“
You don't, Kestrel, even though the god of lies loves you.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Will you come with me?"
"Ah, Kestrel, that's something you never need to ask.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
You might not think of me as your friend,' Kestrel told Arin, 'but I think of you as mine.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
He changed us both." She seemed to struggle for words. "I think of you, all that you lost, who you were, what you were forced to be, and might have been, and I—I have become this, this person, unable to—"
She shut her mouth.
"Kestrel," he said softly, "I love this person.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
She tried to imagine her former self. Enemy. Prisoner. Friend? Daughter. Spy. Prisoner again. “What am I now?”
Sarsine held both of Kestrel’s hands. “What ever you want to be.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Marry him,” Arin said, “but be mine in secret.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream.
“Don’t wake up,” he said.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
You snored,” Kestrel said. “I did not.” “You did. You snored so loudly that the people in my dreams complained.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
If I die, you'll survive. If you die, it will destroy me.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
The snow fell on her, it fell on him, but Kestrel knew that no single flake could ever touch them both. She didn’t look back when he spoke again. “You don’t, Kestrel, even though the god of lies loves you.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
She’d felt it before, she felt it now: the pull to fall in with him, to fall into him, to lose her sense of self.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Kestrel had bought a life, and loved it, and sold it.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Arin. I've wanted to do this for a long time."
Her words silenced him, steadied him.
Anticipation lifted within her like the fragrance of a garden under the rain. She sat at the piano, touching the keys. "Ready?"
He smiled. "Play.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
For once he didn't stop himself. The pressure of song was too strong, the need for distraction too great. Then he found that the music caged behind his closed teeth was the melody Kestrel had played for him months ago. He felt the sensation of it, low and alive on his mouth.
For a moment, he imagine it wasn't the melody that touched his lips, but Kestrel.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
I told her that I belong to you, and no other.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
WHICH LEFT WAS THAT, USELESS?” Kestrel bellowed in his ear. “Are all MudWings this stupid? OR ARE YOU JUST DEAF?” Well, if you keep that up, I will be soon, Clay thought.
”
”
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
“
Later, Kestrel wished she had spoken then, that no time had been lost. She wished that she’d had the courage that very moment to tell Arin what she’d finally known to be true: that she loved him with the whole of her heart.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
She had done everything she could. And he didn't even know.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
On the day of the dead, when the year too dies,
Must the youngest open the oldest hills
Through the door of the birds, where the breeze breaks.
There fire shall fly from the raven boy,
And the silver eyes that see the wind,
And the light shall have the harp of gold.
By the pleasant lake the Sleepers lie,
On Cadfan’s Way where the kestrels call;
Though grim from the Grey King shadows fall,
Yet singing the golden harp shall guide
To break their sleep and bid them ride.
When light from the lost land shall return,
Six Sleepers shall ride, six Signs shall burn,
And where the midsummer tree grows tall
By Pendragon’s sword the Dark shall fall.
Y maent yr mynyddoedd yn canu,
ac y mae’r arglwyddes yn dod.
”
”
Susan Cooper (The Dark Is Rising Sequence (The Dark is Rising, #1-5))
“
Kestrel thought that maybe she had been wrong, and Risha had been wrong, about forgiveness, that it was neither mud nor stone, but resembled more the drifting white spores. They came loose from the trees when they were ready. Soft to the touch, but made to be let go, so that they could find a place to plant and grow.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
An emotion clamped down on her heart. It squeezed her into a terrible silence. But he said nothing after that, only her name, as if her name were not a name but a question. Or perhaps that it wasn’t how he had said it, and she was wrong, and she’d heard a question simply because the sound of him speaking her name made her wish that she were his answer.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Kestrel felt a slow, slight throb, a shimmer in the blood. She knew it well.
Her worst trait. Her best trait.
The desire to come out on top, to set her opponent under her thumb.
A streak of pride. Her mind ringed with hungry rows of foxlike teeth.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
He'd believed it. She couldn't believe that he believed it. Sometimes, she hated him for that.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Kestrel's cruel calculation appalled her. This was part of what had made her resist the military: the fact that she could make decisions like this, that she did have a mind for strategy, that people could be so easily become pieces in a game she was determined to win...
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
How much easier everything would be if that were so. But Kestrel wouldn't let herself consider the truth. She didn't want to know its shape or see its face.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Kestrel’s laugh was white in the cold. “We could gamble for your coat.”
