Snakes Quotes

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The snake which cannot cast its skin has to die. As well the minds which are prevented from changing their opinions; they cease to be mind.
Friedrich Nietzsche
You believe in a book that has talking animals, wizards, witches, demons, sticks turning into snakes, burning bushes, food falling from the sky, people walking on water, and all sorts of magical, absurd and primitive stories, and you say that we are the ones that need help?
Mark Twain
Where are the people?” resumed the little prince at last. “It’s a little lonely in the desert…” “It is lonely when you’re among people, too,” said the snake.
Antoine de Saint-Exupéry (The Little Prince)
Yes, reason has been a part of organized religion, ever since two nudists took dietary advice from a talking snake.
Jon Stewart
Jessamine recoiled from the paper as if it were a snake. "A lady does not read the newspaper. The society pages, perhaps, or the theater news. Not this filth." "But you are not a lady, Jessamine---," Charlotte began. "Dear me," said Will. "Such harsh truths so early in the morning cannot be good for the digestion.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I have wanted to kill myself a hundred times, but somehow I am still in love with life. This ridiculous weakness is perhaps one of our more stupid melancholy propensities, for is there anything more stupid than to be eager to go on carrying a burden which one would gladly throw away, to loathe one’s very being and yet to hold it fast, to fondle the snake that devours us until it has eaten our hearts away?
Voltaire (Candide: or, Optimism)
I make mistakes; I'll be the second to admit it.
Jean Kerr (The Snake Has All the Lines)
I'm a Red girl in a sea of Silvers and I can't afford to feel sorry for anyone, least of all the son of a snake.
Victoria Aveyard (Red Queen (Red Queen, #1))
He held up a book then. “I'm going to read it to you for relax.” “Does it have any sports in it?” “Fencing. Fighting. Torture. Poison. True Love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest Ladies. Snakes. Spiders... Pain. Death. Brave men. Cowardly men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.” “Sounds okay,” I said and I kind of closed my eyes.
William Goldman (The Princess Bride)
Elves are wonderful. They provoke wonder. Elves are marvellous. They cause marvels. Elves are fantastic. They create fantasies. Elves are glamorous. They project glamour. Elves are enchanting. They weave enchantment. Elves are terrific. They beget terror. The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning. No one ever said elves are nice. Elves are bad.
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
Romanian? That's impressive," said Jace. "Not many people speak it." "Do you?" Sebastian asked with interest. "Not really," Jace said with a smile so disarming Simon knew he was lying. "My Romanian is pretty much limited to useful phrases like, 'Are these snakes poisonous?' and 'But you look much too young to be a police officer.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Swift as a deer. Quiet as a shadow. Fear cuts deeper than swords. Quick as a snake. Calm as still water.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Gods prefer simple, vicious games, where you Do Not Achieve Transcendence but Go Straight To Oblivion; a key to the understanding of all religion is that a god's idea of amusement is Snakes and Ladders with greased rungs.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Don't touch me, I'm full of snakes.
Jack Kerouac
The mind I love must have wild places, a tangled orchard where dark damsons drop in the heavy grass, an overgrown little wood, the chance of a snake or two, a pool that nobody's fathomed the depth of, and paths threaded with flowers planted by the mind.
Katherine Mansfield
Fear can’t hurt you,” she said. “When it washes over you, give it no power. It’s a snake with no venom. Remember that. That knowledge can save you.
Maureen Johnson (The Name of the Star (Shades of London, #1))
To think you could have been dreaming the cure for cancer," Blue said. "Look, Sargent," Ronan retorted, "I was gonna dream you some eye cream last night since clearly modern medicine's doing jack shit for you, but I nearly had my ass handed to me by a death snake from the fourth circle of dream hell, so you're welcome." Blue was appropriately touched. "Ah, thanks, man." "No problem, bro.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
All that Syrio Forel had taught her went racing through her head. Swift as a deer. Quiet as shadow. Fear cuts deeper than swords. Quick as a snake. Calm as still water. Fear cuts deeper than swords. Strong as a bear. Fierce as a wolverine. Fear cuts deeper than swords. The man who fears losing has already lost. Fear cuts deeper than swords. Fear cuts deeper than swords. Fear cuts deeper than swords.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
I once saw a snake having sex with a vulture, and I thought, It’s just business as usual in Washington DC.
Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
Poison. The perfect weapon for a snake.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I tiger can smile A snake will say it loves you Lies make us evil
Chuck Palahniuk (Fight Club)
The way to get on with a cat is to treat it as an equal - or even better, as the superior it knows itself to be.
Elizabeth Peters (The Snake, the Crocodile and the Dog (Amelia Peabody, #7))
Nothing you can take from me was ever worth keeping.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Leo had seen Tia Callida in action; she liked knives, snakes and putting babies in roaring fires. Yeah, definitely let's unleash her rage. Great idea.
Rick Riordan
CHORONZON: I am a dire wolf, prey-stalking, lethal prowler. MORPHEUS: I am a hunter, horse-mounted, wolf-stabbing. CHORONZON: I am a horsefly, horse-stinging, hunter-throwing. MORPHEUS: I am a spider, fly-consuming, eight legged. CHORONZON: I am a snake, spider-devouring, posion-toothed. MORPHEUS: I am an ox, snake-crushing, heavy-footed. CHORONZON: I am an anthrax, butcher bacterium, warm-life destroying. MORPHEUS: I am a world, space-floating, life-nurturing. CHORONZON: I am a nova, all-exploding... planet-cremating. MORPHEUS: I am the Universe -- all things encompassing, all life embracing. CHORONZON: I am Anti-Life, the Beast of Judgment. I am the dark at the end of everything. The end of universes, gods, worlds... of everything. Sss. And what will you be then, Dreamlord? MORPHEUS: I am hope.
Neil Gaiman (The Sandman, Vol. 1: Preludes & Nocturnes)
Lass, you've the face of an angel but the tongue of a snake.
Tricia Levenseller (Daughter of the Pirate King (Daughter of the Pirate King, #1))
Well, as they said, it's not over until the mockingjay sings.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
I peek over the back of the couch and there she is, my goddess of death, her hair snaking out in a great black cloud, her teeth grinding hard enough to make living gums bleed.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it. I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
Lemony Snicket
I shaved this morning for precisely that reason. I was like, 'Well, you never know when someone is going to clamp down on your calf and try to suck out the snake poison.
John Green
People aren’t so bad, really,” she said. “It’s what the world does to them.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
I am like a snake who has already bitten. I retreat from a direct battle while knowing the slow effect of the poison.
Anaïs Nin (Incest: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1932-1934)
Gosh, what a gripping story. You must have been simply terrified. Meanwhile we went to Godric's Hollow and, let's think, what happened there, Harry? Oh yes, You-Know-Who's snake turned up, it nearly killed both of us, and then You-Know-Who himself arrived and missed us by about a second. Imagine losing fingernails, Harry! That really puts our sufferings into perspective, doesn't it?
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
All day and all night my desire for you unwinds like a poisonous snake.
Samar Sen
Life is fair. We all get the same nine-month shake in the box, and then the dice roll. Some people get a run of sevens. Some people, unfortunately, get snake-eyes. Its just how the world is.
Stephen King (Full Dark, No Stars)
i want to give up my bearings, slip out of who i am, shed everything, the way a snake discards old skin.
Khaled Hosseini (And the Mountains Echoed)
What you are now is not what you’ve always been, nor is it what you always will be. You are a snake. Shed your skin if it no longer serves you. Transform into something different. Something better.
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
I did not design this game; I did not name the stakes. I just happen to like apples; and I am not afraid of snakes.
Ani DiFranco
When I carved this, my thoughts were on you, love. Your life is like this snake's coils. No matter how many turns it makes, you'll end up back where you belong. With me.
Maria V. Snyder (Magic Study (Study, #2))
When a man finds the woman he really loves, the one he respects and wants to call wife, there is nothing on earth he won't do for her. No mountain he won't hike. No river he won't wade. No door he won't open. She is Eve and there's not a snake crawling that can keep them apart.
