Sky Reminds You Quotes

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You remind me that I am alive.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
When I look up to the sky between the narrow roofs, it reminds me of you, the one who is far, far away.
Masashi Kishimoto (Naruto, Vol. 23: Predicament (Naruto, #23))
It's always surprising to be reminded that while you're watching and thinking about people, all knowing and superior, they're watching and thinking about you, right back at you.
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
When we are sad—at least I am like this—it can be comforting to cling to familiar objects, to the things that don't change. Your descriptions of the desert—that oceanic, endless glare—are terrible but also very beautiful. Maybe there's something to be said for the rawness and emptiness of it all. The light of long ago is different from the light of today and yet here, in this house, I'm reminded of the past at every turn. But when I think of you, it's as if you've gone away to sea on a ship—out in a foreign brightness where there are no paths, only stars and sky.
Donna Tartt (The Goldfinch)
Close the door Throw the key Don't wanna be reminded Don't wanna be seen Don't wanna be without you My Judgement clouded like tonight's sky.
One Direction
Persephone, grant me the foresight to know when I must let go my old life to start anew. Artemis, grant me the strength of your spine when you helped deliver Apollo, your own twin. Athena, grant me the solidarity in your sinews for which you were born in all of your armour. Aphrodite, grant me the kind of heart that always follows my passions true. Andromeda grant me the wish to never fall out of love with the night sky or the glisten of it’s stars. And Hera, grant me your fury, so I can remind my enemies I am not the weakness they perceive, I am the oncoming storm, I am war.
Nikita Gill
The Sun and the Moon Aim for a love that reminds you of the devotion the sun has to the moon. Whether she is in fractions or she is whole, he still shrouds his intense light in the darkness of the night. To give her the entire sky, without judgment, so she can shine in any way she wants to. You deserve someone who adores you on the days you are in broken fragments too. You deserve someone who lets you glow in every way you need to.
Nikita Gill (Wild Embers: Poems of Rebellion, Fire and Beauty)
The starry sky is the truest friend in life, when you've first become acquainted; it is ever there, it gives ever peace, ever reminds you that your restlessness, your doubt, your pains are passing trivialities.
Erling Kagge (Silence in the Age of Noise)
I’m often difficult to love. I go through dark periods like the moon and I hide from myself. But I promise I will kiss your wounds when they’re hurting. Even if they’re in your soul, I can find them with the light in my fingertips. I will lead you to the river so you can remember how beautiful it feels to be moved by something that is out of your control. And when our dark periods match, we can breathe with the grass and look at the night sky. The stars will remind us of the beauty in our struggles and we won’t feel lost.
Emery Allen
Maybe I owe you something too, human," she said, drawing her pistol. Butler almost reacted, but decided to give Holly the benefit of the doubt. Captain Short plucked a gold coin from her belt, flicking it fifty feet into the moonlit sky. With one fluid movement, she brought her weapon up and loosed a single blast. The coin rose another fifty feet, then spun earthward. Artemis somehow managed to snatch it from the air. The first cool movement of his young life. "Nice shot," he said. The previously solid disk now had a tiny hole in the center. Holly held out her hand, revealing the still raw scar on her finger. "If it wasn't for you, I would have missed altogether. No mech-digit can replicate that kind of accuracy. So, thank you too, I suppose." Artemis held out the coin. "No," said Holly. "You keep it, to remind you." "To remind me?" Holly stared at him frankly. "To remind you that deep beneath the layers of deviousness, you have a spark of decency. Perhaps you could blow on that spark occasionally." Artemis closed his fingers around the coin. It was warm against his palm. "Yes, perhaps.
Eoin Colfer (The Arctic Incident (Artemis Fowl, #2))
The moon is your reminder that God is never-changing, and you can always depend on Him to hear your prayers.
Tessa Emily Hall (Purple Moon)
Roar's mouth pulled into a smile-a beautiful smile she hadn't seen in weeks. "Beautiful, huh?" She drew her hand away, giving him a small push on the shoulder. "Don't act surprised." "I'm not. Always nice to be reminded,though.” “I give up,” Soren said, shaking his head. “Congratulations. You two are the first code I can’t break.
Veronica Rossi (Into the Still Blue (Under the Never Sky, #3))
If peace comes from seeing the whole, then misery stems from a loss of perspective. We begin so aware and grateful. The sun somehow hangs there in the sky. The little bird sings. The miracle of life just happens. Then we stub our toe, and in that moment of pain, the whole world is reduced to our poor little toe. Now, for a day or two, it is difficult to walk. With every step, we are reminded of our poor little toe. Our vigilance becomes: Which defines our day—the pinch we feel in walking on a bruised toe, or the miracle still happening? It is the giving over to smallness that opens us to misery. In truth, we begin taking nothing for granted, grateful that we have enough to eat, that we are well enough to eat. But somehow, through the living of our days, our focus narrows like a camera that shutters down, cropping out the horizon, and one day we’re miffed at a diner because the eggs are runny or the hash isn’t seasoned just the way we like. When we narrow our focus, the problem seems everything. We forget when we were lonely, dreaming of a partner. We forget first beholding the beauty of another. We forget the comfort of first being seen and held and heard. When our view shuts down, we’re up in the night annoyed by the way our lover pulls the covers or leaves the dishes in the sink without soaking them first. In actuality, misery is a moment of suffering allowed to become everything. So, when feeling miserable, we must look wider than what hurts. When feeling a splinter, we must, while trying to remove it, remember there is a body that is not splinter, and a spirit that is not splinter, and a world that is not splinter.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
You remind me of the wind.” He tried to explain. “Powerful and able to cool or freeze with half a thought, shaping the world itself though no one can see you. Only your impact on things.” He added, “It seems lonely, now that I’m saying it.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The music defied classification. If I had been writing a review of the show, I would have labeled it progressive, guitar-driven rock ’n’ roll. But the guitars made sounds guitars didn’t always make. Symphonic sounds. Sacred sounds. The music dug in so deep you didn’t hear it so much as feel it, reminding me of a dream I used to have when I was a kid, where I would be standing on a street corner, I would jump into the air, flap my arms, and soar up into the sky. That’s the only way I could describe the music. It was the sonic equivalent of flight.
Tiffanie DeBartolo (How to Kill a Rock Star)
Avoid fancy words....If you admire fancy words, if every sky is beauteous, every blonde curvaceous, every intelligent child prodigious, if you are tickled by discombobulate, you will have a bad time. Reminder 14.
William Strunk Jr.
Good morning. Lead with gratitude. The air in your lungs, the sky above you. Proceed from there.
Lin-Manuel Miranda
Do you know why I like storms? They're a little reminder that we're not at all in charge, but Mother Nature is. And while the world might not look exactly how we'd prefer it to, it is enough, if we just stop and look. The whole sky lit up. The smell of the rain. Safe inside. What more could you need?
Lia Louis (Dear Emmie Blue)
That doesn’t mean it isn’t true. The Shining Isle exists as surely as the floor you’re standing on. It may be hard to believe, but it’s real, I tell you. Sometimes in the middle of the night, the sun can seem like it was only ever a dream. We need something to remind us that it still exists, even if we can’t see it. We need something beautiful hanging in the dark sky to remind us there is such a thing as daylight. Sometimes, Queen Sara”—Armulyn strummed his whistleharp— “music is the moon.
