Songs Of Solomon Quotes

You wanna fly, you got to give up the shit that weighs you down.

She was the third beer. Not the first one, which the throat receives with almost tearful gratitude; nor the second, that confirms and extends the pleasure of the first. But the third, the one you drink because it's there, because it can't hurt, and because what difference does it make?

If you surrendered to the air, you could ride it.

You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.

Gimme hate, Lord,” he whimpered. “I’ll take hate any day. But don’t give me love. I can’t take no more love, Lord. I can’t carry it...It’s too heavy. Jesus, you know, you know all about it. Ain’t it heavy? Jesus? Ain’t love heavy?

I wish I’d a knowed more people. I would of loved ‘em all. If I’d a knowed more, I would a loved more

Perhaps that's what all human relationships boil down to: Would you save my life? or would you take it?

Many waters cannot quench love, Nor will rivers overflow it. Song of Solomon 8: 7.

It's a bad word, 'belong.' Especially when you put it with somebody you love ... You can't own a human being.

Now he knew why he loved her so. Without ever leaving the ground, she could fly. 'There must be another one like you,' he whispered to her. 'There's got to be at least one more woman like you.

Her passions were narrow but deep.

And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still, it moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.

Love, real love, the kind that you fall in, isn’t like Corinthians. The “suffereth long” and “is kind” nonsense. It’s like the Song of Solomon. It’s jealousy and fire and floods. It’s everything that consumes.

Every sentence, every word, was new to them and they listened to what he said like bright-eyed ravens, trembling in their eagerness to catch & interpret every sound in the universe.

For now he knew what Shalimar knew: If you surrendered to the air, you could ride it.

How come it can't fly no better than a chicken?" "Too much tail. All that jewelry weighs it down. Like vanity. Wanna fly, you got to give up the shit that weighs you down.

He can't value you more than you value yourself.

I am my beloved's, and my beloved is mine. (Song of Solomon 6:3a)

In fact her maturity and blood kinship converted her passion to fever, so it was more affliction than affection. It literally knocked her down at night, and raised her up in the morning, for when she dragged herself off to bed, having spent another day without his presence, her heart beat like a gloved fist against her ribs. And in the morning, long before she was fully awake, she felt a longing so bitter and tight it yanked her out of a sleep swept clean of dreams.

Can't nobody fly with all that shit. Wanna fly, you got to give up the shit that weighs you down.

How come it can’t fly no better than a chicken?’ Milkman asked. Too much tail. All that jewelry weighs it down. Like vanity. Can’t nobody fly with all that [stuff]. Wanna fly, you got to give up the [stuff] that weighs you down.’ The peacock jumped onto the hood of the Buick and once more spread its tail, sending the flashy Buick into oblivion.

Nothing could be taken for granted. Women who loved you tried to cut your throat, while women who didn't even know your name scrubbed your back. Witches could sound like Katharine Hepburn and your best friend could try to strangle you. Smack in the middle of an orchid there might be a blob of jello and inside a Mickey Mouse doll, a fixed and radiant star.

Me, I was still in the pygmy hippo in a skirt, singing lusty songs about Solomon's private life and a giant stone back and forth through the air as I climbed out of the quarry at the edge of the site.

She was fierce in the presence of death, heroic even, as she was at no other time. Its threat gave her direction, clarity, audacity.

Listen, baby, people do funny things. Specially us. The cards are stacked against us and just trying to stay in the game, stay alive and in the game, makes us do funny things. Things we can't help. Things that make us hurt one another. We don't even know why.

Your partner may have injuries that you can't repair. Your partner may be trapped in a dark room without windows. Your life narrative might bring him more relief than an opiate. Some people make better windows than windows. Your kind words and enlightened perspective is a window of wonders to someone living in pain.

Many waters cannot quench love, neither can floods drown it. (Song of Solomon 8:7)

The real secret of an unsatisfied life lies too often in an unsurrendered will.

