Soap Box Quotes

We've searched our database for all the quotes and captions related to Soap Box. Here they are! All 65 of them:

I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck. I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods (American Gods, #1))
In regard to propaganda the early advocates of universal literacy and a free press envisaged only two possibilities: the propaganda might be true, or the propaganda might be false. They did not foresee what in fact has happened, above all in our Western capitalist democracies - the development of a vast mass communications industry, concerned in the main neither with the true nor the false, but with the unreal, the more or less totally irrelevant. In a word, they failed to take into account man's almost infinite appetite for distractions. In the past most people never got a chance of fully satisfying this appetite. They might long for distractions, but the distractions were not provided. Christmas came but once a year, feasts were "solemn and rare," there were few readers and very little to read, and the nearest approach to a neighborhood movie theater was the parish church, where the performances though frequent, were somewhat monotonous. For conditions even remotely comparable to those now prevailing we must return to imperial Rome, where the populace was kept in good humor by frequent, gratuitous doses of many kinds of entertainment - from poetical dramas to gladiatorial fights, from recitations of Virgil to all-out boxing, from concerts to military reviews and public executions. But even in Rome there was nothing like the non-stop distractions now provided by newspapers and magazines, by radio, television and the cinema. In "Brave New World" non-stop distractions of the most fascinating nature are deliberately used as instruments of policy, for the purpose of preventing people from paying too much attention to the realities of the social and political situation. The other world of religion is different from the other world of entertainment; but they resemble one another in being most decidedly "not of this world." Both are distractions and, if lived in too continuously, both can become, in Marx's phrase "the opium of the people" and so a threat to freedom. Only the vigilant can maintain their liberties, and only those who are constantly and intelligently on the spot can hope to govern themselves effectively by democratic procedures. A society, most of whose members spend a great part of their time, not on the spot, not here and now and in their calculable future, but somewhere else, in the irrelevant other worlds of sport and soap opera, of mythology and metaphysical fantasy, will find it hard to resist the encroachments of those would manipulate and control it.
Aldous Huxley (Brave New World Revisited)
There is no free expression when you have to pay extra to stand on the soap box.
Thor Benson
Make sure you're standing on the right soap box.
Stephen A. Fender
Case in point: On one of their first dates, he brought her a box of Ivory Flakes soap. Who needs flowers? Roses fade, but flaky soap available from the PX lasted months. Having Ivory Flakes was a rarity in itself, and also saved her valuable time—one less line to stand in, only to find that the grocer was out. Again. That was romance, as far as Colleen was concerned. Maybe this guy was a keeper after all.
Denise Kiernan (The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II)
actions on a loop. Change the diaper. Make the formula. Warm the bottle. Pour the Cheerios. Wipe up the mess. Negotiate. Beg. Change his sleeper. Get her clothes out. Where’s the lunch box? Bundle them up. Walk. Faster. We’re late. Hug her good-bye. Push the swing. Find the lost mitten. Rub the pinched finger. Give him a snack. Get another bottle. Kiss, kiss, kiss. Put him in the crib. Clean. Tidy. Find. Make. Defrost the chicken. Get him up from the crib. Kiss, kiss, kiss. Change his diaper. Put him in the high chair. Clean up his face. Wash the dishes. Tickle. Change the diaper. Tickle. Put the snacks in a baggie. Start the washing machine. Bundle him up. Buy diapers. And dish soap. Race for pickup. Hello, hello! Hurry, hurry. Unbundle. Laundry in the dryer. Turn on her show. Time-out. Please. Listen to my words. No! Stain remover. Diaper. Dinner. Dishes. Answer the question again and again. Run the bath. Take off their clothes.
Ashley Audrain (The Push)
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
There was a tradition of soap-box public speaking in Sator Square. “Speaking” was stretching a point to cover the ranters, haranguers and occasional self-absorbed mumblers that spaced themselves at intervals amongst the crowds. And, traditionally, people said whatever was on their minds and at the top of their voices. The Patrician, it was said, looked kindly on the custom. He did. And very closely, too. He probably had someone make notes.
Terry Pratchett (Jingo (Discworld, #21))
1.Ghost hunting 2.Target practice: rifles and handguns 3.Rock collecting 4.Photography-south Carolina wildlife 5.Soap making 6.Fencing 7.Belly dancing 8.Tie dying 9.Dog agility course training 10.Crawdad racing 11.Bull riding 12.Worm collecting
Karla Telega (Box of Rocks (A Maggie Gorski Mystery #1))
The bunk was a long, rectangular building. Inside, the walls were whitewashed and the floor unpainted. In three walls there were small, square windows, and in the fourth a solid door with a wooden latch. Against the walls were eight bunks, five of them made up with blankets and the other three showing their burlap ticking. Over each bunk there was nailed an apple-box with the opening forward so that it made two shelves for the personal belongings of the occupant of the bunk. And these shelves were loaded with little articles, soap and talcum-powder, razors and those Western magazines ranch-men love to read and scoff at and secretly believe. And there were medicines on the shelves, and little vials, combs; and, from nails on the box-sides, a few neck-ties. Near one wall there was a black cast-iron stove, its stove-pipe going straight up through the ceiling. In the middle of the room stood a big square table littered with playing-cards, and around it were grouped boxes for the players to sit on.
John Steinbeck (Of Mice and Men)
Social media means we’re listening to different voices. It’s not just the same, old, powerful white men who all went to the same places for college. It means everyone gets a soap box and if you’ve got something important to say, you can get people to listen.
Jennifer Weiner (Big Summer)
Why,” said Jane, “there’s nothing in it!” “What do you mean—nothing?” demanded Mary Poppins, drawing herself up and looking as though she had been insulted. “Nothing in it, did you say?” And with that she took out from the empty bag a starched white apron and tied it round her waist. Next she unpacked a large cake of Sunlight Soap, a toothbrush, a packet of hairpins, a bottle of scent, a small folding armchair and a box of throat lozenges.
