Snowy Morning Quotes

One winter morning Peter woke up and looked out the window. Snow had fallen during the night. It covered everything as far as he could see.

I love the Autumn, And yet I cannot say All the thoughts and things That make me feel this way. I love walking on the angry shore, To watch the angry sea; Where summer people were before, But now there's only me. I love wood fires at night That have a ruddy glow. I stare at the flames And think of long ago. I love the feeling down inside me That says to run away To come and be a gypsy And laugh the gypsy way. The tangy taste of apples, The snowy mist at morn, The wanderlust inside you When you hear the huntsman's horn. Nostalgia - that's the Autumn, Dreaming through September Just a million lovely things I always will remember.

This snowy morning That black crow I hate so much. . . But he's so beautiful!

She’s like…waking up on Christmas morning when you’re three years old and you finally understand what it’s all about. She’s the moment the rain stops and the sun comes out, lighting up the sky with color, and everything smells new and fresh. She’s the first skate on a frozen lake, surrounded by snowy mountains and pine trees and the freshest breath of air. She’s rolling over in the middle of the night, pulling that warm body into yours and curling around it, and everything’s just right.

I like misty autumn mornings, and cold snowy winter nights. Rainstorms bring me innerpeace, thunder sets my soul alight. I care not for summer, days too long, the heavy heat. Give me candlelight evenings, early darkness, a silent street.

As I sit here on a snowy morning watching the flakes gently fall outside my window, I look at the 300-year-old building across the street and the beautifully carved angels on its facade. There was a time people would create, just to give something beautiful to the world which we are so blessed to live in and a time when people understood the work of all of the arts.

But it has occurred to me, on occasion, that our memories of our loved ones might not be the point. Maybe the point is their memories—all that they take away with them. What if heaven is just a vast consciousness that the dead return to? And their assignment is to report on the experiences they collected during their time on earth. The hardware store their father owned with the cat asleep on the grass seed, and the friend they used to laugh with till the tears streamed down their cheeks, and the Saturdays when their grandchildren sat next to them gluing Popsicle sticks. The spring mornings they woke up to a million birds singing their hearts out, and the summer afternoons with the swim towels hung over the porch rail, and the October air that smelled like wood smoke and apple cider, and the warm yellow windows of home when they came in on a snowy night. ‘That’s what my experience has been,’ they say, and it gets folded in with the others—one more report on what living felt like. What it was like to be alive.

Dr. Larch bent over him and kissed him, very lightly, on his lips. Homer heard Dr. Larch whisper, ‘Good work, Homer.’ He felt a second, even lighter kiss. ‘Good work, my boy,’ the doctor said, and then left him. Homer Wells felt his tears come silently; there were more tears than he remembered crying the last time he had cried – when Fuzzy Stone had died and Homer had lied about Fuzzy to Snowy Meadows and the others. He cried and cried, but he never made a sound; he would have to change Dr. Larch’s pillowcase in the morning, he cried so much. He cried because he had received his first fatherly kisses.

And for a moment I feel happy. But the snowy morning is making me nostalgic for something I can't name; for a place or a moment that doesn't really exist. I think of the past but also of new beginnings bright with possibility.

One morning after a beautiful fall of snow, I had reason to write a letter to an acquaintance, but I omitted to make any mention of the snow. I was delighted when she responded, 'Do you expect me to pay any attention to the words of someone so perverse that he fails to enquire how I find this snowy landscape? What deplorable insensitivity!

It was a morning of gruesome cold — minus 30 degrees Celsius (minus 22 degrees Fahrenheit) says Stern. Even the exact Biberstein says that it was at least minus 20 degrees (minus 4 degrees Fahrenheit). Poldek Pfefferberg was summoned from his bunk, fetched his welding gear, and went out to the snowy siding to cut open the doors iced hard as iron. He too heard the unearthly complaints from within. It is hard to describe what they saw when the doors were at last opened. In each car, a pyramid of frozen corpses, their limbs madly contorted, occupied the centre of the floor. The hundred or more still living stank awesomely, were seared black by the cold, were skeletal. Not one of them would be found to weigh more than 34 kilos.