See? See what you can do? Never mind you can’t tell one letter from another, never mind you born a slave, never mind you lose your name, never mind your daddy dead, never mind nothing. Here, this here, is what a man can do if he puts his mind to it and his back in it. Stop sniveling,’ [the land] said. ‘Stop picking around the edges of the world. Take advantage, and if you can’t take advantage, take disadvantage. We live here. On this planet, in this nation, in this county right here. Nowhere else! We got a home in this rock, don’t you see! Nobody starving in my home; nobody crying in my home, and if I got a home you got one too! Grab it. Grab this land! Take it, hold it, my brothers, make it, my brothers, shake it, squeeze it, turn it, twist it, beat it, kick it, kiss it, whip it, stomp it, dig it, plow it, seed it, reap it, rent it, buy it, sell it, own it, build it, multiply it, and pass it on – can you hear me? Pass it on!

It sounded old. Deserve. Old and tired and beaten to death. Deserve. Now it seemed to him that he was always saying or thinking that he didn't deserve some bad luck, or some bad treatment from others. He'd told Guitar that he didn't "deserve" his family's dependence, hatred, or whatever. That he didn't even "deserve" to hear all the misery and mutual accusations his parents unloaded on him. Nor did he "deserve" Hagar's vengeance. But why shouldn't his parents tell him their personal problems? If not him, then who? And if a stranger could try to kill him, surely Hagar, who knew him and whom he'd thrown away like a wad of chewing gum after the flavor was gone––she had a right to try to kill him too. Apparently he though he deserved only to be loved--from a distance, though--and given what he wanted. And in return he would be...what? Pleasant? Generous? Maybe all he was really saying was: I am not responsible for your pain; share your happiness with me but not your unhappiness.

Bryn Mawr had done what a four-year dose of liberal education was designed to do: unfit her for eighty percent of the useful work of the world.

The human body is robust. It can gather strength when it's in mortal danger.

Her mind traveled crooked streets and aimless goat paths, arriving sometimes at profundity, other times at the revelations of a three-year-old. Throughout this fresh, if common, pursuit of knowledge, one conviction crowned her efforts: ...she knew there was nothing to fear.

You got a life? Live it! Live the motherfuckin life!

A wife who obsesses on "fixing" her husband only succeeds in demeaning him.

You think because he doesn't love you that you are worthless. You think because he doesn't want you anymore that he is right- that his judgement and opinion of you are correct. If he throws you out, then you are garbage. You think he belongs to you because you want to belong to him. Hagar, don't. It's a bad word, 'belong.' Especially when you put it with somebody you love. Love shouldn't be like that.

Where do you get the right to decide our lives? I'll tell you where. From that little hog's gut that hangs between your legs. Well, let me tell you something... you will need more than that. I don't know where you will get it or who will give it to you, but mark my words, you will need more than that.... You are a sad, pitiful, stupid, selfish, hateful man. I hope your little hog's gut stands you in good stead, and you take good care of it, because you don't have anything else.

It was becoming a habit-this concentration on things behind him. Almost as though there were no future to be had. *Milkman*

She needed what most colored girls needed: a chorus of mamas, grandmamas, aunts, cousins, sisters, neighbors, Sunday school teachers, best girl friends, and what all to give her the strength life demanded of her—and the humor with which to live it.

This is going to hurt, but you will have to watch other couples be happier, richer and louder than you. Wait. No obstacle can withstand patience. Wait. You may not think so now, but there will come a time when you will be tempted to run away. Would that be right? Would that be fair? As every matriarch discovers, entire seasons will pass without reward. As your mate's peculiarities add up, what do you do? Wait!

In these pages, and in my memories, she reminds me that a short life can also be a good and rich life, that it is possible to live with depression without being consumed by it, and that meaning in life is found together, in family and friendship that transcends and survives all manner of suffering. As the poet wrote in the Bible's Song of Solomon, 'Love is strong as death.' Or perhaps even stronger.

Would you marry you? Be the right person before seeking the right person. Solomon's bride is carefully chosen for the good of his family, for the good of his kingdom. pg 9

From the beginning, his mother and Pilate had fought for his life, and he had never so much as made either of them a cup of tea.

You may have started as my daughter, but it was always understood that one day you would be a wife, mother, and contributor to this Messiah's kingdom. I will never ask anything from you again, but an entire world will. pg 1

When we justify a flaw we are actually inventing a new one. When a woman neglects developing her own character, she not only chisels away her own reputation, but the reputation of everyone in her household.

Beware young brides: The cruelest behaviors on earth are done in the name of, what some call, 'love.' Therefore, the Shulamite does a much better job at defining love than pop-culture. pg 4

You already alone. If you want more alone, I can knock you into the middle of next week, and leave you there.

