Favourite Song Quotes

We've searched our database for all the quotes and captions related to Favourite Song. Here they are! All 100 of them:

Instead of singing in the shower, I would write out the lyrics of my favourite songs, the ink would turn the water blue or red or green, and the music would run down my legs.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Still, I wonder if we shall ever be put into songs or tales. We're in one, of course, but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: "Let's hear about Frodo and the Ring!" And they will say: "Yes, that's one of my favourite stories. Frodo was very brave, wasn't he, dad?" "Yes, my boy, the famousest of the hobbits, and that's saying a lot." 'It's saying a lot too much,' said Frodo, and he laughed, a long clear laugh from his heart. Such a sound had not been heard in those places since Sauron came to Middle-earth. To Sam suddenly it seemed as if all the stones were listening and the tall rocks leaning over them. But Frodo did not heed them; he laughed again. 'Why, Sam,' he said, 'to hear you somehow makes me as merry as if the story was already written. But you've left out one of the chief characters: Samwise the stouthearted. "I want to hear more about Sam, dad. Why didn't they put in more of his talk, dad? That's what I like, it makes me laugh. And Frodo wouldn't have got far without Sam, would he, dad?"' 'Now, Mr. Frodo,' said Sam, 'you shouldn't make fun. I was serious.' 'So was I,' said Frodo, 'and so I am.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Things that I Hope Are True about Heaven That the radio always plays what would have been your favourite songs. That there's always coffee if you want it. That you're there. That it's real.
Neil Hilborn (Our Numbered Days)
Shall I tell you the secret of true love? her father once asked her. A friend of mine liked to tell me that women love flowers. He had many flirtations, but he never found a wife. Do you know why? Because women may love flowers, but only one woman loves the scent of gardenias in late summer that remind her of her grandmother's porch. Only one woman loves apple blossoms in a blue cup. Only one woman loves wild geraniums. That's Mama! Inej had cried. Yes. Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you'll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
maybe memories are like karaoke-where you realize up on the stage, with all those lyrics scrawling across the screen's bottom, and with everybody clapping at you, that you didn't know even half the lyrics to your all-time favourite song. Only afterwards, when someone else is up on stage humiliating themselves amid the clapping and laughing, do you realize that what you liiked most about your favourite song was precisely your ignorance of its full meaning- and you read more into it than maybe existed in the first place. I think it's better to not know the lyrics to your life.
Douglas Coupland (The Gum Thief)
I'm going to go fishing next summer. And I'm going to try French fries dipped in ice cream. And, when I have s'mores, I'll make an extra one for you. When I hear our favourite songs, I'll dance for you. I'll do anything for you. I'll do it all for you.
Lisa De Jong (When It Rains (Rains, #1))
I wrote the song 'Down to Earth' a few years ago, and i was really excited to record it for My World album. It's a huge fan favourite. So many people feel where i'm coming from. It doesn't need any spectacular stage effects in the touring show; the best thing i can do is just sing it straight from my heart. I'm not afraid to show my emotions; if you love someone, you should tell them. If you think a girl is beautiful, you should say that. Usher says some songs work best when there's a sob in the singer's voice. You gotta let that deep feeling come through. And that's how i felt about this song. Sometimes the emotion of it is enough to bring tears to my eyes.
Justin Bieber
You are everything that's ever been my favourite thing," she wanted to tell him. "You're my love song, my birthday cake, the sound of ocean waves and French words and a baby's laugh. You're a snow angel, crème brulée, a kaleidoscope filled with glitter. I love you and you'll never catch up, because I've gotten a head start and my heart is racing at light speed.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
So what was your favourite song?" "Um...the one about the sun sizzling into the ocean." He laughed hard. "What?" "Zeke wrote that song about his cat." "His cat," I repeated blandly. "Yep, Peaches, she ran away." "I'd run away too," I muttered under my breath, making him laugh harder.
Shelly Crane (Accordance (Significance, #2))
Her scent on the sheets slowly fading like the last notes of your favourite song drifting into silence; a ghost of absence haunting the room
Kirk Diedrich
That's what love is, Ben. Love is sacrifice. I got this tattoo the day I felt that kind of love for your father. And I chose it because if I had to describe love that day, I would say it felt like my two favourite things, amplified and thrown together. Like my favourite poetic line mixed into the lyrics of my favourite song. You'll know, Ben. When you're willing to give up the things that mean the most to you just to see someone else happy, that's real love
Colleen Hoover (November 9)
I tried to explain again. 'Perhaps it would have been easier if I said that not being able to find something is like suddenly not remembering the words to your favourite song that you knew off by heart. It's like suddenly forgetting the name of someone you know really well and see every day, or the name of a group who sang a famous song. It's something so frustrating that it plays on your mind over and over again because you know there's an answer but no one can tell you it. It niggles and niggles at me and I can't rest until I know the answer.' 'I Understand,' he said softly.
Cecelia Ahern (A Place Called Here)
The most dangerous drink is gin. You have to be really, really careful with that. And you also have to be 45, female and sitting on the stairs. Because gin isn't really a drink, it's more a mascara thinner. "Nobody likes my shoes!" "I made... I made fifty... fucking vol-au-vents, and not one of you... not one of you... said 'Thank you.'" And my favourite: "Everybody, shut up. Shut up! This song is all about me.
Dylan Moran
You deserve so much more than hiding out in high school basements. You don't deserve to be someone's secret, Ashlyn. You deserve to be the chorus to a person's favourite song. You deserve to be the dedication in their favourite book.
Brittainy C. Cherry (Loving Mr. Daniels)
There's a saying, cited in popular song, that if you love someone you must set them free. Well, that's just nonsense. If you love someone, you bind them to you with heavy metal chains.
David Nicholls (Us)
Read me like your favourite book, word for word. Sing me like your favourite song, beat for beat. Take a walk with me in your dreams, hand in hand. Chant me like a prayer, bead for bead. Hold me in your arms like I am magic, dark, cursed yet loveable. Love me the way no one has ever been loved before.
Sakshi Narula (Lover ( The Art Of Staying Lost, #1))
But some day you’ll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet. And even if he is too poor to give you any of them, it won’t matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
How do you make someone love you? For the very young, there can be nothing harder in the world. You may try as hard as you like: place yourself beside them, cook their favourite food, bring them wine or sing the love songs that you know will move them. They will not move them. Nothing will move them. You will waste days interpreting the simple banalities of a phone call; months staring at their soft lips as they talk; you will waste years watching a body sitting in a chair and willing every muscle to take you across the room and do a simple thing, say a simple word, make them love you and you will not do it; you will waste long nights wondering how they cannot feel this - the urge to embrace, the snow melt in the heart when you are near them - how they can sit in that chair, or speak with those lips, or make a call and mean nothing by it, hide nothing in their hearts. Or perhaps what they hide is not what you want to see. Because surely they love someone. It simply isn’t you.
Andrew Sean Greer (The Story of a Marriage)
Or maybe memories are like karaoke - where you realize up on the stage, with all those lyrics scrawling across the screen's bottom, and with everybody clapping at you, that you didn't even know the lyrics to your all-time favourite song. Only afterwards, when someone else is up on stage humiliating themselves amid the clapping and laughing, do you realize that what you liked most about your favourite song was precisely your ignorance of its full meaning - and you read more into it than maybe existed in the first place. I think it's better not to know the lyrics to your life.