Yolanda Joe
Can't stand all these poisonous creatures, all these snakes and insects and fish and things. Wretched things, biting everybody. And then people expect me to tell them what to do about it. I'll tell them what to do. Don't get bitten in the first place. (quoting Dr. Struan Sutherland)
Douglas Adams
Marriage is like putting your hand into a bag of snakes in the hope of pulling out an eel.
Leonardo da Vinci
But there's a juicy artery in your groin," he said after a pause to regroup, his voice as slithery as a snake on a slide. "Don't you talk dirty," I told him. "I won't listen to that.
Charlaine Harris (Dead Until Dark (Sookie Stackhouse, #1))
Snow lands on top
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
You're right. And so was my snake." Snake?" He pulled my arm out to expose my bracelet. "When I carved this my thoughts were on you, love. Your life is like this snake's coils. No matter how many turns it makes, you'll end up back where you belong. With me.
Maria V. Snyder
She led him past the engine room, which looked like a very dangerous, mechanized jungle gym, with pipes and pistons and tubes jutting from a central bronze sphere. Cables resembling giant metal noodles snaked across the floor and ran up the walls. “How does that thing even work?” Percy asked. “No idea,” Annabeth said. “And I’m the only one besides Leo who can operate it.” “That’s reassuring.” “It should be fine. It’s only threatened to blow up once.” “You’re kidding, I hope.” She smiled. “Come on.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I guess Satan was the first superhero [...] In his first adventure, he took the form of a snake to free two prisoners being held naked in a Third World jungle prison by an all-powerful megalomaniac. At the same time, he broadened their diet and introduced them to their own sexuality.
Joe Hill (Horns)
The world might indeed be a cursed circle; the snake swallowed its tail and there could be no end, only an eternal ruination and endless devouring.
Silvia Moreno-Garcia (Mexican Gothic)
I think there’s a natural goodness built into human beings. You know when you’ve stepped across the line into evil, and it’s your life’s challenge to try and stay on the right side of that line.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Snake people do not drink milk," Kekrops said. "We are lactose intolerant reptiles." "Me too!" Frank said. "I mean . . . lactose intolerant. Not a reptile. Though I can be a reptile sometimes-
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
That is the thing with giving your heart. You never wait for someone to ask. You hold it out and hope they want it
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
One school of thought says that the best way to handle an issue like this is exposure therapy," Mad Rogan said. "For example, if you're terrified of snakes, repeated handling of them will cure it." Aha. "I'm not handling your snake.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Who am I? the monster repeated, still roaring. I am the spine that the mountains hang upon! I am the tears that the rivers cry! I am the lungs that breathe the wind! I am the wolf that kills the stag, the hawk that kills the mouse, the spider that kills the fly! I am the stag, the mouse and the fly that are eaten! I am the snake of the world devouring its tail! I am everything untamed and untameable! It brought Conor up close to its eye. I am thils wild earth, come for you, Conor O'Malley. "You look like a tree," Conor said.
Patrick Ness (A Monster Calls)
I love you, Jonathan," she whispered. A long arm snaked around her, and he pulled her against his side. "I know," he said. "I just wanted to be sure you knew it, too.
Tamora Pierce (In the Hand of the Goddess (Song of the Lioness, #2))
Look, it's easy to outsmart a werewolf or a vampire," Jace said. "They're no smarter than anyone else. But faeries live for hundreds of years and they're as cunning as snakes. They can't lie, but they love to engage in creative truth-telling. They'll find out whatever it is you want most in the world and give it to you—with a sting in the tail of the gift that will make you regret you ever wanted it in the first place." He sighed. "They're not really about helping people. More about harm disguised as help.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
For these beings, fall is ever the normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth....Such are the autumn people.
