Bodies Entwined Quotes

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Love is a temporary madness, it erupts like volcanoes and then subsides. And when it subsides, you have to make a decision. You have to work out whether your roots have so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion, it is not the desire to mate every second minute of the day, it is not lying awake at night imagining that he is kissing every cranny of your body. No, don't blush, I am telling you some truths. That is just being "in love", which any fool can do. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident.
Shawn Slovo (Captain Corelli's Mandolin filmscript)
Maybe you could be mine / or maybe we’ll be entwined / aimless in this sexless foreplay.
Jess C. Scott (EyeLeash: A Blog Novel)
because two bodies, naked and entwined, leap over time, they are invulnerable, nothing can touch them, they return to the source, there is no you, no I, no tomorrow, no yesterday, no names, the truth of two in a single body, a single soul, oh total being...
Octavio Paz (Sunstone/Piedra De Sol)
Niches set back in the walls contained polished marble statues of entwined bodies. Will looked away from them hastily, and then back. It wasn't as if Magnus seemed to be paying attention to what Will was doing, and he'd honestly never imagined two people could get themselves into a position like that, much less make it look artistic.
Cassandra Clare
...the thrill of being surrounded by something wondrous and fantastical, only magnified and focused directly at her. The feel of his skin against hers reverberates across her entire body, though his fingers remain entwined in hers.
Erin Morgenstern (The Night Circus)
So the nymphs they spoke, we kissed and laid. By noontime’s hour our love was made. Like braided chains of crocus stems, we lay entwined, I laid with them. Our breath, one glassy, tideless sea, our bodies draping wearily, we slept, I slept so lucidly, with hopes to stay this memory.
Roman Payne (Rooftop Soliloquy)
Both of us will die today, gunned down or smashed up or exploded in some terrible moment of fire and twisted metal, and when they go to bury us we'll be so melted together and entwined they won't be able to separate the bodies; pieces of him will go with me, and pieces of me will go with him.
Lauren Oliver (Delirium (Delirium, #1))
When you fall in love, it is a temporary madness. It erupts like an earthquake, and then it subsides. And when it subsides, you have to make a decision. You have to work out whether your roots are become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the desire to mate every second of the day. It is not lying awake at night imagining that he is kissing every part of your body. No... don't blush. I am telling you some truths. For that is just being in love; which any of us can convince ourselves we are. Love itself is what is left over, when being in love has burned away. Doesn't sound very exciting, does it? But it is!
Louis de Bernières (Corelli’s Mandolin)
A song of despair The memory of you emerges from the night around me. The river mingles its stubborn lament with the sea. Deserted like the dwarves at dawn. It is the hour of departure, oh deserted one! Cold flower heads are raining over my heart. Oh pit of debris, fierce cave of the shipwrecked. In you the wars and the flights accumulated. From you the wings of the song birds rose. You swallowed everything, like distance. Like the sea, like time. In you everything sank! It was the happy hour of assault and the kiss. The hour of the spell that blazed like a lighthouse. Pilot's dread, fury of blind driver, turbulent drunkenness of love, in you everything sank! In the childhood of mist my soul, winged and wounded. Lost discoverer, in you everything sank! You girdled sorrow, you clung to desire, sadness stunned you, in you everything sank! I made the wall of shadow draw back, beyond desire and act, I walked on. Oh flesh, my own flesh, woman whom I loved and lost, I summon you in the moist hour, I raise my song to you. Like a jar you housed infinite tenderness. and the infinite oblivion shattered you like a jar. There was the black solitude of the islands, and there, woman of love, your arms took me in. There was thirst and hunger, and you were the fruit. There were grief and ruins, and you were the miracle. Ah woman, I do not know how you could contain me in the earth of your soul, in the cross of your arms! How terrible and brief my desire was to you! How difficult and drunken, how tensed and avid. Cemetery of kisses, there is still fire in your tombs, still the fruited boughs burn, pecked at by birds. Oh the bitten mouth, oh the kissed limbs, oh the hungering teeth, oh the entwined bodies. Oh the mad coupling of hope and force in which we merged and despaired. And the tenderness, light as water and as flour. And the word scarcely begun on the lips. This was my destiny and in it was my voyage of my longing, and in it my longing fell, in you everything sank! Oh pit of debris, everything fell into you, what sorrow did you not express, in what sorrow are you not drowned! From billow to billow you still called and sang. Standing like a sailor in the prow of a vessel. You still flowered in songs, you still brike the currents. Oh pit of debris, open and bitter well. Pale blind diver, luckless slinger, lost discoverer, in you everything sank! It is the hour of departure, the hard cold hour which the night fastens to all the timetables. The rustling belt of the sea girdles the shore. Cold stars heave up, black birds migrate. Deserted like the wharves at dawn. Only tremulous shadow twists in my hands. Oh farther than everything. Oh farther than everything. It is the hour of departure. Oh abandoned one!
Pablo Neruda
Do you want to suck face or not?” “Suck face?” His head fell back and he laughed, his chest vibrating against me. It was a lusty, full-bodied sound and my toes curled at hearing it. Gideon laughed so rarely. My hands slid under his sweater and glided over that warm skin. My lips moved over his jaw. “Is that a no?” “Angel, I’ll suck on any part of your body I can get my mouth on.
Sylvia Day (Entwined with You (Crossfire, #3))
They would be friends until they both finally acknowledged the truth. And they would have everything that other couples had—the arguments and the hand-holding in the market and the gradual exploration of their bodies and the birthday celebrations and the journeys to new cities and the living as one and sharing a bed and the gradual sense of melting into each other. Their names would be entwined—Roman and Iris or Winnow and Kitt because could you truly have one without the other?
Rebecca Ross (Divine Rivals (Letters of Enchantment #1))
I'd waited so long for his kiss, and it was so much more, so much better than I had dared imagine. Golden sunshine burst behind my closed eyelids as I became a being entwined with the sun. His hands pulled me against his body and I melted into him, my limbs tingling and warm. Amon's mouth moved over mine, slowly, like he could make the kiss last forever.
Colleen Houck (Reawakened (Reawakened, #1))
You know what my favorite part was?" he says, stepping closer. "Hmm?" "We didn't fight. Not once. I hate fighting with you." "I do, too. It seems like a waste of time when..." He leans impossibly closer, holding her gaze. "When?" "When we could be enjoying each other's company instead," she whispers. "But you probably don't enjoy my company here lately. I haven't been very nice-" He brushes his lips against hers, cutting her off. They're softer than he ever imagined. And it's not enough. Moving his hand from her jawline to entwine it in her damp locks, he pulls her to him. She tips up on her toes to meet him and as he lifts her from the ground, she folds her arms around his neck. Just as hungry for him as he is for her, she opens her mouth for a deeper kiss, pressing her soft curves into him. And Galen decides there is nothing better than kissing Emma. Everything about her seems made for him. The way her mouth moves in perfect rhythm with his. The way she combs her fingers through his hair, sending a stirring jolt down his spine. The way her cool lips ignite heat through his whole being. She fits in his arms, as if her every curve fills a place on his own body...
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Nawat grinned. “I was helping to steal soldiers who couldn't keep up.” “What do you do with them?” she asked, curious. “I haven't heard of bodies being found.” “Nor will you,” Nawat informed her, sitting on a corner of the worktable. “They were still alive when we gave them to my warriors at the edge of the jungle.” He picked up Aly's hand and laced his fingers with hers. “My warriors will be able to say they last saw the missing soldiers alive, when the troops went on a visit to the jungle.” Aly walked her free fingers over their entwined hands. “But why would Crown soldiers visit the jungle?” “They didn't think they would at first,” Nawat admitted. “So my warriors show them the beauties of the deep jungle. They take away all the things the soldiers have of the civilized world, such as clothes and weapons and armor, so the soldiers will appreciate the jungle with their entire bodies. But my warriors have seen jungle before, so they get bored and leave. The soldiers stay longer.” “Like the tax collectors,” Aly whispered, awed by the beauty of what he described. “Take away all they have and leave them to survive the jungle. If you're questioned under truthspell, you can say they were alive when you left them. And the only way they could survive naked out there . . .” Nawat was shaking his head. Aly nodded. “I take it you don't leave them near any trails.” “They are there to appreciate the jungle that has been untouched by humans,” Nawat told her, a teacher to a student who did not quite understand. Aly sighed. “I am limp with envy,” she told him. “Simply limp.
