Smile Increases Quotes

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Smile -- it increases your face value.
Dolly Parton
Just one smile Immensely increases the beauty Of the universe.
Sri Chinmoy (Sri Chinmoy's Heart Garden: A Book of Aphorisms for Joy and Inspiration)
Maybe I couldn’t make it. Maybe I don’t have a pretty smile, good teeth, nice tits, long legs, a cheeky arse, a sexy voice. Maybe I don’t know how to handle men and increase my market value, so that the rewards due to the feminine will accrue to me. Then again, maybe I’m sick of the masquerade. I’m sick of pretending eternal youth. I’m sick of belying my own intelligence, my own will, my own sex. I’m sick of peering at the world through false eyelashes, so everything I see is mixed with a shadow of bought hairs; I’m sick of weighting my head with a dead mane, unable to move my neck freely, terrified of rain, of wind, of dancing too vigorously in case I sweat into my lacquered curls. I’m sick of the Powder Room. I’m sick of pretending that some fatuous male’s self-important pronouncements are the objects of my undivided attention, I’m sick of going to films and plays when someone else wants to, and sick of having no opinions of my own about either. I’m sick of being a transvestite. I refuse to be a female impersonator. I am a woman, not a castrate.
Germaine Greer (The Female Eunuch)
smile, It increases your face value
Robert Harling (Steel Magnolias)
Religion can never reform mankind because religion is slavery. It is far better to be free, to leave the forts and barricades of fear, to stand erect and face the future with a smile. It is far better to give yourself sometimes to negligence, to drift with wave and tide, with the blind force of the world, to think and dream, to forget the chains and limitations of the breathing life, to forget purpose and object, to lounge in the picture gallery of the brain, to feel once more the clasps and kisses of the past, to bring life's morning back, to see again the forms and faces of the dead, to paint fair pictures for the coming years, to forget all Gods, their promises and threats, to feel within your veins life's joyous stream and hear the martial music, the rhythmic beating of your fearless heart. And then to rouse yourself to do all useful things, to reach with thought and deed the ideal in your brain, to give your fancies wing, that they, like chemist bees, may find art's nectar in the weeds of common things, to look with trained and steady eyes for facts, to find the subtle threads that join the distant with the now, to increase knowledge, to take burdens from the weak, to develop the brain, to defend the right, to make a palace for the soul. This is real religion. This is real worship
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol. IV)
Sanjit says his apartment, the same one in which he grew up, has been flooded many times by the midsummer torrents. For what has been for millennia a primarily agricultural society, rains simultaneously destroy, create, and preserve life in India, similar to the functions of the three premier Hindu gods, Shiva, Brahma, and Vishnu. Every time Kolkata gets pounded by a cyclone, or when the monsoon first erupts in June (although the recent warming of the Indian Ocean increasingly disturbs a once-consistent timeline), Sanjit never fails to send along a video, his house flooded – seemingly destroyed – but the smiles on his, Bajju’s, or other house-guest’s faces signify just the opposite, having been cooled and relieved of perpetual heat. Flooded, they remain preserved.
Colin Phelan (The Local School)
Her smile increased. She had perfect white regular teeth; Irish, Juliana decided. Only Irish blood could give that jawline such femininity.
Philip K. Dick (The Man in the High Castle)
Your voice, your eyes, your hands, your lips Our silence, our words Light that goes, light that returns A single smile between us In quest of knowledge I watched night create day O beloved of all, beloved of one alone your mouth silently promised to be happy Away, away, says hate Closer, closer, says love A caress leads us from our infancy Increasingly I see the human form as a lovers’ dialogue The heart has but one mouth Everything by chance All words without thought Sentiments adrift A glance, a word, because I love you Everything moves We must advance to live Aim straight ahead toward those you love I went toward you, endlessly toward the light If you smile, it enfolds me all the better The rays of your arms pierce the mist.
Paul Éluard
It's about Diana,' sobbed Anne luxuriously. 'I love Diana so, Marilla. I cannot ever live without her. But I know very well when we grow up that Diana will get married and go away and leave me. And oh, what shall I do? I hate her husband — I just hate him furiously. I've been imagining it all out — the wedding and everything — Diana dressed in snowy white garments, and a veil, and looking as beautiful and regal as a queen; and me the bridesmaid, with a lovely dress, too, and puffed sleeves, but with a breaking heart hid beneath my smiling face. And then bidding Diana good-bye-e-e—' Here Anne broke down entirely and wept with increasing bitterness. Marilla turned quickly away to hide her twitching face, but it was no use; she collapsed on the nearest chair and burst into such a hearty and unusual peal of laughter…
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
To me, the most autobiographical line was: ‘My make-up may be flaking but my smile still stays on.’ That was true. No matter how ill Freddie felt, he never grumbled to anyone or sought sympathy of any kind. It was his battle, no one else’s, and he always wore a brave face against the ever-increasing odds against him.
Jim Hutton (Mercury and me)
Just then Patch ambled through the front door. I did a double take to make it was really him. I hadn't expected him to come. We'd never resolved our fight, and I'd pridefully refused to take the first step, forcing myself to lock my cell phone in a drawer every time I was tempted to call him and apologize, despite my increasing distress that he might never call either. My pride immediately turned to relief at the sight of him. I hated fighting. I hated not having him close. If he was ready to mend this, so was I.A smile flickered across my face at the sight of his costume; black jeans, black t-shirt, black face mask. The latter concealed all but his cool, assessing gaze. "There's my date," I said. "Fashionably late.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
When you tend to another's dying embers, you find both warmth and an increase in the glow of your own fire.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Most importantly, if you can at all avoid it, don't be normal. Strive, burn and do everything you can to avoid being the industry standard. Even the highest industry standard. Be greater than anything anyone else has ever dreamed of you. Don't settle for pats on the back, salary increases, a nod-and-a-smile. Instead, rage against the tepidness of the mundane with every fiber of whatever makes you, you. Change this place. Please, do that for me.
pleasefindthis
To get rich, one must have but a single idea, one fixed, hard, immutable thought: the desire to make a heap of gold. And in order to increase this heap of gold, one must be inflexible, a usurer, thief, extortionist, and murderer! And one must especially mistreat the small and the weak! And when this mountain of gold has been amassed, one can climb up on it, and from up on the summit, a smile on one’s lips, one can contemplate the valley of poor wretches that one has created.
Pétrus Borel (Champavert Le Lycanthrope)
I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. "And what was the point of this again?" Forget it!" Sam said. "Do you you like this place or not?" I stoped in my tracks, spinning to face him. "Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. "You didn't think Jack would be here at all, did you?" His thick black eyebrows went up even farther. Did you evan intend to look for him at all?" He held his hands up as if a surrender. "What do you want me to say?" You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. "YOU told me about this wood somehow. How did you show it to me?" I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light. So you brought me here to see this." I stepped forward again, and he stepped back. Do you like it?" Under false pretence." Anouther step forward; anouther back. The grine widened So do you like it?" When you knew we wouldn't come across anybody else." His teeth flashed in his grin. "Do you like it?" I punched my hands into his chest. "You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away. Sam slowly lowered my wrists and relesed them. "I'm glad." he said very quietly. My arms still hung by my sides, right where Sam had put them. I frowned at him. "You were supposed to kiss me." I thought about it." I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. "Why don't you?" He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. "I have to get inside soon," he whispered "It's getting cold
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
It’s all very deliciously diabolical my friend.” He smiles and I smile. We’re both pretty pleased with the plan. And increasingly pleased with each other.
Carolyn Crane (Mind Games (The Disillusionists, #1))
But the modern-day church doesn’t like to wander or wait. The modern-day church likes results. Convinced the gospel is a product we’ve got to sell to an increasingly shrinking market, we like our people to function as walking advertisements: happy, put-together, finished—proof that this Jesus stuff WORKS! At its best, such a culture generates pews of Stepford Wife–style robots with painted smiles and programmed moves. At its worst, it creates environments where abuse and corruption get covered up to protect reputations and preserve image. “The world is watching,” Christians like to say, “so let’s be on our best behavior and quickly hide the mess. Let’s throw up some before-and-after shots and roll that flashy footage of our miracle product blanching out every sign of dirt, hiding every sign of disease.” But if the world is watching, we might as well tell the truth. And the truth is, the church doesn’t offer a cure. It doesn’t offer a quick fix. The church offers death and resurrection. The church offers the messy, inconvenient, gut-wrenching, never-ending work of healing and reconciliation. The church offers grace. Anything else we try to peddle is snake oil. It’s not the real thing.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
Being photographed was dead time for the soul. Can the head think, while it does the same half smile under the same light frown? If this was all true, then Richard's soul was in great shape. No one photographed him any more, not even his wife. When the photographs came back from an increasingly infrequent holiday. Richard was never there..an elbow or earlobe on the edge of the frame, on the edge of life and love..
Martin Amis (The Information)
Have you never outright sinned, then?” “I disobeyed Patti when she told me to stay away from you.” “Right. I remember that one. So just once, then?” “There was this other time...” I thought about the two girls in the bathroom and stopped myself, blanching. “Yes? Go on,” he urged. He watched the road, but excitement underscored his tone. I rubbed my dampening palms down my shorts. “The night we met, I sort of...well, I flat-out told a lie. On purpose.” I thought he was trying not to smile. “To me?” he asked. “No. About you.” Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame. “Continue. Please.” “There were these girls in the bathroom talking about you, and for some reason, I don't know why, it upset me, and I told them...thatyouhadanSTD.” I covered my face in shame and he burst into laughter. I thought he might drive off the road. Well, it was kind of funny in an ironic way, because he couldn't keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn't offended. “I wondered if you were ever going to tell me!” he said through spurts of hilarity. Duh! Of course he'd been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind. We started catching our breath again a few minutes later, only to break into another round of merriment. “Do you forgive me, then?” I asked when we finally settled down and I wiped my eyes. “Yes, yes. I've had worse said about me.
Wendy Higgins (Sweet Evil (Sweet, #1))
Crying releases stress hormones. Swearing increases pain tolerance. Fury can motivate us into action. Feel what you feel. Silence and smiles aren’t the only way to respond to pain. Sometimes it is good to howl.
Matt Haig (The Comfort Book)
You both love Tolstoy and Dostoyevsky, Hawthorne and Melville, Flaubert and Stendahl, but at that stage of your life you cannot stomach Henry James, while Gwyn argues that he is the giant of giants, the colossus who makes all other novelists look like pygmies. You are in complete harmony about the greatness of Kafka and Beckett, but when you tell her that Celine belongs in their company, she laughs at you and calls him a fascist maniac. Wallace Stevens yes, but next in line for you is William Carlos Williams, not T.S. Eliot, whose work Gwyn can recite from memory. You defend Keaton, she defends Chaplin, and while you both howl at the sight of the Marx Brothers, your much-adored W.C. Fields cannot coax a single smile from her. Truffaut at his best touches you both, but Gwyn finds Godard pretentious and you don't, and while she lauds Bergman and Antonioni as twin masters of the universe, you reluctantly tell her that you are bored by their films. No conflicts about classical music, with J.S. Bach at the top of the list, but you are becoming increasingly interested in jazz, while Gwyn still clings to the frenzy of rock and roll, which has stopped saying much of anything to you. She likes to dance, and you don't. She laughs more than you do and smokes less. She is a freer, happier person than you are, and whenever you are with her, the world seems brighter and more welcoming, a place where your sullen, introverted self can almost begin to feel at home.
Paul Auster (Invisible (Rough Cut))
He looked at her, smiling. Her heart—which had been beating pretty rapidly all evening, increased in pace. His hair was ruffled and he had a scattering of sand on his arms. He was gorgeous. And he was looking at her as if she were covered in maple syrup and he wanted to lick it off. She couldn’t believe her luck.
