Smallest Gestures Quotes

Seek opportunities to show you care. The smallest gestures often make the biggest difference.

Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?" Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?" Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be." Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations." "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story." Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen." "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now." "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.

In retrospect, I'm embarrassed by how little effort on his part it took for me to come back or stay. I was so desperate for him to love me, to want me, to fight for me that I was literally grateful for any mere scrap of effort. I'd made so many excuses for his inability to treat me well that even the smallest gesture was amplified in my head. After years of this, I finally got my head out of my ass and realized that aside from feeling insecure and fragile about the state of my relationship all the time, we also wanted entirely different things out of life!

That is how I experience life, as apocalypse and cataclysm. Each day brings an increasing inability in myself to make the smallest gesture, even to imagine myself confronting clear, real situations. The presence of others — always such an unexpected event for the soul — grows daily more painful and distressing. Talking to others makes me shudder. If they show any interest in me, I flee. If they look at me, I tremble. I am constantly on the defensive. Life and other people bruise me. I can’t look reality in the eye.

It is hard for me to imagine that I felt good about behaving like that. I also remember that the smallest gesture of affection would bring a lump to my throat, whether it was directed at me or at someone else. Sometimes all it took was a scene in a movie. This juxtaposition of callousness and extreme sensitivity seemed suspicious even to me.

It turns out that trust is in fact earned in the smallest of moments. It is earned not through heroic deeds, or even highly visible actions, but through paying attention, listening, and gestures of genuine care and connection.

How many times have you said, 'This is it. I've finally found my one true love'? And how many times has the reality turned out differently? Paperback romances and fairy tales promote an ideal of a first and only love, but few of us can claim to have had such uncomplicated good fortune. For most people, the process of finding the perfect partner is one trial and error: breakups, makeups, missed opportunities and misunderstandings. Human love is a fragile creation, and sometimes the smallest thing - the wrong choice of words or a single clumsy gesture - can make love shatter, stall or fade away.

But if, sometimes, an unspeakable horror arises from the smallest error, I choose to believe that it’s possible for an equally unimaginable grandeur to grow from the tiniest gesture of love. I choose to believe that it works both ways. That great terror is the result of a thousand small but evil choices, and great good is the outcome of another thousand tiny acts of care.

Even in your smallest gestures, you express your sense of honor, if you have one.

One falls in love with the embodiment of the values that formed a person’s character, which are reflected in his widest goals or smallest gestures, which create the style of his soul—the individual style of a unique, unrepeatable, irreplaceable consciousness.

When he smiles, they mostly look away. But Martin likes to think they carry his smile for a few blocks – that even the smallest gesture is something grand.

There was something about the smallest gestures with him that made me feel like a teenager again. I told myself to just enjoy it.

She believed not in divine salvation but in the proposition that we poor mortals are fully capable of saving ourselves, if conditions and inclinations are right, and the evidence of this potential is found in the smallest of gestures, like the uncertain resting of a large hand on a bony shoulder.

But Jesus accepts what we give, blesses it, breaks it open, and magnifies it. Often in ways that we don’t see or cannot see. Or will not be able to see in this lifetime. Who knows what a kind word does? Who knows what a single act of charity will do? Sometimes the smallest word or gesture can change a life.

A fog of despair so pervaded the ghetto that the smallest gesture of rebellion could seem like a bold, piercing light. Bad, said with a fond expression, was almost always a compliment.

The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodygurads and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends. Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us.

I find the slightest action impossible, as if it were some heroic deed. The mere thought of making the smallest gesture weighs on me as if it were something I was actually considering doing.

With its passive and unobtrusive despotism, the camera governed the smallest spaces of our lives. Even in the privacy of our own homes we had all been recruited to play our parts in what were little more than real-life commercials. As we cooked in our kitchens we were careful to follow the manufacturer's instructions, as we made love in our bedrooms we embraced within a familiar repertoire of gestures and affections. The medium of film had turned us all into minor actors in an endlessly running daytime serial. In the future, airliners would crash and presidents would be assassinated within agreed conventions as formalised as the coronation of a tsar.

But, after all these years, you're not prepared to swear to anything. This is, in any case, one of the first principles of the conduct which now imposes itself on you and becomes part of your ethics-in-formation. Also perhaps just an acquired deformation -- you are always on the look-out, with a feeling of always being followed, totally alert, watching for the smallest gesture, the least word which might be a prey for the eyes and ears in the walls. Being under close observation creates bizarre reactions. One eventually begins to spy upon oneself, one interiorises suspicion. Watchfulness as a psychic phenomenon is nothing other than this internal splitting.

There was another silence. I felt, above all, tired. Tiredness: if there was a constant symptom of the disease in our lives at this time, it was tiredness. At work we were unflagging; at home the smallest gesture of liveliness was beyond us. Mornings we awoke into a malign weariness that seemed only to have refreshed itself overnight.