“Ah, love, why don’t we skip to the part where you win and I give it to you?
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Were you born this infuriating?"
"It's taken me years of practice.
”
”
Misty Massey (Mad Kestrel (Mad Kestrel, #1))
“
She'd betrayed her country because she'd believed it was the right thing to do. Yet would she have done this, if not for Arin?
He knew none of it. Had never asked for it. Kestrel had made her own choices. It was unfair to blame him.
But she wanted to.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Little Fists, what's wrong?
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Kestrel let the words echo in her mind. There had been a supple strength to his voice. An unconscious melody. Kestrel wondered if Arin knew how he exposed himself as a singer with every simple, ordinary word. She wondered if he meant to hold her in thrall.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
I can't - Kestrel, you must understand that I would never claim you. Calling you a prize - my prize - it was only words. But it worked. Cheat won't harm you, I swear that he won't, but you must...hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you're not better off dead. Swallow your pride."
"Maybe it's not as easy for me as it is for you."
He wheeled on her. "It's not easy for me," "You know that it's not. What do you think I have had to swallow these past ten years? What do you think I have had to do to survive?"
"Truly," she said, "I haven't the faintest interest. You may tell your sad story to someone else."
He flinched as if slapped. His voice came low: "You can make people feel so small.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Go away, little ghost. Go haunt someone else.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Happiness depends on being free, Kestrel's father often said, and freedom depends on being courageous.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
It was an old Herrani flag, stitched with the royal crest.
Arin said, "But the royal line is gone."
"They're looking for something to call you, Kestrel said, nudging Javelin forward.
"Not this. It's not right."
"Don't worry. They'll find the right words to describe you."
"And you."
"Oh, that's easy."
"It is?" It seemed impossible to name every thing she was to him.
Kestrel's expression was serious, luminous. He loved to see her like this. "They'll say that I'm yours," she told him, "just as you are mine.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I always think boredom is to some extent the fault of the bored.
”
”
Kate Ross (Cut to the Quick (Julian Kestrel Mysteries, #1))
“
The guard hit Kestrel across the face. “I said, what did you give him?”
You had a warrior’s heart, even then.
Kestrel spat blood. “Nothing,” she told the guard. She thought of her father, she thought of Arin. She told her final lie. “I gave him nothing.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
The reason you enjoy my company is because I look like how you feel.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I won’t play you because even when I win, I lose. It’s never been just a game between us.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Someone was coming through the velvet.
He was pulling it wide, he was stepping onto Kestrel’s balcony—close, closer still as she turned and the curtain swayed, then stopped. He pinned the velvet against frame. He held the sweep of it high, at the level of his gray eyes, which were silver in the shadows.
He was here. He had come.
Arin.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
A singer who refused to sing, a friend who wasn't her friend, someone who was hers and yet would never be hers.
Kestrel looked away from Arin.
She swore to herself that she would never look back
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
A lover? Maybe. Something tender, anyway. But tender like a bruise.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin would trade his heart for a snarled knot of thread if it meant he would never have to see Kestrel again.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Kestrel hadn’t known until she saw her father’s face how much she still loved him.
Wrong, that she felt this way. Wrong, that love could live with betrayal and hurt and anger.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
He had sleepless eyes, his mouth a little swollen, the deeply tanned skin somehow burnished. Kestrel thought that she, too, must look like this: polished by desire, the way a river stone holds a luster from having been made so smooth.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
He was a great poet" They lamented.
No, he was not a great poet," said Theo, "He was a good poet, he could have been better. That's the real loss don't you see?
”
”
Lloyd Alexander (The Kestrel (Westmark, #2))
“
A dagger wants flesh, her father would say. Find it.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
It was different to give something up than to see it taken away. The difference, Kestrel said, was choice.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
She said, I'm going to miss you when you when I wake up.
Don't wake up, he answered.
But he did.
Kestrel, beside him on the grass, said. "Did I wake you? I didn't mean to."
It took him a velvety moment to understand that this was real. The air was quiet. An insect beat it's clear wings. She brushed hair from his brow. Now he was very awake.
"You were sleeping so sweetly," she said.
"Dreaming" He touched her tender mouth.
"About what?"
"Come closer, and I will tell you."
But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way.