Serenity Woods (White-Hot Christmas)
The making of gardens and parks goes on with civilization all over the world, and they increase both in size and number as their value is recognized. Everybody needs beauty as well as bread, places to play in and pray in, where Nature may heal and cheer and give strength to body and soul alike. This natural beauty-hunger is made manifest in the little windowsill gardens of the poor, though perhaps only a geranium slip in a broken cup, as well as in the carefully tended rose and lily gardens of the rich, the thousands of spacious city parks and botanical gardens, and in our magnificent National Parks—the Yellowstone, Yosemite, Sequoia, etc.—Nature's sublime wonderlands, the admiration and joy of the world. Nevertheless, like anything else worth while, from the very beginning, however well guarded, they have always been subject to attack by despoiling gain-seekers and mischief-makers of every degree from Satan to Senators, eagerly trying to make everything immediately and selfishly commercial, with schemes disguised in smug-smiling philanthropy, industriously, sham-piously crying, "Conservation, conservation, panutilization," that man and beast may be fed and the dear Nation made great. Thus long ago a few enterprising merchants utilized the Jerusalem temple as a place of business instead of a place of prayer, changing money, buying and selling cattle and sheep and doves; and earlier still, the first forest reservation, including only one tree, was likewise despoiled. Ever since the establishment of the Yosemite National Park, strife has been going on around its borders and I suppose this will go on as part of the universal battle between right and wrong, however much of its boundaries may be shorn, or its wild beauty destroyed.
John Muir (The Yosemite)
And what if I want you?” I ask softly. “I’m here, aren’t I?” “You are. You keep coming back. For what? What is this between us?” He slides a hand into my hair and leads me to lean into him again. “It’s whatever you want it to be, gorgeous. With one exception.” “What’s that?” “It’s not just sex. That’s why I won’t sleep with you. I won’t let this be just sex.” That makes me smile. “Why me, Asher? I’m just some small-town slut with too much baggage. You could have anyone.” I can feel his heart beating against my cheek and its steady pace increases at my question. “Why me?” “Sweetheart, when you know the answer to that question, we won’t be talking anymore.” I pull back and blink at him. “You’ll be gone?” His lips quirk. “I’ll be inside you.
Lexi Ryan (Unbreak Me (Splintered Hearts, #1))
She sighed to cover her agitation. “You are insufferable.” “I prefer ‘inscrutable.’” He smiled, softening a little at her teasing tone, and because she had allowed the change of topic. “Inexplicable would be more accurate.” “Inconceivable!” She rested her hand on her ever-increasing stomach. “Not any longer.” He laughed and kissed her on the forehead. “I do not think that word means what you think it means.” “Humph!” But Jane was delighted that she had managed to make him laugh.
Mary Robinette Kowal (Of Noble Family (Glamourist Histories, #5))
I'll lead you there," she whispered. "We're going on a road trip," Sydney declared. "Get ready." Dimitri and I were still standing right next to each other, the anger between us beginning to diffuse. Sydney looked proud and continued trying her best to soothe Sonya. Dimitri looked down at me with a small smile that shifted slightly when he seemed to become aware of just how close we were. I couldn't say for sure, though. His face gave away. As for me, I was very aware of our proximity and felt intoxicated by his body and scent. Damn. Why did fighting with him always increase my attraction to him? His smile returned as he tilted his head toward Sydney. "You were wrong. She really is the new general in town." I smiled back, hoping he wasn't aware of my body's reaction to us standing so close. "Maybe. But, it's okay. You can still be colonel." He arched an eyebrow. "Oh? Did you demote yourself? Colonel's right below general. What's that make you?" I reached into my pocket and triumphantly flashed the CR-V keys I'd swiped when we'd come back inside. "The driver," I said.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Be your best self and do not imitate anyone else. Find your strengths. They are your talents. They will make you smile and cause you to real joy on the inside. Don’t listen to those who ridicule the choices you make or the dreams you share. Let no one despise your youth. As Og Mandino explained in The Greatest Salesman in the World, “Experience is overrated, usually by old men who nod wisely and speak stupidly.” Create your own experiences. And know that you are creating memories for a lifetime. Life is not about finding yourself; it is about creating yourself. You have to take chances to make your dreams reality. Face your fears head-on and move rapidly. Don’t be afraid of making mistakes. Make lots of them! Your odds for success will increase with the number of decisions you make. Have patience with your dreams and the expectations you have for others. Be impatient with yourself daily. Live as if this is your last day. Say “I love you” to all those who matter. Know that everyone matters. You must play full-out right now. Sit up, hold your head high. Breathe deeply. Lift your chest up. Stand up straight and with confidence. Dust yourself off. Stop being a party pooper in your own life. Smile. A bigger noticeable smile. Start acting happy. Yes, you act first. I promise the feeling of happiness will soon follow.
Robert Smith
On a strange and devious way, Siddhartha had gotten into this final and most base of all dependencies, by means of the game of dice. It was since that time, when he had stopped being a Samana in his heart, that Siddhartha began to play the game for money and precious things, which he at other times only joined with a smile and casually as a custom of the childlike people, with an increasing rage and passion. He was a feared gambler, few dared to take him on, so high and audacious were his stakes. He played the game due to a pain of his heart, losing and wasting his wretched money in the game brought him an angry joy, in no other way he could demonstrate his disdain for wealth, the merchants' false god, more clearly and more mockingly.
Hermann Hesse (Siddhartha)
Rewards are not simply given, they are earned. Each of your trials and tribulations increases your reward. You are destined for success and greatness beyond measure. So smile to increase your endurance and laugh in the face of adversity.
Carlos Wallace
Suddenly Yudhisthira saw a yaksha approaching him. The being sat in front of him and began firing questions rapidly at him. What is bigger than the Earth? the yaksha asked. "A mother" replied Yudhisthira. What is taller than the sky? "A father" What is faster than the wind? "The mind , of course". Yudhisthira smiled. What grows faster than hay? "Worry" What is the greatest dharma in the world? queried the yaksha "Compassion and conscience" With who is friendship never-ending? "With good people" responded Yudhisthira patiently. What is the secret to never feeling unhappy? "If one can control his or her mind, then that person will never feel sad" The yaksha increase his pace now. What is the greatest kind of wealth. "Education" What is the greatest kind of profit? "Health" What is the greatest kind of happiness? "Contentment" said Yudhisthira, ever prompt with his replies. What is man's worst enemy? "Anger" What disease will never have a cure? "Greed is incurable" The yaksha smiled again. A last question my friend. What is life's biggest irony? "It is the desire to live eternally. Every day, we encounter people dying but we always think that death will never come to us.
Sudha Murty (The Serpent's Revenge: Unusual Tales from the Mahabharata)
The night we met, I sort of... well, I flat-out told a lie. On purpose.” I thought he was trying not to smile. “To me?” he asked. “No. About you.” Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame. “Continue. Please.” “There were these girls in the bathroom talking about you, and for some reason, I don’t know why, it upset me, and I told them... thatyouhadanSTD.” I covered my face in shame and he burst into laughter. I thought he might drive off the road. Well, it was kind of funny in an ironic way, because he couldn’t keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn’t offended. “I wondered if you were ever going to tell me!” he said through spurts of hilarity. Duh! Of course he’d been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind.
Wendy Higgins (Sweet Evil (The Sweet Trilogy, #1))
Women are interchangeable as sex objects; women are slightly less disposable as mothers. The only dignity and value women get is as mothers: it is a compromised dignity and a low value, but it is all that is offered to women as women. Having children is the best thing women can do to get respect and be assured a place. The fact that having children does not get women respect or a place is almost beside the point: poor women don’t get respect and live in dung heaps; black women don’t get respect and are jailed in decimated ghettos; just plain pregnant women don’t get respect and the place they have is a dangerous one—pregnancy is now considered a cause of battery (stress on the male, don’t you know): in perhaps 25 percent of families in which battery occurs, it is a pregnant woman who has been battered. In fact, having children may mean both increased violence and increased dependence; it may significantly worsen the economic circumstances of a woman or a family; it may hurt a woman’s health or jeopardize her in a host of other ways; but having children is the one social contribution credited to women—it is the bedrock of women’s social worth. Despite all the happy smiling public mommies, the private mommies have grim private recognitions. One perception is particularly chilling: without the children, I am not worth much. The recognition is actually more dramatic than that, much more chilling: without the children, I am not.
Andrea Dworkin (Right-Wing Women)
He had many friends – smart, aspirational people of good taste – who had planted a jacaranda tree in their new garden as though this law of nature somehow didn’t apply to them and they could make it grow by the force of their will. After a year or two they would become frustrated and complain that it had barely increased even an inch. But it would take twenty, thirty, forty years for one of these trees to grow and yield its beautiful display, he said smiling: when you tell them this fact they are horrified, perhaps because they can’t imagine remaining in the same house or indeed the same marriage for so long, and they almost come to hate their jacaranda tree, he said, sometimes even digging it up and replacing it with something else, because it reminds them of the possibility that it is patience and endurance and loyalty – rather than ambition and desire – that bring the ultimate rewards. It is almost a tragedy, he said, that the same people who are capable of wanting the jacaranda tree and understanding its beauty are incapable of nurturing one themselves.
Rachel Cusk (Kudos)
The mystical life is a hidden life. It is a life hidden in God. It flourishes best when not exposed to public scrutiny . . . Its increasing inner fullness of the divine presence is largely concealed except when it blossoms forth in a radiant face and a joy-filled smile.
Stephen J. Rossetti (When the Lion Roars: A Primer for the Unsuspecting Mystic)
Nor praise the deep vermilion in the rose," she read, and so reading she was ascending, she felt, on to the top, on to the summit. How satisfying! How restful! All the odds and ends of the day stuck to this magnet; her mind felt swept, felt clean. And then there it was, suddenly entire; she held it in her hands, beautiful and reasonable, clear and complete, here--the sonnet. But she was becoming conscious of her husband looking at her. He was smiling at her, quizzically, as if he were ridiculing her gently for being asleep in broad daylight, but at the same time he was thinking, Go on reading. You don't look sad now, he thought. And he wondered what she was reading, and exaggerated her ignorance, her simplicity, for he liked to think that she was not clever, not book-learned at all. He wondered if she understood what she was reading. Probably not, he thought. She was astonishingly beautiful. Her beauty seemed to him, if that were possible, to increase.
Virginia Woolf (To the Lighthouse)
Now I'll never see him again, and maybe it's a good thing. He walked out of my life last night for once and for all. I know with sickening certainty that it's the end. There were just those two dates we had, and the time he came over with the boys, and tonight. Yet I liked him too much - - - way too much, and I ripped him out of my heart so it wouldn't get to hurt me more than it did. Oh, he's magnetic, he's charming; you could fall into his eyes. Let's face it: his sex appeal was unbearably strong. I wanted to know him - - - the thoughts, the ideas behind the handsome, confident, wise-cracking mask. "I've changed," he told me. "You would have liked me three years ago. Now I'm a wiseguy." We sat together for a few hours on the porch, talking, and staring at nothing. Then the friction increased, centered. His nearness was electric in itself. "Can't you see," he said. "I want to kiss you." So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. "I wish I hated you," I said. "Why did you come?" "Why? I wanted your company. Alby and Pete were going to the ball game, and I couldn't see that. Warrie and Jerry were going drinking; couldn't see that either." It was past eleven; I walked to the door with him and stepped outside into the cool August night. "Come here," he said. "I'll whisper something: I like you, but not too much. I don't want to like anybody too much." Then it hit me and I just blurted, "I like people too much or not at all. I've got to go down deep, to fall into people, to really know them." He was definite, "Nobody knows me." So that was it; the end. "Goodbye for good, then," I said. He looked hard at me, a smile twisting his mouth, "You lucky kid; you don't know how lucky you are." I was crying quietly, my face contorted. "Stop it!" The words came like knife thrusts, and then gentleness, "In case I don't see you, have a nice time at Smith." "Have a hell of a nice life," I said. And he walked off down the path with his jaunty, independent stride. And I stood there where he left me, tremulous with love and longing, weeping in the dark. That night it was hard to get to sleep.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
It became increasingly clear that my fellow Christians didn’t want to listen to me, or grieve with me, or walk down this frightening road with me. They wanted to fix me. They wanted to wind me up like an old-fashioned toy and send me back to the fold with a painted smile on my face and tiny cymbals in my hands. Looking back, I suspect their reactions had less to do with disdain for my doubt and more to do with fear of their own.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
Stop for a few seconds and create a clear mental picture of yourself as completely relaxed, calm, positive, smiling, and in complete control of the interview. Then inhale deeply, filling up your lungs and putting pressure on your diaphragm. Hold this breath for a count of seven and exhale for a count of seven. While you are breathing deeply, continue to hold a picture of yourself as the very best salesperson you could possibly be.