In Song of Songs we are introduced to a new problem for Abishag: Solomon was choosing wives for political advantages, while she was wasting away in Zion--without children. pg xxiv

My beloved is mine and I am his. --Song of Solomon 2:16

Today's marriages become toxic, with resentments, after only a few years. It's one thing to say, 'I forgive,' but most lack the enterprise to do the necessary work that follows. It was the day after that proved who had the wisdom of God and who didn't.

Like Sarah, treat your husband like what he might become. When all the facts said Sarah would have no vineyard, she became a matriarch to nations. Sarah learned to behave as though she would become a mother to nations--and she did.

I thought of muses as inventions to protect one's insight, to avoid questions like "Where do your ideas come from?" Or to escape inquiry into the fuzzy area between autobiography and fiction.

I have found the one whom my soul loves. --Song of Solomon 3:4

Milkman could hardly breathe. Hagar's voice scooped up what little pieces of heart he had left to call his own.

Apparently he thought he deserved only to be loved--from a distance, though--and given what he wanted. And in return he would be . . . what? Pleasant? Generous? Maybe all he was really saying was: I am not responsible for your pain; share your happiness with me but not your unhappiness.

Solomon, for his part, continues his father’s prophetic legacy by composing the Song of Songs, a beautiful meditation on love and devotion that celebrates God’s greatest gift to humanity.

Listen, baby, people do funny things. Specially us. The cards are stacked against us and just trying to stay in the game, stay alive and in the game, makes us do funny things. Things we can't help. Things that make us hurt one another. We don't even know why. But look here, don't carry it inside and don't give it to nobody else. Try to understand it, but if you can't, just forget it and keep yourself strong, man.

Song of Solomon 1:2- Let him kiss me with the kisses of his mouth: for thy love is better than wine.

You have pissed your last in this house . . . and I don't make velvet roses anymore.

Without wiping away the tears, taking a deep breath, or even bending his knees—he leaped. For now he knew what Shalimar knew: If you surrendered to the wind, you could ride it.

In marriage, those who persevere are rewarded with the most precious thing this earth has to offer: Marital love--a partnership that conquers the years. It takes time, but those who persevere are rewarded with, falling in love with their spouse. pg v

Set me as a seal upon thine heart, as a seal upon thine arm: for love is strong as death; jealousy is cruel as the grave: the coals thereof are coals of fire, which hath a most vehement flame

Marriage is nothing to underestimate. Success in marriage is about getting back up, again and again. Ultimately, the Shulamite had to write her own role in Solomon's drama. She made Solomon's problems her problems. For her, that was worth every bruise. pg ii

All Abraham's sons were taught that God would progressively reveal Himself. God's wholeness has yet to be realized. There will always be gaps in our understanding. Why should we fill those gaps with suspicion, bigotry and accusations? Men do it to women; Jews do it to Christians; Christians do it to Muslims. Yet, all these have an implied duty to Abraham.

Like your marriage, everything in the universe is trying to find its orbit. In the midst of this constant readjustment, both partners should be able to go to bed knowing that neither one is going to abandon a wounded, or struggling marriage. There is a comforting reassurance being with someone who keeps their promise. pg iv

There is so much information in one Hebrew word that translators are hard pressed to decide how much information should be cut. Since the first official translation (the Septuagint), Jewish translators advocated translating Hebrew (for outsiders) at the 'story' level. pg viii

To erroneously assert that the unclaimed Shunemite does not treasure the opportunity misses the entire point of this superlative song. She wants to leave with Solomon. This earthly Shunemite would be willing to die to be with Solomon--but until she develops skills of value to his kingdom--she will remain unclaimed.

The Shulamite lives by a different set of values. One of the most horrible frauds perpetrated on western couples is 'trust your feelings' or 'follow your heart.' Solomon's family must never be left to whims. A wise Shulamite does not make life decisions based on feelings, alone. She takes God's point-of-view: 'He that trusteth in his own heart is a fool; But whoso walketh wisely, he shall be delivered.' --Pr 28:26 For young couples, a hard lesson to learn is: Their hearts will lie to them. pg 3

Our unclaimed Shunemite, however, can only look on. No kiss for her. Being the most beautiful woman in Israel isn't enough for Solomon. Solomon is seeking partners to help him grow a very special nation. Abishag is relegated to wishing Solomon's new wives well, but in the mean time, her life as an outsider is bitter. 'Take me away,' she will later lament.

