Life Is Like A Tornado Quotes

You’ll end up with a man whose name starts with E. And he’ll rip through your life like a tornado. Then again, a tornado can handle a volcano.

She’d touched down in my life like a tornado, gotten my drink wrong during her first shift at Valhalla, and hadn’t left my thoughts since.

Yes It could happen any time, tornado, earthquake, Armageddon. It could happen. Or sunshine, love, salvation. It could, you know. That's why we wake and look out - no guarantees in this life. But some bonuses, like morning, like right now, like noon, like evening.

It's like I'm a little me inside the big me and I'm holding an umbrella and the rain is bullshit and I am the rain and I am the bullshit.

I’ve committed every part of you to memory, did you know that? You’re so fucking beautiful that sometimes I can’t see straight. I want you so bad, I can’t take this shit. The first night we met was like being hit by a tornado all over again. You entering my life was a huge event and you shook and shifted everything for me. I want you to be mine and I want to be yours.

They did a lot of cleaning in their house, which I considered to be a sign of immoral parenting. The job of parents, as I saw it, was to watch television and step into a child's life only when absolutely necessary, like in the event of a tornado or a potential kidnapping.

War did not come like a hurricane, Rorimer realized, destroying everything in its path. It came like a tornado, touching down in patches, taking with it one life while leaving the next person unharmed.

But family life sometimes had a vortex, like weather. It could be like a tornado in a quiet zigzag: get close enough and you might see within it a spinning eighteen-wheeler and a woman.

What is the world? What is it for? It is an art. It is the best of all possible art, a finite picture of the infinite. Assess it like prose, like poetry, like architecture, sculpture, painting, dance, delta blues, opera, tragedy, comedy, romance, epic. Assess it like you would a Faberge egg, like a gunfight, like a musical, like a snowflake, like a death, a birth, a triumph, a love story, a tornado, a smile, a heartbreak, a sweater, a hunger pain, a desire, a fufillment, a desert, a waterfall, a song, a race, a frog, a play, a song, a marriage, a consummation, a thirst quenched. Assess it like that. And when you're done, find an ant and have him assess the cathedrals of Europe.

Oh, honey," she says when I'm done with my wallowing, "it's like my grandma used to say: Just when you think life's got you in a gutter, a tornado will come along and destroy your house." "And then you rebuild?" I ask. "Well, she never mentioned that part, but I suppose it could happen." I am not cheered up.

Tearing through the room like an F5 tornado of hyperactive joy was Taylor Hawkins, my brother from another mother, my best friend, a man for whom I would take a bullet. Upon first meeting, our bond was immediate, and we grew closer with every day, every song, every note that we ever played together. I am not afraid to say that our chance meeting was a kind of love at first sight, igniting a musical “twin flame” that still burns to this day. Together, we have become an unstoppable duo, onstage and off, in pursuit of any and all adventure we can find. We are absolutely meant to be, and I am grateful that we found each other in this lifetime.

Seasons are like life. Some seasons are better than others. Some have more sun and rainbows. Others have storms and tornadoes. Some have both. You have to accept that, and bring colour and light to the season you're in as best you can, and always look forward to the next season.

I remembered all our interactions in vivid detail, whether I wanted to or not. She’d touched down in my life like a tornado, gotten my drink wrong during her first shift at Valhalla, and hadn’t left my thoughts since.

There is something about nature out of control that touches a primal terror. We are used to believing that we’re the masters of our domain, and that God has given us this earth to rule over. We need this illusion like a good night-light. The truth is more fearsome: we are as frail as young trees in tornadoes, and our beloved homes are one flood away from driftwood. We plant our roots in trembling earth, we live where mountains rose and fell and prehistoric seas burned away in mist. We and the towns we have built are not permanent; the earth itself is a passing train. When you stand in muddy water that is rising toward your waist and you hear people shouting against the darkness and see their figures struggling to hold back the currents that will not be denied, you realize the truth of it: we will not win, but we cannot give up.

MOTHER – By Ted Kooser Mid April already, and the wild plums bloom at the roadside, a lacy white against the exuberant, jubilant green of new grass and the dusty, fading black of burned-out ditches. No leaves, not yet, only the delicate, star-petaled blossoms, sweet with their timeless perfume. You have been gone a month today and have missed three rains and one nightlong watch for tornadoes. I sat in the cellar from six to eight while fat spring clouds went somersaulting, rumbling east. Then it poured, a storm that walked on legs of lightning, dragging its shaggy belly over the fields. The meadowlarks are back, and the finches are turning from green to gold. Those same two geese have come to the pond again this year, honking in over the trees and splashing down. They never nest, but stay a week or two then leave. The peonies are up, the red sprouts, burning in circles like birthday candles, for this is the month of my birth, as you know, the best month to be born in, thanks to you, everything ready to burst with living. There will be no more new flannel nightshirts sewn on your old black Singer, no birthday card addressed in a shaky but businesslike hand. You asked me if I would be sad when it happened and I am sad. But the iris I moved from your house now hold in the dusty dry fists of their roots green knives and forks as if waiting for dinner, as if spring were a feast. I thank you for that. Were it not for the way you taught me to look at the world, to see the life at play in everything, I would have to be lonely forever.

The paintings here were mystifying. In the reds and greens of the canvases, maidens danced with animals, a goat or something carried a violin in its mouth, and a man and a woman embraced under a gigantic blazing bouquet. This swarm of unrelated images was like a glimpse into a dream. But not a good one. The joy I saw there was ferocious, and the sadness suffocatingly cold. Blues thrown onto the canvas warred with yellows approaching like tornadoes. People gathered round aghast to watch a circus spin to life.

Before I’d signed on with Caldswell, my life had followed a pattern: obey orders, climb the ladder, keep my eyes on the prize. It was a good gig, dangerous and exciting with glory as my reward. Most of all, though, it was simple. A path of my own choosing where I did what I loved, knew where I fit, and understood where I was going. Now, though, I felt like a dollhouse in a tornado.

So why are you skipping school? Can you tell me that?" "Nothing ever really happens," I say. "Meaning?" "Meaning nothing original or new ever really happens and school is just a place where we all pretend like we're new and original and we're not. We're all the same.

I work Cold Cases. When we bring witnesses in, they want to believe this doesn’t count: not really a murder investigation, not a proper one with guns and cuffs, nothing that’ll slam through your life like a tornado. Something old and soft, instead, worn fuzzy round the edges.