Brian Tracy (The Psychology of Selling: Increase Your Sales Faster and Easier Than You Ever Thought Possible)
A smile, someone once said, costs nothing but gives much. It enriches those who receive without making poorer those who give. It takes but a moment, but the memory of it sometimes lasts forever. None is so rich or mighty that he cannot get along without it and none is so poor that he cannot be made rich by it. Yet a smile cannot be bought, begged, borrowed, or stolen, for it is something that is of no value to anyone until it is given away. Some people are too tired to give you a smile. Give them one of yours, as none needs a smile so much as he who has no more to give. Smile. It increases your face value.
Dale Carnegie (How to Win Friends and Influence People in the Digital Age (Dale Carnegie Books))
They didn't exchange a single word. But in the weeks that followed, Trip spent his days wandering the halls, hoping for Lux to appear, the most naked person with clothes on he had ever seen. Even in sensible school shoes, she shuffled as though barefoot, and the baggy apparel Mrs. Lisbon bought for her only increased her appeal, as though after undressing she had put on whatever was handy. In corduroys her thighs rubbed together, buzzing, and there was always at least one untidy marvel to unravel him: an untucked shirttail, a sock with a hole, a ripped seam showing underarm hair. She carted her books from class to class but never opened them. Her pens and pencils were as temporary as Cinderella's broom. When she smiled, her mouth showed too many teeth, but at night Trip Fontaine dreamed of being bitten by each one.
Jeffrey Eugenides
Freely given, freely shared, between true companions and friends.” That was an old phrase, but Gran had made sure I knew all the old phrases. JoAnn looked—and according to the land, felt—startled. For a long moment, she didn’t move, then she smiled again—a little less firmly—and took the bag from me. “The feast increases, with the goodwill of all.
Sharon Lee (Carousel Sun (Carousel Tides #2))
Smiling slows the heart and relaxes the body, and it releases endorphins that counteract and diminish stress hormones. It also has been shown to increase productivity while a person performs tasks.
S.J. Scott (10-Minute Mindfulness: 71 Habits for Living in the Present Moment (Mindfulness Books Series Book 2))
I thought vampires could rematerialize in their clothes," said Angua accusingly. "Otto Chriek can!" "Females can't. We don't know why. It's probably part of the whole underwired-nightdress business. That's where you score again, of course. When you're in one hundred and fifty bat bodies, it's quite hard to remember to keep two of them carrying a pair of pants." Sally looked up at the ceiling, and sighed. "Look, I can see where this is going. It's going to be about Captain Carrot, isn't it . . . " "I saw the way you were smiling at him!" "I'm sorry! We can be very personable! It's a vampire thing!" "You were so keen to impress him, eh!" "And you aren't? He's the kind of many anyone would want to impress!" They watched each other warily. "He is mine, you know," said Angua, feeling the nascent claws strain under her fingernails. "You're his, you mean!" said Sally. "You know it works like that. You trail after him." "I'm sorry! It's a werewolf thing!" Anuga yelled. "Hold it!" Sally thrust both hands in front of her in a gesture of peace. "There's something we'd better sort before this goes any further!" "Yeah?" "Yes. We're both wearing nothing, we're standing in what, you may have noticed, is increasingly turning into mud, and we're squaring up to fight. Okay. But there's something missing, yes?" "And that is . . . ?" "A paying audience? We could make a fortune." Sally winked. "Or we could do the job we came here to do.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
But the modern-day church doesn't like to wander or wait. The modern-day church likes results. Convinced the gospel is a product we've got to sell to an increasingly shrinking market, we like our people to function as walking advertisements: happy, put-together, finished—proof that this Jesus stuff WORKS! At its best, such a culture generates pews of Stepford Wife-style robots with painted smiles and programmed moves. At its worst, it creates environments where abuse and corruption get covered up to protect reputations and preserve image. 'The world is watching,' Christians like to say, 'so let's be on our best behavior and quickly hide the mess. Let's throw up some before-and-after shots and roll that flashy footage of our miracle product blanching out every sign of dirt, hiding every sign of disease.' But if the world is watching, we might as well tell the truth. And the truth is, the church doesn't offer a cure. It doesn't off a quick fix. The church offers death and resurrection. The church offers the messy, inconvenient, gut-wrenching, never-ending work of healing and reconciliation. The church offers grace.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
Bingley prowled his library like a caged animal. The rain separating him from Jane imprisoned him in the house, creating his own personal hell. His sisters worked themselves into a frenzy over the ball, his brother-in-law consoled himself with increasing amounts of drink, and Darcy stared into space with a small smile on his lips. He wondered if the world had turned upside down if Darcy was the besotted man, smiling too much while he grumbled over every detail.
Rose Fairbanks (A Sense of Obligation: A Pride and Prejudice Variation)
He’s brought a sleeping bag, one of those big green bulky L.L. Bean ones. I look at it questioningly. Following my gaze, he turns red. “I told my parents I was going to help you study, then we might watch a movie, and if it got late enough, I’d crash on your living room floor.” “And they said?” “Mom said, ‘Have a nice time, dear.’ Dad just looked at me.” “Embarrassing much?” “Worth it.” He walks slowly over, his eyes locked on mine, then puts his hands around my waist. “Um. So . . . are we going to study?” My tone’s deliberately casual. Jase slides his thumbs behind my ears, rubbing the hollow at their base. He’s only inches from my face, still looking into my eyes. “You bet. I’m studying you.” He scans over me, slowly, then returns to my eyes. “You have little flecks of gold in the middle of the blue.” He bends forward and touches his lips to one eyelid, then the other, then moves back. “And your eyelashes aren’t blond at all, they’re brown. And . . .” He steps back a little, smiling slowly at me. “You’re already blushing—here”—his lips touch the pulse at the hollow of my throat—“and probably here . . .” The thumb that brushes against my breast feels warm even through my T-shirt. In the movies, clothes just melt away when the couple is ready to make love. They’re all golden and backlit with the soundtrack soaring. In real life, it just isn’t like that. Jase has to take off his shirt and fumbles with his belt buckle and I hop around the room pulling off my socks, wondering just how unsexy that is. People in movies don’t even have socks. When Jase pulls off his jeans, change he has in his pocket slips out and clatters and rolls across the floor. “Sorry!” he says, and we both freeze, even though no one’s home to hear the sound. In movies, no one ever gets self-conscious at this point, thinking they should have brushed their teeth. In movies, it’s all beautifully choreographed, set to an increasingly dramatic soundtrack. In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again. But here’s the truth: In movies, it’s never half so lovely as it is here and now with Jase.
Huntley Fitzpatrick (My Life Next Door)
Frowning, she warmed up the scone she’d saved for Callum. “I could get a pop-up camper to pull behind my truck. When I get a truck, of course. That way, I could move my house every few days and experience different views.” “You’re not living in a camper.” He bit into the scone and chewed angrily. “Excuse me.” The female half of the eavesdropping couple took a step closer to the counter. “Are there any more of those scones?” Lou pasted a regretful smile on her face. “Sorry, no. This was the last one.” “I didn’t see it in the display.” The woman scowled. “I specifically asked if you had any scones, and you said you were out.” “I had to hold this one back. It was defective.” “Defective?” Her eyes darted between Lou’s expression of fake sympathy and the small bite of scone Callum hadn’t eaten yet. “It looked fine.” “I licked it.” Lou heard Callum choke on the last piece of scone, but she couldn’t look at him or she would start laughing. If his airway was blocked, he was going to have to give himself the Heimlich. The woman’s suspicious expression didn’t ease. “Why did you let him eat it then?” “Oh, his tongue is in my mouth all the time,” Lou said sweetly, and Callum’s coughing increased. “I didn’t think he’d mind my germs.” With a sound of frustration, the woman stormed out of the shop, followed closely by the male half of the couple. The bells rang merrily as the door closed behind them, as if celebrating their absence. “Sparks,” Callum rasped once his coughing died down. “You’re going to kill me.” “But what a way to go.” “True.” Grabbing her hand, he pulled her closer and leaned across the counter. “Now give me some of those germs.
Katie Ruggle (Hold Your Breath (Search and Rescue, #1))
When people are in a positive frame of mind, they think more quickly, and are more likely to collaborate and problem-solve (instead of fight and resist). It applies to the smile-er as much as to the smile-ee: a smile on your face, and in your voice, will increase your own mental agility. Playful
Chris Voss (Never Split the Difference: Negotiating As If Your Life Depended On It)
Simply smiling at others as you walk down the street can make an enormous difference in the quality of human interaction in your community. And it is this interaction that is most responsible for the quality of human life on our increasingly crowded and lonely planet, our affluent and still impoverished world.
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
Happiness," she says. "What is that, to Emmie Blue?" "Wow," I say with a smile, "that's a... big question." [...] "I suppose when I was younger, a few years ago, I would have said... a family. A normal, safe family life." [...] "You know," I say, "a home, with flowers in the window, a relationship with my mum where maybe she pops in for lunch now and then. Children, one day, maybe. Someone..." I swallow, words becoming increasingly difficult to say. "Someone to love. Someone to love me." "Love," says Louise. "So you think love is happiness?" I hesitate, laugh, nerves turning it into a high-pitched giggle. "I—don't know. Yes. Yes, I suppose it is. For me.
Lia Louis (Dear Emmie Blue)
Thank you for the improvements you made... the lock and hinges... and the lion's-head knocker. I like it very much." Ethan's voice was soft. "Did you like the violets?" She hesitated before shaking her head. "No?" he asked, more softly still. "Why not?" "They reminded me that I might never see you again." "After tonight, you probably won't." "You say that every time we meet. However, you keep popping up like a jack-in-the-box, which has made me increasingly skeptical." Garrett paused before adding in an abashed tone, "And hopeful." His gaze caressed her face. "Garrett Gibson... as long as I'm on this earth, I'll want to be wherever you are." She couldn't help smiling ruefully. "You're the only one who does. I've been in a foul mood for the past two weeks. I've offended nearly everyone I know, and frightened off one or two of my patients." His voice was dark velvet. "You needed me there to sweeten your temper." Garrett couldn't bring herself to look at him as she admitted huskily, "Yes.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Cole envisioned the next few weeks passing as a sort of painless montage: there'd be music, and different moments of the townspeople hard at work building a defensive wall around the perimeter of the town, and digging holes to serve as traps, and training with the few weapons they had. There'd be a wiping of perspiration and drinks raised to one another and the exchange of friendly smiles between comrades, and perhaps deeper, more meaningful glances between him and MaryAnn. But by midmorning of the first day, Cole had come to the unavoidable conclusion that the remainder of the experience would in fact drag on in exceedingly real time, with lots of heaving and hoing and digging and hauling under the hot sun, full of the kind of intense straining that raised the danger of a really spectacular hernia. And, judging from the few tense conversations he'd had so far, he foresaw a series of increasingly strident arguments with Nora regarding matters strategic. Plus, of course, at the end of all this effort they'd all probably be dead.
Michael Rubens (The Sheriff of Yrnameer)
Convinced the gospel is a product we’ve got to sell to an increasingly shrinking market, we like our people to function as walking advertisements: happy, put-together, finished—proof that this Jesus stuff WORKS! At its best, such a culture generates pews of Stepford Wife–style robots with painted smiles and programmed moves. At its worst, it creates environments where abuse and corruption get covered up to protect reputations and preserve image. “The world is watching,” Christians like to say, “so let’s be on our best behavior and quickly hide the mess. Let’s throw up some before-and-after shots and roll that flashy footage of our miracle product blanching out every sign of dirt, hiding every sign of disease.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
Differences in culture, race, ethos, élan, or religion no longer matter, because there is increasingly a common faith in what the Bible calls the ‘love of Mammon.’ Behind this façade of the happy shopper of the global mall and the smiling idiot of the global village stands the raw power of the global oligarchy. To paraphrase Karl Marx, ‘shopping is the opiate of the people.