P.L. Travers (Mary Poppins)
In my mind, I gave the woman gifts. I gave her a candle stub. I gave her a box of wooden kitchen matches. I gave her a cake of Lifebuoy soap. I gave her a ceilingful of glow-in-the-dark planets. I gave her a bald baby doll. I gave her a ripe fig, sweet as new wood, and a milkdrop from its stem. I gave her a peppermint puff. I gave her a bouquet of four roses. I gave her fat earthworms for her grave. I gave her a fish from Roebuck Lake, a vial of my sweat for it to swim in.
Lewis Nordan (Music of the Swamp (Front Porch Paperbacks))
I was a soldier, executing a series of physical actions on a loop. Change the diaper. Make the formula. Warm the bottle. Pour the Cheerios. Wipe up the mess. Negotiate. Beg. Change his sleeper. Get her clothes out. Where’s the lunch box? Bundle them up. Walk. Faster. We’re late. Hug her good-bye. Push the swing. Find the lost mitten. Rub the pinched finger. Give him a snack. Get another bottle. Kiss, kiss, kiss. Put him in the crib. Clean. Tidy. Find. Make. Defrost the chicken. Get him up from the crib. Kiss, kiss, kiss. Change his diaper. Put him in the high chair. Clean up his face. Wash the dishes. Tickle. Change the diaper. Tickle. Put the snacks in a baggie. Start the washing machine. Bundle him up. Buy diapers. And dish soap. Race for pickup. Hello, hello! Hurry, hurry. Unbundle. Laundry in the dryer. Turn on her show. Time-out. Please. Listen to my words. No! Stain remover. Diaper. Dinner. Dishes. Answer the question again and again. Run the bath. Take off their clothes. Wipe up the floor. Are you listening? Brush teeth. Find Benny the Bunny. Put on pajamas. Nurse. A story. Another story. Keep going, keep going, keep going.
Ashley Audrain (The Push)
I try to understand you. You look so civilized. Not a hint of the criminal in you. Perhaps, though, something of the Nazi criminal. That super honest, loyal citizen who checked the number of soap boxes. He would take great care not to make mistakes in figures (four, less than four), but he does not question whether the soap is made from human fat.
Marvin Hoffman ("You Won't Remember Me": The Schoolboys of Barbiana Speak to Today (Between Teacher and Text Series))
To my daughter-in-law Eleanor SUNG, I bequeath a box of Santa Maria Novella Almond Soap.
Kevin Kwan (Rich People Problems (Crazy Rich Asians, #3))
It is hard to understand why the modern West has been so much more troubled by sexual images than by violent ones. Murder has always been illegal in the West, but the representation of murder has rarely inspired the kind of hue and cry generated by the depiction of adults having sex. Those who claim that pornography will impel children to engage in sexual conduct seem not the least bit concerned that war stories and Westerns will encourage children to kill their neighbors. For all the talk of "sex and violence" on television, no one seems to blink at the amount of blood spilled in a boxing match, but one can only imagine the outcry that would follow if a similar amount of semen were shown in a bedroom scene of a daytime soap opera.
David Allyn (Make Love, Not War: The Sexual Revolution: An Unfettered History)
The soap-box orators talked in the bitter cold at Marble Arch with their mackintoshes turned up around their Adam's apples, and all down the road the cad cars waited for the right easy girls, and the cheap prostitutes sat hopelessly in the shadows, and the blackmailers kept an eye open on the grass where the deeds of darkness were quietly and unsatisfactorily accomplished.
Graham Greene (The Confidential Agent)
Well, let me go and wake Soap." "Oh, no need to disturb him." "Course there's need. Why do you think I was set to watch the hatch? Waiting on the ghost of boilers past? He'll box my ears if I don't tell him you came.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
The son was in high school. He had a part-time job at a laundromat in a small disenchanting strip mall. He was reading Anna Karenina. He was three hundred– plus pages deep. Soap ’n’ Suds was almost never busy. The boss was scarce. The son could read. A young woman arrived with her wash, got change, and asked what he was reading. Anna Karenina. Oh, she said, is that the one where she throws herself on the rails at the end. Asshole, he muttered.
C.D. Wright (The Poet, The Lion, Talking Pictures, El Farolito, A Wedding in St. Roch, The Big Box Store, The Warp in the Mirror, Spring, Midnights, Fire & All)
I can believe things that are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen—I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of causal chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone who claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
He was able to sleep on bare boards; he drank plain hot water with neither tea nor sugar; he ate stale bread; he wore footcloths rather than socks. He had no bed linen, but she noticed that his shirt collar was always clean, even though the shirt had been washed so many times that it had gone yellow. And in the mornings he always took out a chipped, battered little box that had once contained fruit drops and that now contained his washing things; he would brush his teeth and carefully soap his face, his neck, and his arms up to his elbows.
Vasily Grossman (Everything Flows)
In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!
Jean Lorrain (Monsieur De Phocas)
I went through her garbage when I knew she was out, thirsty to know more, to touch the things she touched. I found a wide-toothed tortoiseshell comb from Kent of London, good as new except for a single broken tooth, and a soap box, Crabtree and Evelyn's Elderflower. She drank Myer's rum, used extra virgin olive oil in a tall bottle. I found an impossibly soft stocking, the garter kind, cloud taupe, laddered, and an empty flagon of Ma Griffe perfume, its label decorated with a scribble of black lines on white. It smelled of whispery black organdy dresses, of spotted green orchids and the Bois de Boulogne after rain.
Janet Fitch (White Oleander)
As time passed and Harry flew and flew and flew, he forgot all about the fog, the city below him, and just about everything. Nothing in the world seemed to matter but wings, and sky, and motion. The free and endless kind of motion that people are always looking for in a hundred different ways. Flying was the way a swing swoops up; and the glide down a slide. It was the shoot of a sled downhill without the long climb back up. It was the very best throat-tightening thrills of skis, skates, surfboards and trampolines. Diving boards, merry-go-rounds, Ferris wheels, .roller coasters, skate boards and soap-box coasters. It was all of them, one after the other, all at once and a thousand times over.