Many waters cannot quench love, Nor will rivers overflow it. Song of Solomon 8:7. In other words, yes, she still loved Søren.

Everything bad that ever happened to him happened because he couldn’t read.

The voice of my Beloved! behold, he cometh leaping upon the mountains, skipping upon the hills” (Song of Solomon 2:8).

Truly landlocked people know they are. Know the occasional Bitter Creek or Powder River that runs through Wyoming; that the large tidy Salt Lake of Utah is all they have of the sea and that they must content themselves with bank, shore, beach because they cannot claim a coast. And having none, seldom dream of flight. But the people living in the Great Lakes region are confused by their place on the country’s edge - an edge that is border but not coast. They seem to be able to live a long time believing, as coastal people do, that they are at the frontier where final exit and total escape are the only journeys left. But those five Great Lakes which the St. Lawrence feeds with memories of the sea are themselves landlocked, in spite of the wandering river that connects them to the Atlantic. Once the people of the lake region discover this, the longing to leave becomes acute, and a break from the area, therefore, is necessarily dream-bitten, but necessary nonetheless.

she tackled the problem of trying to decide how she wanted to live and what was valuable to her. When am I happy and when am I sad and what is the difference? What do I need to know to stay alive? What is true in the world?

What changes when a woman marries? What does a woman lose and what does she gain? For Abishag, marrying king David gave her instant status. As a wife, impugning Abishag's character meant a swift death. As a wife, she inspired fear. What changes when a woman is widowed? For Abishag, it meant foreign women came to Jerusalem to marry Solomon--and she was relegated to that of a spectator. In Abishag's widowhood, none feared her.

It sickens me to admit this, but the divorce rate is the same for religious couples as it is for non-religious couples. Is it preposterous for us to think that we can love someone for a lifetime? Marriage is held together with such flimsy things--lace, promises and tolerance. We humans are so unskilled at sustaining intimacy. We begin with such high hopes, yet lose our way so quickly. pg i

There is no one else but you, my friend, my equal.” --Song of Solomon 5:2

Many waters cannot quench love, neither can floods drown it.”’ That’s from the Song of Solomon. We sing what we know.

Well, if a man don't HAVE a chance, then he has to TAKE a chance!

She was the third beer. Not the first one, which the throat receives with almost tearful gratitude; nor the second, that confirms and extends the pleasure of the first. But the third, the one you drink because it’s there, because it can’t hurt, and because what difference does it make?

Every friend, every neighbor, and every family member wishes that you retain your golden heart. No one wants to see your love sullied. Yet, they all know a dark circumstance will find you eventually. Know this: You are being hunted--like game. Life will knock you down with some unexpected misfortune. Resolve now, to help your partner get back up. Only a determined family kills its wounded. When everyone else abandons him, come back for your husband.

Many years ago a friend of mine, Kevin O'Niel made a very profound comment ... The difference between the love of God and the love of man is that man loves people or things because they are precious: but God simply loves us - and by loving us makes us precious.

They hooted and laughed all the way back to the car, teasing Milkman, egging him on to tell more about how scared he was. And he told them. Laughing too, hard, loud, and long. Really laughing, and he found himself exhilarated by simply walking the earth. Walking it like he belonged on it; like his legs were stalks, tree trunks, a part of his body that extended down down down into the rock and soil, and were comfortable there--on the earth and on the place where he walked. And he did not limp.

Fasting By Mevlana Jelaluddin Rumi (1207 - 1273) English version by Coleman Barks There's hidden sweetness in the stomach's emptiness. We are lutes, no more, no less. If the soundbox is stuffed full of anything, no music. If the brain and belly are burning clean with fasting, every moment a new song comes out of the fire. The fog clears, and new energy makes you run up the steps in front of you. Be emptier and cry like reed instruments cry. Emptier, write secrets with the reed pen. When you're full of food and drink, Satan sits where your spirit should, an ugly metal statue in place of the Kaaba. When you fast, good habits gather like friends who want to help. Fasting is Solomon's ring. Don't give it to some illusion and lose your power, but even if you have, if you've lost all will and control, they come back when you fast, like soldiers appearing out of the ground, pennants flying above them. A table descends to your tents, Jesus' table. Expect to see it, when you fast, this table spread with other food, better than the broth of cabbages.