Early one morning words were missing. Before that, words were not. Facts were, faces were. In a good story, Aristotle tells us, everything that happens is pushed by something else. Three old women were bending in the fields. What use is it to question us? they said. Well it shortly became clear that they knew everything there is to know about the snowy fields and the blue-green shoots and the plant called “audacity,” which poets mistake for violets. I began to copy out everything that was said. The marks construct an instant of nature gradually, without the boredom of a story. I emphasize this. I will do anything to avoid boredom. It is the task of a lifetime. You can never know enough, never work enough, never use the infinitives and participles oddly enough, never impede the movement harshly enough, never leave the mind quickly enough.

The notes went out crystalline into the clean winter morning, to sound on the far, snowy peaks.

But seven-year-old Werner seems to float. He is undersized and his ears stick out and he speaks with a high, sweet voice; the whiteness of his hair stops people in their tracks. Snowy, milky, chalky. A color that is the absence of color. Every morning he ties his shoes, packs newspaper inside his coat as insulation against the cold, and begins interrogating the world.

On a snowy winter morning, Martise of Neith—once of Asher—opened a gate and awakened darkness.

Snowy, milky, chalky. A color that is the absence of color. Every morning he ties his shoes, packs newspaper inside his coat as insulation against the cold, and begins interrogating the world.

There is a myth to Christmas mornings. Snowy lawns and garland-wrapped banisters. Trees and presents and the sound of feet running down staircases, little voices crying out, “He came! He came!

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

Light slowly grew in the room, planted by a few seeds of morning sun that whispered through the windows. The heater struggled to catch up with the cold brought on by a snowy night, and the old man’s voice helped fill the empty shop.

My love, why did you leave me on Lexington Avenue in the Ford that had no brakes? It stalled in the traffic and broke down outside her window. She was writing a letter: I love you very much: Careful Now in capitals. That was a different letter. Yes, but I get confused. One day she saw a golden oriel in the orchard. One day she said, Then have your orgy with Blondie, work out your passion on her. I see it all, the poop of burnished gold. If I got angry and made a scene? But No. No. No, I believe you, of course, I believe you for didn't you say I was the one? Yes, you said, Take care of this girl for she is what makes my blood circulate and all the stars revolve and the seasons return. This was my dream, and why I had circles under my eyes this morning at breakfast. Everyone noticed it, and I think one of them sniggered. You don't take much interest in politics, do you? You never read the newspapers? I drank my coffee, but I had a slight feeling of nausea. It's to be expected, I don't mind it at all, it's nothing. My love, are you feeling better? He can't talk, he can only mutter. O my dear, O my dear, drink a little milk, lie down and rest a little. I will comfort you. I can carry love like Saint Christopher. It is heavy, but I can carry it. It's the stones of suspicion I stumble on. Did I say suspicion? No. No. No. It's nothing. I love you. A slight feeling of nausea, that's all. After a while I got out into the open air, and his face was the moon hanging in the snowy branches.

What if heaven is just a vast consciousness that the dead return to? And their assignment is to report on the experiences they collected during their time on earth?...The spring mornings they woke up to a million birds singing their hearts out, and the summer afternoons with the swim towels hung over the porch rail, and the October air that smelled like wood smoke and apple cider, and the warm yellow windows of home when they came in on a snowy night. "That's what my experience has been,' they say, and it gets folded in with the others--one more report on what living felt like. What it was like to be alive.

Napoleon Bonaparte made a distinction between two kinds of courage—regular courage and two-o’clock-in-the-morning courage. “The rarest attribute among Generals,” said the Little Corporal, “is two o’clock-in-the-morning courage.”2 Chasing a lion into a pit on a snowy day takes two-o’clock-in-the-morning courage. But that one act of courage completely changed the trajectory of Benaiah’s life. The same is true of you. You are one idea, one risk, one decision away from a totally different life. Of course, it’ll probably be the toughest decision you ever make, the scariest risk you ever take. But if your dream doesn’t scare you, it’s too small.

For many years Henry Kitteridge was a pharmacist in the next town over, driving every morning on snowy roads, or rainy roads, or summertime roads, when the while raspberries shot their new growth in brambles along the last section of town before he turned off to where the wider road led to the pharmacy. Retired now, he still wakes early and remembers how mornings used to be his favorite, as though the world were his secret, tires rumbling softly beneath him and the light emerging through the early fog, the brief sight of the bay off to his right, then the pines, tall and slender, and almost always he road with the window partly open because he loved the smell of the pines and the heavy salt air, and in the winter he loved the smell of the cold.