Andrew Peterson (The Warden and the Wolf King (The Wingfeather Saga, #4))
Price,” Wrath said, still looking at his brother. “Well, here’s the thing.” As the king cursed, the man, Lassiter, laughed. “It’s not a price, though.” “What. Is. It.” “We’re a two-for-one-deal.” “Excuse me?” “I come with him.” “The fuck you do.” The man lost any levity in his voice. “It’s past of the arrangement, and believe me, I wouldn’t choose this either. Fact is, he’s my last change, so yeah, I’m sorry, but I go with him. And if you say no, by the way, I’m going to level us all like that.” The man snapped his fingers, a brilliant white spark flaring against the night sky. After a moment, Wrath turned to John. “This is Lassiter, the fallen angel. One of the last times he was on earth, there was a plague in central Europe –“ “Okay, that was so not my fault –” “ – that wiped out two-thirds of the human population.” “I’d like to remind you that you don’t like humans.” “They smell bad when they’re dead.” “All you mortal types do.” John could barely follow the conversation; he was too busy staring into Tohr’s face. Open your eyes…open your eyes…please God… “Come on, John.” Wrath turned back to the Brotherhood and started walking. When he came up to them, he said softly, “Our brother is returned.” “Oh, Christ, is he alive,” someone said. “Thank God,” someone else groaned. “Tell them,” Lassiter demanded from behind. “Tell them he comes with a roommate.” As one, the Brothers’ heads snapped up. “Fuck. Me, “Vishous breathed. “I will so pass on that,” Lassiter muttered.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
When the woman you live with is an artist, every day is a surprise. Clare has turned the second bedroom into a wonder cabinet, full of small sculptures and drawings pinned up on every inch of wall space. There are coils of wire and rolls of paper tucked into shelves and drawers. The sculptures remind me of kites, or model airplanes. I say this to Clare one evening, standing in the doorway of her studio in my suit and tie, home from work, about to begin making dinner, and she throws one at me; it flies surprisingly well, and soon we are standing at opposite ends of the hall, tossing tiny sculptures at each other, testing their aerodynamics. The next day I come home to find that Clare has created a flock of paper and wire birds, which are hanging from the ceiling in the living room. A week later our bedroom windows are full of abstract blue translucent shapes that the sun throws across the room onto the walls, making a sky for the bird shapes Clare has painted there. It's beautiful. The next evening I'm standing in the doorway of Clare's studio, watching her finish drawing a thicket of black lines around a little red bird. Suddenly I see Clare, in her small room, closed in by all her stuff, and I realize that she's trying to say something, and I know what I have to do.
Audrey Niffenegger (The Time Traveler's Wife)
People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.
Anthony Doerr (All the Light We Cannot See)
Under blue skies, on cracked rocks, in dry heat, in desert land, grace is the hand that is never out of reach reminding you: you are not weak because you are lonely.
Morgan Harper Nichols (All Along You Were Blooming: Thoughts for Boundless Living (Morgan Harper Nichols Poetry Collection))
What I feel for you is so big, Cara. No more doubts.” He tips my chin up to look me in the eye. “You’re with me because there’s nowhere else I want you to be. Got it?” I offer him a small smile and nod. “Got it.” “Good.” He lifts me and carries me toward the bedroom. “But just in case, I think I’ll work on reminding you some more.
Kristen Proby (Loving Cara (Love Under the Big Sky, #1))
And kid, you’ve got to love yourself. You’ve got wake up at four in the morning, brew black coffee, and stare at the birds drowning in the darkness of the dawn. You’ve got to sit next to the man at the train station who’s reading your favorite book and start a conversation. You’ve got to come home after a bad day and burn your skin from a shower. Then you’ve got to wash all your sheets until they smell of lemon detergent you bought for four dollars at the local grocery store. You’ve got to stop taking everything so goddam personally. You are not the moon kissing the black sky. You’ve got to compliment someones crooked brows at an art fair and tell them that their eyes remind you of green swimming pools in mid July. You’ve got to stop letting yourself get upset about things that won’t matter in two years. Sleep in on Saturday mornings and wake yourself up early on Sunday. You’ve got to stop worrying about what you’re going to tell her when she finds out. You’ve got to stop over thinking why he stopped caring about you over six months ago. You’ve got to stop asking everyone for their opinions. Fuck it. Love yourself, kiddo. You’ve got to love yourself.
Anonymous
You remind me of home, of all the simple things in life, of light and love and the reasons I am not alone. You remind me of hope, of the sea and the sky, every hug and every kiss from your lips to your thighs. I have flown around the world and met no one like you because you are all the things I keep coming back to.
Courtney Peppernell (Pillow Thoughts (Pillow Thoughts, #1))
She smiles. ‘I like black because it reminds me of night. You can only see all the stars when the sky’s black.
Giselle Simlett (Girl of Myth and Legend (The Chosen Saga #1))
It is said that time heals everything. I don't think that's true. As the years have gone by, I've found it odd how simple things can still remind you of those terrible times or how the moment you try so hard to forget becomes your sharpest memory.
Amita Trasi (The Color of Our Sky)
Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler
Daniel Handler
It is said that time heals everything. I don't think that's true. As that years have gone by, I've found it odd how simple things can still remind you of those terrible times or how the moment you try so hard to forget becomes your sharpest memory.
Amita Trasi (The Color of Our Sky)
Dear Deborah, Words do not come easily for so many men. We are taught to be strong, to provide, to put away our emotions. A father can work his way through his days and never see that his years are going by. If I could go back in time, I would say some things to that young father as he holds, somewhat uncertainly, his daughter for the very first time. These are the things I would say: When you hear the first whimper in the night, go to the nursery leaving your wife sleeping. Rock in a chair, walk the floor, sing a lullaby so that she will know a man can be gentle. When Mother is away for the evening, come home from work, do the babysitting. Learn to cook a hotdog or a pot of spaghetti, so that your daughter will know a man can serve another's needs. When she performs in school plays or dances in recitals, arrive early, sit in the front seat, devote your full attention. Clap the loudest, so that she will know a man can have eyes only for her. When she asks for a tree house, don't just build it, but build it with her. Sit high among the branches and talk about clouds, and caterpillars, and leaves. Ask her about her dreams and wait for her answers, so that she will know a man can listen. When you pass by her door as she dresses for a date, tell her she is beautiful. Take her on a date yourself. Open doors, buy flowers, look her in the eye, so that she will know a man can respect her. When she moves away from home, send a card, write a note, call on the phone. If something reminds you of her, take a minute to tell her, so that she will know a man can think of her even when she is away. Tell her you love her, so that she will know a man can say the words. If you hurt her, apologize, so that she will know a man can admit that he's wrong. These seem like such small things, such a fraction of time in the course of two lives. But a thread does not require much space. It can be too fine for the eye to see, yet, it is the very thing that binds, that takes pieces and laces them into a whole. Without it, there are tatters. It is never too late for a man to learn to stitch, to begin mending. These are the things I would tell that young father, if I could. A daughter grown up quickly. There isn't time to waste. I love you, Dad
Lisa Wingate (Dandelion Summer (Blue Sky Hill #4))
I could look at the sky forever. There's always something to look at, to notice. You're reminded that nothing stops, not even when it feels like everything else in your life has ground to a halt. Our world will keep turning, revolving, long after we're gone.
Andrew Auseon (Freak Magnet)
Then: “Where’s my manners? I hope you get to feeling pert soon, ma’am. I miss seeing my bonny Picasso.” He grinned. I stared at him blankly, and he added, “Picasso’s painting of the pretty blue lady, the Woman with a Helmet of Hair that I’d seen in one of the magazines you brought us? You remind me of her. Your fine color. My woman always said God saved that best color for His home.” He pointed a finger up to a patch of blue sky parting the gray clouds. “Guess He must’ve had Himself a little left over.” Astonished, I could feel my face warm. No one, not a soul, ever said my old color was fine. The best.
Kim Michele Richardson (The Book Woman of Troublesome Creek)
The starry sky is the truest friend in life, when you first become acquainted; it is ever there, it gives ever peace, ever reminds you that your restlessness, your doubt, your pains are passing trivialities. The universe is and will remain unshaken. Our opinions, our struggles, or sufferings are not so important and unique, when all is said and done.
Fridtjof Nansen
Put your arms around my waist, Hold me close for a kiss and savour the taste, I love you now I love you true, Can I drown please in your eyes so blue? Let’s hang our hearts on a crescent moon, And skinny-dip in starlit lakes to loves sweet tune, Let’s dance on boithrins grassy line, And waltz 'Neath the canopied leaves of nature fine. Lets sit afore fires on a winters night Let me read you poetry aloud by candlelight, Let’s lay under the skylight and tell constellations apart, And I’ll remind you of the place you have in my heart.
