Sloppy Seconds Quotes

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I surveyed the others, who had all stopped in their tracks. "So what was the plan, boys? You were all going to get a fuck in? The very definition of sloppy seconds - hell, sloppy thirds and fourths and fifths. Than what? Slit my throat? Leave me for dead? Let some school janitor find me stuffed in a dumpster? You would deny my children their mother for one night of cheap thrills?
J.R. Rain (Moon Dance (Vampire for Hire, #1))
You know I don't mind sloppy seconds. And knowing Pope Whatadick, he probably blesses is cum before he blows it
Tiffany Reisz (The Angel (The Original Sinners, #2))
To the untrained eye ego-climbing and selfless climbing may appear identical. Both kinds of climbers place one foot in front of the other. Both breathe in and out at the same rate. Both stop when tired. Both go forward when rested. But what a difference! The ego-climber is like an instrument that’s out of adjustment. He puts his foot down an instant too soon or too late. He’s likely to miss a beautiful passage of sunlight through the trees. He goes on when the sloppiness of his step shows he’s tired. He rests at odd times. He looks up the trail trying to see what’s ahead even when he knows what’s ahead because he just looked a second before. He goes too fast or too slow for the conditions and when he talks his talk is forever about somewhere else, something else. He’s here but he’s not here. He rejects the here, he’s unhappy with it, wants to be farther up the trail but when he gets there will be just as unhappy because then *it* will be “here”. What he’s looking for, what he wants, is all around him, but he doesn’t want that because it *is* all around him. Every step’s an effort, both physically and spiritually, because he imagines his goal to be external and distant.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
They were confident and cunning. They weren't mucking around looking for nuclear weapon secret sloppy seconds in America. They could care less about America. They were busy with the whole world domination thing.
Ira Levin (The Boys from Brazil)
We wish you a merry Christmas” is the most demanding song ever. It starts off all nice and a second later you have an angry mob at your door scream-singing, “Now bring us some figgy pudding and bring it RIGHT HERE. WE WON’T GO UNTIL WE GET SOME SO BRING IT RIGHT HERE.” Also, they’re rhyming “here” with “here.” That’s just sloppy. I’m not rewarding unrequested, lazy singers with their aggressive pudding demands. There should be a remix of that song that homeowners can sing that’s all “I didn’t even ask for your shitty song, you filthy beggars. I’ve called the cops. Who is this even working on? Has anyone you’ve tried this on actually given you pudding? Fig-flavored pudding? Is that even a thing?” It doesn’t rhyme but it’s not like they’re trying either. And then the carolers would be like, “SO BRING US SOME GIN AND TONIC AND LET’S HAVE A BEER,” and then I’d be like, “Well, I guess that’s more reasonable. Fine. You can come in for one drink.” Technically that would be a good way to get free booze. Like trick-or-treat but for singy alcoholics. Oh my God, I finally understand caroling.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
I cocked an ear, but there was nothing much to hear. A girl was on the phone next door, complaining about some guy to a girlfriend, and someone down a floor was either talking to his cat or having a psychotic episode, but both voices were clearer than the soft noises coming from the living room. The vamps were presumably cleaning the wounds better than I’d been able to do at the bar, and bandaging him up. I knew nobody was planning a snack– it would be like offering people used to Beluga caviar and Dom Perignon a sack of stale Fritos and a flat Coke. Sloppy seconds weren’t likely to appeal.
Karen Chance (Midnight's Daughter (Dorina Basarab, #1))
Moomah," Travis mumbled and Joker looked to the kid to see his eyes on the magazine, his fingers twiddling his lip. "Yeah, son, that's your momma." Travis looked to him. "Moomah." "Yeah, boy." Travis took his fingers from his lip and curled them around Joker's. "Joejoekah." "Yeah," Joker whispered. "I'm your Joker." The boy wobbled a second then dropped forward and landed a sloppy, open-mouthed kiss on his hand and Joker's mouth. He wobbled back. "Love you too, kid," Joker whispered. Travis giggled.
Kristen Ashley (Ride Steady (Chaos, #3))
You ever met one of those guys who, in a totally calm and composed way, can scare the shit out of you? Like an MMA fighter, or the fat Kardashian sister who married Lamar Odom?
Tucker Max (Sloppy Seconds: The Tucker Max Leftovers)
Jim waited for us at the Gold Gate. His teeth were bared. “What happened to barely winning?” “You said sloppy! Look, I didn’t even use my sword; I hit him with my head like a moron.” “A man with a sword attacked you and you disarmed him and knocked him out cold in under two seconds.” He turned to Curran. The Beast Lord shrugged. “It’s not my fault that he didn’t know how to fall.” Jim’s gaze slid from Curran to Dali. “What the hell was that?” “Crimson Jaws of Death.” “And were you planning on letting me know that you can turn people’s elbows backwards?” “I told you I did curses.” “You said they don’t work!” “I said they don’t always work. This one worked apparently.” Dali wrinkled her forehead. “It’s not like I ever get to use them against live opponents anyway. It was an accident.” Jim looked at us. The clipboard snapped in his hands. He turned around and very deliberately walked away. “I think we hurt his feelings.” Dali looked at his retreating back, sighed, and went after him. Curran looked at me. “What the hell was I supposed to do, catch the werebison as he was falling?
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
You choose to stay with me, them I'm going to fuck you." My jaw dropped. "What?" "You heard me. That's the only reason I keep you around, I mean, come on, princess," he continued derisively, "you're more of a liability than an asset in this line of work. But having an easy lay within reach is convenient." It's just a matter of time before you spread your legs for me." ... "Blane doesn't have to know," he said, his hand cupping my breast through my thin t-shirt. "I'll fuck you, then you can back to him, and only you and I will know he got my sloppy seconds.
Tiffany Snow (Turning Point (Kathleen Turner, #3))
Here’s to the women we’ve met, and to the women we’ve fucked, And to those amongst us who’ve had no such luck. Here’s to beer in the glass, and vodka in the cup, Here’s to pokin’ her in the ass, so she won’t get knocked up. Here’s to all of you, and here’s to me, Together as friends we’ll always be, But if we should ever disagree, Then FUCK ALL OF YOU, HERE’S TO ME!
Tucker Max (Sloppy Seconds: The Tucker Max Leftovers)
I got out of the car and slammed its door. How matter-of-fact, how square that slam sounded in the void of the sunless day! Woof, commented the dog perfunctorily. I pressed the bell button, it vibrated through my whole system. Personne. Je resonne. Repersonne. From what depth this re-nonsense? Woof, said the dog. A rush and a shuffle, and woosh-woosh went the door. Couple of inches taller. Pink-rimmed glasses. New, heaped-up hairdo, new ears. How simple! The moment, the death that I had kept conjuring up for three years was as simple as a bit of dry wood. She was frankly and hugely pregnant. Her head looked smaller (only two seconds had passed really, but let me give them as much wooden duration as life can stand), and her pale-freckled cheeks were hollowed, and her bare shins and arms had lost all their tan, so that the little hairs showed. She wore a brown, sleeveless felt dress and sloppy felt slippers. 'We-e-ell!' she exhaled after a pause with all the emphasis of wonder and welcome. 'Husband at home?' I croaked, fist in pocket. I could not kill her, of course, as some have thought. You see I loved her. It was love at first sight, at last sight, at ever and ever sight.
