Crest Girl Quotes

We've searched our database for all the quotes and captions related to Crest Girl. Here they are! All 64 of them:

Fool girl. An enemy isn’t always an enemy. Sometimes, in the rare moments, we can be the greatest ally.
Tijan (Fallen Fourth Down (Fallen Crest High, #4))
Mason moved back and whispered as his lips teased my skin, "You're going to ride me long and hard tonight." I grinned against his neck. It was what every girl wanted to hear.
Tijan (Fallen Crest High (Fallen Crest High, #1))
Having a family crest meant a lot to a girl who'd been adopted.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
It was a world I'd never been to and yet had known was there all along, one I'd staggered to in sorrow and confusion and fear and hope. A world I thought would both make me into the woman I knew I could become and turn me back into the girl I'd once been.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
When I was younger, I would cling to life because life was at the top of the turning wheel. But like the song of my gypsy girl, the great wheel turns over and lands on a minor key. It is then that you come of age and life means nothing to you. To live, to die, to overdose, to fall in a coma in the street... it is all the same. It is only in the peach innocence of youth that life is at its crest on top of the wheel. And there being only life, the young cling to it, they fear death… And they should! ...For they are 'in' life.
Roman Payne (The Wanderess)
I couldn’t shake the fear that Mason would follow through on a threat he said a year ago: No girl would come between him and his brother. Well. Hello. Here I am.
Tijan (Fallen Fourth Down (Fallen Crest High, #4))
I’d been a girl forever, after all, familiar with and reliant upon the powers my very girlness granted me.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
I am sad because I love you, because I love you so much, and because I am not a bee to buzz with you lightly. I am not a flower, not a tree, not a rain-hewn stone. I am not a storm or a cresting wave, not a thorn or a vine. I am not the sun stinging the water, not the moon on the snow. I am not a star in the dark. I am not the dew-wet wind, not the cloud-stained dawn. I am only a girl, a small, plain girl, a girl who must smear her lips in honey to be found sweet.
Amal El-Mohtar (The Honey Month)
When I was younger, I would cling to life because life was at the top of the turning wheel. But like the song of my gypsy-girl, the great wheel turns over and lands on a minor key. It is then that you come of age and life means nothing to you. To live, to die, to overdose, to fall in a coma in the street... it is all the same. It is only in the peach innocence of youth that life is at its crest on top of the wheel. And there being only life, the young cling to it, they fear death... And they should! ...For they are in life.
Roman Payne (The Wanderess)
Yeah. He looked like a cat who'd found his favorite mouse wounded or something. It was eerie. And he started to make fun of her, like all cruel and stuff. The things he said to her were horrible and he was only playing with her. She didn't try to defend herself. I guess Mason Kade really hates that girl, and the way he ripped into her. It was something else." "He enjoyed it." Adam's voice was quiet. I looked over and held his gaze. Something dark was in their depths. He spoke again, "It was like an animal that was playing with its kill before they fully killed it. That's what he was doing with her. I've never seen anything like it before.
Tijan (Fallen Crest High (Fallen Crest High, #1))
I had a different girl to comfort right now.
Tijan (Fallen Fourth Down (Fallen Crest High, #4))
You got beat up. Bones and bruises heal. Those girls didn't win because they didn't do what they wanted. They wanted to break you. I was already broken. "You're not broken at all.
Tijan (Fallen Crest Public (Fallen Crest High, #3))
The hour of spring was dark at last, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I’ll say it once and true... From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
I didn’t bat an eye before answering, “I made out with one other girl while I was with my girlfriend.” Excitement filled her eyes. “I was setting her up to take the fall for my girlfriend. Some other asshole wanted to hurt someone I cared about.” Seeing Matteo and Drew come through the doors, I stood. “I gave him someone else that I gave no shits about.
Tijan (Fallen Fourth Down (Fallen Crest High, #4))
That's good, I mean, you deserve better." "Any girl deserves better." "You're right. No one deserves a cheater.
Tijan (Fallen Crest High (Fallen Crest High, #1))
The world is full of books, movies and stories about how the loss of a loved one, or a change in fortune, or a severe illness or another tragedy of such magnitude catapulted someone to reset their lives and chase long-forgotten dreams. I’m thinking of Cheryl Strayed, who hiked the Pacific Crest Trail solo after the unexpected and heartbreaking death of her mother, and Elizabeth Gilbert, who embarked on a year-long journey around the world after a painful divorce and depression. I admire their grit to pick themselves up and do something extraordinary in the face of tragedy. But what about the tragedy of a mundane, average, unfulfilling life?