Kerry R. Bolton
Across from me at the kitchen table, my mother smiles over red wine that she drinks out of a measuring glass. She says she doesn’t deprive herself, but I’ve learned to find nuance in every movement of her fork. In every crinkle in her brow as she offers me the uneaten pieces on her plate. I’ve realized she only eats dinner when I suggest it. I wonder what she does when I’m not there to do so. Maybe this is why my house feels bigger each time I return; it’s proportional. As she shrinks the space around her seems increasingly vast. She wanes while my father waxes. His stomach has grown round with wine, late nights, oysters, poetry. A new girlfriend who was overweight as a teenager, but my dad reports that now she’s “crazy about fruit." It was the same with his parents; as my grandmother became frail and angular her husband swelled to red round cheeks, rotund stomach and I wonder if my lineage is one of women shrinking making space for the entrance of men into their lives not knowing how to fill it back up once they leave. I have been taught accommodation. My brother never thinks before he speaks. I have been taught to filter. “How can anyone have a relationship to food?" He asks, laughing, as I eat the black bean soup I chose for its lack of carbs. I want to tell say: we come from difference, Jonas, you have been taught to grow out I have been taught to grow in you learned from our father how to emit, how to produce, to roll each thought off your tongue with confidence, you used to lose your voice every other week from shouting so much I learned to absorb I took lessons from our mother in creating space around myself I learned to read the knots in her forehead while the guys went out for oysters and I never meant to replicate her, but spend enough time sitting across from someone and you pick up their habits that’s why women in my family have been shrinking for decades. We all learned it from each other, the way each generation taught the next how to knit weaving silence in between the threads which I can still feel as I walk through this ever-growing house, skin itching, picking up all the habits my mother has unwittingly dropped like bits of crumpled paper from her pocket on her countless trips from bedroom to kitchen to bedroom again, Nights I hear her creep down to eat plain yogurt in the dark, a fugitive stealing calories to which she does not feel entitled. Deciding how many bites is too many How much space she deserves to occupy. Watching the struggle I either mimic or hate her, And I don’t want to do either anymore but the burden of this house has followed me across the country I asked five questions in genetics class today and all of them started with the word “sorry". I don’t know the requirements for the sociology major because I spent the entire meeting deciding whether or not I could have another piece of pizza a circular obsession I never wanted but inheritance is accidental still staring at me with wine-stained lips from across the kitchen table.
Lily Myers
You spoke to her, in hidden dreams...and smiled at her through open doors. She felt your secret love surround her at times. And while alone she felt your breath, heartbeat and more... Serenity of hers is never-ending, soothing....it leads, lures, calls you... Ah, timeless burning flame!.. Her kiss is ocean salty water, you drink and thirst increases...you long and pray for more...
Artist Emerald
And so you were in here, chatting with God?" Bruce stared at her face, studying her features in minute detail. His voice dropped to a soft, velvety whisper. "I wanted to thank Him for my many blessings." The burning of her eyes increased. She would not cry like some ninny just because Bruce was happy. He was a devout and wonderful person who always looked to the bright side. Knowing that prompted her to say, "You're such a good man, Bruce." "I'm a fortunate man, in many, many ways." He made a grand gesture toward the glass blocks. "It's a beautiful, sunny day, and my very own church is almost complete." "It is shaping up. Everyone will like it." His thumb moved to her bottom lip with a teasing, gentle touch. "Good friends surround me, and I enjoy good health." "All things you deserve." He smiled. "And I've been given the greatest gift of all." "What's that?" He laughed, tweaked her chin. "You." "Me?" He slowly nodded. "God's given me a lot. But best of all, He's given me you." He took her mouth in a long, toe-curling, stomach-tightening kiss, and in a husky rumble: "I'll be thinking Him every day for the rest of my life." -Bruce and Cyn
Lori Foster (When Bruce Met Cyn... (Visitation, North Carolina, #3))
I would never sabotage you, Mya.” He wiped away one of my stray tears with his fingertips. “Of course, deep down I did want you to stay, but I had nothing but nice things to say about you. I even said they’d be foolish not to hire you, but—” “But?” I glared at him. “But what?” “But if they thought the low-ass salaries they were offering were good enough for you, they needed to increase them exponentially or move along to someone else. I thought you deserved more.” “Is that all?” “No,” he said, looking into my eyes. “I also needed to personally interview each of the CEOs myself. Needed to make sure each one was a good fit for you, and that whoever you worked for next was already married.” I opened my mouth to ask him if he was being serious, but he beat me to it. “Yes,” he said, smirking. “Yes, I ‘seriously’ did need to do that.” “What does the CEO being married have to do with anything, Michael? What if I have no interest in seeing you after I quit?” “You do, so we’re not even going to entertain that line of conversation.” He rolled his eyes. “If the CEO is already married, I won’t have to worry about ‘this’ happening at your next place of employment, and I can be somewhat less jealous.” “How selfish of you.” I couldn’t believe him, but for some reason I couldn’t help the smile that was forming on my face.
Whitney G. (Naughty Boss (Steamy Coffee Collection, #1))
By the bye, Charles, are you really serious in meditating a dance at Netherfield? I would advise you to consult the wishes of the present party; I am much mistaken if there are not some among us to whom a ball would be rather a punishment than a pleasure.” “If you mean Darcy,” cried her brother, “he may go to bed, if he chooses, before it begins—but as for the ball, it is quite a settled thing; and as soon as the ground has sufficiently hardened and the present increase in unmentionables has passed, I shall send round my cards.” “I should like balls infinitely better,” she replied, “if they were carried on in a different manner.” “You should like balls infinitely better,” said Darcy, “if you knew the first thing about them.” Elizabeth blushed and suppressed a smile—slightly shocked by his flirtation with impropriety, and slightly impressed that he should endeavor to flirt with it at all.
Seth Grahame-Smith (Pride and Prejudice and Zombies)
Come on, let’s go! Move your butter muffin butt!” “My what?” Mary asked with a surprised look. “Butter muffin butt,” Aja said with a smile; her angelic face glowed. “And what is that supposed to mean?” Mary asked as she slid out of the truck seat. Aja wasn’t far behind. “Well, I make it a point to never say curse words, and, well, butter muffin sounds as close to mother effin as I could think of,” she said with an increased sweetness to her voice.
Nicole Renee Wyatt (Butterflies Are Free?)
Banishing all caution, she allowed him to lead her out of the ballroom. He walked quickly, even as he wove through the pulsing crowd, and she found herself laughing as she tripped along after him. “Why is it,” he said, halting for a moment when they reached the hall outside the ballroom, “that you always seem to be laughing at me?” She laughed again; she couldn’t help it. “I’m happy,” she said with a helpless shrug. “I’m just so happy to be here.” “And why is that? A ball such as this must be routine for one such as yourself.” Sophie grinned. If he thought she was a member of the ton, an alumna of dozens of balls and parties, then she must be playing her role to perfection. He touched the corner of her mouth. “You keep smiling,” he murmured. “I like to smile.” His hand found her waist, and he pulled her toward him. The distance between their bodies remained respectable, but the increasing nearness robbed her of breath. “I like to watch you smile,” he said. -Benedict & Sophie
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Aarya looks increasingly flustered. "Ines, that's private-" "Wow, Aarya, who knew you had such a big heart?" Ash says, now wearing a smile as well. Aarya's mouth opens. "I have no such thing. Don't you dare even suggest it." "No sense in hiding it," Ines says. "Might as well just come out and admit the truth." Aarya's face turns bright red. "I can't wait until Jag kills us all. Then I won't have to listen to this crap for a second longer." Even though it's a morbid joke, we all laugh at her absurdity.
Adriana Mather (Hunting November (Killing November, #2))
Then, quietly, he said, “I could do it.” “What?” “I could braid your hair.” “You?” “Yes.” Kestrel’s pulse bit at her throat. She opened her mouth, but before she could say anything he had crossed the room and swept her hair into his hands. His fingers began to move. It was strange that the room was so silent. It seemed that there should have been some kind of sound when a fingertip grazed her neck. Or when he drew a lock taut and pinned it in place. When he let a ribbon-thin braid fall forward so that it tapped her cheek. Every gesture of his was as resonant as music, and Kestrel didn’t quite believe that she couldn’t hear any notes, high or low. She let out a slow breath. His hands stilled. “Did I hurt you?” “No.” Pins disappeared from the dressing table at a rapid rate. Kestrel watched small braids lose themselves inside larger ones, dip in and under and out of an increasingly intricate design. She felt a gentle tug. A twist. A shiver of air. Although Arin wasn’t touching her, he was touching no living part of her, it felt as if a fine net had been cast over Kestrel, one that hazed her vision and shimmered against her skin. “There,” he said. Kestrel watched her reflection lift a hand to her head. She couldn’t think of what to say. Arin had drawn back, hands in his pockets. But his eyes held hers in the mirror, and his face had softened, like when she had played the piano for him. She said, “How…?” He smiled. “How did a blacksmith pick up such an unexpected skill?” “Well, yes.” “My older sister used to make me do this when I was little.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Zebra crossings have produced a peculiar new type of mentality in an increasing number of people. This has its new correlated freedom: THE RIGHT TO ZEBRA-CROSS. If Freud were still alive he would certainly be able to define this new psychological trait, this zebra-complex. For those afflicted, life is simply a huge zebra-crossing: as soon as they step into the arena they expect all movement to come to a standstill and give way to them. In very bad cases the patient expects people to watch him admiringly and wave to him with friendly smiles.
George Mikes (How to Be a Brit)
Before I could respond, he snapped his fingers, and I was suddenly standing outside the mansion, my booted feet in the sand, the smell of salt overwhelming my senses, and the rolling ocean at my back. A growl of anger rose in my throat. “I hate it when you do that.” The smile on his face increased. “I know.” I absolutely loathed it, and the bastard did it every chance he got—usually about every five minutes whenever I was in his presence and mostly without any purpose. Sometimes he would just pop me from room to room for the hell of it. The last year or so of my life had been a real test of my short patience.
Jennifer L. Armentrout (The Return (Titan, #1))
The deafening crowd echoed through the pale stone corridors of the royal castle of Orynth. They were chanting her name, almost wailing it. Aelin. A two-beat pulse that sounded through each step she made up the darkened stairwell. Goldryn was heavy at her back, its ruby smoldering in the light of the sun trickling from the landing above. Her tunic was beautiful yet simple, though her steel gauntlets—armed with hidden blades—were as ornate as they were deadly. She reached the landing and stalked down it, past the towering, muscled warriors who lurked in the shadows just beyond the open archway. Not just warriors—her warriors. Her court. Aedion was there, and a few others whose faces were obscured by shadow, but their teeth gleamed faintly as they gave her feral grins. A court to change the world. The chanting increased, and the amulet bounced between her breasts with each step. She kept her eyes ahead, a half smile on her face as she emerged at last onto the balcony and the cries grew frantic, as overpowering as the frenzied crowd outside the palace, in the streets, thousands gathered and chanting her name. In the courtyard, young priestesses of Mala danced to each pulse of her name, worshipping, fanatic. With this power—with the keys she’d attained—what she had created for them, the armies she had made to drive out their enemies, the crops she had grown, the shadows she had chased away … these things were nothing short of a miracle. She was more than human, more than queen. Aelin. Beloved. Immortal. Blessed. Aelin. Aelin of the Wildfire. Aelin Fireheart. Aelin Light-Bringer. Aelin. She raised her arms, tipping back her head to the sunlight, and their cries made the entirety of the White Palace tremble. On her brow, a mark—the sacred mark of Brannon’s line—glowed blue. She smiled at the crowd, at her people, at her world, so ripe for the taking.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.