At the end of the piece, Reverend Alban rose and approached the lectern again. He placed his fingertips together. “I didn’t know Mrs. Whitshank,” he said, “and therefore I don’t have the memories that the rest of you have. But it has occurred to me, on occasion, that our memories of our loved ones might not be the point. Maybe the point is their memories—all that they take away with them. What if heaven is just a vast consciousness that the dead return to? And their assignment is to report on the experiences they collected during their time on earth. The hardware store their father owned with the cat asleep on the grass seed, and the friend they used to laugh with till the tears streamed down their cheeks, and the Saturdays when their grandchildren sat next to them gluing Popsicle sticks. The spring mornings they woke up to a million birds singing their hearts out, and the summer afternoons with the swim towels hung over the porch rail, and the October air that smelled like wood smoke and apple cider, and the warm yellow windows of home when they came in on a snowy night. ‘That’s what my experience has been,’ they say, and it gets folded in with the others—one more report on what living felt like. What it was like to be alive.

I walked across the snowy plain of the Tiergarten - a smashed statue here, a newly planted sapling there; the Brandenburger Tor, with its red flag flapping against the blue winter sky; and on the horizon, the great ribs of a gutted railway station, like the skeleton of a whale. In the morning light it was all as raw and frank as the voice of history which tells you not to fool yourself; this can happen to any city, to anyone, to you.

She’s like … waking up on Christmas morning when you’re three years old and you finally understand what it’s all about. She’s the moment the rain stops and the sun comes out, lighting up the sky with color, and everything smells new and fresh. She’s the first skate on a frozen lake, surrounded by snowy mountains and pine trees and the freshest breath of air. She’s rolling over in the middle of the night, pulling that warm body into yours and curling around it, and everything’s just right.

Although I have afflicted you, . . . I will afflict you no more. (Nahum 1:12) There is a limit to our affliction. God sends it and then removes it. Do you complain, saying, “When will this end?” May we quietly wait and patiently endure the will of the Lord till He comes. Our Father takes away the rod when His purpose in using it is fully accomplished. If the affliction is sent to test us so that our words would glorify God, it will only end once He has caused us to testify to His praise and honor. In fact, we would not want the difficulty to depart until God has removed from us all the honor we can yield to Him. Today things may become “completely calm” (Matt. 8:26). Who knows how soon these raging waves will give way to a sea of glass with seagulls sitting on the gentle swells? After a long ordeal, the threshing tool is on its hook, and the wheat has been gathered into the barn. Before much time has passed, we may be just as happy as we are sorrowful now. It is not difficult for the Lord to turn night into day. He who sends the clouds can just as easily clear the skies. Let us be encouraged—things are better down the road. Let us sing God’s praises in anticipation of things to come. Charles H. Spurgeon “The Lord of the harvest” (Luke 10:2) is not always threshing us. His trials are only for a season, and the showers soon pass. “Weeping may remain for a night, but rejoicing comes in the morning” (Ps. 30:5). “Our light and momentary troubles are achieving for us an eternal glory that far outweighs them all” (2 Cor. 4:17). Trials do serve their purpose. Even the fact that we face a trial proves there is something very precious to our Lord in us, or else He would not spend so much time and energy on us. Christ would not test us if He did not see the precious metal of faith mingled with the rocky core of our nature, and it is to refine us into purity and beauty that He forces us through the fiery ordeal. Be patient, O sufferer! The result of the Refiner’s fire will more than compensate for our trials, once we see the “eternal glory that far outweighs them all.” Just to hear His commendation, “Well done” (Matt. 25:21); to be honored before the holy angels; to be glorified in Christ, so that I may reflect His glory back to Him—ah! that will be more than enough reward for all my trials. from Tried by Fire Just as the weights of a grandfather clock, or the stabilizers in a ship, are necessary for them to work properly, so are troubles to the soul. The sweetest perfumes are obtained only through tremendous pressure, the fairest flowers grow on the most isolated and snowy peaks, the most beautiful gems are those that have suffered the longest at the jeweler’s wheel, and the most magnificent statues have endured the most blows from the chisel. All of these, however, are subject to God’s law. Nothing happens that has not been appointed with consummate care and foresight. from Daily Devotional Commentary