Douglas Coupland (The Gum Thief)
That's what loce is, Ben. Love is sacrifice. I got this tattoo the day I felt that kind of love for your father. And I chose it because if I had to describe love that day, I would say it felt like my two favourite things, amplified and thrown together. Like my favourite poetic line mixed into the lyrics of my favourite song
Colleen Hoover (November 9)
She reached across the table and squeezed my hand. 'The last time you were here, you were so lost. So . . . well, if you don't mind me saying —' 'Pathetic,' I blurted out. 'Whiny, entitled, selfish. I felt terribly sorry for myself.' Meg nodded along with my words as if listening to her favourite song. 'You still feel sorry for yourself.' 'But now,' Sally said, sitting back again, 'you're more . . . human, I suppose.' There was that word again: human, which not long ago I would have considered a terrible insult. Now, every time I heard it, I thought of Jason Grace's admonition: Remember what it's like to be human. He hadn't meant all the terrible things about being human, of which there were plenty. He'd meant the best things: standing up for a just cause, putting others first, having stubborn faith that you could make a difference, even if it meant you had to die to protect your friends and what you believed in. These were not the kind of feelings that gods had . . . well, ever.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
I don't really like this song," Emma had said. "You told me it was your favourite." "It's beautiful. But it always makes me sad." "Why, love?" he'd asked gently. "It's about finding each other again. About someone coming home." Emma had lifted her head from his shoulder and looked at him earnestly. "It's about losing someone, and having to wait until you're together in heaven." "There's nothing in the lyrics about heaven," he'd said. "But that's what it means. I can't bear the idea of being separated from you, for a lifetime or a year or even a day. So you mustn't go to heaven without me." "Of course not," he had whispered. "It wouldn't be heaven without you.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
Maybe memories are like karaoke - where you realize up on the stage, with all those lyrics scrawling across the screen's bottom, and with everybody clapping at you, that you didn't know even half the lyrics to your all-time favourite song. Only afterwards, when someone else is up on stage humiliating themselves amid the clapping and laughing, do you realize that what you liked most about your favourite song was precisely your ignorance of its full meaning - and you read more into it than maybe existed in the first place. I think it's better to not know the lyrics to your life.
Douglas Coupland (The Gum Thief)
Many boys will bring you flowers. But someday you'll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
It's a strange ache, that begins with a sudden flash of memory, while you are happily immersed in your favourite song or cooking your favourite dish - in the midst of just anything. An ache that suddenly drifts your energy, from enjoyment to controlling those tears scrolling down. All that swing in a wink, without the one next to you ever realising any sign of the sudden storm within you." Well, that's just the price you pay for choosing to feel.
Wordions
Many boys will bring you flowers. But some day you’ll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet. And even if he is too poor to give you any of them, it won’t matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.
Leigh Bardugo (The Six of Crows Duology (The Six of Crows, #1-2))
The deepest shade of twilight did not send him from his favourite plane-tree. He loved the soothing hour, when the last tints of light die away; when the stars, one by one, tremble through aether, and are reflected on the dark mirror of the waters; that hour, which, of all others, inspires the mind with pensive tenderness, and often elevates it to sublime contemplation. When the moon shed her soft rays among the foliage, he still lingered, and his pastoral supper of cream and fruits was often spread beneath it. Then, on the stillness of night, came the song of the nightingale, breathing sweetness, and awakening melancholy.
Ann Radcliffe (The Mysteries of Udolpho Volume 1 of 2)
That's what love is, Ben. Love is sacrifice... I got this tattoo the day i felt that kind of love for your father. And I chose it because if I had to describe love that day, I would say it felt like my two favourite things, amplified and thrown together. Like my favourite poetic line mixed into the lyrics of my favourite song.
Colleen Hoover (November 9)
Many boys will bring you flowers. But some day you'll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
wonder if we shall ever be put into songs or tales. We’re in one, of course; but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: “Let’s hear about Frodo and the Ring!” And they’ll say: “Yes, that’s one of my favourite stories. Frodo was very brave, wasn’t he, dad?” “Yes, my boy, the famousest of the hobbits, and that’s saying a lot.
J.R.R. Tolkien (The Lord of the Rings)
The Hum is gone. You remember the Hum. Unless you grew up on top of a mountain or lived in a cave your whole life, the Hum was always around you. That’s what life was. It was the sea we swam in. The constant sound of all the things we built to make life easy and a little less boring. The mechanical song. The electronic symphony. The Hum of all our things and all of us. Gone. This is the sound of the Earth before we conquered it. Sometimes in my tent, late at night, I think I can hear the stars scraping against the sky. That’s how quiet it is. After a while it’s almost more than I can stand.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Her favourite song was 'God Has Blotted Them Out,' which was meant to be about sins, but really was about anyone who had ever annoyed her, which was everyone. She just didn't like anyone and she just didn't like life. Life was a burden to be carried as far as the grave and then dumped. Life was a Vale of Tears. Life was a pre-death experience.
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
Three daughters of Sparta became three queens in Greece, and I love them, power in their voices and fire in their eyes, even Penelope, even the one who smiles and says she does it for her husband, I love her, I love her. But no one ever said the gods did not have favourites, and it is Clytemnestra I love best, my queen above all, the one who would be free.
Claire North (Ithaca (The Songs of Penelope, #1))
My favourite songs from literally all my favourite albums are usually always track 10. Coincidence? Conspiracy? Illuminati? Time will tell.
Tyler Hojberg
As she rounded a corner one of her favourite songs came on the radio, and sunlight filtered through the trees the way it does with lace curtains, reminding her of her grandmother, and tears began to slide down her cheeks. Not for her grandmother, who was then still very much among the living, but because she felt an enveloping happiness to be alive, a joy made stronger by the certainty that someday it would all come to an end. It overwhelmed her, made her pull the car to the side of the road. Afterwards she felt a little foolish, and never spoke to anyone about it. Now, however, she knows she wasn’t being foolish. She realizes that for no particular reason she stumbled into the core of what it is to be human. It’s a rare gift to understand that your life is wondrous, and that it won’t last forever.
Steven Galloway (The Cellist of Sarajevo)
We grow up and we lose ourselves. Sometimes when my favourite songs are on I have to stop what I’m doing and lie down on my carpet and just listen. I feel every word they’re singing. Every note. And to think that in twenty years, or ten years, or five, even, I might hear those same songs and just, like, bob my head or something is horrible. Then I’m sure I’ll think that I know more about life, but it isn’t true, I’ll know less.
Nina LaCour (You Know Me Well)
favourites.-There is, of course, here and there on this terrestrial sphere a kind of sequel to love, in which that envious longing of two persons for one another has yielded to a new desire and covetousness, to a common, higher thirst for a superior ideal standing above them : but who knows this love? Who has experienced it? Its right name is friendship.
Friedrich Nietzsche (The Gay Science with a Prelude in Rhymes and an Appendix of Songs)
How amazing to go to a gig thinking of nothing but how loud you will shout; how hard you will dance; how much you will sweat; how tightly you will hug your friends, as your favourite song plays. How amazing to react to music in the way music wants you - to become an ecstatic animal.
Caitlin Moran (How to be Famous (How to Build a Girl, #2))
Watching the painter painting And all the time, the light is changing And he keeps painting That bit there, it was an accident But he's so pleased It's the best mistake, he could make And it's my favourite piece It's just great --- excerpt from the song "An Architect's Dream" from the album Aerial
Kate Bush (Kate Bush Book Of Lyrics)
Picture a guy; he’s been surfing all day, the sun’s going down, and he grabs his guitar which he then carries to his favourite place where the waves crash against the rocks. And he just sits there, watching the sunset and composing songs with his guitar. Now, how ‘off tha rip’ is a surfer / musician like this?
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Thank you for telling me about your newest favourite songs. I fall in love with every song you tell me about. And thanks for remembering my favourite constellation and telling me that when you see it at night you think of me. It makes me feel really close to you even though we’re half a world apart. I love you.