I’d like to think that the day I realize we will always be miserable will differ from every other. I hope it will so obnoxiously stand out from the monotonous cycle of my days, that I wouldn’t forget that sorrowful moment of comprehension. But, when that breeze of reality comes by, it wont be a memorable hurricane, nor a momentous tornado. It will be the same, sad, soft wind that I felt the day before, and the day before that. Because the moment you understand your inevitable misery in life, may also be the day you see you are to always be dejected.

There is something about nature out of control that touches a primal terror. We are used to believing that we’re the masters of our domain, and that God has given us this earth to rule over. We need this illusion like a good night-light. The truth is more fearsome: we are as frail as young trees in tornadoes, and our beloved homes are one flood away from driftwood. We plant our roots in trembling earth, we live where mountains rose and fell and prehistoric seas burned away in mist. We and the towns we have built are not permanent; the earth itself is a passing train.

Everyday I rewrite her name across my ribcage so that those who wish to break my heart will know who to answer to later She has no idea that I’ve taught my tongue to make pennies, and every time our mouths are to meet I will slip coins to the back of her throat and make wishes I wish that someday my head on her belly might be like home like doubt to doubt resuscitation because time is supposed to mean more than skin She doesn’t know that I have taught my arms to close around her clocks so they can withstand the fallout from her Autumn She is so explosive, volcanoes watch her and learn terrorists want to strap her to their chests because she is a cause worth dying for Maybe someday time will teach me to pick up her pieces put her back together and remind her to click her heels but she doesn’t need a wizard to tell her that I was here all along Lady let us catch the next tornado home let us plant cantaloupe trees in our backyard then maybe together we will realize that we don’t like cantaloupe and they don’t grow on trees we can laugh about it then we can plant things we’ve never heard of I’ve never heard of a woman who can make flawed look so beautiful the way you do The word smitten is to how I feel about you what a kiss is to romance so maybe my lips to yours could be the penance to this confession because I am the only one preaching your defunct religion sitting alone at your altar, praising you out of faith I cannot do this hard-knock life alone You are all the softness a rock dreams of being the mistakes the rain makes at picnics when Mother Nature bears witness in much better places So yes I will gladly take on your ocean just to swim beneath you so I can kiss the bends of your knees in appreciation for the work they do keeping your head above water

She’s blown into my life and my soul like a tornado and left me permanently changed. Why and how that’s possible, I can’t say. It just is.

I was over forty years old and I felt like I hadn’t been born yet. I had spent my whole life studying and reading literature, dissecting and analysing the emotions of others while feeling nothing myself. I was vulnerable, ripe, hanging low and alone, yearning with all my being to be picked for something special. I had lived my life in a steady, British drizzle. I wanted tornadoes, hurricanes, whirlwinds and earthquakes. I wanted disasters and triumphs, highs and lows, peaks and troughs; I wanted every extreme of every feeling I’d never known.

It's like my grandma used to say: Just when you think life's got you in a gutter, a tornado will come along and destroy your house." "And then you rebuild?" I ask. "Well, she never mentioned that part, but I suppose it could happen.

His room was a sickly dual-tone of crimson and charcoal, like an Untitled Rothko, the colours bleeding into each other horribly and then rather serenely. The overall effect was overwhelmingly unapologetic but it grew on you like a wart on your nose you didn't realise it was a part of your identity until one day it simply was. His room was his identity. Fiercely bold, avant-garde but never monotonous. He was red, he was black, he was bored, and he was fire. At least to me he seemed like fire. A tornado of fire that burned all in its wake leaving only the wretched brightness of annihilation. His room was where he charmed and disarmed us. We were his playthings. Nobody plays with fire and leaves unscarred. The fire soon seeps into chard and soot. The colours of his soul, his aura, and probably his heart if he didn't stop smoking.

There is something about nature out of control that touches a primal terror. We are used to believing that we're the masters of our domain, and that God has given us this earth to rule over. We need this illusion like a good night-light. The truth is more fearsome: we are as frail as young trees in tornadoes, and our beloved homes are one flood away from driftwood. We plant our roots in trembling earth, we live where mountains rose and fell and prehistoric seas burned away in mist. We and the towns we have built are not permanent; the earth itself is a passing train.

TOUGH You don't have to prove to anyone just how tough you are. You are still here, and you are still alive despite all of life's storms and tornados and hurricanes. You have weathered them all like a grand old oak tree, and you are still here. You are still alive. And if that isn't tough, I don't know what is.

These words I speak to you are not incidental additions to your life, homeowner improvements to your standard of living. They are foundational words, words to build a life on. If you work these words into your life, you are like a smart carpenter who built his house on solid rock. Rain poured down, the river flooded, a tornado hit—but nothing moved that house. It was fixed to the rock. But if you just use my words in Bible studies and don’t work them into your life, you are like a stupid carpenter who built his house on the sandy beach. When a storm rolled in and the waves came up, it collapsed like a house of cards.” — MATTHEW 7:24-27 (THE MESSAGE

It was the Age of Anything-Can-Happen, he reminded himself. He had heard many people say that on TV and on the outré video clips floating in cyberspace, which added a further, new-technology depth to his addiction. There were no rules any more. And in the Age of Anything-Can-Happen, well, anything could happen. Old friends could become new enemies and traditional enemies could be your new besties or even lovers. It was no longer possible to predict the weather, or the likelihood of war, or the outcome of elections. A woman might fall in love with a piglet, or a man start living with an owl. A beauty might fall asleep and, when kissed, wake up speaking a different language and in that new language reveal a completely altered character. A flood might drown your city. A tornado might carry your house to a faraway land where, upon landing, it would squash a witch. Criminals could become kings and kings be unmasked as criminals. A man might discover that the woman he lived with was his father’s illegitimate child. A whole nation might jump off a cliff like swarming lemmings. Men who played presidents on TV could become presidents. The water might run out. A woman might bear a baby who was found to be a revenant god. Words could lose their meanings and acquire new ones. The world might end, as at least one prominent scientist- entrepreneur had begun repeatedly to predict. An evil scent would hang over the ending. And a TV star might miraculously return the love of a foolish old coot, giving him an unlikely romantic triumph which would redeem a long, small life, bestowing upon it, at the last, the radiance of majesty.