Maggie Callanan (Final Gifts: Understanding the Special Awareness, Needs, and Co)
Maybe there are people who love someone so much that when they lose them, they never want to be with anyone else again. But maybe there are people who love someone so much that it makes them want to find that kind of love again. Maybe they loved them so much, they can’t live without that kind of love in their life. And maybe … it’s a kind of love where you don’t have to say it. Where they’re such a part of you and you’re such a part of them that it doesn’t need to be said. Because you already know.” When I glance up at Gabe again, he has his eyes on me. “Yeah,” he says. “Maybe.” “I like that,” Vera says with a small smile. “I think it must be like that.” I think about that kind of love as we increase in altitude. How maybe it doesn’t just stand for romance—maybe it works for friendship, too. Maybe there’s a kind of friend love that opens you up … Maybe you didn’t have a place for it within you before, but once it finds you out, crawls inside, and makes space for itself, you can’t live without it ever again. I look over at Vera, and I think about what she said to me the first day we had lunch together: They never really say that they love each other, but it’s so freaking obvious. Like, Sherlock would straight-up kill for Watson. “Just so you know,” I say, “I would straight-up kill for you.
Emma Mills (This Adventure Ends)
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw. “No.” “Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.” Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.” She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.” “How did he manage to have these drawn?” Ian asked, stopping her as she turned away. “A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began, I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot… The next one opened with, I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won. From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him: You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected… I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius… I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more. Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly. “Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven, “the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!” The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
Judith McNaught (Almost Heaven (Sequels, #3))
I asked her to tell me what the best moment of her life had been Did she? Yes, she told me about a trip the two of you had taken to Europe together right after you graduated from high school. Pascal in Paris, it had been a dream of hers to visit Pascal’s grave. On that trip she finally did. I’d never seen her so excited. That wasn’t it. It wasn’t? No, it was in a hostel in Venice. The two of you had been travelling for a couple of weeks and all of your clothes were filthy. You didn’t mind the dirty clothes very much. Lila said you were able to roll with the punches and for you, everything about the trip, even the dirty laundry, was a great adventure. But Lila liked things a certain way, and she hated being dirty. That day she had gone off in search of a laundry mat but hadn’t been able to find one. You were sleeping in a room with a dozen bunks, women and men together. In the middle of the night Lila woke up and realized you weren’t in your bed. She thought you must have gone to the bathroom, but after a couple minutes when you hadn’t returned she became worried. She climbed down from her bunk and went to the bathroom to find you, you weren’t there. She wondered up and down the hallway softly calling your name. A few of the rooms were private and had the doors closed. As she became increasingly worried she began putting her ear to those doors listening for you. Then she heard banging down below. Alarmed she went down the dark stairwell to the basement. She saw you before you saw her. You were working in the dim light of a single blub standing over an old hand operated washing machine. She asked what you were doing, what does it look like you said smiling. What Lila remembered from that night was that you actually looked happy to be standing there in the cold basement in the middle of the night washing clothes by hand. And she knew you wouldn’t have minded wearing dirty clothes for another week or two, you were doing it for her. She said that. Yes when I asked her what the best moment of her life had been she had told me that story. But it was nothing. To her it was.
Michelle Richmond (No One You Know)
We’re not really going to have a serious conversation, are we?” I grinned maniacally. “Okay, you know what, we’re going to play Truth or Dare. If you don’t want to do a dare or answer a question, that’s fine, but you have to take a shot to make up for it. Got it?” I was relieved. I couldn’t talk about Adam anymore, and I sure as hell didn’t want to dwell on the confusing morass of emotions swirling inside of me, further complicated by the fact that Seth would be in Southern California for at least one more year. “Got it,” I said. “I’ll go first. I pick dare.” “I dare you to do a striptease on top of this bar,” I said, waggling my eyebrows. He reached for the bottle of tequila, poured, and tossed it back. “Your turn.” He smiled, pleased with himself. “You’re no fun. Truth.” “Do you want me to kiss you?” he asked, staring at my lips. “Yes,” I said. He leaned in and then, suddenly, we were kissing. I pulled away first. “Okay, now me. Truth. Fire away.” “Why do you still like me?” “That’s an easy one, Char. Because you’re compassionate, intelligent, funny; you have insane sex appeal; and you’re beautiful. Your turn.” “Truth,” I slurred. “Do you want me to kiss you?” “Yes,” I whispered, growing increasingly bold from the alcohol. And then we were kissing again. I pulled away and touched my fingers to his lips. “Your turn.” “Dare.” He winked. “I dare you to kiss me,” I said. He took a shot. I gasped. He was such a tease. 
Renee Carlino (Wish You Were Here)
Blessedness is within us all It lies upon the long scaffold Patrols the vaporous hall In our pursuits, though still, we venture forth Hoping to grasp a handful of cloud and return Unscathed, cloud in hand. We encounter Space, fist, violin, or this — an immaculate face Of a boy, somewhat wild, smiling in the sun. He raises his hand, as if in carefree salute Shading eyes that contain the thread of God. Soon they will gather power, disenchantment They will reflect enlightenment, agony They will reveal the process of love They will, in an hour alone, shed tears. His mouth a circlet, a baptismal font Opening wide as the lips of a damsel Sounding the dizzying extremes. The relativity of vein, the hip of unrest For the sake of wing there is shoulder. For symmetry there is blade. He kneels, humiliates, he pierces her side. Offering spleen to the wolves of the forest. He races across the tiles, the human board. Virility, coquetry all a game — well played. Immersed in luminous disgrace, he lifts As a slave, a nymph, a fabulous hood As a rose, a thief of life, he will parade Nude crowned with leaves, immortal. He will sing of the body, his truth He will increase the shining neck Pluck airs toward our delight Of the waning The blossoming The violent charade But who will sing of him? Who will sing of his blessedness? The blameless eye, the radiant grin For he, his own messenger, is gone He has leapt through the orphic glass To wander eternally In search of perfection His blue ankles tattooed with stars.
Patti Smith
He finished his meeting a few minutes later and almost rudely ejected his business acquaintances from his library, then he went in search of Elizabeth. “She is out in the gardens, my lord,” his butler informed him. A short while later Ian strolled out the French doors and started down the balcony steps to join her. She was bending down and snapping a withered rosebud from its stem. “It only hurts for a moment,” she told the bush, “and it’s for your own good. You’ll see.” With an embarrassed little smile she looked up at him. “It’s a habit,” she explained. “It obviously works,” he said with a tender smile, looking at the way the flowers bloomed about her skirts. “How can you tell?” “Because,” he said quietly as she stood up, “until you walked into it, this was an ordinary garden.” Puzzled, Elizabeth tipped her head. “What is it now?” “Heaven.” Elizabeth’s breath caught in her chest at the husky timbre of his voice and the desire in his eyes. He held out his hand to her, and, without realizing what she was doing, she lifted her hand and gave it to him, then she walked straight into his arms. For one breathless moment his smoldering eyes studied her face feature by feature while the pressure of his arms slowly increased, and then he bent his head. His sensual mouth claimed hers in a kiss of violent tenderness and tormenting desire while his hands slid over the sides of her breasts, and Elizabeth felt all her resistance, all her will, begin to crumble and disintegrate, and she kissed him back with her whole heart.
Judith McNaught (Almost Heaven (Sequels, #3))
No. It couldn’t be. I shook my head, still disbelieving. Maybe the poison had warped my brain and I was delusional after all. I pulled myself to my feet, swaying against Drake, allowing his warm, hard body to prop me up. “You know what that means.” “I do.” His jaw tightened, his eyes flashing with intermingled anger and passion. My heart, leaden and sick, suddenly was enveloped in a gentle warmth that did much to dispel the ills that had possessed it. “Are you sure? Really sure? It’s not something else? Maybe you’re sick.” His face grew harder. “Do you think I’m a fool that I could mistake it?” “No, but you don’t look very happy about it.” “I’m not,” he snapped, irritation rampant on his handsome features. A smile curved my lips as I kissed the corners of his mouth, ignoring the presence of those around us. “Are you going to say it?” “No.” “Come on. I want to hear it.” “No!” I allowed all the love I had for him to show in my eyes as I rubbed my nose on his. “Please?” His face took on the most martyred expression I’d ever seen. “If I say it once, do I have to say it again?” “Yes. With increasing frequency. It gets easier with time, honest.” He sighed again. “I knew this would not come to a good end. Very well, I’ll say it. But I reserve the right to refer you to this conversation on occasions when you wish me to say it again. Aisling, I love you.” I fought hard to keep the smile off my face. Drake’s declaration of love was delivered in such a brusque tone, I knew it had to be costing him a lot to admit the truth. “I love you, too,” I answered, and welcomed his mouth when it came to claim mine, my heart singing a joyous song of happiness and fulfillment.
Katie MacAlister (Light My Fire (Aisling Grey, #3))
They did this at the bank I worked at. We all had to go on a course where bright, sparkly people with frightening smiles exhorted us to embrace change because those who can’t die out. I think they cited the dinosaurs.’ ‘So they weren’t killed by an asteroid at all, then?’ said Bashford, astonished. ‘Not according to the expensive people hired to tell us that our expertise, the working relationships we’d built up over the years, all our hard work was now utterly valueless – as would we be if we didn’t get with the new programme. According to them, it was their inability to adapt to this month’s new ideas and working practices that did for the dinosaurs and the asteroid had nothing to do with it. They were quite horrified at our lack of enthusiasm for massive redundancies while senior managers – reluctantly, of course – accepted promotions and pay rises with increased bonuses.
Jodi Taylor (Another Time, Another Place (The Chronicles of St. Mary's, #12))
Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.” Elizabeth let herself be drawn forward a few steps and hesitated. “This is a mistake. Everyone will see us and think we’ve started it all over again-“ “No, they won’t,” he promised. “There’s a rumor spreading like fire in there that I tried to get you in my clutches two years ago, but without a title to tempt you I didn’t have a chance. Since acquiring a title is a holy crusade for most of them, they’ll admire your sense. Now that I have a title, I’m expected to use it to try to succeed where I failed before-as a way of bolstering my wounded male pride.” Reaching up to brush a wisp of hair from her soft cheek, he said, “I’m sorry. It was the best I could do with what I had to work with-we were seen together in compromising circumstances. Since they’d never believe nothing happened, I could only make them think I was in pursuit and you were evading.” She flinched from his touch but didn’t shove his hand away. “You don’t understand. What’s happening to me in there is no less than I deserve. I knew what the rules were, and I broke them when I stayed with you at the cottage. You didn’t force me to stay. I broke the rules, and-“ “Elizabeth,” he interrupted in a voice edge with harsh remorse, “if you won’t do anything else for me, at least stop exonerating me for that weekend. I can’t bear it. I exerted more force on you than you understand.” Longing to kiss her, Ian had to be satisfied instead with trying to convince her his plan would work, because he now needed her help to ensure its success. In a teasing voice he said, “I think you’re underrating my gift for strategy and subtlety. Come and dance with me, and I’ll prove to you how easily most of the male minds in there have been manipulated.” Despite his confidence, moments after they entered the ballroom Ian noticed the increasing coldness of the looks being directed at them, and he knew a moment of real alarm-until he glanced at Elizabeth as he took her in his arms for a waltz and realized the cause of it. “Elizabeth,” he said in a low, urgent voice, gazing down at her bent head, “stop looking meek! Put your nose in the air and cut me dead or flirt with me, but do not on any account look humble, because these people will interpret it as guilt!” Elizabeth, who had been staring at his shoulder, as she'd done with her other dancing partners, tipped her head back and looked at him in confusion. "What?" Ian's heart turned over when the chandeliers overhead revealed the wounded look in her glorious green eyes. Realizing logic and lectures weren't going to help her give the performance he badly needed her to give, he tried the tack that had, in Scotland, made her stop crying and begin to laugh: He tried to tease her. Casting about for a subject, he said quickly, "Belhaven is certainly in fine looks tonight-pink satin pantaloons. I asked him for the name of his tailor so that I could order a pair for myself." Elizabeth looked at him as if he'd taken leave of his senses; then his warning about looking meek hit home, and she began to understand what he wanted her to do. That added to the comic image of Ian's tall, masculine frame in those absurd pink pantaloons enabled her to manage a weak smile. "I have greatly admired those pantaloons myself," she said. "Will you also order a yellow satin coat to complement the look?" He smiled. "I thought-puce." "An unusual combination," she averred softly, "but one that I am sure will make you the envy of all who behold you.