She curled her fingers into the green earth
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Kestrel raised one brow. "How very surprising. Didn't you just make a promise and ask me to trust your word? Really, Arin. You must sort out your lies and your truths or even you won't know which is which.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Kestrel could say that she’d learned that one’s life is also the lives of others. A wrong is not an egg, separate unto itself and sealed. She could say that she understood the wrong in ignoring a wrong. She could say this, but the truth was that she should have learned it long before.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Looks like someone's suffering the Winner's Curse."
Kestrel turned to her. "What do you mean?"
"You don't come to auctions often, do you? The Winner's Curse is when you come out on top of the bid, but only by paying a steep price.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
She remembered her letter confessing every thing to Arin. I am the Moth. I am your country’s spy, she’d written. I have wanted to tell you this for so long. She’d scrawled the emperor’s secret plans. It didn’t matter that this was treason. It didn’t matter that she was supposed to marry the emperor’s son on First-summer’s day, or that her father was the emperor’s most trusted friend. Kestrel ignored that she’d been born Valorian. She’d written what she felt. I love you. I miss you. I would do anything for you.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
She said, I'm going to miss you when you when I wake up.
Don't wake up, he answered.
But he did.
Kestrel, beside him on the grass, said. "Did I wake you? I didn't mean to.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin thought of Cheat, Tensen, Kestrel. He wondered if some part of him was drawn to lies. What was it that made him so easy to deceive?
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
When Roshar saw her ripped, one-legged trousers and Arin at her side as they stood outside the prince’s tent, his eyes glinted with mirth and Kestrel felt quite sure that the prince was going to say it was about time Arin tore her clothes off. Then Roshar might comment coyly on Arin’s inability to reach a full conclusion (Only one trouser leg? she imagined Roshar saying. How lazy of you, Arin), or on the quaint quality of Arin’s modesty (What a little lamb you are). Perhaps he’d offer condolences to Kestrel on the partial death of her trousers. He’d ask whether she’d gotten injured on purpose.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him.
'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.'
Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her.
'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.'
She heard Arin shift, felt him look at her.
'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.'
There was a silence as long as a smile.
'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.'
Kestrel could no longer deny sleep. It pulled her under.
'And I would never have met you.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
It's fierce, an' it's wild, an' it's not bothered about anybody, not even about me right. And that's why it's great.
”
”
Barry Hines (A Kestrel for a Knave)
“
Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Peril thought her mother was dead. How would she react when she found out it was Kestrel — and she was still alive?
”
”
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
“
He'll behave. He has a mien and manners of a prince."
"Oh, like you?"
"I resent your tone."
"I'm not sure you can control him."
"Has he ever aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you'll get married, and make babies --"
"Gods, Roshar, shut up.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Kestrel." The general touched her shoulder. When he spoke, his voice was uncharacteristically hesitant."It's every child's duty to survive her parents. My profession isn't a safe one. I would like- Kestrel, when I die, do not mourn me."
She smiled. "You do not command me," she said, and kissed his cheek
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The beauty of the flute was in its simplicity, in its resemblance to the human voice. It always sounded clear. It sounded alone. The piano, on the other hand, was a network of parts—a ship, with its strings like rigging, its case a hull, its lifted lid a sail. Kestrel always thought that the piano didn't sound like a single instrument but a twinned one, with its low and high halves merging together or pulling apart.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The sky was a feather blanket of clouds, save for one blue hole in the fabric. A blue cloud in a white sky.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Kestrel felt Arin’s tension, the way he looked at the prince. Arin’s worry was plain, his hands still at his sides yet slightly open, as if his friend might shatter and Arin needed to be ready to catch the pieces.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Come closer, and I will tell you."
But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
If you die, I'll die.'
'But is you live, I'll live.'
- Bowman and Kestrel, Firesong
”
”
William Nicholson
“
Kestrel could read an expression as if looking through shifting water to see the grainy bottom, the silt rising or settling, the dart of a fish.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Kestrel...”
An emotion clamped down on her heart. It squeezed her into a terrible silence. But he said nothing after that, only her name, as if her name were not a name but a question. Or perhaps that wasn't how he had said it, and she was wrong, and she'd heard a question simply because the sound of him speaking her name made her wish that she were his answer.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Once there was a girl who was too sure of herself. Not everyone would call her beautiful, but they admitted that she had a certain grace that intimidated more often than it charmed. She was not, society agreed, someone you wanted to cross. She keeps her heart in a porcelain box, people whispered, and they were right.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
It looked like she held a basketful of woven gold.
Arin leap down the stairs. He strode up to his cousin and seized her arm.