Tamora Pierce (Trickster's Queen (Daughter of the Lioness, #2))
The temperature jumped another ninety degrees. Why couldn't anyone see in my life how awesome Noah was? I shoved up my sleeves, welcoming the cold air on my skin. "Echo, stop!" Ashley propelled her self out of the gliter. I froze and then remembered Ashley was damaged. I was going on a date, not to Vegas to elope. Noah's strong hand slipped over my wrist before he entwined his fingers with mine. The sensation of warm flesh against an area I allowed no one to see, much less touch, caused me to shiver. My eyes widened, realizing my mistake. This is what had freaked Ashley out. What had come over me? I never pulled up my sleeves. I spent all my time pulling them down. When had I become...comfortable? He rubbed his thumb over my hand. "I planned on taking her to my house to meet some of my friends." Noah could have told them he was getting me to the ghetto to buy us crack and they wouldn't have heard him. Ashley stood in place, staring at my exposed scars as my father stared at our combined hands. I reached over to pull down my sleeve, but Noah casually placed his hand over my forearm, preventing me fron doing it. My lungs squeezed out all the oxygen in my body. Noah Hutchins, in fact, a human being, was overtly, on purpose, touching my scars. I'd stopped breathing moments ago, as had Ashley. Noah continued as nothing earth-shattering had happened. "What time does Echo need to be home?" Blinking my self back to life, i answered for them, "My curfew is eleven." "Twelve." My father stood and extended his hand. "I didn't have a chance to properly introduce myself earlier. I'm Owen Emerson.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
My sweet lemming,” he murmured, nuzzling her neck and sending glorious spirals of pleasure ping-ponging throughout her body. “You’ve been quiet and that worries me.” “Why?” she asked, trailing her hand down his banded forearm to entwine her fingers within his. “Because that means you’re thinking, and a thinking woman is usually something to fear.
T.J. Shaw (Caller of Light)
In the mirror, he saw himself, a knight with bowed head, offering his service, a sword in his hand, a sword in his back. He felt no pain, only the ache in his heart. Choose me. There were tears on his cheeks, even as he felt the shame of it. She was no one, a girl who had lucked into a gift, who had done nothing to earn it. She was his queen. "Darlington," she said. But that was not his true name any more than Alex was hers. If only she would choose him. If only she would let him... She touched her fingers to his face, lifted his chin. Her lips brushed his ear. He didn't understand it. He only wanted her to do it again. Stars poured through him, a cold and billowing wave of night. He saw everything. He saw their bodies entwined. She was above him and beneath him all at once, her body splayed and white as a lotus flower.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Here in this room, with our bodies entwined, I felt that I could trust this fierce love that had shattered and rebuilt my life. But outside, the world was a cold and dangerous place. I didn’t know if love would be enough.
Jane Harvey-Berrick (The Education of Sebastian (The Education of..., #1))
She and Roman would survive this war. They would have the chance to grow old together, year by year. They would be friends until they both finally acknowledged the truth. And they would have everything that other couples had—the arguments and the hand-holding in the market and the gradual exploration of their bodies and the birthday celebrations and the journeys to new cities and the living as one and sharing a bed and the gradual sense of melting into each other. Their names would be entwined—Roman and Iris or Winnow and Kitt because could you truly have one without the other?—and they would write on their typewriters and ruthlessly edit each other’s pieces and read books by candlelight at night.
Rebecca Ross (Divine Rivals (Letters of Enchantment #1))
A woman’s body and her heart are entwined; you can’t savor her body and dump her heart. It’s the heart that propels the body.
Vincent Okay Nwachukwu (Weighty 'n' Worthy African Proverbs - Volume 1)
two souls joining on the metaphysical plane while two bodies entwine below.
Victoria Lee (A Lesson in Vengeance)
I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
When you read about sex in books, it’s always described like a magical event, something sacred enacted through the profane: two souls joining on the metaphysical plane while two bodies entwine below.
Victoria Lee (A Lesson in Vengeance)
Breathe," he ordered gently. "Once more time. Now, reassure me that's not panic." "Not really. No." "Talk to me, Eva." "I just..." I blurted it out in a rush. "I want you to ask when I can say yes." Tension gripped his body. He leaned back, his eyes wounded beneath his frown. "You couldn't say yes no?" I shook my head. His mouth thinned into a determined line. "Lay out what you need from me to make that happen.
Sylvia Day (Entwined with You (Crossfire, #3))
I will meet you where moon shines down upon our naked, writhing bodies, undulating together in a moment, which brings ecstasy to entwined hearts, beating as one...
Virginia Alison
A myriad of small red violet-colored animals, like rabbits, burst out of the trees, surrounding the guardian god. Their long bushy tails, with specks of black among the silver hairs, remind me of the squirrels of my home world, Uhna. Their two-inch-long dark brown pedicles remind me of the female reindeer from Arrov’s home world, A’ice. But I’ve never seen rabbits that have green flower stalks with tiny white flowers entwined around their furry bodies, while A’nima magic clings to them. A tiny critter hops to me and rises on its hind legs to sniff my hand, its large green eyes glinting with surprising intelligence. Long whiskers move as its nose sniffles, then sneezes.
S.G. Blaise (Proud Pada (The Last Lumenian, #3))
Noah's strong hand slipped over my wrist before he entwined his fingers with mine. The sensation of warm flesh against an area I allowed no one to see, much less touch, caused me to shiver. He rubbed his thumb over my hand. I reached over to pull down my sleeve, but Noah casually placed his hand over my forearm, preventing me fron doing it. My lungs squeezed out all the oxygen in my body. Noah Hutchins, in fact, a human being, was overtly, on purpose, touching my scars.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
For a while it was forever, and then things started to fall apart. There isn't a story to tell, because a relationship is a story you construct together and take up residence in, a story as sheltering as a house. You invent this story of how your destinies were made to entwine like porch vines, you adjust to a big view in this direction and no view in that, the doorway that you have to duck through and the window that is jammed, how who you think you are becomes a factor of who you think he is and who he thinks you are, a castle in the clouds made out of the moist air exhaled by dreamers. It's a shock to find yourself outdoors and alone again, hard to imagine that you could ever live in another house, big where this one was small, small where it was big, hard when your body has learned all the twists and turns of the staircase so that you could walk it in your sleep, hard when you have built it from scratch and called it home, hard to imagine building again. But you lit the fire that burned it down yourself.
Rebecca Solnit (A Field Guide to Getting Lost)
Inside her chest, a warm, billowing, something swept through her, to the tips of her fingers, the bottoms of her feet, shining like a brilliant beam of light. It wasn’t hot, boiling feeling of her temper, nor was it the cold wash of tingles that Swearing on Silver brought. It was deeper. It didn’t just pour through her body, but penetrated her soul.
Heather Dixon Wallwork (Entwined)
Alexander and Tatiana danced to their wedding song, unable this once to hide their intimacy from prying, idly curious eyes; their hands entwined, their bodies pressed together, they waltzed by the banks of the Kama in their Lazarevo clearing under the crimson moon, an officer in his Red Army uniform, a peasant girl in her wedding dress—her white dress with red roses—and when Tatiana lifted her glistening eyes to him, Alexander was looking down at her with his I’ll-get-on-the-busfor-you-anytime face. She couldn’t believe it—he bent his head and kissed her, openly and deeply, as they continued to swirl away the minutes of someone else’s wedding.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
I escape to my bedroom and feed my pet eels some chopped boiled eggs. Aphrodite and Adonis perform a graceful dance, entwining their bodies, capturing the food as it floats down like they're lovers catching snowflakes on their tongues.