was strange but true. And perhaps I’d known it in some way from the very beginning. Perhaps the impulse to purchase the PCT guidebook months before had been a primal grab for a cure, for the thread of my life that had been severed. I could feel it unspooling behind me—the old thread I’d lost, the new one I was spinning—while I hiked that morning, the snowy peaks of the High Sierras coming into occasional view. As I walked, I didn’t think of those snowy peaks. Instead, I thought of what I would do once I arrived at the Kennedy Meadows General Store that afternoon, imagining in fantastic detail the things I would purchase to eat and drink—cold lemonade and candy bars and junk food I seldom ate in my regular life. I pictured the moment when I would lay hands on my first resupply box, which felt to me like a monumental milestone, the palpable proof that I’d made it at least that far. Hello, I said to myself in anticipation of what I’d say once I arrived at the store, I’m a PCT hiker here to pick up my box. My name is Cheryl Strayed.

Eastern Standard Time Poetry speaks to all people, it is said, but here I would like to address only those in my own time zone, this proper slice of longitude that runs from pole to snowy pole down the globe through Montreal to Bogota. Oh, fellow inhabitants of this singular band, sitting up in your many beds this morning— the sun falling through the windows and casting a shadow on the sundial— consider those in other zones who cannot hear these words. They are not slipping into a bathrobe as we are, or following the smell of coffee in a timely fashion. Rather, they are at work already, leaning on copy machines, hammering nails into a house-frame. They are not swallowing a vitamin like us; rather they are smoking a cigarette under a half moon, even jumping around on a dance floor, or just now sliding under the covers, pulling down the little chains on their bed lamps. But we are not like these others, for at this very moment on the face of the earth, we are standing under a hot shower, or we are eating our breakfast, considered by people of all zones to be the most important meal of the day. Later, when the time is right, we might sit down with the boss, wash the car, or linger at a candle-lit table, but now is the hour for pouring the juice and flipping the eggs with one eye on the toaster. So let us slice a banana and uncap the jam, lift our brimming spoons of milk, and leave it to the others to lower a flag or spin absurdly in a barber's chair— those antipodal oddballs, always early or late. Let us praise Sir Stanford Fleming the Canadian genius who first scored with these lines the length of the spinning earth. Let us move together through the rest of this day passing in unison from light to shadow, coasting over the crest of noon into the valley of the evening and then, holding hands, slip into the deeper valley of night.

We then reached a fork in the valley. Should we go left or right? Dad called it left. I had a very powerful intuition that right was the choice we should make. Dad insisted left. I insisted right. It was a fifty-fifty call and he relented. Within two hundred yards we stumbled across a snowy track through the woods and followed it excitedly. Within a mile it came out on a mountain road, and within ten minutes we had flagged down a lift from a car heading up the hill in the darkness. We had found salvation, and I was beat. The car dropped us off at the gates of the garrison thirty minutes later. It was, by then, late into the night, but I was suddenly buzzing with energy and excitement. The fatigue had gone. Dad knew that I had made the right call up there--if we had chosen left we would still be trudging into the unknown. I felt so proud. In truth it was probably luck, but I learned another valuable lesson that night: Listen to the quiet voice inside. Intuition is the noise of the mind. As we tromped back through the barracks, though, we noticed there was an unusual amount of activity for the early hours of a weekday morning. It soon became very clear why. First a sergeant appeared, followed by another soldier, and then we were ushered into the senior officers’ block. There was my uncle, standing in uniform looking both tired and serious. I started to break out into a big smile. So did Dad. Well, I was excited. We had cheated a slow, lingering hypothermic death, lost together in the mountains. We were alive. Our enthusiasm was countered by the immortal words from my uncle, the brigadier, saying: “I wouldn’t smile if I was you…” He continued, “The entire army mountain rescue team is currently out scouring the mountains for you, on foot and in the air with the search-and-rescue helicopter. I hope you have a good explanation.” We didn’t, of course, save that we had been careless, and we had got lucky; but that’s life sometimes. And the phrase: “I wouldn’t smile if I was you,” has gone down into Grylls family folklore.