Michelle Geaney (Under These Rebel Skies)
Each time you look up into the night sky, let the stars remind you that if you burn bright enough you can be a glimmer of hope to someone even if the are a million miles away.
Adeel Ahmed Khan
The fading blue of yesterdays sky is reminding of the hopeless love I told the moon about you.
Laura Chouette
Really, I remind myself, we hardly know each other -- just well enough for smiles and passing remarks, like stars from companion galaxies exchanging winks across swathes of limitless sky.
Holly Miller (The Sight of You (The Sight of You, #1))
So, you guyes are like us in other, uh, departments?” Deamon sat up, arching a brow. “Come again?” I felt my cheeks flush. “You know, like sex? I mean, you guys are all glowy and stuff. I don’t see how certain stuff would work.” Deamon’s lips curled into a half smile, and that was the only warning he gave. Moving unbelievably fast, I was on my back and he was above me in a flash. “Are you asking if I’m attracted to human girls?” he asked. Dark, wet waves of hair fell forward. Tiny droplets of water fell off the ends, splashing against my cheek. “Or are you asking if I’m attracted to you?” Using his hands, he lowered himself slowly. There wasn’t an inch of space between our bodies. Air fled my lungs at the contact of his body against mine. He was male and ripped in all the places I was soft. Being this close to him was startling, causing an array of sensations to zing through me. I shivered. Not from the cold, but from how warm and wonderful he felt. I could feel every breath he took, and when he shifted his hips, my eyes went wide and I gasped. Oh yeah, certain stuff was definitely working. Daemon rolled off me, onto his back beside me. “Next question?” he asked, voice deep and thick. I didn’t move. I stared wide-eyed at the blue-skies. “You could’ve just told me, you know?” I looked at him. “You didn’t have to show me.” “And what fund would there be in telling you?” He turned his head toward me. “Next question, Kitten?” “Why do you call me that?” “You remind me of a little fuzzy kitten, all claws and no bite.
Jennifer L. Armentrout (Obsidian (Lux, #1))
Words - take her with you let her rest in your rhymes Words - take her away somewhere beyond time Words - ease her breathing lay her softly on the floor there - let her linger and listen like ever before Leave her windows uncovered at night and fill her room with the citylights as they illuminate the sky it reminds her of the people outside cause she won't sleep unless she heals her loneliness Walk with her beneath the treetops create new paths and memories show her how the sunlight glances through the gaps between the leaves Words - help her change the world in only one verse tell her to reach for the stars and to always put love first Leave her windows uncovered at night and fill her rooms with the citylights as they illuminate the sky it reminds her of the people outside it reminds her of the people it reminds her of the people it reminds her of the people outside.
Ane Brun
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
There is a plain under a dim sky. It is covered with gentle rolling curves that might remind you of something else if you saw it from a long way away, and if you did see it from a long way away you'd be very glad that you were, in fact, a long way away. Three gray figures floated just above it. Exactly what they were can't be described in normal language. Some people might call them cherubs, although there was nothing rosy-cheeked about them. They might be rumored among those who see to it that gravity operates and that time stays separate from space. Call them auditors. Auditors of reality. They were in conversation without speaking. They didn't need to speak. They just changed reality so that they had spoken. One said, It has never happened before. Can it be done? One said, It will have to be done. There is a personality. Personalities come to an end. Only forces endure. It said this with satisfaction. One said, Besides... there have been irregularities. Where you get personality, you get irregularities. Well-known fact. One said, He has worked inefficiently? One said, No. We can't get him there. One said, That is the point. The word is him. Becoming a personality is inefficient. We don't want it to spread. Supposing gravity developed a personality? Supposing it decided to like people? One said, Got a crush on them, that sort of thing? One said, in a voice that would have been even chillier if it was not already at absolute zero, No. One said, Sorry. Just my little joke. One said, Besides, sometimes he wonders about his job. Such speculation is dangerous. One said, No argument there. One said, Then we are agreed? One, who seemed to have been thinking about something, said, Just one moment. Did you not just use the singular pronoun "my?" Not developing a personality, are you? One said, guiltily, Who? Us? One said, Where there is personality, there is discord. One said, Yes. Yes. Very true. One said, All right. But watch it in future. One said, Then we are agreed? They looked up at the face of Azrael, outlined against the sky. In fact, it was the sky. Azrael nodded, slowly. One said, Very well. Where is this place? One said, It is the Discworld. It rides through space on the back of a giant turtle. One said, Oh, one of that sort. I hate them. One said, You're doing it again. You said "I." One said, No! No! I didn't! I never said "I!"... oh, bugger... It burst into flame and burned in the same way that a small cloud of vapor burns, quickly and with no residual mess. Almost immediately, another one appeared. It was identical in appearance to its vanished sibling. One said, Let that be a lesson. To become a personality is to end. And now... let us go.
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
A full moon rose in the pale evening sky and glowed with a rich white inner light that brought to mind, but perfectly, the creamy inside of an Oreo cookie. (Eventually on the trail everything reminds you of food.)
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Halfway down, Eric stopped and stared at her, an awestruck look in his eyes. “What is it?” she asked. “Your hair. Even in moonlight . . . it looks like sunshine. I’d never have to go outside again if I was with you.” She tugged him forward. “I think you hit your head in your heroic struggles.” “You were the heroic one,” Eric said, stepping around a rock bend. “Reminds me of the stories from Russia my grandmother used to tell me. You know any of them? Vasilisa the Brave?” “Nope. My family’s from Romania. Never heard of any Vasilisa.” Looking up, Rhea stare up at the sky thoughtfully. “But I kind of like that name.
Richelle Mead (Kisses from Hell)
It was to remind people that it was okay to care and that once you let someone into your heart, you were never really alone. Even the most simple thing such as looking up at the sky could bring comfort to you, even when the one you loved was far away.
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #4; Were-Hunter, #2))
Go out onto the deck and stare at the sky for ten minutes, and remind yourself that ultimately ours is a meaningless and futile existence and that our little planet will probably be swallowed by a black hole, so none of this will have any point anyway.
Jojo Moyes (The Girl You Left Behind)
Recognize the light within you. That is the goodness. The unconditional love. The one that has protected you. Guided you to your highest calling. It is the stars in heaven, that remind us we are never alone. The night can never be so black, for every twinkle in the sky be that eye of the eternal blessing and for every beam off the moon tells you how soon the sun is off the horizon.
Jason Micheal Ratliff
You remind me of stars, i need patience to find you in this city sky, i need to pass through darkness to get to your light, there is a whole lot of distance between us, but once i get past it; brains, physics, and common sense assure me that i will get burnt.
Mennah al Refaey
You made it then',he murmurs. 'Did you really think I wouldn't?' I ask, my heart soaring up to the sky. He raises an eyebrow. 'I'd be lying if I said no, but that's only because I've been here since our very first kiss. 'Second', I remind him, curving my lips into a wry smile and glancing around at the shore where we kissed for the second - and the best time. 'First,' he grins. 'I knew from the start. It just took you a bit longer to catch up.
Ali Harris (The First Last Kiss)
It’s called “Caliban At Sunset”.’ ‘What at sunset?’ ‘Caliban.’ He cleared his throat, and began: I stood with a man Watching the sun go down. The air was full of murmurous summer scents And a brave breeze sang like a bugle From a sky that smouldered in the west, A sky of crimson, amethyst and gold and sepia And blue as blue as were the eyes of Helen When she sat Gazing from some high tower in Ilium Upon the Grecian tents darkling below. And he, This man who stood beside me, Gaped like some dull, half-witted animal And said, ‘I say, Doesn’t that sunset remind you Of a slice Of underdone roast beef?’ He
P.G. Wodehouse (Jeeves and the Feudal Spirit: (Jeeves & Wooster) (Jeeves & Wooster Series Book 11))
When Thomas said, “Love’s overrated,” I said, “You spoiled fucking brat.” And I reminded him, “Some boys have AIDS, retardation,” etc. Stuff he’d never se-e-e-en up in Beverly Hills. “There are girls who’d dismember their boyfriends for one word from you,” I told him. He knew that, but he didn’t know some of them were crippled. So I drove Thomas down to the hospital where I volunteer, where paraplegics with his posters taped around them like a sky, saw him and gasped like they’d been diagnosed God.