Vladimir Nabokov
Tucker “I’m sorry, I can’t hear you over the sound of how awesome I am. Please speak up.
Tucker Max (Sloppy Seconds: The Tucker Max Leftovers)
ABSURD
Tucker Max (Sloppy Seconds: The Tucker Max Leftovers)
Soldiers, all men in fact, are natural hero worshipers. Officers with a flare for command realize this and emphasize in their conduct, dress and deportment the qualities they seek to produce in their men. When I was a second lieutenant I had a captain who was very sloppy and usually late yet he got after the men for just those faults; he was a failure. [the King]
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering Masculinity Through the Lens of Archetypal Psychology - A Journey into the Male Psyche and Its Four Essential Aspects)
Style still matters, for at least three reasons. First, it ensures that writers will get their message across, sparing readers from squandering their precious moments on earth deciphering opaque prose. When the effort fails, the result can be calamitous-as Strunk and White put it, "death on the highway caused by a badly worded road sign, heartbreak among lovers caused by a misplaced phrase in a well-intentioned letter, anguish of a traveler expecting to be met at a railroad station and not being met because of a slipshod telegram." Governments and corporations have found that small improvements in clarity can prevent vast amounts of error, frustration, and waste, and many countries have recently made clear language the law of the land. Second, style earns trust. If readers can see that a writer cares about consistency and accuracy in her prose, they will be reassured that the writer cares about those virtues in conduct they cannot see as easily. Here is how one technology executive explains why he rejects job applications filled with errors of grammar and punctuation: "If it takes someone more than 20 years to notice how to properly use it's, then that's not a learning curve I'm comfortable with." And if that isn't enough to get you to brush up your prose, consider the discovery of the dating site OkCupid that sloppy grammar and spelling in a profile are "huge turn-offs." As one client said, "If you're trying to date a woman, I don't expect flowery Jane Austen prose. But aren't you trying to put your best foot forward?" Style, not least, adds beauty to the world. To a literate reader, a crisp sentence, an arresting metaphor, a witty aside, an elegant turn of phrase are among life's greatest pleasures. And as we shall see in the first chapter, this thoroughly impractical virtue of good writing is where the practical effort of mastering good writing must begin.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
According to the chalkboard, tonight was “Ladies Night” featuring “Dollar Drafts for Chicks,” a marketing ploy that drew in, it appeared, a certain female clientele. For example, one straw-haired woman, who was cackle-laughing in a “notice me” manner, wore a yellow T-shirt that read “Sloppy Seconds,” which, alas, seemed all too apropos. Megan
Harlan Coben (Stay Close)
I almost can’t believe I’m going to make myself vulnerable to him again. But what is love but the most
Megan McCafferty (The Complete Jessica Darling Series: Sloppy Firsts, Second Helpings, Charmed Thirds, Fourth Comings, Perfect Fifths)
Yet attentiveness to detail is an even more critical foundation of professionalism than is any grand vision. First, it is through practice in the small that professionals gain proficiency and trust for practice in the large. Second, the smallest bit of sloppy construction, of the door that does not close tightly or the slightly crooked tile on the floor, or even the messy desk, completely dispels the charm of the larger whole. That is what clean code is about.
Robert C. Martin (Clean Code: A Handbook of Agile Software Craftsmanship (Robert C. Martin Series))
While at the University of Chicago a couple of friends and I went to dinner at some restaurant in China Town night. Oblivious to the fact that my idiocy can be heard outside of a five-foot radius, I started in with the “You been here four hour. You go now,” routine. Ha ha, we all laugh because infantile racism is funny. A little while later I walked back to the bathroom, and as I went down the hall to the “Male Room,” I passed this rickety open door. I peered in to see two little Chinese kids looking at me, holding their eyes wide open with their fingers (to give a Caucasian look), and saying: “Hot Dogs! Baseball! Hot Dogs! Baseball!” I laughed so hard, I almost didn’t make it to the bathroom. You win this round, Chinese kids.
Tucker Max (Sloppy Seconds: The Tucker Max Leftovers)
It’s WA today, Minna,” called Orson from across the room, Orson’s name for Wolfgang Amadeus Mozart. Orson played second violin with a sloppy serenity, rolling his eyes and sticking out his tongue, his bowing long and sweeping and beautiful even when out of tune. “If you must make a mistake,” he had quoted, “make it a big one.” Was it Heifetz who had said it? Perlman? Zukerman maybe?
Patricia MacLachlan (The Facts and Fictions of Minna Pratt (Charlotte Zolotow Books (Paperback)))
To Margaret this life was to remain a real force. She could not despise it, as Helen and Tibby affected to do. It fostered such virtues as neatness, decision, and obedience, virtues of the second rank, no doubt, but they have formed our civilisation. They form character, too; Margaret could not doubt it; they keep the soul from becoming sloppy. How dare Schlegels despise Wilcoxes, when it takes all sorts to make a world?
E.M. Forster (Howards End)
Do you ever think about it? About nothingness. I do, I think about it all the time. Because of course it’s nothingness that awaits us. Of course it is. If it weren’t why would our hearts keep pumping any longer than they had to? Why wouldn’t we all emerge into the world pure and innocent, and then before we had a chance to get in any trouble, before we had a chance to take our first oily shit, just immediately shut down our systems and head straight to the hereafter? If there were a better life after death, why bother getting fitter for survival’s sake? Why would evolution even be a thing? Why fight for something second best? If death was really awesome, in a life or death situation, our bodies wouldn’t muscle up with epinephrine and cortisol. Our brains would hit us up instead with sloppy, sleepy happy love. Hannibal Lecter would be our Mickey Mouse. No, there’s fuckall to look forward to. Our bodies understand this. The real problem is, it’s unbearable to know this. So we cope.
