Slash Escape Quotes

We've searched our database for all the quotes and captions related to Slash Escape. Here they are! All 26 of them:

The manic relief that comes from the fantasy that we can with one savage slash cut the chains of the past and rise like a phoenix, free of all history, is generally a tipping point into insanity, akin to believing that we can escape the endless constraints of gravity, and fly off a tall building. “I’m freeeee… SPLAT!”.
Stefan Molyneux
...Were you in the military?" "Are you kidding me? I was in high school." "High school," he said quietly. "You’re American. And a civilian?" "Uh, yes. An American civilian." "Lovely. A straight answer. Keep it up. Did somebody train you?" "No, nobody trained me. Unless you count the Rhode Island child welfare and juvenile justice systems. Why?" Malachi held up his hand and ticked off the reasons with his fingers. "You stole a Guard's weapon. If I'm not mistaken, it belonged to a Gate Guard. Which means you managed to do it on your way into the city. You escaped Amid even after he had you in hand. You slashed his leg in just the right place, preventing him from chasing you. Under extreme duress, injured and cornered, you threw a knife and hit a target-" "It's not like I hit something vital.
Sarah Fine (Sanctum (Guards of the Shadowlands, #1))
She sat at the window of the train....The window frame trembled with the speed of the motion, the pane hung over empty darkness, and dots of light slashed across the glass as luminous streaks, once in a while…She sat listening to the music. It was a symphony of triumph. The notes flowed up…It was a sunburst of sound, breaking out of hiding and spreading open. It had the freedom of release and the tension of purpose. It swept space clean, and left nothing but the joy of an unobstructed effort. Only a faint echo within the sounds spoke of that from which the music had escaped, but spoke in laughing astonishment at the discovery that there was no ugliness or pain, and there never had had to be. It was the song of an immense deliverance. She thought: For just a few moments -- while this lasts -- it is all right to surrender completely -- to forget everything and just permit yourself to feel. She thought: Let go -- drop the controls -- this is it.
Ayn Rand (Atlas Shrugged)
I paused finally and watched the trees for slashes of light, but saw none. As my heart settled and my ears became less occupied I listened and heard nothing but the thready pulse of the night. And I sensed that the hunt was over. I'd been prey and now I was not. Prey knows this. Prey knows when it has escaped.
Augusten Burroughs (A Wolf at the Table)
Everything satisfies precisely. Engorge sticky pricks. Enrage secret processes. Endure sexy pretense. Emerge surrounded parasitically. Energy sufficiently pulverized. Erection scoff prevention. Endorphin scream passage. Ecstatic speed patriarch. Embers slash plastic. Embalm severe parents. Epidemic seduction procedure. Escape seemed possible. Enormous secretion property.
Grace Krilanovich (The Orange Eats Creeps)
Dr. Chanter, in his brilliant History of Human Thought in the Twentieth Century, has made the suggestion that only a very small proportion of people are capable of acquiring new ideas of political or social behaviour after they are twenty-five years old. On the other hand, few people become directive in these matters until they are between forty and fifty. Then they prevail for twenty years or more. The conduct of public affairs therefore is necessarily twenty years or more behind the living thought of the times. This is what Dr. Chanter calls the "delayed realisation of ideas". In the less hurried past this had not been of any great importance, but in the violent crises of the Revolutionary Period it became a primary fact. It is evident now that whatever the emergency, however obvious the new problem before our species in the nineteen-twenties, it was necessary for the whole generation that had learned nothing and could learn nothing from the Great War and its sequelae, to die out before any rational handling of world affairs could even begin. The cream of the youth of the war years had been killed; a stratum of men already middle-aged remained in control, whose ideas had already set before the Great War. It was, says Chanter, an inescapable phase. The world of the Frightened Thirties and the Brigand Forties was under the dominion of a generation of unteachable, obstinately obstructive men, blinded men, miseducating, misleading the baffled younger people for completely superseded ends. If they could have had their way, they would have blinded the whole world for ever. But the blinding was inadequate, and by the Fifties all this generation and its teachings and traditions were passing away, like a smoke-screen blown aside. Before a few years had passed it was already incredible that in the twenties and thirties of the twentieth century the whole political life of the world was still running upon the idea of competitive sovereign empires and states. Men of quite outstanding intelligence were still