Judith McNaught (Almost Heaven (Sequels, #3))
Jack coughed slightly and offered his hand. “Hi, uh. I’m Jack.” Kim took it. “Jack what?” “Huh?” “Your last name, silly.” “Jackson.” She blinked at him. “Your name is Jack Jackson?” He blushed. “No, uh, my first name’s Rhett, but I hate it, so…” He gestured to the chair and she sat. Her dress rode up several inches, exposing pleasing long lines of creamy skin. “Well, Jack, what’s your field of study?” “Biological Engineering, Genetics, and Microbiology. Post-doc. I’m working on a research project at the institute.” “Really? Oh, uh, my apple martini’s getting a little low.” “I’ve got that, one second.” He scurried to the bar and bought her a fresh one. She sipped and managed to make it look not only seductive but graceful as well. “What do you want to do after you’re done with the project?” Kim continued. “Depends on what I find.” She sent him a simmering smile. “What are you looking for?” Immediately, Jack’s eyes lit up and his posture straightened. “I started the project with the intention of learning how to increase the reproduction of certain endangered species. I had interest in the idea of cloning, but it proved too difficult based on the research I compiled, so I went into animal genetics and cellular biology. It turns out the animals with the best potential to combine genes were reptiles because their ability to lay eggs was a smoother transition into combining the cells to create a new species, or one with a similar ancestry that could hopefully lead to rebuilding extinct animals via surrogate birth or in-vitro fertilization. We’re on the edge of breaking that code, and if we do, it would mean that we could engineer all kinds of life and reverse what damage we’ve done to the planet’s ecosystem.” Kim stared. “Right. Would you excuse me for a second?” She wiggled off back to her pack of friends by the bar. Judging by the sniggering and the disgusted glances he was getting, she wasn’t coming back. Jack sighed and finished off his beer, massaging his forehead. “Yes, brilliant move. You blinded her with science. Genius, Jack.” He ordered a second one and finished it before he felt smallish hands on his shoulders and a pair of soft lips on his cheek. He turned to find Kamala had returned, her smile unnaturally bright in the black lights glowing over the room. “So…how did it go with Kim?” He shot her a flat look. “You notice the chair is empty.” Kamala groaned. “You talked about the research project, didn’t you?” “No!” She glared at him. “…maybe…” “You’re so useless, Jack.” She paused and then tousled his hair a bit. “Cheer up. The night’s still young. I’m not giving up on you.” He smiled in spite of himself. “Yet.” Her brown eyes flashed. “Never.
Kyoko M. (Of Cinder and Bone (Of Cinder and Bone, #1))
...He was a greater craftsman even than Isaac, and he knew it, and so, presently, did Isaac. There was a greatness in Isaac. One evening at supper, between one bite of sausage and another, he was able to acknowledge that it was so. "He must increase, but I must decrease," he said to himself. He did not know where the quotation came from, or that in taking it to himself he had taken a fence at which many balked or fell. He finished the sausage without having the slightest idea that he was not the same man that he had been when he embarked upon it. The next morning he smiled at Job and asked him if he would like to help him with his clock. Job went crimson to the roots of his hair and unable to speak bent to pick up a tool he had dropped under the workbench. When he reappeared he was no more able to speak than he had been before, but his face was shining like the morning sun. From that moment the two increasingly loved each other.
Elizabeth Goudge (The Dean's Watch)
Often, in my experience, the impression of beauty is created by a single aspect of a woman and from that aspect beauty appears to spread outward through every part of them, rendering them beautiful in their entirety. Sometimes such beauty comes from a smile. Sometimes from a lovely pair of eyes. Sometimes from an attitude, or form of movement, or a sentiment of goodness or happiness which reveals itself in a single expression. Sometimes it is the curve of a body from which beauty spreads, sometimes a tone of skin, or a river of glossy hair that catches the light and seems to shine like silk. Yet were that aspect to be removed and not replaced by something else, so too would the beauty it had brought to light disappear. Less often, beauty comes from several sources in the same person, all working together to increase the impression of overall beauty. If one of these aspects were to disappear, unlike a man, the woman would remain beautiful, though changed.
Yasmine Millett (The Erotic Notebooks)
the Illinois Gazette, published some handy “Rules for Wives,” among them these: A good wife will always receive her husband with smiles, leaving nothing undone to render home agreeable and gratefully reciprocate kindness and attention. She will study to discover means to gratify his inclinations in regard to food and cooking; in the management of her family; in her dress, manner, and deportment. She will in everything reasonably comply with his wishes, and as far as possible, anticipate them. These were rules that Sarah and Jay and most of their contemporaries took for granted. But there were rules for husbands, too. A good husband will always regard his wife as his equal, treat her with kindness, respect, and attention and never address her with an air of authority as if she were, as some husbands appear to regard their wives, mere housekeepers. Keseberg seems to have been one of those husbands who paid attention only to the first set of rules. Increasingly,
Daniel James Brown (The Indifferent Stars Above: The Harrowing Saga of the Donner Party)
He nodded. “From the first moment I saw you, I wanted you. It was the night of the Nethercourt gathering three years ago. You wore a green gown and your eyes seemed to be alive with color. You entered the room and I had to have you… I would have had you, except that Owen told me you were his new mistress.” Mariah blinked in increasing disbelief at the detail John could recount of the night of their first meeting. “I—I had no idea of your feelings.” “Of course not.” John frowned. “I made certain you did not, nor did Owen. I would not have betrayed him in such a manner. But my desire for you never decreased. Although I suppose that fact is rather clear since I have taken you not once, but twice in recent days. And without much finesse either time, for which I apologize.” Mariah set her cup away and leaned back in the chair to stare at him. “You act as though I received no pleasure from those encounters. I assure you, I did. A great deal, both times.” He smiled, almost in relief. “Good. I would hate to think I have left a poor impression.
Jess Michaels (For Desire Alone (Mistress Matchmaker, #2))
It would be really wonderful if all this could be a dream,” I said. “Come now, you’ll get there. Focus on one aura at a time; that helps. What do you see when you look at me?” I took a breath. “A kind of idiosyncratic bluish with a happy patch of crimson right around your middle. You’re a bit dark—but also very light in funny little ways.” I blinked. “There are also notes of a sort of rosy color hanging all around both you and Jenny. No, not rosy, exactly. How would you describe it—a buoyant sort of flush?” “Buoyant is not a color,” said Jackaby. “You sound ridiculous. But an excellent start! The sight will take time to understand. I’m here to help.” “I’m here for you, too, Abigail,” Jenny assured me, putting a hand on Jackaby’s shoulder as she glided forward to join us. “We can practice together and take it slow. It’s the least I could do after everything you’ve done to help me figure out my own abilities.” I nodded. “It’s nice to see that you’re not having any more trouble in that area,” I said. Jenny’s hand was still on Jackaby’s shoulder. The flush around their auras increased when I mentioned it. “I’m not even sure how it happened,” Jenny said. “I just needed it to happen, and it did.” “Not surprised about it at all,” said Jackaby. “Not surprised?” Jenny said. “Yesterday I couldn’t so much as brush a hair out of your eyes, but today I reached inside your chest and held your heart in my hands—and you’re not surprised?” “Not at all. My heart was always yours,” said Jackaby. Jenny leaned back and looked at him, startled. “That is about the sweetest thing I think you’ve ever said.” “Was it good?” He gave her a goofy grin. “I was trying to work out how to phrase it the whole ride over.” “Not good at all, no,” she said, trying unsuccessfully to keep a smile off her face. “It was sappy and maudlin and positively terrible. Sweet, though. Excellent effort.” “You’re just jealous because we’re both technically undead now, and I’m clearly so much better at it.” “Jealous? I’m not jealous. For the first time since I’ve known you, I have the power to shut you up.” She leaned in and kissed him right on the lips.
William Ritter (The Dire King (Jackaby, #4))
It did not occur to her to question whether Tara was worth marrying Frank. She knew it was worth it and she never gave the matter a second thought. She smiled up at him as she sipped the wine, knowing that her cheeks were more attractively pink than any of the dancers’. She moved her skirts for him to sit by her and waved her handkerchief idly so that the faint sweet smell of the cologne could reach his nose. She was proud of the cologne, for no other woman in the room was wearing any and Frank had noticed it. In a fit of daring he had whispered to her that she was as pink and fragrant as a rose. If only he were not so shy! He reminded her of a timid old brown field rabbit. If only he had the gallantry and ardor of the Tarleton boys or even the coarse impudence of Rhett Butler. But, if he possessed those qualities, he’d probably have sense enough to feel the desperation that lurked just beneath her demurely fluttering eyelids. As it was, he didn’t know enough about women even to suspect what she was up to. That was her good fortune but it did not increase her respect for him.
Margaret Mitchell (Gone with the Wind)
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
No one but she had realized that the ballroom bore a rather startling resemblance to the gardens at Charise Dumont’s country house, and that the arbor at the side, with its trellised entrance, was a virtual replica of the place where she and Ian had first waltzed that long-ago night. Across the room, the vicar was standing with Jake Wiley, Lucinda, and the Duke of Stanhope, and he raised his glass to her. Elizabeth smiled and nodded back. Jake Wiley watched the silent communication and beamed upon his little group of companions. “Exquisite bride, isn’t she?” he pronounced, not for the first time. For the past half-hour, the three men had been merrily congratulating themselves on their individual roles in bringing this marriage about, and the consumption of spirits was beginning to show in Duncan and Jake’s increasingly gregarious behavior. “Absolutely exquisite,” Duncan agreed. “She’ll make Ian an excellent wife,” said the duke. “We’ve done well, gentlemen,” he added, lifting his glass in yet another congratulatory toast to his companions. “To you, Duncan,” he said with a bow, “for making Ian see the light.” “To you, Edward,” said the vicar to the duke, “for forcing society to accept them.” Turning to Jake, he added, “And to you, old friend, for insisting on going to the village for the servingwomen and bringing old Attila and Miss Throckmorton-Jones with you.” That toast belatedly called to mind the silent duenna who was standing stiffly beside them, her face completely devoid of expression. “And to you, Miss Throckmorton-Jones,” said Duncan with a deep, gallant bow, “for taking that laudanum and spilling the truth to me about what Ian did two years ago. ‘Twas that, and that alone, which caused everything else to be put into motion, so to speak. But here,” said Duncan, nonplussed as he waved to a servant bearing a tray of champagne, “you do not have a glass, my dear woman, to share in our toasts.” “I do not take strong spirits,” Lucinda informed Duncan. “Furthermore, my good man,” she added with a superior expression that might have been a smile or a smirk, “I do not take laudanum, either.” And on that staggering announcement, she swept up her unbecoming gray skirts and walked off to dampen the spirits of another group. She left behind her three dumbstruck, staring men who gaped at each other and then suddenly erupted into shouts of laughter.
Judith McNaught (Almost Heaven (Sequels, #3))
I have never ceased to be fascinated by feminine beauty. In a man, beauty, if it exists, is usually simple; a complete harmony of physical qualities and behaviour all acting together as a whole. The slightest flaw causes it to disappear. In women, beauty is more complex. Often, in my experience, the impression of beauty is created by a single aspect of a woman and from that aspect beauty appears to spread outward through every part of them, rendering them beautiful in their entirety. Sometimes such beauty comes from a smile. Sometimes from a lovely pair of eyes. Sometimes from an attitude, or a form of movement, or a sentiment of goodness or happiness which reveals itself in a single expression. Sometimes it is the curve of a body from which beauty spreads, sometimes a tone of skin, or a river of glossy hair that catches the light and seems to shine like silk. Yet were that aspect removed and not replaced by something else, so too would the beauty it had brought to light disappear. Less often, beauty comes from several sources in the same person, all working together to increase the impression of overall beauty. If one of these aspects were to disappear, unlike a man, the woman would remain beautiful, though changed.