Will Darbyshire (This Modern Love)
Many boys will bring you flowers. But some day you'll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I don’t know anything about you and you won’t even tell me when I ask.” “You know my favourite song and my favourite colour.” “We aren’t in kindergarten. I want to know real things about you. I want to know the shit stuff too.” “There’s more beauty in mystery.” “I don’t want you to be a mystery.” “Yes, Henry. You do.
Krystal Sutherland (Our Chemical Hearts)
I am deeply sensitive to the spell of nationalism. I can play about thirty Bohemian folk songs ... on my mouth-organ. My oldest friend, who is Czech and a patriot, cannot bear to hear me play them because he says I do it in such a schmalzy way, 'crying into the mouth organ'. I do not think I could have written the book on nationalism which I did write, were I not capable of crying, with the help of a little alcohol, over folk songs, which happen to be my favourite form of music.
Ernest Gellner
On a distant battlefield, somewhere in the Middle East, Sergeant Jackson is sick of this fucking war and stands up from behind the trench he’s hiding in, ignores the pleas of his squad mates to get down and starts to play the electric guitar he’s insisted he bring into battle with him. He plays a song: his father’s favourite. He’s spent years learning it and he thinks it’s beautiful. The first bullet kills him. Someone takes a picture as he falls. A dying soldier clutching his electric guitar.
pleasefindthis (Intentional Dissonance)
The knowledge both of the Poet and the Man of science is pleasure; but the knowledge of the one cleaves to us as a necessary part of our existence, our natural and unalienable inheritance; the other is a personal and individual acquisition, slow to come to us, and by no habitual and direct sympathy connecting us with our fellow-beings. The Man of science seeks truth as a remote and unknown benefactor; he cherishes and loves it in his solitude: the Poet, singing a song in which all human beings join with him, rejoices in the presence of truth as our visible friend and hourly companion. Poetry is the breath and finer spirit of all knowledge; it is the impassioned expression which is in the countenance of all Science. Emphatically may it be said of the Poet, as Shakespeare hath said of man, ‘that he looks before and after.’ He is the rock of defence for human nature; an upholder and preserver, carrying everywhere with him relationship and love. In spite of difference of soil and climate, of language and manners, of laws and customs: in spite of things silently gone out of mind, and things violently destroyed; the Poet binds together by passion and knowledge the vast empire of human society, as it is spread over the whole earth, and over all time. The objects of the Poet’s thoughts are everywhere; though the eyes and senses of man are, it is true, his favourite guides, yet he will follow wheresoever he can find an atmosphere of sensation in which to move his wings. Poetry is the first and last of all knowledge—it is as immortal as the heart of man.
William Wordsworth (Preface to the Lyrical Ballads)
Being wounded by one’s own arrow signifies, therefore, a state of introversion. What this means we already know: the libido sinks “into its own depths” (a favourite image of Nietzsche’s), and discovers in the darkness a substitute for the upper world it has abandoned—the world of memories (“Amidst a hundred memories”), the strongest and most influential of which are the earliest ones. It is the world of the child, the paradisal state of early infancy, from which we are driven out by the relentless law of time. In this subterranean kingdom slumber sweet feelings of home and the hopes of all that is to be. As Heinrich says of his miraculous work in Gerhart Hauptmann’s The Sunken Bell: It sings a song, long lost and long forgotten, A song of home, a childlike song of love, Born in the waters of some fairy well, Known to all mortals, and yet heard of none.54
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
Dear You, You’re so beautiful. Your smile, your eyes, your lips, your hands, everything. Did you know that you play in my mind like one of my favourite song lyrics, you sting my heart like after eating a bowl of hot soup. You know me but I don’t think you see me, I see you for one, I see you like no other, I see you so often your image never leaves the remains of my brain. I wish you see me, I wish you remembered me. I wish that you could see me the way I see you. I see you for you and that is the you that I love, but please can you see me too.
Will Darbyshire (This Modern Love)
Hope, though; now there’s a real pest. Hope doesn’t just nibble your cheese and chew holes in your skirting boards. Hope keeps you plodding on when it really is time to call it quits. Hope drags you to sixteen auditions in a single day, when there’s a nice job in your brother-in-law’s tannery just waiting for you. Hope keeps you going in Old Stairs or Paradise, even though there’s no money and nothing to eat and the landlord just took your chair and your chamber pot. Personally, I can see no great merit in simply being alive if you’re miserable and in pain, but Hope won’t let you go. She’s a tease, like bad children teasing a dumb animal, and I’ve made a point of avoiding her whenever I can. Still, sometimes she runs you down and there’s nowhere left for you to go. You can turn and fight her and lose, or let her scoop you up and turn your brain to mush. Hope against hope. We had human chains shifting those blocks with levers and rollers, through the narrow alleys where carts couldn’t go. We had shifts digging the ditch by lamplight, in the rain. And in every working party there was at least one man who cheerfully announced that it wasn’t going to work, the whole idea was stupid, the enemy’ll find a way round this in two shakes, just you see; and even he didn’t really believe it, because of Hope. Hope turns a hundred men and women ripping the skin off their hands on a coarse hemp rope into a street party. Someone tells a joke, or clowns around, or starts singing a favourite song from one of the shows, and Hope bursts through, like sappers, and next thing you know she’s everywhere, like smoke, or floodwater, or rats. We’re going to beat Ogus, she whispers in every ear, and this time it’ll be different.
K.J. Parker (How to Rule an Empire and Get Away with It (The Siege, #2))
She paid rapt attention to the carpet design He did the same to his pint of beer. She wished she were ten thousand miles away He just wished she were here. He smoked a rolled-up cigarette She smoked a brand that was strong, As she dreamily savoured her newly-won life, While he wondered how things had gotten so wrong. She whispered the words of an old favourite song He joined – mistaking her meaning. She shed a few reminiscent tears He carried on – wildly dreaming. He reached for her hand. She snatched it away, Brushing invisible specks from her lap Then she endeavoured to say… “I don’t understand why you keep up this farce Why can’t you see there’s no way? I cannot revive what has long since died There’s nothing more I can say.” He cried like a baby; He pleaded and begged her to stay. She hated herself like a louse But still she got up – and walked away.