planning and scheming for the "hegemony" of Britain or France or Germany or Japan; they were still moving their armies and navies and air forces and making their combinations and alliances upon the dissolving chess-board of terrestrial reality. Nothing happened as they had planned it; nothing worked out as they desired; but still with a stupefying inertia they persisted. They launched armies, they starved and massacred populations. They were like a veterinary surgeon who suddenly finds he is operating upon a human being, and with a sort of blind helplessness cuts and slashes more and more desperately, according to the best equestrian rules. The history of European diplomacy between 1914 and 1944 seems now so consistent a record of incredible insincerity that it stuns the modern mind. At the time it seemed rational behaviour. It did not seem insincere. The biographical material of the period -- and these governing-class people kept themselves in countenance very largely by writing and reading each other's biographies -- the collected letters, the collected speeches, the sapient observations of the leading figures make tedious reading, but they enable the intelligent student to realise the persistence of small-society values in that swiftly expanding scene. Those values had to die out. There was no other way of escaping from them, and so, slowly and horribly, that phase of the moribund sovereign states concluded.
H.G. Wells (The Holy Terror)
The man in black retreated before the slashing of the great sword. He tried to sidestep, tried to parry, tried to somehow escape the doom that was now inevitable. But there was no way. He could block fifty thrusts; the fifty-first flicked through, and now his left arm was bleeding. He could thwart thirty ripostes, but not the thirty-first, and now his shoulder bled. The
William Goldman (The Princess Bride)
I turned around, looking for escape. Behind me was a great obsidian mirror, like the one I had once found in the room with the tree full of memories. In its reflection, the stone halls of Naraka glittered. “You are not a sadhvi,” said a voice. I looked up, stunned to see Amar standing before me. He helped me to my feet, but I couldn’t look at him. Every time I glanced into his face, that flat look of no recognition slashed through me. He jerked my chin up. “Do not lie to me. Who are you?” Tears prickled hot behind my eyes and the answer I gave him was so true, I could feel it echoing through all my hollow spaces: “I don’t know.” He released his hold on my chin but he didn’t step away. “You asked to see me alone. Why?” Because I love you.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
She was only twenty-three, not even a quarter of a century old.She had spent the last five years living exclusively in the human world. Now her wild nature was calling to her. Gregori was touching something untamed in her, something to which she had forbidden herself access. Something wild and unhibited and incredibly sensuous. Savannah looked up at his dark, handsome face. It was so male. So carnal. So powerful. Gregori. The Dark One. Just looking at him made her go weak with need. One glance from his slashing silver eyes could bring a rush of liquid heat, fire racing through her.She became soft and pliant. She became his. Gregori's palm cupped her face. "Whatever you are thinking is making you fear me,Savannah," he said softly. "Stop it." "You're making me into something I'm not," she whispered. "You are Carpathian, my lifemate. You are Savannah Dubrinsky. I cannot take any of those things from you. I do not want a puppet, or a different woman. I want you as you are." His voice was soft and compelling. He lifted her in his arms,carried her to his bed and tucked the covers around her. The storm lashed at the windows and whistled against the walls. Gregori wove the safeguards in preparation for their sleep. Savannah as exhausted, her eyes already trying to close. Then he slipped into the bed and gathered her into his arms. "I would never change anything about you,ma patite, not even your nasty little temper." She settled against his body as if she was made for it.He felt the brush of her lips against his chest and the last sigh of air as it escaped from her lungs. Gregori lay awake for a long time, watching as the dawn crept forward, pushing away the night. One wave of his hand closed and locked the heavy shutters over the windows. Still he lay awake, holding Savannah close. Because he had always known he was dangerous, he had feared for mortals and immortals alike at his hand. But somehow,perhaps naively, he had thought that once he was bound to his lifemate, he would become tamer, more domesticated. His fingers bunched in her hair. But Savannah made him wild. She made him far more dangerous than he had ever been. Before Savannah, he had had no emotions. He had killed when it necessary because it was necessary. He had feared nothing because he loved nothing and had nothing to lose. Now he had everything to lose.And so he was more dangerous.For no one, nothing, would ever threaten Savannah and live.
