Solo Vibes Quotes

We've searched our database for all the quotes and captions related to Solo Vibes. Here they are! All 3 of them:

There are days when you just don't feel like everything and you just want peace. I mean, it's not that you're angry or sad. But it seems like you just don't have the desire to interact with anyone. All you want to do is sit in the corner, look at the sky and hear the atmosphere. Makes you think everything would slow down. There really are such vibes, right? Solo moment. The world is happening so fast. Sometimes you really need to rest and recharge.
Wahid Bhat
Aurora was romantic and brooding and heartbreaking and volatile all at once. In the age of arena rock, Daisy Jones & The Six managed to create something that felt intimate even though it could still play to a stadium. They had the impenetrable drums and the searing solos—they had songs that felt relentless in the best way possible. But the album also felt up close and personal. Billy and Daisy felt like they were right next to you, singing just to each other. “And it was deeply layered. That was the biggest thing Aurora had going for it. It sounds like a good-time album when you first listen to it. It’s an album you can play at a party. It’s an album you get high to. It’s an album you can play as you’re speeding down the highway. “But then you listen to the lyrics and you realize this is an album you can cry to. And it’s an album you can get laid to. “For every moment of your life, in 1978, Aurora could play in the background. “And from the moment it was released, it was a juggernaut.
Taylor Jenkins Reid (Daisy Jones & The Six)
McCullough had been telling interviewers that he was fine with his role in Wings, but he knew he was mainly trying to persuade himself that this was so. He had hoped that the acclaim his solo on ‘My Love’ brought would help Paul see that allowing him some creative input could be a good thing. Now he realized that this would be a never-ending battle. “I had been too long on the road to be told like a child to play this or that. I had come from working with Joe Cocker and somehow ended up singing bloody nursery rhymes.59 I felt it was time he allowed the musicians to have some of their own ideas used as part of this ‘group’ vibe. But all that was slowly being lost. . . . I was trying desperately to hold onto it because I wanted it not just for the band but for him as well—for him to show people that he wasn’t namby-pamby all the time, that he really had balls. And he does have an awful lot of balls, he just doesn’t seem to get it down on record.”60
Allan Kozinn (The McCartney Legacy: Volume 1: 1969 – 73)