Shivya Nath (The Shooting Star: A Girl, Her Backpack and the World)
It was a world I’d never been to and yet had known was there all along, one I’d staggered to in sorrow and confusion and fear and hope. A world I thought would both make me into the woman I knew I could become and turn me back into the girl I’d once been.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
That is the Earth, he thought. Not a globe thousands of kilometers around, but a forest with a shining lake, a house hidden at the crest of the hill, high in the trees, a grassy slope leading upward from the water, fish leaping and birds strafing to take the bugs that lived at the border between water and sky. Earth was the constant noise of crickets and winds and birds. And the voice of one girl, who spoke to him out of his far-off childhood.
Orson Scott Card (Ender's Game (Ender's Saga, #1))
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
A world I thought would both make me into the woman I knew I could become and turn me back into the girl I’d once been.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
I want to have a good vacation before I have to go back home and start my ‘big girl job’,” Lori said, nose deep into the visitor’s guide, but still making the air quotations around her words.
Lindsay Chamberlin (The Shoreline (Following the Crest, #1))
Sweet tea with milk, three Oreos, and Bob Roy’s snug and cozy flat helped Sue breathe deeply for the first time in months. She let out a sigh as big as a cresting wave and leaned back into a chair so soft it put the z in cozy. “Okay,” Bob said. “Tell me everything.” She opened up about, well, everything, cued by Bob’s sympathy. He uttered his support at every story, every anecdote: New York was the only place for Sue to be! Shelley and her “yeah, okay” attitude were to be expected from such a see-you-next-Tuesday! The subway was survivable as long as you never made eye contact with anyone. You found an apartment by reading the Rental classifieds in the Times and The Village Voice, but you had to get them early, at seven in the morning, and then you had to hightail it to the apartments with a bag of donuts because the super would always open up for a pretty girl who shared her donuts.
Tom Hanks (Uncommon Type: Some Stories)
But it was the second guy who caught my eye. Like the girl, he, too, paused by the door, seeming even more wary than she looked. The sunlight streaming in through the windows highlighted the rich honey in his dark chocolate brown hair, even as it cast his face in shadow. The tan skin of his arms resembled marble—hard, but smooth and supple at the same time. He must have passed through the mist spewed up by the fountain outside, because his black T-shirt was wet in places and the damp patches clung to his skin. The wetness allowed me to see just how muscled his chest was. Oh, yeah, I totally ogled that part of him, right up until I spotted the silver cuff on his right wrist. Given the angle, I couldn’t tell what crest was stamped into the metal, but I glanced at the others, who also wore cuffs. I sighed. So they belonged to some Family then. Wonderful. This day just kept getting better.
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
Mom!" he cried out. She shrugged. You're not a virgin, and I'm promoting her pleasure as well. The girl will enjoy it a lot more. They don't always, you know." She scanned the rest of the table. "I'm sure you two bucks think you're the stud for all those does," she remembered me and amended,"well maybe just you and Logan, but I'm telling you. Girls fake it eighty percent of the time." That opened a whole new channel of adoration from Logan. He wanted to know it all. The rest of the conversation was a question and answer forum from Logan while Mark looked ready to throw up. I even caught Mason listening intently to her. He told me later that he'd be stupid to pass up information like that.
Tijan (Fallen Crest Public (Fallen Crest High, #3))
Maybe I'd die. Maybe I'd burn to ash in wind, or blacken like the pines. Charred skeletons, I'd add one to the count. I didn't feel scared. I didn't think to panic. The trail wasn't burning. I was raw, ripe for loving. I wasn't stopping.
Aspen Matis (Girl in the Woods: A Memoir)
Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
Are you guys, like, in love?” Brian asked in a girl voice. Alexis and Jason locked stares because even though everyone had started laughing at Brian’s jibe, the word was there, hanging between the two of them, waiting to be grabbed for their personal use.