We look back on history, and what do we see? Empires rising and falling; revolutions and counter-revolutions succeeding one another; wealth accumulating and wealth dispersed; one nation dominant and then another. As Shakespeare’s King Lear puts it, “the rise and fall of great ones that ebb and flow with the moon.” In one lifetime I’ve seen my fellow countrymen ruling over a quarter of the world, and the great majority of them convinced – in the words of what is still a favorite song – that God has made them mighty and will make them mightier yet. I’ve heard a crazed Austrian announce the establishment of a German Reich that was to last for a thousand years; an Italian clown report that the calendar will begin again with his assumption of power; a murderous Georgian brigand in the Kremlin acclaimed by the intellectual elite as wiser than Solomon, more enlightened than Ashoka, more humane than Marcus Aurelius. I’ve seen America wealthier than all the rest of the world put together; and with the superiority of weaponry that would have enabled Americans, had they so wished, to outdo an Alexander or a Julius Caesar in the range and scale of conquest. All in one little lifetime – gone with the wind: England now part of an island off the coast of Europe, threatened with further dismemberment; Hitler and Mussolini seen as buffoons; Stalin a sinister name in the regime he helped to found and dominated totally for three decades; Americans haunted by fears of running out of the precious fluid that keeps their motorways roaring and the smog settling, by memories of a disastrous military campaign in Vietnam, and the windmills of Watergate. Can this really be what life is about – this worldwide soap opera going on from century to century, from era to era, as old discarded sets and props litter the earth? Surely not. Was it to provide a location for so repetitive and ribald a production as this that the universe was created and man, or homo sapiens as he likes to call himself – heaven knows why – came into existence? I can’t believe it. If this were all, then the cynics, the hedonists, and the suicides are right: the most we can hope for from life is amusement, gratification of our senses, and death. But it is not all.

What do you know about somebody not being good enough for somebody else? And since when did you care whether Corinthians stood up or fell down? You've been laughing at us all your life. Corinthians. Mama. Me. Using us, ordering us, and judging us: how we cook your food; how we keep your house. But now, all of a sudden, you have Corinthians' welfare at heart and break her up from a man you don't approve of. Who are you to approve or disapprove anybody or anything? I was breathing air in the world thirteen years before your lungs were even formed. Corinthians, twelve. . . . but now you know what's best for the very woman who wiped the dribble from your chin because you were too young to know how to spit. Our girlhood was spent like a found nickel on you. When you slept, we were quiet; when you were hungry, we cooked; when you wanted to play, we entertained you; and when you got grown enough to know the difference between a woman and a two-toned Ford, everything in this house stopped for you. You have yet to . . . move a fleck of your dirt from one place to another. And to this day, you have never asked one of us if we were tired, or sad, or wanted a cup of coffee. . . . Where do you get the RIGHT to decide our lives? . . . I'll tell you where. From that hog's gut that hangs down between your legs. . . . I didn't go to college because of him. Because I was afraid of what he might do to Mama. You think because you hit him once that we all believe you were protecting her. Taking her side. It's a lie. You were taking over, letting us know you had the right to tell her and all of us what to do. . . . I don't make roses anymore, and you have pissed your last in this house.

Truly landlocked people know they are. Know the occasional Bitter Creek or Powder River that runs through Wyoming; that the large tidy Salt Lake of Utah is all they have of the sea and that they must content themselves with bank, shore, and beach because they cannot claim a coast. And having none, seldom dream of flight.

You think because he doesn't love you that you are worthless. You think because he doesn't want you anymore that he is right-- that his judgment and opinion of you are correct. If he throws you out, then you are garbage. You think he belongs to you because you want to belong to him. Hagar, don't. It's a bad word, 'belong'. Especially when you put it with somebody you love.

Responding to Wright’s critique, Hurston claimed that she had wanted at long last to write a black novel, and “not a treatise on sociology.” It is this urge that resonates in Toni Morrison’s Song of Solomon and Beloved, and in Walker’s depiction of Hurston as our prime symbol of “racial health—a sense of black people as complete, complex, undiminished human beings, a sense that is lacking in so much black writing and literature.” In a tradition in which male authors have ardently denied black literary paternity, this is a major development, one that heralds the refinement of our notion of tradition: Zora and her daughters are a tradition-within-the-tradition, a black woman’s voice.