I also remember that the smallest gesture of affection would bring a lump to my throat, whether it was directed at me or at someone else.

I adopted a posture of arrogant superiority. I behaved as if nothing could touch or shake or confuse me. I got involved in nothing, and I remember a teacher who saw through this and spoke to me about it; I was arrogantly dismissive... I also remember that the smallest gesture of affection would bring a lump to my throat, whether it was directed at me or at someone else. Somehow all it took was a scene in a film. This juxtaposition of callousness and extreme sensitivity seemed suspicious even to me.

I am leaving this tower and returning home. When I speak with family, and comments are always the same, 'Won't you be glad to get back to the real world?' This is my question after two weeks of time, only two weeks, spent with prairie dogs, 'What is real?' What is real? These prairie dogs and the lives they live and have adapted to in grassland communities over time, deep time? What is real? A gravel pit adjacent to one of the last remaining protected prairie dog colonies in the world? A corral where cowboys in an honest day's work saddle up horses with prairie dogs under hoof for visitors to ride in Bryce Canyon National Park? What is real? Two planes slamming into the World Trade Center and the wake of fear that has never stopped in this endless war of terror? What is real? Forgiveness or revenge and the mounting deaths of thousands of human beings as America wages war in Afghanistan and Iraq? What is real? Steve's recurrence of lymphoma? A closet full of shoes? Making love? Making money? Making right with the world with the smallest of unseen gestures? How do we wish to live And with whom? What is real to me are these prairie dogs facing the sun each morning and evening in the midst of man-made chaos. What is real to me are the consequences of cruelty. What is real to me are the concentric circles of compassion and its capacity to bring about change. What is real to me is the power of our awareness when we are focused on something beyond ourselves. It is a shaft of light shining in a dark corner. Our ability to shift our perceptions and seek creative alternatives to the conundrums of modernity is in direct proportion to our empathy. Can we imagine, witness, and ultimately feel the suffering of another.

the smallest of gestures mirror the greatest of feelings

If some say that a man and woman must live together or that they must see each other, even that they must live in the same time in order to love, well, they are mistaken. A great lover has a life that prepares him for his love. She grooms herself for years without hope of any kind, yet stands by the crevice of the world. He sleeps inside of his own heart. She dries her hair with her tears and washes her skin with names and names and names. Then one day, he, she, hears the name of the beloved and it yet means nothing. She might see the beloved and it means nothing. But a wheel, far away, spins on thin spokes, and that name, that sight, grows solid as stone. Then wherever he is, he says, I known the name of my beloved, and it is . . . or I know the face of my beloved, and she is—there! And he returns to the place where she saw him, and she empties herself out—leaves herself like open water, beneath, past, in the distance, surrounding, able to be touched by the smallest gesture. And that is how the great loves begin. I can tell you because I have been a great love. I have had a great love. I was there.

Food has become my touchstone for understanding what real love is. The best thing? Food makes it easier to give love, untangled. Since it keeps us alive, the smallest, simplest gesture can seem miraculous: I brought you this soup.

I see how lost the elder son is. He has become a foreigner in his own house. I know the pain of this predicament. In it, everything loses its spontaneity. Everything becomes suspect, self-conscious, calculated, and full of second-guessing. There is no longer any trust. Each little move calls for a countermove; each little remark begs for analysis; the smallest gesture has to be evaluated. This is the pathology of the darkness. I cannot forgive myself. I cannot make myself feel loved. By myself I cannot leave the land of my anger. I cannot bring myself home.

Ronan Lynch was becoming a jagged, shaggy horror of a thing. She could feel the same wordless dread that the Lace invoked rising in her. Hennessy hugged him. She didn't even know where the impulse came from. She was not a sentimental hugger. She had not been hugged as a child, unless the hug was being emotionally weaponized for later. And Ronan Lynch did not seem like the sort of person who would care about getting a hug. Giving someone care and receiving it were two unrelated actions. At first it did not seem to do anything. Ronan kept screaming. The hug had not made him appear more human. He seemed more like Bryde than ever--and not Bryde when he was his most man-shaped. He just seemed like a dream entity that hated everything. "Ronan Lynch, you asshole," Hennessy said. Once, he'd hugged her. At the time, she had thought it didn't help, but she'd been wrong. So she held on now, and kept holding on, though he became even less recognizable as Ronan Lynch for a little bit. Then, after a while, the scream gave way to quiet. She could feel his body quivering. Like a pencil sketch, it conveyed misery with the smallest of gestures. And then there was nothing at all, just stillness. Finally, she realized he was hugging her, too, tightly. There was a strange sort of magic to being a person holding another person after not being held by someone for a long time. There was another strange sort of magic to understand you'd been using words and silence the wrong way for a long time.

