Snake Bite Quotes

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Can't stand all these poisonous creatures, all these snakes and insects and fish and things. Wretched things, biting everybody. And then people expect me to tell them what to do about it. I'll tell them what to do. Don't get bitten in the first place. (quoting Dr. Struan Sutherland)
Douglas Adams
She was the snake biting its tail. She was a dreamer, eternally bound to a nightmare, eyes closed even when her eyes had turned to dust.
Silvia Moreno-Garcia (Mexican Gothic)
I'm not the one who's so far away When I feel the snake bite enter my veins. Never did I wanna be here again, And I don't remember why I came.
Sully Erna
It took a qualified wizard to detect a summoning in progress. It required only a half-literate idiot with a twitch of power and a dim idea of how to use it to attempt one. Before you knew it, a three-headed Slavonic god was wreaking havoc in downtown Atlanta, the skies were raining winged snakes, and SWAT was screaming for more ammo.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Favorite Quotations. I speak my mind because it hurts to bite my tongue. The worth of a book is measured by what you carry away from it. It's not over till it's over. Imagination is everything. All life is an experiment. What the caterpillar calls the end of the world, the master calls the butterfly.
Pat Frayne (Tales of Topaz the Conjure Cat: Part I Topaz and the Evil Wizard & Part II Topaz and the Plum-Gista Stone)
I would pay snakes to bite her.
Chuck Palahniuk (Invisible Monsters)
You can't keep snakes in your backyard and expect them only to bite your neighbors. You know, eventually those snakes are going to turn on whoever has them in the backyard.
Hillary Rodham Clinton
Goodness! Golly! Good God! Blessed Allah! Zeus and Hera! Mary and Joseph! Nathaniel Hawthorne! Don't touch her! Grab her! Move closer! Run away! Don't move! Kill the snake! Leave it alone! Give it some food! Don't let it bite her! Lure the snake away! Here, snakey! Here, snakey snakey!
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
I coiled my empty straw wrapper around like a snake. Then I bit it before it could bite me. My love is as dangerous as my drinking habits.

Jarod Kintz (Love quotes for the ages. And the ageless sages.)
You can throw glitter on a snake, but the bitch still bites.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
To the unspoiled, even a snikebite is a loving kiss. But to the spoiled even a loving kiss is a snake bite.
Mikhail Naimy (The Book of Mirdad: The Strange Story of a Monastery Which Was Once Called The Ark)
Remember, it isn't the snake bite that does the serious damage; it's chasing the snake that drives the poison to the heart.
Stephen R. Covey
What are the chances of a cobra biting Harold, Jeeves?" "Slight, I should imagine, sir. And in such an event, knowing the boy as intimately as I do, my anxiety would be entirely for the snake.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
I never understood why the sickest of humanity go out of their way to appear the prettiest. You can throw glitter on a snake, but the bitch still bites.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
You know, you can touch a stick of dynamite, but if you touch a venomous snake it’ll turn around and bite you and kill you so fast it’s not even funny.
Steve Irwin
Like a falling star, he descended on the Tarbh Cró, a Cassiline berserker, his sword biting and slashing like a silver snake.
Jacqueline Carey (Kushiel's Dart (Phèdre's Trilogy, #1))
You lie down with snakes, you get up with the urge to bite back. All I’m saying.
Barbara Kingsolver (Demon Copperhead)
Are you afraid of that?” they asked. “Of death?” “Of course,” Mosscap said. “All conscious things are. Why else do snakes bite? Why do birds fly away? But that’s part of the lesson too, I think. It’s very odd, isn’t it? The thing every being fears most is the only thing that’s for certain? It seems almost cruel, to have that so…” “So baked in?” “Yes.
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
A snake bites your ankle. Recoiling, you scream. Fearing poison, your mind slips into a dream... ...where a man bites your ankle. Expecting no guile, 'Again' softly falls from your lips with a smile. Yet the man and the snake are the same. Your perception is only to blame.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Agnes. Driven to madness, driven to anger, driven to despair, and even now a sliver of that woman remained, and that sliver was still screaming in agony. She was the snake biting its tail.
Silvia Moreno-Garcia (Mexican Gothic)
I might be ready to embrace a snake, but, if one comes to bite you, I should kill it and protect you.
Mahatma Gandhi (Bhagavad Gita According to Gandhi(tr))
I picked up a snake once. In Italy." "Why did you do that?" "For a bet." "Was it poisonous?" "We didn't know. That was the point of the bet." "Did it bite you?" "Of course." "Why of course?" "It wouldn't be much of a story, would it? If I'd put it down unharmed, and away it slid?
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Someone has to pay. Somewhere, somehow, someone has to pay. When a snake bites your children, you don't go and look for the snake that has blood on it's jaws, any old snake will do. Any old snake will do!
Malcolm X
At times Maharajji’s behavior reminds me of a story Ramakrishna tells of a saint who asked a snake not to bite but to love everyone. The snake agreed. But then many people threw things at the snake. The saint found the snake all battered. “I didn’t say not to hiss,” said the saint.
Ram Dass (Miracle of Love: Stories about Neem Karoli Baba)
First, picture the forest. I want you to be its conscience, the eyes in the trees. The trees are columns of slick, brindled bark like muscular animals overgrown beyond all reason. Every space is filled with life: delicate, poisonous frogs war-painted like skeletons, clutched in copulation, secreting their precious eggs onto dripping leaves. Vines strangling their own kin in the everlasting wrestle for sunlight. The breathing of monkeys. A glide of snake belly on branch. A single-file army of ants biting a mammoth tree into uniform grains and hauling it down to the dark for their ravenous queen. And, in reply, a choir of seedlings arching their necks out of rotted tree stumps, sucking life out of death. This forest eats itself and lives forever.
Barbara Kingsolver (The Poisonwood Bible)
And so I began to read,' Sorkar said. 'And at first the complete works were like a jungle, the language was quicksand. Metaphors turned beneath my feet and became biting snakes, similes fled from my grasp like frightened deer, taking all meaning with them. All was alien, and amidst the hanging, entangling creepers of this foreign grammar, all sound became a cacophany. I feared for myself, for my health and sanity, but then I thought of my purpose, of where I was and who I was, of pain and I pressed on.