Elizabeth Little
They read the names out from sixth place to first. We were standing backstage behind a huge curtain, and Rachael and Evgeni were right next to us. Swell. I thought maybe we stood a chance of coming in fourth. But they didn’t call us. “This is crazy!” I whispered to Aneta. “We’re top three?” Then they called a German couple. We were in the top two! Rachael smiled at me. “Oh, Derek! Great job!” she said. What she really meant was, “We’re going to take first place and you can have our sloppy seconds.” Then we heard, “In second place, from England…” Rachael’s face went white as a ghost. She and Evgeni were second! That left only one place for us… “Derek Hough and Aneta Piotrovska are world champions!” I started screaming, “What? What?” and jumping up and down. So much for my neck pain. This wasn’t real; it couldn’t be! I ran out from behind the curtain, pumping my fists in the air. I caught a glimpse of Rachael’s face. She was beyond pissed. “We did it! We did it!” I yelled. The rest happened in slow motion: I ran out and jumped off the stage and the floor. While I was midair, I remember thinking, “ I’m wearing these Cuban heels. This isn’t gonna be good.” Then I hit the floor and my legs buckled. I fell into a roll, then stood straight up--as if I meant to do it all along. I limped over to Aneta to collect our trophy and we hugged. I didn’t give a crap about anything else. Not my neck or my knees or Rachael fuming as they snapped pictures of all of us. It was an amazing moment, a total high.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Beckett watched Cole closely. This had been some next level-bullshit. And Cole had already been through some caveman-brutal violence coming up with his horrible mother. A betrayal like that cut deep and hard. He watched as Cole’s eyes filled up, and he curled his hands into fists. His breath came in gasps. His brother’s reality might possibly be caving in. Who the fuck knew. Beckett put the safety on and set down his gun. He turned in his seat and leaned over, grabbing Cole’s shirt and twisting it hard at his chest, pulling the sobbing man closer to him. It was one of the ways he scared the shit out of people, this look he would give, but not now. “Look at me. Fucking look at me!” Cole’s hazel eyes finally locked on Beckett’s. “You are never alone. You will never be alone! We’re together. Do you understand? I will murder the whole world to keep you out of that shit! It will never happen to you again. Do you hear me? Do you fucking hear me?” Cole screamed back at Beckett. Not words, just a guttural noise. Pain. Pain vocalized. Blake careened the car to the side of the road and cut the lights. After it was in park, he turned and faced Cole as well. Cole screamed again. Anger. Hot tears, rage. Pain, so much pain. Beckett panicked. Was it something I said? Shit. Was I too late? Shit. Blake crawled over the seat, sat next to Cole, and he started screaming too. Jesus Christ. The two of them were fucking insane. And if they were going crazy, he would follow. Beckett crawled over too, sloppy and kicking his brothers as he planted himself in the backseat. It took a second before he could match them, before he could go to that place in his head and heart and scream. But he did. For a few heartbeats, three teenage boys raged at their childhood. They hollered at fate. They screamed out pure need. It was the sound of Peter Pan fucking dying, the ghost of dreams that would never be—until Cole started cough-sob-laughing. It was catching, the sliding from one emotion to another. Blake was next, holding his stomach and laughing. Finally Beckett held his head and did the same. They collapsed in a heap, slapping at each other in their hysteria. When they finally caught their breath, they didn’t need words. They didn’t need anything but each other. Cole put up his arm and Blake and Beckett grabbed on. Never alone.
Debra Anastasia (Poughkeepsie Begins (Poughkeepsie Brotherhood, #0))
The ego-climber is like an instrument that’s out of adjustment. He puts his foot down an instant too soon or too late. He’s likely to miss a beautiful passage of sunlight through the trees. He goes on when the sloppiness of his step shows he’s tired. He rests at odd times. He looks up the trail trying to see what’s ahead even when he knows what’s ahead because he just looked a second before. He goes too fast or too slow for the conditions and when he talks his talk is forever about somewhere else, something else. He’s here but he’s not here. He rejects the here, is unhappy with it, wants to be farther up the trail but when he gets there will be just as unhappy because then it will be “here.” What he’s looking for, what he wants, is all around him, but he doesn’t want that because it is all around him. Every step’s an effort, both physically and spiritually, because he imagines his goal to be external and distant.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
But I don't know anyone who has an easy life forever. Everyone I know gets their heart broken sometime, by something. The question is not, will my life be easy or will my heart break? But rather, when my heart breaks, will I choose to grow? Sometimes in the moments of the most searing pain, we think we don't have a choice. But we do. It's in those moments that we make the most important choice: grow or give up. It's easy to want to give up under the weight of what we're carrying. It seems sometimes like the only possible choice. But there's always, always, always another choice, and transformation is waiting for us just beyond that choice. This is what I know: God can make something beautiful out of anything, out of darkness and trash and broken bones. He can shine light into even the blackest night, and he leaves glimpses of hope all around us. An oyster, a sliver of moon, one new bud on a black branch, a perfect tender shoot of asparagus, fighting up through the dirt for the spring sun. New life and new beauty are all around us, waiting to be discovered, waiting to be seen. I'm coming to think there are at least two kinds of pain. There's the anxiety and fear I felt when we couldn't sell our house. And then there's the sadness I felt when I lost the baby or when my grandma passed away. Very different kinds of pain. The first kind, I think, is the king that invites us to grow. The second kind is the kind that invites us to mourn. God's not trying to teach me a lesson through my grandma's death. I wasn't supposed to love her less so the loss hurt less acutely, I'm not supposed to feel less strongly about the horror of death and dying. When we lose someone we love, when a dear friend moves away, when illness invades, it's right to mourn. It's right to feel deep, wrenching sadness. But then there's the other kind of pain, that first kind. My friend Brian says that the heart of all human conflict is the phrase "I'm not getting what I want." When you're totally honest about the pain, what's at the center? Could it be that you're not getting what you want? You're getting an invitation to grow, I think, as unwelcome as it may be. It's sloppy theology to think that all suffering is good for us, or that it's a result of sin. All suffering can be used for good, over time, after mourning and healing, by God's graciousness. But sometimes it's just plain loss, not because you needed to grow, not because life or God or anything is teaching you any kind of lesson. The trick is knowing the difference between the two.
Shauna Niequist
I am your wife, but I will do as I please, I raged, and the spell rose in my head without effort. Belt that holds my husband’s pants, Loosen now and make him dance. Tiras’s belt flew from his breeches like a sea serpent, slithering through the air only to strike at him with its tail. He stepped back from me, his eyes growing wide as he gripped the gyrating length of leather, holding it at arm’s length with one hand as he held up his pants with the other. But I wasn’t finished. Boots upon my husband’s feet, Kick him so he’ll take a seat. Tiras fell flat on his behind as his boots shimmied and wriggled free, throwing him off balance. His boots then proceeded to kick him on his back and his thighs as he yowled in stunned outrage. “Lark!” Shirt upon my husband’s chest, Wrap yourself around his head. His tunic promptly rose like Tiras was shrugging it off, only it wrapped itself around him, obscuring his angry face. I started to laugh then. I couldn’t help it. He looked so ridiculous sitting on the floor of the library, his socks hanging from his feet, his breeches falling around his hips, his shirt over his head, and his boots and belt attacking him. Tiras lashed out and grabbed my skirts, yanking me down beside him. “Call off the hounds, Lark!” he bellowed, and I laughed even harder, shaking with mirth even as he rolled himself on top of me and valiantly fought the tunic that kept wrapping itself around his face. The tunic was slightly dangerous, the boots weren’t very accurate, and the tail end of the belt had made a welt across my cheek. I decided enough was enough. I performed a sloppy rhyme, and Tiras let out a stream of profanities as the shirt ceased its murderous attempts and the belt and boots fell to the floor, inanimate once again. Tiras’s breathing was harsh and fast, his hair mussed and falling over his eyes as he braced his forearms on either side of my head. His big body pressed me into the floor, making it hard to draw breath. I was well and truly trapped, but I felt like the victor regardless. Are you injured, husband? He was glaring and angry for all of three seconds. Then the lines around his eyes deepened and a smile broke out across his face. He laughed with me, but he kept me pinned beneath him, his face inches from mine. “You enjoyed that, didn’t you?” Immensely. “Tell me this, wife. Is there a spell to quickly remove your dress?” he whispered, still smiling, his breath tickling my mouth. I felt my face grow hot, and I closed my eyes, trying to retreat, even as I immediately considered a spell to render us both naked.