Lindsay Chamberlin (The Shoreline (Following the Crest, #1))
Cinderella winced in the silence and was about to whisper to the minster to move on when Friedrich touched her arm. When she met his gaze, he tilted his head toward the courtyard. When Cinderella looked, a resounding, almost deafening, “WE DO,” blasted in through the open windows. Cinderella broke ranks and hurried to the banister—Friedrich at her side. There, standing in the courtyard with the rest of the well-wishers, was every servant of Aveyron. They were headed by Gilbert and Jeanne, and all of them—from the head butler to the youngest chicken girl—wore bracelets or bands of scarlet red silk tied around their foreheads and the arms of their coats. They carried flags with the Aveyron crest, and bowed and curtsied when they saw that Cinderella looked down at them. “They couldn’t all have possibly fit in the cathedral, so they asked to be outside where they might all stand together as your witness,” Friedrich said, speaking directly into Cinderella’s ear. Now
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
My beauty and independence were new for me. They brought me pride and satisfaction; they changed my sense of possibility. I felt awake in my body. Living in the woods, building my little shelter each night, a silent shadow, drifting in and out of mountain towns, a ghost, I was entirely self-reliant. On the trail I had persisted despite fear, and walking the Pacific Crest had led me deeply into happiness. I felt amazing now. In this body that brought me twelve hundred miles, I felt I could do anything.
Aspen Matis (Girl in the Woods: A Memoir)
I wasn’t even certain if my wings were meant for flight. I hadn’t exactly had any luck with it the one time I’d tried. I could glide, though. Probably. Maybe. Should worse come to worst, I could smoke up to them. Turn to dragon right there, dig my claws in, and hang on. That might do it. Looked like I was about to find out. What I hadn’t thought about, what I’d completely managed to forget about, was that I wasn’t exactly skilled at maintaining my transformed shape, either. The reminder came to me rather forcibly as I was streaming my way east, over the channel, and felt myself beginning to solidify. No. No! Yes. Several thousand feet up in the air, I Turned back into a girl. Screaming, cartwheeling, everything topsy-turvy purple as gravity reclaimed me and I plummeted down to the water. fly! sang the stars, weighing in past my screams. fly, beast! It was a damned near save. I was a girl and then I wasn’t, managing the Turn so close to the sea that the foam from the cresting waves splashed up through the smoke of me. Good thing I didn’t have a real heart just then. It would have stopped entirely.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.
Sylvia Plath
I couldn't stop picturing you naked and wet." "If you knew the things you've done in my imagination..." "I touched myself while thinking of you." He groaned against her lips. "Jesus Christ, that's one of them." She whimpered in protest as his fingers withdrew from her body. He slid his hands to her bottom and lifted her off her feet, carrying her across the room, to where a floor-length mirror in a thick gilded frame stood propped against the wall. It must have been too heavy to move. He spun her to face it, positioning himself behind her. Their gazes locked in the mirrored reflection. His eyes were dark, fierce, demanding. "Show me." He yanked her skirts to her waist- frock, petticoat, chemise, and all- exposing her completely. "Show me how you touched yourself." Penny's heartbeat stalled. The gruff command both scandalized and excited her. With a rough flex of his arms, he hauled her to him. His erection throbbed against the small of her back. "Show me." Penny stared into the mirror. A bolder, naughtier version of herself gazed back. She placed a hand on her belly and eased it downward, until her fingertips disappeared into a thatch of amber curls. She hesitated, holding her breath. "More," he demanded. "I want to see you." His gruffness aroused her, but she wasn't intimidated. With him, she knew she was safe. She raised her free arm above her head, clasping his neck for balance and resting her head against his chest. He wrapped his arm about her torso, holding her tight and pinning her lifted skirts at the waist. Her joints softened, and her thighs fell slightly apart. "That's it. Spread yourself for me. Let me see." The woman in the mirror did as she was told, sending her fingers downward to part the pink, swollen folds of her sex. A single fingertip settled over the sensitive bud at the crest, circling gently. His ragged breath warmed her ear. "God, you're beautiful." She stared at the reflection, transfixed by the eroticism of the image within. She felt like a woman in a boudoir painting, flushed with desire and unashamed of her body's curves and shadows. Aware of the power she held, even in her vulnerable, naked state. As her excitement mounted, she strummed faster. She was panting, arching her back.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
And following that train of though led him back to Earth, back to the quiet hours in the center of the clear water ringed by a bowl of tree-covered hills. That is the Earth, he though. Not a globe thousands of kilometers around, but a forest with a shining lake, a house hidden at the crest of the hill, high in the trees, a grassy slope leading upward from the water, fish leaping and birds strafing to take the bugs that lived at the border between water and sky. Earth was the constant noise of crickets and winds and birds. And the voice of one girl, who spoke to him out of his far-off childhood. The same voice that had once protected him from terror. The same voice that he would do anything to keep alive, even return to school, even leave Earth behind again for another four or forty or four thousand years.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
From that unremarkable gap in dense northern forest, I could finally see clearly that if I hadn’t walked away from school, through devastating beauty alone on the Pacific Crest Trail, met rattlesnakes and bears, fording frigid and remote rivers as deep as I am tall—feeling terror and the gratitude that followed the realization that I’d survived rape—I’d have remained lost, maybe for my whole life. The trail had shown me how to change. This is the story of how my recklessness became my salvation. I wrote it.