Ray Bradbury
He fixed his dark eyes on her. 'I am Kekrops, the first and eternal king of Athens. I would welcome you to my city.' He held up the covered platter. ' Also, I brought a Bundt cake.' Piper glanced at her friends. 'A trick?' 'Probably?' Annabeth said. 'At least he brought dessert.' Percy smiled down at the snake guys. 'Welcome aboard!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
As Hazel marched down the hill, she cursed in Latin. Percy didn’t understand all of it, but he got son of a gorgon, power-hungry snake, and a few choice suggestions about where Octavian could stick his knife.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
I would be Medusa, if it came to it, I resolved. If the gods held me accountable one day for the sins of someone else, if they came for me to punish a man’s actions, I would not hide away like Pasiphae. I would wear that coronet of snakes, and the world would shrink from me instead.
Jennifer Saint (Ariadne)
You’ve no right to starve people, to punish them for no reason. No right to take away their life and freedom. Those are things everyone is born with, and they’re not yours for the taking. Winning a war doesn’t give you that right. Having more weapons doesn’t give you that right. Being from the Capitol doesn’t give you that right. Nothing does.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
...fool me once, shame on me…fool me twice…I deserved to get fucked over.
Derekica Snake (Tentacles for the Brides Bouquet)
I held out the painting of the cat and the snake. “It’s a cat and a snake,” Thoth said. Thank you, god of wisdom. You placed it for us to find, didn’t you? You’re trying to give us some sort of clue.” “Who, me?” Just kill him, Horus said. Shut up, I said. At least kill the guitar.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Before need, before love, came trust.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
He was clearly related to Declan: same nose, same dark eyebrows, same phenomenal teeth. But there was a carefully cultivated sense of danger to this Lynch brother. This was not a rattlesnake hidden in the grass, but a deadly coral snake striped with warning colors. Everything about him was a warning: If this snake bit you, you had no one to blame but yourself.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
It took a qualified wizard to detect a summoning in progress. It required only a half-literate idiot with a twitch of power and a dim idea of how to use it to attempt one. Before you knew it, a three-headed Slavonic god was wreaking havoc in downtown Atlanta, the skies were raining winged snakes, and SWAT was screaming for more ammo.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
What are lies but attempts to conceal some sort of weakness?
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
And try not to look down on people who had to choose between death and disgrace.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
The mind I love most must have wild places, a tangled orchard where dark damsons drop in the heavy grass, an overgrown little wood, the chance of a snake or two, a pool that nobody fathomed the depth of, and paths threaded with flowers planted by the mind.
Katherine Mansfield (Katherine Mansfield Notebooks: Complete Edition)
Do you have a favorite constalation, Percy?' I was still kind of wondering about the little green snakes he'd shoved into his jogging shorts, but i said. 'Uh, I like Hercules.' 'Why?' 'Well... because he had rotten luck. Even worse than mine. It makes me feel better." The jogger chuckled. 'Not because he was strong and famouse and all that?' 'No.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
If you’re listening to this, congratulations! You survived Doomsday. I’d like to apologize straightaway for any inconvenience the end of the world may have caused you. The earthquakes, rebellions, riots,tornadoes, floods, tsunamis, and of course the giant snake who swallowed the sun—I’m afraid most of that was our fault. Carter and I decided we should at least explain how it happened.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
You're mine and I'm yours. It's written in the stars.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
The skillful tactician may be likened to the shuai-jan. Now the shuai-jan is a snake that is found in the Ch'ang mountains. Strike at its head, and you will be attacked by its tail; strike at its tail, and you will be attacked by its head; strike at its middle, and you will be attacked by head and tail both.