“Arin!”
“What did you do?”
Sarsine jerked away. “What she wanted. Pull yourself together.”
But Arin only saw Kestrel as she had been last night before the ball. How her hair had been a spill of low light over his palms. He had threaded desire into those braids, had wanted her to sense it even as he dreaded that she would. He had met her eyes in the mirror, and didn’t know, couldn’t tell her feelings. He only knew the fire of his own.
“It’s just hair,” Sarsine said. “It will grow back.”
“Yes,” said Arin, “but no everything does.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
You're much better than fireworks. They're all over in a moment, and you're going to stay for a fortnight. Besides, fireworks are noisy, and they make too much smoke.
”
”
Kate Ross (Cut to the Quick (Julian Kestrel Mysteries, #1))
“
You talk about her as if she's made of spun glass. Know what I see? Steel.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin used to clutch his head in disgusted wonder at how fascinated he’d once been by the daughter of the Valorian general. He used to sting at her rejection. Now, though, the thought of Kestrel gave him a cold relief. Ice on a bruise.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
What did you tell the queen?"
"I told Inisha about you."
"What, exactly?"
He hesitated. "I'm afraid to say."
"I want you to."
"You might leave."
"I won't."
He stayed silent.
She said, "I give you my word."
"I told her that I belong to you, and no other. I said that I was sorry.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
No, it didn’t hurt anymore to think about Kestrel. He’d been a fool, but he’d had to forgive himself for worse. Sister, father, mother. As for Kestrel . . . Arin had some clarity on who he was: the sort of person who trusted too blindly, who put his heart where it didn’t belong.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Nothing is ever black and white, Nila. You should know that bu now. Its all how you survive the grey." -Kes
”
”
Pepper Winters (Third Debt (Indebted, #4))
“
Sarsine grabbed his wrists and tugged the hands from his eyes. He looked at her, but didn’t see her. He saw Kestrel’s wasted face. He saw himself as a child, the night of the invasion, soldiers in his home, how he had done nothing.
Later, he’d told Sarsine when the messenger had come to see him.
No, I won’t, he’d promised Roshar when the prince had listed reasons not to rescue the nameless spy from the tundra’s prison.
“I was wrong,” Arin said. “I should have—”
“Your should haves are gone. They belong to the god of the lost. What I want to know is what you are going to do now.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
He was not going to be dragged into other people´s business. He was going to plunge in headfirst.
”
”
Kate Ross (Cut to the Quick (Julian Kestrel Mysteries, #1))
“
Let the morning keep what belongs to the morning,
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
before she could scream. Kestrel clutched at the blood pouring from her neck and staggered back, pummeled by the wind. Blister took another step and stabbed Kestrel in the heart with her poisonous tail. The SkyWing collapsed to the rocks, thrashing in agony. Her mouth opened to scream curses or breathe fire at her murderers, but only dark red blood bubbled out.
”
”
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
“
I would do anything for you, she’d written in the letter her father had found. But that part, despite feeling true when she’d scrawled it on the page, had been a lie. Kestrel had refused Arin. She hadn’t been honest with him, not even when he’d begged. She’d pretended she was empty and careless and cruel.
He’d believed it. She couldn’t believe that he believed it.
Sometimes, she hated him for that.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Ronan raised his brows. “To the tune of fifty keystones?”
“What do I care?” Kestrel wanted to end this conversation. “I am wealthy enough.” She touched Ronan’s sleeve. “And how much”—she rubbed the silk between her fingers—“did this cost?”
“Ronan, whose deftly embroidered shirt was easily the same price the slave had been, allowed that a point had been made.
“He will last longer than this shirt.” Kestrel let go of the cloth. “I’d say I got a bargain.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Something terrible was clawing up her throat.
“I was lucky,” Arin said. “I had you. And a hard head. And the grace of my god.”
“Damn your god.”
Arin caught her arm above the elbow. She turned to face him. All trace of humor had left his face. His eyes were wide, urgent. “Don’t say that.”
“Why not? I can say anything. Anything except what really matters.”
“Kestrel, take it back. You’ll offend him.”
“Your god risks you.”
“He protects me.”
“You’re his plaything.”
“You’re wrong. He loves me.”
Saying those words made him look so alone. He reminded her of sails curved by the wind, full and yet empty at the same time. She found that she was jealous of his god. The sudden jealousy held her so hard in its grip that she couldn’t breathe.