Aspen Matis (Girl in the Woods: A Memoir)
Back home, my mother would still impulsively choose my clothes as she'd chosen my name. But all the identities she'd chosen for me felt wrong, now. I could not return to the person she'd picked for me to be. My relationship with my mother trapped me in the identity of a child.
Aspen Matis (Girl in the Woods: A Memoir)
If I couldn't find the trail before dark, I could wake tomorrow disoriented and desperate, without having even made any new miles; my loss of the PCT should have distressed me, but a new instinct led me forward. In this moment of despair I was refusing to stop fighting. I asked the mountains for some guidance, the strength to get myself out of here, and pulled wild power from within myself I'd never known I'd had. I was no longer following a trail. I was learning to follow myself.
Aspen Matis (Girl in the Woods: A Memoir)
Brit and Callie had an old rivalry, because both girls excelled in dressage and each wanted to shine.
Jessica Burkhart (Home for Christmas (Canterwood Crest Super Special, #2))
Why couldn’t I get a stepbrother like the ones from Fallen Crest High?
Jenny Siegel (Almost Perfect (A Good Girl Book 2))
Life didn't come until Ezekiel spoke to the breath." "What does that mean?" Harper hesitated. She had the strangest sensation of breathlessness, like after a long hike into high altitude just before cresting a mountain. "Well, it's resurrection. From the ashes. From the dust. From the dead things. Your problem is, you're looking at the bones instead of breathing." Daddy sighed. "Maybe your dream was never about a shop at all. Maybe there's a second command, Harper Girl. Another place where you're supposed to breathe life." Harper looked down to the blouse in her lap. To the thread and the needle. She thought of Millie's buttons. And then hope---glorious and beautiful hope---filled the landscape of her heart as the sunrise scatters new light over the mountaintops. Of course! Why hadn't she seen it before? All this time, she had been focused on the store. But her gifting, her dream, was so much more than that. Her gifting was repairing the broken places. Mending forgotten tears and weak seams. Breathing life back into the fabrics that told stories, into the buttons that bind them.
Ashley Clark (The Dress Shop on King Street (Heirloom Secrets, #1))
But mythology in your world has long known of our presence. They call this realm the Otherworld, the Celestial Plain, the Summerlands. There are many, many names for it, and just as many for the people that live within. Elves, Spirits, the Sidhe. You can call us Fae, if it please you, but," he said, holding up a finger, "you must never say the other f-word, the one for the beings that little girls love, who have wings and glitter and magic wands. It is considered terribly offensive.
Mira Crest (The Crown of Myth (Part I) (The Fae Queens, #1))
I believe it’s all real, but it’s a nightmare.” “Then wake up, pretty girl.” “That’s the problem. I don’t think I want to.
K.G. Reuss (Stitches (The Boys of Chapel Crest, #3))
Each morning when the sun comes up, cresting the horizon and stretching shadows across the sand, every gazelle and every lion opens their eyes. They all understand something. Every gazelle wakes knowing that to survive the day they gotta run faster than the slowest gazelle in the herd. And every lion wakes knowing that to survive the day they gotta run faster than the fastest lion in the pack. That’s life, young lady.” Livia stared at him. “So the fastest lion gets the slowest gazelle? That’s the point?” “No.” Randy stood and headed for the showers. “The point is that no matter who you are, you gotta wake up runnin’.
Charlie Donlea (The Girl Who Was Taken)
There are all the grand things he wanted to be, a longing so naked and sorry I sensed it and grieved it even as a young child. There is him singing that Charlie Rich song that goes “Hey, did you happen to see the most beautiful girl in the world?” and saying it was about me and my sister and our mother, that we were the most beautiful girls in the world.O
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Each morning when the sun comes up, cresting the horizon and stretching shadows across the sand, every gazelle and every lion opens their eyes. They all understand something. Every gazelle wakes knowing that to survive the day they gotta run faster than the slowest gazelle in the herd. And every lion wakes knowing that to survive the day they gotta run faster than the fastest lion in the pack. That’s life, young lady.