From the time I was about five, my parents began to feel real pressure to teach me the rules. They were never abusive or violent or unkind about it, but I was a smart, more-emotionally-intelligent-than-average kid, so they didn’t have to be. All it took to curtail my feminine behavior was the slightest look of disappointment when I reached for the “wrong” item of clothing in the dress-up bin, or the subtlest hesitancy when I asked if I could get another Barbie set for Christmas. The smallest gestures and emotions became significant currency. As soon as I was old enough to perceive gender policing, I began to abide by what it told me to do. When I enrolled in preschool, things got worse. While my parents policed my gender gently, my peers at school were ruthless.

Will you think about the kissing?” he asks, and I laugh again and mimic his shrug. If only he knew how much I think about the kissing. “Will you reconsider hand-holding?” he asks, instead of answering, I move my arm so it’s next to his, so we are lined up, seam to seam. He reaches out his pinky finger and links it around mine and a warm, delicious chill makes its way up my arm. We stay that way for a minute, in a pinky swear, which feels like the smallest of promises. And then I grab his whole hand and link his fingers in mine. A slightly bigger promise. Or maybe a demand: Please be part of my tribe. It’s pretty simple, really. For once, things are not complicated. Right now, right here, it’s just us, together, like this. Palm to palm. The most honest of gestures. One of the ways through. Maybe the best one.

I suck at this spillin’ my guts stuff. I always have. You know that probably better’n anyone.” “Yeah, well, it’s a lousy excuse. It always has been.” Trevor slowly lifted his head and gave Edgard an incredulous look. “How is that smartass answer supposed to help me?” “Oh, so now you want my help?” “Well yeah, since it’s obvious I f**ked up and it’s obvious you think you know how to fix it.” “Fine.” Edgard pointed to the cell phone clipped on the dash. “Call her. Say, ‘Baby, I’m sorry I was an ass**le. I love you’, but for Christsake don’t qualify it.” “Qualify it, meanin’ what?” “Don’t tack on, ‘I was an ass**le because I’m under stress’, just apologize. Period.” They stared at each other. “That’s it?” “Sometimes the smallest gestures have the biggest impact.” “Can’t be that easy,” Trevor muttered, snatching the phone. He faced out the driver’s side window but didn’t lower his voice.

Death and the Turtle" I watched the turtle dwindle day by day, Get more remote, lie limp upon my hand; When offered food he turned his head away; The emerald shell grew soft. Quite near the end Those withdrawn paws stretched out to grasp His long head in a poignant dying gesture. It was so strangely like a human clasp, My heart cracked for the brother creature. I buried him, wrapped in a lettuce leaf, The vivid eye sunk inward, a dull stone. So this was it, the universal grief: Each bears his own end knit up in the bone. Where are the dead? we ask, as we hurtle Toward the dark, part of this strange creation, One with each limpet, leaf, and smallest turtle--- Cry out for life, cry out in desperation! Who will remember you when I have gone, My darling ones, or who remember me? Only in our wild hearts the dead live on. Yet these frail engines bound to mystery Break the harsh turn of all creation's wheel, for we remember China, Greece, and Rome, Our mothers and our fathers, and we steal From death itself its rich store, and bring it home.

If to be dead and perished means to be quite inseparably bound to a state which permits no looking back, no gesture, no smallest resumption of relations with his previous life; if it means to be vanished speechless from that former life without leave or thinkable possibility of breaking the silence with any whatsoever sign—then Joseph was dead; and the oil with which he might anoint himself after cleansing from the dust of the grave had been no other than that which one gives the dead into the grave for his anointing in another life.

Once, he had hugged her. At the time, she had thought it didn’t help, but she’d been wrong. So she held on now, and kept holding on, though he became even less recognizable as Ronan Lynch for a little bit. Then, after a while, the scream gave way to quiet. She could feel his body quivering. Like a pencil sketch, it conveyed misery with the smallest of gestures. And then there was nothing at all, just stillness. Finally, she realized he was hugging her, too, tightly. There was a strange sort of magic to being a person holding another person after not being held by someone for a long time. There was another strange sort of magic to understanding you’d been using words and silence the wrong way for a long time.

Keep doing this even if he doesn’t reciprocate in an immediately obvious way. I have to give while expecting nothing in return; otherwise, the gestures are empty. I hope I won’t be the only one here trying. One morning after Nicholas’s shower, I draw a heart in the steamy bathroom mirror. He ducks back into the bathroom to brush his teeth and after he’s left it again I find another heart he’s drawn, interlocked in mine. It’s the world’s smallest start. Inside his lunchbox, I leave a note. I hope you have a good day! I’m thinking about you. Reflecting on it, I die a bit because we haven’t been genuinely sappy with each other in ages, so the barest of pleasantries is saccharine. We’re in a sap drought. We’ve been complete idiots when it comes to understanding when a partner needs something they won’t ask for.