Zilpha Keatley Snyder (Black and Blue Magic)
From where he sat in the box above the ballroom, Grey was able to watch Rose without her knowing. The Duke of Ryeton, notorious rake and scoundrel, reduced to Peeping Tom. This is what Rose had brought him to. It was exactly one week ago tonight that he’d made lover to her for the last time. In this very building, in a room he canceled the reservation for just an hour ago.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Within the fair’s buildings visitors encountered devices and concepts new to them and to the world. They heard live music played by an orchestra in New York and transmitted to the fair by long-distance telephone. They saw the first moving pictures on Edison’s Kinetoscope, and they watched, stunned, as lightning chattered from Nikola Tesla’s body. They saw even more ungodly things—the first zipper; the first-ever all-electric kitchen, which included an automatic dishwasher; and a box purporting to contain everything a cook would need to make pancakes, under the brand name Aunt Jemima’s. They sampled a new, oddly flavored gum called Juicy Fruit, and caramel-coated popcorn called Cracker Jack. A new cereal, Shredded Wheat, seemed unlikely to succeed—“shredded doormat,” some called it—but a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon. Visitors also encountered the latest and arguably most important organizational invention of the century, the vertical file, created by Melvil Dewey, inventor of the Dewey Decimal System. Sprinkled among these exhibits were novelties of all kinds. A locomotive made of spooled silk. A suspension bridge built out of Kirk’s Soap. A giant map of the United States made of pickles. Prune makers sent along a full-scale knight on horseback sculpted out of prunes, and the Avery Salt Mines of Louisiana displayed a copy of the Statue of Liberty carved from a block of salt. Visitors dubbed it “Lot’s Wife.
Erik Larson (The Devil in the White City)
After Twiss went out the barn, Milly went up to their bedroom with the brown paper bag. She looked out the window before she turned it upside down and the bars of lavender soap shaped like seashells and the card shaped like a rectangle came tumbling out. Asa's name graced the front of the card. A note graced the back. 'I know why you did it, Milly. Bella swings a golf club just like him.' Milly sat a long time on her old twin mattress, staring at the fleur-de-lis carved into the headboard, at the life that didn't belong to her and the life that did, before she placed the soaps beneath the velvet tray in her jewelry box and closed it. She never washed her hands with a single one of the seashell-shaped soaps, although from time to time, when Twiss had gone for a walk or to the barn, she'd open her jewelry box and examine her only secret. 'La joie de vivre.' The scent of lavender. Forgiveness. Age-old love.
Rebecca Rasmussen (The Bird Sisters)
The shower alone has a panel with more than a hundred options you can choose regulating water temperature, pressure, soaps, shampoos, scents, oils, and massaging sponges. When you step out on a mat, heaters come on that blow-dry your body. Instead of struggling with the knots in my wet hair, I merely place my hand on a box that sends a current through my scalp, untangling, parting, and drying my hair almost instantly. It floats down around my shoulders in a glossy curtain.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
and drew her strength directly from our magickal Oklahoma earth. “U-we-tsi-a-ge-ya, it seems I need help at the lavender booth. I simply cannot believe how busy we are.” Grandma had barely spoken when a nun hurried up. “Zoey, Sister Mary Angela could use your help filling out cat adoption forms.” “I’ll help you, Grandma Redbird,” Shaylin said. “I love the smell of lavender.” “Oh, honey, that would be so sweet of you. First, could you run to my car and get into the trunk. There is another box of lavender soaps and sachets tucked back there. Looks like I’m going to sell out completely,” Grandma said happily. “Sure thing.” Shaylin caught the keys Grandma tossed to her and hurried toward the main exit of the school grounds which led to the parking lot, as well as the tree-lined road that joined Utica Street. “And I’ll call my momma. She said just let her know if we get too busy over here. She and the PTA moms will be back here in a sec,” said Stevie Rae. “Grandma, do you mind if I give Street Cats a hand? I’ve been dying to check out their new litter of kittens.” “Go on, u-we-tsi-a-ge-ya. I think Sister Mary Angela has been missing your company.” “Thanks, Grandma.” I smiled at her. Then I turned to Stevie Rae. “Okay, if your mom’s group is coming back, I’m gonna go help the nuns.” “Yeah, no problem.” Stevie Rae, shielding her eyes and peering through the crowd, added, “I see her now, and she’s got Mrs. Rowland and Mrs. Wilson with her.” “Don’t worry. We can handle this,” Shaunee said. “’Kay,” I said, grinning at both of them. “I’ll be back as soon as I can.” I left the cookie booth and noticed Aphrodite, clutching her big purple Queenies cup, was right on my heels. “I thought you didn’t want a lecture from the nuns.” “Better than a lecture from PTA moms.” She shuddered. “Plus, I like cats more than people.” I shrugged. “Okay, whatever.” We’d only gotten partway to the Street Cats tent when Aphrodite slowed way down. “Seriously. Effing. Pathetic.” She was muttering around her straw, narrowing her eyes, and glaring. I followed her gaze and joined her frown. “Yeah, no matter how many times I see them together, I still don’t get it.” Aphrodite and I had stopped to watch Shaunee’s ex-Twin BFF, Erin, hang all over Dallas. “I really thought she was better than that.” “Apparently not,” Aphrodite said. “Eeew,” I said, looking away from their way too public display of locked lips. “I’m telling you, there’s not enough booze in Tulsa to make watching those two suck face okay.” She made a gagging sound, which changed to a snort and a laugh. “Check out the wimple, twelve o’clock.” Sure enough, there was a nun I vaguely recognized as Sister Emily (one of the more uptight of the nuns) descending on the too-busy-with-their-tongues-to-notice couple. “She looks serious,” I said. “You know, a nun may very well be the direct opposite of an aphrodisiac. This should be entertaining. Let’s watch.” “Zoey! Over here!” I looked from the train wreck about to happen to see Sister Mary Angela waving me over to her.