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
Phaedrus wrote a letter from India about a pilgrimage to holy Mount Kailas, the source of the Ganges and the abode of Shiva, high in the Himalayas, in the company of a holy man and his adherents. He never reached the mountain. After the third day he gave up, exhausted, and the pilgrimage went on without him. He said he had the physical strength but that physical strength wasn’t enough. He had the intellectual motivation but that wasn’t enough either. He didn’t think he had been arrogant but thought that he was undertaking the pilgrimage to broaden his experience, to gain understanding for himself. He was trying to use the mountain for his own purposes and the pilgrimage too. He regarded himself as the fixed entity, not the pilgrimage or the mountain, and thus wasn’t ready for it. He speculated that the other pilgrims, the ones who reached the mountain, probably sensed the holiness of the mountain so intensely that each footstep was an act of devotion, an act of submission to this holiness. The holiness of the mountain infused into their own spirits enabled them to endure far more than anything he, with his greater physical strength, could take. To the untrained eye ego-climbing and selfless climbing may appear identical. Both kinds of climbers place one foot in front of the other. Both breathe in and out at the same rate. Both stop when tired. Both go forward when rested. But what a difference! The ego-climber is like an instrument that’s out of adjustment. He puts his foot down an instant too soon or too late. He’s likely to miss a beautiful passage of sunlight through the trees. He goes on when the sloppiness of his step shows he’s tired. He rests at odd times. He looks up the trail trying to see what’s ahead even when he knows what’s ahead because he just looked a second before. He goes too fast or too slow for the conditions and when he talks his talk is forever about somewhere else, something else. He’s here but he’s not here. He rejects the here, is unhappy with it, wants to be farther up the trail but when he gets there will be just as unhappy because then it will be “here.” What he’s looking for, what he wants, is all around him, but he doesn’t want that because it is all around him. Every step’s an effort, both physically and spiritually, because he imagines his goal to be external and distant.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
Marturano recommended something radical: do only one thing at a time. When you’re on the phone, be on the phone. When you’re in a meeting, be there. Set aside an hour to check your email, and then shut off your computer monitor and focus on the task at hand. Another tip: take short mindfulness breaks throughout the day. She called them “purposeful pauses.” So, for example, instead of fidgeting or tapping your fingers while your computer boots up, try to watch your breath for a few minutes. When driving, turn off the radio and feel your hands on the wheel. Or when walking between meetings, leave your phone in your pocket and just notice the sensations of your legs moving. “If I’m a corporate samurai,” I said, “I’d be a little worried about taking all these pauses that you recommend because I’d be thinking, ‘Well, my rivals aren’t pausing. They’re working all the time.’ ” “Yeah, but that assumes that those pauses aren’t helping you. Those pauses are the ways to make you a more clear thinker and for you to be more focused on what’s important.” This was another attack on my work style. I had long assumed that ceaseless planning was the recipe for effectiveness, but Marturano’s point was that too much mental churning was counterproductive. When you lurch from one thing to the next, constantly scheming, or reacting to incoming fire, the mind gets exhausted. You get sloppy and make bad decisions. I could see how the counterintuitive act of stopping, even for a few seconds, could be a source of strength, not weakness. This was a practical complement to Joseph’s “is this useful?” mantra. It was the opposite of zoning out, it was zoning in. In fact, I looked into it and found there was science to suggest that pausing could be a key ingredient in creativity and innovation. Studies showed that the best way to engineer an epiphany was to work hard, focus, research, and think about a problem—and then let go. Do something else. That didn’t necessarily mean meditate, but do something that relaxes and distracts you; let your unconscious mind go to work, making connections from disparate parts of the brain. This, too, was massively counterintuitive for me. My impulse when presented with a thorny problem was to bulldoze my way through it, to swarm it with thought. But the best solutions often come when you allow yourself to get comfortable with ambiguity. This is why people have aha moments in the shower. It was why Kabat-Zinn had a vision while on retreat. It was why Don Draper from Mad Men, when asked how he comes up with his great slogans, said he spends all day thinking and then goes to the movies. Janice Marturano was on
Dan Harris (10% Happier)
To the untrained eye ego-climbing and selfless climbing may appear identical. Both kinds of climbers place one foot in front of the other. Both breathe in and out at the same rate. Both stop when tired. Both go forward when rested. But what a difference! The ego-climber is like an instrument that’s out of adjustment. He puts his foot down an instant too soon or too late. He’s likely to miss a beautiful passage of sunlight through the trees. He goes on when the sloppiness of his step shows he’s tired. He rests at odd times. He looks up the trail trying to see what’s ahead even when he knows what’s ahead because he just looked a second before. He goes too fast or too slow for the conditions and when he talks his talk is forever about somewhere else, something else. He’s here but he’s not here. He rejects the here, is unhappy with it, wants to be farther up the trail but when he gets there will be just as unhappy because then it will be ‘here.’ What he’s looking for, what he wants, is all around him, but he doesn’t want that because it is all around him. Every step’s an effort, both physically and spiritually, because he imagines his goal to be external and distant.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry into Values)
I had long assumed that ceaseless planning was the recipe for effectiveness, but Marturano's point was that too much mental churning was counterproductive. When you lurch from one thing to the next, constantly scheming, or reacting to incoming fire, the mind gets exhausted. You get sloppy and make bad decisions. I could see how the counterintuitive act of stopping, even for a few seconds, could be a source of strength, not weakness.
Dan Harris (10% Happier)
What the f**k is this?” Trevor didn’t rise to the bait, as he hadn’t for the last several days. Calmly, he asked, “What?” “This.” Edgard threw the pristine, custom-made saddle on the ground within Trevor’s peripheral view. Shit. How had Edgard found it? And why in the hell had that bastard gone snooping around instead of figuring out what was wrong with Meridian like he’d promised? “Trev? I asked you a question.” “You know damn good and well what it is, Ed.” “I figured you would’ve gotten rid of it by now.” “Well, I didn’t.” Edgard practically growled, “That don’t tell me why you still have it. That don’t tell me nothin’.” Trevor turned his face toward the opposite fence to gaze across to the mountains. His reasons for keeping the saddle seemed sentimental, sloppy and stupid now, but he’d be damned if he’d share those reasons with anyone, least of all Edgard, the man responsible for those feelings. Bootsteps made a sucking sound in the muck of the corral as Edgard closed the short distance between them. “I ain’t gonna drop it. Answer me.” “Fine. You said I could do whatever I wanted with it. So I kept it.” “You didn’t use it at all, did you?” Trevor shook his head, keeping his eyes averted. “Why not?” “I have plenty of other saddles, saddles I like better.” “That’s a piss-poor excuse. Try again.” He stayed mum, wishing the damn mud would open up and swallow him like a sinkhole. “Were you hoping if you kept it I’d come back?” Trevor’s heart said yes but his mouth stayed tight as a rusty hinge. “Answer the f**king question, Trevor.” Edgard’s arrogant streak snapped Trevor’s forced patience. “What do you want me to say? It’s obvious I saved the goddamn saddle.” “Why?” “Because it reminded me of you, all right?” He kicked a chunk of mud and stalked away. “Fuck this and f**k you.” Edgard rattled off something in Portuguese, something Trevor vaguely remembered as being a plea. Or was it a threat? Dammit. His feet stopped. Trevor’s gaze zeroed in on Edgard, who’d circled him until they were standing less than a foot apart. “Tell me why.” Be cruel, that’ll nip this in the bud once and for all. “I didn’t keep the f**kin’ thing because I had some girlish goddamn hope you’d come back lookin’ for it like Cinderella’s lost glass slipper, and we’d pick up where we left off after you left me.” He locked his eyes to the liquid heat in Edgard’s, not allowing the man to look away. “Especially after you made it crystal clear you weren’t ever comin’ back.” Angry puffs of breath distorted the air between them. Several beats passed before Edgard retorted, “But I am here now, aren’t I?” “What? Am I supposed to be flippin’ cartwheels about that fact? I don’t know what you want from me, Ed. Take the saddle back if that’ll make you happy. I’ve got no use for it. I never did.” Angry, disgusted with himself, Edgard, and the whole uncomfortable situation, Trevor spun and walked toward the barn. Edgard laughed—the taunting, soft laughter that was guaranteed to raise Trevor’s hackles and his ire. “It’s that easy for you? To get pissed off and walk away?” “Yep. You’ve got no right to act so goddamned surprised since it’s a trick I learned from you, amigo.” Not two seconds later, the air left Trevor’s lungs as Edgard tackled him to the ground. Trevor rolled to dislodge the man from his back; Edgard countered, took a swing and missed. Trevor bucked and twisted his shoulders, but Edgard anticipated the move and used the momentum against Trevor to try and shove Trevor’s face against the fence. Before Edgard cornered him and held him down completely to land a punch, Trevor rolled again and pushed to his feet. A noise echoed behind him, but he ignored it as he fisted his hands in Edgard’s shearling coat, dragging him upright until they were nose to nose.