Yasmine Millett (The Erotic Notebooks)
What is so rewarding about friendship?” my son asked, curling his upper lip into a sour expression. “Making friends takes too much time and effort, and for what?” I sat on the edge of his bed, understanding how it might seem simpler to go at life solo. “Friendship has unique rewards,” I told him. “They can be unpredictable. For instance....” I couldn’t help but pause to smile crookedly at an old memory that was dear to my heart. Then I shared with my son an unforgettable incident from my younger years. “True story. When I was about your age, I decided to try out for a school play. Tryouts were to begin after the last class of the day, but first I had to run home to grab a couple props for the monologue I planned to perform during tryouts. Silly me, I had left them at the house that morning. Luckily, I only lived across a long expanse of grassy field that separated the school from the nearest neighborhood. Unluckily, it was raining and I didn’t have an umbrella. “Determined to get what I needed, I raced home, grabbed my props, and tore back across the field while my friend waited under the dry protection of the school’s wooden eaves. She watched me run in the rain, gesturing for me to go faster while calling out to hurry up or we would be late. “The rain was pouring by that time which was added reason for me to move fast. I didn’t want to look like a wet rat on stage in front of dozens of fellow students. Don’t ask me why I didn’t grab an umbrella from home—teenage pride or lack of focus, I’m not sure—but the increasing rain combined with the hollering from my friend as well as my anxious nerves about trying out for the play had me running far too fast in shoes that lacked any tread. “About a yard from the sidewalk where the grass was worn from foot traffic and consequently muddied from the downpour of rain, I slipped and fell on my hind end. Me, my props, and my dignity slid through the mud and lay there, coated. My things were dripping with mud. I was covered in it. I felt my heart plunge, and I wanted to cry. I probably would have if it hadn’t been for the wonderful thing that happened right then. My crazy friend ran over and plopped herself down in the mud beside me. She wiggled in it, making herself as much a mess as I was. Then she took my slimy hand in hers and pulled us both to our feet. We tried out for the play looking like a couple of swine escaped from a pigsty, laughing the whole time. I never did cry, thanks to my friend. “So yes, my dear son, friendship has its unique rewards—priceless ones.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
The Savior came and is coming again, but our healing is in his hands, not our own. If our Savior chose to enter the human story in a human body, then we should enter one another’s places of suffering remembering we carry and extend the presence of Christ. Sin is any Christian’s response to pain, poverty, and weakness that assumes they are individual problems to solve rather than places to patiently embody the solidarity of Jesus. When we reduce pain to an individual problem, we don’t know what to do with ourselves and our stories. In an increasingly individualistic society, where the space between self, tradition, and our embodied connection to each other feels wide, suffering can be a massive assault to our sense of self and our ability to hope. We become lost in a chasm of overspiritualized pain and undervalued physicality, not knowing where our lives fit alongside a Christianity glittering with the veneer of abundance. Already exhausted, we sink under the weight of existing as an aberration of the abundant life our Christian friends and families want us to project. Defeated and lonely, many of us subconsciously attempt to detach from the grief in our bodies, excising it from our minds to feel accepted in the community of the able and successful. We push pain away with effort, pretending to be okay among the shiny, smiling faces at church or work. For if we were honest about how sad or sick or hopeless we really feel, would we be accepted at all?
K.J. Ramsey (This Too Shall Last: Finding Grace When Suffering Lingers)
I wanted to be Feinberg's student, but I didn't know how to go about it. Since it was premature for formal arrangements and since I was naturally reticent and shy, I simply began to greet him very politely whenever our paths crossed. Graduate school was a small community. In corridors and elevators and on campus, I was soon running into Feinberg several times a day, always giving him a polite hello and a nice smile. He would reciprocate similarly with a sort of nervous curling of the lips. As time passed, this limbo of flirtatious foreplay continued unabated. I could never find the courage to broach the question of being his student; I supposed I must have hoped it would just happen wordlessly. Every time I saw him I smiled; every time I smiled he bared his lips back at me with greater awkwardness. Our facial manipulations bore increasingly less resemblance to anything like a real smile; each of our reciprocated gestures was a caricature, a Greek theatrical mask signaling friendliness. One day, on about the fifth intersection of our paths on that particular day, I could stand it no longer. I saw him heading towards me down one of the long dark, old-fashioned Pupin corridors, and immediately turned towards the nearest stairwell and went up one floor to avoid him. Having succeeded at this once, I was compelled to do it repeatedly. Soon I was moving upstairs or downstairs to another floor as soon as I saw him approaching, like the protagonist in some ghastly version of the video game Lode Runner.
Emanuel Derman (My Life as a Quant: Reflections on Physics and Finance)
Their attention was caught by the increasingly animated conversation between Beatrix and Annandale. “…I can climb a tree as well as any of the Ramsay estate woodsmen,” Beatrix was telling him. “I don’t believe you,” the earl declared, tremendously entertained. “Oh, yes. Off with the skirts, off with the corset, I put on a pair of breeches, and--” “Beatrix,” Audrey interrupted, before this scandalous discussion of intimate apparel progressed any further. “I just caught a glimpse of Poppy in the next room. It’s been ages since I’ve seen her. And I’ve never been introduced to her husband.” “Oh.” Reluctantly Beatrix turned her attention away from Annandale. “Shall I take you to them?” “Yes.” Audrey seized her arm. Annandale looked disgruntled, his black brows lowering as Audrey propelled Beatrix away. Christopher bit back a grin. “What do you think of her?” he asked. Annandale replied without hesitation. “I would marry her myself, were I five years younger.” “Five?” Christopher repeated skeptically. “Ten, damn you.” But a slight smile had appeared on the earl’s time-weathered face. “I commend you on your choice. She’s a spirited girl. Fearless. Lovely in her own way, and with her charm she has no need of true beauty. You’ll need to keep a firm hand on the reins, but the trouble will be worth it.” He paused, looking wistful. “Once you’ve had a woman like that, you can never be content with the ordinary kind.” Christopher had been about to argue over the question of Beatrix’s beauty, which in his opinion was unequaled.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Hello,” she says. “My name is Amanda Ritter. In this file I will tell you only what you need to know. I am the leader of an organization fighting for justice and peace. This fight has become increasingly more important--and consequently, nearly impossible--in the past few decades. That is because of this.” Images flash across the wall, almost too fast for me to see. A man on his knees with a gun pressed to his forehead. The woman pointing it at him, her face emotionless. From a distance, a small person hanging by the neck from a telephone pole. A hole in the ground the size of a house, full of bodies. And there are other images too, but they move faster, so I get only impressions of blood and bone and death and cruelty, empty faces, soulless eyes, terrified eyes. Just when I have had enough, when I feel like I am going to scream if I see any more, the woman reappears on the screen, behind her desk. “You do not remember any of that,” she says. “But if you are thinking these are the actions of a terrorist group or a tyrannical government regime, you are only partially correct. Half of the people in those pictures, committing those terrible acts, were your neighbors. Your relatives. Your coworkers. The battle we are fighting is not against a particular group. It is against human nature itself--or at least what it has become.” This is what Jeanine was willing to enslave minds and murder people for--to keep us all from knowing. To keep us all ignorant and safe and inside the fence. There is a part of me that understands. “That is why you are so important,” Amanda says. “Our struggle against violence and cruelty is only treating the symptoms of a disease, not curing it. You are the cure. “In order to keep you safe, we devised a way for you to be separated from us. From our water supply. From our technology. From our societal structure. We have formed your society in a particular way in the hope that you will rediscover the moral sense most of us have lost. Over time, we hope that you will begin to change as most of us cannot. “The reason I am leaving this footage for you is so that you will know when it’s time to help us. You will know that it is time when there are many among you whose minds appear to be more flexible than the others. The name you should give those people is Divergent. Once they become abundant among you, your leaders should give the command for Amity to unlock the gate forever, so that you may emerge from your isolation.” And that is what my parents wanted to do: to take what we had learned and use it to help others. Abnegation to the end. “The information in this video is to be restricted to those in government only,” Amanda says. “You are to be a clean slate. But do not forget us.” She smiles a little. “I am about to join your number,” she says. “Like the rest of you, I will voluntarily forget my name, my family, and my home. I will take on a new identity, with false memories and a false history. But so that you know the information I have provided you with is accurate, I will tell you the name I am about to take as my own.” Her smile broadens, and for a moment, I feel that I recognize her. “My name will be Edith Prior,” she says. “And there is much I am happy to forget.” Prior. The video stops. The projector glows blue against the wall. I clutch Tobias’s hand, and there is a moment of silence like a withheld breath. Then the shouting begins.
Veronica Roth (Insurgent (Divergent, #2))
Taking the catcher’s place, he sank to his haunches and gestured to Arthur. “Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!” Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically. “Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.” Heaving a sigh, Lillian raised the bat and faced the pitcher once more. Arthur drew his arm back, and lunged forward as he delivered another fast ball. Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur. Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out? “Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!” “Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!” She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter. “You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!” Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?” She heard Arthur’s amused voice as he approached them. “Actually, miss—” “Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him. “Yes, milord.” “Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.” Still smiling, the earl looked up at Lillian.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Open your eyes, Cassie." His mouth was on mine before I had a chance to comply, the gentle pressure of his lips stealing the breath of my lungs and pushing out any worries I might have had about whether this was a good idea. His hand slid down to my chin, gently tilting it up a little to give him better access. I was so overwhelmed with sensation that I was helpless to do anything but let him kiss me, and to kiss him back. My hands slid up his broad chest of their own volition, the fabric his shirt soft beneath my fingers as I clutched at the ends of his collar with both hands. My touch elicited a quiet moan from the back of his throat that made me dizzy with a spike of searing desire. "We can't do this here," I mumbled against his lips. Mostly because it felt like something I was supposed to say, given that this was Sam's bathroom and an entire apartment full of people was having a party on the other side of the door. But I knew, even as I said the words, that were absolutely going to do this here. It didn't seem like Frederick even heard what I'd said. If he did, he certainly wasn't paying it any mind. His kisses grew bolder, the exquisite pressure of his mouth increasing until I parted my lips for him on a ragged sigh. He tasted like breath mints and the wine he must have pretended to drink earlier this evening. I wanted to lose myself in it--- in the way he slid his tongue along mine, coaxing a whimper from my throat; in his strong arms, as they encircled me and pulled me closer. I could feel his sharp, prominent canines against my tongue as I kissed him, something I'd certainly never noticed before when I'd seen him smile. A thrilling flash of heat shot through me, the visceral reminder of who and what he was startling me for only a moment before I lost myself in the kiss again.
Jenna Levine (My Roommate Is a Vampire)
PRAYER FOR SELF-LOVE Today, Creator of the Universe, we ask that you help us to accept ourselves just the way we are, without judgment. Help us to accept our mind the way it is, with all our emotions, our hopes and dreams, our personality, our unique way of being. Help us to accept our body just the way it is, with all its beauty and perfection. Let the love we have for ourselves be so strong that we never again reject ourselves or sabotage our happiness, freedom, and love. From now on, let every action, every reaction, every thought, every emotion, be based on love. Help us, Creator, to increase our self-love until the entire dream of our life is transformed, from fear and drama to love and joy. Let the power of our self-love be strong enough to break all the lies we were programmed to believe — all the lies that tell us we are not good enough, or strong enough, or intelligent enough, that we cannot make it. Let the power of our self-love be so strong that we no longer need to live our life according to other people’s opinions. Let us trust ourselves completely to make the choices we must make. With our self-love, we are no longer afraid to face any responsibility in our life or face any problems and resolve them as they arise. Whatever we want to accomplish, let it be done with the power of our self-love. Starting today, help us to love ourselves so much that we never set up any circumstances that go against us. We can live our life being ourselves and not pretending to be someone else just to be accepted by other people. We no longer need other people to accept us or tell us how good we are because we know what we are. With the power of our self-love, let us enjoy what we see every time we look in the mirror. Let there be a big smile on our face that enhances our inner and outer beauty. Help us to feel such intense self-love that we always enjoy our own presence.