We prefer to imagine brutal wars and atrocities as events that "just happen" every now and then, much like tornadoes or lightning strikes; this metaphor suggests that we can't generalize from them, since they are radically discontinuous with ordinary life. But wars and atrocities do not "just happen": societies and individuals slide into them, little by little, one tiny decision or omission at a time. (p214)

The glee of it. The ecstasy of It. I can't speak about this It because I know no word. It is just there, It is always there, like death in life. In this instant I know that something terrible is rising that must be seized and turned back upon itself before it twists outward into violence. But that knowing always comes too late, a wild unraveling is under way and I am caught up in it like a coyote seen late one afternoon in an Arkansas tornado-a toy dog spinning skyward, struck white by a ray of sun against black clouds, then black, then white, then gone and lost forever. The wind dies. A dead stillness. Mirror water. That ecstasy that shivered every nerve replaced by the precise knowing that what this self perpetrated is as much a part of the universal will as erupting lava that subsides once more into the inner earth.

...[M]ost of us have figured out that we have to do what's in front of us and keep doing it. We clean up beaches after oil spills. We rebuild whole towns after hurricanes and tornadoes. We return calls and library books. We get people water. Some of us even pray. Every time we choose the good action or response, the decent, the valuable, it builds, incrementally, to renewal, resurrection, the place of newness, freedom, justice. The equation is: life, death, resurrection, hope. The horror is real, and so you make casseroles for your neighbor, organize an overseas clothing drive, and do your laundry. You can also offer to do other people's laundry if they have recently had any random babies or surgeries. We live stitch by stitch, when we're lucky. If you fixate on the big picture, the whole shebang, the overview, you miss the stitching. And maybe the stitching is crude, or it is unraveling, but if it were precise, we'd pretend that life was just fine and running like a Swiss watch. That's not helpful if on the inside our understanding is that life is more often a cuckoo clock with rusty gears.

You really don’t believe that anything can have a value of its own beyond what function it serves for human beings?” Resaint said. “Value to who?” Resaint asked Halyard to imagine a planet in some remote galaxy—a lush, seething, glittering planet covered with stratospheric waterfalls, great land-sponges bouncing through the valleys, corals budding in perfect niveous hexagons, humming lichens glued to pink crystals, prismatic jellyfish breaching from the rivers, titanic lilies relying on tornadoes to spread their pollen—a planet full of complex, interconnected life but devoid of consciousness. “Are you telling me that, if an asteroid smashed into this planet and reduced every inch of its surface to dust, nothing would be lost? Because nobody in particular would miss it?” “But the universe is bloody huge—stuff like that must happen every minute. You can’t go on strike over it. Honestly it sounds to me to like your real enemy isn’t climate change or habitat loss, it’s entropy. You don’t like the idea that everything eventually crumbles. Well, it does. If you’re this worried about species extinction, wait until you hear about the heat death of the universe.” “I would be upset about the heat death of the universe too if human beings were accelerating the rate of it by a hundred times or more.” “And if a species’ position with respect to us doesn’t matter— you know, those amoebae they found that live at the bottom of the Mariana Trench, if they’re just as important as Chiu Chiu or my parents’ dog, even though nobody ever gets anywhere near them—if distance in space doesn’t matter, why should distance in time? If we don’t care about whether their lives overlap with our lives, why even worry about whether they exist simultaneously with us? Your favorite wasp—Adelo-midgy-midgy—” “Adelognathus marginatum—” “It did exist. It always will have existed. Extinction can’t take that away. It went through its nasty little routine over and over again for millions and millions of years. The show was a big success. So why is it important that it’s still running at the same time you are? Isn’t that centering the whole thing on human beings, which is exactly what we’re not supposed to be doing? I mean, for that matter—reality is all just numbers anyway, right? I mean underneath? That’s what people say now. So why are you so down on the scans? Hacks aside. Why is it so crucial that these animals exist right now in an ostensibly meat-based format, just because we do? My point is you talk about extinction as if you’re taking this enlightened post-human View from Nowhere but if we really get down to it you’re definitely taking a View from Karin Resaint two arms two legs one head born Basel Switzerland year of our lord two-thousand-and-when-ever.” But Resaint wasn’t listening anymore.

Here am I, a little animal called a man--a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,--all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move--for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness. Fallible and frail, a bit of pulsating, jelly-like life--it is all I am. About me are the great natural forces--colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death--and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.

i am something very gentle, very jealous of the selfless way my heart pumps blood for my ungrateful body, of how the bones in my spine uplift my head, despite how i insist we're crumbling, we're crumbling, always crying over spilled milk, when i could be strong like stainless steel or spider silk, when i could be kevlar instead of the honeycombed human digging out bullets, when i could be the tornado instead of Dorothy missing Kansas, when i could be a bone-dry Martini instead of the one retching, when i could be something like you, the shoulder to lean on and not the one reeling, the one picking up eggshells and never the one breaking.

breath, life after seven decades plus three years is a lot of breathing. seventy three years on this earth is a lot of taking in and giving out, is a life of coming from somewhere and for many a bunch of going nowhere. how do we celebrate a poet who has created music with words for over fifty years, who has showered magic on her people, who has redefined poetry into a black world exactness thereby giving the universe an insight into darkroads? just say she interprets beauty and wants to give life, say she is patient with phoniness and doesn’t mind people calling her gwen or sister. say she sees the genius in our children, is visionary about possibilities, sees as clearly as ray charles and stevie wonder, hears like determined elephants looking for food. say that her touch is fine wood, her memory is like an african roadmap detailing adventure and clarity, yet returning to chicago’s south evans to record the journey. say her voice is majestic and magnetic as she speaks in poetry, rhythms, song and spirited trumpets, say she is dark skinned, melanin rich, small-boned, hurricane-willed, with a mind like a tornado redefining the landscape. life after seven decades plus three years is a lot of breathing. gwendolyn, gwen, sister g has not disappointed our expectations. in the middle of her eldership she brings us vigorous language, memory, illumination. she brings breath. (Quality: Gwendolyn Brooks at 73)

I will not mention the name (and what bits of it I happen to give here appear in decorous disguise) of that man, that Franco-Hungarian writer... I would rather not dwell upon him at all, but I cannot help it— he is surging up from under my pen. Today one does not hear much about him; and this is good, for it proves that I was right in resisting his evil spell, right in experiencing a creepy chill down my spine whenever this or that new book of his touched my hand. The fame of his likes circulates briskly but soon grows heavy and stale; and as for history it will limit his life story to the dash between two dates. Lean and arrogant, with some poisonous pun ever ready to fork out and quiver at you, and with a strange look of expectancy in his dull brown veiled eyes, this false wag had, I daresay, an irresistible effect on small rodents. Having mastered the art of verbal invention to perfection, he particularly prided himself on being a weaver of words, a title he valued higher than that of a writer; personally, I never could understand what was the good of thinking up books, of penning things that had not really happened in some way or other; and I remember once saying to him as I braved the mockery of his encouraging nods that, were I a writer, I should allow only my heart to have imagination, and for the rest rely upon memory, that long-drawn sunset shadow of one’s personal truth. I had known his books before I knew him; a faint disgust was already replacing the aesthetic pleasure which I had suffered his first novel to give me. At the beginning of his career, it had been possible perhaps to distinguish some human landscape, some old garden, some dream- familiar disposition of trees through the stained glass of his prodigious prose... but with every new book the tints grew still more dense, the gules and purpure still more ominous; and today one can no longer see anything at all through that blazoned, ghastly rich glass, and it seems that were one to break it, nothing but a perfectly black void would face one’s shivering soul. But how dangerous he was in his prime, what venom he squirted, with what whips he lashed when provoked! The tornado of his passing satire left a barren waste where felled oaks lay in a row, and the dust still twisted, and the unfortunate author of some adverse review, howling with pain, spun like a top in the dust.