Lorelei James (Rough, Raw and Ready (Rough Riders, #5))
Leeda looked straight out of Martha’s Vineyard---all perfect cheekbones and alabaster skin with a smattering of sun-induced freckles and clothes that were totally season-appropriate. Even loose and sloppy like she was today, she looked like the kind of loose and sloppy you saw in People magazine when they caught a celebrity all tired and mussed up at the airport. Birdie, on the other hand, was curved and rosy and Renoir soft. She looked like the milk-fed farm girl that she was. The two were second cousins but nothing alike. Leeda was straight up and down, and Birdie was as gentle and easy as the rain. Leeda had grown up wearing mostly white and exceeding everyone as the glossiest, the smilingest, and the most southern of the southern belles in Bridgewater. Birdie had grown up with dirt under her fingernails, homeschooled on the orchard, her feet planted in the earth. Before Judge Miller Abbott sentenced Murphy to time on the orchard picking peaches that summer, Murphy had pegged Leeda for uptight and Birdie for weak. But their time together---picking peaches, sweating in the dorms at night, cooling off in the lake---had been like living the fable of her life. The lesson being that when you think you know more than you do, you end up looking like an idiot.
Jodi Lynn Anderson (The Secrets of Peaches (Peaches, #2))
question: “What is one negative belief about yourself in light of what has happened to you?” I’m crazy.—Kylie I don’t matter.—Denise I am unlovable.—Madelyn I’m sloppy seconds.—Alexis I’m damaged goods.—Lynette I’m not sexy enough.—Quanesha I am tired of being his porn substitute.—Lucy I’m willing to humiliate myself to keep my commitment.—Benya Overweight and out of shape, I will never please a man.—Melissa I am invisible—not a soul knows what I am dealing with.—Sarenna I’m on husband number two. I can’t compete—not then and not now.—Paige It’s my fault; he had an affair because I’m too controlling.—Jeri Lyn I deserve what happened to me. I am paying for sins in my past.—Gloria I’m too old and can never measure up to what my husband has seen.—Rose I am not a good enough housekeeper. I am not good enough in bed.—Dorothy Anne I’m a horrible person. I can’t tell anyone what I’ve done to keep him happy.—Eliana I’m too critical and angry. She must be sweet. No wonder he doesn’t want me.—Andrea I can’t trust anyone. The person I trusted the most . . . lied over and over and over again.—Jillian
Sheri Keffer (Intimate Deception: Healing the Wounds of Sexual Betrayal)
Kincaid may be fine fucking my sloppy seconds, Kate," he says coldly, "but I don't fuck tainted pussy.
Lucy Smoke (Pretty Little Savage (Sick Boys, #1))
Do you ever think about it, about nothingness? I do, I think about it all the time. Because of course it's nothingness that awaits us. *Of course* it is. If it weren't, why would our hearts keep pumping any longer than they had to? Why wouldn't we all emerge into the world, pure and innocent, and then, before we had a chance to get into any trouble - before we even had a chance to take our first, oily shit - just immediately shut down our systems and head straight to the hereafter? If there were a better life after death, why bother getting fitter for survival's sake? Why would evolution even be a thing? Why fight for something second best? If death was *really* awesome, in a life-or-death situation, our bodies wouldn't muscle up with epinephrine and cortisol, our brains would hit us up instead with sloppy sleepy happy love. Hannibal Lecter would be our Mickey Mouse. No. There's fuck-all to look forward to. Our bodies understand this. The real problem is, it's unbearable to *know* this.
Elizabeth Little (Dear Daughter)
Build your game to the point where you wouldn’t even consider sloppy seconds because you have other options on the table. The exception is if she’s a doorknob and everyone is getting a turn for fun.
Roosh V. (Bang: The Most Infamous Pickup Book In The World)
Talk about sloppy seconds. Was there such a thing as sloppy thousandths?
Karin Slaughter (Fractured (Will Trent, #2))
Do you ever think about it, about nothingness? I do, I think about it all the time. Because of course it's nothingness that awaits us. *Of course* it is. If it weren't, why would our hearts keep pumping any longer than they had to? Why wouldn't we all emerge into the world, pure and innocent, and then, before we had a chance to get into any trouble - before we even had a chance to take out first, oily shit - just immediately shut down our systems and head straight to the hereafter? If there were a better life after death, why bother getting fitter for survival's sake? Why would evolution even be a thing? Why fight for something second best? If death was *really* awesome, in a life-or-death situation, our bodies wouldn't muscle up with epinephrine and cortisol, our brains would hit us up instead with sloppy sleepy happy love. Hannibal Lecter would be our Mickey Mouse. No. There's fuck-all to look forward to. Our bodies understand this. The real problem is, it's unbearable to *know* this.