Lily Thomas lay in bed when the alarm went off on a snowy January morning in Squaw Valley. She opened her eyes for just an instant and saw the thick snow swirling beyond the windows of the house her father had rented, and for a fraction of an instant, she wanted to roll over and go back to sleep. She could hear the dynamite blasts in the distance to prevent avalanches, and just from a glance, she knew what kind of day it was. You could hardly see past the windows in the heavy blizzard, and she knew that if the mountain was open, it wouldn’t be for long. But she loved the challenge of skiing in heavy snow. It would be a good workout, and she didn’t want to miss a single day with one of her favorite instructors, Jason Yee.

For many years, Henry Kitteridge was a pharmacist in the next town over, driving every morning on snowy roads, or rainy roads, or summertime roads, when the wild raspberries shot their new growth in brambles along the last section of town before he turned off to where the wider road led to the pharmacy.

Towards closing time, he unbuttoned his cheap jacket and hoisted up his shirt. The scar was there, pale white and smooth against yellow, wrinkled skin. “And there is the man who was with me,” he said, as someone handed him another large whiskey, “Master MacMahon.” He lifted his glass to me with a shaking hand. I tried to remember the boy of that snowy March morning, wild, tearful eyes, a sob, hands pressed to a dark, spreading stain. I remembered him vividly, as I had held him against the huckster’s door, pale face and red, wet lips. But he was not the boaster who stood before me, whiskey wet upon his chin’s stubble. Only the scar joined them, surgical, unnaturally smooth, time’s umbilicus.

The horizon blushed pink to the east, but the sky had the beginnings of a baby-blue color. The snowy landscape lay before her covered in an early morning hoarfrost. The weeping branches of the willow tree looked like it had been coated in an egg wash and dipped in raw sugar.

She’s like…waking up on Christmas morning when you’re three years old and you finally understand what it’s all about. She’s the moment the rain stops and the sun comes out, lighting up the sky with color, and everything smells new and fresh. She’s the first skate on a frozen lake, surrounded by snowy mountains and pine trees and the freshest breath of air. She’s rolling over in the middle of the night, pulling that warm body into yours and curling around it, and everything’s just right. “She’s just…she’s just…

There are no words. She’s like… waking up on Christmas morning when you’re three years old and you finally understand what it’s all about. She’s the moment the rain stops and the sun comes out, lighting up the sky with color, and everything smells new and fresh. She’s the first skate on a frozen lake, surrounded by snowy mountains and pine trees and the freshest breath of air. She’s rolling over in the middle of the night, pulling that warm body into yours and curling around it, and everything’s just right.

We hear them often in the night. Their wild yelping makes the hair on my neck rise, even as I am always compelled to go to the nearest window and fling it open to listen, despite the cold. You can hear them moving: nearer, nearer up the frozen creek bed, until they are just beyond the edge of the porch light, the moon a grinning wedge above the trees. And then they’re gone, racing up the valley into the dark. I can feel how they’re close now, beyond the meadow’s edge, somewhere in the woods there, maybe asleep or watching us with yellow eyes, alerted by our footsteps and the sharp, ringing singsong of my son’s eager voice. This is always the case: The line between us and the wild is slender, like the bit of thread I find coiled in my pocket. My fingers tease it, wanting to know how it’s wound. This is always the way. I always want to know. The thread is yellow and snarled and comes from the windowsill of the bedroom above the garage. I stuck it in my pocket this morning while tidying, meaning to throw it away. It was from tha same window that I saw the foxes last week. The ruckus of the chickens alerted me, and when I looked down, one was right below me in the snowy driveway, looking up. I pounded my fist on the glass and began to yell, but it didn’t run. Instead it just stared at me, not moving a muscle until I ran down and out into the snow without a hat or gloves or jacket, boots unlaced, shrieking like a madwoman. Of course it ran then, though not far at first—just to the top of the nearest field—and when I followed after, another joined it. They’d staked the chicken house out for sure. And even though they were a threat to our unwitting hens, I was sad when they disappeared among the white trunks of a stand of birches, and I can still feel the way my heart was hammering hard and raw in my chest after running through the snow, hair flyaway, clapping my hands. Their fur was rust-colored, and when they ran

edge of the box. “Hungry, are you?” laughed Zack as the bird pecked the feeds. “Eat some more, pretty little things!” said Clare as the others flew one by one to Zack. It was a fine and cold morning, and feeding the birds is the beginning of a wonderful day for Zack and Clare. When