P.C. Cast (Revealed (House of Night #11))
«It's not easy to believe.» «I» she told him, «I can believe anything. You have no idea what I can believe.» «Really?» «I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in "War of the Worlds". I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kind of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.»
Neil Gaiman (American Gods (American Gods, #1))
The Camera Eye (38) sealed signed and delivered all over Tours you can smell lindens in bloom it’s hot my uniform sticks the OD chafes me under the chin only four days ago AWOL crawling under the freight cars at the station of St. Pierre-des-Corps waiting in the buvette for the MP on guard to look away from the door so’s I could slink out with a cigarette (and my heart) in my mouth then in a tiny box of a hotel room changing the date on that old movement order but today my discharge sealed signed and delivered sends off sparks in my pocket like a romancandle I walk past the headquarters of the SOS Hay sojer your tunic’s unbuttoned (f—k you buddy) and down the lindenshaded street to the bathhouse that has a court with flowers in the middle of it the hot water gushes green out of brass swanheads into the whitemetal tub I strip myself naked soap myself all over with the sour pink soap slide into the warm deepgreen tub through the white curtain in the window a finger of afternoon sunlight lengthens on the ceiling towel’s dry and warm smells of steam in the suitcase I’ve got a suit of civvies I borrowed from a fellow I know the buck private in the rear rank of Uncle Sam’s Medical Corps (serial number . . . never could remember the number anyway I dropped it in the Loire) goes down the drain with a gurgle and hiss and having amply tipped and gotten the eye from the fat woman who swept up the towels I step out into the lindensmell of a July afternoon and stroll up to the café where at the little tables outside only officers may set their whipcord behinds and order a drink of cognac unservable to those in uniform while waiting for the train to Paris and sit down firmly in long pants in the iron chair an anonymous civilian
John Dos Passos (1919 (The U.S.A. Trilogy, #2))
The first day we rode our bikes to Chelsey and parked them. It was a terrible feeling. Most of those kids, at least all the older ones, had their own automobiles, many of them new convertibles, and they weren't black or dark blue like most cars, they were bright yellow, green, orange, and red. The guys sat in them outside of the school and the girls gathered around and went for rides. Everybody was nicely dressed, the guys and the girls, they had pullover sweaters, wrist watches and the latest in shoes. They seemed very adult and poised and superior. And there I was in my homemade shirt, my one ragged pair of pants, my rundown shoes, and I was covered with boils. The guys with the cars didn't worry about acne. They were very handsome, they were tall and clean with bright teeth and they didn't wash their hair with hand soap. They seemed to know something I didn't know. I was at the bottom again. Since all the guys had cars Baldy and I were ashamed of our bicycles. We left them home and walked to school and back, two-and-one-half miles each way. We carried brown bag lunches. But mot of the other students didn't even eat in the school cafeteria. They drove to malt shops with the girls, played the juke boxes and laughed. They were on their way to U.S.C.
Charles Bukowski (Ham on Rye)
I can believe that things are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen – I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe life is a game, that life is a cruel joke, and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
I," she told him, "can believe anything. You have no idea what I can believe." "Really?" "I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in this universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you're alive and that you might as well lie back and enjoy it." She stopped, out of breath. Shadow almost took his hands off the wheel to applaud.
Neil Gaiman (American Gods)
While the indecisive customer hovered over an array of perfumes that Nettle had brought out for her, the American girls browsed among the shelves of perfumes, colognes, pomades, waxes, creams, soaps, and other items intended for beauty care. There were bath oils in stoppered crystal bottles, , and tins of herbal unguents, and tiny boxes of violet pastilles to freshen the breath. Lower shelves held treasure troves of scented candles and inks, sachets filled with clove-saturated smelling salts, potpourri bowls, and jars of pastes and balms. Nettle noticed, however, that while the younger girl, Daisy, viewed the assortment with only mild interest, the older one, Lillian, had stopped before a row of oils and extracts that contained pure scent. Rose, frangipani, jasmine, bergamot, and so forth. Lifting the amber glass bottles, she opened them carefully and inhaled with visible appreciation. Eventually the blond woman made her choice, purchased a flacon of perfume, and left the shop, a small bell ringing cheerfully as the door closed. Lillian, who had turned to glance at the departing woman, murmured thoughtfully, "I wonder why it is that so many light-haired women smell of amber..." "You mean amber perfume?" Daisy asked. "No- their skin itself. Amber, and sometimes honey..." "What on earth do you mean?" the younger girl asked with a bemused laugh. "People don't smell like anything, except when they need to wash." The pair regarded each other with what appeared to be mutual surprise. "Yes, they do," Lillian said. "Everyone has a smell... don't say you've never noticed? The way some people's skin is like bitter almond, or violet, while others..." "Others have a scent like plum, or palm sap, or fresh hay," Nettle commented. Lillian glanced at him with a satisfied smile. "Yes, exactly!" Nettle removed his spectacles and polished them with care, while his mind swarmed with questions. Could it be? Was it possible that this girl could actually detect a person's intrinsic scent? He himself could- but it was a rare gift, and not one that he had ever known a woman to have.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
One time the scent of the old man appeared in the air: some combination of tobacco and citrus and soap. It was fleeting yet he was certain he had smelled it, but he did not know where it had come from, whether it had been someone at the window or from the shop itself, as though a part of the man remained in the tables, in the air of the boxes, in the fabrics themselves.
