Complimentary Sayings Quotes

Some mornings, she’d wake and vow, Today, I will get it right. I won’t be such an awful mess of a girl. I won’t lose my temper or make unkind remarks. I won’t go too far with a joke and feel the room go quiet with disapproval. I’ll be good and kind and sensible and patient. The sort everyone loves. But by evening, her good intentions would have unraveled. She’d say the wrong thing or talk a little too loudly. She’d take a dare she shouldn’t, just to be noticed. Perhaps Mabel was right, and she was selfish. But what was the point of living so quietly you made no noise at all? “Oh, Evie, you’re too much,” people said, and it wasn’t complimentary. Yes, she was too much. She felt like too much inside all the time. So why wasn’t she ever enough?

The mind is an incredibly complex machine, Stuart. Nobody fully understands the workings of it. Everyone has their own perception of the lives they lead and the environment in which they live them. For most of us, the perceptions are complimentary, so we accept reality as a collective experience. For instance, who is to say you see the colour of this t-shirt in the same way I do. We both perceive it as green, but whether or not we see the same colour, we can’t say. It doesn’t matter though as long as we all agree. Nevertheless, if a person comes in and says my t-shirt is red and everyone else says it is green then we have to question his or her perception of my t-shirt. There has to be a reason why their perception is different to ours. Of course, in that case, we would suspect colour blindness, a condition in which the receptors in the eye send erroneous signals to the brain. For whatever reason, Stuart, we are all seeing green, but you see red. We need to find out what is causing your brain to do that.

I knew I was a little different from most demons but nothing says freak of nature like a one-eyed gypsy saying I had a rainbow glow. It just didn't sound complimentary.

In America today, anything the male gender says that has the slightest perception of inferred suggestion about the female gender, whether complimentary or offensive -- an inquisition is immediately convened, and charges of sexism created.

Who knew?’ he says. ‘I had no idea that someone could be such a thorn in your foot during a death march and still be irresistibly attractive in some magical, undeniable way.’ ‘So is that what people call sweet nothings? Because somehow, I expected it to be a little more . . . complimentary.’ ‘Don’t you know a heartfelt declaration of love when you hear one?’ I blink dumbly at him with my heart pounding. He caresses a lock of my hair out of my face. ‘Look, I know that we’re from different worlds and different people. But I’ve realized that it doesn’t matter.’ ‘You don’t care about the angelic rules anymore?’ ‘My Watchers have helped me realize that angelic rules are for angels. Without our wings, we can never be fully accepted back into the fold. There will always be talk of taking a newly Fallen’s wings and transplanting them onto us. Angels are perfect. Even with transplanted wings, we’ll never again be perfect. You accept me just the way I am, regardless of whether or not I even have wings. Even when I had my demon wings, you’ve never looked at me with pity. You’ve never wavered in your loyalty. That’s who you are – my brave, loyal, lovable Daughter of Man.

I think she’s a witch,” Marco says. “And I mean that in the most complimentary manner.

When a man comes up to a woman he doesn’t know, he’s supposed to say lovely things. Could there ever be a male kamikaze who’d stop a woman and fling at her, “How can you be wearing those shoes? Your toes look like they’re in a gulag. It’s shameful, you’re Stalin when it comes to your feet!” Who would say such a thing? Certainly not François, who’d wisely settled on the complimentary approach.

Using the word much as it is used in atomic physics to characterize the relationship between experience obtained by different experimental arrangements and visualized only by mutually exclusive ideas, we may truly say that different human cultures are complimentary to each other ... each such culture represents a harmonious balance of traditional conventions by means of which latent potentialities of human life unfold themselves in a way which reveals to us new aspects of its unlimited richness and variety.

Have a care, Anna. I tend to fall for girls who say complimentary things about my mother.