Elizabeth Little (Dear Daughter)
Two more of the gamers Claire had gifted with the invitation stumbled by; one grabbed Claire's arm and planted a sloppy wet kiss on her cheek. "We passed out copies," he said, and giggled. "Hope that was okay. Great party!" Shane sighed and moved him off with one hand on his shoulder. "Yeah, yeah, whatever. Naked Vulcan chick in the next room. Better hurry." The gamers sobered up fast, and moved on. Monica's glossy, perfect lips were open, her eyes wide. "You?" she said. "You did this? These idiots made flyers! They put them all over campus! This was supposed to be the best people!" "Don't worry," Eve said sweetly. "We're here." She smiled, which in that lipstick was Wicked-Witch-of-the-West evil. "Air kiss!" She mwahed the air somewhere near Monica's cheek. "Lovely party. Shame about the furniture. Ta!" She sashayed on, Michael on her arm, as if she was the Queen of Everything, never mind Morganville. Claire got out her camera and got a picture of the murderous fury on Monica's face as she watched her go. "You treacherous little bitch!" Monica snarled. Claire lowered the phone and met her eyes for a long second. She wasn't scared, not anymore. "You got your friends to roofie me and told them I wanted it rough. All I did was recycle your invitation. Let's call it even." "Let's call it not!" Shane leaned forward, dropped his voice so that Monica had to work to hear it, and said, "Calm down. You get blotchy when you're angry. And if you call my girlfriend a bitch one more time, I won't be so nice about it.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
My enemies closed in. The fight was seconds away from starting, and probably as many seconds away from finishing. I had nowhere to go. They came closer. I made a colossal decision: I would not put up a fight. I would not take it like a man. I would not take it like a battler. Look, I know people like reading about those outclassed in strength who make up for it in spirit, like my uncle Terry. Respected are those who go down fighting, right? But those noble creatures still get a heavy clobbering, and I didn’t want a clobbering of any kind. . Also, I remembered something Dad had taught me in one of our table kitchen classes. He said, ‘Listen, Jasper. Pride is the first thing you need to do away with in life. It’s there to make you feel good about yourself. It’s like putting a suit on a shrivelled carrot and taking it out to the theatre and pretending it’s someone important. The first step in self- liberation is to be free of self- respect. I understand why it’s useful for some. When people have nothing, they can still have their pride. That’s why the poor were given the myth of nobility, because the cupboards were bare. Are you listening to me? This is important, Jasper. I don’t want you to have anything to do with nobility, pride, or self- respect. They’re tools to help you bronze your own head.’ I sat on the ground with my legs crossed. I didn’t even straighten my back. I slouched. They had to bend down to punch me in the jaw. the whole 21 One of them got on his knees to do it. They took turns. They tried to get me to my feet; I let my body go limp. One of them had to hold me up, but I had become slippery and slid greasily through their fingers back onto the ground. I was still taking a beating, and my head was stunned by strong fists pounding at it, but the pummelling was sloppy, confused. Eventually my plan worked: they gave up. They asked what was wrong with me. They asked me why I wouldn’t fight back. Maybe the truth was I was too busy fighting back tears to be fighting back people, but I didn’t say anything. They spat at me and then left me to contemplate the colour of my own blood. Against the white of my shirt, it was a luminous red.
Steve Tolz
Preacher was working on his second tray when he glanced up and saw that little blond head, peeking at him from the bottom of the stairs. “Hi,” Preacher said. “You sleep?” Christopher nodded. “Good,” he said. “Feel better?” Chris nodded again. Watching the boy’s face, Preacher slowly pushed a fresh-baked cookie across the counter with one finger until it was at the edge. It was a good minute before Chris took one step toward the cookie. Almost another full minute before his little hand touched it, but he didn’t take it. Just touched it, looking up at Preacher. “Go ahead. Tell me if it’s any good.” Chris slowly pulled the cookie off the counter and to his mouth, taking a very small, careful bite. “Good?” Preacher asked. And he nodded. So Preacher set him up a glass of milk right where the cookie had been. The boy nibbled that cookie in tiny bites; it took him so long to finish it that Preacher was pulling out the second cookie sheet and taking off the cookies before he was done. There was a stool on the other side of the counter near the milk and eventually Chris started trying to get up. But he had some stuffed toy in his grip and couldn’t make the climb, so Preacher went around and lifted him up. Then he went back to his side of the counter and pushed another cookie toward him. “Don’t pick it up yet,” Preacher said. “It’s kind of hot. Try the milk.” Preacher started rolling peanut butter dough into balls, placing them on the cookie sheet. “Who you got there?” he asked, nodding toward the stuffed toy. “Bear,” Christopher said. He reached his hand toward the cookie. Preacher said, “Make sure it’s not too hot for your mouth. So—his name’s just Bear?” Christopher nodded. “Seems like maybe he’s missing a leg, there.” Again the boy nodded. “Doesn’t hurt him, though.” “That’s a break. He ought to have one, anyway. I mean, it wouldn’t be the same as his own, but it would help him get by. When he has to go for a long walk.” The kid laughed. “He don’t walk. I walk.” “He doesn’t, huh? He should have one for looks, then.” He lifted one of his bushy black brows. “Think so?” Christopher lifted the small, worn brown bear. “Hmm,” he replied thoughtfully. He bit the cookie and immediately opened his mouth wide and let the sloppy mouthful fall onto the counter. For a second his look was stricken. Maybe terrified. “Hot, huh?” Preacher asked, not reacting. He reached behind him, ripped off a paper towel and whisked away the spit-out. “Might want to give it about one more minute. Have a drink of milk there. Cool down the mouth.” They communed in silence for a while—Preacher, Chris, the three-legged bear. When Preacher had all his little balls rolled, he began mashing them with his fork, perfect lines left, then right. “What’s that yer doing?” Christopher asked him. “Making cookies. First you mix the dough, then you roll the balls, then you smash them with the fork, nice and easy. Then they go in the oven.” He peered at Chris from underneath the heavy brows. “I bet you could do this part. If you were careful and went nice and slow.” “I could.” “You’d have to come around here, let me lift you up.” “’Kay,” he said, putting his bear on the counter, getting off his stool and coming to Preacher. Preacher lifted him up to sit on the edge of the counter. He helped him hold the fork and showed him how to press down. His first solo attempt was a little messy, so Preacher helped him again. Then he did it pretty well. Preacher let him finish the tray, then put it in the oven. “John?” the boy asked. “How many of them we gotta do?” Preacher smiled. “Tell you what, pardner. We’ll do as many as you want,” he said. Christopher smiled. “’Kay,” he said. *
Robyn Carr (Shelter Mountain (Virgin River, #2))
Ten months after Jamie’s death, the 2006 football season began. The Colts played peerless football, winning their first nine games, and finishing the year 12–4. They won their first play-off game, and then beat the Baltimore Ravens for the divisional title. At that point, they were one step away from the Super Bowl, playing for the conference championship—the game that Dungy had lost eight times before. The matchup occurred on January 21, 2007, against the New England Patriots, the same team that had snuffed out the Colts’ Super Bowl aspirations twice. The Colts started the game strong, but before the first half ended, they began falling apart. Players were afraid of making mistakes or so eager to get past the final Super Bowl hurdle that they lost track of where they were supposed to be focusing. They stopped relying on their habits and started thinking too much. Sloppy tackling led to turnovers. One of Peyton Manning’s passes was intercepted and returned for a touchdown. Their opponents, the Patriots, pulled ahead 21 to 3. No team in the history of the NFL had ever overcome so big a deficit in a conference championship. Dungy’s team, once again, was going to lose.3.36 At halftime, the team filed into the locker room, and Dungy asked everyone to gather around. The noise from the stadium filtered through the closed doors, but inside everyone was quiet. Dungy