Vikram Chandra (Red Earth and Pouring Rain)
I hate and fear snakes, because if you look into the eyes of any snake you will see that it knows all and more of the mystery of man's fall, and that it feels all the contempt that the Devil felt when Adam was evicted from Eden. Besides which its bite is generally fatal, and it twists up trouser legs. ("The Return Of Imray")
Rudyard Kipling
If you step in a nest of snakes, does it matter which one bites you first?
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
There are two basic types of panicking: standing still and no saying a world, and leaping all over the place babbling anything that come into your head. Mr. Poe was the leaping-and-babbling king. Klaus and Sunny had never seen the banker move so quickly or talk in such a high pitched voice. 'Goodness!' he cried. 'Golly! Good God! Blessed Allah! Zeus and Hera! Mary and Joseph! Nathaniel Hawthorne! Don't touch her! Grab her! Move closer! Run away! Don't move! Kill the snake! Leave it alone! Give it some food! Don't let it bite her!Lure the snake away! Here, snakey! Here, snakey snakey!
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved. Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said. Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe. The ragged sound cut through the apartment again. “What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air. Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape. “I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand. “I thought we were clear that night was for sleeping.” Ronan shrugged. “Perhaps for you.” “Not tonight. Your pterodactyl woke me. Why is it making that sound?” In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex. “Well, this is not going to do,” he said. “You’re going to have to make it stop.” “She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.” “Can’t you keep her downstairs?” In reply, Ronan half-lifted the little bird toward him. “You tell me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
In her book Anger: The Misunderstood Emotion, Carol Tavris recounts a story about a Bengali cobra that liked to bite passing villagers. One day a swami—a man who has achieved self-mastery—convinces the snake that biting is wrong. The cobra vows to stop immediately, and does. Before long, the village boys grow unafraid of the snake and start to abuse him. Battered and bloodied, the snake complains to the swami that this is what came of keeping his promise. “I told you not to bite,” said the swami, “but I did not tell you not to hiss.” “Many people, like the swami’s cobra, confuse the hiss with the bite,” writes Tavris.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
How is it possible to live? Life is so hard?’ ‘You must be harder than life, Firdaus. Life is very hard. The only people who really live are those who are harder than life itself.’ ‘But you are not hard, Sharifa, so how do you manage to live?’ ‘I am hard, terribly hard, Firdaus.’ ‘No, you are gentle and soft.’ ‘My skin is soft, but my heart is cruel, and my bite deadly.’ ‘Like snake?’ ‘Yes, exactly like a snake. Life is a snake. They are the same, Firdaus. If the snake realises you are not a snake, it will bite you. And if life knows you have no sting, it will devour you.
Nawal El Saadawi (Woman at Point Zero)
I think out of seven billion people, there is probably more than just one soul mate. Surely, the paid employee in charge of each person's love life has taken into account the possibility of fatal snake bites and heavy falling objects.
Augusten Burroughs
If you step in a nest of snakes, does it matter who bites you first?
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Let the snake that bit you bite me back. Let it bite me on the lip. Die with me.
André Aciman (Enigma Variations)
I look. I. Look. And it is large. Are they all this large? And hard. Oh my god. Desire snakes through me like a poison, and I can’t look away.
Lily Archer (Bite of Winter (Fae's Captive, #3))
I AM ROWING (a hex poem) i have cursed your forehead, your belly, your life i have cursed the streets your steps plod through the things your hands touch i have cursed the inside of your dreams i have placed a puddle in your eye so that you cant see anymore an insect in your ear so that you cant hear anymore a sponge in your brain so that you cant understand anymore i have frozen you in the soul of your body iced you in the depths of your life the air you breathe suffocates you the air you breathe has the air of a cellar is an air that has already been exhaled been puffed out by hyenas the dung of this air is something no one can breathe your skin is damp all over your skin sweats out waters of great fear your armpits reak far and wide of the crypt animals drop dead as you pass dogs howl at night their heads raised toward your house you cant run away you cant muster the strength of an ant to the tip of your feet your fatigue makes a lead stump in your body your fatigue is a long caravan your fatigue stretches out to the country of nan your fatigue is inexpressible your mouth bites you your nails scratch you no longer yours, your wife no longer yours, your brother the sole of his foot bitten by an angry snake someone has slobbered on your descendents someone has drooled in the mouth of your laughing little girl someone has walked by slobbering all over the face of your domain the world moves away from you i am rowing i am rowing i am rowing against your life i am rowing i split into countless rowers to row more strongly against you you fall into blurriness you are out of breath you get tired before the slightest effort i row i row i row you go off drunk tied to the tail of a mule drunkenness like a huge umbrella that darkens the sky and assembles the flies dizzy drunkenness of the semicircular canals unnoticed beginnings of hemiplegia drunkeness no longer leaves you lays you out to the left lays you out to the right lays you out on the stony ground of the path i row i row i am rowing against your days you enter the house of suffering i row i row on a black blinfold your life is unfolding on the great white eye of a one eyed horse your future is unrolling I AM ROWING
Henri Michaux
And, turning, he strode out of the prima donna’s dressing room. I, for my part, stood there in silence for a moment—then looked down at the snake. ‘You know, I think I understand your choice of lifestyle. Strangling people to death is so much more satisfying that just poisoning them with a little bite.
Robert Thier
He who has lived and thought can't help despising people in his soul; him who has felt disturbs the ghost of irrecoverable days; for him there are no more enchantments; him does the snake of memories, him does repentance bite.
Alexander Pushkin (Eugene Onegin)
Even if we believe in non-violence, it would not be proper for us to refuse, through cowardice, to protect the weak. I might be ready to embrace a snake, but, if it comes to bite you, I would kill it to protect you. If Arjuna had forgotten the difference between kinsmen and others and had been so filled with the spirit of non-violence so as to bring about a change of heart in Duryodhana, he would have been another Shri Krishna. However, he believed Duryodhana to be wicked.
Mahatma Gandhi (Bhagavad Gita According to Gandhi)
All right, he told the snake. I’ll tell you what I’m goin to do. I’m fixin to let you go. But the only people you can go into the world and bite are my enemies. Folks with guns and badges, khaki britches. Prison guards with shotguns. Lawyers, no limit on them. Maybe an undertaker or a insurance salesman every now and then. But no kids. No kids and no folks just tryin to scratch out a livin. You bite one of them, just one, and it’s me and you, I’ll be on your ass like a plague, I’ll finish what I started.