In the night I awoke. Was this my own voice reciting what was written? “ ‘And every secret thing shall be opened, and every dark place illuminated.’ ” Dear God, no, do not let them know this, do not let them know the great accumulation of all of this, this agony and joy, this misery, this solace, this reaching, this gouging pain, this . . . But they will know, each and every one of them will know. They will know because what you are remembering is what has happened to each and every one of them. Did you think this was more or less for you? Did you think—? And when they are called to account, when they stand naked before God and every incident and utterance is laid bare—you, you will know all of it with each and every one of them! I knelt in the sand. Is this possible, Lord, to be with each of them when he or she comes to know? To be there for every single cry of anguish? For the grief-stricken remembrance of every incomplete joy? Oh, Lord, God, what is judgment and how can it be, if I cannot bear to be with all of them for every ugly word, every harsh and desperate cry, for every gesture examined, for every deed explored to its roots? And I saw the deeds, the deeds of my own life, the smallest, most trivial things, I saw them suddenly in their seed and sprout and with their groping branches; I saw them growing, intertwining with other deeds, and those deeds come to form a thicket and a woodland and a great roving wilderness that dwarfed the world as we hold it on a map, the world as we hold it in our minds. Dear God, next to this, this endless spawning of deed from deed and word from word and thought from thought—the world is nothing. Every single soul is a world! I started to cry. But I would not close off this vision—no, let me see, and all those who lifted the stones, and I, I blundering, and James' face when I said it, I am weary of you, my brother, and from that instant outwards a million echoes of those words in all present who heard or thought they heard, who would remember, repeat, confess, defend . . . and so on it goes for the lifting of a finger, the launching of the ship, the fall of an army in a northern forest, the burning of a city as flames rage through house after house! Dear God, I cannot . . . but I will. I will. I sobbed aloud. I will. O Father in Heaven, I am reaching to You with hands of flesh and blood. I am longing for You in Your perfection with this heart that is imperfection! And I reach up for You with what is decaying before my very eyes, and I stare at Your stars from within the prison of this body, but this is not my prison, this is my Will. This is Your Will. I collapsed weeping. And I will go down, down with every single one of them into the depths of Sheol, into the private darkness, into the anguish exposed for all eyes and for Your eyes, into the fear, into the fire which is the heat of every mind. I will be with them, every solitary one of them. I am one of them! And I am Your Son! I am Your only begotten Son! And driven here by Your Spirit, I cry because I cannot do anything but grasp it, grasp it as I cannot contain it in this flesh-and-blood mind, and by Your leave I cry. I cried. I cried and I cried. “Lord, give me this little while that I may cry, for I've heard that tears accomplish much. . . .” Alone? You said you wanted to be alone? You wanted this, to be alone? You wanted the silence? You wanted to be alone and in the silence. Don't you understand the temptation now of being alone? You are alone. Well, you are absolutely alone because you are the only One who can do this! What judgment can there ever be for man, woman, or child—if I am not there for every heartbeat at every depth of their torment?

One morning, a farmer knocked loudly on the door of a monastery. When Brother Porter opened the door, the farmer held out to him a magnificent bunch of grapes. “Dear Brother Porter, these are the finest grapes from my vineyard. Please accept them as a gift from me.” “Why, thank you! I’ll take them straight to the Abbot, who will be thrilled with such a gift.” “No, no. I brought them for you.” “For me? But I don’t deserve such a beautiful gift from nature.” “Whenever I knocked on the door, you opened it. When the harvest had been ruined by drought, you gave me a piece of bread and a glass of wine every day. I want this bunch of grapes to bring you a little of the sun’s love, the rain’s beauty and God’s miraculous power.” Brother Porter put the grapes down where he could see them and spent the whole morning admiring them: they really were lovely. Because of this, he decided to give the present to the Abbot, whose words of wisdom had always been such a boon to him. The Abbot was very pleased with the grapes, but then he remembered that one of the other monks was ill and thought: “I’ll give him the grapes. Who knows, they might bring a little joy into his life.” But the grapes did not remain for very long in the room of the ailing monk, for he in turn thought: “Brother Cook has taken such good care of me, giving me only the very best food to eat. I’m sure these grapes will bring him great happiness.” And when Brother Cook brought him his lunch, the monk gave him the grapes. “These are for you. You are in close touch with the gifts Nature gives us and will know what to do with this, God’s produce.” Brother Cook was amazed at the beauty of the grapes and drew his assistant’s attention to their perfection. They were so perfect that no one could possibly appreciate them more than Brother Sacristan, who had charge of the Holy Sacrament, and whom many in the monastery considered to be a truly saintly man. Brother Sacristan, in turn, gave the grapes to the youngest of the novices in order to help him understand that God’s work is to be found in the smallest details of the Creation. When the novice received them, his heart was filled with the Glory of God, because he had never before seen such a beautiful bunch of grapes. At the same time, he remembered the day he had arrived at the monastery and the person who had opened the door to him; that gesture of opening the door had allowed him to be there now in that community of people who knew the value of miracles. Shortly before dark, he took the bunch of grapes to Brother Porter. “Eat and enjoy. You spend most of your time here all alone, and these grapes will do you good.” Brother Porter understood then that the gift really was intended for him; he savoured every grape and went to sleep a happy man. In this way, the circle was closed; the circle of happiness and joy which always wraps around those who are in contact with the energy of love.

