Snakes On Plane Quotes

We've searched our database for all the quotes and captions related to Snakes On Plane. Here they are! All 20 of them:

But I'll tell them of your other side, too. The side I saw sometimes when you spoke softly to the camel, and when you gently touched the leaves of the saltbush,only picking what you needed. And the times you rescued me. I will tell them how you chose prison rather than let me die. Because you did, didn't you? You knew, right from when that snake bit me, it was all over. When I asked you to stay with me in the plane, you did it knowing you were turning yourself in.
Lucy Christopher (Stolen (Stolen, #1))
Magnus stopped dead. The room was illuminated only by a reading lamp; all the other light came from outside the windows. Alec was painted with streetlights and moonlight, shadows curling around his biceps and the slender indentations of his collarbones, his torso all smooth, sleek, bare skin until the dark line of his jeans. There were runes on the flat planes of his stomach and the silvery scars of old Marks snaked around his ribs, with one on the ridge of his hip. His head was bowed, his hair black as ink, his luminously pale skin white as paper. He looked like a piece of art, chiaroscuro, beautifully and wonderfully made. Magnus had heard the story of how the Nephilim were created many times. They must have forgotten to leave out the bit that said: And the Angel descended from on high and gave his chosen ones fantastic abs.
Cassandra Clare (The Bane Chronicles)
QUALITIES There is a sun-star rising outside form. I am lost in that other. It's sweet not to look at two worlds, to melt in meaning as honey melts in milk. No one tires of following the soul. I don't recall now what happens on the manifest plane. I stroll with those I have always wanted to know, fresh and graceful as a water lily, or a rose. The body is a boat; I am waves swaying against it. Whenever it anchors somewhere, I smash it loose, or smash it to pieces. If I get lazy and cold, flames come from my ocean and surround me. I laugh inside them like gold purifying itself. A certain melody makes the snake put his head down on a line in the dirt....Here is my head, brother: What next! Weary of form, I come into qualities. Each says, "I am a blue-green sea. Dive into me!" I am Alexander at the outermost extension of empire, turning all my armies in toward the meaning of armies, Shams.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Soul of Rumi: A New Collection of Ecstatic Poems)
The plane suddenly accelerated, pushing us all back
John Conroe (Snake Eyes (Demon Accords, #11))
It’s just you always…” “Run,” I finish for him… I gaze up at him. Soft light plays over his striking features – the hard planes of his cheekbones, his strong jaw, the slight hook in his nose. “I’ll still run, Griffin. The difference now is that I’ll run to you.” He looks at me for a long time, his gray eyes inscrutable. “You’d better.” I arch an eyebrow. “Or you’ll spank me?
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
Spellbinders are characterized by pathological egotism. Such a person is forced by some internal causes to make an early choice between two possibilities: the first is forcing other people to think and experience things in a manner similar to his own; the second is a feeling of being lonely and different, a pathological misfit in social life. Sometimes the choice is either snake-charming or suicide. Triumphant repression of selfcritical or unpleasant concepts from the field of consciousness gradually gives rise to the phenomena of conversive thinking (twisted thinking), or paralogistics (twisted logic), paramoralisms (twisted morality), and the use of reversion blockades (Big Lies). They stream so profusely from the mind and mouth of the spellbinder that they flood the average person’s mind. Everything becomes subordinated to the spellbinder’s over-compensatory conviction that they are exceptional, sometimes even messianic. An ideology emerges from this conviction, true in part, whose value is supposedly superior. However, if we analyze the exact functions of such an ideology in the spellbinder’s personality, we perceive that it is nothing other than a means of self-charming, useful for repressing those tormenting selfcritical associations into the subconscious. The ideology’s instrumental role in influencing other people also serves the spellbinder’s needs. The spellbinder believes that he will always find converts to his ideology, and most often, they are right. However, they feel shock (or even paramoral indignation) when it turns out that their influence extends to only a limited minority, while most people’s attitude to their activities remains critical, pained and disturbed. The spellbinder is thus confronted with a choice: either withdraw back into his void or strengthen his position by improving the ef ectiveness of his activities. The spellbinder places on a high moral plane anyone who has succumbed to his influence and incorporated the experiential method he imposes. He showers such people with attention and property, if possible. Critics are met with “moral” outrage. It can even be proclaimed that the compliant minority is in fact the moral majority, since it professes the