William Gay (Provinces of Night)
People get bitten. But I won't.' I found myself saying, 'You will, you will. These snakes don't know you find death inconceivable. They don't know you're young and strong and you think death applies to everyone but you. They will bite you and you will die.
Don DeLillo (White Noise)
every predator loves easy prey. Her lip curled, baring fangs that there was no one there to see. Because she wasn’t prey. In the vamp world, she was pretty much the apex predator, the mongoose to his snake. And she was about to Rikki Tikki Tavi his ass. Dory
Karen Chance (Zombie's Bite (Dorina Basarab #0.1))
I bite off the fingers and spit them out. Lord Loss screams obligingly. One of the snakes digs its fangs into my bald skull and rips out a chunk of flesh. I snatch the snake from its heartless home and chew its head off. I'm starting to enjoy this biting business.
Darren Shan (Demon Apocalypse (The Demonata, #6))
A war raged inside her, one she held back, biting it off like a poisonous snake with disturbing self-control.
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
You see de rattlesnake in de woods?' Dey say, 'Yeah.' I say 'If you bother wid him, he bite you. If you know de snake killee you, why you bother wid him?' (Oluale Kossula)
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
Maybe’ is a hook to catch the unwary,” said Sumi. “Maybe it’s going to be better tomorrow. Maybe the snake won’t bite. Maybe the mushroom won’t be poisonous this time.
Seanan McGuire (Mislaid in Parts Half-Known (Wayward Children, #9))
It’s like Abuela says: Every snake always thinks it’s biting into a rat until the day it bites into a mongoose. That
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
You never die from a snake bite, you can't be unbitten it's in the way, what continues to pour through you long after the bite has taken place.
Bob Proctor
I feel to that the gap between my new life in New York and the situation at home in Africa is stretching into a gulf, as Zimbabwe spirals downwards into a violent dictatorship. My head bulges with the effort to contain both worlds. When I am back in New York, Africa immediately seems fantastical – a wildly plumaged bird, as exotic as it is unlikely. Most of us struggle in life to maintain the illusion of control, but in Africa that illusion is almost impossible to maintain. I always have the sense there that there is no equilibrium, that everything perpetually teeters on the brink of some dramatic change, that society constantly stands poised for some spasm, some tsunami in which you can do nothing but hope to bob up to the surface and not be sucked out into a dark and hungry sea. The origin of my permanent sense of unease, my general foreboding, is probably the fact that I have lived through just such change, such a sudden and violent upending of value systems. In my part of Africa, death is never far away. With more Zimbabweans dying in their early thirties now, mortality has a seat at every table. The urgent, tugging winds themselves seem to whisper the message, memento mori, you too shall die. In Africa, you do not view death from the auditorium of life, as a spectator, but from the edge of the stage, waiting only for your cue. You feel perishable, temporary, transient. You feel mortal. Maybe that is why you seem to live more vividly in Africa. The drama of life there is amplified by its constant proximity to death. That’s what infuses it with tension. It is the essence of its tragedy too. People love harder there. Love is the way that life forgets that it is terminal. Love is life’s alibi in the face of death. For me, the illusion of control is much easier to maintain in England or America. In this temperate world, I feel more secure, as if change will only happen incrementally, in manageable, finely calibrated, bite-sized portions. There is a sense of continuity threaded through it all: the anchor of history, the tangible presence of antiquity, of buildings, of institutions. You live in the expectation of reaching old age. At least you used to. But on Tuesday, September 11, 2001, those two states of mind converge. Suddenly it feels like I am back in Africa, where things can be taken away from you at random, in a single violent stroke, as quick as the whip of a snake’s head. Where tumult is raised with an abruptness that is as breathtaking as the violence itself.
Peter Godwin (When a Crocodile Eats the Sun: A Memoir of Africa)
Hekate smacked the mirror down. "I'd never fancy you," she retorted to Hermes. "And if you ever try to kiss me, I'll--I'll keep a snake hidden in my clothes and make it bite you. On the lips. And on both ears." "See, your threats are still age twelve," Hermes said. "I'll help you work on that.
Molly Ringle (Underworld's Daughter (The Chrysomelia Stories, #2))
I myself have always found that if I examine something, it's less scary. I grew up in the West, and we always had this theory that if you saw - if you kept the snake in you eye line, the snake wasn't going to bite you. And that's kind of way I feel about confronting pain. I want to know where it is.
Joan Didion
Me and the moon, the moon and me When all the world gives up on me When everyone thinks bad about me I still have the moon, it`s me and the moon It`s always the moon and me So I have to keep running, keep running Can`t stop in case I bite someone Keep running, keep running I thought I was good and then I looked down My shaggy coat, my wolfy paws I`m bad as a snake and meaner than grit Don`t try to stop me `cause you will get bit Let me keep running I`m running for the moon, up to the moon Where I can be good When all the world gives up on me When everyone thinks bad about me I still have the moon, it`s me and the moon Mostly it`s me and the moon
Cressida Cowell (Twice Magic (The Wizards of Once, #2))
I also said no to a first-aid kit, sewing kit, anti-snake-bite kit, $12 emergency whistle, and small orange plastic shovel for burying one’s poop, on the grounds that these were unnecessary, too expensive, or invited ridicule.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
He who has lived and thought can't help despising people in his soul; him who has felt disturbs the ghost of irrecoverable days; for him there are no more enchantments; him does the snake of memories, him does repentance bite.
Alexander Pushkin (Eugene Onegin)
Well, consider then, boy. Any man saves fingernail clippings is a fool. You ever see a snake bother to keep his peeled skin? That's about all you got here today in this bed is fingernails and snake skin. One good breath would send me up in flakes. Important thing is not the me that's lying here, but the me that's sitting on the edge of the bed looking back at me, and the me that's downstairs cooking supper, or out in the garage under the car, or in the library reading. All the new parts, they count. I'm not really dying today. No person ever died that had a family. I'll be around a long time. A thousand years from now a whole township of my offspring will be biting sour apples in the gumwood shade.
Ray Bradbury (Dandelion Wine)
Zarathustra is the prophet of the Church of the Serpent. He himself was distinctly serpentine. Nietzsche is one of the snake philosophers. He has venom towards the weak and the meek. He has the fierce bite of knowledge. We all need the Serpent’s Kiss if we wish to become enlightened. You must poison your old self if you wish to find your new self, your higher self. Your old views are poisonous. Poison must meet poison.