Bernie Morris (Verse for Ages)
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
Dolly Alderton (Good Material)
Pushing through the market square, So many mothers sighing. News had just come over, We had five years left to cry in. News guy wept and told us, Earth was really dying. Cried so much his face was wet, then I knew he was not lying. I heard telephones, opera house, favourite melodies. I saw boys, toys, electric irons and T.V.s. My brain hurt like a warehouse, It had no room to spare. I had to cram so many things To store everything in there. And all the fat-skinny people. And all the tall-short people. And all the nobody people. And all the somebody people. I never thought I'd need so many people. A girl my age went off her head, hit some tiny children. If the black hadn't a-pulled her off, I think she would have killed them. A soldier with a broken arm Fixed his stare to the wheel of a Cadillac. A cop knelt and kissed the feet of a priest, and a queer threw up at the sight of that. I think I saw you in an ice-cream parlour, Drinking milk shakes cold and long. Smiling and waving and looking so fine, Don't think you knew you were in this song. And it was cold and it rained so I felt like an actor, And I thought of Ma and I wanted to get back there. Your face, your race, the way that you talk, I kiss you, you're beautiful, I want you to walk. We've got five years, Stuck on my eyes. Five years, What a surprise! We've got five years, My brain hurts a lot. Five years, That's all we've got. - Five Years
David Bowie
And then, as slowly as the light fades on a calm winter evening, something went out of our relationship. I say that selfishly. Perhaps I started to look for something which had never been there in the first place: passion, romance. I aresay that as I entered my forties I had a sense that somehow life was going past me. I had hardly experienced those emotions which for me have mostly come from reading books or watching television. I suppose that if there was anything unsatisfactory in our marriage, it was in my perception of it—the reality was unchanged. Perhaps I grew up from childhood to manhood too quickly. One minute I was cutting up frogs in the science lab at school, the next I was working for the National Centre for Fisheries Excellence and counting freshwater mussel populations on riverbeds. Somewhere in between, something had passed me by: adolescence, perhaps? Something immature, foolish yet intensely emotive, like those favourite songs I had recalled dimly as if being played on a distant radio, almost too far away to make out the words. I had doubts, yearnings, but I did not know why or what for. Whenever I tried to analyse our lives, and talk about it with Mary, she would say, ‘Darling, you are on the way to becoming one of the leading authorities in the world on caddis fly larvae. Don’t allow anything to deflect you from that. You may be rather inadequately paid, certainly compared with me you are, but excellence in any field is an achievement beyond value.’ I don’t know when we started drifting apart. When I told Mary about the project—I mean about researching the possibility of a salmon fishery in the Yemen—something changed. If there was a defining moment in our marriage, then that was it. It was ironical, in a sense. For the first time in my life I was doing something which might bring me international recognition and certainly would make me considerably better off—I could live for years off the lecture circuit alone, if the project was even half successful. Mary didn’t like it. I don’t know what part she didn’t like: the fact I might become more famous than her, the fact I might even become better paid than her. That makes her sound carping.
Paul Torday (Salmon Fishing in the Yemen)
From the perspective of my old laptop, I am a numbers man, something like that every instruction he gives me is a one or a zero I remember well I have information about him before he left for his new toy thinner, younger, able to keep up with him, I have information about him may 15th 2008, he listened to a song five times in succession it was titled Everybody, open parenthesis, Backstreet's Back, close parenthesis it included the lyric 'Am I sexual, yeaaaaah' He said once, computers like a sense of finality to them when I write something I don't want to be able to run from it this was a lie he was addicted to my ability to keep his secrets I am a numbers man, every instruction he gives me is a one, or a zero I remember well January, 7th 2007 I was young just two week awake he gave me, a new series of one's and zeros the most sublime sequence I have ever seen it had curves, and shadow, it was him he gave his face in numbers and trusted me to be the artist, and I was do not laugh I have read about your God you kill each other over your grand fathers memory of him I still remember the fingertips of my God dancing across my body After I learnt to draw him he trusted with more art rubric jpeg 1063 was his favourite Him, and that woman, resting her head in the curve of his nick I read his correspondence she hasn't written him back in years but he asks for it, constantly, jpeg 1063, jpeg 1063, jpeg 1063 it was my master piece it looked so, .., life like I wanted to tell him That's not her that is me that is not her face those are my ones and zeros waltzing in space for you she is nothing more than my shadow puppet you do not miss her, you miss me, I am a numbers man, every instruction he gives is a one or a zero I remember well but he taught me to be a Da Vinci and I sit here, with his portraits waiting for him to return I do not think he will Is that what it means to be human to be all powerful, to build a temple to yourself and leave only the walls to pray
Phil Kaye
An autumn evening... An autumn evening, I ran hurriedly, made my way I did to that special bench in the park, Where in a likewise special week, I used to meet my Amily. My dear Amily with her mischievious eyes, Hear songs do my ears, whenever she speaks. With her fragrance and aura of jasmine, Feel I do that I am in heaven. Words spoken between us are of course less, but the thoughts that we share are, a lot. See each other we do, very less. Yet an urge to keep seeing each other, we have got. As I sat on the bench today, waiting for her, I wondered how today she would be. Would she dress grand or just come casually, in a simple manner and her hair let out freely. After a while, glance I did at the time. “Why hadn't she come by now?” Did she meet with trouble on the way that she came? Or didn't it cross her mind what the time was now? Then my worries were put to rest, When I saw her in front of me. I smiled at the way, that she had dressed for me. Wearing a dress of my favourite colour, and herself appearing royal with grandeur, she came slowly towards me, with doubt in her eyes, as her eyes enquired if she looked good that way? I smiled again and gestured that she looked like a princess. Then I offered my hand, to walk the rest of the day. So holding each other's hands, we walked gently, with our minds out of the world and lost in our own dreams; Just the two of us, me and my Amily.
Yasir Sulaiman (3 Stories of Love: Romance isn't always sweet)
Hi, Bruce,’ said Uzma. ‘Hello,’ Bruce replied. ‘Would it be possible to have a photo taken?’ she asked. ‘Sure, we can do that!’ he replied, smiling broadly. I took the photograph. Then it was my turn. He signed my book and bandanna and posed for another photograph. Just as I was about to let the next fan have their moment in the sun I turned to Springsteen and said, ‘Bruce. Three words: “Point Blank”, acoustic’ The following night I was sitting in the Sheffield Arena with Amolak and my sister. It was 16 April 1993 and we were in the front block ten or fifteen rows from the stage. Uzma was having the time of her life. It was her first Springsteen concert and it was so wonderful to see her having so much fun. Springsteen had just finished singing ‘Badlands’ when he requested an acoustic guitar and told the audience: ‘A fella came up to me and asked for this song. I don't know if he's out there tonight, but if he is, this is for you.’ He began slowly strumming the acoustic guitar before singing, ‘Do you still say your prayers darling, before you go to bed at night? Praying that tomorrow everything will be all right?’ He was singing ‘Point Blank’. I doubled up, buried my face in my hands and wept. Amolak hugged me. ‘Point Blank’ was one of my favourite songs. I never imagined I would hear it sung acoustically. The fact that Springsteen had remembered my request and then decided to actually listen to my suggestion was overwhelming. As I continued to cry uncontrollably and as Bruce Springsteen continued to sing ‘Point Blank’, Amolak said to me: ‘You see, buddy, dreams do come true.’ *
Sarfraz Manzoor (Greetings from Bury Park)
Failure. Failure shapes the world. History is the story of failure; progress is the succession of failures. Development! says the futurist. Loss, states the rebel. Hangover! cries the moralist from the back row. Faliure: the rebel gets angry. Time is pale, he says. The failure of the Creator - an introduction to an era. Kras Mazov shoots himself in the head, and Abadanaiz, together with Dobreva, takes poison on the Ozonne Islands. Beneath the palms the wind blew the flesh from their bones into sand. Who could've known? All the good people in the world came together. Teachers, writers, migrant workers squatting in the trenches... young soldiers abandoned their battalions. What beautiful songs they sing! It seems to them that brave children are the favourites of history, as they wave white flags with a crown of silver horns. And then, they lose.
Robert Kurvitz (Püha ja õudne lõhn)
I continued on my way towards Hexham, very slowly, at what I call hymn-speed. I have not mentioned that I sing as I go along. I always do. Seldom loudly, more often in a murmur. I recognise few limits in my repertoire; I can treat myself to anything. I bellow in opera, warble in ballad. My choice on any particular occasion is governed by my speed, and governs my speed; my feet march in tempo. My favourite uphill song is "Volga Boatman," which suits my movements admirably: I find I can grind out a note with every step, and each verse earns a pause, a brief halt. For slow travel, or when I am tired, hymns are best; not the noisy modern tunes, but the old ones, the softer melodies: "Breathe on me, breath of God." "Jesus, Lover of my Soul." "When I survey the Wondrous Cross." "Nearer, my God, to Thee." "Lead, Kindly Light." and best of all, "Abide with me'" old familiar tunes which can never lapse and be forgotten; quiet tunes and comforting words learnt in childhood, and later loved. . . . Last of all are the rousing marching songs, which usually end the day, unless I am very weary, when my choice is invariably "Lead, Kindly Light.
