Ankle Bracelet Quotes

In a moment a fussy-looking woman came down the stairs. Do you know what I mean by fussy? I mean, everything about her was too much and too cute. She was wearing two necklaces, a pin, bracelets on each wrist, rings, earrings, and even an ankle bracelet. Her stockings were lacey, and she was, well, as Claud might have said, overly accessorized. Practically everything she wore had a bow attached. There were bows on her shoes, a bow on her belt, a bow in her hair, and a bow at the neck of her blouse. Her sweater was beaded, and she hadn’t forgotten to pin a fake rose to it. Whew! As for cute, her earrings were in the shape of ladybugs, one of her necklaces spelled her name — Linda — in gold script, her pin was in the shape of a mouse, and the bow in her hair was a ribbon with a print of tiny ducks all over it.

Their sister, who sat between them, with left leg balanced on right knee, was, by contrast, perfectly composed, having liberally applied perfume and changed into a green gingham frock to offset her colouring. Her sandals revealed an ankle bracelet and toenails painted vermilion. The sight of these nails gave Briony a constricting sensation around her sternum, and she knew at once that she could not ask Lola to play the prince.

Teddy wandered amongst the graves. Most of the people in them had died long before his time. Ursula was picking up conkers from the stand of magnificent horse chestnuts at the far end of the churchyard. They were enormous trees and Teddy wondered if their roots had intertwined with the bones of the dead, imagined them curling a path through ribcages and braceleting ankles and fettering wrists. When

mind.” “No plan,” I admit as I toe off my shoes and put my feet up on the seat. “Nothing more than just cutting loose with you.” “I like that plan,” he says. “And I know exactly where I want to get off.” He glances at me as he says the last, the deliciously devious gleam in his eyes so exaggerated that I can’t help but laugh. “Perv,” I say. “Only for you,” he retorts. I am hugging my knees, and he reaches over and traces his fingertip over the platinum and emerald ankle bracelet that was a gift from him, a physical reminder that I am his. As if I could ever forget. His hand moves from the bracelet to the back of my thigh, the touch light and sensual. It’s nothing more than a simple caress, but my reaction to it is all sorts of complicated. Taut ribbons of heat shoot through me to pool between my legs, to tug at my nipples. How

You're a strange animal,' he said at last. 'You are as thin as finger...' 'But I am more powerful than a king's finger,' said the snake. The little prince smiles. 'You do not look very powerful...you don't even have paws...you cannot even travel.' 'I can carry you farther than a ship,'said the snake. He twined himself around the little prince's ankle, like a golden bracelet. 'Whomever I touch I send back to the earth from which they came,'he added

The little Pprince looked at the snake for a long time. "You're a funny little creature," he said at last, "no thicker than a finger." But I'm more powerful than a king's finger," the snake said. The little Prince smiled. "You're not very powerful. . . You don't even have feet, You can't travel very far." I can take you further than a ship," the snake said. He coiled around the prince's ankle, like a golden bracelet. "Anyone I touch, I send back to the land from which he came," the snake went on. "But you're innocent, and you come from a star. . . " The little prince made no reply. "I feel sorry for you, being so weak on this granite earth," said the snake. "I can help you, someday, if you grow too homesick for your planet, I can---" "Oh I understand just what you mean," said the little primce,"but why do you always speak in riddles?" "I solve them all.," said the snake. And then were both silent.

Ah, my dear friend Hassim, seems our paths cross once again, how fortunate for this humble Sheik.” As Abdullah spoke in his usual self deprecating manner I realized that a favor was on the tip of his tongue and that I was about to be offered a quid-pro-quo. We were sitting crossed legged on large fat pillows with gold fringe. The tent was large with partitions dividing living, sleeping and cooking space. It was made from heavy cotton canvas erected on thick poles in the center giving the structure a peaked circus tent appearance. The women serving us were young, wearing harem pants low on their hips with cropped gauze tops made from sheer silk. Their exposed midriffs were flat and toned, their belly buttons were decorated in precious stones that glittered in the torch light as they moved. They were bare footed with stacks of gold ankle bracelets making the only sound we heard as they kept our glasses filled with fresh sweet tea and our communal serving trays piled high with dates and sugar incrusted sweets of undetermined origin. Abdullah took no notice of these women, his nonchalance intrigued me as I was obviously having trouble keeping my mind focused on the discussion at hand, this was all part of the Arab way, when it came to negotiation they had no peers. “So my dear friend, tell me, the region is on fire is there a solution?” I spoke in a deliberate and flat tone, little emotion just concern, one friend to another. “We were shocked by the American response in Egypt and Libya, never had we seen them move so fast with such efficiency. The fall of Gadaffi was unexpected and Mubarak’s fate stunned us; he had been a staunch supporter of the US in this region we fully expected the Obama administration to prop him up one more time, as they had done so many times in the past.” I looked carefully at Abdullah,