Many potential readers will skip the shopping cart or cash-out clerk because they have seen so many disasters reported in the news that they’ve acquired a panic mentality when they think of them. “Disasters scare me to death!” they cry. “I don’t want to read about them!” But really, how can a picture hurt you? Better that each serve as a Hallmark card that greets your fitful fevers with reason and uncurtains your valor. Then, so gospeled, you may see that defeating a disaster is as innocently easy as deciding to go out to dinner. Remove the dread that bars your doors of perception, and you will enjoy a banquet of treats that will make the difference between suffering and safety. You will enter a brave new world that will erase your panic, and release you from the grip of terror, and relieve you of the deadening effects of indifference —and you will find that switch of initiative that will energize your intelligence, empower your imagination, and rouse your sense of vigilance in ways that will tilt the odds of danger from being forever against you to being always in your favor. Indeed, just thinking about a disaster is one of the best things you can do —because it allows you to imagine how you would respond in a way that is free of pain and destruction. Another reason why disasters seem so scary is that many victims tend to see them as a whole rather than divide them into much smaller and more manageable problems. A disaster can seem overwhelming when confronted with everything at once —but if you dice it into its tiny parts and knock them off one at a time, the whole thing can seem as easy as eating a lavish dinner one bite at a time. In a disaster you must also plan for disruption as well as destruction. Death and damage may make the news, but in almost every disaster far more lives are disrupted than destroyed. Wit­ness the tornado that struck Joplin, Missouri, in May 2011 and killed 158 people. The path of death and destruction was less than a mile wide and only 22 miles long —but within thirty miles 160,000 citizens whose property didn’t suffer a dime of damage were profoundly disrupted by the carnage, loss of power and water, suspension of civic services, and inability to buy food, gas, and other necessities. You may rightfully believe your chances of dying in a disaster in your lifetime may be nearly nil, but the chances of your life being disrupted by a disaster in the next decade is nearly a sure thing. Not only should you prepare for disasters, you should learn to premeditate them. Prepare concerns the body; premeditate concerns the mind. Everywhere you go, think what could happen and how you might/could/would/should respond. Use your imagination. Fill your brain with these visualizations —run mind-movies in your head —develop a repertoire —until when you walk into a building/room/situation you’ll automatically know what to do. If a disaster does ambush you —sure you’re apt to panic, but in seconds your memory will load the proper video into your mobile disk drive and you’ll feel like you’re watching a scary movie for the second time and you’ll know what to expect and how to react. That’s why this book is important: its manner of vivifying disasters kickstarts and streamlines your acquiring these premeditations, which lays the foundation for satisfying your needs when a disaster catches you by surprise.

Similarly, when you see a character jumping from a 100 story building and landing without hurting a bone, then believe that this is an example of special effects.   Special effects are provided by a few companies that use specialized software to add these effects. Many of these companies are located in India, in Bangalore and Mumbai. Movies like Avatar, Jurassic Park, and many others were sent to India for providing special effects.   Similarly, in Thor, when the main character rotates his hammer and generates a tornado, be rest assured that this is only an example of special effects. In reality, nothing like this happens.   And if you are able to do it, you are a superhuman, like Superman. You have got super-powers to do whatever you want and you can generate such a tornado by rotating your hand, even without a hammer.   So, my sincere advice to you is not to even attempt this. You will end up with a torn muscle, or a fractured hand, or maybe you may even suffer a heart malfunction and eventual death.   Let me not get into the science behind how this happens, but if you are educated enough, you will heed my advice and not attempt this anytime in your life.

right now my mind is full of images, an overwhelming flood of memories and ideas—you have any idea how many memories are buried in the mind? Fishing for bluegill on Lake Argyle with my father, the hook caught in his thumb, forcing it through the other side and cutting it off with wirecutters, the severed barb flying dangerously into the air spinning its cut facet gleaming in the sun and I jerking back for fear it would plunge into my eye, squinting protectively, opening my eyes again it is mud, all mud, a universe of mud and the mortar shell has just taken flight, my fingers jammed into my ears, the smell of the explosion penetrating my sinuses making them clench up and bleed, the shell exploding in the trees, a puff of white smoke but the trees are still there and the gunfire still raining down like hailstones on the cellar door on the day that the tornado wrecked our farmhouse and we packed into my aunt’s fruit cellar and I looked up at the stacked mason jars of rhubarb and tomatoes and wondered what would happen to us when the glass shattered and flew through the air like the horizontal sleet of Soldier Field on the day that I caught five for eighty-seven yards and put such a hit on Cornelius Hayes that he took five minutes to get up. God, I can see my entire life!

How are you off for drink? We have got everything in the world on board here. Can you catch?’ and almost immediately a large bottle of champagne was thrown from the gunboat to the shore. It fell in the waters of the Nile, but happily where a gracious Providence decreed them to be shallow and the bottom soft. I nipped into the water up to my knees, and reaching down seized the precious gift which we bore in triumph back to our mess. This kind of war was full of fascinating thrills. It was not like the Great War. Nobody expected to be killed. Here and there in every regiment or battalion, half a dozen, a score, at the worst thirty or fourty, would pay forfeit; but to the great mass of those who took part in the little wars of Britain in those vanished and light-hearted days, this was only a sporting element in a splendid game. Most of us were fated to se a war where the hazards were reversed, where death was the general expectation and severe wounds were counted as lucky escapes, where whole brigades were shorn away under the steel flail of artillery and machine-guns, where the survivors of one tornado knew that they would certainly be consumed in the next or the next after that. Everything depends upon the scale of events. We young men who lay down to sleep that night within three miles of 60,000 well-armed fanatical Dervishes, expecting every moment their violent onset or inrush and sure of fighting at latest with the dawn – we may perhaps be pardoned if we thought we were at grips with real war.