A.G. Howard (Unhinged (Splintered, #2))
Raw emotions and the need to hold him close overwhelmed me. Every part of ached for him-my mind, my soul and my body. Without hesitation, i closed the gap between us and pressed my lips eagerly to his. Noah's hands were everywhere, my hair, my face, my back, and for the love of all things holy, my breasts. My hands roamed his glorious body just as greedily. After drugging me with delicious kisses for not nearly long enough, his warm lips skimmed my throat and kissed down the center of my breasts, causing me to arch my back and lose my ever loving mind. Without meaning to, i moaned and whispered his name when his hands wandered to my thighs and set my world and blood on fire. Noah eased me back into the bed and my hair sprawled all around me. "I love how you smell," he whispered as he suckled my earlobe. "I love how beautiful you are." I reclaimed his lips and hooked a leg around his as we moved in rhythm with each other. In between frantic kisses, i whispered the words, "I love you". Because i did. Noah listened to me. He made me laugh and he made me feel special. He was strong and warm and caring and...everything. I loved him. I loved him more than i'd ever loved another person in my life. Every muscle in my body froze when Noah stopped kissing and stare down at me with wide eyes. He caressed my cheek twice over and tilted his head. "Make love to me, Echo. I've never made love." No way. Noah's experienced reputation walked down the hallway before he did. "But..." Noah cut me off with a kiss. "Yes, but never love. Just girls who didn't mean anything" You..." His tongue teased my bottom lip, thawing my body. "Are everything. I got tested over winter break and i'm clean and i've got protection." He reached to the side of the bed and magically produced a small orange square. I froze again. Sensing my hesitation, Noah kissed my lips slowly while stroking my cheek. "And since break?" I asked. "There's been no one," he whispered against my lips. "I met you soon after and i could never think of touching anyone else." I loved him and we were together. I entwined my fingers in his hair and pulled his head back to mine, but the second his hand touched the waist of my jeans, my heart shook and my hands snapped out to stop him. "Please. Wait. Noah..." Oh, God, i was actually going to say it. "I'm a virgin." Now Noah froze. "But you were with Luke." A faint smile grew on my lips. I was typically the tongue-tied one and found it amusing to see him confused for once. "That's why we broke up. I wasn't ready." He shifted his body off of mine and tuckled me close against his warmth. I laid my head on his chest and listened to the comforting sound of his beating heart. Noah ran his hand through my hair. "I'm glad you told me. This needs to be right for you and i'll wait, for as long as you need.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night. Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible. So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming. I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me. He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm. After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck. I bit my lip. Alarm bells started going off in my head. Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?” I stammered, “I…you…I…slept just fine, thank you.” I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him. He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Don’t try to talk—just breathe. Another long, slow one…another. Good girl.” As Annabelle gradually recovered her breath, the panic began to fade. He was right…it was easier if she didn’t struggle. The sound of her fitful gasping was underlaid by the mesmerizing softness of his voice. “That’s right,” he murmured. “That’s the way of it.” His hand continued to move in a slow, easy rotation over her chest. There was nothing sexual in his touch—in fact, she might have been a child he was trying to soothe. Annabelle was amazed. Who would have ever dreamed that Simon Hunt could be so kind? Filled with equal parts of confusion and gratitude, Annabelle fumbled for the large hand that moved so gently on her chest. She was so feeble that the gesture required all her strength. Assuming that she was trying to push him away, Hunt began to withdraw, but as he felt her fingers curl around two of his, he went very still. “Thank you,” she whispered. The touch made Hunt tense visibly, as if the contact had sent a shock through his body. He stared not at her face but at the delicate fingers entwined with his, in the manner of a man who was trying to solve a complex puzzle. Remaining motionless, he prolonged the moment, his lashes lowering to conceal his expression.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
And another thing. Love is a temporary madness, it erupts like volcanos and then it subsides. And when it subsides you have to make a decision. You have to work out whether your roots have so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion, it is not lying awake at night imagining that he is kissing every cranny of your body. No, don’t blush, I am telling you some truths. That is just being “in love” which any fool can do. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident.
E.K. Blair (Author Anonymous)
literature composed by women was stored not in books but in female bodies, living repositories of poetry and song. I have come across a line of argument in my reading, which posits that, due to the inherent fallibility of memory and the imperfect human vessels that held it, the Caoineadh cannot be considered a work of single authorship. Rather, the theory goes, it must be considered collage, or, perhaps, a folky reworking of older keens. This, to me --- in the brazen audacity of one positioned far from the tall walls of the university --- feels like a male assertion pressed upon a female text. After all, the etymology of the word ‘text’ lies in the Latin verby ‘texere’: to weave, to fuse, to braid. The Caoineadh form belongs to a literary genre worked and woven by women, entwining strands of female voices that were carried in female bodies, a phenomenon that seems to me cause for wonder and admiration, rather than suspicion of authorship.
Doireann Ní Ghríofa (A Ghost in the Throat)
Most indigenous cultures also have elaborate theories about health and disease, seamlessly entwined with their mythological understanding of the universe and their place in it. Although the details vary, a frequent theme is that illness is caused by having too much or too little of a particular substance in the body.
Robert E. Adler (Medical Firsts: From Hippocrates to the Human Genome)
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
Dear Kai, The sun is probably streaming in through the big barn windows now, which means you're awake. And if you're awake, it means you're wondering where I went. I haven't run away from you, I promise. But I knew that today of all days, they'd need me in the house. Tatiana may be the head of our household now, but she's not the one our staff will look to in my mother's absence. And there is so much to do to prepare for the funeral. Also, I have to go tell my grandfather what has happened to his daughter. I don't want him to hear of her death from anyone but me. Thank you for last night. I wish I could say I don't know why you re the one I ran to,- you, Kai, not Tatiana or my father or even my grandfather. But I know why. And I have a confession to make. After you let me cry, after you let me sob and shout and choke on all that pain-after you did all that, and didn't say a word-I didn't fall asleep like you thought. Not right away. I lay there, wadded up into a ball, and you curved your body behind mine. You were barely touching me-your thigh against the edge of my hip, your arm draped lightly across my waist, your fingers entwined with mine. How many times have our hands touched, when we were passing each other tools or helping each other in and out of machines? Hundreds of times. Thousands. But last night was different. You cradled my hand in yours, palms up, our fingers curled in like a pair of fallen leaves. Fallen, maybe, but not dead. My hand never felt so alive. Every place you touched me sparked with energy. I couldn't sleep. Not like that. And so I bent my head, just the slightest bit, until my mouth reached our hands. I smelled the oil you never quite get off your fingers. I breathed in the scent of your skin. And then, as if that was all I was doing, just breathing, I let my bottom lip brush against your knuckle. Time stopped, I was sure you'd see through my ruse and pull away. I was sure you'd know that I was not asleep, that I was not just breathing. But you didn't move, so I did it again. And again. And in the third time, I let my top lip join my bottom. I kissed your hand, Kai. I didn't do it to thank you for letting me cry. For letting me sleep in your arms. I thought you should know. Yours, Elliot Dear Elliot, I know. When will I see you again? Yours, Kai
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
She woke to Terak's claws raking through her hair and her body deliciously sore, well-used in the best sense.
Danielle Monsch (Stone Embrace (Entwined Realms, #1.1))
Long nights with his lips against mine, my body entwined in his, our hearts wrapped in each other
Staci Hart (A Thousand Letters (The Austens, #2))
He had shielded Sarah with his body, but it hadn’t been enough. The heap of rubble had killed them both, hands entwined.
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
The second the door closed after him Laire started jumping, a huge smile on her face and her body shaking in repressed excitement. “I’ll go, I’ll go, I’ll go. You don’t even like the Oracle. Let me.” Before the first words were out of Laire’s mouth, Fallon started to shake her head, and as soon as the green-haired woman took a breath, Fallon used it as her opportunity to say, “No way.” “Please please please.” “Let me rephrase. No way in hell.” Laire stopped jumping, a small pout coming to her lips. How she had been able to prevent an ankle fracture while jumping on those spikes, Larissa would never know. “Why not?” “Because if they have an orgy going on, you’ll want to join. And if they don’t have an orgy going on, you’ll want to start one. I’ll take Aislynn with me.
Danielle Monsch (Stone Guardian (Entwined Realms, #1))
the Goddess of the Earth. The one who embraces the light of the Sun and the stars: entwining destiny with the patterns of nature. The one who is our body of flesh – and yearning to hold the light of our souls.
Tamara Rendell (Realm of the Stag King (Lunar Fire, #1))
Without the concern for the effect she might be having on the surroundings, she is able to relax into the sensation instead of resisting it. It is exquisite. It is the way she has felt in so many of his tents, the thrill of being surrounded by something wondrous and fantastical, only magnified and focused directly on her. The feel of his skin against hers reverberates across her entire body, though his fingers remain entwined in hers. She looks it up at him, caught in the haunting greenish-grey of his eyes again, and she does not turn away. They stand gazing at each other in silence for moments that seem to stretch for hours.
Erin Morgenstern (The Night Circus)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
The glow lasted through the night, beyond the bar's closing, when there were no cabs on the street. And so Mathilde and Lotto decided to walk home, her arm in his, chatting about nothing, about everything, the unpleasant, hot breath of the subway belching up from the grates. 'Chthonic', he said, booze letting loose the pretension at his core, which she still found sweet, an allowance from the glory. It was so late, there were few other people out, and it felt, just for this moment, that they had the city to themselves. She thought of all the life just underfoot, the teem of it that they were passing over, unknowing. She said, 'Did you know that the total weight of all the ants on Earth is the same as the total weight of all the humans on Earth.' She, who drank to excess, was a little bit drunk, it was true, there was so much relief in the evening. When the curtains closed against the backdrop, an enormous bolder blocking their future had rolled away. 'They'll still be here when we're gone,' he said. He was drinking from a flask. By the time they were home, he'd be sozzeled. 'The ants and the jellyfish and the cockroaches, they will be the kings of the Earth.'... 'They deserve this place more than we do,' she said. 'We've been reckless with our gifts.' He smiled and looked up. There were no stars, there was too much smog for them. 'Did you know,' he said, 'they just found out just a while ago that there are billions of worlds that can support life in our galaxy alone.' ...She felt a sting behind here eyes, but couldn't say why this thought touched her. He saw clear through and understood. He knew her. The things he didn't know about her would sink an ocean liner. He knew her. 'We're lonely down here,' he said, 'it's true, but we're not alone.' In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.