Do you know why I don’t like him? Brayden? Because of what he said.” “What part?” “‘Historically inaccurate.”’ Adrian gestured at me with his other hand, the one not on my shoulder. “Who the hell looks at you and says ‘historically inaccurate’?” “Well,” I said. “Technically it is.” “He shouldn’t have said that.” I shifted, knowing I should move away… but I didn’t. “Look, it’s just his way.” “He shouldn’t have said that,” repeated Adrian, eerily serious. He leaned his face toward mine. “I don’t care if he’s not the emotional type or the complimentary type or what. No one can look at you in this dress, in all that fire and gold, and start talking about anachronisms. If I were him, I would have said, ‘You are the most beautiful creature I have ever seen walking this earth.

I’d been trying to escape the rez for years. After all, Indian reservations were created by white men to serve as rural concentration camps, and I think that’s still their primary purpose. So, of course, I ran away from home in third grade. I packed a small bag with comic books, peanut butter sandwiches, and my eyeglasses, and made it almost two miles down the road before my mother found me. After that incident, she often said, “Junior, you were born with a suitcase in your hand.” That might have been a complimentary thing to say to a nomad. But my

Who knew?” he says. “I had no idea that someone could be such a thorn in your foot during a death march and still be irresistibly attractive in some magical, undeniable way.” “So is that what people call sweet nothings? Because somehow, I expected it to be a little more . . . complimentary.” “Don’t you know a heartfelt declaration of love when you hear one?

The power they have over you, Eric says. I just don't get it. But you can't even tell me the worst thing your parents have said. And that's a bad thing? I often wonder what I would have been like if I had been raised like him-- notes, stickers, complimentary questions asked at the table, by the hearth. I would probably socialize better in large groups and not stare so intently at shoes. I would hold my neck up high like a giraffe, the most confident of mammals.

When I broke my collarbone at summer camp when I was eleven, I didn’t tell them; it never occurred to me that I had parents who could protect me from pain and suffering,” she says. “I lived with the pain. When I returned home at the end of the summer, a family friend saw the lump on my chest and told me I had to tell my mother. My mother took me to the doctor. He said it was a case of gross negligence.” But Priscilla didn’t resent her parents when she was growing up. “I felt like I was the ‘hero child’; I was saving my mom. She was so complimentary, and wanted to be so close to me, I assumed that must be a good thing.” It was only as Priscilla came into her teen years that “I began to realize that my

To Polish the Gold & Help Others Shine . . . Catch people doing things right: Outstanding leaders know that people will be more engaged, perform at higher levels, and be more loyal when they are appreciated and celebrated. Jeff West, international speaker and author of The Unexpected Tour Guide, shares that “People will jump over high hurdles, fight fires and break through walls for leaders who find them doing things right. Building that kind of chemistry is essential if a team is going to jell.” Capitalize on the opportunity to notice what people are doing right at work and at home and they will deliver their best. As the old saying goes, “A person who feels appreciated will always do more than expected.

Brian,really." Keeley continued to mix the blister for the knee spavin. "You've had a really long day. I can handle this." "Sure you can.You can handle this, morons like Tarmack, washed-up jockeys and everything else that comes along before breakfast.Nobody's saying different." Since the statement wasn't delivered in what could be mistaken for a complimentary tone, Keeley turned to frown at him. "What's wrong with you?" "There's not a bloody thing wrong with me.But you could use some work.Do you have to do everything yourself, every flaming step and stage of it? Can't you just take help when help's offered and shut the hell up?" She did shut the hell up, for ten shocked seconds. "I simply assumed that you'd be tired after your trip." "I'll let you know when I'm tired." "The gelding here doesn't seem to be the only one with something nasty in his system." "Well,it's you in my system, princess, and it feels a bit nasty at the moment." Hurt came first, a quick short-armed jab. Pride sprang in to defend. "I'll be happy to purge you, just like I'll purge this horse tomorrow." "If I thought it would work," he muttered, "I'd purge myself.