Sun Tzu (The Art of War)
The strain of being a full-fledged adult every day had grown tiresome.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
So you speak French?" Isabelle sighed. "I wish I spoke another language. But Hodge never thought we needed to learn anything but ancient Greek and Latin, and nobody speaks those." "I also speak Russian and Italian. And some Romanian," Sebastian said with a modest smile. "I could teach you some phrases-" "Romanian? That's impressive," said Jace. "Not many people speak it." "Do you?" Sebastian asked with interest. "Not really," Jace said with a smile so disarming Simon knew he was lying. "My Romanian is pretty much limited to useful phrases like, 'Are these snakes poisonous?' and 'But you look much too young to be a police officer.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
There's more to someone being lovable than the way they look." "...he told me that the way you can tell if a bug or a snake is poisonous, like, is if it's got really lovely, bright markings. The more the beautiful its skin is, the more deadly it is." "All that pretty face and whatnot just hides how twisted up and rotten he is on the inside.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Like a snake sheds its skin, we are capable of getting rid of assembled habits, creating space to call matters into question. Instead of the Shakespearian " To be or not to be " we could favor " to become or not to become". By "becoming", we challenge the range of possibilities in our life and go beyond the merely "being". We can retreat, then, from the imprisonment of a deadly routine, acquire an identity and develop our personality. ( "Man without Qualities" )
Erik Pevernagie
Zane lay where he was, unable to move even if he’d wanted to. He snaked a hand across the short distance between them and slid his fingers into Ty’s. Ty’s hand closed around his with a gentle squeeze. “I just need to be able to trust you, Ty,” he whispered. “You can. I swear you can. I’d die for you, Zane.” Zane’s heart was in his throat as he studied Ty’s profile. “I know.
Abigail Roux (Touch & Geaux (Cut & Run, #7))
What are you doing now?" Al questioned "Seeing if your circumcision is gone? It is. My expression went blank, and Trent hesitated. He looked at me, and I put a hand to my mouth, face flaming. "Oh. My. God. Trent. I'm sorry" "Um" Trent said, clearly at a loss. "Call me tomorrow," Al said seriously, "I've got a curse that will take care of that. Unless you like the snake in a turtleneck look
Kim Harrison (Ever After (The Hollows, #11))
Wars are won by heads not hearts.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
It is much more sensible to be an optimist instead of a pessimist, for if one is doomed to disappointment, why experience it in advance?
Elizabeth Peters (The Snake, the Crocodile and the Dog (Amelia Peabody, #7))
There is a point to everything or nothing at all, depending on your worldview.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Kizzy wanted to be a woman who would dive off the prow of a sailboat into the sea, who would fall back in a tangle of sheets, laughing, and who could dance a tango, lazily stroke a leopard with her bare foot, freeze an enemy's blood with her eyes, make promises she couldn't possibly keep, and then shift the world to keep them. She wanted to write memoirs and autograph them at a tiny bookshop in Rome, with a line of admirers snaking down a pink-lit alley. She wanted to make love on a balcony, ruin someone, trade in esoteric knowledge, watch strangers as coolly as a cat. She wanted to be inscrutable, have a drink named after her, a love song written for her, and a handsome adventurer's small airplane, champagne-christened Kizzy, which would vanish one day in a windstorm in Arabia so that she would have to mount a rescue operation involving camels, and wear an indigo veil against the stinging sand, just like the nomads. Kizzy wanted.
Laini Taylor (Lips Touch: Three Times)
That was the only decision there was once upon a time: what to do with the night.
Harry Crews (A Feast of Snakes)
The show’s not over until the mockingjay sings,” she said. “The mockingjay?” He laughed. “Really, I think you’re just making these things up.” “Not that one. A mockingjay’s a bona fide bird,” she assured him. “And it sings in your show?” he asked. “Not my show, sweetheart. Yours. The Capitol’s anyway.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
A story is alive, as you and I are. It is rounded by muscle and sinew. Rushed with blood. Layered with skin, both rough and smooth. At its core lies soft marrow of hard, white bone. A story beats with the heart of every person who has ever strained ears to listen. On the breath of the storyteller, it soars. Until its images and deeds become so real you can see them in the air, shimmering like oases on the horizon line. A story can fly like a bee, so straight and swift you catch only the hum of its passing. Or move so slowly it seems motionless, curled in upon itself like a snake in the sun. It can vanish like smoke before the wind. Linger like perfume in the nose. Change with every telling, yet always remain the same.
Cameron Dokey
Favorite Quotations. I speak my mind because it hurts to bite my tongue. The worth of a book is measured by what you carry away from it. It's not over till it's over. Imagination is everything. All life is an experiment. What the caterpillar calls the end of the world, the master calls the butterfly.