Dennis Cooper (The Dream Police: Selected Poems, 1969-1993)
It’s the tiniest moment, just when the sun peaks above the skyline, but the moons still visible—when darkness and light can co-exist. It reminds me of hope, and that I wasn’t alone or lost in this world. A reminder that anything is possible, even between two beings such as the sun and moon who only meet for a fraction of a second. During that small moment, together, they can create something so beautiful across the sky. I hoped that could be me, you know? That I wasn’t all bad, and possibly I could do something beautiful with my life too.
Nicole Fiorina (Now Open Your Eyes (Stay with Me, #3))
but your letter, it reminded me of those sunrises I watch every morning, and that sacred moment when light and dark can co-exist, making something beautiful across the sky. I’ve always been the dark, but you’ve always been the light, Ollie, and together, our love burns in color. You are my every beautiful sacred moment, and I promise to stay for the rest of my life.
Nicole Fiorina (Now Open Your Eyes (Stay with Me, #3))
I looked around the garden, the sun feeling warm on my back. "So why are you here? I would think you'd want to be as far away from a hurricane as possible." She looked at me as if I'd just suggested streaking down the beach. It took her a moment to answer. "Because this is home." She wanted to see if the words registered with me, but I just looked back at her, not understanding at all. After a deep breath, she looked up at a tall oak tree beyond the garden, its leaves still green against the early October sky, the limbs now thick with foliage. "Because the water recedes, and the sun comes out, and the trees grow back. Because" -she spread her hands, indicated the garden and the trees and, I imagined, the entire peninsula of Biloxi- "because we've learned that great tragedy gives us opportunities for great kindness. It's like a needed reminder that the human spirit is alive and well despite all evidence to the contrary." She lowered her hands to her sides. "I figured I wasn't dead, so I must not be done
Karen White (The Beach Trees)
They hurry in; the wind bangs a door behind them. Rafe takes his arm. He says, this silence of More's, it was never really silence, was it? It was loud with his treason; it was quibbling as far as quibbles would serve him, it was demurs and cavils, suave ambiguities. It was fear of plain words, or the assertion that plain words pervert themselves; More's dictionary, against our dictionary. You can have a silence full of words. A lute retains, in its bowl, the notes it has played. The viol, holds a concord. A shrivelled petal can hold its scent, a prayer can rattle with curses; an empty house, when the owners have gone out, can still be loud with ghosts. Someone - probably not Cristophe - has put on his desk a shining silver pot of cornflowers. The dusky blueness at the base of the crinkled petals reminds him of this morning's light; a late dawn for July, a sullen sky.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
In The Sunset Sky The sunset sky dazzling with the golden hues, Taking bow in brilliant sparkle of experience Is it not a climax, of the story so far, that was today? Or is it building anticipation of the night yet to come. Watch the days go, some proud of their accomplishments Some leaving sighs of disappointments, Leaving all in awe of its Amaranthine twists and turns And the fortunate get to see the moon trying to steal the show from setting sun, Oh she is such a show off, isn't she, basking in reflected glory Its magical, the sunset sky,Puzzling, sometimes just like a riddle, Leaving the nature stunned and amazed For it has been filling the canvas whole day with colours And now the sunset threatens to hide them all And in dark all the colours will be same A cue for the wise. Sunset sky has so much to offer, is she not a fine exampleof how uncertain a life can be Often reminding no matter what you planned, there will besome unexpected returns For End has its own brain, its own script Charting its own course So why just the beginning,every moment of the life should be grand, meted with equal passion and fervor She has been so clever; the sunset sky Leaving Twinkling cryptic messages for the night sky For even the dark has sparkle and hope if you keep your head up, A constant reminder that exuberance is an attitude of deep,rich, warm hearts I want my sunset sky to be grand, magical, and full of stories of my life that has been And its memories to linger on in this world, in the tomorrow and a few more years to come
Soma Mukherjee
Have you ever felt a stirring in your heart as a touching story brought tears to your eyes or as you heard a soaring symphony or a captivating song on the radio that opened a new window in your soul? Maybe you have felt a similar exhilaration while watching a sunset, camping out under the night sky, or holding a newborn babe. Something inside of you quickened, and for a moment, some heavenly beauty connected your inner self with the divine. C. S. Lewis referred to such experiences as joy. These are remnants and reminders of the perfect world God designed for us to live in—the shadow of places He longs to take us to, the reality of the other world He’s preparing for us.
Sally Clarkson (Own Your Life: Living with Deep Intention, Bold Faith, and Generous Love)
Jackson had never really seen the point of existential angst. If you didn’t like something you changed it and if you couldn’t change it you sucked it up and soldiered on, one foot after the other. (“Remind me not to come to you for therapy,” Julia said.)
Kate Atkinson (Big Sky (Jackson Brodie #5))
Somebody up there is deuced mad at me," she yelled, "and I want to know why!" The heavens opened in earnest and within seconds she was soaked to the skin. "Remind me never to question Your purposes again," she muttered ungraciously, not sounding particularly like the God-fearing young lady her father had raised her to be. "Clearly You don't like to be second-guessed." Lightning streaked through the sky, followed by a booming clap of thunder. "Damn!" she grunted, her bonnet sagged against her eyes, blocking her vision. She yanked it off, looked at the sky, and yelled, "I am not amused!" More lightning. "They are all against me," she muttered,"All of them." Her father, Sally Foxglove, Mr. Tibbett, whoever it was who controlled the weather— More thunder.
Julia Quinn (Brighter Than the Sun (The Lyndon Sisters, #2))
Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that. Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place. You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them. Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers. Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah. Your conscience is the measure of the honesty of your selfishness. Listen to it carefully. The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in awhile, and watch your answers change. Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years. The bond that links your true family is not one of blood, but of respect and joy in each other's life. Rarely do members of one family grow up under the same roof. There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts. Imagine the universe beautiful and just and perfect. Then be sure of one thing: The Is has imagined it quite a bit better than you have. The original sin is to limit the Is. Don't. A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now. But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons. You are never given a wish without being given the power to make it true. You may have to work for it, however. Argue for your limitations, and sure enough, they're yours. If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats. The world is your exercise-book, the pages on which you do your sums. It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages. Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you. In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice. The best way to avoid responsibility is to say, "I've got responsibilities." The truth you speak has no past and no future. It is, and that's all it needs to be. Here is a test to find whether your mission on earth is finished: If you're alive, it isn't. Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends. The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly. You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind. Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy. Everything above may be wrong!
Richard Bach
In the aftermath of loss, we do what we’ve always done, although we are changed, maybe more afraid. We do what we can, as well as we can. My pastor, Veronica, one Sunday told the story of a sparrow lying in the street with its legs straight up in the air, sweating a little under its feathery arms. A warhorse walks up to the bird and asks, “What on earth are you doing?” The sparrow replies, “I heard the sky was falling, and I wanted to help.” The horse laughs a big, loud, sneering horse laugh, and says, “Do you really think you’re going to hold back the sky, with those scrawny little legs?” And the sparrow says, “One does what one can.” So what can I do? Not much. Mother Teresa said that none of us can do great things, but we can do small things with great love. This reminder has saved me many times.
Anne Lamott (Stitches: A Handbook on Meaning, Hope and Repair)
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?” “My skin—” I stop, swallow. He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?” “You know. You’ve seen it,” I rasp. “It changes. The color becomes—” “Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.” “You said that before. In the mountains.” “I meant it. Still do.” I laugh weakly. “I guess this means you’re not mad at me.” “I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.” “This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes. For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.” My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted. He loves me? Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life? As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists. I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all. I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs. I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
Sophie Jordan (Firelight (Firelight, #1))
The fact that you love your dad so much is a sure sign of how much he loved you. He’s not here now, but accept the love that comes from the people around you. Let them be his sky lantern back to you. Let them share their love, and let that be a reminder of his. No one will ever love you quite the way your father did, but many people will see in you some of the same qualities and beautiful bits that he did. Love is as strong as death. As inevitable, as powerful, as eternal. It can’t be escaped. It can’t be avoided. It won’t be forgotten. And when death is gone, love will remain.