To paint after nature is to transfer three-dimensional corporeality to a two-dimensional surface. This you can do if you are in good health and not colorblind. Oil paint, canvas, and brush are material and tools. It is possible by expedient distribution of oil paint on canvas to copy natural impressions; under favorable conditions you can do it so accurately that the picture cannot be distinguished from the model. You start, let us say, with a white canvas primed for oil painting and sketch in with charcoal the most discernible lines of the natural form you have chosen. Only the first line may be drawn more or less arbitrarily, all the others must form with the first the angle prescribed by the natural model. By constant comparison of the sketch with the model, the lines can be so adjusted that the lines of the sketch will correspond to those of the model. Lines are now drawn by feeling, the accuracy of the feeling is checked and measured by comparison of the estimated angle of the line with the perpendicular in nature and in the sketch. Then, according to the apparent proportions between the parts of the model, you sketch in the proportions between parts on the canvas, preferably by means of broken lines delimiting these parts. The size of the first part is arbitrary, unless your plan is to represent a part, such as the head, in 'life size.' In that case you measure with a compass an imaginary line running parallel to a plane on the natural object conceived as a plane on the picture, and use this measurement in representing the first part. You adjust all the remaining parts to the first through feeling, according to the corresponding parts of the model, and check your feeling by measurement; to do this, you place the picture so far away form you that the first part appears as large in the painting as the model, and then you compare. In order to check a given proportion, you hold out the handle of your paintbrush at arm's length towards this proportion in such a way that the end of the thumbnail on the handle coincides with the other end of the proportion. If then you hold the paintbrush out towards the picture, again at arm's length, you can, by the measurement thus obtained, determine with photographic accuracy whether your feeling has deceived you. If the sketch is correct, you fill in the parts of the picture with color, according to nature. The most expedient method is to begin with a clearly recognizable color of large area, perhaps with a somewhat broken blue. You estimate the degree of matness and break the luminosity with a complimentary color, ultramarine, for example, with light ochre. By addition of white you can make the color light, by addition of black dark. All this can be learned. The best way of checking for accuracy is to place the picture directly beside the projected picture surface in nature, return to your old place and compare the color in your picture with the natural color. By breaking those tones that are too bright and adding those that are still lacking, you will achieve a color tonality as close as possible to that in nature. If one tone is correct, you can put the picture back in its place and adjust the other colors to the first by feeling. You can check your feeling by comparing every tone directly with nature, after setting the picture back beside the model. If you have patience and adjust all large and small lines, all forms and color tones according to nature, you will have an exact reproduction of nature. This can be learned. This can be taught. And in addition, you can avoid making too many mistakes in 'feeling' by studying nature itself through anatomy and perspective and your medium through color theory. That is academy.

With a rumble of his truck, Miles pulls away, and I exhale heavily. Turning on my heel, I walk up to my front door. “Hey, Dean,” I murmur, fishing out my keys and unlocking the deadbolt. “Hey, Kate.” Dean looks awkward as he scratches his fingers through his beard. I take pity on him and ask, “Want to come inside for a coffee?” He smiles. “Is it complimentary?” I pin him with a look. “For people who aren’t assholes, yes.” His eyes cast downward. “I won’t be an asshole, I swear.” “You sure?” I ask, gesturing down the road. “Nothing to say about Miles’s truck? Did you hear how loud that muffler was?” His brows lift. “I’m surprised you even know what a muffler is.” I frown at that comment. “Me too, actually. I guess some of my research has been sticking.” The corner of his mouth tips up into a smile. “I’ll be good, I swear.

truth is, Audrey,” Dr. Sarah is saying, “that yes, people will probably talk about you for a fraction of the time. I’m sure my patients talk about me, and I’m sure it’s not always complimentary. But they’ll get bored and move on. Can you believe that?” “No,” I say honestly, and Dr. Sarah nods. “The more you engage with the outside world, the more you’ll be able to turn down the volume on those worries. You’ll see that they’re unfounded. You’ll see that the world is a very busy and varied place and most people have the attention span of a gnat. They’ve already forgotten what happened. They don’t think about it. There will have been five more sensations since your incident