David Sinclair (The Church of the Serpent: The Philosophy of the Snake and Attaining Transcendent Knowledge)
A dozen cobras moved as one, shattering their bottles. Wine and glass sprayed the room. The snakes sprang for Isyllt's attacker with fangs unfolded. He screamed high and sharp as they uncoiled, long slick bodies whipping through the air. She wasn't sure if their venom could survive death and pickling, but it didn't seem to matter. After several bites, he curled on the floor, weeping and trying to bat the undead snakes away.
Amanda Downum (Kingdoms of Dust (The Necromancer Chronicles, #3))
Cudjo meetee de people at de gate and tells dem, “You see de rattlesnake in de woods?” Dey say, “Yeah.” I say “If you bother wid him, he bite you. If you know de snake killee you, why you bother wid him? Same way wid my boys, you unnerstand me. If you leave my boys alone, dey not bother nobody!
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
I do not want to be like a small animal bitten by a snake, going stiff with that poison. I want to bite back.
Yvette Christiansë (Unconfessed)
Rumours are like bite of a snake, deadly if poisonous and harmless if not poisonous, but it gives pain when bitten
Shivohum
Learning that a snake was afraid when it bit didn't mean it would never bite again.
A.R. Ivanovich (Dragoon (War of the Princes, #2))
snakes rarely bite above the ankles
Janet Fitch (White Oleander)
If you add teeth to a snake, oddly, it would bite its own tail.
Deependra Tiwari
A dictatorship is like a snake. If you put your foot on its tail as you do it, it will just bite you and nobody will be helped. You have to strike the head.
Emmi Bonhoeffer
A snake has only one instinct quality, and it is the poisonous bite. It is a nature of the snake, while a human has many other values too, some of those are the pardon and love
Ehsan Sehgal
If you try to feed a snake, it will reward you by biting you.
Matshona Dhliwayo
I turned on Nikolai and kicked him hard in the shin. He yelped, but that wasn’t nearly satisfying enough. I kicked him again. “Feel better?” he asked. “Next time you try something like that, I won’t kick you,” I said angrily. “I’ll cut you in half.” He brushed a speck of lint from his trousers. “Not sure that would be wise. I’m afraid the people rather frown on regicide.” “You’re not king yet, Sobachka,” I said sharply. “So don’t tempt me.” “I don’t see why you’re upset. The crowd loved it.” “I didn’t love it.” He raised a brow. “You didn’t hate it.” I kicked him again. This time his hand snaked out like a flash and captured my ankle. If it had been winter, I would have been wearing boots, but I was in summer slippers and his fingers closed over my bare leg. My cheeks blazed red. “Promise not to kick me again, and I’ll promise not to kiss you again,” he said. “I only kicked you because you kissed me!” I tried to pull my leg back, but he kept a hard grip. “Promise,” he said. “All right,” I bit out. “I promise.” “Then we have a deal.” He dropped my foot, and I drew it back beneath my kefta, hoping he couldn’t see my idiotic blush. “Great,” I said. “Now get out.” “It’s my coach.” “The deal was only for kicking. It did not prohibit slapping, punching, biting, or cutting you in half.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
I never got over the horror of watching their graduation ceremonies, performed before their parents. After a demonstration of ‘military prowess’ and personal courage the ceremony ended with their biting off the heads of snakes. As the blood dripped down their chins, they roasted the dead animals for a victory feast. Other schools had the children strangle puppies and drink their blood.
Leon Uris (The Haj)
I’ve been praying for that same kind of discernment lately. I want to recognize the dangerous, potentially biting characters in my story: the people who create constant emotional debris with their destructive personalities or who refuse to shed the skin of deception, the ones who threaten the God-with-me peace in my life. I’m learning to keep my distance and to pray for snakes, but not make a habit of getting down in the dirt to play with them.
Lisa Harper (Stumbling into Grace: Confessions of a Sometimes Spiritually Clumsy Woman)
Did God really say you can't eat from any tree in the garden?" "Oh, no! We can eat from any tree but the Tree of the Knowledge of Good and Evil." Woman explained. "But if we eat from that tree or even touch it, God will kill us!" That bastard! thought the snake and he spat, "Bullshit! This fruit will not kill you! God knows that if you eat from that tree you will open your eyes and become like gods and know the difference between good and evil!" Become like gods! Well, isn't that interesting... "Fuck God, eat all you want, learn all you can, write a goddamn encyclopedia, for Chrissake!" "Well," Woman thought, "It's a beautiful tree and the fruit looks delicious and who better to trust than a talking snake?" Abandoning all caution, she picked some forbidden fruit and shared it with Man. They each took a bite... Flash! Man, suddenly felt the cool breeze on his balls and looked frantically at Woman... She looked frantically at him... Holy Shit! We're buck fucking naked!
Steve Ebling (Holy Bible - Best God Damned Version - Genesis: For atheists, agnostics, and fans of religious stupidity)
In her book Anger: The Misunderstood Emotion, Carol Tavris recounts a story about a Bengali cobra that liked to bite passing villagers. One day a swami—a man who has achieved self-mastery—convinces the snake that biting is wrong. The cobra vows to stop immediately, and does. Before long, the village boys grow unafraid of the snake and start to abuse him. Battered and bloodied, the snake complains to the swami that this is what came of keeping his promise. “I told you not to bite,” said the swami,
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
We used often to see a big one gliding across the dirt road ahead of the car, and the golden rule was never to accelerate and try to run it over, especially if the roof of the car was open, as ours often was. If you hit a snake at speed, the front wheel can flip it up into the air and there is a danger of it landing in your lap. I can think of nothing worse than that. The really bad snake in Tanganyika is the black mamba. It is the only one that has no fear of man and will deliberately attack him on sight. If it bites you, you are a gonner.
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
Initiation asks the son to move his love energy away from the attractive mother to the relatively unattractive serpent father. All that is ashes work. When a man enters this stage he regards Descent as a holy thing, he increases his tolerance for ashes, eats dust as snake do, increases his stomach for terrifying insights, deepens his ability to digest the evil facts of history, accepts the job of working seven years under the ground, leaves the granary at will through the rat’s hole, bites on cinders, learns to shudder, and follows the voice of the old mole below the ground.