Ryder’s heart beats madly against my ear as we cling to each other, holding on for dear life. Adrenaline races through my veins, making my breath come in short gasps. I can feel Ryder’s fingers in my hair, his nails digging into my scalp as he presses me tightly against his body, his muscles bunched and rigid. I know I’m supposed to hate him, but all I can think right now is how glad I am he’s here--glad that I’m not alone. I’ve never been so scared in all my life, but I know it would be worse without him. It’s over in a matter of seconds. The freight-train roar quiets, the rain returning with a vengeance. I don’t need Jim Cantore to tell me it’s a rain-wrapped tornado. I’ve watched enough Storm Chasers to recognize it, even from my little hidey-hole under the stairs. If we had been outside, we probably wouldn’t have seen it coming, not till it was too late. Ryder releases his grip on my head, and I pull away slightly, peering up at him. His deep brown eyes are slightly wild-looking, but otherwise he looks okay. His face isn’t a shade of green, at least. I lean back against him, my head resting on his shoulder now. We’re still holding hands, our fingers intertwined. Somehow, it doesn’t seem at all weird. It just feels…safe. Neither of us says a word, not till the sirens are silenced a few minutes later. “I guess we should give it a few minutes,” I say, my voice slightly hoarse. “You know, just to make sure that’s it. No point in going out just to climb right back in.” He nods. “Besides, it’s perfectly comfortable in here.” “Well, I wouldn’t go that far.” “Okay, let me rephrase. It’s not uncomfortable.” I swallow hard. “I hope it’s not bad out there. I’m afraid of what we’re going to find.” “No matter how bad it is, we’re fine; the dogs and cats are fine. That’s what matters, Jemma. Anything else is replaceable.” “You sound like my dad, you know that? Have you been studying at the Bradley Cafferty School of Platitudes or something?” “Your dad’s a smart guy,” he says with a shrug.

The Stoics, as we have seen, advise us to pursue tranquility, and as part of their strategy for attaining it they advise us to engage in negative visualization. But isn’t this contradictory advice? Suppose, for example, that a Stoic is invited to a picnic. While the other picnickers are enjoying themselves, the Stoic will sit there, quietly contemplating ways the picnic could be ruined: “Maybe the potato salad is spoiled, and people will get food poisoning. Maybe someone will break an ankle playing softball. Maybe there will be a violent thunderstorm that will scatter the picnickers. Maybe I will be struck by lightning and die.” This sounds like no fun at all. But more to the point, it seems unlikely that a Stoic will gain tranquility as a result of entertaining such thoughts. To the contrary, he is likely to end up glum and anxiety-ridden. In response to this objection, let me point out that it is a mistake to think Stoics will spend all their time contemplating potential catastrophes. It is instead something they will do periodically: A few times each day or a few times each week a Stoic will pause in his enjoyment of life to think about how all this, all these things he enjoys, could be taken from him. Furthermore, there is a difference between contemplating something bad happening and worrying about it. Contemplation is an intellectual exercise, and it is possible for us to conduct such exercises without its affecting our emotions. It is possible, for example, for a meteorologist to spend her days contemplating tornadoes without subsequently living in dread of being killed by one. In similar fashion, it is possible for a Stoic to contemplate bad things that can happen without becoming anxiety-ridden as a result. Finally, negative visualization, rather than making people glum, will increase the extent to which they enjoy the world around them, inasmuch as it will prevent them from taking that world for granted. Despite - or rather, because of - his (occasional) gloomy thoughts, the Stoic will likely enjoy the picnic far more than the other picnickers who refuse to entertain similarly gloomy thoughts; he will take delight in being part of an event that, he fully realizes, might not have taken place.

It takes me nearly a half hour to make what should be a ten-minute trip, and by the time I pull up in front of my house, my hands are cramped from my death grip on the steering wheel. It’s not until I step out of the car, my legs feeling like they’re made of Jell-O, that I notice Ryder’s Durango parked in front of me. “Where the hell have you been?” he calls out from the front porch, just as I make a mad dash to join him there. His face is red, his brow furrowed over stormy eyes. “They let us out an hour ago!” I am really not in the mood for his crap. “Yeah, so?” “So I was worried sick. A tornado touched down over by the Roberts’ place.” “I know! I mean, I didn’t know it touched down, but I was still at school when the sirens went off.” I drop my ridiculously heavy backpack and shake the rain from my hair. “Is everyone okay over there?” He runs a visibly trembling hand through his hair. “Yeah, it just tore up their fence or something. Jesus, Jemma!” “What is wrong with you? Why are you even here?” “I’m supposed to stay over here, remember?” “What…now?” I look past him and notice an army-green duffel bag by the front door. He’s got a key--he could’ve just let himself in. “I figured now’s as good a time as any. We need to put sandbags in front of the back door before it gets any worst out, and then we’ve got to do something about the barn. It’s awful close to the creek, and the water’s rising fast.” “Well, what do you propose we do?” “Don’t you keep your guns out there? We should move them inside. And your dad has some expensive tools in his workshop--we should get those, too.” I let out a sigh. He’s got a point. “Can I at least go inside first? Put my stuff away?” “Sure?” He moves to the edge of the porch and gazes up at the sky. “It looks like we might get a break in a few minutes, once this band moves through. Might as well wait for it.” I dig out my keys and unlock the door. I can hear the dogs howling their heads off the minute I step inside. “I’ve gotta let Beau and Sadie out,” I say over my shoulder as I head toward the kitchen. “Take your stuff to the guest room and get settled, why don’t you?” That’s my attempt at reestablishing the fact that I’m in charge here, not him. This is my house. My stuff. My life.

Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.

Another reason why disasters seem so scary is that many victims tend to see them as a whole rather than divide them into much smaller and more manageable problems. A disaster can seem overwhelming when confronted with everything at once —but if you dice it into its tiny parts and knock them off one at a time, the whole thing can seem as easy as eating a lavish dinner one bite at a time. In a disaster you must also plan for disruption as well as destruction. Death and damage may make the news, but in almost every disaster far more lives are disrupted than destroyed. Wit­ness the tornado that struck Joplin, Missouri, in May 2011 and killed 158 people. The path of death and destruction was less than a mile wide and only 22 miles long —but within thirty miles 160,000 citizens whose property didn’t suffer a dime of damage were profoundly disrupted by the carnage, loss of power and water, suspension of civic services, and inability to buy food, gas, and other necessities. You may rightfully believe your chances of dying in a disaster in your lifetime may be nearly nil, but the chances of your life being disrupted by a disaster in the next decade is nearly a sure thing. Not only should you prepare for disasters, you should learn to premeditate them. Prepare concerns the body; premeditate concerns the mind. Everywhere you go, think what could happen and how you might/could/would/should respond. Use your imagination. Fill your brain with these visualizations —run mind-movies in your head —develop a repertoire —until when you walk into a building/room/situation you’ll automatically know what to do. If a disaster does ambush you —sure you’re apt to panic, but in seconds your memory will load the proper video into your mobile disk drive and you’ll feel like you’re watching a scary movie for the second time and you’ll know what to expect and how to react. That’s why this book is important: its manner of vivifying disasters kickstarts and streamlines your acquiring these premeditations, which lays the foundation for satisfying your needs when a disaster catches you by surprise.