Alfred Wainwright
5236 rue St. Urbain The baby girl was a quick learner, having synthesized a full range of traits of both of her parents, the charming and the devious. Of all the toddlers in the neighbourhood, she was the first to learn to read and also the first to tear out the pages. Within months she mastered the grilling of the steaks and soon thereafter presented reasons to not grill the steaks. She was the first to promote a new visceral style of physical comedy as a means of reinvigorate the social potential of satire, and the first to declare the movement over. She appreciated the qualities of movement and speed, but also understood the necessity of slowness and leisure. She quickly learned the importance of ladders. She invented games with numerous chess-boards, matches and glasses of unfinished wine. Her parents, being both responsible and duplicitous people, came up with a plan to protect themselves, their apartment and belongings, while also providing an environment to encourage the open development of their daughter's obvious talents. They scheduled time off work, put on their pajamas and let the routines of the apartment go. They put their most cherished books right at her eye-level and gave her a chrome lighter. They blended the contents of the fridge and poured it into bowls they left on the floor. They took to napping in the living room, waking only to wipe their noses on the picture books and look blankly at the costumed characters on the TV shows. They made a fuss for their daughter's attention and cried when she wandered off; they bit or punched each other when she out of the room, and accused the other when she came in, looking frustrated. They made a mess of their pants when she drank too much, and let her figure out the fire extinguisher when their cigarettes set the blankets smoldering. They made her laugh with cute songs and then put clothes pins on the cat's tail. Eventually things found their rhythm. More than once the three of them found their faces waxened with tears, unable to decide if they had been crying, laughing, or if it had all been a reflex, like drooling. They took turns in the bath. Parents and children--it is odd when you trigger instinctive behaviour in either of them--like survival, like nurture. It's alright to test their capabilities, but they can hurt themselves if they go too far. It can be helpful to imagine them all gorging on their favourite food until their bellies ache. Fall came and the family went to school together.
Lance Blomgren (Walkups)
Long ago there was a little boy who lived in the wood with his father and his sister. One night, the three of them were out collecting firewood when they heard a low, delicate whimper. The father realised it was an injured animal and ordered the children to fetch water from the lake, whilst he followed the sound. Hours past but the father did not return. The children became fearful for their father’s safety and in their moment of fright, they disobeyed their father in order to find him. And find him they did. However, he was no longer the man he once was. Both his eyes were slit through their centre, oozing blood down the paleness of his face. His neck had been torn open. The entirety of his midsection was split but nothing, not one, single organ, seemed to be left within. Each limb still remained, however they had been dragged, with some exceptional force, in the opposite direction to which they were designed. The children screamed and ran, though the image of their father’s mangled corpse seemed to chase after them. They slept. Within the whisper of the wind came the sweet tune of a woman’s song. The little girl awoke to the feeling of happiness, security and motherly love that the song carried with it. She needed to find the woman it had come from. Leaving her brother, she took off into the wood to try and find the singer. The little boy quickly entered into a spit of panic when he found his sister missing. He didn’t know whether he should call out for her, look for her or wait. But waiting could mean the worst, he thought, and so he took off into the woods after her. He had searched everywhere, every dark corner and decrepit tree, before reaching the lake. The moon reflected off its black surface, which drew his attention to something bobbing within the ripples. It was a leg. When he caught sight of the foot, the boy fell to his knees. He recognised the shoe. It was his sister’s shoe; his sister’s leg. Soon enough, the other body parts came drifting to join the leg, forming a rough manifestation of what was once his sister’s living body. Firstly, there was a head facing down in the water, then arms seemingly blue under the moonlight, and lastly a torso coated in her favourite dress. He felt sick, lost, terrified to his very core. Just as thoughts of never being whole again began to pain his chest, the boy heard the snapping of a twig behind him. He dared to turn around but all he found was a small, black-furred wolf. The wolf approached him timidly, whining deep in its throat to say to the boy that he too was lonely and afraid. The boy put out his hand for the wolf to join him and they sat together. Perhaps he would be OK. Perhaps all that had happened had led to this; something new. He rustled the fur of his new friend, starting with its back then its ear before going under its snout. His hand touched something wet and sticky. He drew it from the wolf to get a better look, only to find a crimson substance now clinging to his small hands. Blood. The wolf turned on the boy as its eyes became a pale blue before thwack! He tore the boy’s face from his head…
S.R. Crawford (Bloodstained Betrayal)
I told you so',was Abdullah Noman's favourite song,because he was cursed with the curse of knowing too much and the double curse of being unable to avoid pointing this out even though it made Firdus Begum threaten to hit him on the head with a stone.
Salman Rushdie
Great is His Faithfulness     “Because of the LORD’s great love we are not consumed, for his compassions never fail. They are new every morning; great is your faithfulness” (Lamentations 3:22-23).     At church on Sunday, they sang a song from the hymnbook called, “Great is Thy Faithfulness.” The lyrics were by Thomas Obediah Chisholm and music by William Marion Runyan. Although I had difficulty singing along, I paid close attention to the words. My favourite line was, “All I needed Thy hand hath provided.”   This verse resonated with my soul that day. It didn’t say, “All that I wanted” but rather, “All that I needed.” I took a moment to reflect on the last five years of my life and I was taken to my knees in awe and appreciation.   I wish that I had kept a journal of answered prayer. I think this is a brilliant idea. I have kept notes here and there and I have various journals that I write in every day, but I’ve never dedicated one book to just answered prayer.   There are so many little things that I pray for every day. My husband was working on my income tax on the computer when all of a sudden the program kicked him out. Two hours of work – lost. But it was restored within ten minutes without as much as one number out of place – an answer to prayer.   One of my cats was coughing and sneezing. She looked as if she had trouble breathing and took to hiding under a desk. Would she survive the night? Is it just a cold or something much worse like cat leukemia? The vet announced it only a virus – an answer to prayer.   On a four-hour hike with my mother, two aunts and my brother’s mother-in-law, the average age was 65. The terrain was full of obstacles with fallen trees, raspberry bush thorns, and slippery logs. We made the entire trip without incidence – an answer to prayer.  
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
Taita,’ she called to me, ‘sing with me!’ And when I obeyed she smiled with pleasure. My voice was one of the many reasons that, whenever she was able, she kept me near her; my tenor complemented her lovely soprano to perfection. We sang one of the old peasant love songs that I had taught her, and which was still one of her favourites: My heart flutters up like a wounded quail when I see my beloved’s face and my cheeks bloom like the dawn sky to the sunshine of his smile
Wilbur Smith (River God (Ancient Egypt, #1))
Put Your Records On" Three little birds sat on my window. And they told me I don't need to worry. Summer came like cinnamon So sweet, Little girls double-dutch on the concrete. Maybe sometimes we've got it wrong, but it's alright The more things seem to change, the more they stay the same Oh, don't you hesitate. Girl, put your records on, tell me your favourite song You go ahead, let your hair down Sapphire and faded jeans, I hope you get your dreams, Just go ahead, let your hair down. You're gonna find yourself somewhere, somehow. Blue as the sky, sunburnt and lonely, Sipping tea in a bar by the roadside, (just relax, just relax) Don't you let those other boys fool you, Got to love that afro hair do. Maybe sometimes we feel afraid, but it's alright The more you stay the same, the more they seem to change. Don't you think it's strange? Girl, put your records on, tell me your favourite song You go ahead, let your hair down Sapphire and faded jeans, I hope you get your dreams, Just go ahead, let your hair down. You're gonna find yourself somewhere, somehow. 'Twas more than I could take, pity for pity's sake Some nights kept me awake, I thought that I was stronger When you gonna realise, that you don't even have to try any longer? Do what you want to. Girl, put your records on, tell me your favourite song You go ahead, let your hair down Sapphire and faded jeans, I hope you get your dreams, Just go ahead, let your hair down. Girl, put your records on, tell me your favourite song You go ahead, let your hair down Sapphire and faded jeans, I hope you get your dreams, Just go ahead, let your hair down. Oh, you're gonna find yourself somewhere, somehow
Corinne Bailey Rae
I played your favourite tunes on the old piano I sang mindlessly the song you loved the most I wished for you to walk in and sing with me Then I realized your favourite song has changed
Mia Sanchez
Maybe love - real love - is mellow. A slow-cooking stew only just simmering on the hob, but if you leave it long enough the flavour deepens and deepens. Maybe it´s your favourite song being played on a really low volume, but it doesn´t matter because you know the words and melody so well you can sing it in your head.