Marygene, girl, this is the best lime cheesecake I ever put in my mouth," Mr. Collins said from the back booth. I stood up straight and smiled. "Thank you, Mr. Collins. That's so nice of you to say." "Is it a new recipe?" his wife, Nita, asked. "Not really. I tweaked it a tad. I added a bit of cream at the end that I folded in by hand. It makes the batter bake off light and airy." "It does. So good." Nita took another bite. "Every time you tweak another recipe, you bring me a slice for dessert." "Yes, ma'am," I said.

I wonder how many other complimentary things it would be okay for me to say.

Someone asked me the other day, do I like to write prose better or poetry? To which I can only say - both are fundamental to my works. In fact, I started out with prose, as you might remember - and my most invigorating ideas came to this world in the form of prose. Along the way, I felt a craving for poetry, so quite on a whim I wrote the first sonnet. Suddenly an entire new horizon opened up to me. Eventually prose and poetry became equally potent carrier of my ideas - they became complimentary to each other - they became supplementary to each other. However, I do admit, as I grow older, I'm getting more and more drawn towards poetry as my primary vessel.

Are [the arts and the sciences] really as distinct as we seem to assume? [...] Most universities will have distinct faculties of arts and sciences, for instance. But the division clearly has some artificiality. Suppose one assumed, for example, that the arts were about creativity while the sciences were about a rigorous application of technique and methods. This would be an oversimplification because all disciplines need both. The best science requires creative thinking. Someone has to see a problem, form a hypothesis about a solution, and then figure out how to test that hypothesis and implement its findings. That all requires creative thinking, which is often called innovation. The very best scientists display creative genius equal to any artist. [...] And let us also consider our artists. Creativity alone fails to deliver us anything of worth. A musician or painter must also learn a technique, sometimes as rigorous and precise as found in any science, in order that they can turn their thoughts into a work. They must attain mastery over their medium. Even a writer works within the rules of grammar to produce beauty. [...] The logical positivists, who were reconstructing David Hume’s general approach, looked at verifiability as the mark of science. But most of science cannot be verified. It mainly consists of theories that we retain as long as they work but which are often rejected. Science is theoretical rather than proven. Having seen this, Karl Popper proposed falsifiability as the criterion of science. While we cannot prove theories true, he argued, we can at least prove that some are false and this is what demonstrates the superiority of science. The rest is nonsense on his account. The same problems afflict Popper’s account, however. It is just as hard to prove a theory false as it is to prove one true. I am also in sympathy with the early Wittgenstein of the Tractatus Logico-Philosophicus who says that far from being nonsense, the non-sciences are often the most meaningful things in our lives. I am not sure the relationship to truth is really what divides the arts and sciences. [...] The sciences get us what we want. They have plenty of extrinsic value. Medicine enables us to cure illness, for instance, and physics enables us to develop technology. I do not think, in contrast, that we pursue the arts for what they get us. They are usually ends in themselves. But I said this was only a vague distinction. Our greatest scientists are not merely looking to fix practical problems. Newton, Einstein and Darwin seemed primarily to be seeking understanding of the world for its own sake, motivated primarily by a sense of wonder. I would take this again as indicative of the arts and sciences not being as far apart as they are usually depicted. And nor do I see them as being opposed. The best in any field will have a mixture of creativity and discipline and to that extent the arts and sciences are complimentary.

To Polish the Gold & Help Others Shine . . . Say something nice! My wise mother raised us with the philosophy that if you can’t say something nice, don’t say anything at all. That is a Southern custom if there ever was one! It is easy to find fault, criticize, condemn, and complain—but none of these behaviors will help you enjoy positive relationship results.