Charlie bent and peered into her car, smiling. “I can see you’re one of those tidy women who likes everything in its place.” Maddie’s chin tilted with that defiant little lift. “If you must know, I actually am. My car is one of the few places I throw caution to the wind.” Mitch studied her. Somehow, he didn’t quite believe that. He thought that the real Maddie was represented in that mess of a car. Hell, he should know: she’d managed to blow through his life like a tornado in less than twenty-four hours. But unlike her, he welcomed the chaos. After three years of mind-numbing monotony, it felt good to use his brain again and even better to feel the kick of excitement, the rush of challenge she presented. “I see,” Charlie said, resting his elbow on the top of her car. “Is there anything I can help you with?” Maddie shook her head. “Nope, just looking for money.” Charlie stepped back and walked up to Mitch while Maddie climbed into the driver’s seat on her hands and knees, oblivious to the taunting view her ass presented. Mitch said, in a dry tone, “Thanks a lot, asshole. I’d almost had her relaxed before you showed up.” “Is that what you were doing?” Charlie asked in a slow, amused drawl. “Relaxing her?” “I was working on it.” “That’s not all you were working on,” Charlie said. “What’s the plan?” “At this point, I’m winging it.” Maddie’s calf flexed as she contorted herself in an impossible position and she disappeared into the well of the passenger’s seat. “And to think,” Charlie said, “if she’d have stayed in her car, I would have been the one coming to her rescue.” “Fuck off,” Mitch said in his mildest voice, ignoring the kick of possession thumping insistently against his chest. He’d known Charlie since they were teenagers. Charlie knew all the right buttons to push and was looking for a reaction. Mitch wouldn’t be giving him one. Besides,

He'll rip through your life like a tornado. Then again, a tornado can handle a volcano.

Every person killed or injured was a personal friend of mine; and you can imagine how grieved I am, and how glad I was to be of service in a special way—being a registered pharmacist. “I feel that I justified my entire thirty-one years as a pharmacist, by this one night of horror, and I should like to have you make a special appeal to young women whose parents have given their life to pharmacy, thus giving them proper background, to go on from there and study pharmacy.   “Mrs. Margaret Strickler

Inflation by Maisie Aletha Smikle Inflation is like a vampire Persistently sucking life from purchasing power Forcing purchasing power to expire And dwindle like pieces of eroded wire Inflation is like a parasite Infecting goods and services With all its might Stirring up fright and causing a fight Escalation and Appreciation Have permanently replace Deflation Pushing up Valuation to get more Taxation Even with full Depreciation Whether demand goes up Or whether demand goes down Prices spiral up like a dreaded tornado And prices remain up like floating cirrus clouds Prices never return To where they started Prices are like wandering nomads Always moving and never settling Inflation Inflation Inflation Controllable by all nations Is running repetitive marathons Around every nation Forcing purchasing power into extinction Causing deflation abandonment Shoving deflation into exile To retire for a very long while

An Image of Disorder Consider the consequences of disorder, and you will be strengthened in choosing order in your life. The Torah gives us a direct teaching in this regard in the famous story of the Tower of Babel.16 The Hebrew word for sin, averah—like its English counterpart transgression—means “straying across a boundary.” The tower builders’ efforts to reach out to touch heaven were sinful because they transgressed the limits and constraints that are laid into the deep structure of the universe. Stretching for heaven, they failed to honor the distinction between the human and the divine. Since they flaunted order, their punishment was to suffer disorder, as represented by their inability to communicate with one another. Failure to honor the need for order brings on chaos. This cautionary tale applies to our lives, too. How much time, energy, emotion, and life is diverted into the channels that spring from disorder? Where are the Haggadot for the Seder? Where is my tallis? Who forgot to set the clock? Why didn’t you take the soup out of the freezer? Why would I buy milk if it wasn’t on the list? It’s in here somewhere. I almost got there. How many relationships are challenged or even destroyed by lack of attention to order? Without order, you are bound to be wasting something—whether time, resources, things themselves that get lost, relationships, and so on. Not wasting is a Jewish ethical principle.17 Any management consultant will tell you that you have to get organized if you want to be effective, but our concern goes far beyond that. Our concern is how living in chaos throws up impediments to being attentive to the divine will. And isn’t a life at the other end of the spectrum, which would be obsessively rigid, every bit as much an obstacle to spiritual living? Picture chaos, with stuff flying and piles of junk and cluttered thinking and a clanging ruckus: who could possibly hear the fragile voice of truth whispering in the midst of the tornado? And in contrast, but equally disabling, where order has been taken to the point of extreme inflexibility, even if you heard the divine will, would there be anything you could do to meld your own personal will to the will of God, so unbending would your ways have become?

I hear the wind howlin' and roarin' like a freight train, and I know old Wally could be in for his last days. But I just kept my head down and prayed. Well, that tornado ripped me right up from the earth and sent me heavenbound, and I was swirled amongst the trees and the cows and houses and every imaginable thing. I held onto my banjo for dear life, and I began to sing and play and make the most of this terrible ride I found myself on. I suppose that tornado was soothed by my tune, because it soon slowed down, lowering me back to earth until I landed here.

There were no rules any more. And in the Age of Anything-Can-Happen, well, anything could happen. Old friends could become new enemies and traditional enemies could be your new besties or even lovers. It was no longer possible to predict the weather, or the likelihood of war, or the outcome of elections. A woman might fall in love with a piglet, or a man start living with an owl. A beauty might fall asleep and, when kissed, wake up speaking a different language and in that new language reveal a completely altered character. A flood might drown your city. A tornado might carry your house to a faraway land where, upon landing, it would squash a witch. Criminals could become kings and kings be unmasked as criminals. A man might discover that the woman he lived with was his father’s illegitimate child. A whole nation might jump off a cliff like swarming lemmings. Men who played presidents on TV could become presidents. The water might run out. A woman might bear a baby who was found to be a revenant god. Words could lose their meanings and acquire new ones. The world might end, as at least one prominent scientist-entrepreneur had begun repeatedly to predict. An evil scent would hang over the ending. And a TV star might miraculously return the love of a foolish old coot, giving him an unlikely romantic triumph which would redeem a long, small life, bestowing upon it, at the last, the radiance of majesty.