Matt Mikalatos (Sky Lantern: The Story of a Father's Love for His Children and the Healing Power of the Smallest Act of Kindness)
Statements made by distant church bells remind me it is Sunday. Today the sky has become cloudy. I have been watching the clouds and it occurs to me that I have never done this in my life before, simply sit and watch clouds. As a child I would have been far too anxious to ‘waste time’ in this way. And my mother would have stopped me. As I write this I am sitting on my plot of grass behind the house where I have put a chair, cushions, rugs. It is evening. Thick lumpy slate-blue clouds, their bulges lit up to a lighter blue, move slowly across a sky of muddy and yet brilliant gold, a sort of dulled gilt effect. At the horizon there is a light glittering slightly jagged silver line, like modern jewellery. Beneath it the sea is a live choppy lyrical goldeny-brown, jumping with white flecks. The air is warm. Another happy day. (‘Whatever will you do down there?’ they asked.) In a quiet surreptitious way I am feeling very pleased with myself.
Iris Murdoch (The Sea, the Sea)
dopamine is a chemical that blitzes through your brain, making you feel deliciously happy—exactly the way I was feeling at the time. My world was more colorful. The sky was bluer. The sun shone with a very personal intensity. The rain had a secret message for me. My own skin reminded me of gold and roses. It was a high I’ll never forget.
Mayte Garcia (The Most Beautiful: My Life with Prince)
You feel like a leaf at the mercy of the wind, don’t you?” he finally said, staring at me. That was exactly the way I felt. He seemed to empathize with me. He said that my mood reminded him of a song and began to sing in a low tone; his singing voice was very pleasing and the lyrics carried me away: “I’m so far away from the sky where I was born. Immense nostalgia invades my thoughts. Now that I am so alone and sad like a leaf in the wind, sometimes I want to weep, sometimes I want to laugh with longing.” (Que lejos estoy del cielo donde he nacido. Immensa nostalgia invade mi pensamiento. Ahora que estoy tan solo y triste cual hoja al viento, quisiera llorar, quisiera reir de sentimiento.) We did not speak for a long while. He finally broke the silence. “Since the day you were born, one way or another, someone has been doing something to you,” he said. “That’s correct,” I said. “And they have been doing something to you against your will.” “True.” “And by now you’re helpless, like a leaf in the wind.” “That’s correct. That’s the way it is.” I said that the circumstances of my life had sometimes been devastating. He listened attentively but I could not figure out whether he was just being agreeable or genuinely concerned until I noticed that he was trying to hide a smile. “No matter how much you like to feel sorry for yourself, you have to change that,” he said in a soft tone. “It doesn’t jibe with the life of a warrior.
Carlos Castaneda (Journey To Ixtlan)
Sky hummed a few bars, remembering the lilting, mournful notes. She hesitated, then haltingly began to sing: This song is from the crushed part of my heart. Sky`s voice, permantly scarred by the thornament she`d been forced to wear on warbler island as a child, was husky and pleasant, though it faltered with emotion now. She continued, half in a whisper as she trudged to the beat. The part that thrums reminders that you`re gone. I don't regret a moment of our days. But i won`t fall. I`ll be okay, you know. I`ve always been that way. As much as I wish you back with me, I`m still the same. My dreams remain. I don`t need a soul to know my name. And I`ll get on just fine- I always do. Alone and away. Alone and away.
Lisa McMann (Dragon Ghosts (The Unwanteds Quests #3))
Jade turned to Malachite, incredulous. “We’re going to help them fight off a Fell flight.” Malachite didn’t take her gaze off the sky. “I am.” A growl rose in Jade’s throat. She shouldn’t have been surprised. The bloodline resemblance between Moon and Malachite was particularly strong, though Moon couldn’t see it. And you have five of them back home in the nurseries, she reminded herself.
Martha Wells (The Harbors of the Sun (The Books of the Raksura #5))
When pain arrives it shifts your persepective on everything around you. The days grow darker, the nights stretch further, and you cannot, for the life of you, find the light through the fog. Everyday moments that were once beautiful to you now appear colourless and dull, and those songs that once sang full through your lungs now serve only to remind you of the better days far behind you. But don't lose hope. Through these dark times, you must simply learn to look harder for the light. It will come to you in flashes of unexpected beauty: the helping hand of a friend, a compliment given or recieved, a quiet moment of inspiration or peace. Collect these tiny fragments of light wherever they come, until at last your sky is so full or stars, you are finally able to see the way forward.
Beau Taplin (Here at Dawn)
It took him half an hour to reach the little mission chapel. From his position on his back in the river he could see just the tip of the steeple, but for the most part he gazed upward at the constellations. Rudy knew his constellations, because each one of his daughters had done a science project on them and they'd spent hours lying on their backs in the middle of the Edgar Lee Masters campus looking up at the sky. As the river bent to the south, he could see Virgo and Centaurus coming into view. At first they reminded him of true beauty, and he was overwhelmed. He knew that this heart-piercing ache, however painful, was the central experience of his life and that he would have to come to terms with it. No one - not Aristotle, not Epicurus, not Siva Singh - would ever convince him otherwise. But then it occurred to him that Virgo and Centaurus were just as arbitrary as the rudimentary classification system he'd used for his books - Helen's books. There were a lot of stars left out of the constellations, and nothing to stop you from drawing the lines in different ways to create different pictures. He wanted to lift his wings and fly, but he didn't have the power. He could only let the river carry him along.
Robert Hellenga (Philosophy Made Simple)
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.” My throat began to close at the pain in her voice. She looked up at me. “Because nothing so perfect can last an eternity, can it? Like shooting stars. We see the usual stars above us every single night. Most people take them for granted, even forget they are there. But if a person sees a shooting star, they remember that moment forever, they even make a wish at its presence.” She took in a deep breath. “It shoots by so quickly that people savor the short time they have with it.” I felt a teardrop fall on our joined hands. I was confused, unsure why she was talking about such sad things. “Because something so completely perfect and special is destined to fade. Eventually, it has to blow away into the wind.” Poppy held up the cherry blossom that was still in her hand. “Like this flower.” She threw it into the air, just as a gust of wind came. The strong bluster carried the petals into the sky and away above the trees. It disappeared from our sight. “Poppy—” I went to speak, but she cut me off. “Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Damen said, ‘You haven’t told him.’ ‘You don’t even deny it?’ said Jord. A harsh laugh, when Damen was silent. ‘You hated us so much, all this time? It wasn’t enough to invade, to take our land? You had to play this—sick game as well?’ Damen said, ‘If you tell him, I can’t serve him.’ ‘Tell him?’ said Jord. ‘Tell him the man he trusts has lied, and lied again, has deceived him into the worst humiliation?’ ‘I wouldn’t hurt him,’ said Damen, and heard the words drop like lead. ‘You killed his brother, then got him under you in bed.’ Put like that, it was monstrous. It’s not that way between us, he ought to have said, and didn’t, couldn’t. He felt hot, then cold. He thought of Laurent’s delicate, needling talk that froze into icy rebuff if Damen pushed at it, but if he didn’t—if he matched himself to its subtle pulses and undercurrents—continued, sweetly deepening, until he could only wonder if he knew, if they both knew, what they were doing. ‘I’m going to leave,’ he said. ‘I was always going to leave. I stayed only because—’ ‘That’s right, you’ll leave. I won’t allow you to wreck us. You’ll command us to Ravenel, you’ll say nothing to him, and when the fort is won, you’ll get on a horse and go. He’ll mourn your loss, and never know.’ It was what he had planned. It was what, from the beginning, he had planned. In his chest, the beats of his heart were like sword thrusts. ‘In the morning,’ said Damen. ‘I’ll give him the fort, and leave him in the morning. It’s what I promised.’ ‘You’re gone by the time the sun hits the middle of the sky, or I tell him,’ said Jord. ‘And what he did to you in the palace will seem like a lover’s kiss compared with what will happen to you then.’ Jord was loyal. Damen had always liked that about him, the steadfast nature that reminded him of home. Strewn around them was the end of the battle, victory marked by silence and churned grass. ‘He’ll know,’ Damen heard himself say. ‘When word of my return to Akielos reaches him. He’ll know. I wish you would tell him then that I—’ ‘You fill me with horror,’ said Jord. His hands were tight on his knife. Both his hands, now. ‘Captain,
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
I wonder how God is good, how it doesn’t do any good to run from Him because what He has is good and who He is, is good. Even if I want to run, it isn’t really what I want—what I want is Him, even if I don’t believe it. If He made all this existence, you would think He would know what He is doing, and you would think He could be trusted. Everything I want is just Him, to get lost in Him, to feel His love and more and more of this dazzling that He does. I wonder at His beautiful system and how it feels better than anything I could choose or invent for myself. I wonder as I gaze up at the night sky, this love letter from God to creation, this reminder that somewhere there is peace, somewhere there is order, and I think about how great His kingdom is, and is going to be, and I wonder, in this rare and beautiful moment, how I could ever want to walk away from it all.