To Polish the Gold & Help Others Shine . . . Brag about their accomplishments in front of others: For years, I have shared that the definition of a good friend is someone who says nice things about you behind your back. And the definition of a GREAT friend is someone who says GREAT things to others in front of you. One of the kindest things a husband or wife can do for their relationships is to brag about their partner’s qualities to other people.

To Polish the Gold & Help Others Shine . . . Be complimentary: Find something positive to say to compliment another person. Whether they are being a great parent, dressing nicely, maintaining a gorgeous yard, or winning a recent 5K run, pick something to acknowledge which is noteworthy.

Glow What can you do and how can you be in order to bring out the best in others and truly help them shine? • Be complimentary; say something nice. • Be a great listener and make them feel like you are hanging on every word. • Create enthusiasm and anticipation for the person they are getting ready to meet. • Act as you have personally invited them to the party and help ensure they have a wonderful time. • Give people an experience, not just a conversation

Did you just say that bustles are expected to get even larger?” Miss Griswold nodded. “I’m afraid so. According to one of my sources—er . . . friends, I mean—quite a few designers are beginning to contemplate a new silhouette for ladies—one that will require bustles to achieve the size of a large birdcage in order to pull off the look designers are convinced will be complimentary to every lady’s figure.” “Who in the world would want to wear a birdcage on their behind?” Miss Cadwalader asked, once again in possession of the platter of treats, treats she immediately began perusing, looking completely delighted. Miss Griswold reached out, snagged a sugar biscuit, popped it into her mouth, and shrugged even as she swallowed. “I’m sure there are very few ladies who’d appreciate such an appendage attached to them, but evidently the gentlemen in charge of our fashions seem to believe that larger behinds are . . .” She stopped talking, shot a look to Edgar, turned pink in the face, and immediately returned her attention to Wilhelmina.

I point to the kitchen. “You remember my friend, Shelly?” He looks back over his shoulder. “What’s up, Shelly? Good to see you again.” Her face is bright red. I’ve never seen her embarrassed like this. She raises her hand and sheepishly waves. “Hey Gus. Good to see you again, too.” He’s fully turned in his seat to face her now. “I must say that I’ve never seen anyone toss a sidewalk pizza with such commitment and precision as you did the last time I saw you. I never got to commend you.” Her face is buried in her hands. “Of course you would remember that.” She’s still embarrassed about throwing up in front of everyone. Gus isn’t mean-spirited. He’s actually being complimentary. He grins. “No, I’m serious. You go for distance. It was impressive. Ride the lightning, my friend.” He reaches over and slaps Duncan on the back. “You’re a lucky dude.” Shelly mumbles, “Oh my God, I want to die.” I join her in the kitchen and put my arm around her waist. “He wouldn’t tease you if he didn’t like you. And as gross as it may sound, he was impressed. He’s a boy

A man walks into a bar after a long day at work. As he drinks his beer he hears a quiet voice say, “Wow! You look great!” The man looks around but can’t see where the voice is coming from. A minute later he hears the same soft voice say, “You’re so handsome!” The man looks everywhere but still can’t see where the voice is coming from. As he sips his beer he hears the voice again. “What a stud you are!” The man is baffled and asks the bartender, “What the hell is going on?” “Don’t worry,” the bartender says, “it’s just the nuts. They’re complimentary.

Ratan Tata was already well known in the investment community, but it was a new and interesting experience for me. Inevitably perhaps, on the road show we were always being compared and evaluated against Infosys and a lot of complimentary things were said about Infosys. Although we were competitors, to hear good things said in international forums about an Indian company made us very happy. When Ratan Tata returned from the road show he wrote a leter to Infosys’s management saying, ‘I must tell you that I felt so proud that here is an Indian company which is considered a benchmark in governance and transparency.

Browning calls the poet God’s spy and that’s a complimentary way of putting it. We could say, more neutrally, that writers are almost always spies and have the kinds of lives that spying creates. They are constantly collecting information, making mental notes.