Paul Yoon (Snow Hunters)
A book about a lady knight with purple eyes and a passion for justice—one of her few treasured possessions—lay near the window. So far she’d paid Amanda at the Green Inn twice to read it to her. It was that precious. With her mind made up to leave Vaneis, she packed the three dresses she owned, the scarf, the book, some herbs for soap mix, and thirty shillings for the road in her satchel. The next morning, she made sure to pay the innkeeper five shillings for her month's rent. She filled a small rucksack full of food for her journey and left the inn with a smile on her face. Once outside, Ciardis squinted, looking up and down the caravan line. There were six wagons attached to huraks – large, ponderous beasts that looked like oxen with claws. The huraks were all clearly anxious to go as they snorted and pawed the fresh snow with the three dagger-shaped claws on each foot. You and me both, friend. She clutched her two cloth bags and stared around for Lady Serena, trying not to seem too obvious. "All riders up!" rang the call down the line. Ciardis gave up her nonchalant look in favor of panic and began to search frantically. She didn't see Lady Serena anywhere. What if it had all been a cruel joke?
Terah Edun (Courtlight Series Boxed Set (Courtlight, #1-3))
You can make the jar as an immersive pot of chicken corn soap for the winter vacations. You can make the gift immersive by decorating it with some funky colored flowers and by tighten ribbons.
Jaelyn Holloway (DIY Gifts Box Set: 23 Ideas with Step-by-Step Tutorial for Making Unique DIY Gifts (DIY gifts, DIY gifts Box Set, DIY gift ideas))
The next day we sat in Geir’s bedroom and wrote a love letter to Anne Lisbet. His parents’ house was identical to ours, it had exactly the same rooms, facing in exactly the same directions, but it was still unendingly different, because for them functionality reigned supreme, chairs were above all else comfortable to sit in, not attractive to look at, and the vacuumed, almost mathematically scrupulous, cleanliness that characterized our rooms was utterly absent in their house, with tables and the floor strewn with whatever they happened to be using at that moment. In a way, their lifestyle was integrated into the house. I suppose ours was, too, it was just that ours was different. For Geir’s father, sole control of his tools was unthinkable, quite the contrary, part of the point of how he brought up Geir and Gro was to involve them as much as possible in whatever he was doing. They had a workbench downstairs, where they hammered and planed, glued and sanded, and if we felt like making a soap-box cart, for example, or a go-kart, as we called it, he was our first port of call. Their garden wasn’t beautiful or symmetrical as ours had become after all the hours Dad had spent in it, but more haphazard, created on the functionality principle whereby the compost heap occupied a large space, despite its unappealing exterior, and likewise the stark, rather weed-like potato plants growing in a big patch behind the house where we had a ruler-straight lawn and curved beds of rhododendrons.
Karl Ove Knausgård (Min kamp 3 (Min kamp, #3))
Thoreau left a record of his beachcombing for the “waste and wrecks of human art”. His gleanings and those of my student are protoarcheology, glances at cultural artifacts from two times. Cape Cod, 1849, 1850, 1855 Logs washed from the land (many) Wrecked boat lumber (abundant) Pebbles of brick (a few) Castile soap bars (not counted) Sand filled gloves (one pair) Rags (not counted) Arrowhead (one) Water soaked nutmegs (boatload) Items in fish stomachs (snuff boxes, knives, church membership cards, “jugs, jewels and Jonah” Box or barrel (one) Bottle, half full of ale (one) … St. Catherines Island wrack line, 2013-14, 160 square meters Blocks of buoyant plastic foam (163) Plastic drink bottles (12) Plastic pill bottle (1) Balloons, deflated, happy birthday (2) Just married (1) Air filled latex glove (1) Plastic 2 gallon juice jug with 75 barnacles attached (1) Flip flops, unmatched (2) Jar of may, half full, (1) Fishing buoy (1) Fragments of hard plastic (42) …
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
We are invited by Dawkins and Darwin to believe that the evolution of the eye proceeded step-by-step through a series of plausible intermediates in infinitesimal increments. But are they infinitesimal? Remember that the "light-sensitive spot" that Dawkins takes as his atarting point requires a cascade of factors, including 11-cis-retinal and rhodopsin, to function. Dawkins doesn't mention them. And where did the "little cup" come from? A ball of cells--from which the cup must be made--will tend to be rounded unless held in the correct shape by molecular supports. In fact, there are dozens of complex proteins involved in mantaining cell shape, and dozens more that control extracellular structure; in their absence, cells take the shape of so many soap bubbles. Do these structures represent single-step mutations? Dawkins did not tell us how the apparently simple "cup" shape came to be. And although he reassures us that any "translucent material" would be an improvement (recall that Haeckel mistakenly thought it would be easy to produce cells since they were certainly just "simple lumps"), we are not told how difficult it is to produce a "simple lens". In short, Dawkins's explanation is only addressed to the level of what is called gross anatomy.
Michael J. Behe (Darwin's Black Box: The Biochemical Challenge to Evolution)
The plains drift on through the deep daylight. I watch the snow bees sent mad by the sun. The limbs of the hickory trees swing loose in the noontide, Feathery, stretching their necks. The wind blows through its own hair forever. If something is due me still —Firedogs, ashes, the soap of another life— I give it back. And this hive Of shelved combs, my wax in its little box.
Charles Wright (Oblivion Banjo: The Poetry of Charles Wright)
Murder leaps on a soap box and preaches desire, anger, perversion, or any combination of the three.