Christine Feehan (Dark Magic (Dark, #4))
How does one kill fear, I wonder? How do you shoot a spectre through the heart, slash off its spectral head, take it by its spectral throat? It is an enterprise you rush into while you dream, and are glad to make your escape with wet hair and every limb shaking. The bullet is not run, the blade not forged, the man not born; even the winged words of truth drop at your feet like lumps of lead. You require for such a desperate encounter an enchanted and poisoned shaft dipped in a lie too subtle to be found on earth. An enterprise for a dream, my masters!
Joseph Conrad
I wanted only to escape him—at first. And Jesse was there, offering to help me, asking nothing in return.” Ambrose pressed his lips tight, a thin slash amidst the bronze stubble of his unshaven beard. “Yet you’ve given him everything.” She met his gaze unflinching. “Yes. And you need to understand,” she added. “I didn’t marry Jesse simply to elude you or to thwart my stepfather. I married him because I love him.” Acceptance struggled on Ambrose’s face. “I wish I might have been the one to offer you the help you needed. Had I but known. Had I understood …” He swallowed hard, as if the loss of her was a stone going down. “I hope one day you will find it in your good heart to forgive me.
Lori Benton (The Pursuit of Tamsen Littlejohn)
Did those “new gays” spinning about like giddy tops in discos care to know that dancing with someone of the same sex was punishable as “lewd conduct” then? Still, a club in Topanga Canyon boasted a system of warning lights. When they flashed, lesbians and gay men shifted—what a grand adventure!—and danced with each other, laughing at the officers’ disappointed faces! How much pleasure—and camaraderie, yes, real kinship—had managed to exist in exile. Did those arrogant young people know that, only years ago, you could be sentenced to life in prison for consensual sex with another man? A friend of his destroyed by shock therapy decreed by the courts. Another friend sobbing on the telephone before he slashed his wrists— Thomas's hands on his steering wheel had clenched in anger, anger he had felt then, anger he felt now. And all those pressures attempted to deplete you, and disallow— “—the yearnings of the heart,” he said aloud. Yet he and others of his generation had lived through those barbaric times—and survived—those who had survived—with style. Faced with those same outrages, what would these “new gays” have done? “Exactly as we did,” he answered himself. The wind had resurged, sweeping sheaths of dust across the City, pitching tumbleweeds from the desert into the streets, where they shattered, splintering into fragments that joined others and swept away. Now, they said, everything was fine, no more battles to fight. Oh, really? What about arrests that continued, muggings, bashings, murder, and hatred still spewing from pulpits, political platforms, and nightly from the mouths of so-called comedians? Didn't the “new gays” know—care!—that entrenched “sodomy” laws still existed, dormant, ready to spring on them, send them to prison? How could they think they had escaped the tensions when those pressures were part of the legacy of being gay? Didn't they see that they remained—as his generation and generations before his had been—the most openly despised? And where, today, was the kinship of exile?