Donald Miller
Imagine the fear the first men must have felt when they saw the sun setting on the horizon and the dark night beginning to rise—They must have felt such hopelessness within their hearts as the darkness descended, only for it to spark back to life as the stars began to shine through. However, the stars do not burn like the sun, do they? They provide little light for the land, which makes one wonder, that perhaps conquering the dark was not their purpose. Maybe the creators of the world intended when they made them, not to bring light into the world, but instead for them to serve as something else. That is the great mystery of our world, is it not? Why would the creators, the gods who shaped the land and the heavens with their hands, forge something so stunning, so dazzling, only to then hide them away during the day and allow men to gaze upon their beauty only when darkness is present—this must mean something, right? Maybe that was their intention all along. Perhaps they knew they could not eliminate the darkness of the night, so instead, they created these beautiful glowing lights in the sky—a small light for the people to cling to—to serve as a constant reminder to all that looked up, that no matter how dark the world seemed, there would always be light. Maybe that is why they created you as well
Courtney Praski (The Seven (The Oloris Series, #1))
The dark sky is being covered by a thick fog. The view reminds me of how I always felt about you. Instead of me being surrounded by your love, I was covered by a cloudy white thick fog, trying to find my way out of a chaotic maze in my mind. I’ve been broken all my life, and the fog hasn’t shown me any grace or mercy. I am tired of always trying to fight through the fog. I am exhausted from not knowing which way to go. Nevertheless, once the fog clears, I feel like I am on the hunt and racing time.
Charlena E. Jackson (Pinwheels and Dandelions)
Mr Wonka Goes Too Far The last time we saw Charlie, he was riding high above his home town in the Great Glass Lift. Only a short while before, Mr Wonka had told him that the whole gigantic fabulous Chocolate Factory was his, and now our small friend was returning in triumph with his entire family to take over. The passengers in the Lift (just to remind you) were: Charlie Bucket, our hero. Mr Willy Wonka, chocolate-maker extraordinary. Mr and Mrs Bucket, Charlie’s father and mother. Grandpa Joe and Grandma Josephine, Mr Bucket’s father and mother. Grandpa George and Grandma Georgina, Mrs Bucket’s father and mother. Grandma Josephine, Grandma Georgina and Grandpa George were still in bed, the bed having been pushed on board just before take-off. Grandpa Joe, as you remember, had got out of bed to go around the Chocolate Factory with Charlie. The Great Glass Lift was a thousand feet up and cruising nicely. The sky was brilliant blue. Everybody on board was wildly excited at the thought of going to live in the famous Chocolate Factory. Grandpa Joe was singing. Charlie was jumping up and down. Mr and Mrs Bucket were smiling for the first time in years, and the three old ones in the bed were grinning at one another with pink toothless gums. ‘What in the world keeps this crazy thing up in the air?’ croaked Grandma Josephine. ‘Madam,’ said Mr Wonka, ‘it is not a lift any longer. Lifts only go up and down inside buildings. But now that it has taken us up into the sky, it has become an ELEVATOR. It is THE GREAT GLASS ELEVATOR.
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
Sometimes the futility of it all drives me crazy. It’s so mindbogglingly brainless. We are on this tiny speck of soil and dirt which we call Earth, which won’t even register anywhere in vastness if you start comparing it with the other objects in the universe and our existence is such a paltry blip on it, just like a blink of an eye. And, even though, all you have to do is to look at the sky to be reminded of your being so minuscule and your existence to be so worthless, we still have the nerve to make each other’s lives miserable.
Amit Sharma (False Ceilings)
O Lord, how many are Your works! In wisdom You have made them all.… —Psalm 104:24 (NAS) In her intriguing book What’s Your God Language? Dr. Myra Perrine explains how, in our relationship with Jesus, we know Him through our various “spiritual temperaments,” such as intellectual, activist, caregiver, traditionalist, and contemplative. I am drawn to naturalist, described as “loving God through experiencing Him outdoors.” Yesterday, on my bicycle, I passed a tom turkey and his hen in a sprouting cornfield. Suddenly, he fanned his feathers in a beautiful courting display. I thought how Jesus had given me His own show of love in surprising me with that wondrous sight. I walked by this same field one wintry day before dawn and heard an unexpected huff. I had startled a deer. It was glorious to hear that small, secret sound, almost as if we held a shared pleasure in the untouched morning. Visiting my daughter once when she lived well north of the Arctic Circle in Alaska, I can still see the dark silhouettes of the caribou and hear the midnight crunch of their hooves in the snow. I’d watched brilliant green northern lights flash across the sky and was reminded of the emerald rainbow around Christ’s heavenly throne (Revelation 4:3). On another Alaskan visit, a full moon setting appeared to slide into the volcanic slope of Mount Iliamna, crowning the snow-covered peak with a halo of pink in the emerging light. I erupted in praise to the triune God for the grandeur of creation. Traipsing down a dirt road in Minnesota, a bloom of tiny goldfinches lifted off yellow flowers growing there, looking like the petals had taken flight. I stopped, mesmerized, filled with the joy of Jesus. Jesus, today on Earth Day, I rejoice in the language of You. —Carol Knapp Digging Deeper: Pss 24:1, 145:5; Hb 2:14
Guideposts (Daily Guideposts 2014)
I walked back into the bedroom. Amar was standing by the foot of the bed, playing lazily with the cuffs of his sleeves. I tensed. That foolish disappointment was gone. “Are you frightened?” he asked. Don’t cower. I straightened my back. I would’ve stared him in the eyes if I could. “Should I be?” “I should hope there are more frightening things than sharing a bed with me,” he said. He flourished a bow. “Did I not promise you that we would be equals? Your will is where I lay my head. I will not touch you without your permission.” I moved to the bed, taking stock of the unnecessary amount of cushions. I could feel Amar’s gaze on me and rather than tossing the cushions to the ground, I stacked them in the middle of the bed. Amar followed me and slid onto the opposite side. The fire in the diyas collapsed with the faintest of sighs. “A daunting fortress,” he said lazily, prodding one of the pillows. “Have you so little faith in me?” “Yes.” He laughed and the sound was unexpectedly…musical. “The dark is a lovely thing, is it not? It lets us speak in blindness. No scowls or smiles or stares clouding our words.” I lay in bed, my body taut. Amar continued: “I spoke no falsehoods in the Night Bazaar,” he said. “I would rip the stars from the sky if you wished it. Anything for you. But remember to trust me. Remember your promise.” I fell quiet for a moment. “I remember my promise.” After that, I said nothing. The air between us could have been whittled in steel. An hour passed before I ventured a glance at Amar. His face was turned from me, leaving only dark curls half visible in the light. Moonlight had limned his silhouette silver. The longer I stared at him, the more something sharp stirred within me and I was reminded of that strange ache in my head, where forgotten dreams jostled for remembrance.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
During all that time I didn't see Willie. I didn't see him again until he announced in the Democratic primary in 1930. But it wasn't a primary. It was hell among the yearlings and the Charge of the Light Brigade and Saturday night in the back room of Casey's saloon rolled into one, and when the dust cleared away not a picture still hung on the walls. And there wasn't any Democratic party. There was just Willie, with his hair in his eyes and his shirt sticking to his stomach with sweat. And he had a meat ax in his hand and was screaming for blood. In the background of the picture, under a purplish tumbled sky flecked with sinister white like driven foam, flanking Willie, one on each side, were two figures, Sadie Burke and a tallish, stooped, slow-spoken man with a sad, tanned face and what they call the eyes of a dreamer. The man was Hugh Miller, Harvard Law School, Lafayette Escadrille, Croix de Guerre, clean hands, pure heart, and no political past. He was a fellow who had sat still for years, and then somebody (Willie Stark) handed him a baseball bat and he felt his fingers close on the tape. He was a man and was Attorney General. And Sadie Burke was just Sadie Burke. Over the brow of the hill, there were, of course, some other people. There were, for instance, certain gentlemen who had been devoted to Joe Harrison, but who, when they discovered there wasn't going to be any more Joe Harrison politically speaking, had had to hunt up a new friend. The new friend happened to be Willie. He was the only place for them to go. They figured they would sign on with Willie and grow up with the country. Willie signed them on all right, and as a result got quite a few votes not of the wool-hat and cocklebur variety. After a while Willie even signed on Tiny Duffy, who became Highway Commissioner and, later, Lieutenant Governor in Willie's last term. I used to wonder why Willie kept him around. Sometimes I used to ask the Boss, "What do you keep that lunk-head for?" Sometimes he would just laugh and say nothing. Sometimes he would say, "Hell, somebody's got to be Lieutenant Governor, and they all look alike." But once he said: "I keep him because he reminds me of something." "What?" "Something I don't ever want to forget," he said. "What's that?" "That when they come to you sweet talking you better not listen to anything they say. I don't aim to forget that." So that was it. Tiny was the fellow who had come in a big automobile and had talked sweet to Willie back when Willie was a little country lawyer.