And the wraith on the heart monitor looks pensively down at Gately from upside-down and asks does Gately remember the myriad thespian extras on for example his beloved ‘Cheers!,’ not the center-stage Sam and Carla and Nom, but the nameless patrons always at tables, filling out the bar’s crowd, concessions to realism, always relegated to back- and foreground; and always having utterly silent conversations: their faces would animate and mouths would move realistically, but without sound; only the name-stars at the bar itself could audibilize. The wraith says these fractional actors, human scenery, could be seen (but not heard) in most pieces of filmed entertainment. And Gately remembers them, the extras in all public scenes, especially like bar and restaurant scenes, or rather remembers how he doesn’t quite remember them, how it never struck his addled mind as in fact surreal that their mouths moved but nothing emerged, and what a miserable fucking bottom-rung job that must be for an actor, to be sort of human furniture, figurants the wraith says they’re called, these surreally mute background presences whose presence really revealed that the camera, like any eye, has a perceptual corner, a triage of who’s important enough to be seen and heard v. just seen. A term from ballet, originally, figurant, the wraith explains. The wraith pushes his glasses up in the vaguely sniveling way of a kid that’s just got slapped around on the playground and says he personally spent the vast bulk of his own former animate life as pretty much a figurant, furniture at the periphery of the very eyes closest to him, it turned out, and that it’s one heck of a crummy way to try to live. Gately, whose increasing self-pity leaves little room or patience for anybody else’s self-pity, tries to lift his left hand and wiggle his pinkie to indicate the world’s smallest viola playing the theme from The Sorrow and the Pity, but even moving his left arm makes him almost faint. And either the wraith is saying or Gately is realizing that you can’t appreciate the dramatic pathos of a figurant until you realize how completely trapped and encaged he is in his mute peripheral status, because like say for example if one of ‘Cheers!’’s bar’s figurants suddenly decided he couldn’t take it any more and stood up and started shouting and gesturing around wildly in a bid for attention and nonperipheral status on the show, Gately realizes, all that would happen is that one of the audibilizing ‘name’ stars of the show would bolt over from stage-center and apply restraints or the Heineken Maneuver or CPR, figuring the silent gesturing figurant was choking on a beer-nut or something, and that then the whole rest of that episode of ‘Cheers!’ would be about jokes about the name star’s life-saving heroics, or else his fuck-up in applying the Heineken Maneuver to somebody who wasn’t choking on a nut. No way for a figurant to win. No possible voice or focus for the encaged figurant.

Children were vulnerable—helpless hostages to fate, their emotions so tender that a parent could with the smallest sentence, the briefest gesture, accidentally scar them. He did not want the burden of carrying that responsibility.

The smallest of gestures that slip through the fingers like grains of sand and are lost forever. It’s the great lie that haunts us later when those grains turn to regrets. The lie that blames time when there is always time; but it’s conscious choice that allows the grains to fall from our grasp.

No expression of love is wasted, and even the smallest gestures tend to go much further than we think they will.

We fall asleep holding each other’s pinkies. It’s the smallest gesture, but it brings me so much comfort.  What does this mean?

Ronan Lynch was becoming a jagged, shaggy horror of a thing. She could feel the same wordless dread that the Lace invoked rising in her. Hennessy hugged him. She didn't even know where the impulse came from. She was not a sentimental hugger. She had not been hugged as a child, unless the hug was being emotionally weaponized for later. And Ronan Lynch did not seem like the sort of person who would care about getting a hug. Giving someone care and receiving it were two unrelated actions. At first it did not seem to do anything. Ronan kept screaming. The hug had not made him appear more human. He seemed more like Bryde than ever--and not Bryde when he was his most man-shaped. He just seemed like a dream entity that hated everything. "Ronan Lynch, you asshole," Hennessy said. Once, he'd hugged her. At the time, she had thought it didn't help, but she'd been wrong. So she held on now, and kept holding on, though he became even less recognizable as Ronan Lynch for a little bit. Then, after a while, the scream gave way to quiet. She could feel his body quivering. Like a pencil sketch, it conveyed misery with the smallest of gestures. And then there was nothing at all, just stillness. Finally, she realized he was hugging her, too, tightly. There was a strange sort of magic to being a person holding another person after not being held by someone for a long time. There was another strange sort of magic to understanding you'd been using words and silence the wrong way for a long time.