best ideology and honors a leader whose qualities are above average. Such activity is always necessarily characterized by the inability to foresee its final results, something obvious from the psychological point of view because its substratum contains pathological phenomena, and both spellbinding and self-charming make it impossible to perceive reality accurately enough to foresee results logically. However, spellbinders nurture great optimism and harbor visions of future triumphs similar to those they enjoyed over their own crippled souls. It is also possible for optimism to be a pathological symptom. In a healthy society, the activities of spellbinders meet with criticism effective enough to stifle them quickly. However, when they are preceded by conditions operating destructively upon common sense and social order; such as social injustice, cultural backwardness, or intellectually limited rulers sometimes manifesting pathological traits, spellbinders’ activities have led entire societies into large-scale human tragedy. Such an individual fishes an environment or society for people amenable to his influence, deepening their psychological weaknesses until they finally join together in a ponerogenic union. On the other hand, people who have maintained their healthy critical faculties intact, based upon their own common sense and moral criteria, attempt to counteract the spellbinders’ activities and their results. In the resulting polarization of social attitudes, each side justifies itself by means of moral categories. That is why such commonsense resistance is always accompanied by some feeling of helplessness and deficiency of criteria.
Andrew Lobabczewski
There's a million dark little corners in Baytowne for you two to snuggle-" "Ohmysweetgoodness, Chloe, stop!" I giggle and shiver at the same time and accidentally imagine walking around The Village in Baytowne Wharf with Galen. The Village is exactly that-a sleepy little village of tourist shops in the middle of a golf-course resort. During the daytime anyway. At night though...that's when the dance club wakes up and opens its doors to all the sunburned partiers roaming the cobblestoned walkways with their daiquiris. Galen would look great under the twinling lights, even with a shirt on... Chloe smirks. "Uh-huh. Already thought of that, huh?" "No!" "Uh-huh. Then why are your cheeks as red as hot sauce?" "Nuh-uh!" I laugh. She does, too. "You want me to go ask him to meet us, then?" I nod. "How old do you think he is?" She shrugs. "Not creepy-old. Old enough for me to be jailboat, though. Lucky for him, you just turned eighteen...What the...did you just kick me?" She peers into the water, wswipes her hand over the surface as if clearing away something to see better. "Something just bumped me.” She cups her hands over her eyes and squints, leaving down so close that one good wave could slap her chin. The concentration on her face almost convinces me. Almost. But I grew up with Chloe-we’ve been next-door neighbors since the third grade. I’ve grown used to fake rubber snakes on my front porch, salt in the sugar dish, and Saran wrap spread across the toilet seat-well, actually, Mom fell prey to that one. The point is Chloe loves pranks almost as much as she loves running. And this is definitely a prank. “Yep, I kicked you,” I tell her, rolling my eyes. “But…but you can’t reach me, Emma. My legs are longer than yours, and I can’t reach you…There it is again! You didn’t feel that?” I didn’t feel it, but I did see her leg twitch. I wonder how long she’s been planning this. Since we got here? Since we boarded the plane in Jersey? Sine we turned twelve?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.” Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair. “You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry. She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.” Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.” She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength. Physics were on her side. Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash. Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter. A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly. He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies. “What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights. “Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended. He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!” “I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.” Indignant, her mouth opened, ready to skewer him. But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
Laura Moore (Night Swimming: A Novel)