Robert Penn Warren (All the King's Men)
No, when the stresses are too great for the tired metal, when the ground mechanic who checks the de-icing equipment is crossed in love and skimps his job, way back in London, Idlewild, Gander, Montreal; when those or many things happen, then the little warm room with propellers in front falls straight down out of the sky into the sea or on to the land, heavier than air, fallible, vain. And the forty little heavier-than-air people, fallible within the plane's fallibility, vain within its larger vanity, fall down with it and make little holes in the land or little splashes in the sea. Which is anyway their destiny, so why worry? You are linked to the ground mechanic's careless fingers in Nassau just as you are linked to the weak head of the little man in the family saloon who mistakes the red light for the green and meets you head-on, for the first and last time, as you are motoring quietly home from some private sin. There's nothing to do about it. You start to die the moment you are born. The whole of life is cutting through the pack with death. So take it easy. Light a cigarette and be grateful you are still alive as you suck the smoke deep into your lungs. Your stars have already let you come quite a long way since you left your mother's womb and whimpered at the cold air of the world. Perhaps they'll even let you go to Jamaica tonight. Can't you hear those cheerful voices in the control tower that have said quietly all day long, 'Come in BOAC. Come in Panam. Come in KLM'? Can't you hear them calling you down too: 'Come in Transcarib. Come in Transcarib'? Don't lose faith in your stars. Remember that hot stitch of time when you faced death from the Robber's gun last night. You're still alive, aren't you? There, we're out of it already. It was just to remind you that being quick with a gun doesn't mean you're really tough. Just don't forget it. This happy landing at Palisadoes Airport comes to you courtesy of your stars. Better thank them.
Ian Fleming (Live and Let Die (James Bond, #2))
Then He who loves me drew me very near Him, and there in the stillness he reminded me about the time He prayed in the garden under the shadow of the cross-shaped cloud. He had prayed until He literally sweat blood; He prayed for another way if possible, and yet He prayed for God's will to be done and not His own. I looked at Him and noticed the thorn scars on His brow, which in the shadowed light of clouds seemed more pronounced, and I thought of Him hanging in agony on the cross as His Father turned His face away and He cried from the depths of His soul, "My God, my God, why have you forsaken me?" I wondered about the disciples and Jesus' friends who stood that day at the foot of the cross. They must have felt so sad and frightened and alone as Jesus breathed His last, and the cloud of death engulfed them and took their beloved Jesus from them, along with all their hopes and dreams. When the clouds seemed darkest and the storm raged about them, behind it all God was working out His plan with precision timing and perfection. Three days later as the clouds of grief hung thick and heavy, Mary Magdalene went early to the tomb; and it was there, as the eastern sky was just waking up, it revealed with breathtaking beauty that Jesus had walked out of the tomb: the stone rolled away, the cloud of death lifted.
Diana Morgan (Conversations at the Well Heart-to-Heart Conversations With God)
My feet stopped their churning only once they realized the dirt beneath them had turned to laid-over grasses. I found myself in a lonely, overgrown field beneath a sky so blue it reminded me of the tiles my father brought back from Persia: a majestic, world-swallowing blue you could fall into. Tall, rust-colored grasses rolled beneath it, and a few scattered cedars spiraled up toward it. Something in the shape of the scene- the rich smell of dry cedar in the sun, the grass swaying against the sky like a tigress in orange and blue- made me want to curl into the dry stems like a fawn waiting for her mother. I waded deeper, wandering, letting my hands trail through the frilled tops of wild grains.
Alix E. Harrow (The Ten Thousand Doors of January)
THE GHOST OF THE AUTHOR'S MOTHER HAS A CONVERSATION WITH HIS FIANCÉE ABOUT HIGHWAYS ...and down south, honey. When the side of the road began to swell with dead and dying things, that's when us black children knew it was summer. Daddy didn't keep clocks in the house. Ain't no use when the sky round those parts always had some flames runnin' to horizon, lookin' like the sun was always out. back when I was a little girl, I swear, them white folk down south would do anything to stop another dark thing from touching the land, even the nighttime. We ain't have streetlights, or some grandmotherly voice riding through the fields on horseback tellin' us when to come inside. What we had was the stomach of a deer, split open on route 59. What we had was flies resting on the exposed insides of animals with their tongues touching the pavement. What we had was the smell of gunpowder and the promise of more to come, and, child, that'll get you home before the old folks would break out the moonshine and celebrate another day they didn't have to pull the body of someone they loved from the river. I say 'river' because I want you to always be able to look at the trees without crying. When we moved east, I learned how a night sky can cup a black girl in its hands and ask for forgiveness. My daddy sold the pistol he kept in the sock drawer and took me to the park. Those days, I used to ask him what he feared, and he always said "the bottom of a good glass." And then he stopped answering. And then he stopped coming home altogether. Something about the first day of a season, honey. Something always gotta sacrifice its blood. Everything that has its time must be lifted from the earth. My boys don't bother with seasons anymore. My sons went to sleep in the spring once and woke up to a motherless summer. All they know now is that it always be colder than it should be. I wish I could fix this for you. I'm sorry none of my children wear suits anymore. I wish ties didn't remind my boys of shovels, and dirt, and an empty living room. They all used to look so nice in ties. I'm sorry that you may come home one day to the smell of rotting meat, every calendar you own, torn off the walls, burning in a trashcan. And it will be the end of spring. And you will know.
Hanif Abdurraqib (The Crown Ain't Worth Much (Button Poetry))
Torrents of text conversations, tides of cell conversations, of television programs, of e-mail, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I’m going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscapes we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.