The water harmed him. Soon after Anyanwu had revealed herself, he began to grow ill. He became dizzy. His head hurt him. He said he thought he would vomit if he did not leave the confinement of the small room. Anyanwu took him out on deck where the air was fresh and cooler. But even there, the gentle rocking of the ship seemed to bother him— and began to bother her. She began to feel ill. She seized on the feeling at once, examining it. There was drowsiness, dizziness, and a sudden cold sweat. She closed her eyes, and while Okoye vomited into the water, she went over her body carefully. She discovered that there was a wrongness, a kind of imbalance deep within her ears. It was a tiny disturbance, but she knew her body well enough to notice the smallest change. For a moment, she observed this change with interest. Clearly, if she did nothing to correct it, her sickness would grow worse; she would join Okoye, vomiting over the rail. But no. She focused on her inner ears and remembered perfection there, remembered organs and fluids and pressures in balance, their wrongness righted. Remembering and correcting were one gesture; balance was restored. It had taken her much practice— and much pain— to learn such ease of control. Every change she made in her body had to be understood and visualized. If she was sick or injured, she could not simply wish to be well. She could be killed as easily as anyone else if her body was damaged in some way she could not understand quickly enough to repair. Thus, she had spent much of her long life learning the diseases, disorders, and injuries that she could suffer— learning them often by inflicting mild versions of them on herself, then slowly, painfully, by trial and error, coming to understand exactly what was wrong and how to impress healing. Thus, when her enemies came to kill her, she knew more about surviving than they did about killing.

In the distant reaches of his memory, he found a lesson of Yoda’s, from one long solstice night, deep in the jungle near Dagobah’s equator. When to the Force you truly give yourself, all you do expresses the truth of who you are, Yoda had said, leaning forward so that the knattik-root campfire painted blue shadows within the deep creases of his ancient face. Then through you the Force will flow, and guide your hand it will, until the greatest good might come of your smallest gesture.

I wonder what the future has in store for the two of them.” Lucetta’s mention of the future had Bram pausing for a moment, realizing that with all the insanity of the past week or so, they’d not had much time to talk about anything, let alone what either of them wanted for the future. “Even though I was disappointed with the explanation behind the supposed ghosts at Ravenwood, you have to admit that some of what Mrs. Macmillan told you would make good fodder for a new book,” Lucetta continued, pulling him from his thoughts. “Readers would especially like the part about a hidden treasure, although, in my humble opinion, the hero should get caught trying to find it and . . .” As Lucetta continued musing about different plot points, it suddenly hit him how absolutely wonderful life would be if he could spend it with the amazing lady standing right next to him. That she was beautiful, there could be no doubt, but her true beauty wasn’t physical in nature, it was soul-deep—seen in the way she treated her friends, animals, and even a mother who’d brushed her aside for a man who was less than worthy. She’d been through so much, and yet, here she was, contemplating his work and what could help him, and . . . he wanted to give her a spectacular gesture, something that would show her exactly how special he found her. She’d been on her own for far too long, and during that time, she’d decided she didn’t need anyone else, or rather, she wouldn’t need anyone because that could cause her pain—pain she’d experienced when her father had left her, and then when her mother had done the same thing by choosing Nigel. “. . . and I know that you seem to be keen on the whole pirate idea, but really, Bram, if you’d create a hero who is more on the intelligent side, less on the race to the rescue of the damsel in distress side, well, I mean, I’m no author, but . . .” As she stopped for just a second to gulp in a breath of air, and then immediately launched back into a conversation she didn’t seem to realize he wasn’t participating in, Bram got the most intriguing and romantic idea he’d ever imagined. Taking a single step closer to Lucetta, he leaned down and kissed her still-moving lips. When she finally stopped talking and let out the smallest of sighs, he deepened the kiss, reluctantly pulling away from her a moment later. “I know this is going to seem rather peculiar,” he began. “But I need to go to work right this very minute.” “Work?” she repeated faintly. “Indeed, and I do hope you won’t get too annoyed by this, but I need to get started straightaway, which means you might want to go back to the theater so that you don’t get bored.” “You want me gone from Ravenwood?” she asked in a voice that had gone from faint to irritated in less than a second. “I don’t know if I’d put it quite like that, but I might be able to work faster without you around.” He sent her a smile, kissed her again, but when he started getting too distracted with the softness of her lips, pulled back, kissed the tip of her nose, and then . . . after telling her he’d see her before too long, headed straight back into his dungeon.