Indy Perro (Central City)
A little later on, Phil ran what became one of the most famous item promotions in our history. We sent him down to open store number 52 in Hot Springs, Arkansas—the first store we ever opened in a town that already had a Kmart. Phil got there and decided Kmart had been getting away with some pretty high prices in the absence of any discounting competition. So he worked up a detergent promotion that turned into the world’s largest display ever of Tide, or maybe Cheer—some detergent. He worked out a deal to get about $1.00 off a case if he would buy some absolutely ridiculous amount of detergent, something like 3,500 cases of the giant-sized box. Then he ran it as an ad promotion for, say, $1.99 a box, off from the usual $3.97. Well, when all of us in the Bentonville office saw how much he’d bought, we really thought old Phil had completely gone over the dam. This was an unbelievable amount of soap. It made up a pyramid of detergent boxes that ran twelve to eighteen cases high—all the way to the ceiling, and it was 75 or 100 feet long, which took up the whole aisle across the back of the store, and then it was about 12 feet wide so you could hardly get past it. I think a lot of companies would have fired Phil for that one, but we always felt we had to try some of this crazy stuff. PHIL GREEN: “Mr. Sam usually let me do whatever I wanted on these promotions because he figured I wasn’t going to screw it up, but on this one he came down and said, ‘Why did you buy so much? You can’t sell all of this!’ But the thing was so big it made the news, and everybody came to look at it, and it was all gone in a week. I had another one that scared them up in Bentonville too. This guy from Murray of Ohio called one day and said he had 200 Murray 8 horsepower riding mowers available at the end of the season, and he could let us have them for $175. Did we want any? And I said, ‘Yeah, I’ll take 200.’ And he said, ‘Two hundred!’ We’d been selling them for $447, I think. So when they came in we unpacked every one of them and lined them all up out in front of the store, twenty-five in a row, eight rows deep. Ran a chain through them and put a big sign up that said: ‘8 h.p. Murray Tractors, $199.’ Sold every one of them. I guess I was just always a promoter, and being an early Wal-Mart manager was as good a place to promote as there ever was.
Sam Walton (Sam Walton: Made In America)
Next Day Moving from Cheer to Joy, from Joy to All, I take a box And add it to my wild rice, my Cornish game hens. The slacked or shorted, basketed, identical Food-gathering flocks Are selves I overlook. Wisdom, said William James, Is learning what to overlook. And I am wise If that is wisdom. Yet somehow, as I buy All from these shelves And the boy takes it to my station wagon, What I’ve become Troubles me even if I shut my eyes. When I was young and miserable and pretty And poor, I’d wish What all girls wish: to have a husband, A house and children. Now that I’m old, my wish Is womanish: That the boy putting groceries in my car See me. It bewilders me he doesn’t see me. For so many years I was good enough to eat: the world looked at me And its mouth watered. How often they have undressed me, The eyes of strangers! And, holding their flesh within my flesh, their vile Imaginings within my imagining, I too have taken The chance of life. Now the boy pats my dog And we start home. Now I am good. The last mistaken, Ecstatic, accidental bliss, the blind Happiness that, bursting, leaves upon the palm Some soap and water-- It was so long ago, back in some Gay Twenties, Nineties, I don’t know . . . Today I miss My lovely daughter Away at school, my sons away at school, My husband away at work--I wish for them. The dog, the maid, And I go through the sure unvarying days At home in them. As I look at my life, I am afraid Only that it will change, as I am changing: I am afraid, this morning, of my face. It looks at me From the rear-view mirror, with the eyes I hate, The smile I hate. Its plain, lined look Of gray discovery Repeats to me: “You’re old.” That’s all, I’m old. And yet I’m afraid, as I was at the funeral I went to yesterday. My friend’s cold made-up face, granite among its flowers, Her undressed, operated-on, dressed body Were my face and body. As I think of her I hear her telling me How young I seem; I am exceptional; I think of all I have. But really no one is exceptional, No one has anything, I’m anybody, I stand beside my grave Confused with my life, that is commonplace and solitary.
Randall Jarrell
A little later on, Phil ran what became one of the most famous item promotions in our history. We sent him down to open store number 52 in Hot Springs, Arkansas—the first store we ever opened in a town that already had a Kmart. Phil got there and decided Kmart had been getting away with some pretty high prices in the absence of any discounting competition. So he worked up a detergent promotion that turned into the world’s largest display ever of Tide, or maybe Cheer—some detergent. He worked out a deal to get about $1.00 off a case if he would buy some absolutely ridiculous amount of detergent, something like 3,500 cases of the giant-sized box. Then he ran it as an ad promotion for, say, $1.99 a box, off from the usual $3.97. Well, when all of us in the Bentonville office saw how much he’d bought, we really thought old Phil had completely gone over the dam. This was an unbelievable amount of soap. It made up a pyramid of detergent boxes that ran twelve to eighteen cases high—all the way to the ceiling, and it was 75 or 100 feet long, which took up the whole aisle across the back of the store, and then it was about 12 feet wide so you could hardly get past it. I think a lot of companies would have fired Phil for that one, but we always felt we had to try some of this crazy stuff. PHIL
Sam Walton (Sam Walton: Made In America)
Religion without action is like soap that remains in the box. It may have wondrous potential, but in reality it has little power to make a difference until it fulfills its intended purpose. The restored gospel of Jesus Christ is a gospel of action. The Church of Jesus Christ teaches true religion as a message of hope, faith, and charity, including helping our fellowmen in spiritual and temporal ways.
Dieter F. Uchtdorf
We were getting ready to close the store for what we thought might be as long as two months now. I was looking over the day’s reports when Dissatisfaction came into the building. His fingers roamed along the spines of the books, sometimes tracing one, pulling it out to read the first line. Since he’d read The Blue Flower, by Penelope Fitzgerald, he and I had compiled a list of short perfect novels. Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabel Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haien Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai These are books that knock you sideways in around 200 pages. Between the covers there exists a complete world. The story is unforgettably peopled and nothing is extraneous. Reading one of these books takes only an hour or two but leaves a lifetime imprint. Still, to Dissatisfaction, they are but exquisite appetizers. Now he needs a meal. I knew that he’d read Ferrante’s Neapolitan novels and was lukewarm. He called them soap opera books, which I thought was the point. He did like The Days of Abandonment, which was perhaps a short perfect novel. ‘She walked the edge with that one,’ he said. He liked Knausgaard (not a short perfect). He called the writing better than Novocain. My Struggle had numbed his mind but every so often, he told me, he’d felt the crystal pain of the drill. In desperation, I handed over The Known World. He thrust it back in outrage, his soft voice a hiss, Are you kidding me? I have read this one six times. Now what do you have? In the end, I placated him with Aravind Adiga’s White Tiger, the latest Amitav Ghosh, NW by Zadie Smith, and Jane Gardam’s Old Filth books in a sturdy Europa boxed set, which he hungrily seized. He’d run his prey to earth and now he would feast. Watching him closely after he paid for the books and took the package into his hands, I saw his pupils dilate the way a diner’s do when food is brought to the table.