Robert Bly (Iron John: A Book About Men)
In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In a graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams do not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulders. One day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possesses now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear’s teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theaters - City That Does Not Sleep
Federico García Lorca
No institution of learning of Ingersoll's day had courage enough to confer upon him an honorary degree; not only for his own intellectual accomplishments, but also for his influence upon the minds of the learned men and women of his time and generation. Robert G. Ingersoll never received a prize for literature. The same prejudice and bigotry which prevented his getting an honorary college degree, militated against his being recognized as 'the greatest writer of the English language on the face of the earth,' as Henry Ward Beecher characterized him. Aye, in all the history of literature, Robert G. Ingersoll has never been excelled -- except by only one man, and that man was -- William Shakespeare. And yet there are times when Ingersoll even surpassed the immortal Bard. Yes, there are times when Ingersoll excelled even Shakespeare, in expressing human emotions, and in the use of language to express a thought, or to paint a picture. I say this fully conscious of my own admiration for that 'intellectual ocean, whose waves touched all the shores of thought.' Ingersoll was perfection himself. Every word was properly used. Every sentence was perfectly formed. Every noun, every verb and every object was in its proper place. Every punctuation mark, every comma, every semicolon, and every period was expertly placed to separate and balance each sentence. To read Ingersoll, it seems that every idea came properly clothed from his brain. Something rare indeed in the history of man's use of language in the expression of his thoughts. Every thought came from his brain with all the beauty and perfection of the full blown rose, with the velvety petals delicately touching each other. Thoughts of diamonds and pearls, rubies and sapphires rolled off his tongue as if from an inexhaustible mine of precious stones. Just as the cut of the diamond reveals the splendor of its brilliance, so the words and construction of the sentences gave a charm and beauty and eloquence to Ingersoll's thoughts. Ingersoll had everything: The song of the skylark; the tenderness of the dove; the hiss of the snake; the bite of the tiger; the strength of the lion; and perhaps more significant was the fact that he used each of these qualities and attributes, in their proper place, and at their proper time. He knew when to embrace with the tenderness of affection, and to resist and denounce wickedness and tyranny with that power of denunciation which he, and he alone, knew how to express.
Joseph Lewis (Ingersoll the Magnificent)
Imagine what it's like to be (untouchable) Better not take a chance on me (untouchable) I'm the bad boy your mama told you about I'm dangerous, without a doubt Even coming off a ten-year drought Untouchable I'm the rose with hidden thorns (untouchable) Don't tell me that you haven't been warned (untouchable) I'm pretty poison under the skin, The bite of the apple that's a mortal sin In a game of love you'll never win Untouchable My reputation's fairly earned (untouchable) If you play with fire, you will get burned (untouchable) Stay out of the kitchen if you can't take the heat, My kisses are deadly as they are sweet, I'm a runaway bus on a dead-end street Untouchable Fools rush in, that's what they say(untouchable) But angels fall, too, most every day (untouchable) I'm the snake in the garden, the siren on the reef I have the face of a saint and the heart of a thief I'll promise you love! And bring you nothing but grief Untouchable Hearing Jonah sing like this was like watching him slice himself open and show off his insides. Why would he do that? Why would be write such a song? And then Emma answered her own question. Because good music always tells the truth, no matter how much it hurts. Emma couldn't be the only one who felt the bite of the blade, but everyone else seemed to take it in stride. Did they know? Did they all know about Jonah? Of course they did. They were there when it happened. They'd allow Jonah to keep the secrets that were most important to him. She knew she shouldn't resent that, but she still did. They must have known she was falling for him. They must have.
Cinda Williams Chima (The Sorcerer Heir (The Heir Chronicles, #5))
I wished Adam weren’t jumping in for his turn. Because watching Adam wakeboard was not relaxing. He wasn’t careful when wakeboarding. Or in general. He was the opposite of careful. His life was one big episode of Jackass. He would do anything on a dare, so the older boys dared him a lot. My role in this game was to run and tell their mom. If I’d been able to run faster when we were kids, I might have saved Adam from a broken arm, several cracked ribs, and a couple of snake bites. Knowing this, it might not make a lot of sense that Mr. Vader let us wakeboard for the marina. But we’d come to wakeboarding only gradually. When we first started out, it was more like, Look at the very young children on water skis! How adorable. One time the local newspaper ran a photo of me and Adam waterskiing double, each of us holding up an American flag. It’s okay for you to gag now. I can take it. But Mr. Vader was no fool. He understood things changed. After the second time Adam broke his collarbone, Mr. Vader put us under strict orders not to get hurt, because it was bad for business. Customers might not be so eager to buy a wakeboard and all the equipment if they witnessed our watery death. To enforce this rule, the punishment for bleeding in the boat was that we had to clean the boat. Adam cleaned the boat a lot last summer.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
They say that time is the greatest healer, but let me tell you this: there are some things that can never be healed. Sometimes you think these things are gone and can never hurt you again - like a snake in a basket - quite safe, until you take off the lid. I have taken the lid off the basket, and the snake still bites. Its fangs are long and sharp.
Bernie Morris (Bobby's Girl)
When someone is filled with the Holy Spirit’s power and is zealous to do good, their “fire” for God will always expose their enemies. It was the fire that made the snake come out and bite Paul. “Paul gathered a pile of sticks for the fire. He was putting the sticks on the fire, and a poisonous snake came out because of the heat and bit him on the hand.” Acts 28:3
Sandra M. Michelle (Shake It Off: Neutralizing the Venom of Poisonous People)
Alberto taught him culling. You must wait until noon, when the snakes are asleep on the rocks, in the sun. You sneak up on them and then, crooking the index and middle finger, you grab them by the neck, close to the head, so that they can't slip away or bite; then, while the snake is hissing with despair, you quickly slip the hood over its head, tighten the noose, and put it into the box. Alberto wore a pair of corduroy trousers, leggings, and a gray shirt, the sleeves of which were rolled up to the elbows. He was good-looking–as are all the males in this book, powerful and lithe, and unaware of their grace. His hard, stubborn hair, which fell down over his eyes to his mouth, would have been enough to endow him with the glamor of a crown in the eyes of the frail, curly-haired child. They
Jean Genet (Our Lady of the Flowers)
Another bite victim lay nearby, a young man writhing as if in a seizure. Eventually his legs kicked themselves free from the rest of his body. The limbs thumped along the floor on their own like two giant polyester snakes with shoes for heads. Right behind them was a loose head stuck to a single arm, furiously biting and clawing the carpet. I felt like we might not be in control of this situation any longer.