Holly Bourne (The Manifesto on How to Be Interesting)
Can I tell you a secret? sometimes I think I'll never be able to cry in front of you will never be able to sing you my favourite song or tell you how the stars make me feel I'm afraid of you taking parts of me and never returning.
H
There was one idea that might have turned out pretty interesting. Hunter S. Thompson had written a book called Songs of the Doomed, and in the first few pages he mentions sitting around and listening to something off The Caution Horses, then he mentions the band later on in there, too. He's always been one of our favourite wackos, so we decided to call him up and see if we could maybe work on something together. It took a while to get him on the phone, because he'd wake up at midnight, stay up all night, drinking and watching sports, then sleep through the day. But we ended up having a bunch of weird phone conversations with him. His idea was we'd go to his ranch out in Colorado, get a camera crew, no script and 'just go crazy, man!' That didn't really fit what we had in mind; we wanted a little more structure than that. Going crazy isn't what we do. But he wasn't into that, at all. He didnt want to write anything, he just wanted this wacked-out thing. Eventually he got really pissed off for some reason. He sent us a fax, saying 'If you guys show up here, you're going home in body bags!' What did we do to piss him off that much?
Dave Bowler (Music is the Drug)
I once had a girl suck me off seven nights in a row. She had my name tattooed on the back of her neck, made me a mix tape with every single one of my favourite songs on it and I just called her Blowie the whole time because I couldn’t remember her name. To her face, guys. To her face.
Caroline Peckham
Social Media is a place where you share your favourite poetry, quotes, songs, news, social activities, and reports. You can like something, you can comment, and you can make humour in a civilised way. It is social media, but it is not a place to love or to be loved. Any lover does not exist here, nor anyone is serious in this regard. Just enjoy and do not try to fool any person if you do that; it means you are making yourself a fool. It is the wasting of time and your defeat too.
Ehsan Sehgal
He may not know rock history inside out – his favourite Byrds album is their greatest hits, and the other week he heard a great song on the radio and asked one of his bandmates what it was: “It’s the fucking Beatles, Mick” – but he understands that it’s not just his songs that make people loyal to him, it’s the mythology of tragedy. It might be ridiculous and sad that rock cherishes someone for their personal frailties, but it remains true. He says, at one point, with perfect frankness: “I think you’re here because of the past and because you’re intrigued about what’s going to happen in the future.
Michael Head
I begin to sing the songs on my favourite playlist, a pumped-up compilation of rock that Banger had put together for me. I can only call to mind nineteen songs, but I start to sing them in chronological order, starting with Ram Jam’s ‘Black Betty’.
Brett Archibald (Alone: Lost Overboard in the Indian Ocean)
Poetry is like shards of meteorites falling on barren land – the shining of the secret stone unseen; the song of the vibration unheard; the fire in the ancient stone, forever burning alone. The old mother of all is sitting under her favourite ash tree. She touches the shedding bark with her knobbly fingers and traces the wounds of unresolved shadows in strange circular patterns. She sees her children cry, their tears strange silver knobs that read like braille.
Louisa Punt-Fouché
Four months after making his statement, Andrade vanished. The earth swallowed him up. His last appearance in public was at the International Book Fair held in Mexico City in February 1999. The lawyer showed up dressed in black, accompanied by a mariachi dressed in white, who went through the corridors singing “The Man from Sinaloa,” Carrillo Fuentes’s favourite song.
Anabel Hernández (Narcoland: The Mexican Drug Lords And Their Godfathers)
When you’re feeling all at sea, don’t ever underestimate the power of the simple things, darling. Those are the things that can get us through the darkest days. Watch nature do her thing, listen to your favourite songs, talk to a kind friend, bake a delicious cake. These are the little things that will lift your spirits.
Emma Heatherington (This Christmas)
First of all, remember that happiness is in the little things: it’s Thanksgiving with your family, it’s reading your favourite book on a park bench whilst enjoying the summer sun, it’s listening to a song that you’ve always loved even though you’ve heard it a million times, it’s the practice basketball game with your father, the coffee with your best friend, and the movie with the one you love. Happiness comes from the small things we do every day. Don’t take them for granted.
Nicole Spencer-Skillen (If We Meet Again - The Choice (Book 3))
I used to lay dreaming of places like this. I’d read about it in books and hear it in my favourite songs. I’d see it in the storm and feel it in the raindrops against my cheeks. I always belonged elsewhere, in a world full of fantasy and endless possibilities. I just knew I’d been born in the wrong place. My soul lost, forever searching for this. So no, Lance, there’s not one part of me that would have chosen to give up this life for the sake of safety. If I die in this war, then hell, at least I will have lived. I’ve known you, I’ve found a home, a family. If I can only have that for this short time, then I’ll take it over never having had it at all.
Caroline Peckham (Restless Stars (Zodiac Academy, #9))
Ehsan Sehgal Quotes about Media — — — * Words matter and mirror if your head is a dictionary of insight and your feelings are alive. * Sure, fake news catches and succeeds attention, but for a while; however, it embraces disregard and unreliability forever. * Media rule the incompetent minds and pointless believers. * A real journalist only states, neither collaborates nor participates. * The majority of journalists and anchors have the information only but not the sense of knowledge. * When the media encourages and highlights the wrong ones, anti-democratic figures, criminals in uniform, and dictators in a supreme authority and brilliant context, sure, such a state never survives the breakdown of prosperity and civil rights, as well as human rights. Thus, the media is accountable and responsible for this as one of the democratic pillars. *Media cannot be a football ground or a tool for anyone. It penetrates the elementary pillar of a state, it forms and represents the language of entire humanity within its perception of love, peace, respect, justice, harmony, and human rights, far from enmity and distinctions. Accordingly, it demonstrates its credibility and neutrality. * When the non-Western wrongly criticizes and abuses its culture, religion, and values, the Western media highlights that often, appreciating in all dimensions. However, if the same one even points out only such subjects, as a question about Western distinctive attitude and role, the West flies and falls at its lowest level, contradicting its principles of neutrality and freedom of press and speech, which pictures, not only double standards but also double dishonesty with itself and readers. Despite that, Western media bother not to realize and feel ignominy and moral and professional stigma. * Social Media has become the global dustbin of idiocy and acuity. It stinks now. Anyone is there to separate and recycle that. Freedom of speech doesn’t mean to constitute insulting, abusing, and harming deliberately in a distinctive and discriminative feature and context, whereas supporting such notions and attempts is a universal crime. * Social media is a place where you share your favourite poetry, quotes, songs, news, social activities, and reports. You can like something, you can comment, and you can use humour in a civilised way. It is social media, but it is not a place to love or be loved. Any lover does not exist here, and no one is serious in this regard. Just enjoy yourself and do not try to fool anyone. If you do that, it means you are making yourself a fool; it is a waste of time, and it is your defeat too. * I use social media only to devote and denote my thoughts voluntarily for the motivation of knowledge, not to earn money as greedy-minded. * One should not take seriously the Social-Media fools and idiots. * Today, on social media, how many are on duty? * Journalists voluntarily fight for human rights and freedom of speech, whereas they stay silent for their rights and journalistic freedom on the will and restrictions of the boss of the media. Indeed, it verifies that The nearer the church, the farther from god. * The abuse, insult, humiliation, and discrimination against whatever subject is not freedom of expression and writing; it is a violation and denial of global harmony and peace. * Press freedom is one significant pillar of true democracy pillars, but such democracy stays deaf, dumb, and blind, which restricts or represses the media. * Press and speech that deliberately trigger hatred and violation fall not under the freedom of press and speech since restrictions for morale and peace apply to everyone without exemption. * Real press freedom is just a dream, which nowhere in the world becomes a reality; however, journalists stay dreaming that.