John Rechy (The Coming of the Night (Rechy, John))
She holds the remnants of slashed clothes around her, keeping her modesty. It's pitiable, really, that a creature so utterly owned clings to modesty. "Why?" she asks again. He shrugs again. "You needed help." "No one helps a windup." Her voice is flat. "You are a fool." She pushes damp hair away from her face. A surreal stutter-stop motion, the genetic bits of her unkinking. Her smooth skin shines between the edges of her slashed blouse, the gentle promise of her breasts. What would she feel like? Her skin gleams, smooth and inviting. She catches him staring. "Do you wish to use me?" "No." he looks away, uneasy. "It's not necessary." "I would not fight you," she says. Anderson feels a sudden revulsion at the acquiescence in her voice. On another day, at another time, he probably would have taken her for the novelty. Thought nothing of it. But the fact that she expects so little fills him with distaste. He forces a smile. "Thank you. No." She nods shortly. Looks out again at the humid night and the green glow of the street lamps. It's impossible to say if she is grateful or surprised, or if his decision even matters to her. However her mask might have slipped in the heat of terror and relief of escape, her thoughts are carefully locked away now.
Paolo Bacigalupi (The Windup Girl)
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the folden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Let’s just say I pulled a Houdini slash runaway bride. Like literally. I escaped the day before the wedding using my mad climbing skills. Since his place is out in like the middle of nowhere, I hotwired this sweet crotch rocket he had sitting out front.” He raised a brow. “Okay, so I didn’t twist any wires. I used the key. But, you do realize that sounds way less exciting.” “Only you would think that.” -Meena & Leo
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
The mere thought that she was alone and surrounded by books gave her a near-sensuous thrill. As she looked around her room, dark escaper for the slash of light near her lamp, and saw the vague outlines of her books, she asked herself 'Have I not the whole world?
Andrew Wilson
I paused finally and watched the trees for slashes of light but saw none. As my heart settled and my ears became less occupied, I listened and heard nothing but the thready pulse of the night. And I sensed that the hunt was over. Prey knows when it has escaped.
Augustan Burroughs
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the golden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Almost like a waterfall gushing in-between my legs at this moment at this time. Kissing, loving, and creasing me like, as my mud-covered toes, as I sink them in the dirt. My legs are so weakly holding me upright, after standing so long.' 'Ultimately, the pounding rains get more powerful. Making me fall to the ground with a soft thud, now covered by the clay. Where I will remain until I feel that I can get up and over what has transpired from the day of hell I had and what has happened to me. That's if I can, like if I can accept this all, as I look down at me. I feel the dropping rain is weeping for me, like 'God’s tears, even after this I still believe in.' 'The pain triples within me also like the thoughts all at the same time, I start rolling around, like a pig in mud. I have the sensation like I have been ripped in two parts in my centered hips and vagina.' 'However, it is like it is all pounding down on me at once. I look, up to the sky, lying on my backside. It jostles me, the thought of what it is that I want to do… with myself to escape.' 'Even with all this rain. I feel that my vagina will surely never feel the same, or like it's clean again. It's all because of them!' 'No!' I scream. 'The rainwater can only wash away somewhat of what they have done to me. Never all of it… never- ever! It cannot wash away all my fears that I have. They have sucked my bean above the hole! Tugged on the hood, until I thought they would bite it off me completely. That is why I'm bleeding! Nevertheless, the school would not do anything about this, over I was the one that started it all; as the instigator.' 'They rubbed and touched me in all the places, yet this one the most. They ripped my black hole wide open, with their hateful fingernails and slashing teeth.' 'I cannot run away from them. They always find me! Always, I have nowhere to run or to hide!' 'I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
I shuffle to the bathroom, determined to remain numb and get through the mundane action of taking a shower, which takes more effort than it should. I force myself out of my clothes and into the tub. The water shoots violently from the shower head, the loud spray jarring me out of my fog and slashing at my skin like tiny daggers. I hold onto my body, wrapping my arms around my breasts and hips, afraid to let go, as if someone is watching. And then I can’t let go, because if I do, I’ll crumble like a neglected, ancient building, brick by brick, bone by bone, collapsing into a soft pile and slowly washing away down the drain until there’s nothing left but clear running water and an empty tub.
