music and strike up a common interest, but I don't deserve this. You are going to get stoned in the town square, and if I have to listen to you play again, I will drown myself in the lake."
"Oh," said Magnus, and he began to grin. "I wouldn't. I hear there is a dreadful monster living in that lake."
Imasu seemed to still be brooding about Magnus's charango playing, a subject that Magnus had lost all interest in. "I believe the world will end with a noise like the noise you make!"
"Interesting," said Magnus, and he threw his charango out the window.
"Magnus!"
"I believe that music and I have gone as far as we can go together," Magnus said. "A true artiste knows when to surrender."
"I can't believe you did that!"
Magnus waved a hand airily. "I know, it is heartbreaking, but sometimes one must shut one's ears to the pleas of the muse."
"I just meant that those are expensive and I heard a crunch.
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Cassandra Clare (The Bane Chronicles)
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The place where french-postmodernism has been really harmful is the Third World. Because Third World intellectuals are badly needed in popular movements, they can make contributions. And a lot of them is drawn away from this: antropologists, sociologists and others. They are drawn away in this arcane, and in my view, mostly meaningless discourses and are disassociated from popular struggles. And you can see the impact. They really indicate that the level of irrationality that grows out of this undermines the oportunities for doing something really significant and important. It is like consumerism because it diverts people from concentrating in a serious way and doing something about their own problems.
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Noam Chomsky
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Quinn seemed to have become one of a jaded philosophical society, a group of arcane deviates. Their raison d'etre was a kind of mystical masochism, forcing initiates toward feats of occult daredevilry - "glimpsing the inferno with eyes of ice", to take from the notebook a phrase that was repeated often and seemed a sort of chant of power. As I suspected, hallucinogenic drugs were used by the sect, and there was no doubt that they believed themselves communing with strange metaphysical venues. Their chief aim, in true mystical fashion, was to transcend common reality in the search for higher states of being, but their stratagem was highly unorthodox, a strange detour along the usual path toward positive illumination. Instead, they maintained a kind of blasphemous fatalism, a doomed determinism which brought them face to face with realms of obscure horror. Perhaps it was this very obscurity that allowed them the excitement of their central purpose, which seemed to be a precarious flirting with personal apocalypse, the striving for horrific dominion over horror itself.
("The Dreaming In Nortown")
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Thomas Ligotti (The Nightmare Factory)
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Robin saw a great spider’s web in his mind then. Cotton from India to Britain, opium from India to China, silver becoming tea and porcelain in China, and everything flowing back to Britain. It sounded so abstract – just categories of use, exchange, and value – until it wasn’t; until you realized the web you lived in and the exploitations your lifestyle demanded, until you saw looming above it all the spectre of colonial labour and colonial pain. ‘It’s sick,’ he whispered. ‘It’s sick, it’s so sick . . .
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R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
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Grief suffocated. Grief paralysed. Grief was a cruel, heavy boot pressed so hard against his chest that he could not breathe. Grief took him out of his body, made his injuries theoretical. He was bleeding, but he didn’t know where from. He ached all over from the handcuffs digging into his wrists, from the hard stone floor against his limbs, from the way the police had flung him down as if trying to break all of his bones. He registered these hurts as factual, but he could not really feel them; he couldn’t feel anything other than the singular, blinding pain of Ramy’s loss. And he did not want to feel anything else, did not want to sink into his body and register its hurts, because that physical pain would mean he was alive, and because being alive meant that he had to move forward. But he could not go on. Not from this.
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R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
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To pragmatists, the letter Z is nothing more than a phonetically symbolic glyph, a minor sign easily learned, readily assimilated, and occasionally deployed in the course of a literate life. To cynics, Z is just an S with a stick up its butt.
Well, true enough, any word worth repeating is greater than the sum of its parts; and the particular word-part Z can, from a certain perspective, appear anally wired.
On those of us neither prosaic nor jaded, however, those whom the Fates have chosen to monitor such things, Z has had an impact above and beyond its signifying function. A presence in its own right, it’s the most distant and elusive of our twenty-six linguistic atoms; a mysterious, dark figure in an otherwise fairly innocuous lineup, and the sleekest little swimmer ever to take laps in a bowl of alphabet soup.
Scarcely a day of my life has gone by when I’ve not stirred the alphabetical ant nest, yet every time I type or pen the letter Z, I still feel a secret tingle, a tiny thrill…
Z is a whip crack of a letter, a striking viper of a letter, an open jackknife ever ready to cut the cords of convention or peel the peach of lust.
A Z is slick, quick, arcane, eccentric, and always faintly sinister - although its very elegance separates it from the brutish X, that character traditionally associated with all forms of extinction. If X wields a tire iron, Z packs a laser gun. Zap! If X is Mike Hammer, Z is James Bond. If X marks the spot, Z avoids the spot, being too fluid, too cosmopolitan, to remain in one place.