Pat Frayne (Tales of Topaz the Conjure Cat: Part I Topaz and the Evil Wizard & Part II Topaz and the Plum-Gista Stone)
Independence is the luxury of all those people who are too confident, and busy, and popular, and attractive to be just plain old lonely. And make no mistake, lonely is absolutely the worst thing to be. Tell someone that you've got a drink problem, or an eating disorder, or your dad died when you were a kid even, and you can almost see their eyes light up with the sheer fascinating drama and pathos of it all, because you've got an issue, something for them to get involved in, to talk about and analyse and discuss and maybe even cure. But tell someone you’re lonely and of course they’ll seem sympathetic, but look very carefully and you'll see one hand snaking behind their back, groping for the door handle, ready to make a run for it, as if loneliness itself were contagious. Because being lonely is just so banal, so shaming, so plain and dull and ugly.
David Nicholls (Starter for Ten)
Beware of manufacturing a God of your own: a God who is all mercy, but not just; a God who is all love, but not holy; a God who has a heaven for every body, but a hell for none; a God who can allow good and bad to be side by side in time, but will make no distinction between good and broad in eternity. Such a God is an idol of your own, as truly an idol as any snake or crocodile in an Egyptian temple. The hands of your own fancy and sentimentality have made him. He is not the God of the Bible, and beside the God of the Bible there is no God at all.
J.C. Ryle
This sentence is made of lead (and a sentence of lead gives a reader an entirely different sensation from one made of magnesium). This sentence is made of yak wool. This sentence is made of sunlight and plums. This sentence is made of ice. This sentence is made from the blood of the poet. This sentence was made in Japan. This sentence glows in the dark. This sentence was born with a caul. This sentence has a crush on Norman Mailer. This sentence is a wino and doesn't care who knows it. Like many italic sentences, this one has Mafia connections. This sentence is a double Cancer with a Pisces rising. This sentence lost its mind searching for the perfect paragraph. This sentence refuses to be diagrammed. This sentence ran off with an adverb clause. This sentence is 100 percent organic: it will not retain a facsimile of freshness like those sentences of Homer, Shakespeare, Goethe et al., which are loaded with preservatives. This sentence leaks. This sentence doesn't look Jewish... This sentence has accepted Jesus Christ as its personal savior. This sentence once spit in a book reviewer's eye. This sentence can do the funky chicken. This sentence has seen too much and forgotten too little. This sentence is called "Speedoo" but its real name is Mr. Earl. This sentence may be pregnant. This sentence suffered a split infinitive - and survived. If this sentence has been a snake you'd have bitten it. This sentence went to jail with Clifford Irving. This sentence went to Woodstock. And this little sentence went wee wee wee all the way home.
Tom Robbins (Even Cowgirls Get the Blues)
Open your eyes.” Julia looked up into a pair of blue orbs that were startlingly clear and very emotional, but she could not decipher the emotions. He smiled and pressed his lips to her forehead again before rolling onto his back and gazing up at the stars. “What are you thinking?” She shifted herself so that she was curled up at his side, close to but not touching him with her body. “I was thinking about how I waited for you. I waited and waited, and you never came.” He smiled at her sadly. “I’m sorry, Gabriel.” “You’re here now. Apparuit iam beatitudo vestra.” “I don’t know what that means.” She sounded shy. “It means now your blessedness appears. But really, it should be now my blessedness appears. Now that you’re here.” He pulled her closer, snaking his arm beneath her neck and down to her waist where he splayed his hand, fingers wide, at the small of her back. “For the rest of my life, I’ll dream of hearing your voice breathe my name.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
The newcomer stood well over six feet, as tall as any Warden. His hair was dark, the color of obsidian, and it reflected blue in the dim light. Lazy locks slipped over his forehead and curled just below his ears. Brows arched over golden eyes and his cheekbones were broad and high. He was attractive. Very attractive. Mind-bendingly beautiful, actually, but the sardonic twist to his full lips chilled his beauty. The black T-shirt stretched across his chest and flat stomach. A huge tattoo of a snake curled around his forearm, the tail disappearing under his sleeve and the diamond-shaped head rested on the top of his hand. He looked my age. Total crush material—if it wasn’t for the fact that he had no soul.