The stage from which I can offer that positive energy has gotten bigger as my dreams have evolved. But I don’t need a grand stage from which to share my passions, my inspirations, and my talents. None of us does. In the smallest interactions—a kind word to a friend, a smile to a passerby, a gesture of compassion to even a stranger—we have many opportunities to care for one another, as well as to use our lives and our gifts to the fullest extent.

Seek opportunities to show you care. The smallest gestures often make the biggest difference.” - John Wooden

This man had a way of completely undoing me with the smallest gestures and I loved him for it.

My heart feels like it’s lodged in my throat. It’s the smallest gesture, and yet it’s so huge to me. But he will actually throw me out if I start crying over a label, so I need to pull myself together.

Negotiation is less about winning arguments and more about finding the wisdom in every perspective." "In negotiation, the smallest gestures of respect can pave the way for the greatest agreements." "The strength of a negotiator lies in their ability to turn conflict into collaboration." "Every negotiation should aim to build bridges that outlast the deals made upon them." "A skilled negotiator knows when to be firm and when to yield, understanding both are part of progress." "Negotiation thrives on curiosity—it's the willingness to explore options beyond the obvious." "To negotiate well is to understand that compromise is not about losing, but about mutual gain." "The true art of negotiation is finding a path where everyone’s needs are met, even if the routes are different." "Negotiation is a dance of give and take, where rhythm matters as much as the steps." "The most effective negotiators are those who see through positions to the interests that lie beneath.

But these glittering visions, all these visions which came surging and rushing towards them, which flowed in unstoppable bursts, these vertiginous images of speed, light and triumph, seemed to them at first to be connected to each other in a surprisingly necessary sequence, in an unbounded harmony. It was as if before their bedazzled eyes a finished landscape had suddenly risen up, a total picture of the world, a coherent structure which they could at last grasp and decipher. At first it felt as if their sensations were multiplied by ten, as if their faculties of sight and sense had been amplified to infinite powers, as if a magical bliss accompanied their smallest gesture, kept in time with their steps, suffused their lives: the world was coming towards them, they were going towards the world, they would go on and on discovering it. Their lives were love and ecstasy. Their passion knew no bounds; their freedom was without constraint. But they were choking under the mass of detail. The visions blurred, became jumbles; they could retain only a few vague and muddled bits, tenuous, persistent, brainless, impoverished wisps. It was not a serene unity, but a brittle fragmentation, as if these visions had only ever been very distant and incalculably darkened reflections, illusory and allusive glimmerings fading away almost as soon as they were born, mere specks of dust: just the banal projection of their clumsiest desires, an almost insubstantial haze of paltry splendours, scraps of dreams they would never be able to grasp.

Our mind is capable of detecting even the smallest hand and finger movements, and if gestures and motions are employed successfully during an utterance or discussion, they can enhance the transmission of information.

A supportive smile, an e-mail, the smallest gesture can make the difference in helping another person believe in himself or herself. From a material perspective, what we give away we lose. But from a spiritual perspective, only what we give away do we get to keep.* When we’re more generous with our support for others, the universe itself shows more support for us.

She didn’t want to make the smallest gesture that would acknowledge that she was standing where she was, tilting her head and slanting her eyes as if she were somebody. She hadn’t even thought about beautiful. Right then what she wanted was invisible, so she could leave the mirror, the hall, the ground floor, tiptoe up the big staircase, without anyone knowing what she’d done. Without anyone knowing her bottomless shame. She didn’t understand what she’d done, but she felt the shame rise up and engulf her.

While Washington rejoiced over his legislative victories, the state of Virginia threw him into a profound dilemma by deeding him a gift of fifty shares of Potomac River Company stock and one hundred shares of James River Company stock to recognize his services to the state. Having sacrificed a salary throughout the war, Washington was not about to accept payment now; nor did he want to seem vain or offend his fellow Virginians by brusquely dismissing their kind gesture. He admitted to Governor Harrison that “no circumstance has happened to me since I left the walks of public life, which has so much embarrassed me.” If he spurned the gift, he feared, people would think “an ostentatious display of disinterestedness or public virtue was the source of the refusal.” On the other hand, he wanted to remain free to articulate his views without arousing suspicions that “sinister motives had the smallest influence in the suggestion.”21 He valued his reputation for integrity, calling it “the principal thing which is laudable in my conduct.”22 Noting that such “gratuitous gifts are made in other countries,” Washington wanted to establish a new benchmark for the behavior of public figures in America and eliminate petty or venal motives.