Favorite painting...?" "Painting? Odalisque," I said. "Really.His non-nude nude. Interesting." It was,to me. Edward's most famous painting of Diana is Troie, where he painted her as Helen of Troy: naked except for the diamond bracelet and the occasional tendril of auburn hair. It had caused quite a stir at its exhibition. Apparently, Millicent Carnegie Biddle fainted on seeing it. It wasn't quite what she was used to viewing when she sat across from Mrs. Edward Willing every few weeks, sipping tea from Wedgewood china cups. Odalisque was more daring in its way, and infinitely more interesting to me. Most of the Post-Impressionist painters did an odalisque, or harem girl, reclining on a sofa or carpet, promising with their eyes that whatever it was that they did to men, they did it well. An odalisque was almost compulsory material.But unlike any of them,Edward had painted his subject-Diana-covered from neck to ankle in shimmery gauze.Covered,but still the ultimate object of desire. "Why that one?" Dr. Rothaus asked. "I don't know-" "Oh,please.Don't go all stupid teenager on me now.You know exactly why you like the painting.Humor me and articulate it." I felt myself beginning the ubiquitos shoulder dip. "Okay. Everyone is covering up something. I guess I think there's an interesting question there." "'What are they hiding?'" I shook my head. "'Does it make a difference?'" "Ah." One sharp corner of her mouth lifted. I would hesitate to call it a smile. "That is interesting.But your favorite Willing piece isn't a painting." "How-" "You hesitated when I asked. Let me guess...Ravaged Man?" "How-" "You're a young woman. And-" Dr. Rothaus levered herself off the desk-"you went through the 1899 file. I know the archive.

Procrastination is the best action against putting an ankle bracelet

Young took it for granted that it was very wrong to break loose from reason's chain and that indulgence in pleasure invites the "pall" of death. Blake believed just the opposite. In his picture "sense" is naked and lovely, arms joyously raised and long tresses tossing freely. A small fetter on her right ankle -- hardly more than an ankle bracelet -- is the sole trace of Young's chain, and she is walking easily toward the viewer over gently rolling sunlit hills, not running "savage." What she doesn't know is that a gigantic figure, hands clenched with effort, is about to drop his enormous black cloak over her, smothering her in darkness. Most viewers would have assumed that this looming threat was a personification of death, but more likely Blake thought of it as reason, from whom sense has all too briefly escaped.

He’s fine. Every time any of us are late you imagine we’re dead. You are no longer allowed to imagine anyone is dead.” “I’m not imagining he’s dead,” I whisper, but I’m totally imagining him bleeding to death on the snowy forest floor. Crows circle above him. A pixie arrow juts out of his beautiful chest. It’s the same thing I imagined about Devyn last week when he forgot to check in. “You are such a liar-liar pants-on-fire.” Is kisses my cheek in her sweet friend way. “But I love you.” “I just worry about people,” I whisper back. “If I’m not the one out there I feel so helpless.” Coach Walsh notices we’re talking. “Girls, pay attention. And no kissing.” Everyone starts snickering. I let go of Issie’s goose-bump covered arm. My face gets hot, which means I’m in insane blush mode. Nick thinks insane blush mode is cute. I bend down and check on my ankle bracelet that Nick gave me. It’s gold and thin-chained. A tiny dolphin dangles off of it. The dolphin reminds me of Charleston because they swim right off the Battery. Next to it dangles a heart, which just reminds me of love—corny but true. I’m so afraid of losing the anklet, but I can’t take it off. I adore it that much.

I feel a thick bandage wrapping from my chest all the way over my shoulder to my back. Also, the tattered and filthy remains of my wedding dress. And then, encircling my wrists and my ankles . . . manacles. Iron bracelets, attached to chains. I lift my wrist again, tugging. I only have limited mobility because these chains are apparently bolted down.