Charlie Donlea (The Girl Who Was Taken)
because deep inside that tarry heart of his, lay a twisted love I didn’t think I’d ever be able to match to the girl who had captivated so many of us
K.G. Reuss (Stitches (The Boys of Chapel Crest, #3))
The imperial hag had the good sense to look nervous. “Then why are you here?” Lidia smirked at Irithys. “To warm you up.” The Sprite Queen caught her meaning, and simmered into a deep, threatening red. But the hag let out a hacking laugh. She still wore her imperial uniform, the crest of the Republic frayed over her sagging breasts. “I’ve got nothing to tell you, Lidia.” Lidia crossed one leg over the other. “We’ll see.” Hilde hissed, “You think yourself so mighty, so untouchable.” “Is this the part where you tell me you’ll have your revenge?” “I knew your mother, girl,” the hag snapped. Lidia had enough training and self-control to keep her face blank, tone utterly bored. “My mother was a witch-queen. Plenty of people knew her.” “Ah, but I knew her—flew in her unit in our fighting days.” Lidia angled her head. “Before or after you sold your soul to Flame and Shadow?” “I swore allegiance to Flame and Shadow because of your mother. Because she was weak and spineless and had no taste for punishment.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Being one of the guys meant I could not go on being the woman I’d become expert at being among men. It was a version of myself I’d first tasted way back when I was a child of eleven and I’d felt that prickly rush of power when grown men would turn their heads to look at me or whistle or say Hey pretty baby just loudly enough that I could hear. The one I’d banked on all through high school, starving myself thin, playing cute and dumb so I’d be popular and loved. The one I’d fostered all through my young adult years while trying on different costumes—earth girl, punk girl, cowgirl, riot girl, ballsy girl. The one for whom behind every hot pair of boots or sexy little skirt or flourish of the hair there was a trapdoor that led to the least true version of me. Now there was only one version. On the PCT I had no choice but to inhabit it entirely, to show my grubby face to the whole wide world.O
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
You know, when I was trying to get straight my daddy used to tell me a story about how life works in the Serengeti. Do you know?” “The African Serengeti?” “That’s the one. You know how life works there?” Livia shook her head. “Each morning when the sun comes up, cresting the horizon and stretching shadows across the sand, every gazelle and every lion opens their eyes. They all understand something. Every gazelle wakes knowing that to survive the day they gotta run faster than the slowest gazelle in the herd. And every lion wakes knowing that to survive the day they gotta run faster than the fastest lion in the pack. That’s life, young lady.” Livia stared at him. “So the fastest lion gets the slowest gazelle? That’s the point?” “No.” Randy stood and headed for the showers. “The point is that no matter who you are, you gotta wake up runnin’.
Charlie Donlea (The Girl Who Was Taken)
If you leave here, you know what is going to happen don’t you? People are going to stop and stare at you the very instant they see the colour of your skin, and they will say: She is one of those wild Aboriginals from up North, a terrorist; they will say you are one of those faces kept in the Federal Government’s Book of Suspects. Bella Donna said that even though she had never seen this book for herself, she had heard that it had the Australian Government’s embossed crest on the cover, and was kept at the Post Office where anyone could study it. What was a post office? The girl had listened. This was the place where they kept faces plucked from the World Wide Web by Army intelligence looking at computers all day long, searching for brown- and black-coloured criminals, un-assimilables, illegal immigrants, terrorists – all the undesirables; those kind of people. Never ever leave the swamp, she said, adding that her own skin did not matter, but the girl was the colour of a terrorist, and terrorism was against the law.
Alexis Wright (The Swan Book)
I gotta split.” Slightly deeper, male. Heard it somewhere before. “You promised!” “The magic’s cresting, okay? Gotta split.” Young voices. A boy and a girl, talking street. The only available door hung crooked and would make noise when I tried to open it. I kicked the door in and walked inside.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Once upon a time an Athenian princesss named Prokne was wed to Tereus, king of the barbarous Thracians of the north. When Prokne's unfortunate sister, Philomela, came for a visit, Tereus fell madly in love with the girl locked her away and raped her, then cut out her tongue to prevent her from telling anyone of the crime. Philomela, however, wove into a cloth the story of her misfortune. When Prokne, receiving the cloth, understood what had befallen, she freed her sister, killed her own son, Itys, whom she had borne to Tereus, and served the child up to his father at a feast--the vilest revenge she could think of. When Tereus discovered the truth, in wrath he pursued the two sisters, thinking to kill them, but the gods transformed all three into birds: Tereus into the hoopoe (a large, crested bird with a daggerlike beak), Philomela into the swallow, which can only twitter unintelligibly, and Prokne into the nightingale, which spends the night singing 'Itys Itys!' in mourning for her dead son. All these birds have reddish spots, it is said, from getting spattered with the blood of the child. ... It is interesting in our purposes because it shows in yet another way the great importance that clothmaking had in women's lives, becoming central to their mythology as well.