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship (A Toltec Wisdom Book))
Ell's Double Down --- "The haze across the room conceals the faces of the patrons and gives the setting a secretive draping. Her heart is pounding and although she has done this for months now, she still becomes nervous starting out. She glances across the table, the man facing her is attractive he is dressed in a fine suit his eyes a warm brown, his stare deliberate. When he looks at her she can tell, it’s a look you don’t give a kid sister, his look is heated. She can hardly breathe when she looks into his eyes it is disarming, she can’t have this. She looks above him to her friend Sophie; she is unsure of herself and silently communicates her discomfort to her friend. Sophie gives her a smile then leans down whispering into the man’s ear his attention is suddenly diverted giving Ell the opportunity to settle in. She exhales feeling better now that the man is distracted. Later she will help Sophie untangle herself from him but now she has to focus on the business at hand. She takes a deep breath, flashing a dazzling smile at the rest of the men gathered around the table and antes up. The truth is gambling makes her feel empowered the rush was like none other. Each hand dealt promised her a solution to her problems. Logically that alone could be the cause for her increased heart rate and butterflies but Ell knew better. She liked the mind games played as each of them attempted to psyche out opponents seated around the table. Ell herself suffered through painful lessons until she honed her own skills. Eventually Sophie taught her the most valuable ploy --using her womanly wiles as her weapon. Ell initially felt foolish but the first time she glanced through mascaraed lashes and saw the effect she turned to her friend for additional suggestions. This combined with her ability to gauge the cards each player held or what now laid in the muck. However to be honest, she simply loved soundly beating the table full of men.
Caroline Walken
He must have seen something in my gaze because he pushed away from the door and moved closer.  He stopped in front of me, and without breaking eye contact, reached into my bag and pulled out a pair of jeans.  He held them out to me and tapped his lips. I smiled widely.  “A kiss for the jeans?” He nodded.  I grabbed the jeans from his loose grasp and tossed them on the bed. He watched me, curious, as I stood and placed my hands on his chest for balance. “I don’t need bribes to kiss you, Clay.  Come here.” His lips covered mine in a move so fast, my head spun even more.  I clutched his shirt in my fists, not sure if it was his kiss or my condition that caused the current wave of dizziness.  His arms circled around me.  I felt safe.  And so desired.  I pressed myself closer, and he increased the pressure on my lips.  His warm breath fanned my face.  One of his hands roamed up to curve around the back of my neck. My heart skipped a beat, and my breathing became more erratic.  I knew he’d hear but I didn’t care.  Standing on my tiptoes, I loosened my hold on his shirt and slid my hands up and around his neck.  I didn’t want him to let go just yet. Tentatively, I opened my mouth and ran my tongue across his bottom lip.  He growled, and his hold tightened fractionally.  A thrill shot through me, heating my limbs and tickling my stomach.  I used my tongue again.  His mouth opened in response.  He took control of the kiss and turned it from tender-sweet to passionately melting.  Our tongues touched.  I stopped breathing.  My world tilted then steadied.  He anchored me.  How could I doubt this?  Us? My lungs burned for air, and he gently pulled away even though I whined in protest.  He kissed my cheek, then my forehead. It took a minute for the world to right itself again while I caught my breath.  Clay placed his chin on my head and held me tight.  My head rested on his chest over his thundering heart.  The kiss had affected him as much as it had me.  It made me smile because now I knew without a doubt; I attracted him, not my strange pull. I
Melissa Haag (Hope(less) (Judgement of the Six #1))
Blissfully unaware of all that, Elizabeth continued to love him without reservation or guile, and as she grew more certain of his love, she became more confident and more enchanting to Ian. On those occasions when she saw his expression become inexplicably grim, she teased him or kissed him, and, if those ploys failed, she presented him with little gifts-a flower arrangement from Havenhurst’s gardens, a single rose that she stuck behind his ear, or left upon his pillow. “Shall I have to resort to buying you a jewel to make you smile, my lord?” she joked one day three months after they were married. “I understand that is how it is done when a lover begins to act distracted.” To Elizabeth’s surprise, her remark made him snatch her into his arms in a suffocating embrace. “I am not losing interest in you, if that’s what you’re suggesting,” he told her. Elizabeth leaned back in his arms, surprised by the unwarranted force of his declaration, and continued to tease. “You’re quite certain?” “Positive.” “You wouldn’t lie to me, would you?” she asked in a voice of mock severity. “I would never lie to you,” Ian said gravely, but then he realized that by withholding the truth from her, he was, in effect, deceiving her, which in turn, amounted to little less than lying outright. Elizabeth knew something was bothering him, and that as time passed, it was bothering him with increasing frequency, but she never dreamed she was even remotely the cause of his silences or preoccupation. She thought of Robert often, but not since the day of her marriage had she permitted herself to think of Mr. Wordsworth’s accusations, not even for an instant. In the first place, she couldn’t bear it; in the second, she no longer believed there was the slightest possibility he was right. “I have to go to Havenhurst tomorrow,” she said reluctantly when Ian finally let her go. “The masons have started on the house and bridge, and the irrigation work has begun. If I spend the night, though, I shouldn’t have to go back for at least a fornight.” “I’ll miss you,” he said quietly, but there was no trace of resentment in his voice, nor did he attempt to persuade her to postpone the trip. He was keeping to his bargain with the integrity that Elizabeth particularly admired in him. “Not,” she whispered, kissing the side of his mouth, “as much as I’ll miss you.
Judith McNaught (Almost Heaven (Sequels, #3))
When a Single Glance Can Cost a Million Dollars Under conditions of stress, the human body responds in predictable ways: increased heart rate, pupil dilation, perspiration, fine motor tremors, tics. In high-pressure situations, such as negotiating an employment package or being cross-examined under oath, no matter how we might try to play it cool, our bodies give us away. We broadcast our emotional state, just as Marilyn Monroe broadcast her lust for President Kennedy. We each exhibit a unique and consistent pattern of stress signals. For those who know how to read such cues, we’re essentially handing over a dictionary to our body language. Those closest to us probably already recognize a few of our cues, but an expert can take it one step further, and closely predict our actions. Jeff “Happy” Shulman is one such expert. Happy is a world-class poker player. To achieve his impressive winnings, he’s spent much of his life mastering mystique. At the highest level of play, winning depends not merely on skill, experience, statistics, or even luck with the cards, but also on an intimate understanding of human nature. In poker, the truth isn’t written just all over your face. The truth is written all over your body. Drops of Sweat, a Nervous Blink, and Other “Tells” Tournament poker is no longer a game of cards, but a game of interpretation, deception, and self-control. In an interview, Happy says that memorizing and recognizing your opponent’s nuances can be more decisive than luck or skill. Imperceptible gestures can reveal a million dollars’ worth of information. Players call these gestures “tells.” With a tell, a player unintentionally exposes his thoughts and intentions to the rest of the table. The ability to hide one’s tells—and conversely, to read the other players’ tells—offers a distinct advantage. At the amateur level, tells are simpler. Feet and legs are the biggest moving parts of your body, so skittish tapping is a dead giveaway. So is looking at a hand of cards and smiling, or rearranging cards with quivering fingertips. But at the professional level, tells would be almost impossible for you or me to read. Happy spent his career learning how to read these tells. “If you know what the other player is going to do, it’s easier to defend against it.” Like others competing at his level, Happy might prepare for a major tournament by spending hours reviewing tapes of his competitors’ previous games in order to instantly translate their tells during live competition.
Sally Hogshead (Fascinate: Your 7 Triggers to Persuasion and Captivation)
THE PAYOFF IS EXTRAORDINARY I was giving a seminar in Detroit a couple of years ago when a young man, about thirty years old, came up to me at the break. He told me that he had first come to my seminar and heard my “3 Percent Rule” about ten years ago. At that time, he had dropped out of college, was living at home, driving an old car, and earning about $20,000 a year as an office-to-office salesman. He decided after the seminar that he was going to apply the 3 Percent Rule to himself, and he did so immediately. He calculated 3 percent of his income of $20,000 would be $600. He began to buy sales books and read them every day. He invested in two audio-learning programs on sales and time management. He took one sales seminar. He invested the entire $600 in himself, in learning to become better. That year, his income went from $20,000 to $30,000, an increase of 50 percent. He said he could trace the increase with great accuracy to the things he had learned and applied from the books he had read and the audio programs he had listened to. So the following year, he invested 3 percent of $30,000, a total of $900, back into himself. That year, his income jumped from $30,000 to $50,000. He began to think, “If my income goes up at 50 percent per year by investing 3 percent back into myself, what would happen if I invested 5 percent? KEEP RAISING THE BAR The next year, he invested 5 percent of his income, $2,500, into his learning program. He took more seminars, traveled cross-country to a conference, bought more audio- and video-learning programs, and even hired a part-time coach. And that year, his income doubled to $100,000. After that, like playing Texas Hold-Em, he decided to go “all in” and raise his investment into himself to 10 percent per year. He told me that he had been doing this every since. I asked him, “How has investing 10 percent of your income back into yourself affected your income?” He smiled and said, “I passed a million dollars in personal income last year. And I still invest 10 percent of my income in myself every single year.” I said, “That’s a lot of money. How do you manage to spend that much money on personal development?” He said, “It’s hard! I have to start spending money on myself in January in order to invest it all by the end of the year. I have an image coach, a sales coach, and a speaking coach. I have a large library in my home with every book, audio program, and video program on sales and personal success I can find. I attend conferences, both nationally and internationally in my field. And my income keeps going up and up every year.
Brian Tracy (No Excuses!: The Power of Self-Discipline)
I have an-odd ability-to read very quickly.” “Oh,” Elizabeth replied, “how lucky you are. I never heard of a talent like that.” A lazy glamorous smile swept across his face, and he squeezed her hand. “It’s not nearly as uncommon as your eyes,” he said. Elizabeth thought it must be a great deal more uncommon, but she wasn’t completely certain and she let it pass. The following day, that discovery was completely eclipsed by another one. At Ian’s insistence, she’d spread the books from Havenhurst across his desk in order to go over the quarter’s accounts, and as the morning wore on, the long columns of figures she’d been adding and multiplying began to blur together and transpose themselves in her mind-due in part, she thought with a weary smile, to the fact that her husband had kept her awake half the night making love to her. For the third time, she added the same long columns of expenditures, and for the third time, she came up with a different sum. So frustrated was she that she didn’t realize Ian had come into the room, until he leaned over her from behind and put his hands on the desk on either side of her own. “Problems?” he asked, kissing the top of her head. “Yes,” she said, glancing at the clock and realizing that the business acquaintances he was expecting would be there momentarily. As she explained her problem to him, she started shoving loose papers into the books, hurriedly trying to reassemble everything and clear his desk. “For the last forty-five minutes, I’ve been adding the same four columns, so that I could divide them by eighteen servants, multiply that by forty servants which we now have there, times four quarters. Once I know that, I can forecast the real cost of food and supplies with the increased staff. I’ve gotten three different answers to those miserable columns, and I haven’t even tried the rest of the calculations. Tomorrow I’ll have to start all over again,” she finished irritably, “and it takes forever just to get all this laid out and organized.” She reached out to close the book and shove her calculations into it, but Ian stopped her. “Which columns are they?” he asked calmly, his surprised gaze studying the genuine ire on her face. “Those long ones down the left-hand side. It doesn’t matter, I’ll fight it out tomorrow,” she said. She shoved the chair back, dropped two sheets of paper, and bent over to pick them up. They’d slid beneath the kneehole of the desk, and in growing disgust Elizabeth crawled underneath to get them. Above her, Ian said, “$364.” “Pardon?” she asked when she reemerged, clutching the errant sheets of paper. He was writing it down on a scrap of paper. “$364.” “Do not make light of my wanting to know the figures,” she warned him with an exasperated smile. “Besides,” she continued, leaning up and pressing an apologetic kiss on his cheek, loving the tangy scent of his cologne, “I usually enjoy the bookwork. I’m simply a little short of sleep today, because,” she whispered, “my husband kept me awake half the night.” “Elizabeth,” he began hesitantly, “there’s something I-“ Then he shook his head and changed his mind, and since Shipley was already standing in the doorway to announce the arrival of his business acquaintances, Elizabeth thought no more of it. Until the next morning.
Judith McNaught (Almost Heaven (Sequels, #3))