agency, where she’d filled seemingly endless paperwork despite all the forms she’d already filled out online, and was now in proud possession of the keys to a Honda Civic. It was nine o’clock in the morning, and the sky outside was as gray as pewter, with mean little flakes of snow, not the fluffy, festive kind, drifting down on a muted grey landscape of concrete and leafless trees. Claire dumped her bag in the trunk—or the boot, she supposed, someone in England would call it. Claire had always loved her godmother Ruth’s English accent, and when she was a kid she’d quizzed Ruth on all the different British words. Pavement for sidewalk. Jumper for sweater. Rubber for eraser. The last one, of course, had caused eleven-year-old Claire to burst into muffled giggles of embarrassment and mirth. Ruth had just smiled, her eyes twinkling, sharing the admittedly immature joke. Slowly, very conscious she was driving on the other side of the road, Claire pulled onto the road, and then followed signs for the M62 and York. An hour and a half later, those mean little flakes of snow had turned thick and fluffy and white. They were beautiful, but her little car was not handling the snowy roads all that

The window of the waiting-room was clear for an instant as the train started to move. Komako's face glowed forth, and as quickly disappeared. It was the bright red it had been in the mirror that snowy morning, and for Shimamura that color again seemed to be the point at which he parted with reality.

left by train on a Friday morning to arrive at six in the evening in Bucharest. My friend awaited me at the railroad station. As I got off the train, on that snowy late afternoon, I heard newspaper boys hawking an extra newspaper edition: Extra, extra, the new government of Goga, Cuza. Death to the Jews. That was my bone chilling, frightening reception on my first pleasure trip. King Carol II had called on Octavian Goga, a well-know poet and politician and rabid anti-semite and on Alexandru Cuza, a historian, professor at the University of Iassi, infamous for his incitement to pogroms on Jews in that town, to form a new government. Actually, it was a maneuver on the part of the king of Romania, who felt threatened by Ionel Codreanu, the leader of the "Iron Guard," known Fascists and antisemites, who were taking their orders from Hitler.

But Freya . . . She’s my dream girl. How often does that come around? When we’re not at each other’s throats, we’re like hot chocolate and snowy mornings.

first narcissi Persephone walks out of the underground station spring day announcement said no flowers with or without you bindweed climbing both sides of the wall I will go now where my eyes carry me poplar fluff she comes to me attired only in a short night slow train home a cloud’s shadow running across the stubble bitter wind the smell of honey in the empty hive the fragrance of pencil shavings September rain all the wealth that he left golden leaves her hands tremble like captured birds winter wind a few words from the doctor crows on snow shape of her sleep on the down pillow snowy morning

When we’re not at each other’s throats, we’re like hot chocolate and snowy mornings.

Early one morning words were missing. Before that, words were not. Facts were, faces were. In a good story, Aristotle tells us, everything that happens is pushed by something else. Three old women were bending in the fields. What use is it to question us? they said. Well it shortly became clear that they knew everything there is to know about the snowy fields and the blue-green shoots and the plant called "audacity," which poets mistake for violets. I began to copy out everything that was said. The marks construct an instant of nature gradually, without the boredom of a story. I emphasize this. I will do anything to avoid boredom. It is the task of a lifetime. You can never know enough, never work enough, never use the infinitives and participles oddly enough, never impede the movement harshly enough, never leave the mind quickly enough.

She’s like…waking up on Christmas morning when you’re three years old and you finally understand what it’s all about. She’s the moment the rain stops and the sun comes out, lighting up the sky with color, and everything smells new and fresh. She’s the first skate on a frozen lake, surrounded by snowy mountains and pine trees and the freshest breath of air. She’s rolling over in the middle of the night, pulling that warm body into yours and curling around it, and everything’s just right. “She’s just…she’s just…” “Perfection,” Hank finishes quietly.

