Snap Insurance Quotes

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Tentacles is my term — the Tentacles are the evil tasks that invade my life. Like, for example, my American History class last week, which necessitated me writing a paper on the weapons of the Revolutionary war, which necessitated me traveling to the Metropolitan Museum to check out some of the old guns, which necessitated me getting the subway, which necessitated me being away from my cell phone and email for 45 minutes, which meant that I didn’t get to respond to a mass mail sent out by my teacher asking who needed extra credit, which meant other kids snapped up the extra credit, which meant I wasn’t going to get a 98 in the class, which meant I wasn’t anywhere close to a 98.6 average (body temperature, that’s what you needed to get), which meant I wasn’t going to get into a Good College, which meant I wasn’t going to have a Good Job, which meant I wasn’t going to have health insurance, which meant I’d have to pay tremendous amounts of money for the shrinks and drugs my brain needed, which meant I wasn’t going to have enough money to pay for a Good Lifestyle, which meant I’d feel ashamed, which meant I’d get depressed, and that was the big one because I knew what that did to me: it made it so I wouldn’t get out of bed, which led to the ultimate thing — homelessness. If you can’t get out of bed for long enough, people come and take your bed away.
Ned Vizzini (It's Kind of a Funny Story)
Space is dangerous,” Mitch snapped. “It’s what we do here. If you want to play it safe all the time, go join an insurance company. And by the way, it’s not even your life you’re risking. The crew can make up their own minds about it.
Andy Weir (The Martian)
Sit down," she ordered Peabody. "I prefer to stand." "And I prefer to give you a good boot in the ass, but I'm restraining myself." Eve reached up, fisted her hands in her own hair and yanked until the pain cleared most of the rage. "Okay, stand. You couldn't sit with that stick up your butt, anyway. One you shove up it every time Subject Monroe, Charles, is mentioned. You want to be filled in, you want to be briefed? Fine. Here it is." She had to take another deep breath to insure her tone was professional. "On the evening of March twenty-six, at or about nineteen-thirty, I, accompanied by Roarke, had occasion to visit Areena Mansfield's penthouse suite at The Palace Hotel, this city. Upon entering said premises, investigation officer found subject Mansfield in the company of one Charles Monroe, licensed companion. It was ascertained and confirmed that LC Monroe was there in a professional capacity and had no links to the deceased or the current investigation. His presence, and the salient details pertaining to it, were noted in the report of the interview and marked Level Five in a stupid, ill-conceived attempt by the investigating officer to spare her fat-headed aide any unnecessary embarrassment." Eve stomped back to her desk, snatched up her coffee, gulped some down. "Record that," she snapped. Peabody's lip trembled. She sat. She sniffled. "Oh, no." In genuine panic, Eve stabbed out a finger. "No, you don't. No crying. We're on duty. There is no crying on duty.