Lauren Groff (Fates and Furies)
I’m spending until dawn with you,” I said firmly. “Don’t bother to argue.” “God forbid,” said Jesse, solemn. I pushed past him into the cottage. He’d been waiting up for me, I could tell. There was a book spread facedown upon the table, a pair of lamps lit beside it. “I thought you said you were resting tonight. “Aye. I was. But then it occurred to me that the bed wasn’t nearly so comfortable without you. So I got up and hoped.” I crossed my arms over my chest and dug my toes into the soft nap of the rug. The cottage had been built within a protective circle of birches; even during the heat of the day, it was never very warm. “You hoped for me?” I asked, uncertain. Jesse came close, put his arms around me, and buried his face in my hair. “As always. As ever.” “And I came,” I whispered, closing my eyes, breathing him. The ache behind my forehead began to unbind. “And you came,” he agreed. And he summoned the magic that was all his own, beyond stars and starfire. A magic of mortal lips and hands, of bristly new whiskers scraping my chin, of melting kisses that made the whiskers unimportant. Our bodies entwined, or hearts. Our lives. I think that was the night a very quiet, very powerful part of me began to comprehend how it was going to be. I think the part of me that was magic, that had broken away from the practical earth to slip along Jesse’s celestial family of stars, to allow them to bind me in their spell… That part of me knew.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
People ask me: Why do you write about food? Why don't you write about the struggle for power and security, and about love, the way others do? They ask it accusingly, as if I were somehow gross, unfaithful to the honour of my craft. The easiest answer is to say that, like most other humans, I am hungry. But there is more than that. It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straighly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it...and then the warmth and richness and fine reality of hunger satisfied...and it is all one. I tell about myself and how I ate bread on a lasting hillside, or drank red wine in a room now blown to bits, and it happens without my willing it that I am telling too about the people with me then, and their other deeper needs for love and happiness. There is food in the bowl, and more often than not, because of what honesty I have, there is nourishment in the heart, to feed the wilder, more insistent hungers. We must eat. If, in the face of that dread fact, we can find other nourishment, and tolerance and compassion for it, we'll be no less full of human dignity. There is communion of more than our bodies when bread is broken and wine drunk. And that is my answer, when people ask me: Why do you write about hunger, and not wars or love?
M.F.K. Fisher (The Gastronomical Me)
In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.
Lauren Groff (Fates and Furies)
I thought of our cozy bed empty at home, remembered falling in love in New Haven twelve years earlier, surprised right away by how well our bodies and limbs fit together, and thought of how ever since, we’d both slept best when entwined. I hoped with all I had that he felt that same restful comfort now.
Paul Kalanithi (When Breath Becomes Air)
Before love, before loss, before we ever yearn to be something we are not, we are bodies breathing in space—-“turbulent, fleshy, sensual,” Walt Whitman once wrote. We are inescapably physical, drawn to the inescapably human. But if we are defined by our own bodies, we are entwined by the bodies of others.
Amy Ellis Nutt (Becoming Nicole: The Transformation of an American Family)
We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped as spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they near, casting off blue sparks, new stars, until they spin past each other. And then the long arms of both galaxies will reach longingly out and grasp hands at the last moment, and they will come spinning back in the opposite direction, their legs entwined but never hitting, until the second swirl becomes a clutch, a dip, a kiss. And then, at the very center of things, when they are at their closest, there will open a supermassive black hole. —
Lauren Groff (Fates and Furies)
arms went around his neck and back until their bodies were nothing more than a tangle of limbs that were too entwined to claim a single owner but were rather an extension of this new sweating, grunting, fucking creature they had created. Ellis, Giselle (2010-02-23). Take My Picture (Kindle Locations 1717-1719). Dreamspinner Press. Kindle Edition.
Giselle Ellis
He rid himself of his own pants, and unlike her, he was naked, his cock hard. He didn't shield himself, let himself be studied as she wished, but his eyes lost the mirth from before as he waited for her next move. Strange. When she approached him, she expected to have a moment's hesitation sometime during their play, a voice that would tell her this wasn't a good idea. Right now was a perfect time for that voice to show up, but her body only thrummed. She leaned up on her elbows, giving him an exaggerated once-over. "That thing looks more dangerous than what you show in the cage." And with that, the mirth was back, and all hardness in him was due to desire. "Wait until you see it in action." "Well, for that, I think you need to come closer.
Danielle Monsch (The Cage King (Entwined Realms, #1.5))
And even though body has entwined with body, vows have been whispered into the lover’s ears in the throws of unimaginable passion, there’s a pang still. One has not felt understood by the lover. And that is a different quality of loneliness. A constant dull hammering. Like static hum. Dissonance. Ultimately it translates into a plain inability to see the other’s view. We shout betrayal. We shift blame. We feel inadequate. When it is plain inability. So their intimacy has a narrow gap running across, like a rift between two continents and it’s only when you examine it from above, do you really see it. You realize that the gap could be the breadth of a hairline but it is deep. It’s darkness stretches all the way down into a free falling abyss.
Sakoon Singh
The only reaction Alexis could express to his response was: Mine. She pulled his neck lower, eager to feel his lips on hers, his warm mouth entwined with hers. He stroked her hunger with each brush of their lips, his body now laying on hers, kissing her until she wasn’t sure which way was up or down. Only, it didn’t stop with a kiss. Alexis knew it would never again stop with just a kiss.
Lindsay Chamberlin (The Shoreline (Following the Crest, #1))
The brain accounts for only 2 percent of the body’s volume, yet consumes 20 percent of the body’s energy. A pearly gray, gelatinous, three-pound universe, this exceptional organ can map parsecs and plot the whereabouts of distant galaxies measured in quintillions of light-years. The brain accomplishes this magic trick without ever having to leave its ensorcelled ovoid cranial shell. From minuscule-wattage electrical currents crisscrossing and ricocheting within its walls, the brain can reconstruct a detailed diorama of how it imagines the Earth appeared four billion years ago. It can generate poetry so achingly beautiful that readers weep, hatred so intense that otherwise rational people revel in the torture of others, and love so oceanic that entwined lovers lose the boundaries of their physical beings.
Leonard Shlain
As if ripping from the depths of the earth the knotted roots of a rare tree, that's how I write to you, and those roots as if they were powerful tentacles like voluminous naked bodies of strong women entwined by serpents and by carnal desires for fulfillment, and all this is the prayer of a black mass, and a creeping plea for amen: because the bad is unprotected and needs the approval of God: that is creation.
Clarice Lispector
How are things going with your brothers?” “The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.” “That is awesome!” “Yeah.” “What’s wrong?” “Carrie and Joe hired a lawyer and I lost visitation.” Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry." I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law." "Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls." I lowered my voice. "Not that it matters. I only care what one girl thinks about me." She relaxed her fingers into mine and stroked her thumb over my skin. Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?” “No.” If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.” Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.” “Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better. I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.” “I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.” “That’s awesome, Echo. Sounds like you’re fitting into your future perfectly. Where did you decide to go to school?” “I don’t know if I’m going to school.” Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know? You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?” My damned little siren laughed at me. “I see your language has improved.” Poof—like magic, the anger disappeared. “If you’re not going to school, then what are your plans?” "I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.” “I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?” Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.” "I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
She is beneath me, her ocean eyes terrified as I pin her scim arm down. Our bodies are entangled, entwined, but Helene is foreign to me suddenly, unknowable as the heavens. I tear a dagger from my chest, and my blood roars as my fingers touch the cold hilt. She knees me and grabs her scim, determined to finish me before I can finish her. I’m too fast. I lift the dagger high, my rage peaking, holding like the highest note of a mountain storm. And then I bring the blade down.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
Todd wrapped his arm around her. They stood together in silent awe, watching the sunset. All Christy could think of was how this was what she had always wanted, to be held in Todd's arms as well as in his heart. Just as the last golden drop of sun melted into the ocean, Christy closed her eyes and drew in a deep draught of the sea air. "Did you know," Todd said softly, "that the setting sun looks so huge from the island of Papua New Guinea that it almost looks like you're on another planet? I've seen pictures." Then, as had happened with her reflection in her cup of tea and in her disturbing dream, Christy heard those two piercing words, "Let go." She knew what she had to do. Turning to face Todd, she said, "Pictures aren't enough for you, Todd. You have to go." "I will. Someday. Lord willing," he said casually. "Don't you see, Todd? The Lord is willing. This is your 'someday.' Your opportunity to go on the mission field is now. You have to go." Their eyes locked in silent communion. "God has been telling me something, Todd. He's been telling me to let you go. I don't want to, but I need to obey Him." Todd paused. "Maybe I should tell them I can only go for the summer. That way I'll only be gone a few months. A few weeks, really. We'll be back together in the fall." Christy shook her head. "It can't be like that, Todd. You have to go for as long as God tells you to go. And as long as I've known you, God has been telling you to go. His mark is on your life, Todd. It's obvious. You need to obey Him." "Kilikina," Todd said, grasping Christy by the shoulders, "do you realize what you're saying? If I go, I may never come back." "I know." Christy's reply was barely a whisper. She reached for the bracelet on her right wrist and released the lock. Then taking Todd's hand, she placed the "Forever" bracelet in his palm and closed his fingers around it. "Todd," she whispered, forcing the words out, "the Lord bless you and keep you. The Lord make His face to shine upon you and give you His peace. And may you always love Jesus more than anything else. Even more than me." Todd crumbled to the sand like a man who had been run through with a sword. Burying his face in his hands, he wept. Christy stood on wobbly legs. What have I done? Oh, Father God, why do I have to let him go? Slowly lowering her quivering body to the sand beside Todd, Christy cried until all she could taste was the salty tears on her lips. They drove the rest of the way home in silence. A thick mantle hung over them, entwining them even in their separation. To Christy it seemed like a bad dream. Someone else had let go of Todd. Not her! He wasn't really going to go. They pulled into Christy's driveway, and Todd turned off the motor. Without saying anything, he got out of Gus and came around to Christy's side to open the door for her. She stepped down and waited while he grabbed her luggage from the backseat. They walked to the front door. Todd stopped her under the trellis of wildly fragrant white jasmine. With tears in his eyes, he said in a hoarse voice, "I'm keeping this." He lifted his hand to reveal the "Forever" bracelet looped between his fingers. "If God ever brings us together again in this world, I'm putting this back on your wrist, and that time, my Kilikina, it will stay on forever." He stared at her through blurry eyes for a long minute, and then without a hug, a kiss, or even a good-bye, Todd turned to go. He walked away and never looked back.