looked at his players. They had to believe, he said. “We faced this same situation—against this same team—in 2003,” Dungy told them. In that game, they had come within one yard of winning. One yard. “Get your sword ready because this time we’re going to win. This is our game. It’s our time.”3.37 The Colts came out in the second half and started playing as they had in every preceding game. They stayed focused on their cues and habits. They carefully executed the plays they had spent the past five years practicing until they had become automatic. Their offense, on the opening drive, ground out seventy-six yards over fourteen plays and scored a touchdown. Then, three minutes after taking the next possession, they scored again. As the fourth quarter wound down, the teams traded points. Dungy’s Colts tied the game, but never managed to pull ahead. With 3:49 left in the game, the Patriots scored, putting Dungy’s players at a three-point disadvantage, 34 to 31. The Colts got the ball and began driving down the field. They moved seventy yards in nineteen seconds, and crossed into the end zone. For the first time, the Colts had the lead, 38 to 34. There were now sixty seconds left on the clock. If Dungy’s team could stop the Patriots from scoring a touchdown, the Colts would win. Sixty seconds is an eternity in football.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
We’re pretty screwed-up people, you and me. We have some heavy past issues. What if we get together, then go back to being those screwed-up miserable people and take each other down into the hole?” He thought about this for a moment, looking deeply into her eyes. “Honey, I’ve been there, down in that hole. I’m not going back that way. You can’t make me. And I, for God’s sake, have no interest in ruining you. How about that?” “What are you looking for?” she asked him. “Today? I’m thinking a real kiss, arms around each other, pressed close, wet and sloppy and longer than half a second. And then, I think I’ll call you Wednesday night after work, just to see how your day was.” “I
Robyn Carr (Paradise Valley)
Well, there’s that one thing that kind of goes with I’m in love with you,” he continued. “If you want to get married, I’m game.” “I don’t know…” “And if you don’t want to, it’s okay. As long as I have your naked body up against mine on a very frequent basis, I’ll get along. I’m leaving the whole issue completely up to you, Muriel.” “Why, Walt?” He shrugged. “I don’t have a problem with marriage. I liked it, it worked for me. No boogeymen or curses as far as I’m concerned. Whatever you decide you want to do, either way I’m claiming you. Don’t try to wiggle out of it. It’s a done deal.” “I don’t want to get out of it. I like you.” “You love me,” he corrected. “Passionately. Desperately. Insatiably.” “I do,” she laughed. “You make me feel twenty-one,” he said. “Honest to God. And when the fabulous sex simmers down a little, you’re the best friend I’ve had in a long time. Muriel, you’re not a convenience. I’d walk across a mile of cut glass in my bare feet to hold your hand and talk to you for one hour. You’re everything to me.” She sighed deeply and her eyes glistened a little. “I’d better go before I give up the only Oscar of my lifetime by playing house with you.” “Tell me I’m everything to you, too,” he said. “Damned if you aren’t,” she said. “Now kiss me in a way that will hold me for a couple of weeks.” “Kind of took you by surprise, didn’t I?” he teased. “Admit it, you didn’t think this would turn out to be so much, did you?” “Walt, the second I saw you blush when you asked if I was married, I knew. And I wanted you. Right then. Right there. Sweaty and naked on the trail.” That made his smile huge. “You didn’t let on.” “I hadn’t wanted something like that in a long, long time,” she said, smiling. Then she rose on her toes and planted a big sloppy one on his lips, holding him close. “I adore you,” she whispered against his lips. “I’ll count the seconds until you’re back.” *
Robyn Carr (Paradise Valley)
I noted a second time appreciation for the author’s making room for intuition in the sermon process. Most of us give lip service to the fact that preaching is an art as well as a science, but then we become afraid that someone will think we speak of preaching as an art as an excuse for ambiguity, sloppy thinking, and poor reasoning. In defense, we omit all art and artistry and proceed to offer the reader an adequate technology for framing and delivering the message.
Eugene L. Lowry (The Homiletical Plot: The Sermon as Narrative Art Form)
I find myself by the tunnel as the guys head for the locker room. I’ve just tucked away my cameras so I can grab some water when Jake and I make eye contact as he trots by. I’m so caught up in the excitement of the game, I run up to him and leap up into his arms to kiss him. “Great game! You’re killing it.” “Thanks, cupcake.” He laughs, kisses me again, before he pats my ass and rejoins the team. I touch my lips, which pull up in a huge smile. Life has never felt so good. Coming to Lone Star was the best decision I ever made. I’m busy thanking my lucky stars for Jake and our new school and all of the blessings we’ve had when I pause. Did someone just call my name? There it is again. It came from the stands. I grab my camera bag and look up, still smiling. Splash. That’s when I’m doused with a huge container of soda. I flinch as the cold liquid and ice hits my face and shoulders, but the debris keeps coming. More soda and some food. A hot dog with mustard and relish smacks my shirt and slowly slides to the ground. I gasp, afraid more crap will rain down on me. Someone must have tripped and accidentally dumped their food over the railing. When I look up, though, there are two girls in the stands, glaring down at me. I have a hard time making out their faces because they’re covered in face paint, but one yells, “Hey, skank! How does it feel to get Dakota’s sloppy seconds?” Horrified, I’m frozen stiff. I don’t see the soda can until it’s too late. 36 JAKE When we make it back onto the field, there’s a weird energy on the sidelines.
Lex Martin (Second Down Darling (Varsity Dads #4))
Rich people,” he muttered to himself. “When will I learn?” He turned back to Dagmar. “What exactly are you doing?” he asked. Dagmar was standing, facing into the room. His eyes darting from side to side. He was checking out the symbols making sure they were right. Making sure that everything was in its place. “Only a god can ensure the immortality of the Dagmar family. And our families longevity ensures that of those who follow.” He gestured over the four rich folk watching like he was some shit Vegas magician. Sigh. “You’re immortal, and you use your unending power to run a chain of pubs on the south coast? Huh.
Ash Ericmore (Sloppy Seconds (Sick F*ck, #2))
He said that he wanted her brought in, or failing that, do what you have to. Alex liked to be able to do what he had to. So much so, that he usually found a reason to.
Ash Ericmore (Sloppy Seconds (Sick F*ck, #2))
The house at Creaky Farm had its own life to live. Loose gutters banging, boards creaking, leaks dripping. At night I would lie in my bunk listening to the kind of shit that gives no comfort. Mice rustling around. Or else the WWE of cockroach wrestling, maybe both. We knew that critter fiestas were had in the kitchen after hours because we found mouse poop all over, like they’d dropped turd trails to find their way back home. Obviously, a kitchen that’s kept like a pigsty is going to attract the wrong crowd. What did we know? We’re juveniles. Every day a fresh surprise. Many were the mornings I opened a new loaf of Wonder Bread, only to find something had tunneled through it from one end to the other. A mouse-size hole in every slice. Do you think Creaky let us throw that bread away? This man that saved every rubber band off the newspapers and called you a pussy if you didn’t eat your apple whole, the core and all? Mouse sloppy seconds, no exception. He said the toaster would kill the germs. Maybe so, because here I am telling the tale.
Barbara Kingsolver (Demon Copperhead)
Jim waited for us at the Gold Gate. His teeth were bared. “What happened to barely winning?” “You said sloppy! Look, I didn’t even use my sword; I hit him with my head, like a moron.” “A man with a sword attacked you and you disarmed him and knocked him out cold in under two seconds.” He turned to Curran. The Beast Lord shrugged. “It’s not my fault that he didn’t know how to fall.” Jim’s gaze slid from Curran to Dali. “What the hell was that?” “Crimson Jaws of Death.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
But he might give you the courage or the stamina to write lots and lots of terrible first drafts, and then you’d learn that good second drafts can spring from these, and you’d see that big sloppy imperfect messes have value.