Using the satellite phone connection, I finally reached Croc One. The captain, Kris, was in tears. I finally tracked down John Stainton, and he assured me that he hadn’t left Steve’s side. “I’ve got a charter plane coming,” John said. “I’ll get him home, Terri.” I asked about Steve’s personal effects. Steve had had on his khakis and wet-suit boots while he was diving, but because he had no jewelry or anything of value, the medical examiner had destroyed all his clothing. I was devastated. It’s completely unpredictable what one will hold dear in a time of grief, particularly in the case of an accident. I remember thinking, I’ve got to sit down with the powers that be and change these regulations. The family should decide what should be destroyed and what should be kept. I needed to focus on something other than losing Steve. That fact was just too hard to get my head around. As John arranged to bring Steve home, the media pressure steadily increased. I told Wes I wanted to go meet the plane, but that I wouldn’t take the kids. This was my time to be with my soul mate, and I needed to do it on my own. I headed out with a police escort. The Queensland police were considerate and professional, and an officer named Annie was personally assigned to make sure the overwhelming media attention did not interfere with my private moment to say good-bye to Steve. Wes accompanied me. It was night. As the seaplane came in, I recognized it as the same one that had taken Steve on many South Pacific adventures, in search of sea snakes, crested iguanas, or sharks. The ranks of police stood at attention. Many of them had met Steve previously. Once again, I was overwhelmed to see the looks of grief on their faces. The plane landed, and I had a moment to sit with Steve on my own. It was a bit of an effort to clamber up into the back of the plane. A simple wooden casket rested inside, still secured. I knew that who Steve was, his spirit and his soul, were no longer there, but it was strange how I couldn’t cry. I sat down and leaned my head against the wooden box that held his body and felt such strange peace. In some way, we were together again.
Terri Irwin (Steve & Me)
As John arranged to bring Steve home, the media pressure steadily increased. I told Wes I wanted to go meet the plane, but that I wouldn’t take the kids. This was my time to be with my soul mate, and I needed to do it on my own. I headed out with a police escort. The Queensland police were considerate and professional, and an officer named Annie was personally assigned to make sure the overwhelming media attention did not interfere with my private moment to say good-bye to Steve. Wes accompanied me. It was night. As the seaplane came in, I recognized it as the same one that had taken Steve on many South Pacific adventures, in search of sea snakes, crested iguanas, or sharks. The ranks of police stood at attention. Many of them had met Steve previously. Once again, I was overwhelmed to see the looks of grief on their faces. The plane landed, and I had a moment to sit with Steve on my own. It was a bit of an effort to clamber up into the back of the plane. A simple wooden casket rested inside, still secured. I knew that who Steve was, his spirit and his soul, were no longer there, but it was strange how I couldn’t cry. I sat down and leaned my head against the wooden box that held his body and felt such strange peace. In some way, we were together again.
Terri Irwin (Steve & Me)
I have had it with these motherfucking snakes on this motherfucking plane!
Samuel L. Jackson
Nothing moves in India without a bribe, and bribes had been demanded of me in China, Africa, Brazil, Pakistan, and Turkey. As I was seated in a cubicle in the immigration office of Ngurah Rai Airport in Denpasar, Bali, a frowning man in a uniform loomed over me and said, “Give me what I want or I put you on the next plane to Kuala Lumpur.” (I gave him $120.) I’d had my wits about me in those places.
Paul Theroux (On The Plain Of Snakes: A Mexican Journey)
He then pointed to the right, and I turned to look. Exactly on cue, something massive came around the corner: a snaking, vehicular army that included a phalanx of police cars and motorcycles, a number of black SUVs, two armored limousines with American flags mounted on their hoods, a hazmat mitigation truck, a counterassault team riding with machine guns visible, an ambulance, a signals truck equipped to detect incoming projectiles, several passenger vans, and another group of police escorts. The presidential motorcade. It was at least twenty vehicles long, moving in orchestrated formation, car after car after car, before finally the whole fleet rolled to a quiet halt, and the limos stopped directly in front of Barack’s parked plane. I turned to Cornelius. “Is there a clown car?” I said. “Seriously, this is what he’s going to travel with now?” He smiled. “Every day for his entire presidency, yes,” he said. “It’s going to look like this all the time.” I took in the spectacle: thousands and thousands of pounds of metal, a squad of commandos, bulletproof everything. I had yet to grasp that Barack’s protection was still only half-visible. I didn’t know that he’d also, at all times, have a nearby helicopter ready to evacuate him, that sharpshooters would position themselves on rooftops along the routes he traveled, that a personal physician would always be with him in case of a medical problem, or that the vehicle he rode in contained a store of blood of the appropriate type in case he ever needed a transfusion. In a matter of weeks, just ahead of Barack’s inauguration, the presidential limo would be upgraded to a newer model—aptly named the Beast—a seven-ton tank disguised as a luxury vehicle, tricked out with hidden tear-gas cannons, rupture-proof tires, and a sealed ventilation system meant to get him through a biological or chemical attack.
