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She pictures herself in early 1939, aged nine, standing in front of the astronomical clock in Prague’s Old Town Hall square. She’s sneaking a peek at the old skeleton. It keeps watch over the rooftops of the city with huge empty eye sockets. They’d told them at school that the clock was a piece of mechanical ingenuity, invented by Maestro Hanuš more than five hundred years ago. But Dita’s grandmothers told her a darker story. The king ordered Hanuš to construct a clock with figures, automatons that paraded on the stroke of every hour. When it was completed, the king ordered his bailiffs to blind the clockmaker so that he could never make another wonder like it. But the clockmaker took revenge, putting his hand into the mechanism to disable it. The cogs shredded his hand, the mechanism jammed, and the clock was broken, unfixable for years. Sometimes Dita had nightmares about that amputated hand snaking its way around the serrated wheels of the mechanism. Dita,
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Antonio Iturbe (The Librarian of Auschwitz: Based on the True Story of Dita Kraus)