Robin Jones Gunn (Sweet Dreams (Christy Miller, #11))
I don’t know her memories, I don’t know her thoughts, but it’s as if I can peek into her heart and know her, just as she will know me. If she were to turn from me now, I would not bear it. I need her. Without her I cannot exist, because I am no longer an independent entity. I am hers, body and soul, just as it is with every soul-binding. She is my light, she is my air, she is the heart, the soul, the essence – she is home. I may not want to feel this way but the binding has entwined us in an unshakable bond that no being can tear apart.
Giselle Simlett (Girl of Myth and Legend (The Chosen Saga #1))
Thus spoke the Beauty and her voice had a cheerful ring, and her face was aflame with a great rejoicing. She finished her story and began to laugh quietly, but not cheerfully. The Youth bowed down before her and silently kissed her hands, inhaling the languid fragrance of myrrh, aloe and musk which wafted from her body and her fine robes. The Beauty began to speak again. 'There came to me streams of oppressors, because my evil, poisonous beauty bewitches them. I smile at them, they who are doomed to death, and I feel pity for each of them, and some I almost loved, but I gave myself to no one. Each one I gave but one single kiss — and my kisses were innocent as the kisses of a tender sister. And whomsoever I kissed, died.' The soul of the troubled Youth was caught in agony, between two quite irresolvable passions, the terror of death and an inexpressible ecstasy. But love, conquering all, overcoming even the anguish of death's grief, was triumphant once again today. Solemnly stretching out his trembling hands to the tender and terrifying Beauty, the Youth exclaimed, 'If death is in your kiss, o beloved, let me revel in the infinity of death. Cling to me, kiss me, love me, envelop me with the sweet fragrance of your poisonous breath, death after death pour into my body and into my soul before you destroy everything that once was me!' 'You want to! You are not afraid!' exclaimed the Beauty. The face of the Beauty was pale in the rays of the lifeless moon, like a guttering candle, and the lightning in her sad and joyful eyes was trembling and blue. With a trusting movement, tender and passionate, she clung to the Youth and her naked, slender arms were entwined about his neck. 'We shall die together!' she whispered. 'We shall die together. All the poison of my heart is afire and flaming streams are rushing through my veins, and I am all enveloped in some great holocaust.' 'I am aflame!' whispered the Youth, 'I am being consumed in your embraces and you and I are two flaming fires, burning with the immense ecstasy of a poisonous love.' The sad and lifeless moon grew dim and fell in the sky — and the black night came and stood watch. It concealed the secret of love and kisses, fragrant and poisonous, with gloom and solitude. And it listened to the harmonious beating of two hearts growing quieter, and in the frail silence it watched over the final delicate sighs. And so, in the poisonous Garden, having breathed the fragrances which the Beauty breathed, and having drunk the sweetness of her love so tenderly and fatally compassionate, the beautiful Youth died. And on his breast the Beauty died, having delivered her poisonous but fragrant soul up to sweet ecstasies. ("The Poison Garden")
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
I know what this is," he whispers, his voice faint above the music. I've known it from that first night I saw you at the show, but now there's no doubt in my mind." My gaze is entwined with his. Our eyes are locked and the key is gone. My heart feels full in my chest, heavy but in a good way. "It's love," he says, letting the words slip freely from his mouth. And when they do, they fill the air and multiply like musical notes in a cartoon. "Love," I say as the record crackles and skips. "Love," he whispers back, weaving his fingers in mine. And when I set my head on his pillow, and our bodies become one, for the first time in my life I feel as if everything in this crazy, complicated world makes complete and utter sense.
Sarah Jio (Always)
Will you be there waiting for me every night, in our cottage?" he murmured. She nodded, leaning against him. McKenna's bristly black lashes lowered until they cast shadows on his cheeks. "And you'll scrub my back when I'm tired and dusty from the field?" Aline pictured his large, powerful body lowering into a wooden tub... his pleasured sigh at the heat of the water... his bronzed back shining in the firelight. "Yes," she breathed. "And then you can soak while I hang the stew pot over the fire, and I'll tell you about the argument I had with the miller, who didn't give me enough flour because his scale was weighted." McKenna laughed softly while his fingertip skimmed lightly along her throat. "The cheat," he murmured, his eyes sparkling. "I'll speak with him tomorrow- no one tries to fleece my wife and gets away with it. In the meantime, let's go to bed. I want to hold you all night long." The thought of being tucked in a cozy bed with him, their naked bodies entwined, made Aline tremble with longing. "You'll probably fall asleep as soon as your head touches the pillow," she said. "Farming is hard work- you're exhausted." "Never too tired to love you." His arms slid around her, and he hunched over to nuzzle the curve of her cheek. His lips were like hot velvet as he whispered against her skin. "I'm going to kiss you from your head to your toes. And I won't stop until you're crying for me, and then I'll pleasure you until you're weak from my loving.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
She and Roman would survive this war. They would have the chance to grow old together, year by year. They would be friends until they both finally acknowledged the truth. And they would have everything that other couples had—the arguments and the hand-holding in the market and the gradual exploration of their bodies and the birthday celebrations and the journeys to new cities and the living as one and sharing a bed and the gradual sense of melting into each other. Their names would be entwined—Roman and Iris or Winnow and Kitt because could you truly have one without the other?—and they would write on their typewriters and ruthlessly edit each other’s pieces and read books by candlelight at night. She wanted him. Leaving him behind in the trenches wasn’t even a possibility.
Rebecca Ross (Divine Rivals (Letters of Enchantment #1))
IN THE HAZY SPACE after he died, when she lived in a sort of timeless underground grief, she saw on the Internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped as spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they near, casting off blue sparks, new stars, until they spin past each other. And then the long arms of both galaxies will reach longingly out and grasp hands at the last moment, and they will come spinning back in the opposite direction, their legs entwined but never hitting, until the second swirl becomes a clutch, a dip, a kiss. And then, at the very center of things, when they are at their closest, there will open a supermassive black hole. —
Lauren Groff (Fates and Furies)
Every idea in this book runs against our natural tendency to want to relax, take it easy, reward ourselves for decades of work and childrearing. Our default mode at midlife is entropy. The default is not destiny, and on this, the research is unequivocal: for every fork in the road, you are almost invariably better off making the harder choice. Harder in the moment, that is, but easier over the years, as your body and mind remain strong. By resisting entropy, but pushing through the inertia the beckons us to rest a little longer, to slow down just a notch, until your life has narrowed to a pinprick – by resisting those forces, you dramatically up the odds that your life will be rich to your final breath, deeply entwined with family and friends, engaged in intellectual pursuits, and infused with a purpose that extends beyond yourself. Yes, it's hard. Yes, it's worth it.
Barbara Bradley Hagerty (Life Reimagined: The Science, Art, and Opportunity of Midlife)
I want to do this right,” he said. “Wha—?” I went to protest, but he stopped me before I could. “Gemma, trust me when I say I want nothing more than to kiss you. Hell, I’d love to take you right now, right here, but I can’t.” Well, this was not where I saw things going. I crossed my arms over my chest in a pitiful attempt at mock sadness. Ben just laughed. “Do you know why I can’t?” Obviously not, I thought to myself. If I had, I wouldn’t have been begging for him to continue. Lying this close to him? It was hard to forget what had just occurred. My body was aching for his presence, for his touch, still adjusting to the electric shock that had coursed through me. “No,” I answered. “Please, enlighten me.” Ben reached for my hand, entwining my fingers with his. A devilish grin spread upon his full lips. “Because, when I do finally kiss you, Gemma Michaels, I want to see to it that I’m your last first kiss.