J.D. Robb (Witness in Death (In Death, #10))
We planned an Utsunomiya gyōza crawl, but when we emerged from the train station into 92-degree weather, we abandoned the idea and just went to the place with (Iris counted) seventy-four types of gyōza, including yogurt, coffee, tea, chocolate, liver, mochi, squid-octopus, sausage, curry, and whale. You can order a whole plate of your favorite variety or a sampler platter; we ordered a sampler (no whale) with a small order of regular pork gyōza as insurance. The dumplings didn't come with labels, so we were left to guess at their identities. The salted fish roe and curry were easy to pick out, as was the sausage, which had a tiny hot dog inside. After polishing off the sampler, we asked for a plate of yuba gyōza, filled with the tofu skin Iris and I like to make at home. I went spelunking inside the dumplings and found that the pork filling was wrapped in yuba; the snap of fresh yuba was missing, but the dumplings were excellent. I regret missing out on the chocolate gyōza. I don't regret missing out on the whale, yogurt, or Doritos Locos gyōza.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
You need to be careful to stay out of Charlie’s line of sight,” Steve said to me. “I want Charlie focusing only on me. If he changes focus and starts attacking you, it’s going to be too difficult for me to control the situation.” Right. Steve got no argument from me. Getting anywhere near those bone-crushing jaws was the furthest thing from my mind. I wasn’t keen on being down on the water with a huge saltwater crocodile trying to get me. I would have to totally rely on Steve to keep me safe. We stepped into the dinghy, which was moored in Charlie’s enclosure, secured front and back with ropes. Charlie came over immediately to investigate. It didn’t take much to encourage him to have a go at Steve. Steve grabbed a top-jaw rope. He worked on roping Charlie while the cameras rolled. Time and time again, Charlie hurled himself straight at Steve, a half ton of reptile flesh exploding up out of the water a few feet away from me. I tried to hang on precariously and keep the boat counterbalanced. I didn’t want Steve to lose his footing and topple in. Charlie was one angry crocodile. He would have loved nothing more than to get his teeth into Steve. As Charlie used his powerful tail to propel himself out of the water, he arched his neck and opened his jaws wide, whipping his head back and forth, snapping and gnashing. Steve carefully threw the top-jaw rope, but he didn’t actually want to snag Charlie. Then he would have had to get the rope off without stressing the croc, and that would have been tricky. The cameras rolled. Charlie lunged. I cowered. Steve continued to deftly toss the rope. Then, all of a sudden, Charlie swung at the rope instead of Steve, and the rope went right over Charlie’s top jaw. A perfect toss, provided that had been what Steve was trying to do. But it wasn’t. We had a roped croc on our hands that we really didn’t want. Steve immediately let the rope go slack. Charlie had it snagged in his teeth. Because of Steve’s quick thinking and prompt maneuvering, the rope came clear. We breathed a collective sigh of relief. Steve looked up at the cameras. “I think you’ve got it.” John agreed. “I think we do, mate.” The crew cheered. The shoot lasted several minutes, but in the boat, I wasn’t sure if it had been seconds or hours. Watching Steve work Charlie up close had been amazing--a huge, unpredictable animal with a complicated thought process, able to outwit its prey, an animal that had been on the planet for millions of years, yet Steve knew how to manipulate him and got some fantastic footage. To the applause of the crew, Steve got us both out of the boat. He gave me a big hug. He was happy. This was what he loved best, being able to interact and work with wildlife. Never before had anything like it been filmed in any format, much less on thirty-five-millimeter film for a movie theater. We accomplished the shot with the insurance underwriters none the wiser. Steve wanted to portray crocs as the powerful apex predators that they were, keeping everyone safe while he did it. Never once did he want it to appear as though he were dominating the crocodile, or showing off by being in close proximity to it. He wished for the crocodile to be the star of the show, not himself. I was proud of him that day. The shoot represented Steve Irwin at his best, his true colors, and his desire to make people understand how amazing these animals are, to be witnessed by audiences in movie theaters all over the world. We filmed many more sequences with crocs, and each time Steve performed professionally and perfected the shots. He was definitely in his element. With the live-croc footage behind us, the insurance people came on board, and we were finally able to sign a contract with MGM. We were to start filming in earnest. First stop: the Simpson Desert, with perentie lizards and fierce snakes.
Terri Irwin (Steve & Me)
No, you don’t get a chance to bargain. As an individual, you have to pay full freight.” “Why is that? Why do I have to pay more than health insurance companies for the same service?” “This is how American hospital-based medicine works,” Roger snapped. “I don’t have time to explain it to you, nor is it my job.