Ehsan Sehgal
Many boys will bring you flowers. But someday you'll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart. - Six of Crows, Leigh Bardugo
Leigh Bardugo (Grisha and Six of Crows Series 6 Books Collection Set)
And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. That instinct never goes—look at my fire engine, look at my vinyl collection. Look at all these things I’ve chosen to represent who I am. It was fun to find out about each other’s self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drunk from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Bar-made Manhattans (much better). Otis Redding’s “Cigarettes and Coffee” (our song). Discovering a new song we both loved and listening to it over and over again until we
Dolly Alderton (Good Material)
And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more.
Dolly Alderton (Good Material)
No, sir, of course not. Beren now, he never thought he was going to get that Silmaril from the Iron Crown in Thangorodrim, and yet he did, and that was a worse place and a blacker danger than ours. But that’s a long tale, of course, and goes on past the happiness and into grief and beyond it – and the Silmaril went on and came to Eärendil. And why, sir, I never thought of that before! We’ve got – you’ve got some of the light of it in that star-glass that the Lady gave you! Why, to think of it, we’re in the same tale still! It’s going on. Don’t the great tales never end?’ ‘No, they never end as tales,’ said Frodo. ‘But the people in them come, and go when their part’s ended. Our part will end later – or sooner.’ ‘And then we can have some rest and some sleep,’ said Sam. He laughed grimly. ‘And I mean just that, Mr. Frodo. I mean plain ordinary rest, and sleep, and waking up to a morning’s work in the garden. I’m afraid that’s all I’m hoping for all the time. All the big important plans are not for my sort. Still, I wonder if we shall ever be put into songs or tales. We’re in one, of course; but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: “Let’s hear about Frodo and the Ring!” And they’ll say: “Yes, that’s one of my favourite stories. Frodo was very brave, wasn’t he, dad?” “Yes, my boy, the famousest of the hobbits, and that’s saying a lot.”’ ‘It’s saying a lot too much,’ said Frodo, and he laughed, a long clear laugh from his heart. Such a sound had not been heard in those places since Sauron came to Middle-earth. To Sam suddenly it seemed as if all the stones were listening and the tall rocks leaning over them. But Frodo did not heed them; he laughed again. ‘Why, Sam,’ he said, ‘to hear you somehow makes me as merry as if the story was already written. But you’ve left out one of the chief characters: Samwise the stouthearted. “I want to hear more about Sam, dad. Why didn’t they put in more of his talk, dad? That’s what I like, it makes me laugh. And Frodo wouldn’t have got far without Sam, would he, dad?
J.R.R. Tolkien (The Lord of the Rings)
.... I didn't recognise the million little ways they expressed their love for reach other. Like how my mom always bought my dad's favourite kind of cheese, Swiss, even though hers was Havarti. Like the way my dad forgot their wedding anniversary but remembered the songs that played on the radio the first time they kissed... My parents didn't buy each other fancy gifts or take expensive vacations or plan elaborate surprises. They were simple people who showed their love in minute ways every second of every day.
Shaun David Hutchinson (The Five Stages of Andrew Brawley)
.... I didn't recognise the million little ways they expressed their love for each other. Like how my mom always bought my dad's favourite kind of cheese, Swiss, even though hers was Havarti. Like the way my dad forgot their wedding anniversary but remembered the songs that played on the radio the first time they kissed... My parents didn't buy each other fancy gifts or take expensive vacations or plan elaborate surprises. They were simple people who showed their love in minute ways every second of every day.
Shaun David Hutchinson (The Five Stages of Andrew Brawley)
Social media is a place where you share your favourite poetry, quotes, songs, news, social activities, and reports. You can like something, you can comment, and you can use humour in a civilised way. It is social media, but it is not a place to love or be loved. Any lover does not exist here, and no one is serious in this regard. Just enjoy yourself and do not try to fool anyone. If you do that, it means you are making yourself a fool; it is a waste of time, and it is your defeat too.
Ehsan Sehgal
He feels like home – a favourite song I’ve listened to repeatedly, a much-loved book I’ve reread.
Sarah J. Harris (Meet Me on the Bridge)
Samwise: I wonder if we shall ever be put into songs or tales. We're in one, or course; but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: "Let's hear about Frodo and the Ring! " And they'll say: "Yes, that's one of my favourite stories. Frodo was very brave. wasn't he, dad?" "Yes, my boy, the famousest of the hobbits, and that's saying a lot." Frodo: 'Why, Sam,' he said, 'to hear you somehow makes me as merry as if the story was already written. But you've left out one of the chief characters: Samwise the stouthearted. "I want to hear more about Sam, dad. Why didn't they put in more of his talk, dad? That's what I like, it makes me laugh. And Frodo wouldn't have got far without Sam, would he, dad?
J.R.R. Tolkien, The Two Towers
Samwise: I wonder if we shall ever be put into songs or tales. We're in one, or course; but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: "Let's hear about Frodo and the Ring! " And they'll say: "Yes, that's one of my favourite stories. Frodo was very brave. wasn't he, dad?" "Yes, my boy, the famousest of the hobbits, and that's saying a lot." Frodo: 'Why, Sam,' he said, 'to hear you somehow makes me as merry as if the story was already written. But you've left out one of the chief characters: Samwise the stouthearted. "I want to hear more about Sam, dad. Why didn't they put in more of his talk, dad? That's what I like, it makes me laugh. And Frodo wouldn't have got far without Sam, would he, dad?
J.R.R. Tolkien (The Lord of the Rings (The Lord of the Rings, #1-3), readers companion)
Social media is a place where you share your favourite poetry, quotes, songs, news, social activities, and reports. You can like something, you can comment, and you can use humour in a civilised way. It is social media, but it is not a place to love or be loved. Any lover does not exist here, and no one is serious in this regard. Just enjoy yourself and do not try to fool anyone if you do that, it means you are making yourself a fool; it is a waste of time, and it is your defeat too.
Ehsan Sehgal
On the way to the tiny Los Pajaritos stadium (capacity just 9,025), Coldplay’s ‘Viva la Vida’ blared from the speakers on the team bus. That song, a favourite of Pep’s, would become the soundtrack to the rest of the season – the anthem for Guardiola’s era, even. When that song played, the players knew the moment had arrived. It was a warning. The call to action.
Guillem Balagué (Pep Guardiola: Another Way of Winning: The Biography)
They quoted their favourite songs and shows rather than have conversations. Josh was so bored he could scream.