Rupi Miller-Hollis flew into my life like a tornado and she destroyed me. Like, in a good way. She’s the only woman in the world who gets me. She gets me, dude. She understands that life is about going after what you want and not giving a shit what other people think of you.

Riot comes up in a quiet whirl of flames stirring on the concrete floor. They build into a small burning tornado that solidifies into thousands of pounds of smoldering horse. Broad. Red. All raw power. If he were a real horse, he’d be a medium draft horse, or a warmblood. Not a Budweiser Clydesdale, but you wouldn’t see him winning the Kentucky Derby, either. The guys joke because he’s the biggest of our mounts. A lightweight tank with an attitude. But he’s the greatest companion. The best. I can’t even picture what my life was like before he came along. His amber eyes find me first, then look around, checking things out, eventually coming back to me. I smile. It’s not that I hear his thoughts. It’s more that I know them. Bad day, Gideon? That’s too bad. But I’m here now so you’ll be better. Hey, nice view. “Come here, horse,” I say, but I’m the one who goes to him. I call up my armor so I don’t have to be careful about burning my clothes. Then I bury my hands deep into his mane, sending a shiver of embers into the night sky. He makes a low deep sound, telling me he’s listening. That I can tell him what I’d never say to anyone, not even Marcus. “I screwed up, Riot. Didn’t stick with the plan. Said some really stupid things. Really stupid.” Ohhh. That’s not good, Gideon. But it happens. Especially with Daryn. Don’t worry. Tomorrow you’ll do your best and try to fix it. I like Wyoming. I laugh. Then I let my face fall forward, and rest my forehead on his broad neck. Letting his fire spread over me, and through me, and around me. Warm. True. Like peace.

One kiss, and it all came crashing down. Like a tornado, she’d blown into my life and managed to turn my perfectly ordered world upside down.

Everyone knows the great energies running amok cast terrible shadows, that each of the so-called senseless acts has its thread looping back through the world and into a human heart. And meanwhile the gold-trimmed thunder wanders the sky; the river may be filling the cellars of the sleeping town. Cyclone, fire, and their merry cousins bring us to grief — but these are the hours with the old wooden-god faces; we lift them to our shoulders like so many black coffins, we continue walking into the future. I don't mean there are no bodies in the river, or bones broken by the wind. I mean everyone who has heard the lethal train-roar of the tornado swears there was no mention ever of any person, or reason — I mean the waters rise without any plot upon history, or even geography. Whatever power of the earth rampages, we turn to it dazed but anonymous eyes; whatever the name of the catastrophe, it is never the opposite of love.

The job of parents, as I saw it, was to watch television and step into a child’s life only when absolutely necessary, like in the event of a tornado or a potential kidnapping.

Tornadoes devastate and leave a mess behind, just like your ending, so the instant that 'Psychlone' sees you rebuilding, she's going to spin completely out of control, every time. You can't get sucked into the same vortex twice if you eject the monster from being it's own victim; but until then, I'd pull in your rocking chairs, lock down your trash cans and recycling bins, and take your potted azaleas inside... ... if I were you.

Self-knowledge enables a person to grasp what future decisions will define their final formation. The human mind habitually hits the rewind button and replays past events. Can looking back over the rim of time and engaging in thoughtful criticism of the precursor events of my formative years be of any possible assistance to expose the indurate truth of factual reality? Can I employ the tools of memory and imagination along with the techniques of logos – reasoned discourse – to escape strife and pathos? Does it make sense to write the story of my life so that I can ascertain who I am? With these unsettling thoughts and these maieutic questions in mind, I began writing an enantiomorphism-like scroll. The crystal molecules that comprise this text construct a mirror that replicates the multiple dimensions of a risky adventure into self-psychology. I harbor no expectation regarding the outcome of this reflective venture. Regardless of the consequences, all I can do is follow the psychic flow generated by this writing enterprise. I do not know where this positional analysis will take me or how this psychodynamic field study will end. I am simply dedicating all remaining personal energy reserves to capitulating to a tornado-like process of self-study, a turbulent procedure with an unpredictable outcome. Perhaps something sensible will result from deploying a series of narrative personal essays to deconstruct the parasitic evolution of an egocentric self.

(Like the child who passes an index finger through a candle flame to test the boundary between peace and pain, people who grow up in Tornado Alley know when to linger and when to run for their lives.)

So there I was, drowning my sorrows in a slice of the most divine pecan pie in Austin, Texas, wondering why on earth I ever thought dating Bill was a good idea. But before I could finish my pie and wallow in self-pity, my fabulous best friend, Sky, swooped in like a fairy godmother in skinny jeans. With a swish of his rainbow-colored scarf, he convinced me that breaking up with Bill was the best decision I ever made. And just when I thought my love life couldn't get any crazier, a sexy billionaire strolled into the cafe, making my heart race faster than a Texan tornado.

Life is easy to identify but remarkably difficult to define. Too tight a definition excludes what looks like life and too loose captures too much. The capacity to self-replicate is a component of the definition, but not without its problems, as a mule is alive but sterile, and computer software can replicate itself, but we do not, in all honesty, think of it as being alive. It might be tempting to ascribe livingness to an entity that has emerged by evolution, but that would exclude the first living entity and any that we might synthesize from scratch in future. Organisms are organized structures; but so is an integrated circuit. Organisms are organized structures built and sustained by the flux of energy through their interiors and its dissipation into the surroundings; but so are the patterns of convection that can arise in heated liquids and, indeed, the atmosphere, to give rise to the weather: think tornado and hurricane. All known organisms are built from compounds of carbon; but if we succeeded in building a replicating, conscious, self-sustaining, energy-dissipating entity from silicon, would we deny that it was alive? Is a virus alive?

The sheer predictability of life in an American suburb left me hoping—somewhat irresponsibly—for a hurricane or a tornado or something that would require us to all band together to survive. Something that would make us feel like a tribe. What I wanted wasn’t destruction and mayhem but the opposite: solidarity. I wanted the chance to prove my worth to my community and my peers, but I lived in a time and a place where nothing dangerous ever really happened. Surely this was new in the human experience, I thought. How do you become an adult in a society that doesn’t ask for sacrifice? How do you become a man in a world that doesn’t require courage?