“It’s true,” Arin insisted.
She saw then that she had hurt him, that his god’s love was all the more precious to him because of his fear that he would find it nowhere else. Her anger rinsed away. “I’m sorry. I’m sorry. I ask your pardon. His, too.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Here is a boy who was waiting to be punished. But then, unexpectedly, he finds that his fault has been overlooked or forgiven and at once the world reappears in brilliant colors, full of delightful prospects. Here is a soldier who was waiting, with a heavy heart, to suffer and die in battle. But suddenly the luck has changed. There is news! The war is over and everyone bursts out singing! He will go home after all! The sparrows in the plowland were crouching in terror of the kestrel. But she has gone; and they fly pell-mell up the hedgerow, frisking, chattering and perching where they will.
”
”
Richard Adams (Watership Down (Watership Down, #1))
“
Do you deny it?" Grimani persisted.
Deny it? Only the greatest self-restraint prevents me from laughing it out of countenance.
”
”
Kate Ross (The Devil in Music (Julian Kestrel Mysteries, #4))
“
You could offer her a seat,' Arin said.
'Ah, but I only have two chairs in my tent, little Herrani, and we are three. I suppose she could always sit on your lap.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
¿No es eso lo que consiguen las historias, que lo real sea falso y lo falso, real?
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The general's daughter? We'd be fools not to. You talk about her as if she's made of spun glass. Know what I see? Steel.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
His brain had been a glass ball. Nothing in it but echoes. His mother’s scent. Father’s voice. How Anireh’s gaze had held him from across the room, and her eyes said, Survive. They said, Love, and I’m sorry. They said, Little brother.
And then silence. It became silent in Arin’s head as he stood on the road. He stopped hearing voices. He thought about how it had seemed strange that Risha would plot the emperor’s death, yet refuse to kill him herself. Arin understood now. He knew how it was to have no family: like living in a house with no roof. Even if Kestrel were here, and begged him—Let your sword fall, do it, please, now—Arin wasn’t sure that he could make her an orphan.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Sometimes, Arin almost understood what Kestrel had done. Even now, as he felt the drift of the boat and didn't fight its pull, Arin remembered the yearning in Kestrel's face whatever she'd mentioned her father. Like a homesickness. Arin had wanted to shake it out of her. Especially during those early months when she had owned him. He had wanted to force her to see her father for what he was. He had wanted her to acknowledge what she was, how she was wrong, how she shouldn't long for her father's love. It was soacked in blood. Didn't she see that? How could she not?
Once, he'd hated her for it. Then it had somehow touched him. He knew it himself. He, too, wanted what he shouldn't. He, too, felt the heart chooses its own home and refuses reason. Not here, he'd tried to say. Not this. Not mine. Never. But he had felt the same sickness.
In retrospect, Kestrel's role in the taking of the eastern plains was predictable. Sometimes he damned her for currying favor with the emperor, or blamed her playing war like a game just because she could. Yet he thought he knew the truth of her reasons. She'd done it for her father. It almost made sense. At least, it did when he was near sleep and his mind was quiet, and it was harder to help what entered. Right before sleep, he came close to understanding. But he was awake now.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Kestrel listened to the slap of waves against the ship, the cries of struggle and death. She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled.
If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know.
Her father would choose the water for Kestrel if he knew.
Yet she couldn't. In the end, it wasn't cunning that kept her from jumping, or determination. It was a glassy fear.
She didn't want to die. Arin was right. She played a game until its end.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Something tugged inside him. A flutter of unease.
Do you sing? Those had been her first words to him, the day she had bought him.
A band of nausea circled Arin’s throat, just as it had when she had asked him that question, in part for the same reason.
She’d had no trace of an accent. She had spoken in perfect, natural, mother-taught Herrani.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin remmembered seeing her hand in Javelin’s mane, curling into the coarse strands. This made him remember the almost freakish lenghth between her littlest finger and thumb as her hand spanned piano keys. The black star of the birth-mark. He saw her again in the imperial palace. Her music room. He’d seen that room only once. About a month ago, right before Firstsummer. Her blue sleeves were fastened at the wrist.
Something tugged inside him. A flutter of unease.