I have a book on the subject: Outwitting Squirrels: 101 Cunning Stratagems to Reduce Dramatically the Egregious Misappropriation of Seed from Your Birdfeeder by Squirrels, by Bill Adler Jr. The fact that humans must summon this much collective brainpower and earnest scheming to match wits with a one-pound rodent says something not so complimentary about us. At the end of his book, Adler urges his readers not to give up and admit defeat: I have high hopes for civilization. We have survived world wars, the cold war, devastating plagues. We have gone to the moon, and sent probes past the outermost edge of our solar system. We have eliminated major diseases, and we have invented Wheel of Fortune. But only if we keep up our struggle to outwit squirrels can humankind expect to progress towards the next level of development, whatever that may be.

Get complimentary newspapers delivered. Dress neatly. Finish your conversations straight away when a customer appears. Keep the shelves stocked. Use warm cups, not hot, not cold. Don’t serve cups with spills down the side. Set drinks up the same way all the time. Have a clear menu. Make sure all the light bulbs work. Repaint the room often. Room temperature butter. Opening and closing times written on the door. Take care of your espresso machine. Dry tables after you wipe them. Say hello to your co-workers. If you think someone’s not happy, ask. Smile.

Oh, just... usually when people are that complimentary about my appearance it's because they're trying to like... I don't know, prove to me that they're not a transphobe. Like if they say the trans girl is pretty enough times it'll make up for their feminist activism starting and ending with people who have uteruses.

Our take on a rhubarb and custard," Susan announces. "Rhubarb sorbet on the bottom, topped with whipped custard and a candied rhubarb sweet." It's served in small egg-shaped glasses, so you can see the layers: bright pink sorbet on the bottom, rich lemon-yellow custard, whipped to airy delicacy, topped with a wafer-thin, jewel-like disc of rhubarb that's been roasted, pressed flat, and encased in rhubarb-flavored praline. The chef takes two bites of it, then sits back, sighs, and looks at his plate for a while. Susan feels like melting into the floor. He hates it! What went wrong? Is it too simple? She worried about that. Maybe she should have done a tart or a mille-feuille. "This tastes of summer," the chef says at last. "Every bit of it is delightful and delicious- it's so light and airy and enjoyable." "I totally agree," says the presenter. "It's the perfect follow-up to something as heavy as those ribs, and the flavors remind me of rhubarb and custard sweets, which really takes me back." "Yeah, me too." The blogger nods. "Raiding the sweet shop after school.

Monadology spent the next two centuries on the ash-heap of intellectual history. After Leibniz’s death, a faulty version was published by one of his disciples, and its errors laid at Leibniz’s feet. Then it swam into the gunsights of Immanuel Kant. In his Critique of Pure Reason, Kant begins by saying a few complimentary things about Leibniz. Three hundred pages later, having carefully set his pieces out on the board, he annihilates Leibniz’s metaphysics in a few sentences. According to Kant’s philosophy, Leibniz is correct in thinking that space and time, cause and effect, are not ultimate realities, but rather constructs of mental activity. But by the same token, Kant says, the human mind is powerless to think in any useful or productive way about anything that is outside of space and time, cause and effect, and so Leibniz’s entire Monadology—or any thinking that attempts to transcend spatiotemporality—is rubbish.