March 10 Protection from the Storms God is our refuge and strength, an ever-present help in trouble.—Psalm 46:1 I’m a Texan. When we think of storms, tornado is the word. March through May is the peak time for tornados in our state. We get hit about 110 times a year. Texans know where to take refuge from tornados. We have periodic drills in our schools and sometimes in our churches. I have gone to our church basement several times because we have had many warnings. What kind of storms do you take refuge from? You may be on the coast and dread hurricane season. You may be from California and have not only fires, but mud slides. Wherever you live, I know that you encounter storms in your life. Where do you take refuge from the storms of life? Do you plunge into the pit of despair, or do you seek the protection of the one who controls the storms? God’s Word is so precious. The older I get, the more I relish verses like the one for today. He is my refuge. No matter what the reason for our storms and our heartaches, we are promised that God will be our strength in times of trouble. Go to His storm cellar. Dear Father, thank You for the promises from Your Word: “So do not fear, for I am with you; do not be dismayed, for I am your God. I will strengthen you and help you; I will uphold you with my righteous right hand” (Isaiah 41:10).

In that moment, that exact moment, I knew Fin Hunter was going to change my life forever. I didn’t know if it would be better or worse when he was done, I just knew that he was blowing through everything I thought I wanted and needed like a tornado of change and I was helpless to stop it. I was helpless against him.

This kind of war was full of fascinating thrills. It was not like the Great War. Nobody expected to be killed. Here and there in every regiment or battalion, half a dozen, a score, at the worst thirty or forty, would pay forfeit; but to the great mass of those who took part in the little wars of Britain in those vanished and light-hearted days, this was only a sporting element in a splendid game. Most of us were fated to se a war where the hazards were reversed, where death was the general expectation and severe wounds were counted as lucky escapes, where whole brigades were shorn away under the steel flail of artillery and machine-guns, where the survivors of one tornado knew that they would certainly be consumed in the next or the next after that. Everything depends upon the scale of events. We young men who lay down to sleep that night within three miles of 60,000 well-armed fanatical Dervishes, expecting every moment their violent onset or inrush and sure of fighting at latest with the dawn – we may perhaps be pardoned if we thought we were at grips with real war.

we do not know the physics of climate system responses to warming well enough to blame most of the warming on human activities. Human causation is simply assumed. The models are designed with the assumption that the climate system was in natural balance before the Industrial Revolution, despite historical evidence to the contrary. They only produce human-caused climate change because that is the way they are designed. This is in spite of abundant evidence of past warm episodes, such as 1,000- to 2,000-year-old tree stumps being uncovered by receding glaciers; temperature proxy evidence for the Roman and Medieval Warm Periods covering that same time frame; and Arctic sea ice proxy evidence for a natural decrease in sea ice starting well before humans could be blamed. Natural warming since the Little Ice Age of a few hundred years ago is simply ignored in the design of climate models, since we do not know what caused it. Simply put, the computerized climate models support human causation of climate change because that’s what they assume from the outset. They are an example of circular reasoning. There is little to no evidence of long-term increases in heat waves, droughts, or floods. Wildfire activity has, if anything, decreased, even though poor land management practices are now making some areas more vulnerable to wildfires even without climate change. Contrary to popular perception and new reports, there is little to no evidence of increased storminess resulting from climate change. This includes tornadoes and hurricanes. Long-term increases in monetary storm damages have indeed occurred, but are due to increasing development, not worsening weather. Sea level has been rising naturally since at least the mid-1800s, well before humans could be blamed. Land subsidence in some areas (e.g. Norfolk, Miami, Galveston-Houston, New Orleans) would result in increasing flooding problems even without any sea-level rise, let alone human-induced sea-level rise causing thermal expansion of the oceans. Some evidence for recent acceleration of sea-level rise might support human causation, but the magnitude of the human component since 1950 has been only 1 inch every 30 years. Ocean acidification is now looking like a non-problem, as the evidence builds that sea life prefers somewhat more CO2, just as vegetation on land does. Given that CO2 is necessary for life on Earth, yet had been at dangerously low levels for thousands of years, the scientific community needs to stop accepting the premise that more CO2 in the atmosphere is necessarily a bad thing. Global greening has been observed by satellites over the last few decades, which is during the period of most rapid rises in atmospheric CO2. The benefits of increasing CO2 to agriculture have been calculated to be in the trillions of dollars. Crop yields continue to break records around the world, due to a combination of human ingenuity and the direct effects of CO2 on plant growth and water use efficiency. Much of this evidence is not known by our citizens, who are largely misinformed by a news media that favors alarmist stories. The scientific community is, in general, biased toward alarmism in order to maintain careers and support desired governmental energy policies. Only when the public becomes informed based upon evidence from both sides of the debate can we expect to make rational policy decisions. I hope my brief treatment of these subjects provides a step in that direction. THE END

But the fact was Millat didn’t need to go back home: he stood schizophrenic, one foot in Bengal and one in Willesden. In his mind he was as much there as he was here. He did not require a passport to live in two places at once, he needed no visa to live his brother’s life and his own (he was a twin, after all). Alsana was the first to spot it. She confided to Clara: By God, they’re tied together like a cat’s cradle, connected like a see-saw, push one end, other goes up, whatever Millat sees, Magid saw and vice versa! And Alsana only knew the incidentals: similar illnesses, simultaneous accidents, pets dying continents apart. She did not know that while Magid watched the 1985 cyclone shake things from high places, Millat was pushing his luck along the towering wall of the cemetery in Fortune Green; that on February 10, 1988, as Magid worked his way through the violent crowds of Dhaka, ducking the random blows of those busy settling an election with knives and fists, Millat held his own against three sotted, furious, quick-footed Irishmen outside Biddy Mulligan’s notorious Kilburn public house. Ah, but you are not convinced by coincidence? You want fact fact fact? You want brushes with the Big Man with black hood and scythe? OK: on April 28, 1989, a tornado whisked the Chittagong kitchen up into the sky, taking everything with it except Magid, left miraculously curled up in a ball on the floor. Now, segue to Millat, five thousand miles away, lowering himself down upon legendary sixth-former Natalia Cavendish (whose body is keeping a dark secret from her); the condoms are unopened in a box in his back pocket; but somehow he will not catch it; even though he is moving rhythmically now, up and in, deeper and sideways, dancing with death

Sometimes I feel like I’m spinning. Like I’m in a tornado and I can’t ever stop moving and the only time I feel still is when I’m with you.