It is the most sweet and comfortable knowledge; to be studying Jesus Christ, what is it but to be digging among all the veins and springs of comfort? And the deeper you dig, the more do these springs flow upon you. How are hearts ravished with the discoveries of Christ in the gospel? what ecstasies, meltings, transports, do gracious souls meet there? Doubtless, Philip’s ecstasy, John 1: 25. 'eurekamen Iesoun,' 'We have found Jesus,' was far beyond that of Archimedes. A believer could sit from morning to night, to hear discourses of Christ; 'His mouth is most sweet', Cant. [i.e., Song of Solomon] 5: 16.

She loved nothing in the world except this woman's son, wanted him alive more than anybody, but hadn't the least bit of control over the predator that lived inside her. Totally taken over by her anaconda love, she had no self left, no fears, no wants, no intelligence that was her own [...] Ruth heard the supplication in her words and it seemed to her that she was not looking at a person but at an impulse, a cell, a red corpuscle that neither knows nor understands why it is driven to spend its whole life in one pursuit: swimming up a dark tunnel toward the muscle of a heart or an eye's nerve end that it both nourished and fed from.

The racial problems that consumed Guitar were the most boring of all. He wondered what they would do if they didn't have black and white problems to talk about. Who would they be if they couldn't describe the insults, the violence, and oppression that their lives (and the television news) were made up of? If they didn't have Kennedy or Elijah to quarrel about? They excused themselves for everything. Every job of work undone, every bill unpaid, every illness, every death was The Man's fault. And Guitar was becoming just like them—except he made no excuse for himself—just agreed, it seemed to Milkman, with every grievance he heard.

Rebuffed from his fine feelings, Milkman matched her cold tone. "You loved those white folks that much?" "Love?" she asked. "Love?" "Well, what are you taking care of their dogs for?" "Do you know why she killed herself? She couldn't stand to see the place go to ruin. She couldn't live without servants and money and what it could buy. Every cent was gone and the taxes took whatever came in. She had to let the upstairs maids go, then the cook, then the dog trainer, then the yardman, then the chauffeur, then the car, then the woman who washed once a week. Then she started selling bits and pieces––land, jewels, furniture. The last few years we ate out of the garden. Finally she couldn't take it anymore. The thought of having no help, no money––well, she couldn't take that. She had to let everything go." "But she didn't let you go." Milkman had no trouble letting his words snarl. "No, she didn't let me go. She killed herself." "And you still loyal." "You don't listen to people. Your ear is on your head, but it's not connected to your brain. I said she killed herself rather than do the work I'd been doing all my life!" Circe stood up, and the dogs too. "Do you hear me? She saw the work I did all her days and died, you hear me, died rather than live like me. Now, what do you suppose she thought I was! If the way I lived and the work I did was so hateful to her she killed herself to keep from having to do it, and you think I stay on here because I loved her, then you have about as much sense as a fart!

I can't tell you how I felt when my father died. But I was able to write Song of Solomon and imagine, not him, and not his specific interior life, but the world that he inhabited and the private or interior life of the people in it. And I can't tell you how I felt reading to my grandmother while she was turning over and over in her bed (because she was dying, and she was not comfortable), but I could try to reconstruct the world that she lived in. And I have suspected, more often than not, that I know more than she did, that I know more than my grandfather and my great-grandmother did, but I also know that I'm no wiser than they were. And whenever I have tried earnestly to diminish their vision and prove to myself that I know more, and when I have tried to speculate on their interior life and match it up with my own, I have been overwhelmed every time by the richness of theirs compared to my own. Like Frederick Douglass talking about his grandmother, and James Baldwin talking about his father, and Simone de Beauvoir talking about her mother, these people are my access to me; they are my entrance into my own interior life. Which is why the images that float around them--the remains, so to speak, at hte archeological site--surface first, and they surface so vividly and so compellingly that I acknowledge them as my route to a reconstruction of a world, to an exploration of an interior life that was not written and to the revelation of a kind of truth.