David Wong (John Dies at the End (John Dies at the End #1))
After looking at the bite and seeing that the bleeding has already stopped, she asked, "How was making out with my leg?" "Pretty good," I said, which was true. She leaned her body into mine a little and I could feel her upper arm against my ribs. "I shaved this morning for precisely that reason. I was like, 'Well, you never know when someone is going to clamp down on your calf and try to suck out the snake poison.
John Green (Paper Towns)
Traces of historical associations can long outlast actual contact. In the dense, subtropical forests from India across to the South China Sea, venomous snakes are common, and there is always an advantage in pretending to be something dangerous. The slow loris, a weird, nocturnal primate, has a number of unusual features that, taken together, seem to be mimicking spectacled cobras. They move in a sinuous, serpentine way through the branches, always smooth and slow. When threatened, they raise their arms up behind their head, shiver and hiss, their wide, round eyes closely resembling the markings on the inside of the spectacled cobra’s hood. Even more remarkably, when in this position, the loris has access to glands in its armpit which, when combined with saliva, can produce a venom capable of causing anaphylactic shock in humans. In behaviour, colour and even bite, the primate has come to resemble the snake, a sheep in wolf’s clothing. Today, the ranges of the loris and cobras do not overlap, but climate reconstructions reaching back tens of thousands of years suggest that once they would have been similar. It is possible that the loris is an outdated imitation artist, stuck in an evolutionary rut, compelled by instinct to act out an impression of something neither it nor its audience has ever seen.
Thomas Halliday (Otherlands: Journeys in Earth's Extinct Ecosystems)
This your handiwork?" She hesitated. Hera liked to claim this garden was her idea. "Come on. You can tell me- I won't say a word. Everyone I know is dead!" He chuckled to himself and she couldn't help smiling. He was clever, just like some of the snakes that tried to worm their way into her gardens. She knew how to handle them. She could handle this snake, too. "They're my work, yes." She inched closer again. He didn't scare her. If anything, she was intrigued. He was obviously enamored of her apples, and for that alone, she wanted to keep talking to him. "Each and every branch on this tree and the apples that hang from them are my creations, as is this whole meadow." "Stellar work, truly." Hades took another bite. "Too bad you don't get credit for it. Hera is always going on about how she's the one who nurtures this garden." Her eyes flashed. "I can assure you, this is my work, and mine alone." "Feisty! And not afraid of Hera! Nice combination.
Jen Calonita (Go the Distance)
There were six hundred thousand Indian troops in Kashmir but the pogrom of the pandits was not prevented, why was that. Three and a half lakhs of human beings arrived in Jammu as displaced persons and for many months the government did not provide shelters or relief or even register their names, why was that. When the government finally built camps it only allowed for six thousand families to remain in the state, dispersing the others around the country where they would be invisible and impotent, why was that. The camps at Purkhoo, Muthi, Mishriwallah, Nagrota were built on the banks and beds of nullahas, dry seasonal waterways, and when the water came the camps were flooded, why was that. The ministers of the government made speeches about ethnic cleansing but the civil servants wrote one another memos saying that the pandits were simply internal migrants whose displacement had been self-imposed, why was that. The tents provided for the refugees to live in were often uninspected and leaking and the monsoon rains came through, why was that. When the one-room tenements called ORTs were built to replace the tents they too leaked profusely, why was that. There was one bathroom per three hundred persons in many camps why was that and the medical dispensaries lacked basic first-aid materials why was that and thousands of the displaced died because of inadequate food and shelter why was that maybe five thousand deaths because of intense heat and humidity because of snake bites and gastroenteritis and dengue fever and stress diabetes and kidney ailments and tuberculosis and psychoneurosis and there was not a single health survey conducted by the government why was that and the pandits of Kashmir were left to rot in their slum camps, to rot while the army and the insurgency fought over the bloodied and broken valley, to dream of return, to die while dreaming of return, to die after the dream of return died so that they could not even die dreaming of it, why was that why was that why was that why was that why was that.
Salman Rushdie (Shalimar the Clown)
10- We went walking along the footpaths that snaked through vineyards and barley fields, looking down at our own shadows each preoccupied with our own thoughts. Mostly we wandered. There wasn’t much in the way of a tourist industry on Tinos in those days. It was a farming Island, really people living off their cows and goats and olive trees and wheat.We would end up bored, eating lunch somewhere, quietly, in the shade of a tree or a windmill, looking between bites at the ravines, the fields of thorny bushes, the mountains the sea.
Khaled Hosseini (And the Mountains Echoed)
In her book Anger: The Misunderstood Emotion, Carol Tavris recounts a story about a Bengali cobra that liked to bite passing villagers. One day a swami—a man who has achieved self-mastery—convinces the snake that biting is wrong. The cobra vows to stop immediately, and does. Before long, the village boys grow unafraid of the snake and start to abuse him. Battered and bloodied, the snake complains to the swami that this is what came of keeping his promise. “I told you not to bite,” said the swami, “but I did not tell you not to hiss.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
Neal Stephenson (Snow Crash)
She's selling CDs on the corner, fifty cents to any stoner, any homeboy with a boner. Sleet and worse - the weather's awful. Will she live? It's very doubtful. Life out here is never healthful. She puts a CD in her Sony. It's the about the pony and a pie with pepperoni and a mom with warm, clean hands who doesn't bring home guys from bands or make some sickening demands. The cold wind bites like icy snakes. She tries to move but merely shakes. Some thief leans down and simply takes. Her next CD's called Land Of Food. No one there can be tattooed or mumble things that might be crude and everything to eat is free, there's always a big Christmas tree and crystal bowls of potpourri. She's weak but still she play one more: She's on a beach with friends galore. They scamper down the sandy shore to watch the towering waves cascade and marvel at the cute mermaids who call to her and serenade. She can't resist. the water's fine. The rocks are like a kind of shrine. The foam goes down like scarlet wine. One cop stands up and says, "She's gone." The other shakes his head and yawns. It's barely 10:00, and life goes on.