Rachael Eyre (Love and Robotics)
The biggest miscalculation the tyrants and despots had made was to convince themselves that their citizens scorned the Western way of life, when in fact the opposite was true: Western ways were the envy of the world. Not only did people want to be able to choose their own leaders, enjoy a free press, and speak their minds freely and openly without fear of reprisal, but they yearned to look and live and love as they pleased. They wanted to wear the current trendy styles and fashions from the US and Europe, follow the exploits of their favourite celebrities, play the newest video games, watch the latest Hollywood blockbusters, binge on television box sets, view pornography, and download the hot new pop songs and videos.
Bruce Paley (The Obrovský Theatre Co. of Blaznivyzeme)
The family were arranged on the veranda under the grapevine, each occupied with his or her own affairs. Mother was knitting, counting the stitches audibly at intervals to herself and saying ‘damn’ periodically when she went wrong. Leslie was squatting on the flag-stones, carefully weighing gunpowder and little piles of silver shot as he filled shiny red cartridge cases. Larry was reading a massive tome and occasionally glancing irritably at Margo, who was clattering away at her machine, making some diaphanous garment, and singing, off key, the only line she knew of her favourite song of the moment. ‘She wore her little jacket of blue,’ she warbled. ‘She wore her little jacket of blue, She wore her little jacket of blue, She wore her little jacket of blue.’ ‘The only remarkable thing about your singing is your tenacity,’ said Larry. ‘Anybody else, faced with the fact that they could not carry a tune and couldn’t remember the simplest lyric, would have given up, defeated, a long time ago.’ He threw his cigarette butt down on the flag-stones and this produced a roar of rage from Leslie. ‘Watch the gunpowder,’ he shouted. ‘Leslie dear,’ said Mother, ‘I do wish you wouldn’t shout like that, you’ve made me lose count.’ I produced my hedgehogs proudly and showed them to Mother
Gerald Durrell
My favourite quotes, Part Two -- from Michael Connelly's "Harry Bosch" series The Black Box On Bosch’s first call to Henrik, the twin brother of Anneke - Henrik: "I am happy to talk now. Please, go ahead.” “Thank you. I, uh, first want to say as I said in my email that the investigation of your sister’s death is high priority. I am actively working on it. Though it was twenty years ago, I’m sure your sister’s death is something that hurts till this day. I’m sorry for your loss.” “Thank you, Detective. She was very beautiful and very excited about things. I miss her very much.” “I’m sure you do.” Over the years, Bosch had talked to many people who had lost loved ones to violence. There were too many to count but it never got any easier and his empathy never withered. The Burning Room 2 Grace was a young saxophonist with a powerful sound. She also sang. The song was “Somewhere Over the Rainbow,” and she produced a sound from the horn that no human voice could ever touch. It was plaintive and sad but it came with an undeniable wave of underlying hope. It made Bosch think that there was still a chance for him, that he could still find whatever it was he was looking for, no matter how short his time was. ---------------- He grabbed his briefcase off his chair and walked toward the exit door. Before he got there, he heard someone clapping behind him. He turned back and saw it was Soto, standing by her desk. Soon Tim Marcia rose up from his cubicle and started to clap. Then Mitzi Roberts did the same and then the other detectives. Bosch put his back against the door, ready to push through. He nodded his thanks and held his fist up at chest level and shook it. He then went through the door and was gone. The Burning Room 3 “What do you want to know, Bosch?” Harry nodded. His instinct was right. The good ones all had that hollow space inside. The empty place where the fire always burns. For something. Call it justice. Call it the need to know. Call it the need to believe that those who are evil will not remain hidden in darkness forever. At the end of the day Rodriguez was a good cop and he wanted what Bosch wanted. He could not remain angry and mute if it might cost Orlando Merced his due. ------------ “I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away.” “What is the other, Henrik?” Though he knew the answer. “Anger . . . I am still angry, Detective Bosch.” Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for. “So am I, Henrik,” he said. “So am I.” Angle of Investigation 1972 They were heading south on Vermont through territory unfamiliar to him. It was only his second day with Eckersly and his second on the job. Now He knew that passion was a key element in any investigation. Passion was the fuel that kept his fire burning. So he purposely sought the personal connection or, short of that, the personal outrage in every case. It kept him locked in and focused. But it wasn’t the Laura syndrome. It wasn’t the same as falling in love with a dead woman. By no means was Bosch in love with June Wilkins. He was in love with the idea of reaching back across time and catching the man who had killed her. The Scarecrow At one time the newsroom was the best place in the world to work. A bustling place of camaraderie, competition, gossip, cynical wit and humor, it was at the crossroads of ideas and debate. It produced stories and pages that were vibrant and intelligent, that set the agenda for what was discussed and considered important in a city as diverse and exciting as Los Angeles.
Michael Connelly
Tom didn’t mind the tunes, with the exception of Cliff fucking Richards. Whenever he heard “Mistletoe and Wine” or “Saviour’s Day” he wanted to smash whatever was playing it. Mercifully, he managed to quell such wants and simply turn the music down or, better yet, off entirely. Currently, his favourite song was playing by The Pogues.
Matt Shaw (The Haunting of The North Pole (and other festive horrors))
I'm just me. Samuel Clearwater. I was born in this shit hole town. My favourite word is any variation of FUCK. I like my whiskey with a side of blow and maybe a little weed. I have a running theme song in my head for pretty much every occasion and I like to sing it at the top of my lungs, regardless of who is around or where I am. One of my most favorite things to do in this life is to give my friend Bear shit 'cause the look on his face is fucking priceless. I love all kinds of movies and I cried like a little bitch during the entire two hours of PS I Love You. I dig all kinds music. Countrey. Folk. Pop. Blues. Rap. Everything from Tupac to Taylor Swift. I have an unnatural obsession with making perfect pancakes.
T.M. Frazier (Preppy: The Life & Death of Samuel Clearwater, Part Three (King, #7))
my lover stays lanes apart but it feels like continents once he stops replying on whatsapp: he has checked my story on instagram but one of these days, social media will be the death of me. my lover shows up on my door unannounced, two different flavours of doughnuts in his hand, he knows i have been crying. they'd taste better if they weren't so soggy, but i have enough filters on my phone to make them look pretty, my friends would be jealous, favourite desserts from half-closed, overpriced airport shops, a hundred cities away. my lover holds my hand A hasn't called me back he says, their boyfriends do not get them their and kisses my neck, i wish there was a song by the 1975 playing in the background, but instagram music isn't supported in my region. i haven't seen him in eight days, it's funny when i write it down because i was sure it was a millennium, we yearn for skin, touch, smell, but let me quickly take a photograph, make him look like he's not looking, our love can go stale, but my social media needs to keep its aesthetic game strong. two boomerangs, seven filters, and one kissing selfie later, we explode. without words, without music. i feel like it's my first kiss again. this is how it must have felt to be in love a thousand years ago.
Shlagha borah
Some of my favourite songs were about sex before I even knew I could do something with my dick that didn't involve pissing my name in snow.
L.J. Shen (Ruckus (Sinners of Saint, #2))
Show me a believing man, and I will show you a justified man, and, withal, a man who is never out of his Bible. What else would you have him to read? I would like to hear you urging some of your favourite reading on him. I would like you to tell him where else but in his Bible such faith as his could be fed. Where else could he get songs for the house of his pilgrimage? And shoes for his feet, and a staff for his hand? And his whole furniture for his life of faith, and for his death of victory? Yes: depend upon it, the just man will live, and move, and have his whole being, in his Bible, and in books that have been drawn out of his Bible. But
Alexander Whyte (The Apostle Paul)
All I hear are the sounds of the ocean, our breathing and the beating of my heart. This might even be my favourite song, but a girl’s got to have some secrets…
Sarah Michelle Lynch (Hetty)