Nicole Sobon (Collide (The Collide Series Book 1))
How strange and delicious it was to sit here like this, entwined and filled, while sea breezes rustled through the marram grass on the dunes and quiet waves lapped at the shore. Eventually Keir lifted his head, his eyes very light in his flushed face. "Put your legs around my waist," he said. He helped to rearrange her limbs until they were pressed together closely in a seated embrace, with his bent knees supporting her. It was surprisingly comfortable, but didn't permit much movement. Instead of thrusting, they were limited to a rocking motion that allowed only an inch or two of his length to withdraw and plunge. "I don't think this is going to work," Merritt said, her arms looped around his neck. "Be patient." His mouth sought hers in a warm, flirting kiss. One of his hands searched beneath her skirts to settle on her naked bottom, pulling her forward as they rocked rhythmically. Feeling awkward, but also having fun, Merritt experimented by bracing her feet on the ground and pushing to help their momentum. The combination of pressure and movement had a stunning effect in her. Every forward pitch brought her weight fully onto him, in deep steady nudges that sent bolts of pure erotic feeling through every nerve pathway. The tension was building, compelling her toward a culmination more intense than anything she'd ever felt. She couldn't drive herself hard onto the heavy shaft, her body taking every inch and clenching frantically on each withdrawal as if trying to keep him inside. Nothing mattered except the rhythmic lunges that pumped more and more pleasure into her. Keir's breath hissed through his teeth as he felt her electrified response, the cinch of her intimate muscles. His hand gripped over her bottom, pulling her onto him again, again, again, until the relentless unfaltering movement finally catapulted her into a climax that was like losing consciousness, blinding her vision with a shower of white sparks and extinguishing every rational thought.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Your character and soul, intelligence and creativity, love and experiences, goodness and talents, your bright and lovely self are entwined with your body, and she has delivered the whole of you to this very day. What a partner! She has been a home for your smartest ideas, your triumphant spirit, your best jokes. You haven’t gotten anywhere you’ve ever gone without her. She has served you well. Your body walked with you all the way through childhood—climbed the trees and rode the bikes and danced the ballet steps and walked you into the first day of high school. How else would you have learned to love the smell of brownies, toasted bagels, onions and garlic sizzling in olive oil? Your body perfectly delivered the sounds of Stevie Wonder, Whitney Houston, and Bon Jovi right into your memories. She gave you your first kiss, which you felt on your lips and in your stomach, a coordinated body venture. She drove you to college and hiked the Grand Canyon. She might have carried your backpack through Europe and fed you croissants. She watched Steel Magnolias and knew right when to let the tears fall. Maybe your body walked you down the aisle and kissed your person and made promises and threw flowers. Your body carried you into your first big interview and nailed it—calmed you down, smiled charmingly, delivered the right words. Sex? That is some of your body’s best work. Your body might have incubated, nourished, and delivered a whole new human life, maybe even two or three. She is how you cherish the smell of those babies, the feel of their cheeks, the sound of them calling your name. How else are you going to taste deep-dish pizza and French onion soup? You have your body to thank for every good thing you have ever experienced. She has been so good to you. And to others. Your body delivered you to people who needed you the exact moment you showed up. She kissed away little tears and patched up skinned knees. She holds hands that need holding and hugs necks that need hugging. Your body nurtures minds and souls with her presence. With her lovely eyes, she looks deliberately at people who so deeply need to be seen. She nourishes folks with food, stirring and dicing and roasting and baking. Your body has sat quietly with sad, sick, and suffering friends. She has also wrapped gifts and sent cards and sung celebration songs to cheer people on. Her face has been a comfort. Her hands will be remembered fondly—how they looked, how they loved. Her specific smell will still be remembered in seventy years. Her voice is the sound of home. You may hate her, but no one else does.
Jen Hatmaker (Fierce, Free, and Full of Fire: The Guide to Being Glorious You)
You're in there somewhere." He tapped at her collarbone. "You'll pop out again when-Well,when the time is right. But for now,you've slipped entirely inside your past. Like a cute little turtle in a borrowed shell.Except it's more than that.When you're in Lys's body, your very beings are entwined, so all sorts of good stuff comes with the package.Her memories,her passions,her manners-lucky for you.Of course,you also have to grapple with her shortcomings.This one,if I recall,puts her foot in her mouth with some regularity.So watch out." "Amazing," Luce whispered. "So if I could just find Daniel,I'd be able to feel exactly what she feels toward him." "Sure,I guess,but you do realize that once I snap my fingers,Lys has obligations at this ball that don't include Daniel.This isn't really his scene,and by that I mean,no way the guards would let a poor stable boy in here." Luce didn't care about any of that. Poor stable boy or not,she would find him. She couldn't wait. Inside Lys's body she could even hold him, maybe even kiss him.The anticipation of it was almost overwhelming. "Hello?" Bill flicked a hard finger against her temple. "You ready yet? Get in there,see what you can see-then get out while the getting's good, if you know what I mean." Luce nodded.She straightened Lsys's black gown and held her head a little higher. "Snap to it." "And...go." Bill snapped his fingers.
Lauren Kate (Passion (Fallen, #3))
The helix contains two intertwined strands of DNA. It is "right-handed"-twisting upward as if driven by a right-handed screw. Across the molecule, it measures twenty-three angstroms-one-thousandth of one-thousandth of a millimeter. One million helices stacked side by side would fit in this letter: o. the biologist John Sulston wrote, "We see it as a rather stubby double helix, for they seldom show its other striking feature: it is immensely long and thin. In every cell in your body, you have two meters of the stuff; if we were to draw a scaled-up picture of it with the DNA as thick as sewing thread, that cell's worth would be about 200 kilometers long." Each strand of DNA, recall, is a long sequence of "bases"-A,T,G,and C. The bases are linked together by the sugar-phosphate backbone. The backbone twists on the outside, forming a spiral. The bases face in, like treads in a circular staircase. The opposite strand contains the opposing bases: A matched with T and G matched with C. Thus, both strands contain the same information-except in a complementary sense: each is a "reflection," or echo, of the other (the more appropriate analogy is a yin-and-yang structure). Molecular forces between the A:T and G:C pairs lock the two strands together, as in a zipper. A double helix of DNA can thus be envisioned as a code written with four alphabets-ATGCCCTACGGGCCCATCG...-forever entwined with its mirror-image code.
Siddhartha Mukherjee (The Gene: An Intimate History)
When he saw narcissus flowers dappled with sunlight, he knew. Fates, he thought, why now? The dream, repeated throughout the aeons of his rule, hadn't manifested for centuries. But this past fortnight, every time he shut his eyes, there she was- lying entwined with him in a shaded grove, with flowers growing all around them. Her face was hidden- it was always hidden. He got teasing glimpses: a flash of russet hair, his hand on her flared hips, her flower-trimmed ankles brushing against his shins, her soft fingers dancing across his skin. Her hand brushed across his chest and down his stomach. He closed his eyes, felt her breath on his cheek, and heard her whisper his familiar name into his ear. Aidon... He turned and captured her lips in a kiss, tasting distant memories of sunlight and heady new life springing from the earth. He could not see her, but he knew it was her- his unknown betrothed- that haunted his dreams. It was her that inexorably drew him to this shaded bed of white and yellow-trumpeted flowers time and time again. Her fingers tangled in his hair and he carefully rolled over her... Aidon... His pulse quickened as she encircled him in her arms, drawing him closer and covering her supine body with his. He grew hungry for her, giving in to the delights of skin upon skin, his mouth upon hers. The dream was always like this. He would caress her, she would kiss him, their hands, their mouths demanding more. These motions were familiar- their dance repeated across the aeons. My lord husband, she said within his very thoughts. Come to me... Find me, Aidoneus.
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
I refer, of course, to the theory that Plato in his Symposium puts into the mouth of Aristophanes and which deals not only with the origin of the sexual instinct but also with its most important variations in relation to the object. Human nature was once quite other than now. Originally there were three sexes, three and not as to-day two: besides the male and the female there existed a third sex which had an equal share in the two first . . . . In these beings everything was double: thus, they had four hands and four feet, two faces, two genital parts, and so on. Then Zeus allowed himself to be persuaded to cut these beings in two, as one divides pears to stew them. . . . When all nature was divided in this way, to each human being came the longing for his own other half, and the two halves embraced and entwined their bodies and desired to grow together again.‘36 Are we to follow the clue of the poet-philosopher and make the daring assumption that living substance was at the time of its animation rent into small particles, which since that time strive for reunion by means of the sexual instincts? That these instincts—in which the chemical affinity of inanimate matter is continued—passing through the realm of the protozoa gradually overcome all hindrances set to their striving by an environment charged with stimuli dangerous to life, and are impelled by it to form a protecting covering layer? And that these dispersed fragments of living substance thus achieve a multicellular organisation, and finally transfer to the germ-cells in a highly concentrated form the instinct for reunion? I think this is the point at which to break off.