Elizabeth Wayland Barber (Women's Work: The First 20,000 Years: Women, Cloth, and Society in Early Times)
For God’s sake, you are as bad as Louisa.” Joseph took his gaze from Harrison’s fancy town coach—and what was a mere portraitist doing with such a rig?—and surveyed Moreland’s features. “I beg your pardon?” “Your affianced wife, Louisa. She’s incorrigible. The girl has loving family on every hand, every hand, and yet she must make her own way. Has always had to forge her own path and I suspect she’s met her match in you, so to speak.” The duke was trying to communicate something, while Joseph was trying to make out the crest on Harrison’s coach. “Your presence here is still not well advised, Your Grace. Hanging felonies will likely be committed.” Moreland thwacked a riding crop against gleaming field boots. “Listen to me, young man: You have no father, no brothers, no uncles, not even a damned third cousin to see you through this. If a prospective papa-by-marriage is all you’ve got, then by God, that’s what you’ll take.” There was something heartening and familiar in the way Moreland delivered a scold. Warmth, unexpected and welcome, bloomed in Joseph’s chest. “Your Grace, may I say first, thank you, and second, you are as bad as Louisa yourself.” “Where do you think she came by it? One wonders what you’ll have to say to Arthur if he ever bestirs his bones to leave his carriage.” The
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
But the girls are exiled.
Tijan (Fallen Crest Family (Fallen Crest High, #2))
Taylor was lying on a warm, sunny beach, her long legs spread in front of her on a plastic chaise lounge. She shielded her eyes against the sun, watching the waves crest and break, tranquillity permeating her bones. There was no more to worry about. She was on a bona fide vacation with Baldwin at her side. She turned her head to take in his form, and instead was greeted by a sight that made her jump. Identical-twin midgets, both in blue double-breasted blazers and snowy-white ascots, stood at her right hand, leering. One held a silver tray with an old-fashioned rotary telephone. The phone rang, and Taylor shooed them away. “I’m
J.T. Ellison (All The Pretty Girls (Taylor Jackson, #1))
But then his tongue moved over me and started to lick the whipped cream over my sex, making my legs fall open, swiping the creamy coolness down and over my cleft, making a long, ragged moan escape me, dragging a rumbling sound from his chest that made another rush of wet pool as his mouth closed over my clit and sucked hard. Then he devoured me, drove me up fast and unrelenting until the orgasm started to crest, seeming to start at the base of my spine and exploding outward until it took over whole body, making me cry out his name as he took possession of my clit and sucked it in pulses as the waves washed over me, dragging it out, intensifying everything. As soon as the waves lessened, he released me and licked a line back upward, taking the whipped cream off my breasts then pressing up to balance over me, wicked look in his eyes. "Tell me." "Tell you what?" I asked, brain nothing but sparking misfirings right then. He smiled at that, either delighted with his prowess or glad to torture me more. Or, more likely, both. I grabbed the can of whipped cream as I moved to straddle him, watching as his eyes went knowing just a second before I started making a line down his stomach with the cream, then down the little happy trail, over his balls, and then up the underside of his cock until there was a large amount on the swollen head. Then I tossed the can to the side and gave him a smile before ducking my head and starting my path down, deciding that while foreplay was always good, it was infinitely better with food involved as my tongue licked the cream off his balls then his shaft before closing my lips around the head and licking it off from there as well, making Brant let out a deep, primal groan that spurred me on, made me work him faster, deeper. "Maddy..." he warned, but I didn't need a warning. I wanted to make him come. I wanted to give him the selfless orgasm he gave me. "Fuck," he growled, his hand crushing into the back of my head as he came down my throat. I worked him for a long moment before letting him slide away, looking up at him to find an intense weight in his gaze. "From now on, we only ever eat dessert off of each other," he said a second later, his hand going under my chin and pulling me until I moved to straddle him, bringing my face close to his. "I can get behind that plan," I agreed with a smile before he yanked me forward and our lips crashed together. It wasn't a slow, sweet, post-orgasm kiss. It was still wild, hungry, primal. It said we weren't done. "Come on," he said when he pulled away, a little out of breath. "Let's go take a shower. That was hot as fuck but we're both sticky now." Thank God. I didn't want to complain, but every time I moved, my skin got stuck to his skin and it was weird and decidedly unsexy. I went to move off him, but his arms went to slip around my lower back, holding me to him as he stood and started walking around the house. Then up the stairs. I was generally not the kind of girl who got carried around. I was fit, sure, but I was tall and leggy and most guys wanted to carry around the short, lithe little women. But since Brant was a huge wall of muscle, he didn't seem bothered by my height and less than dainty limbs. He set me on my feet outside the shower and reached in to put the water on, water I knew would take a couple of minutes to warm up. But he stepped in regardless, cursing at the cold spray. "Yeah, I think not," I said when he looked at me expectantly. I should have known to step away. I really should have. But I didn't and the next thing I knew, he was yanking me in with him, making me let out a string of incredibly unladylike curses before I felt the water get warmer against my back.