Michelle Obama (Becoming)
Q: Where does a sailor go when he’s sick? A: To the dock. Q: Why did the robin get a library card? A: It was hoping to find some bookworms. Q: Why did the pilot paint his jet? A: He thought it was too plane. Q: What did the girl snake say to the boy snake? A: “Will you be my boa-friend?” Q: How do artists get to work? A: They go over the drawbridge.
Rob Elliott (Laugh-Out-Loud: The 1,001 Funniest LOL Jokes of All Time (Laugh-Out-Loud Jokes for Kids))
In the past two hundred years, human numbers grew to over seven billion, and our species began to transform the oceans, the land, and the air. Human-built roads, canals, and railways snaked across the continents, linking thousands of human-built cities with populations in the millions. Vast ships navigated the oceans, and planes ferried goods and people through the air and across the continents. Just a hundred years ago, in glowing filaments and patches, Earth started lighting up at night.
David Christian (Origin Story: A Big History of Everything)
Calmer again, he looked out to see he was sandwiched below the cloud and above the fog. There was no way the helicopter would see him here. The cabin was nearer, but he was still too far above it and night was getting closer. He had to keep going. He plucked another couple of limbs from a tree. The pine scent thrilled his senses. He was alive. Norman half walked, half skidded down the slope until eventually it began to widen and the gradient relaxed. He found Sandra a little further down, tall spruces surrounding the patch of snow where she lay. Norman’s seat from the plane was just above her. Her eyes were open but she was stiff and dead. He covered her body with twigs then moved on. Now that the slope was shallow enough for him to control his descent, he slid on his bottom down the apron for at least 300 m (1,000 ft). He made his way down into a narrow and twisted gulch in front of the huge ridge he had seen earlier. Carefully he avoided the ice-covered stream that snaked below him. Get wet, you get hypothermia, you die.
Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
The checkerboarded fields of the Imperial Valley were refreshingly green with irrigated crops. Then the highline canal stretched like a huge snake below the plane and immediately the desert took over. It was as abrupt as that. Below the highline canal irrigation had turned the desert into a rich, fertile area. On the other side of the canal there was nothing but sand and a long straight ribbon of paved highway.
Erle Stanley Gardner (The Case of the Amorous Aunt (Perry Mason #69))
A battle between two worlds. She realised that St. Mawr drew his hot breaths in another world from Rico's, from our world. Perhaps the old Greek horses had lived in St. Mawr's world. And the old Greek heroes, even Hippolytus, had known it. With their strangely naked equine heads, and something of a snake in their way of looking round, and lifting their sensitive, dangerous muzzles, they moved in a prehistoric twilight where all things loomed phantasmagoric, all on one plane, sudden presences suddenly jutting out of the matrix. It was another world, an older, heavily potent world. And in this world the horse was swift and fierce and supreme, undominated and unsurpassed.--"Meet him half-way," Lewis said. But half-way across from our human world to that terrific equine twilight was not a small step. It was a step, she knew, that Rico could never take. She knew it. But she was prepared to sacrifice Rico.