I needed Dani more than I'd ever wanted to admit before, and that stupid patch-job of an ankle bracelet had been hiding the answers this whole time. Dani and I had a connection, an old connection, a fated connection. A bond to span the souls before the earth had been shaped and the dragons placed upon it. I had found my other half--- the half to ground me, the half to protect

Whenever they held a festival the women would dress in their best robes, on which they stitched rupees. The more rupees they had stitched on, the more attractive it was supposed to make them look. I saw one favourite wife of a well-to-do man who had three hundred and fifty rupees stitched on her robes, and huge silver bracelets on her arms and ankles. She looked like a walking mint and how she carried so much weight was beyond me. Like all other women in the world she would have cheerfully carried a ton of precious metal if she thought it would make her look more attractive than those of her sex who were carrying only about fifteen hundred-weight.

I’m afraid so.” “He tried to kill a seventeen-year-old girl. A defenseless girl. In a police station. What is more brazen and out of control than that? How could a judge allow it?” Noah sighed. “You know how these things work, Josie. He’s a city councilman. A fine, upstanding citizen with no prior history of violence or a criminal record. Not so much as a parking ticket.” His words dripped with sarcasm, and she knew he was quoting Pierce Fuller’s attorney. “He’s a devoted husband with deep ties to the community. Not a flight risk at all. The judge gave him bail and his wife posted it.” Josie stood up and smoothed down her polo shirt and jeans from the night before. Powder and what looked like oatmeal from the Mills’ kitchen still clung to her pantlegs. “Unbelievable. Not even an ankle bracelet to ensure he doesn’t come near Alison again?” “I’m afraid not.” Josie thought about how this would make Alison feel—knowing this man was still out there, free, after he had walked into a police station and tried to kill her.

I no longer even need a window to follow the journey. I can narrate it to myself hour by hour, live it from memory, all of it - canyons, towns, the reflection of the clouds in the rivers. Memory has taken on wings and speed has become an inner quality. A pity. No doubt it was better that this purely fornicatory and imaginary relationship, with her sexual voracity and her ankle bracelets, which we carried on all over the place - in the Badlands, in the Chelsea Hotel, in motels, in the sand, between the sheets - and which always meant immediate lovemaking in the minutes that followed, never satisfied, but just as sweet, and flexible and blonde, her eyes raised like a slavegirl's and her hand outstretched towards her sex, she free and servile, feminine and muscled, laughing and admiring, animal blood and metallic eyes - it was natural that this relationship should finish with a pathetic fellatio on a motel balcony, in the morning mist and a hypothetical child which no doubt was not mine and which I shall never see. I have even forgotten her name, but I have not forgotten the straw scent of her sex, nor the twenty-dollar bet on salt or snow, nor the sudden menstrual nosebleed I had one morning when I saw her arriving at my place in all her Californian splendour.

And when we go to sleep, we ought to greet the bed completely out of breath from the day. We must have tree sap on our hands from climbing. Sand in our pockets and not know how. There must be some fresh wound on our body somewhere—a cut on the ankle, a bruised eye, or a chipped tooth. Our lips are to be kissed by anyone happy, our fingernails dirty, and we might have brought a bug or two home with us. On our wrist should be two bracelets: one from the hospital and another from the concert that got us there. We should have freed the heart in a streak of spoken desire, kind attempts to hold another hand, and by missing a thousand former lovers that you wish the best. We must find a way to revel in the dissatisfaction of a weary heart.

The British burnt down villages and took chiefs as hostages, but it wasn’t until 5 August that the Oba gave himself in.50 He walked into Benin City with hundreds of followers, some twenty elegant wives, many chiefs, and musicians. Messengers walked in front, carrying a white flag. He spent two nights at Obaseki’s house, deliberating on his future. On 7 August the Oba walked to the new court building, which stood in front of his palace from which he had fled six months earlier. He was dressed in full red coral regalia, including a headdress, collar, bangles up to his elbows and ankle bracelets. A huge crowd assembled. The Oba hesitated, and then kneeled in front of Roupell. Three times the Oba lowered his forehead to the dirt ground. He had performed the traditional act of obeisance, in full view of his own people. It was a very public surrender, and exactly the humiliation the British sought. Roupell told the Oba that he’d been deposed, and that he and his chiefs would stand trial for the killing of Phillips and the six other white men.