As regularly as the new moon searched for the tide, Hagar looked for a weapon and then slipped out of her house and went to find the man for whom she believed she had been born into the world. Being five years older than he was and his cousin as well did nothing to dim her passion. In fact her maturity and blood kinship converted her passion to fever, so it was more affliction than affection. It literally knocked her down at night, and raised her up in the morning, for when she dragged herself off to bed, having spent another day without his presence, her heart beat like a gloved fist against her ribs. And in the morning, long before she was fully awake, she felt a longing so bitter and tight it yanked her out of a sleep swept clean of dreams.

Remember your Creator in the days of your youth, before the days of trouble come and the years approach when you will say, “I find no pleasure in them”— before the sun and the light and the moon and the stars grow dark, and the clouds return after the rain; when the keepers of the house tremble, and the strong men stoop, when the grinders cease because they are few, and those looking through the windows grow dim; when the doors to the street are closed and the sound of grinding fades; when people rise up at the sound of birds, but all their songs grow faint; when people are afraid of heights and of dangers in the streets; when the almond tree blossoms and the grasshopper drags itself along and desire no longer is stirred. Then people go to their eternal home and mourners go about the streets. Remember him—before the silver cord is severed, and the golden bowl is broken; before the pitcher is shattered at the spring, and the wheel broken at the well, and the dust returns to the ground it came from, and the spirit returns to God who gave it. “Meaningless! Meaningless!” says the Teacher. “Everything is meaningless!

This is what I do.” I had written three books. It was only after I finished Song of Solomon that I thought, “Maybe this is what I do only.” Because before that I always said that I was an editor who also wrote books or a teacher who also wrote. I never said I was a writer. Never. And it’s not only because of all the things you might think. It’s also because most writers really and truly have to give themselves permission to win. That’s very difficult, particularly for women. You have to give yourself permission, even when you’re doing it. Writing every day, sending books off, you still have to give yourself permission. I know writers whose mothers are writers, who still had to go through a long process with somebody else—a man or editor or friend or something—to finally reach a point where they could say, “It’s all right. It’s okay.” The community says it’s okay. Your husband says it’s okay. Your children say it’s okay. Your mother says it’s okay. Eventually everybody says it’s okay, and then you have all the okays. It happened to me: even I found a moment after I’d written the third book when I could actually say it. So you go through passport and customs and somebody asks, “What do you do?” And you print it out: WRITE.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.

Who’s teasing? I’m telling him the truth. He ain’t going to have it. Neither one of ‘em going to have it. And I’ll tell you something else you not going to have. You not going to have no private coach with four red velvet chairs that swivel around in one place whenever you want ‘em to. No. and you not going to have your own special toilet and your own special-made eight-foot bed either. And a valet and a cook and a secretary to travel with you and do everything you say. Everything: get the right temperature in your hot-water bottle and make sure the smoking tobacco in the silver humidor is fresh each and every day. There’s something else you not going to have. You ever have five thousand dollars of cold cash money in your pocket and walk into a bank and tell the bank man you want such and such a house on such and such a street and he sell it to you right then? Well, you won’t ever have it. And you not going to have a governor’s mansion, or eight thousand acres of timber to sell. And you not going to have no ship under your command to sail on, no train to run, and you can join the 332nd if you want to and shoot down a thousand German planes all by yourself and land in Hitler’s backyard and whip him with your own hands, but you never going to have four stars on your shirt front, or even three. And you not going to have no breakfast tray brought in to you early in the morning with a red rose on it and two warm croissants and a cup of hot chocolate. Nope. Never. And no pheasant buried in coconut leaves for twenty days and stuffed with wild rice and cooked over a wood fire so tender and delicate it make you cry. And no Rothschild ’29 or even Beaujolais to go with it.” A few men passing by stopped to listen to Tommy’s lecture. “What’s going on?” they asked Hospital Tommy. “Feather refused them a beer,” said. The men laughed. “And no baked Alaska!” Railroad Tommy went on. “None! You never going to have that.” “No baked Alaska?” Guitar opened his eyes wide with horror and grabbed his throat.” You breaking my heart!” “Well, now. That’s something you will have—a broken heart.” Railroad Tommy’s eyes softened, but the merriment in them died suddenly. “And folly. A whole lot of folly. You can count on it.” “Mr. Tommy, suh,” Guitar sang in mock humility, “we just wanted a bottle of beer is all.” “Yeah,” said Tommy. “Yeah, well, welcome aboard.