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
The jogger sighed. He pulled out his phone and my eyes got big, because it glowed with a bluish light. When he extended the antenna, two creatures began writhing around it-green snakes, no bigger than earthworms. The jogger didn't seem to notice. He checked his LCD display and cursed. "I've got to take this. Just a sec ..." Then into the phone: "Hello?" He listened. The mini-snakes writhed up and down the antenna right next to his ear. Yeah," the jogger said. "Listen-I know, but... I don't care if he is chained to a rock with vultures pecking at his liver, if he doesn't have a tracking number, we can't locate his package....A gift to humankind, great... You know how many of those we deliver-Oh, never mind. Listen, just refer him to Eris in customer service. I gotta go.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
You can blame it on the circumstances, the environment, but you made the choices you made, no one else. It's a lot to take in all at once, but it's essential that you make an effort to answer that question. Who are human beings? Because who we are determines the type of governing we need. Later on, I hope you can reflect and be honest with yourself about that you learned tonight.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
If we go that way, it seems less like we’ll be shot for trespassing. We can’t be low profile because of your shirt.” “Aquamarine is a wonderful color, and I won’t be made to feel bad for wearing it,” Gansey said. But his voice was a bit thin, and he glanced back at the church again. Just then he looked younger than she’d ever seen him, his eyes narrowed, hair messed up, features unstudied. Young and, strangely enough, afraid. Blue thought: I can’t tell him. I can never tell him. I have to just try to stop it from happening. Then Gansey, suddenly charming again, flipped a hand in the direct of her purple tunic dress. “Lead the way, Eggplant.” She found a stick to poke at the ground for snakes before they set off through the grass. The wind smelled like rain, and the ground rumbled with thunder, but the weather held. The machine in Gansey’s hands blinked red constantly, only flickering to orange when they stepped too far away from the invisible line. “Thanks for coming, Jane,” Gansey said. Blue shot him a dirty look. “You’re welcome, Dick.” He looked pained. “Please don’t.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Lost really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing. There are objects and people that disappear from your sight or knowledge or possession; you lose a bracelet, a friend, the key. You still know where you are. Everything is familiar except that there is one item less, one missing element. Or you get lost, in which case the world has become larger than your knowledge of it. Either way, there is a loss of control. Imagine yourself streaming through time shedding gloves, umbrellas, wrenches, books, friends, homes, names. This is what the view looks like if you take a rear-facing seat on the train. Looking forward you constantly acquire moments of arrival, moments of realization, moments of discovery. The wind blows your hair back and you are greeted by what you have never seen before. The material falls away in onrushing experience. It peels off like skin from a molting snake. Of course to forget the past is to lose the sense of loss that is also memory of an absent richness and a set of clues to navigate the present by; the art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.
Rebecca Solnit (A Field Guide to Getting Lost)
Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way, he thought, they were right. The more coloredpeople spent their strength trying to convince them how gentle they were, how clever and loving, how human, the more they used themselves up to persuade whites of something Negroes believed could not be questioned, the deeper and more tangled the jungle grew inside. But it wasn’t the jungle blacks brought with them to this place from the other (livable) place. It was the jungle whitefolks planted in them. And it grew. It spread. In, through and after life, it spread, until it invaded the whites who had made it. Touched them every one. Changed and altered them. Made them bloody, silly, worse than even they wanted to be, so scared were they of the jungle they had made. The screaming baboon lived under their own white skin; the red gums were their own.
Toni Morrison (Beloved)
A pretty girl with butterfly clips in her dreadlocks put her hand on his arm. “You were amazing,” she told him, her voice fluting. “You have the reflexes of a striking snake. You should be a stuntman. Really, with your cheekbones, you should be an actor. A lot of people are looking for someone as pretty as you who’d do his own stunts.” Alec threw Magnus a terrified and beseeching look. Magnus took pity on him, putting a hand on the small of Alec’s back and leaning against him. His attitude and the glance he shot at the girl clearly communicated my date. “No offence,” said the girl, rapidly removing her hand so she could dig in her bag. “Let me give you my card. I work in a talent agency. You could be a star.” “He’s foreign,” Magnus told the girl. “He doesn’t have a social security number. You can’t hire him.” The girl regarded Alec’s bowed head wistfully. “That’s a shame. He could be huge. Those eyes!” “I realize he’s a knockout,” Magnus said. “But I am afraid I have to whisk him away. He is wanted by Interpol.” Alec shot him a strange look. “Interpol?” Magnus shrugged. “Knockout?” Alec said. Magnus raised an eyebrow at him. “You had to know I thought so. Why else would I agree to go on a date with you?