Your upbringing must have been the complete opposite of lonely,” she said, “with so many brothers and sisters about.” “You know who I am,” he stated. She nodded. “I didn’t at first.” He walked over to the balustrade and leaned one hip against it, crossing his arms. “What gave me away?” “It was your brother, actually. You looked so alike—” “Even with our masks?” “Even with your masks,” she said with an indulgent smile. “Lady Whistledown writes about you quite often, and she never passes up an opportunity to comment upon how alike you look.” “And do you know which brother I am?” “Benedict,” she replied. “If indeed Lady Whistledown is correct when she says that you are tallest among your brothers.” “You’re quite the detective.” She looked slightly embarrassed. “I merely read a gossip sheet. It makes me no different from the rest of the people here.” Benedict watched her for a moment, wondering if she realized that she’d revealed another clue to the puzzle of her identity. If she’d recognized him only from Whistledown, then she’d not been out in society for long, or perhaps not at all. Either way, she was not one of the many young ladies to whom his mother had introduced him. “What else do you know about me from Whistledown?” he asked, his smile slow and lazy. “Are you fishing for compliments?” she asked, returning the half smile with the vaguest tilt of her lips. “For you must know that the Bridgertons are almost always spared her rapier quill. Lady Whistledown is nearly always complimentary when writing about your family.” “It’s led to quite a bit of speculation about her identity,” he admitted. “Some think she must be a Bridgerton.” “Is she?” He shrugged. “Not that I’m aware of. And you didn’t answer my question.” “Which question was that?” “What you know of me from Whistledown.” She looked surprised. “Are you truly interested?” “If I cannot know anything about you, at least I might know what you know about me.” She smiled, and touched the tip of her index finger to her lower lip in an endearingly absentminded gesture. “Well, let’s see. Last month you won some silly horse race in Hyde Park.” “It wasn’t the least bit silly,” he said with a grin, “and I’m a hundred quid richer for it.” She shot him an arch look. “Horse races are almost always silly.” “Spoken just like a woman,” he muttered. “Well—” “Don’t point out the obvious,” he interrupted. That made her smile. “What else do you know?” he asked. “From Whistledown?” She tapped her finger against her cheek. “You once lopped the head off your sister’s doll.” “And I’m still trying to figure out how she knew about that,” Benedict muttered. “Maybe Lady Whistledown is a Bridgerton, after all.” “Impossible. Not,” he added rather forcefully, “that we’re not smart enough to pull it off. Rather, the rest of the family would be too smart not to figure it out.” -Sophie & Benedict

Mussolini was a cowardly man pretending to be a tough guy. I’ve seen a few tough guys in my day, and I think I have a measure of expertise on the subject. When I say tough guy, I mean it in a complimentary sense: a forceful man who sticks to his principles. A true tough guy, whether you agree with him or not, knows he is superior to most men. The phony tough guy lacks this sense of security; he has to bully people so he can hear them say he is superior. Mussolini was a bully—a phony tough guy.

When she looked back at Michael, he was staring up at her with murder in his eyes. “Get down from there!” he roared. He pulled the brake on the wagon and sprang to the ground, stalking across the yard like a barbarian on the march. Even from three stories up she could hear him muttering in Romanian, and whatever he was saying did not sound complimentary. He stood in the middle of the yard and yelled up at her. “Why can’t you be a normal woman and keep your feet on the ground? I have traveled nine hundred miles to get back to you, and look! Trousers!

We went to dinner the other night at a place that had a complimentary valet. I was disappointed when he only parked my car. I expected him to say, "You're a handsome man and eloquent of speech" since it was complementary and all, or at least, "You are dressed far better than that hobo over there and smell less odiferous" Alas it was not to be,

Once I get over that flushed, heated embarrassment, I realize that things are worse now, not better. Blake is kind of perfect—drawing my mother out into the most animated version of herself, bringing my father into the conversation, even getting Mabel to talk about music and how she wishes she had her own saxophone. This, I remind myself, is media training in action. I have to stop lying to myself. It’s more than media training. Blake’s always been easygoing. Hell, I’ve seen his comments on scripts going back a full decade now. He was like this at eleven: complimentary, interested, kind without being weak. He’s probably been serving as his father’s foil his entire life. His father growls about manufacturing and secrecy; Blake learns Mandarin and compliments the factory owner on the side. His father says that an idea is shit; Blake comes back and points out the good in it. This is what he does: he smoothes things over. He’s so good that Mom doesn’t even notice that he’s eating only a fraction of the food on his plate. I wonder if it’s always like this for him, if he’s always fixing things while nobody notices him.

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