Jessica Gadziala
Give me your hand," she said, pulling at Charles's fingers. "Madam, you already have it." "Yes, but relax." "For God's sake, girl, I don't have time for this nonsense —" "Stop being such an old grouch, you have all the time in the world."  And with that she pulled him forward, and touched his outstretched fingers to the horse's soft, velvety nose. Charles froze, a look of stunned disbelief coming over his face. "Contender?" Amy and Will glanced excitedly between one another, watching, waiting, barely able to breathe. "Contender, old boy . . . is that you?" The horse began stamping impatiently, dancing in place and half-rearing in excitement, only to be brought down by Will's firm hand.  Then he whinnied and lowering his head, drove it straight into Charles's chest, rubbing up and down in delight. Charles closed his eyes, his face rigid with controlled emotion, his Adam's apple moving up, then down.  And Amy, watching this emotional scene, felt tears shimmering in her eyes, and one or two of them sliding down her cheek as Charles stood there with his horse, never moving, only murmuring softly to him as he ran his palm alongside the animal's jaw, up around his ears, and down the long, crested neck, over and over again. "Contender.  Contender, old fellow."  He continued stroking the animal's neck.  "I thought never to see you again . . .  Pray tell, Will, where did you find him?" "My uncle had him.  I went down to Woburn and brought him back for you as a surprise." "You should not have gone to such trouble on my behalf, Will." "I wanted to.  You've had such a rough time of it lately, and we all thought that having your horse back might perk you up a tad.  Besides . . . " Will looked down and began kicking at a loose hank of straw.  "It was the least I could do, after what I did to you back in Concord . . ." Charles, hearing the guilt in the boy's voice, reached out and found his shoulder.  "Will," he said gently.  "You owe me nothing.  You never have.  What happened to me at Concord was a direct result of my own actions, not yours.  You did nothing to bring on my infirmity; instead, you acted as any Christian man would, putting aside the differences between your people and mine, and doing everything in your power to help me.  Anyone else would have finished me off right there — or left me to the angry people of Concord.  You did not.  Instead, you chose to bring me home at great risk to yourself, and endeavored to save my life — for which I shall always be grateful." Will swallowed hard and looked down, both humbled and a little embarrassed by the captain's words.  "Thank you, sir."  He was still kicking at the straw with one foot, a lock of unruly brown hair falling over his brow.  "It makes me feel a whole lot better, hearing you say that." "My only regret is that it should've been said sooner.
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
I wonder what would happen if the days were not pushed? What would happen if the time flowed in its natural sequence? The sky edging from darkness to gray, rising like a tide of light, pushing the flotsam of cloud upward. And then the sun’s rim, liquid gold, the slant of light through twigs and leaf. What would happen if you watched time’s river rise and flow, lifting you on its back and carrying you on its crest, until, lying back, you rested on the receding light, languishing in the slow pools of afternoon, the tips of the firs trembling and lifting, the ropes of birch leaves swaying in the light like sea kelp. To the west, the evening glow would linger, holding on to color. What if you could watch until the last drops spilled from the edge and then you came to know the night? Oh, but what would be served by such a life? Observation. Contemplation. Deliberation. What if your life came unplugged, disconnected, out of sync with the rest of the world? What if you rode this planet on one full circle round its star paying attention to light and plants and water? Seeing the way rain gathers in puddles or dew beads on grass, noticing the day violets open under the firs or ants appear in the bathroom? You could, you know. Shut off the bells. You could cut loose, unplug, begin. You could improve the nick of time.