Cassandra Clare (The Course of True Love [and First Dates] (The Bane Chronicles, #10))
Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess — no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity — back of that morning, he had done nothing. They knew that it took him six days to make the earth — all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death. At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ. Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow? I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken — that there is no supernatural power that can answer prayer - no power that worship can persuade or change — no power that cares for man. Is there a God? I do not know. Is man immortal? I do not know. One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be. We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine — with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol 1: Lectures)
Giants isn't eating each other either, the BFG said. Nor is giants killing each other. Giants is not very lovely, but they is not killing each other. Nor is crockadowndillies killing other crockadowndillies. Nor is pussy-cats killing pussy-cats. 'They kill mice,' Sophie said. 'Ah, but they is not killing their own kind,' the BFG said. 'Human beans is the only animals that is killing their own kind.' 'Don't poisonous snakes kill each other?' Sophie asked. She was searching desperately for another creature that behaved as badly as the human. 'Even poisnowse snakes is never killing each other,' the BFG said. 'Nor is the most fearsome creatures like tigers and rhinostossterisses. None of them is ever killing their own kind. Has you ever thought about that?' Sophie kept silent. 'I is not understanding human beans at all,' the BFG said.' You is a human bean and you is saying it is grizzling and horrigust for giants to be eating human beans. Right or left?' 'Right,' Sophie said. 'But human beans is squishing each other all the time,' the BFG said. 'They is shootling guns and going up in aerioplanes to drop their bombs on each other's heads every week. Human beans is always killing other human beans.' He was right. Of course he was right and Sophie knew it. She was beginning to wonder whether humans were actually any better than giants. 'Even so,' she said, defending her own race, I' think it's rotten that those foul giants should go off every night to eat humans. Humans have never done them any harm.' 'That is what the little piggy-wig is saying every day,' the BFG answered. 'He is saying, "I has never done any harm to the human bean so why should he be eating me?'" 'Oh dear,' Sophie said. 'The human beans is making rules to suit themselves,' the BFG went on. 'But the rules they is making do not suit the little piggy-wiggies. Am I right or left?' 'Right,' Sophie said. 'Giants is also making rules. Their rules is not suiting the human beans. Everybody is making his own rules to suit himself.
Roald Dahl (The BFG)
The Doors The End This is the end, beautiful friend This is the end, my only friend The end of our elaborate plans The end of ev'rything that stands The end No safety or surprise The end I'll never look into your eyes again Can you picture what will be So limitless and free Desperately in need of some strangers hand In a desperate land Lost in a Roman wilderness of pain And all the children are insane All the children are insane Waiting for the summer rain There's danger on the edge of town Ride the king's highway Weird scenes inside the goldmine Ride the highway West baby Ride the snake Ride the snake To the lake To the lake The ancient lake baby The snake is long Seven miles Ride the snake He's old And his skin is cold The west is the best The west is the best Get here and we'll do the rest The blue bus is calling us The blue bus is calling us Driver, where you taking us? The killer awoke before dawn He put his boots on He took a face from the ancient gallery And he walked on down the hall He went into the room where his sister lived And then he paid a visit to his brother And then he walked on down the hall And he came to a door And he looked inside Father? Yes son I want to kill you Mother, I want to............. Come on, baby, take a chance with us Come on, baby, take a chance with us Come on, baby, take a chance with us And meet me at the back of the blue bus This is the end, beautiful friend This is the end, my only friend The end It hurts to set you free But you'll never follow me The end of laughter and soft lies The end of nights we tried to die This is the end
Jim Morrison (The Doors: The Complete Lyrics)