L. Wilson, editor of the Chicago Evening Journal; and General Henry Eugene Davies, who wrote a pamphlet, Ten Days on the Plains, describing the hunt. Among the others rounding out the group were Leonard W. and Lawrence R. Jerome; General Anson Stager of the Western Union Telegraph Company; Colonel M. V. Sheridan, the general's brother; General Charles Fitzhugh; and Colonel Daniel H. Rucker, acting quartermaster general and soon to be Phil Sheridan's father-in-law. Leonard W. Jerome, a financier, later became the grandfather of Winston Churchill when his second daughter, jenny, married Lord Randolph Churchill. The party arrived at Fort McPherson on September 22, 1871. The New York Herald's first dispatch reported: "General Sheridan and party arrived at the North Platte River this morning, and were conducted to Fort McPherson by General Emery [sic], commanding. General Sheridan reviewed the troops, consisting of four companies of the Fifth Cavalry. The party start[s] across the country tomorrow, guided by the renowned Buffalo Bill and under the escort of Major Brown, Company F, Fifth Cavalry. The party expect[s] to reach Fort Hays in ten days." After Sheridan's review of the troops, the general introduced Buffalo Bill to the guests and assigned them to their quarters in large, comfortable tents just outside the post, a site christened Camp Rucker. The remainder of the day was spent entertaining the visitors at "dinner and supper parties, and music and dancing; at a late hour they retired to rest in their tents." The officers of the post and their ladies spared no expense in their effort to entertain their guests, to demonstrate, perhaps, that the West was not all that wild. The finest linens, glassware, and china the post afforded were brought out to grace the tables, and the ballroom glittered that night with gold braid, silks, velvets, and jewels. Buffalo Bill dressed for the hunt as he had never done before. Despite having retired late, "at five o'clock next morning . . . I rose fresh and eager for the trip, and as it was a nobby and high-toned outfit which I was to accompany, I determined to put on a little style myself. So I dressed in a new suit of buckskin, trimmed along the seams with fringes of the same material; and I put on a crimson shirt handsomely ornamented on the bosom, while on my head I wore a broad sombrero. Then mounting a snowy white horse-a gallant stepper, I rode down from the fort to the camp, rifle in hand. I felt first-rate that morning, and looked well." In all probability, Louisa Cody was responsible for the ornamentation on his shirt, for she was an expert with a needle. General Davies agreed with Will's estimation of his appearance that morning. "The most striking feature of the whole was ... our friend Buffalo Bill.... He realized to perfection the bold hunter and gallant sportsman of the plains." Here again Cody appeared as the

Shelby McCoy walked the same snowy path through the park that she walked every Monday morning after gym class, but today it felt much different than the other times. Something was off, a restlessness causing such unease she stopped for a moment and scanned the area around her. She saw no one, heard no one, yet a discomforting feeling like she was being watched consumed her. Troubled, she kept her eye on her destination and picked up the pace. The brittle winter air scratched against her skin like sandpaper, chilling her to the core. She pulled the scarf around her neck

After all, a healthy adult owl needs about five lemmings a day just to stay alive (which makes you wonder: Does a snowy owl wake up in the morning and think, “Yes! A lemming for breakfast! And brunch! And lunch! And two for dinner!”).

She’s like… waking up on Christmas morning when you’re three years old and you finally understand what it’s all about. She’s the moment the rain stops and the sun comes out, lighting up the sky with color, and everything smells new and fresh. She’s the first skate on a frozen lake, surrounded by snowy mountains and pine trees and the freshest breath of air. She’s rolling over in the middle of the night, pulling that warm body into yours and curling around it, and everything’s just right. “She’s just… she’s just…” “Perfection,” Hank finishes quietly.

In the morning, when I was fighting my way to school against the wind, I couldn't see anything but the road in front of me; but in the late afternoon, when I was coming home, the town looked bleak and desolate to me. The pale, cold light of the winter sunset did not beautify—it was like the light of truth itself. When the smoky clouds hung low in the west and the red sun went down behind them, leaving a pink flush on the snowy roofs and the blue drifts, then the wind sprang up afresh, with a kind of bitter song, as if it said: 'This is reality, whether you like it or not. All those frivolities of summer, the light and shadow, the living mask of green that trembled over everything, they were lies, and this is what was underneath. This is the truth.' It was as if we were being punished for loving the loveliness of summer.

She’s like … waking up on Christmas morning when you’re three years old and you finally understand what it’s all about. She’s the moment the rain stops and the sun comes out, lighting up the sky with color, and everything smells new and fresh. She’s the first skate on a frozen lake, surrounded by snowy mountains and pine trees and the freshest breath of air. She’s rolling over in the middle of the night, pulling that warm body into yours and curling around it, and everything’s just right. “She’s just … she’s just …” “Perfection,” Hank finishes quietly. Utter fucking perfection. And she’s all mine.