Ron Koertge (Lies, Knives, and Girls in Red Dresses)
How is it possible to live? Life is so hard?’ ‘You must be harder than life, Firdaus. Life is very hard. The only people who really live are those who are harder than life itself.’ ‘But you are not hard, Sharifa, so how do you manage to live?’ ‘I am hard, terribly hard, Firdaus.’ ‘No, you are gentle and soft.’ ‘My skin is soft, but my heart is cruel, and my bite deadly.’ ‘Like a snake?’ ‘Yes, exactly like a snake. Life is a snake. They are the same, Firdaus. If the snake realises you are not a snake, it will bite you. And if life knows you have no sting, it will devour you.
Nawal El Saadawi (Woman at Point Zero)
I can't believe you pulled that off," Ashe shook his head at Kevis. He'd misted in beside the healer and watched as Kevis placed Breanne in a healing sleep. Both worried she'd get no rest with the bite scheduled in the morning after breakfast. "I don't believe you'll manage that a second time," Kooper changed to humanoid long enough to blink at Ashe and Kevis. "So savor it while you can." He changed back to lion snake and blinked again at both before lowering his head to rest on Breanne's shoulder. "Dad always says not to argue with those guys," Kevis stated sagely. Four lion snakes sniffed in unison.
Connie Suttle (Blood Revolution (God Wars, #3))
E-mail memo #34: "Miami Book Fair; writer locked himself in bookstore bathroom repeatedly yelling at concerned employees to 'Go away!' When writer emerged an hour later he started to 'freak out' afain. 'I have a snake on me!' writer screamed. 'It's biting me! It's IN MY MOUTH!' Writer was dragged to a waiting squad car while holding on to a bewildered young yeshiva student attending the reading -- whom writer continuously fondled and groped -- until ambulance arrived. His eyes rolling back into his head, writer's last words -- shouted -- before being driven off were quote 'I am keeping the Jew-boy' unquote.
Bret Easton Ellis (Lunar Park)
Lilith is the Wild Woman within every woman who would rather become notorious than be refrained from bathing in the sea, howling at the moon, dancing in the forest, and making love to life itself. Lilith knows that it is only through setting your boundaries that you can set yourself free. She knows the price both the Goddess and Her daughters pay to honor their ways, for She is not the only one to suffer condemnation by those who fear feminine power. Like Her, they defamed Her sisters too: magical Hecate became the baby-killing hag and wicked witch, and mystical Mary Magdalene was turned into the sinful whore. Know this: there is nothing more threatening to those enslaved by their fears than someone who dares to live freely. And live freely you must. As a bird-snake Goddess who dwells in the dark depths of your holy yoni and crown, Lilith compels you to harness your untapped life-force energy to do all that you wish to do without explanation or apology. Far from being the deceptive serpent, Lilith is the wise liberator. And She is on Eve’s side. Of course She wants her (and everyone) to “be like God,” for She knows that we are the embodiment of the Divine. She wants to free Eve and every woman (and man) from the illusion of the perfect life that comes at the price of blind obedience. She invites us to bite into the forbidden fruit of knowledge so that we may be free to think for ourselves and decide for ourselves what is right and what is wrong. She knows this comes with responsibility and consequence, and She emboldens you to take it on. Yes, Lilith wants you to be God-like, to have Divine authority and will in your own life. She calls you to leap boldly forward as you take the inspired action you need to take to live your most physically- and spiritually-free life. Those who live freely will join you. Those who don’t will no longer have the power to hold you back.
Syma Kharal (Goddess Reclaimed: 13 Initiations to Unleash Your Sacred Feminine Power)
What's taking you so long in the privy, son?" "Nothing, mama." "If you stay in there much longer, a snake will come and bite you" "Yes, mama." I was thinking of you, Susana of the green hills. Of when we used to fly kites in the windy season. We could hear the sounds of life from the town below; we were high above on the hill, playing out string to the wind. "Help me, Susana." And soft hands would tighten on mine. "Let out more string." The wind made us laugh; our eyes followed the string running through our fingers after the wind until with a faint pop! it broke, as if it had been snapped by the wings of a bird. And high over head, the paper bird would tumble and somersault, trailing its rag tail, until it disappeared into the green earth. Your lips were moist, as if kissed by the dew. "I told you, son, come out of the privy now." "Yes, mama. I'm coming." I was thinking of you. Of the times you were there looking at me with your aquamarine eyes. He looked up and saw his mother in the doorway. "What's taking you so long? What are you doing in there?" "I'm thinking." "Can't you do it somewhere else? It's not good for you to stay in the privy so long. Besides, you should be doing something. Why don't you go help your grandmother shell corn?" "I'm going, mama. I'm going.