Sigmund Freud (Beyond the Pleasure Principle)
I refer, of course, to the theory that Plato in his Symposium puts into the mouth of Aristophanes and which deals not only with the origin of the sexual instinct but also with its most important variations in relation to the object. Human nature was once quite other than now. Originally there were three sexes, three and not as to-day two: besides the male and the female there existed a third sex which had an equal share in the two first . . . . In these beings everything was double: thus, they had four hands and four feet, two faces, two genital parts, and so on. Then Zeus allowed himself to be persuaded to cut these beings in two, as one divides pears to stew them. . . . When all nature was divided in this way, to each human being came the longing for his own other half, and the two halves embraced and entwined their bodies and desired to grow together again.‘36 Are we to follow the clue of the poet-philosopher and make the daring assumption that living substance was at the time of its animation rent into small particles, which since that time strive for reunion by means of the sexual instincts? That these instincts—in which the chemical affinity of inanimate matter is continued—passing through the realm of the protozoa gradually overcome all hindrances set to their striving by an environment charged with stimuli dangerous to life, and are impelled by it to form a protecting covering layer? And that these dispersed fragments of living substance thus achieve a multicellular organisation, and finally transfer to the germ-cells in a highly concentrated form the instinct for reunion? I think this is the point at which to break off.
Sigmund Freud (Beyond the Pleasure Principle)
This was certainly a fitting end to Valentine’s Day.” She slanted him a glance. “Tell me, was it really just chance that you drew my name at the ball?” “What do you think?” “I don’t know. Celia told me on the way home that she thought it was Fate.” He arched one eyebrow. “Only if Fate’s helper is the Duke of Foxmoor. He rigged the drawing for me.” To his surprise, she laughed. “You ought to be ashamed of yourself! I thought perhaps you’d spotted my name by chance, but deliberately cheating…You have no principles whatsoever, do you?” “Not where you’re concerned,” he said. That answer seemed to please her. Reassured of her ability to bewitch him, she stretched beside him like a cat, her full breasts moving enticingly under the sheet. It roused him instantly. “I wouldn’t do that if I were you, my dear.” “Do what?” Her gaze was full of curiosity. “Display yourself so deliciously. Or I’m going to make love to you again.” A coy smile tipped up her lips. “Are you really?” She slid up next to him, her hand drawing a line down his bare chest in a motion worthy of the most experienced courtesan. He caught her hand. “I mean it, minx. Don’t tempt me. I’ll have you on your back so fast you won’t know what happened.” “And what would be wrong with that?” He entwined his fingers with hers. Why couldn’t he stop touching her? “It was your first time. Your body needs to rest.” “Oh.” She frowned. “I suppose I am a little sore.” She cast him a teasing glance. “Who could have known that making love would be so…vigorous? Or addictive?” “You have no idea.” Already his cock was rock hard beneath the sheet. “But after we’re married, I’ll be happy to add to your store of experience.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Love is a temporary madness, it erupts like volcanoes and then subsides. And when it subsides, you have to make a decision. You have to work out whether your roots have so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion, it is not the desire to mate every second minute of the day, it is not lying awake at night imagining that he is kissing every cranny of your body. No, don’t blush, I am telling you some truths. That is just being “in love”, which any fool can do. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident.
Louis de Bernières
The Deepest Night* As we lay asleep within our suspended animation chambers - living coffins our thoughts chase each other as they entwine together With our bodies separated by a transparent aluminum partition our minds connected telepathically hug and kiss as we continue to love each other At the end of our thousand lightyear journey when our bodies awake - thaw out - become warm again within each others arms We’ll find ourselves our passions burning all the hotter forever brighter into a supernova our love shall blossom within the deepest night Copyright David M. Green 2014
David M. Green
They were a tangle of limbs on the bed, limbs and f lesh and bodies entwined so fully, joined so deeply, that it was as if they were sealed together. The heat had melted and merged them. They weren’t even human now, but sex in its rawest, purest form.
Anonymous
Sam started to move away, and she pulled him closer. "Where are you going?" she asked. "Shhh," he said. "I'm just going to grab the blanket and turn out the light. I'll be right back." Bella chuckled sleepily and waved her right hand. The blanket lifted off the back of the chair where she'd left it and came slowly sailing across the room to drape itself over their entwined bodies. A snap of her fingers and the single lamp in the kitchen went out. Sam blinked in the sudden darkness. "You're a very handy woman to have around," he said. "You have no idea," she replied, and proceeded to demonstrate that she wasn't quite as tired as he'd thought.
Deborah Blake (Wickedly Powerful (Baba Yaga, #3))
I had the feeling I always have when God and death become entwined—that God is stepping in to steal the thunder of a human affair, a glorious union of flesh and blood, the miracle of two bodies making a new life out of love, a strictly human life that, like all lives, can end only in death. Human love. Human death. What’s that got to do with God? Outside,
Jan Ellison (A Small Indiscretion)
Be careful!” Deep caught her by the arm. “Are you all right?” he asked frowning. “Still weak?” “A little weak but I’m fine,” Kat assured him. “Perhaps I should assist you, just in case.” Lock came up on her other side and took her hand. “A good idea, Brother,” Deep said, letting her go at once. “Be certain she doesn’t trip—the ground here is treacherous.” “Yes, it’s very dangerous.” Kat reached for the dark twin and took him by the hand. She saw Deep’s startled look as she entwined their fingers and she gave him a tentative smile in return. “So dangerous that I need both of you to help me.” “If you’re certain…” Deep looked down at their hands as though he couldn’t believe she was touching him when she didn’t have to. Kat could scarcely believe it herself. Now that all three of them were touching skin-to-skin, she could feel the familiar tingle of sexual electricity traveling through her body. But strangely enough, she had no urge to pull away and end it as she always had before. Instead she held both brothers’ hands tightly and smiled at both of them as they exited the cave. It
Evangeline Anderson (Sought (Brides of the Kindred, #3))
Surrounding you? Do you mean the way we were standing?” “Exactly.” Kat nodded. “I don’t like that. It makes me…nervous.” “But that’s the traditional grouping for a joining,” Lock protested. “The finder in the front, the seeker in the back, and the focus in the middle. Sometimes the finder and seeker switch places, but the focus must always be between them.” “We’re usually lying down when we do a joining,” Deep added. “But we thought you’d be more comfortable standing up.” “Oh, uh…” Kat cleared her throat. “Well yes, standing is better than…it’s definitely better. But…we don’t have to touch each other, do we?” “Skin to skin contact generally makes the joining better and more effective,” Lock said gently. “But we don’t have to remove any clothing if you’d rather not. We can just hold hands.” Coming to stand in front of Kat again, he held out a hand. Hesitantly, Kat took it. It was warm and large and enveloped hers completely. “See?” Lock smiled. “That’s not so bad, is it?” She smiled back. “No, not bad at all.” “Good, then it’s my turn.” Deep moved up behind her again and Kat could feel him looming over her in a way that felt almost predatory. Taking a deep breath, she reached behind her with her free hand. “Here.” “I prefer it like this.” Deep wound an arm around the front of her body and took her hand. Entwining their fingers, he rested his chin on the top of her head. “So much nicer this way.” Kat wanted to answer but she was frozen to the spot. From the moment Deep had taken her hand in his own, a strange sensation had started inside her. It
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
Good to know—now I have twice as much reason not to get physical. Because I am not interested in being the filling in your sex sandwich—I’m only here to do the uh, joining. So you can stop it with the whole surrounding me thing.” Lock shook his head. “Surrounding you? Do you mean the way we were standing?” “Exactly.” Kat nodded. “I don’t like that. It makes me…nervous.” “But that’s the traditional grouping for a joining,” Lock protested. “The finder in the front, the seeker in the back, and the focus in the middle. Sometimes the finder and seeker switch places, but the focus must always be between them.” “We’re usually lying down when we do a joining,” Deep added. “But we thought you’d be more comfortable standing up.” “Oh, uh…” Kat cleared her throat. “Well yes, standing is better than…it’s definitely better. But…we don’t have to touch each other, do we?” “Skin to skin contact generally makes the joining better and more effective,” Lock said gently. “But we don’t have to remove any clothing if you’d rather not. We can just hold hands.” Coming to stand in front of Kat again, he held out a hand. Hesitantly, Kat took it. It was warm and large and enveloped hers completely. “See?” Lock smiled. “That’s not so bad, is it?” She smiled back. “No, not bad at all.” “Good, then it’s my turn.” Deep moved up behind her again and Kat could feel him looming over her in a way that felt almost predatory. Taking a deep breath, she reached behind her with her free hand. “Here.” “I prefer it like this.” Deep wound an arm around the front of her body and took her hand. Entwining their fingers, he rested his chin on the top of her head. “So much nicer this way.” Kat wanted to answer but she was frozen to the spot. From the moment Deep had taken her hand in his own, a strange sensation had started inside her. It
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
He walked into the bedchamber and inhaled the heady aroma of their recent lovemaking. At least he still had that part of her. Ian frowned. But for how long? How long before she followed the example of many a jaded society matron and took a lover? He clenched his fists at the thought of her delectable body entwined with another man’s. For some reason, his agony increased at the thought of her laughing with another and sharing her delightful wit… of her gypsy eyes locked on another with all her passion. He grabbed a pillow from the bed and threw it at the wall with such force that the soft object exploded. He would have that passion back. As feathers drifted around him like a blizzard, Ian vowed that he would give her nights that she wouldn’t forget. ***
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
Gideon Cross. Just thinking of his name sent a heated flare of longing through my tightly strung body. From the moment I first saw him—saw through his stunning and impossibly gorgeous exterior to the dark and dangerous man inside—I’d felt the pull that came from finding the other half of myself. I needed him like I needed my heart to beat, and he’d put himself in great jeopardy, risking everything—for me.