Robin Cook (Viral)
With a mental sigh, she snapped shut the folder she’d been reading, which was DC Mark Chang’s report on the hijacking of a lorry near the Pear Tree roundabout, in which a batch of computers had gone walkabout. The constable clearly suspected an insider in the computer firm, and Hillary agreed with him. Someone in the firm must have tipped off the hijackers — especially since the routes were always varied, and even the drivers got shuffled around at the last minute without warning. She couldn’t fault the firm’s managing director in his attempts to keep the business’s insurance bills down, and he must be spitting nails at this latest setback
Faith Martin (Murder at Work (DI Hillary Greene, #11))
Imagine that you have to break someone’s arm. Right or left, doesn’t matter. The point is that you have to break it, because if you don’t…well, that doesn’t matter either. Let’s just say bad things will happen if you don’t. Now, my question goes like this: do you break the arm quickly — snap, whoops, sorry, here let me help you with that improvised splint — or do you drag the whole business out for a good eight minutes, every now and then increasing the pressure in the tiniest of increments, until the pain becomes pink and green and hot and cold and altogether howlingly unbearable? Well exactly. Of course. The right thing to do, the only thing to do, is to get it over with as quickly as possible. Break the arm, ply the brandy, be a good citizen. There can be no other answer. Unless. Unless unless unless. What if you were to hate the person on the other end of the arm? I mean really, really hate them. This was a thing I now had to consider. I say now, meaning then, meaning the moment I am describing; the moment fractionally, oh so bloody fractionally, before my wrist reached the back of my neck and my left humerus broke into at least two, very possibly more, floppily joined-together pieces. The arm we’ve been discussing, you see, is mine. It’s not an abstract, philosopher’s arm. The bone, the skin, the hairs, the small white scar on the point of the elbow, won from the corner of a storage heater at Gateshill Primary School — they all belong to me. And now is the moment when I must consider the possibility that the man standingbehind me, gripping my wrist and driving it up my spine with an almost sexual degree of care, hates me. I mean, really, really hates me. He is taking for ever. His name was Rayner. First name unknown. By me, at any rate, and therefore, presumably, by you too. I suppose someone, somewhere, must have known his first name — must have baptised him with it, called him down to breakfast with it, taught him how to spell it — and someone else must have shouted it across a bar with an offer of a drink, or murmured it during sex, or written it in a box on a life insurance application form. I know they must have done all these things. Just hard to picture, that’s all. Rayner, I estimated, was ten years older than me. Which was fine. Nothing wrong with that. I have good, warm, non-arm-breaking relationships with plenty of people who are ten years older than me. People who are ten years older than me are, by and large, admirable. But Rayner was also three inches taller than me, four stones heavier, and at least eight however-you-measure-violence units more violent. He was uglier than a car park, with a big, hairless skull that dipped and bulged like a balloon full of spanners, and his flattened, fighter’s nose, apparently drawn on his face by someone using their left hand, or perhaps even their left foot, spread out in a meandering, lopsided delta under the rough slab of his forehead.
Hugh Laurie (The Gun Seller)
Hops and despair hung in the air. The floodwaters reached three feet and turned my craft brewery into a swamp, the kegs bobbing like tipsy buoys. Amid the ruins damp grain bags, shattered fermentation tanks, I saw the real victim: my hardware wallet, soggy but still, the USB port crusty with dirt. And contained? $275,000 of Bitcoin, my sole chance at redemption. I had jokingly named the wallet "Barley Vault." Now, the joke was on me. Insurance adjusters snapped photos and shrugged. "Acts of God aren't covered," they told me, as if divine intervention equated to a ruptured riverbank and a malfunctioning sump pump. My head brewer, Jess, salvaged what she could a water-damaged recipe book, a