Do you sing? Those had been her first words to him, the day she had bought him. A band of nausea circled Arin’s throat, just as it had when she had asked him that question, in part for the same reason. She’d had no trace of an accent. She had spoken in perfect, natural, mother-taught Herrani.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I told you everything I know", said the messenger. Arin had gone to his childhood suite, feeling anxiety verging on panic at the thought of not finding the man there, of having to track him down, of time lost…but the man had opened the outermost door almost immediately after Arin’s pounding knock.
"I didn’t ask you the right questions,“ Arin said. "I want to start again. You said that the prisoner reached trough the bars of the wagon to give you the moth.”
“Yes”
“And you couldn’t really see her.”
“That’s right.”
“But you said she was Herrani. Why would you say that if you couldn’t see her?”
“Because she spoke in Herrani.”
“Perfectly.”
“Yes.”
“No accent.”
“No.”
“Describe the hand.”
“I’m not sure…”
“Start with the skin. You said it was paler than yours, than mine.”
“Yes, like a house slave’s.”
Which wasn’t very different from a Valorian’s. “Could you see her wrist, her arm?”
“The wrist, yes, now that you mention it. She was in chains. I saw the manacle.”
“Did you see the sleeve of a dress?”
“Maybe. Blue?”
Dread churned inside Arin. “You think or you know?”
“I don’t know. Things happened too fast.”
“Please. This is important.”
“I don’t want to say something I’m not sure is true.”
“All right, all right. Was this her right hand or her left?”
“I don’t know.”
“Can you tell me anything about it? Did she wear a seal ring?”
“Not that I saw, but –”
“Yes?"
"She had a birthmark. On the hand, near the thumb. It looked like a little black star.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
It looked like she held a basketful of woven gold.
Arin leap down the stairs. He strode up to his cousin and seized her arm.
“Arin!”
“What did you do?”
Sarsine jerked away. “What she wanted. Pull yourself together.”
But Arin only saw Kestrel as she had been last night before the ball. How her hair had been a spill of low light over his palms. He had threaded desire into those braids, had wanted her to sense it even as he dreaded that she would. He had met her eyes in the mirror, and didn’t know, couldn’t tell her feelings. He only knew the fire of his own.
“It’s just hair,” Sarsine said. “It will grow back.”
“Yes,” said Arin, “but not everything does.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The man wrote his message.
Are you really a boy, like Xash says? the god asked Arin. You’ve been mine for twenty years. I raised you.
The Valorian signed the scrap of paper.
Cared for you.
The message was rolled, sealed, and pushed into a tiny leather tube.
Watched over you when you thought you were alone.
The captain tied the tube to a hawk’s leg. The bird was too large to be a kestrel. It didn’t have a kestrel’s markings. It cocked its head, turning its glass-bead eyes on Arin.
No, not a boy. A man made in my image . . . one who knows he can’t afford to be seen as weak.
The hawk launched into the sky.
You’re mine, Arin. You know what you must do.
Arin cut the Valorian’s throat.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Look, there's Billy Casper there wi' his pet hawk. I could shout at 'em; it's not a pet, Sir, hawks are not pets. Or when folks stop me and say, "Is it tame?" Is it heck tame, it's trained that's all. It's fierce, and it's wild, an' it's not bothered about anybody, not even about me right. And that's why it's great.
”
”
Barry Hines (A Kestrel for a Knave)
“
For a moment she didn't understand what he wanted, then she drew the dagger he'd made for her and gave it to him
Arin looked it over---surprised, pleased. "You take good care of it."
She took it back. "Of course I do." Her voice was rough and wrong.
He peered at her. Friendly, he said, "Yes, of course. Is there a saying for it? 'A Valorian always polishes her blade.' Something like that."
"I take care of it," she said, suddenly both miserable and angry, "because you made it for me.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
She opened the book.
“Don’t,” said Arin. “Please.”
But she had already seen the inscription.
For Arin, it read, from Amma and Etta, with love.
This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.
Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk.
Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not.
Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.”
“It is my book,” Irex said.
There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?”
Arin’s answer was low. “No.”
“Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.”
“He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.”
“Yes, your property. Let us not forget that we are also discussing my property.”
“He will be returned to you.”
“So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.”
Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.”
Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.”
Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her.
“Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.”
“I think we’ll enjoy this method more.”
“A challenge.” He tsked. “I’ll let you take it back. Just this one.”
“I cannot take it back.”
At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades.
“I’ll even let you choose the weapons,” Irex said.
“Needles. Now it is to you to choose the time and place.”
“My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.”
This gave Kestrel pause. But she nodded, and finally turned to Arin.
He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up.
“You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))