Louise Erdrich (The Sentence)
Pro tip: “When a property is let, spend £25 on an ‘arrival kit’: a big plastic storage box ready for the day your new tenants move in. In mine, I put toilet rolls, tea, coffee, biscuits, washing-up liquid, toilet cleaner, hand soap, a couple of bottles of wine and a bar of chocolate. It puts you on good terms with the tenant from day one.” –Adrian Bond
Rob Dix (How To Be A Landlord: The Definitive Guide to Letting and Managing Your Rental Property)
A little later on, Phil ran what became one of the most famous item promotions in our history. We sent him down to open store number 52 in Hot Springs, Arkansas—the first store we ever opened in a town that already had a Kmart. Phil got there and decided Kmart had been getting away with some pretty high prices in the absence of any discounting competition. So he worked up a detergent promotion that turned into the world’s largest display ever of Tide, or maybe Cheer—some detergent. He worked out a deal to get about $1.00 off a case if he would buy some absolutely ridiculous amount of detergent, something like 3,500 cases of the giant-sized box. Then he ran it as an ad promotion for, say, $1.99 a box, off from the usual $3.97. Well, when all of us in the Bentonville office saw how much he’d bought, we really thought old Phil had completely gone over the dam. This was an unbelievable amount of soap. It made up a pyramid of detergent boxes that ran twelve to eighteen cases high—all the way to the ceiling, and it was 75 or 100 feet long, which took up the whole aisle across the back of the store, and then it was about 12 feet wide so you could hardly get past it.
Sam Walton (Sam Walton: Made In America)
There’s nothing quite like a perfectly stocked maid’s trolley early in the morning. It is, in my humble opinion, a cornucopia of bounty and beauty. The crisp little packages of delicately wrapped soaps that smell of orange blossom, the tiny Crabtree & Evelyn shampoo bottles, the squat tissue boxes, the toilet-paper rolls wrapped in hygienic film, the bleached white towels in three sizes—bath, hand, and washcloth—and the stacks of doilies for the tea-and-coffee service tray. And last but not least, the cleaning kit, which includes a feather duster, lemon furniture polish, lightly scented antiseptic garbage bags, as well as an impressive array of spray bottles of solvents and disinfectants, all lined up and ready to combat any stain, be it coffee rings, vomit—or even blood. A well-stocked housekeeping trolley is a portable sanitation miracle; it is a clean machine on wheels. And as I said, it is beautiful.
Nita Prose (The Maid (Molly the Maid, #1))
Her kitchen was full of memories. This was where she demonstrated the god-given talent and craft that had made Sugar a success when she’d founded it at the age of twenty. This was where she had perfected her techniques and recipes---the dense Detroit pound cake, the light-as-air pastries, her signature champagne torte, and the bestselling kolaches had all been developed here in the homey old-fashioned kitchen. Biscuits, she often said, were the purest test of a baker’s skill. The ingredients were simple and technique was everything. Use flour from winter wheat and sift it twice. Keep a cube of butter in the freezer and shred it with the box grater. Wet your fingertips with buttermilk and handle the dough as if it were as fragile as a soap bubble.
Susan Wiggs (Sugar and Salt (Bella Vista Chronicles, #4))
Everything reminded him of something else: the fragrance of a peach-skin was like opening his stamp-album, the chack-chack of the wheatear not only recalled mist on the hills, but also reminded him of foxgloves, droplets of rain tapping from the mauve bells on to a dock leaf or fern. Ferns reminded him of his mother's soap, the luxurious tan-coloured lozenges that came to her in a box each christmas and birthday, and other scents too, the yellow of oriental jasmine, the pink of tea-rose, the green of mimosa. For all of these scents he could find a correlative within the spectrum of his own experience.
Jeremy Reed (Blue Rock)
When she reentered the color-rich woods, she smelled human again, but not the farmer. No, it was surely Ashlynn Ella. Her scent was a mix of cypress tree, lily of the valley, lemon cleaning soap, and the crinkly paper that lines new shoe boxes.
Shannon Hale (Once Upon a Time: A Story Collection (Ever After High))
The air is thick with the nauseating rot of discarded hot dogs and sweat. It’s insufferable. Everything. She can barely walk a few feet without knocking into a screaming child, or tripping over the rickety soap box of a barker, who roars over the crowds about bearded women, mer-babies and horned geriatrics.
Ilse V. Rensburg (Sleight of Hand)
unpacked a large cake of Sunlight Soap, a toothbrush, a packet of hairpins, a bottle of scent, a small folding armchair and a box of throat lozenges. Jane and Michael stared. “But I saw,” whispered Michael. “It was empty.” “Hush!” said Jane, as Mary Poppins took out a large bottle labelled “One Tea-Spoon to be Taken at Bed-Time.” A spoon was attached to the neck of the bottle, and into this Mary Poppins poured a dark crimson fluid. “Is that your medicine?” enquired Michael, looking very interested. “No, yours,” said Mary Poppins, holding out the spoon to him. Michael stared. He wrinkled up his nose. He began to protest. “I don’t want it. I don’t need it. I won’t!” But Mary Poppins’s eyes were fixed upon him, and Michael suddenly discovered that you could not look at Mary Poppins and disobey her. There was something strange and extraordinary about her—something that was frightening and at the same time most exciting. The
P.L. Travers (Mary Poppins)
No one was allowed to make noise when television was on. Children were supposed to watch the news in silence while the adults discussed the atrocities in South Africa every time a picture of Nelson Mandela came up, wondering when those bad white people were going to set that good man free. Children were supposed to watch documentaries in silence; watch fast-talking cartoons, which they called “porkou-porkou,” in silence. They had to be quiet during whatever British or French or American series CRTV was broadcasting, soap operas and sitcoms which they barely understood but nonetheless giggled at whenever kissing scenes came on and groaned whenever someone was punched. The only time children were allowed to talk was when a music video came on. Then, they were encouraged by the adults to stand up and dance to Ndedi Eyango, or Charlotte Mbango, or Tom Yoms. And every time they would stand up and bust out their best makossa moves, twirling tiny buttocks and moving clenched fists from right to left with all their might, smiling to no end. To be able to see their favorite musicians singing in a black box, what a privilege.