warped mash paddle and handed me a business card so soggy, the ink seeped like a watercolor. "Called these people," she said. "FUNDS RECLIAMER COMPANY. They recover crypto disasters. Or at least the internet claims.". I called, half-hoping for a scam. In its place, a voice arrived, as calm as fermenting lager: "Water damage? We've handled worse." They instructed me to mail the remains of the wallet, wrapped in rice like a vile pho ingredient. I restored the brewery through hand pressure-cleaning of mold, re-wiring circuits as Wizard's engineers conjured their own sorcery, for ten days. They disassembled the wallet's rusty interiors, toasting circuit boards in laboratory ovens, coaxing information from charred chips like alchemists breaking down an infested recipe. The call was at dawn. "Your seed phrase made it," the engineer said. "Stashed in a memory chip. Your Bitcoin's safe." I was in the skeleton of the brewery, sunrise glinting off just-installed stainless steel, and logged in. There it was: $275,000, resurrected. I bought three new fermenters that afternoon. FUNDS RECLIAMER COMPANY didn't just recover crypto, they recovered a legacy. Now, the faucets at the brewery flow again, featuring a special stout called "Hardware Wallet Haze." The flavor descriptions? "Roasted resilience, with a dash of existential relief." If your cryptocurrency ever becomes washed out by life's flood waters, skip the freakout. Call a SOS for the Wizards. They will drain the mire dry and restore the treasure to you. Just maybe keep your backups above sea level next time. Email: fundsreclaimer(@) c o n s u l t a n t . c o m OR fundsreclaimercompany@ z o h o m a i l . c o m WhatsApp:+1 (361) 2 5 0- 4 1 1 0 Website: h t t p s :/ / funds reclaimer company . c o m
DON'LOSE HOPE! CONTACT FUNDS RECLAIMER COMPANY TO RECOVER YOUR LOST CRYPTO
Hops and despair hung in the air. The floodwaters reached three feet and turned my craft brewery into a swamp, the kegs bobbing like tipsy buoys. Amid the ruins damp grain bags, shattered fermentation tanks, I saw the real victim: my hardware wallet, soggy but still, the USB port crusty with dirt. And contained? $275,000 of Bitcoin, my sole chance at redemption. I had jokingly named the wallet "Barley Vault." Now, the joke was on me. Insurance adjusters snapped photos and shrugged. "Acts of God aren't covered," they told me, as if divine intervention equated to a ruptured riverbank and a malfunctioning sump pump. My head brewer, Jess, salvaged what she could a water-damaged recipe book, a warped mash paddle and handed me a business card so soggy, the ink seeped like a watercolor. "Called these people," she said. "FUNDS RECLIAMER COMPANY. They recover crypto disasters. Or at least the internet claims.". I called, half-hoping for a scam. In its place, a voice arrived, as calm as fermenting lager: "Water damage? We've handled worse." They instructed me to mail the remains of the wallet, wrapped in rice like a vile pho ingredient. I restored the brewery through hand pressure-cleaning of mold, re-wiring circuits as Wizard's engineers conjured their own sorcery, for ten days. They disassembled the wallet's rusty interiors, toasting circuit boards in laboratory ovens, coaxing information from charred chips like alchemists breaking down an infested recipe. The call was at dawn. "Your seed phrase made it," the engineer said. "Stashed in a memory chip. Your Bitcoin's safe." I was in the skeleton of the brewery, sunrise glinting off just-installed stainless steel, and logged in. There it was: $275,000, resurrected. I bought three new fermenters that afternoon. FUNDS RECLIAMER COMPANY didn't just recover crypto, they recovered a legacy. Now, the faucets at the brewery flow again, featuring a special stout called "Hardware Wallet Haze." The flavor descriptions? "Roasted resilience, with a dash of existential relief." If your cryptocurrency ever becomes washed out by life's flood waters, skip the freakout. Call a SOS for the Wizards. They will drain the mire dry and restore the treasure to you. Just maybe keep your backups above sea level next time. Email: fundsreclaimer(@) c o n s u l t a n t . c o m OR fundsreclaimercompany@ z o h o m a i l . c o m WhatsApp:+1 (361) 2 5 0- 4 1 1 0 Website: h t t p s :/ / funds reclaimer company . c o m
DON'T LOSE HOPE! CONTACT FUNDS RECLAIMER COMPANY TO RECOVER YOUR LOST CRYPTO