Blue Eye Samurai Quotes

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The things you remember about a person when they're gone are funny. No two people will feel the same way, though usually it has to do with scent, or expression, the sound of a voice, an unusual gesture. For me, I can still see the colors of Keiko; the black of her hair against creamy pale skin, her dark blue kimono with white circles, the deep orange persimmons falling from the brown basket she carried. The ache in my heart grows larger every time I think of these colors, and how as each day passes they continue to fade from my eyes.
Gail Tsukiyama (The Samurai's Garden)
The Elsinore's bow tilted skyward while her stern fell into a foaming valley. Not a man had gained his feet. Bridge and men swept back toward me and fetched up against the mizzen-shrouds. And then that prodigious, incredible old man appeared out of the water, on his two legs, upright, dragging with him, a man in each hand, the helpless forms of Nancy and the Faun. My heart leapt at beholding this mighty figure of a man-killer and slave-driver, it is true, but who sprang first into the teeth of danger so that his slaves might follow, and who emerged with a half-drowned slave in either hand. I knew augustness and pride as I gazed--pride that my eyes were blue, like his; that my skin was blond, like his; that my place was aft with him, and with the Samurai, in the high place of government and command. I nearly wept with the chill of pride that was akin to awe and that tingled and bristled along my spinal column and in my brain. As for the rest--the weaklings and the rejected, and the dark-pigmented things, the half-castes, the mongrel-bloods, and the dregs of long-conquered races--how could they count? My heels were iron as I gazed on them in their peril and weakness. Lord! Lord! For ten thousand generations and centuries we had stamped upon their faces and enslaved them to the toil of our will.
Jack London (The Mutiny of the Elsinore)
Staring out from a movie poster on the wall of the dinky town cinema were her sister's two bright blue eyes. Brigid was the star of the summer's blockbuster movie. "That fucking bitch!" Phoebe swore a little too loudly. An old lady gasped and two teenage girls froze in their tracks. "It's my sister!" Phoebe tried to explain. The two teenage girls tittered and hurried away. Nobody in Nowheresville, Georgia, was going to believe that the unkempt daughter of a swamp-living, Haitian-born artist was related to a lily-white movie star. Phoebe bought a ticket to the matinee. There, in the dark, empty theater, she watched her sister lop off zombie heads with a samurai sword and sobbed for ninety-four minutes straight.
Kirsten Miller (The Women of Wild Hill)