The book is based on a true story. My story. A couple's epic love story faces a twist of fate, putting their plans – and faith – to a heartbreaking test. Maybe another ordinary sappy romance story you ask? No. There is a lot to say about this story, but ordinary is far from it. This book is both beautiful and sad. It’s the kind of book that changes your life and makes you cry your eyes out. ‘Almost Home’ makes you realize how beautiful life is and how lucky you are for the things and friends you have. Life is short and unexpected, and you must live it at its best. I wrote this book to share my story of love, compassion, and kindness. It’s the kind of story that will have you crying, but you’ll keep reading. It will make you realize that there’s magic in the world, despite the bad things that happen, and it will restore your faith in humanity. You’ll learn that even the smallest gestures can have an unimaginable impact and that there’s always someone watching. So, do good, be kind and live life to the fullest. R.F. Price

There are certain people in this world who aren’t used to kindness. Especially big gestures or grandiose general purpose statements of comfort. Such things always rang hollow to people like that, who were accustomed to a difficult life and being kicked on their ass. It was easy for them to tell themselves you didn’t mean it, that it was something you said to everyone, that you were placating or flattering them. Sometimes you could still get to them though, if you made the kindness small enough, specific enough. Only when you’d broken the kindness down into its smallest components could you reach them. Tiny particles that worked their way through the giant barriers they constructed to keep others out.

The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodyguards and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends. Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us. How did Garbo brush her teeth, shave her armpits, probe a worry-line? The most intimate details of their lives seem to lie beyond an already open bathroom door that our imaginations can easily push aside. Caught in the glare of our relentless fascination, they can do nothing to stop us exploring every blocked pore and hesitant glance, imagining ourselves their lovers and confidantes. In our minds we can assign them any roles we choose, submit them to any passion or humiliation. And as they age, we can remodel their features to sustain our deathless dream of them. In a TV interview a few years ago, the wife of a famous Beverly Hills plastic surgeon revealed that throughout their marriage her husband had continually re-styled her face and body, pointing a breast here, tucking in a nostril there. She seemed supremely confident of her attractions. But as she said: ‘He will never leave me, because he can always change me.’ Something of the same anatomizing fascination can be seen in the present pieces, which also show, I hope, the reductive drive of the scientific text as it moves on its collision course with the most obsessive pornography. What seems so strange is that these neutral accounts of operating procedures taken from a textbook of plastic surgery can be radically transformed by the simple substitution of the anonymous ‘patient’ with the name of a public figure, as if the literature and conduct of science constitute a vast dormant pornography waiting to be woken by the magic of fame.

It was the simplest of acts, the smallest of gestures, yet no one had taken the time to do something kind for her in a very long time. No one had made her feel special. Unbeknownst to her, a single, unfamiliar tear fell down her cheek as her worn and wounded body fell into a deep, safe slumber.

Because meaning is the total movement of speech, our thought crawls along in language. Yet for the same reason, our thougbt moves through language as a gesture goes beyond the individual points of its passage. At the very moment language fills our mind up to the top without leaving the smallest place for thought not taken into its vibration, and exactly to the extent that we abandon ourselves to it, it passes beyond the "signs" toward their meaning. And nothing separates us from that meaning any more. Language does not presuppose its table of correspondence; it unveils its secrets itself. It teaches them to every child who comes into the world. It is entirely a "monstration." Its opaqueness, its obstinate reference to itself, and its turning and folding back upon itself are precisely what make it a mental power; for it in tum becomes something like a universe, and it is capable of lodging things themselves in this universe—after it has transformed them into their meaning.

To Scarlett, There’s something magical about the thought of holding your hands on a rainy day. The drops falling around us, the world fading into a quiet hum as we walk together in perfect harmony. Your touch, so soft and warm, would make the cold rain feel like a distant memory. Just being with you in that moment would feel like the universe finally aligned. I dream of hugging you for no reason at all—no explanation, no words needed, just an embrace that speaks louder than anything I could say. To feel your heartbeat against mine, to remind you that in my arms, you are safe, cherished, and loved beyond measure. I imagine listening to you for hours, your voice like a melody I could never tire of. Every word you speak would captivate me, and I’d hang on to them as if they were the most profound truths of life. You could talk about the simplest things, and I’d still feel like I was hearing poetry. I’d fix you a cup of coffee, the way you like it, and share it with you. The intimacy of something so small, the closeness of sipping from the same cup, would feel like a secret only we know. And when the moment is just right, I’d kiss your forehead—no warning, no need for permission—just an act of pure affection that says more than I ever could. Loving you wouldn’t come with expectations or conditions. It wouldn’t be about what you could give or what I could gain. It would be about being in your life, simply because the thought of a world without you feels incomplete. Scarlett, this is love. True, raw, and unfiltered. It’s a love that lives in the smallest gestures and the grandest dreams. It’s a love that’s timeless, sensual, and deeply devoted. And it’s the love I feel for you every single day. With all my heart, Someone who will love you endlessly