Carolyn Wood (Tough Girl: Lessons in Courage and Heart from Olympic Gold to the Camino de Santiago)
Channels I Watch Often Darwin on the Trail (One of my two favorites) Flat Broke Outside Homemade Wanderlust (The other of my two favorites) Technomadia.com Books Read and Reread The Backpacker’s Field Manual, Rick Curtis Step By Step: An Introduction to Walking the Appalachian Trail, Appalachian Trail Conservancy The Best About Backpacking, A Sierra Club Totebook, Edited by Densise Van Lear The Modern Backpackers Handbook, Glenn Randall Lipsmackin’ Backpackin’, Christine and Tim Conners A Women’s Guide to the Wilderness: Your Complete Outdoor Handbook, Ruby McConnell Wild, Cheryl Strayed Girl in the Woods, Aspen Matis A Walk in the Woods, Bill Bryson Grandma Gatewood’s Walk, Ben Montgomery Journey on the Crest, Cindy Ross A Blistered Kind of Love: One Couple’s Trial by Trail, Angela and Duffy Ballard Appalachian Trials, Zach Davis Almost Somewhere, Suzanne Davis How to create more from what you already have
Tory White (Appalachian Trail Thru Hike Tale: How I Completed a Traditional Thru-Hike on the Appalachian Trail)
briefly how she had managed to unlock the back door and why she should have seemed so resentful of him. She had, he decided, been musing and had made her way to this particular room for that purpose. Her pose over there by the window had betrayed as much and his sudden appearance breaking into her reflections, had startled her, so that, in a sense, her anger had been counterfeit. He remained standing where she had stood, wondering if she would circle the west wing and appear at the crest of the drive, but when he heard or saw something of her he fell to thinking about women in general and his relations with them in the past. His experience with women had been limited but although technically still a virgin he was not altogether innocent. There had been a very forward fourteen-year-old called Cherry, who had lived in an adjoining house in Croydon, when he came home for school holidays and Cherry had succeeded in bewitching but ultimately terrifying him, for one day when they were larking about in the stable behind her house, she had hinted at the mysterious differences between the sexes and when, blushing, he had encouraged her to elaborate, she had promptly hoisted her skirt and pulled down her long cotton drawers, whereupon he had fled as though the Devil was after him and had never sought her company again, although he watched her closely in church on successive Sundays, expecting any moment to see forked lightning descend on her in the middle of ‘For all the Saints’. Then there had been a little clumsy cuddling at Christmas parties, and after that a flaxen-haired girl called Daphne whom he had mooned over as an adolescent and had thought of a good deal in the Transvaal but now he had almost forgotten what Daphne looked like and had not recalled her name until now. Finally there had been an abortive foray
R.F. Delderfield (A Horseman Riding By: The Complete Series)
And following that train of thought led him back to Earth, back to the quiet hours in the center of the clear water ringed by a bowl of tree-covered hills. That is the Earth, he thought. Not a globe thousands of kilometers around, but a forest with a shining lake, a house hidden at the crest of the hill, high in the trees, a grassy slope leading upward from the water, fish leaping and birds strafing to take the bugs that lived at the border between water and sky. Earth was the constant noise of crickets and winds and birds. And the voice of one girl, who spoke to him out of his far-off childhood.
Orson Scott Card (Ender's Game (Ender's Saga, #1))
He wants to settle down. I think it’s mostly because he’s raising Bren since their mom died.” “Wait. What?” Channing Monroe? An older brother? Now like a dad to some little girl?
Tijan (Fallen Crest Home (Fallen Crest, #6))
The Palouse is the middle of nowhere: a nowhere with quilted hills of wheat and soybeans stacking and cresting like the waves of the ocean. No one is watching, the uncanny countryside seems to say. Anything is possible.
Alice Bolin (Dead Girls: Essays on Surviving American Culture)
The final nail in my coffin. That was it. I was done for. Her reaching to take my hand as she lay on one of my best friend’s laps sealed the deal for me. I would never break a promise to this girl. So help me God.
K.G. Reuss (Church (The Boys of Chapel Crest, #1))
The sexiest moan leaves his throat, and the sound, plus the fact that he’s got every hole of mine filled the way he intended, using me as his own dirty doll, has me cresting the wave of the most intense orgasm. “Now,” he demands, sounding short of breath. “Cum—ah, fuck—cum on me, filthy girl.
Jescie Hall (That Sik Luv)