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
I wanted to kill him. I had to take a second to calm myself down and remember my training. Blind rage was sloppy and made mistakes. Blind rage made you forget that you can’t spend human life like a handful of pennies. “Never again, Julie,” I said, my voice hard. “I’ll be off here in ten minutes. Keep your door locked. I’ll text when I get there.” “Thank you,” she said. “I can’t believe I called you.
Natasha L. Black (Best Friend's Brothers)
Other Kinds of Fun LARGE MOTOR SKILLS ♦  Take a walk on a balance beam, along the curb, or even down a line on the sidewalk. ♦  Play catch (start with a large, slightly deflated ball). ♦  Jump over things (anything more than a few inches, though, will be too high for most kids this age). ♦  Throw, kick, roll, and toss balls of all sizes. ♦  Ride a tricycle. ♦  Spin around till you drop. ♦  Pound, push, pull, and kick. ♦  Make music using drums, xylophones, flutes, and anything else you have handy. ♦  Play Twister. SMALL MOTOR SKILLS ♦  Puzzles (fewer than twenty pieces is probably best). You might even want to cut up a simple picture from a magazine and see whether your toddler can put it back together. ♦  Draw on paper or with chalk on the sidewalk. ♦  Sculpt with clay or other molding substance. ♦  Finger paint. ♦  Play with string and large beads. ♦  Pour water or sand or seeds from one container to another. ♦  Get a big box (from a dishwasher or refrigerator), then build, paint and decorate a house together. THE BRAIN ♦  Matching games. ♦  Alphabet and number games (put colorful magnetic letters and numbers on the fridge and leave them low enough for the child to reach). ♦  Lots of dress-up clothes. ♦  Dolls of all kinds (including action figures). ♦  Pretending games with “real” things (phones, computer keyboards). ♦  Imaginary driving trips where you talk about all the things you see on the road. Be sure to let your toddler drive part of the way. ♦  Sorting games (put all the pennies, or all the triangles, or all the cups together). ♦  Arranging games (big, bigger, biggest). ♦  Smelling games. Blindfold your toddler and have him identify things by their scent. ♦  Pattern games (small-big/small-big). ♦  Counting games (How many pencils are there?). A FEW FUN THINGS FOR RAINY DAYS (OR ANYTIME) ♦  Have pillow fights. ♦  Make a really, really messy art project. ♦  Cook something—kneading bread or pizza dough is especially good, as is roasting marshmallows on the stove (see pages 214–20 for more). ♦  Go baby bowling (gently toss your toddler onto your bed). ♦  Try other gymnastics (airplane rides: you’re on your back, feet up in the air, baby’s tummy on your feet, you and baby holding hands). ♦  Dance and/or sing. ♦  Play hide-and-seek. ♦  Stage a puppet show. ♦  If it’s not too cold, go outside, strip down to your underwear, and paint each other top-to-bottom with nontoxic, water-based paints. Otherwise, get bundled up and go for a long, wet, sloppy, muddy stomp in the rain. If you don’t feel like getting wet, get in the car and drive through puddles.
Armin A. Brott (Fathering Your Toddler: A Dad's Guide To The Second And Third Years (New Father Series))
on market prices or crowd psychology. The spectrum splits along two dimensions. First, event or holistic? Are you looking for an identifiable trigger or catalyst to produce a winning trade, or rather for a holistic (comprehensive, long-term) sense that capital and income are secure? Second, is this well-researched or not? Have you done thorough research, sloppy research, or none at all?
Joel Tillinghast (Big Money Thinks Small: Biases, Blind Spots, and Smarter Investing (Columbia Business School Publishing))
When Lao-tzu said that mui, doing nothing, was the secret of harmony with the Tao, he really meant it. But what he meant by it must be distinguished very carefully from two other courses which sound quite different from one another, though they are really the same. The first course, I will call the way of deliberate imitation. This is to suppose that we actually know what the sane and natural way of living is, to embody it in laws and principles, techniques and ideals, and then try by a deliberate effort of imitation to follow them. This leads to all the contradictions with which we are so familiar, the contradiction of man bawling himself out—as well as up—for not doing what he tells himself to do. The second, and seemingly opposed course, I will call the way of deliberate relaxation, the way of “to hell with it all.” This is to try not to control oneself, to attempt to relax one’s mind and let it think whatever it wants, to set out to accept one’s self as it is without making any effort to change it. This leads to a vast, sloppy, disorganized mess, or to a kind of compulsive stillness, or sometimes to an equally compulsive psychological diarrhea. Both of these courses are far short of the real mui, of profound and radical nondoing. What brings them to the same thing is that, in their different ways, the two courses had a result in mind. They consisted equally in something done, or not done, to get to a goal. The goal in question was some sort of image, some mental picture, some vague feeling, of an ideal, of a state of accord with the Tao, of harmony with the Way of Nature.
Alan W. Watts (Become What You Are)
There goes your pretty face,” hisses Peter. “Oh, wait. You don’t have one.” I recover my balance and walk toward Al. He nods at me. I try to smile encouragingly, but I can’t manage it. I stand in front of the board, and my head doesn’t even reach the center of the target, but it doesn’t matter. I look at Four’s knives: one in his right hand, two in his left hand. My throat is dry. I try to swallow, and then look at Four. He is never sloppy. He won’t hit me. I’ll be fine. I tip my chin up. I will not flinch. If I flinch, I prove to Eric that this is not as easy as I said it was; I prove that I’m a coward. “If you flinch,” Four says, slowly, carefully, “Al takes your place. Understand?” I nod. Four’s eyes are still on mine when he lifts his hand, pulls his elbow back, and throws the knife. It is just a flash in the air, and then I hear a thud. The knife is buried in the board, half a foot away from my cheek. I close my eyes. Thank God. “You about done, Stiff?” asks Four. I remember Al’s wide eyes and his quiet sobs at night and shake my head. “No.” “Eyes open, then.” He taps the spot between his eyebrows. I stare at him, pressing my hands to my sides so no one can see them shake. He passes a knife from his left hand to his right hand, and I see nothing but his eyes as the second knife hits the target above my head. This one is closer than the last one—I feel it hovering over my skull. “Come on, Stiff,” he says. “Let someone else stand there and take it.” Why is he trying to goad me into giving up? Does he want me to fail? “Shut up, Four!” I hold my breath as he turns the last knife in his hand. I see a glint in his eyes as he pulls his arm back and lets the knife fly. It comes straight at me, spinning, blade over handle. My body goes rigid. This time, when it hits the board, my ear stings, and blood tickles my skin. I touch my ear. He nicked it. And judging by the look he gives me, he did it on purpose. “I would love to stay and see if the rest of you are as daring as she is,” says Eric, his voice smooth, “but I think that’s enough for today.” He squeezes my shoulder. His fingers feel dry and cold, and the look he gives me claims me, like he’s taking ownership of what I did. I don’t return Eric’s smile. What I did had nothing to do with him. “I should keep my eye on you,” he adds.
Veronica Roth (Divergent (Divergent, #1))
Blane doesn’t have to know,” he said, his hand cupping my breast through my thin T-shirt. “I’ll fuck you, then you can go back to him, and only you and I will know he got my sloppy seconds.
Tiffany Snow (Turning Point (Kathleen Turner, #3))