DH Lawrence
Kilometa mbili na ushei kidogo kutoka katika sanamu la Yesu Mtoto liitwalo Niñopa, katika Kanisa la Parokia ya Manispaa ya Xochimilco ('Sochimiliko') la Iglesia de San Bernardino de Siena, Mexico City, kulikuwa na nyumba ndogo ya siri ('safe house') ya Kolonia Santita iliyojengwa bila uzio wa ukuta au seng’enge isipokuwa miti iliyopandwa kuizunguka bila mpangilio wowote. Ndani ya nyumba hiyo Mpelelezi Maarufu Duniani John Murphy alikuwa akiteswa na magaidi kumi na mbili; waliokuwa wakiendelea kushangaa jinsi alivyookoka katika ajali ya ndege iliyoua watu zaidi ya mia tatu huko Uholanzi, na jinsi alivyoweza kuingia katika ofisi ya siri ya Panthera Tigrisi, kitu kilichomchanganya akili Tigrisi na makompade wote wa Kolonia Santita duniani kote. Bila Mtoto wa Rais wa Meksiko Debbie Patrocinio Abrego, na mwanasesere wa nyoka wa Mtoto wa Mwanasheria Mkuu wa Serikali Lisa Madrazo Graciano, John Murphy angeanguka.
Enock Maregesi
John Vernall lifted up his head, the milk locks that had given him his nickname stirring in the third floor winds, and stared with pale grey eyes out over Lambeth, over London. Snowy's dad had once explained to him and his young sister Thursa how by altering one's altitude, one's level on the upright axis of this seemingly three-planed existence, it was possible to catch a glimpse of the elusive fourth plane, the fourth axis, which was time. Or was at any rate, at least in Snowy's understanding of their father's Bedlam lectures, what most people saw as time from the perspective of a world impermanent and fragile, vanished into nothingness and made anew from nothing with each passing instant, all its substance disappeared into a past that was invisible from their new angle and which thus appeared no longer to be there. For the majority of people, Snowy realised, the previous hour was gone forever and the next did not exist yet. They-were trapped in their thin, moving pane of Now: a filmy membrane that might fatally disintegrate at any moment, stretched between two dreadful absences. This view of life and being as frail, flimsy things that were soon ended did not match in any way with Snowy Vernall's own, especially not from a glorious vantage like his current one, mucky nativity below and only reefs of hurtling cloud above. His increased elevation had proportionately shrunken and reduced the landscape, squashing down the buildings so that if he were by some means to rise higher still, he knew that all the houses, churches and hotels would be eventually compressed in only two dimensions, flattened to a street map or a plan, a smouldering mosaic where the roads and lanes were cobbled silver lines binding factory-black ceramic chips in a Miltonic tableau. From the roof-ridge where he perched, soles angled inwards gripping the damp tiles, the rolling Thames was motionless, a seam of iron amongst the city's dusty strata. He could see from here a river, not just shifting liquid in a stupefying volume. He could see the watercourse's history bound in its form, its snaking path of least resistance through a valley made by the collapse of a great chalk fault somewhere to the south behind him, white scarps crashing in white billows a few hundred feet uphill and a few million years ago. The bulge of Waterloo, off to his north, was simply where the slide of rock and mud had stopped and hardened, mammoth-trodden to a pasture where a thousand chimneys had eventually blossomed, tarry-throated tubeworms gathering around the warm miasma of the railway station. Snowy saw the thumbprint of a giant mathematic power, untold generations caught up in the magnet-pattern of its loops and whorls. On the loose-shoelace stream's far side was banked the scorched metropolis, its edifices rising floor by floor into a different kind of time, the more enduring continuity of architecture, markedly distinct from the clock-governed scurry of humanity occurring on the ground. In London's variously styled and weathered spires or bridges there were interrupted conversations with the dead, with Trinovantes, Romans, Saxons, Normans, their forgotten and obscure agendas told in stone. In celebrated landmarks Snowy heard the lonely, self-infatuated monologues of kings and queens, fraught with anxieties concerning their significance, lives squandered in pursuit of legacy, an optical illusion of the temporary world which they inhabited. The avenues and monuments he overlooked were barricades' against oblivion, ornate breastwork flung up to defer a future in which both the glorious structures and the memories of those who'd founded them did not exist.
Alan Moore (Jerusalem, Book One: The Boroughs (Jerusalem, #1))