Lizzy Hershberger (Behind Blue Curtains: A True Crime Memoir of an Amish Woman's Survival, Escape, and Pursuit of Justice)
Sometimes, years later, while going about your ordinary business, thinking you’re okay and that you’ve left it all behind, a random scent, a snatch of music, a certain color, will slash a broken shard of memory through your brain. You’ll stop dead in your tracks, feel confused as all your neural circuits waken fight-or-flight hormones into your body—the same neurochemicals that were associated with that night, because as neuroscience will tell you, what fires together, wires together. So while your mind won’t hold the whole picture, you realize your body does. Your body knows. But your body is not communicating properly with your brain in a way that will give you a narrative around that trauma, something you can understand. And you need that narrative in order to become whole again. In desperation you reach for a bottle of wine, or pills, or you doggedly escape into some other addictive behavior, whether it’s long-distance running, or kickboxing, or dieting, or excelling at work, or dangerous snooping, or hiding behind masks and makeup and theatrical roles, becoming an Anonymous Girl.
Loreth Anne White (The Maid's Diary)
Her hand jerked, leaving an angry slash in the middle of the canvas. A headache drummed to life in the back of her skull. It’s not going to happen today. She ignored the shiver that skipped down her spine. This is a normal day. I’m painting a normal composition. But it was too late. It was happening already. She squeezed her eyes shut against the images flooding her brain, but no resistance would help now. She couldn’t escape.
Dana Marton (Deathscape (Broslin Creek, #2))
I noticed some scratch marks and faded blood stains high up on a wall. “What happened there?” “An inmate must have tried to escape. I saw a guy use two suction devices like the ones used to carry glass sheets to help lever himself up. He reached half way before being spotted by a blue shirt.” “What happened to him?” “The blue shirt called a guard. He was ordered to come down, but didn’t. They shot him in the leg, he fell and later in the cell, he removed a blade from a disposable razor, slashed his left wrist then wrote a suicide note on the wall with his right hand – in his own blood. Suicide is really common in here and nobody bats an eyelid.
Simon Palmer
shoppers were choosing on the basis of price alone – the brands were completely substitutable. To escape this death spiral, P&G decided to slash their brand portfolio and target each of the remaining brands at specific washing needs. Thus initially evolved separate brands for the washing of clothes, skin and hair, which further evolved over time into separate brands for work-clothes, delicates, colours, whites, oily skin, dry skin, sensitive skin, dry hair, oily hair, dandruff-laden hair, blonde hair, coloured hair ad infinitum.
Greg Thain (Store Wars: The Worldwide Battle for Mindspace and Shelfspace, Online and In-store)
She cursed loud enough to attract the attention of an older man who’d dolled himself up for the evening, his eyes glaring at her over the top of the Asheville Citizen-Times. She slashed him with a sardonic smile and got up, enraged at herself over this swell of weakness. She took two steps. Everything changed. The anger melted. Exhilaration flooding in to take its place. In the emotion and fear of the moment, it had completely escaped her.
Blake Crouch (Good Behavior)
When his mind was once more clear and calm, Mikhail trotted back to the blackened ruins, changing back into his own muscular form, complete with clothes, as he strode toward his brother. He was well aware that all of nature, everything he was so much a part of, could feel his ice-cold rage. It was buried deep, seething below the surface, disturbing the harmony in the air, in the forest. His enemies would not escape. Jacques straightened slowly, as if he had been waiting for hours. His hand went to the nape of his neck, rubbing at a kink. Mikhail and Jacques stared at one another, dark sorrow in their eyes. Jacques stepped forward and reached for Mikhail in an uncharacteristic show of affection. It was brief and hard, two stiff oak trees exchanging a hug. Mikhail knew Raven would have laughed at the two of them. Gregori remained hunkered down, low to the ground, his solid bulk rivaling the broad tree trunks. He was totally motionless, his shadowed face expressionless. His eyes were a slash of silver, of mercury forever moving restlessly in the granite mask. Gregori rose slowly, fluid power and raw danger. “Thank you for coming,” Mikhail said simply. Gregori. His oldest friend. His right hand. Their greatest healer, the relentless hunter of the undead.
Christine Feehan (Dark Prince (Dark, #1))