Juan Rulfo (Pedro Páramo)
Someone--a man--came up behind her and snaked an arm around her waist. Not flirtation. Aggression. Kestrel sidestepped and spun, pulling her dagger from its sheath. Irex. His dagger was drawn, too. “A fight, dear Kestrel?” His stance was easy. He didn’t know how to play Bite and Sting, but his skill at weapons outmatched hers. “Not here,” she said stiffly. “No, not here.” His voice was soft. “But anywhere, if you want it.” “Exactly what do you think you are doing, Irex?” “You mean, a moment ago? Oh, I don’t know. Maybe I was trying to pick your pocket.” His tone hinted at a coarse double meaning. Kestrel slid her dagger into its sheath. “Theft is the only way you will get my gold.” She walked from the cover of trees and saw, with shaky gratitude, that the party was still there, that the sound of porcelain and spoons still tinkled over low talk, and that no one had noticed anything. No one, except perhaps Arin. He was waiting for her. She felt a flash of something unpleasant--embarrassment, perhaps, as she wondered how much of this afternoon he had overheard. Dismay to think that he might have witnessed that last exchange with Irex, and misunderstood it. Or was she troubled by something else? Maybe it was the thought that Arin knew perfectly well what had been taking place behind the trees and had made no move to interfere, to help. It was not his place to interfere, she reminded herself. She had not needed his help. “We are leaving,” she told him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I Am A God [Intro: Capleton] Blazing, mi don't want them Mi need them Blazing Suh mi tek har outta bugah red and put her in a tall skirt And now she find out what life is really worth No to X rated Yo mi tek har outta bugah red and put her in a tall skirt And now she find out what life is really worth No to X rated [Intro] I am a god I am a god I am a god [Hook] I am a god Hurry up with my damn massage Hurry up with my damn ménage Get the Porsche out the damn garage I am a god Even though I'm a man of god My whole life in the hands of god So y'all better quit playing with god [Verse 1] Soon as they like you make 'em unlike you Cause kissing people ass is so unlike you The only rapper compared to Michael So here's a few hating-ass niggas who'll fight you And here's a few snake-ass niggas to bite you And I don't even wanna hear 'bout what niggas might do Old niggas mentally still in high school Since the tight jeans they never liked you Pink-ass polos with a fucking backpack But everybody know you brought real rap back Nobody had swag, man, we the Rat Pack Virgil Pyrex, Don C snapback Ivan, diamond, Chi-town shining Monop' in this bitch, get a change of climate Hop in this bitch and get the same thing I'm in Until the day I get struck by lightning I am a god So hurry up with my damn massage In a French-ass restaurant Hurry up with my damn croissants I am a god I am a god I am a god AAAAAAAAAAAAAHHHHHHHHHHHH!! AAAAAAAAAAAAAHHHHHHHHHHHH!! AAAAAAAAAAAAAHHHHHHHHHHHH!! [Verse 2] I just talked to Jesus He said, "What up Yeezus?" I said, "Shit I'm chilling Trying to stack these millions." I know he the most high But I am a close high Mi casa, su casa That's that cosa nostra I am a god I am a god I am a god AAAAAAAAAAAAAHHHHHHHHHHHH!! AAAAAAAAAAAAAHHHHHHHHHHHH!! AAAAAAAAAAAAAHHHHHHHHHHHH!! AAAAAAAAAAAAAHHHHHHHHHHHH!! [Outro: Justin Vernon] Ain't no way I'm giving up. I'm a god
Kanye West
While she was enjoying this heady control, she decided to test a few minor spells on the werewolf—because it would be good practice, and by good practice she meant amusing for her. She caused a root to hike up directly in front of his feet. When he tripped, she folded her lips in, biting back a laugh. Magick . . . good. For the next hour, whenever his boots came untied just in time for the laces to collect bullet ants, or limbs whacked him across the face, or he scarcely dodged bird and monkey droppings, he always regarded her with narrow-eyed suspicion. She would casually glance over at him with a “Whaaa . . . ?” expression. But he hadn’t said anything, and as for her, well, she could do this all day— Out of the corner of her eye she spied movement. What looked like a vine suddenly uncoiled from the ground and came flying toward her. With a shriek, she attempted a pulse of energy to ward it off. But MacRieve had already snatched the snake; her magick caught him and sent him flying, his body crashing through the brush, felling the trees in his way. After landing one hundred feet away and angrily tossing the snake, he shot to his feet, charging back to her, eyes ice blue with fury. “Goddamn it, witch, no’ again!” “It was an accident!” the witch cried, and she might have been truthful, but Bowe was beyond caring. “All morning you’ve toyed with me, have you no’?” He stalked closer to her, letting her see a good glimpse of the beast within. Yet after swallowing loudly and retreating several steps, she seemed to force herself to stand her ground. He was dumbfounded that she wasn’t cowering. Battle hardened vampires recoiled in the face of a Lykae’s werewolf form, but she’d planted her boots, and she hadn’t budged. She even raised her chin. Cade had started hurrying down the embankment as if to protect her. The very idea made Bowe draw his lips back from his fangs. No doubt thinking his renewed fury was for her, she pulled magick into her hands.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
The franchise and the virus work on the same principle: what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it, and embed it in the fertile lining of a well-traveled highway, preferably one with a left-turn lane. Then the growth will expand until it runs up against its property lines. In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your hometown. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. "No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
Neal Stephenson (Snow Crash)
Oh, but to get through this night. Why won’t sleep come? What’s bothering me here in the dark? It’s not the badgers, it’s not the snakes. What’s bothering me? Something darker is worrying a hole inside me—look how my legs are trembling. Stop moving, Tatiana. That’s how the carnivores find you, by the flash of life on your body, they find you and eat you while you sleep. Like venomous spiders, they’ll bite you first to lull you into sleep—you won’t even feel it—and then they will gnaw your flesh until nothing remains. But even the animals eating her alive was not the thing that worried the sick hole in Tatiana’s stomach as she lay in the leaves with her face hidden from the forest, with her arms over her head, in case anything decided to fall on her. She should’ve made herself a shelter but it got dark so fast, and she was so sure she would find the lake, she hadn’t been thinking of making herself more comfortable in the woods. She kept walking and walking, and then was downed and breathless and unprepared for pitch black night. To quell the terror inside her, to not hear her own voices, Tatiana whimpered. Lay and cried, low and afraid. What was tormenting her from the inside out? Was it worry over Marina? No... not quite. But close. Something about Marina. Something about Saika... Saika. The girl who caused trouble between Dasha and her dentist boyfriend, the girl who pushed her bike into Tatiana’s bike to make her fall under the tires of a downward truck rushing headlong... the girl who saw Tatiana’s grandmother carrying a sack of sugar and told her mother who told her father who told the Luga Soviet that Vasily Metanov harbored sugar he had no intention of giving up? The girl who did something so unspeakable with her own brother she was nearly killed by her own father’s hand—and she herself had said the boy got worse—and this previously unmentioned brother was, after all, dead. The girl who stood unafraid under rowan trees and sat under a gaggle of crows and did not feel black omens, the girl who told Tatiana her wicked stories, tempted Tatiana with her body, turned away from Marina as Marina was drowning...who turned Marina against Tatiana, the girl who didn’t believe in demons, who thought everything was all good in the universe, could she . . . What if...? What if this was not an accident? Moaning loudly, Tatiana turned away to the other side as if she’d just had a nightmare. But she hadn’t been dreaming. Saika took her compass and her knife. But Marina took her watch. And there it was. That was the thing eating up Tatiana from the inside out. Could Marina have been in on something like this? Twisting from side to side did not assuage her torn stomach, did not mollify her sunken heart. Making anguished noises, her eyes closed, she couldn’t think of fields, or Luga, or swimming, or clover or warm milk, anything. All good thoughts were drowned in the impossible sorrow. Could Marina have betrayed her?
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))