Imbolo Mbue (Behold the Dreamers)
What’s next?” I want to tell her it’s not a game; my fears aren’t thrilling rides she gets to go on. But she probably doesn’t mean it that way. “It’s--” The wall comes from nowhere, slamming into her back, my back, both our sides. Forcing us together, closer than we’ve ever been before. “Confinement,” I say, and it’s worse than usual with her in here, taking up half the air. I groan a little, hunching over her. I hate it in here. I hate it in here. “Hey,” she says. “It’s okay. Here--” She pulls my arm around her. I’ve always thought of her as spare, not an ounce of extra anything on her. But her waist is soft. “This is the first time I’m happy I’m so small,” she says. “Mmhmm.” She’s talking about how to get out. Fear-landscape strategy. I am trying to focus on breathing. Then she pulls us both down, to make the box smaller, and turns so her back is against my chest, so I’m completely wrapped around her. “This is worse,” I say, because with my nervousness about the box and my nervousness about touching her combined, I can’t even think straight. “This is definitely…” “Shh. Arms around me.” I wrap my arms around her waist, and bury my face in her shoulder. She smells like Dauntless soap, and sweet, like apple. I’m forgetting where I am.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
Hey,” she says. “It’s okay. Here--” She pulls my arm around her. I’ve always thought of her as spare, not an ounce of extra anything on her. But her waist is soft. “This is the first time I’m happy I’m so small,” she says. “Mmhmm.” She’s talking about how to get out. Fear-landscape strategy. I am trying to focus on breathing. Then she pulls us both down, to make the box smaller, and turns so her back is against my chest, so I’m completely wrapped around her. “This is worse,” I say, because with my nervousness about the box and my nervousness about touching her combined, I can’t even think straight. “This is definitely…” “Shh. Arms around me.” I wrap my arms around her waist, and bury my face in her shoulder. She smells like Dauntless soap, and sweet, like apple. I’m forgetting where I am. She’s talking about the fear landscape again, and I’m listening, but I’m also focused on how she feels. “So try to forget we’re here,” she finishes. “Yeah?” I put my mouth right up against her ear, on purpose this time, to keep the distraction going, but also because I get the feeling I’m not the only one who’s distracted. “That easy, huh?” “You know, most boys would enjoy being trapped in close quarters with a girl.” “Not claustrophobic people, Tris!
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
This is worse,” I say, because with my nervousness about the box and my nervousness about touching her combined, I can’t even think straight. “This is definitely…” “Shh. Arms around me.” I wrap my arms around her waist, and bury my face in her shoulder. She smells like Dauntless soap, and sweet, like apple. I’m forgetting where I am.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
A small silver-handled shaving brush... a folding-blade razor... an empty soap dish... a lidded porcelain box with a silver top. Unable to resist, Beatrix lifted the top and looked inside. She found three pairs of cuff links, two in silver, one in gold, a watch chain, and a brass button. Replacing the lid, Beatrix picked up the shaving brush and experimentally touched her cheek with it. The bristles were silky and soft. With the movement of the soft fibers, a pleasant scent was released from the brush. A spicy hint of shaving soap. Holding the brush closer to her nose, Beatrix drew in the scent... masculine richness... cedar, lavender, bay leaves. She imagined Christopher spreading lather over his face, stretching his mouth to one side, all the masculine contortions she had seen her father and brother perform in the act of removing bristle from their faces.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Break your moving process down into small, simple, and only necessary steps. Making a list of your stuff is an unnecessary step. 1 Schedule a pre-pack day for each room. On that day, remove items that don’t belong in that room—for instance, dishes go in the kitchen so they get packed with kitchen items, clothes go to the bedroom closet, and cosmetics and soap go to the bathroom. We are trying to avoid boxes of “miscellaneous.” Go through every item in the room, placing as many items as possible in the trash or in donation bags that you can drop off at a charity by the end of the day.
Susan C. Pinsky (Organizing Solutions for People with ADHD, 2nd Edition-Revised and Updated: Tips and Tools to Help You Take Charge of Your Life and Get Organized)
(And I am both appalled and put off by those who use “civilians” to describe citizens. All of us, police and non-police, are civilians. Unless you are subject to the Uniform Code of Military Justice, i.e., in the armed forces, you are a civilian. Soap box mode off.)
Patrick Sweeney (Glock Deconstructed)
I prayed devoutly that we could have some sort of System of government over here on Italian lines which would preserve the theory of democracy without any of its workings. Heaven knows, I am, and always have been, a friend of the People, and a democrat of democrats, but that has never prevented me from detesting and execrating the People at the same time with all my heart. The People to me have always been a great problem. It contains lots, I am sure, of very nice individuals. I have, in fact, met several charming proletarians in my various contacts at Grantly and during my elections. No one could be nicer for a few minutes. But when they are ail lumped together in a mass, how-ever charming they may have been as individuals, they become abominable. Thus the ordinary British workman is a capital fellow if you get him by himself. A mug of beer will enchant him. And if you get ten British workmen and give them ten mugs of beer, you will enchant them. But if you get a hundred thousand British workmen and start offering them a hundred thousand mugs of beer, you find you are up against a Trades Union, and they all leap to their rickety feet and bawl that you are a dirty capitalist. That is why we Tories, fundamentally, dislike the Trades Unions. Our appeal to the working man is not the appeal of the rascally demagogue on the soap-box or the blasphemous howl of the sergeant to his platoon, but rather the quiet, persuasive, condescending charm of the gentleman to his valet.
A.G. Macdonell (The Autobiography of a Cad)