In contrast to that prim, trim, self-absorbed supermodel, I, or to O, the voluptuous, orgasmic, bighearted slut, were Z a woman, she would be a femme fatale, the consonant we love to fear and fear to love.
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Tom Robbins
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Surely, somewhere in the back of Bulfinch, in a part Lillian had not gotten to, there is an obscure (abstruse, arcane, shadowy, and even hidden) version of Proserpine in he Underworld in which a tired Jewish Ceres schleps through the outskirts of Tartarus, an ugly village of tired whores who must double as laundresses and barbers, a couple of saloons, a nearly empty five-and-dime, and people too poor to pull up stakes. In this version, Ceres looks all over town for her Proserpine, who crossed the River Cyane in a pretty sailboat with Pluto, having had the good sense to come to an understanding with the king early on. Pluto and Proserpine picnic in a charming park, twinkling lights overhead and handsome wide benches like the ones in Central Park. When Ceres comes, tripping a little on her hem as she walks through the soft grass, muttering and trying to yank Proserpine to her feet so they can start the long trip home to Enna and daylight (which has lost much of its luster, now that Proserpine is queen of all she surveys), the girl does not jump up at the sight of her mother, but takes her time handing out the sandwiches and pours cups of sweetened tea for the three of them. She lays a nicely ironed napkin in her lap and another in the lap of her new husband, the king. Proserpine does not eat the pomegranate seeds by mistake, or in a moment of desperate hunger, or fright, or misunderstanding. She takes the pomegranate slice out of her husband’s dark and glittering hand and pulls the seeds into her open, laughing mouth; she eats only six seeds because her mother knocks it out of her hand before she can swallow the whole sparkling red cluster.
“We have to get home,” Ceres says.
“I am home,” her daughter says.
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Amy Bloom (Away)
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No more peeping through keyholes! No more mas turbating in the dark! No more public confessions! Unscrew the doors from their jambs! I want a world where the vagina is represented by a crude, honest slit, a world that has feeling for bone and contour, for raw, primary colors, a world that has fear and respect for its animal origins. I’m sick of looking at cunts all tickled up, disguised, deformed, idealized. Cunts with nerve ends exposed. I don’t want to watch young
virgins masturbating in the privacy of their boudoirs or biting their nails or tearing their hair or lying on a bed full of bread crumbs for a whole chapter. I want Madagascan funeral poles, with animal upon animal and at the top Adam and Eve, and Eve with a crude, honest slit between the legs. I want hermaphrodites who are real hermaphrodites, and not make-believes walking around with an atrophied penis or a dried-up cunt. I want a classic purity, where dung is dung and angels are angels. The Bible a la King James, for example. Not the Bible of Wycliffe, not the Vulgate, not the Greek, not the Hebrew, but the glorious, death-dealing Bible that was created when the English
language was in flower, when a vocabulary of twenty thousand words sufficed to build a monument for all time. A Bible written in Svenska or Tegalic, a Bible for the Hottentots or the Chinese, a Bible that has to meander through the trickling sands of French is no Bible-it is a counterfeit and a fraud. The King James Version was created by a race of bone-crushers. It revives the primitive mysteries, revives rape, murder, incest, revives epilepsy, sadism,
megalomania, revives demons, angels, dragons, leviathans, revives magic, exorcism, contagion, incantation, revives fratricide, regicide, patricide, suicide, revives hypnotism, anarchism, somnambulism, revives the song, the dance, the act, revives the mantic, the chthonian, the arcane, the mysterious, revives the power, the evil, and the glory that is God. All brought into the
open on a colossal scale, and so salted and spiced that it will last until the next Ice Age.
A classic purity, then-and to hell with the Post Office authorities! For what is it enables the classics to live at all, if indeed they be living on and not dying as we and all about us are dying? What preserves them against the ravages of time if it be not the salt that is in them? When I read Petronius or Apuleius or Rabelais, how close they seem! That salty tang! That odor of the menagerie! The smell of horse piss and lion’s dung, of tiger’s breath and elephant’s hide. Obscenity, lust, cruelty, boredom, wit. Real eunuchs. Real hermaphrodites. Real pricks. Real cunts. Real banquets! Rabelais rebuilds the walls of Paris with human cunts. Trimalchio tickles his own throat, pukes up his own guts, wallows in his own swill. In the amphitheater, where a big, sleepy pervert of a Caesar lolls dejectedly, the lions and the jackals, the hyenas, the tigers, the spotted leopards are crunching real human boneswhilst the coming men, the martyrs and imbeciles, are walking up the golden stairs shouting Hallelujah!
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Henry Miller (Black Spring)