Sylvia Day (Entwined with You (Crossfire, #3))
And Mary and the Church both, like You, labor for the world. Mary's labor figures, reveals, and clarifies the Church's own labor. The Church, like Mary labors to bear divine presence into the world. The Church, like Mary, participates in Your new creation and hearkens to Your first. In the figure of Mary, creation, church, and pregnancy all entwine as images of one another. A pregnant woman's body, the Church expectant, and You, the womb of creation, all come together in the image of pregnancy.
Natalie Carnes (Motherhood: A Confession)
He kissed her legs until neither of them wore anything. And the hawk now perched in a tree in the woodlot could see an imprecise circle of flattened green wheat and two bodies entwined until late in the afternoon when it began to rain again. The man tried to cover the girl with the coat but she stood up, did a dance and drank more wine. Such simple events last lovers a long time. Scarcely anyone can turn their backs on the best thing that has happened to them. So she went to California for the summer and he retrieved her for the last year of school in the fall after a hundred letters both ways.
Jim Harrison (Legends of the Fall)
Our stars are entwined,' said Casanunda. 'We're fated for one another. I wants your body, Mrs Ogg.' 'I'm still using it.
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
When my daughters left my body at birth, their roots remained behind, entwined in the flesh of my heart, wrapping tighter and deeper as they grew tall and strong in the light of the world. The blood in my veins sang their names with each heartbeat, and I did not know how to survive being torn from them.
Danielle Teller (All the Ever Afters: The Untold Story of Cinderella’s Stepmother)
I watched them wrap him tenderly, entwining his body in clean linen, swaddled as I once swaddled his infant frame, enwrapped as he daily wrapped himself in his shawl of prayer, from heaven to earth...from earth to heaven... born and born and born again, light of God wrapped in flickering mystery.
Ann Johnson (Miryam of Judah: Witness in Truth and Tradition)
The woman walked into the bar for the first time in the winter rain. She didn’t have an umbrella on her; her little sleeveless dress ended at her ankles, fully drenched. Her wet dress clung to her body, showing the outlines of her curves. In one hand, she was carrying the skirt of her dress. Suddenly, she let it go, and one long, bare arm moved upward as she tried to fix her damp hair which had darkened in intensity due to the rain. It fell past her shoulders, the strands sticking to her face. She attempted to comb through the tangles with her fingertips. The men watched her movements hungrily, their eager faces drawn to her and at the sight of someone new. Their eyes trailed from her face, to her wet body, then back to the movements of her hands entwined in her hair. Under her other arm, she carried a book and a trench coat. It appeared strange she wasn't wearing the coat when it was pouring outside and freezing in the middle of November. Men were left mesmerized by her, and she turned heads as she walked by. Something radiated from within her, drawing the men around her in. The women who were with some of these men noticed their gaze on the unfamiliar woman. Now they stared at her with jealousy and anger. Who is she? they wondered.
Beena Khan (The Name of Red (Red, #1))
That's a bit deep, Oh, I don't understand it myself really, it just came to me, pay no attention, Let's go to bed, All right. They got undressed and lay down. The moment for caresses came back into the room and apologized for having spent so much time outside, I got lost, it said, by way of an excuse, and suddenly, as sometimes happens with moments, it became eternal. A quarter of an hour later, their bodies still entwined, Marta said softly, Marçal, What is it, he asked sleepily, I'm two days late.
José Saramago (The Cave)
Emotion is a complex thing, the different strands entwine themselves so deeply with one another. Regret, sorrow, heartbreak, these dark, twisted threads can bind so thoroughly with the glimmering golden threads of love, joy, and hope. They tie themselves to one another so thoroughly, so completely, that a person cannot tell where one emotion ends and another begins. The result is that you are left feeling numb, unable to comprehend the intricacies of this tapestry of emotion. Tears of pure sorrow leaking from your eyes even as your lips smile in joy. It is then that we become the two face, as our heart is split asunder so does our expressions, so does our mind. Leaving us feeling like a broken vessel, hollow and empty, the bubbling, complex emotions no longer able to be contained within our frail, flawed bodies.
Ariel L Hodge
Emotion is a complex thing, the different strands entwine themselves so deeply with one another. Regret, sorrow, heartbreak, these dark, twisted threads can bind so thoroughly with the glimmering golden threads of love, joy, and hope. They tie themselves to one another so thoroughly, so completely, that a person cannot tell where one emotion ends and another begins. The result is that you are left feeling numb, unable to comprehend the intricacies of this tapestry of emotion. Tears of pure sorrow leaking from your eyes even as your lips smile in joy. It is then that we become the two face, as our heart is split asunder so does our expressions, so does our mind. Leaving us feeling like a broken vessel, hollow and empty, the bubbling, complex emotions no longer able to be contained within our frail, flawed bodies.
Ariel L. Hodge
Building In Galicia's Palas de Rei, Palas crops and gardens the passing years, in building gaps groom and blooms stemming drear, to landed owner's songs of gloom, the ghosts of rooms between plants of pardon, people harden, passing near. Through the sap and gap of days weeds and fungi hold fast the locks, abandoned smock and broken chair to carpet night, darkness times the fevered lovers entwined as vines, to plants of pardon, plants of garden, tender near. Another clock, another block, another fear, twisted roads, leering lanes known by ear, builder turns the soil with spades and hearts, planting seeds for next the diamond days, to plants of pardon, plants of garden, lime and lemon harvest near. Conceding folly, town so jolly when pilgrims here, bodies, packs and lasting shells sincere, to alberge heating, rise and fall the mugs of beer, to children playing 'Tomorrow' riding near plants of pardon, plants of garden, building here.
Garry Robert McDougall
Toquet, it is well, little one. It is finished, eh?” She panted, tossing her head. “It h-hurts!” “It will pass,” he assured her huskily. “It will pass. It is a promise I make for you.” She went rigid when he began to move within her, her small face drawing tight. Tears sprang to Hunter’s eyes when she reached up to hug his neck, clinging to him even though he was the one hurting her. He had asked her to trust him this one last time. And she had. What if the discomfort didn’t lessen, as he had promised her? She would never let him near her again. Relief flooded through him when at last he felt her relax. Carefully he picked up momentum, nudging deeper and deeper. Only when Hunter heard her cry out in pleasure did he allow himself to seek pleasure as well. They drifted back to reality slowly, limbs entwined, heartbeats erratic, bodies shimmering with sweat. Hunter drew her head onto his shoulder, unwilling to let her go. A half smile settled on his mouth. He knew this first coupling had fallen far short of what it could have been, what it would be the second time. He had been tense, and so had she, not to mention the pain he had inflicted. His smile broadened. This small woman filled the empty places inside him, made him feel whole again.
Catherine Anderson (Comanche Moon (Comanche, #1))
They drifted back to reality slowly, limbs entwined, heartbeats erratic, bodies shimmering with sweat. Hunter drew her head onto his shoulder, unwilling to let her go. A half smile settled on his mouth. He knew this first coupling had fallen far short of what it could have been, what it would be the second time. He had been tense, and so had she, not to mention the pain he had inflicted. His smile broadened. This small woman filled the empty places inside him, made him feel whole again. Gazing sightlessly across the lodge at the evening shadows, Loretta listened to the rapid tattoo of Hunter’s pulse. She felt boneless and completely exhausted. Her cheeks flamed when she thought of the things he had done to her and the shameless way she had responded. A wave of embarrassment washed over her. As if he sensed her anguish, he slid his hand over her hip and upward to her ribs. “My heart is filled with great love for you,” he whispered. Tears sprang to Loretta’s eyes. She couldn’t name the emotion that caused them, didn’t want to. Then, like projectiles from a cannon, the words shot from her mouth. “Oh, Hunter, I love you, too.” The moment she said it, she knew it was true. She loved him as she had never loved anyone, with an intensity that made her ache. Hunter, the fierce warrior, the culmination of all her nightmares, had become the most important person in her world.
Catherine Anderson (Comanche Moon (Comanche, #1))