Anthony Doerr (All the Light We Cannot See)
What will you do if you win the Scorpio Races?” I look into the bucket. “Oh, I’ll buy fourteen dresses and build a road and name it after myself and try one of everything at Palsson’s.” Though I don’t quite look up, I can still feel his gaze on me. It’s a heavy thing, this look of his. He says, “What’s the real answer?” But when I try to think of a real answer, it reminds me of Father Mooneyham saying that Gabe had sat in the confessional and cried, and it makes me think of how, no matter what happens in the races, the best option still has Gabe sailing away in a boat. So I snap, “Do you think I just turn my secrets out for everyone?” He is unfazed. “I didn’t know they were secrets,” he says. “Or I wouldn’t have asked.” It makes me feel ungenerous, since he’d answered so honestly. “I’m sorry,” I say. “My mother always said that I was born out of a bottle of vinegar instead of born from a womb and that she and my father bathed me in sugar for three days to wash it off. I try to behave, but I always go back to the vinegar.” When Dad was in one of his rare, fanciful moods, he told guests that the pixies left me on the doorstep because I bit their fingers too often. My favorite was always when Mum said that before I was born, it rained for seven days and seven nights solid, and when she went out into the yard to ask the sky what it was weeping for, I dropped out of the clouds at her feet and the sun came out. I always liked the idea of being such a bother that I affected even the weather. Sean says, “Don’t apologize. I was being too free.” And now I feel even worse, because that wasn’t what I meant at all.
Maggie Stiefvater (The Scorpio Races)
I’m not what you think I am, Aladdin! I will betray you, and I will hurt you, because that is what I am. Why do you think Nardukha rips souls from the living and creates jinnis? Why do you think he sends us into the world? To make your miserable dreams come true? To bring you happiness?” I laugh sourly. “He gives you the thing you want most and uses it to destroy you. Look at yourself. You’re a prince. You have money, power, privilege. The chance to avenge your parents. And you’re miserable.” Aladdin stares at me, and in his eyes is pity. “I’ve been making myself miserable my whole life,” he says softly. “I convinced myself long ago that if I could get revenge on Sulifer, I could finally move on. That I could erase the memory of the day my parents died, when I held their severed heads and watched their blood run in the gutters. But as you say, here I am, a step away from that vengeance—and it has soured on my tongue. I don’t want it anymore.” He sighs and looks up at the sky, as if searching for words among the stars. “You don’t make me miserable, Zahra. I do that to myself, because I’m too weak, too afraid to admit that it isn’t Sulifer I’m angry at—it’s me. My parents were killed because of me. The day before they were executed, I was caught by the guards for stealing an earring, and when they found out who I was, Sulifer had me whipped until I told him where my parents were. And after they were dead, he gave me back the earring as payment for turning my mother and father over to him.” Lowering his gaze to meet mine, he brushes his fingers over the ring in his ear. “I’ve worn it every day since, to remind myself that nothing—nothing—is worth betraying someone you love.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
Michael Chabon (Telegraph Avenue)
You are like me, you will die too, but not today: you, incommensurate, therefore the hours shine: if I say to you “To you I say,” you have not been set to music, or broadcast live on the ghost radio, may never be an oil painting or Old Master’s charcoal sketch: you are a concordance of person, number, voice, and place, strawberries spread through your name as if it were budding shrubs, how you remind me of some spring, the waters as cool and clear (late rain clings to your leaves, shaken by light wind), which is where you occur in grassy moonlight: and you are a lily, an aster, white trillium or viburnum, by all rights mine, white star in the meadow sky, the snow still arriving from its earthwards journeys, here where there is no snow (I dreamed the snow was you, when there was snow), you are my right, have come to be my night (your body takes on the dimensions of sleep, the shape of sleep becomes you): and you fall from the sky with several flowers, words spill from your mouth in waves, your lips taste like the sea, salt-sweet (trees and seas have flown away, I call it loving you): home is nowhere, therefore you, a kind of dwell and welcome, song after all, and free of any eden we can name.
Reginald Shepherd
Your family is one of the most powerful families of our people.” He frowned. “Which reminds me, why don’t you ever refer to Gregori as your uncle? He’s a brother to Lucian and Gabriel, so technically, he is your uncle.” “I guess I never thought about it. I don’t know him. We’re in London, and he’s here in the Carpathian Mountains and he’s never shown a tremendous amount of interest in me.” “He’s a Daratrazanoff, believe me, Sky, he’s interested in you. If you disappear, your family is going to come looking and they’ll be on the warpath. All of your family, especially Gabriel.” “Are you afraid of my father?” Skyler asked. “I’ve got news for you, honey, everyone is afraid of your father, and if they aren’t they should be, especially when it comes to you. Haven’t you noticed how protective he is of you? Your uncle Lucian is just as bad if not worse, and if anyone messes with one of those men or anyone they love, they answer to both of them.” Skyler bit her lip. “I’m sorry, Josef, for putting you in this position. I can’t turn back. I have to find Dimitri. I know I can do this. This plan is flawless. And we both knew— and counted on Gabriel and Lucian coming after me. I can go from here by myself, I really can.” Josef burst out laughing. “Now you really have lost your mind. If I let you do this alone, they’d really kill me.
Christine Feehan (Dark Wolf (Dark, #22))
There was an awful tension in Arin, one that reminded Kestrel of his childhood violin. He had been strung too hard for far too long. When he finally spoke, his reply came in a low growl. “I agree.” “Then give orders to open the gate. My father will enter and escort all Valorians in your city back to the capital.” “I agree,” Arin said, “under one condition. You mentioned emissaries. There will be one emissary from the empire. It will be you.” “Me?” “You, I understand. You, I know how to read.” Kestrel wasn’t so sure of that. “I think that will be acceptable,” she said, and wanted to turn away from how much she wanted this condition. How she would seize any chance to see him, even with the purpose of enforcing the emperor’s will. Since she could not turn away from her own wanting, she turned away from him. “Please don’t do this,” he said. “Kestrel, you don’t know. You don’t understand.” “I see things quite clearly.” She began to walk to meet her father, in whose eyes she had, at last, done something to make him proud. “You don’t,” Arin said. She pretended not to hear him. She watched the white sky dissolve into snow and shiver apart over the leaden sea. She felt icy sparks on her skin. The snow fell on her, it fell on him, but Kestrel knew that no single flake could ever touch them both. She didn’t look back when he spoke again. “You don’t, Kestrel, even though the god of lies loves you.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Just like rain, let it all flow incessantly until the sky clears out. Sometimes a part of me asks how is it that the ones who love the most, dearly, tenderly giving their all, find their hollow end meeting with scars that they never deserved. How is it that sometimes Life turns cold for those who sprinkle the most amount of sunshine, the hand that wipes other's pain how is that parched with betrayals and misunderstandings. But I guess it is about life lessons, how a soul grows through it all, as if the soul walks across the pyre of fire to know and eventually become its own mettle. Through it all the heart becomes more open and the mind more understanding, a unique strength of peace walks inside the very fire that rages the soul. Patience flows in through perseverance and the ashes mould in the teardrop of resilience to wear the smile of kindness. I have realised that when the worst happens to us, the soul is confronted with two choices, either to become bitter with repeating the question why or to become better with understanding the way how to walk ahead. Eventually it boils down to two simple emotions, love and hate, astonishingly born out of the same part of our mind and heart. It is a selection of either vengeance or forgiveness, not an easy choice to make especially when we are at our most vulnerable self. Whatever we choose becomes our reality, as if we get soaked in it, and somehow Time runs by. And when years pass by and we look back and see the path, and reflect on our choice we understand the meaning of both the choices, to some they take the shape of peace and to some they take the shape of agony, but looking closely we can see that the agony is the pathway leading to peace, forgiveness is the destination, sooner or later we all reach that space to find it in us to forgive, some in years while some in lifetimes. And perhaps, that is why we all undergo all that happens to us, chained in our Karma. So even when Life seems unfair, give it your all. Love with all your soul and no matter what comes by, don't stop walking along this shore of Time, because no matter how long it takes, you will find your Home. And when Life puts up a question as to why some who broke your soul find pleasure so easy, remind yourself the difference between pleasure and peace and don't forget to acknowledge the fact that perhaps you have paid your Karmic debt in full while theirs might just be beginning. So break if you must, but remind yourself about the gift of Life and Love every passing moment that breathes like a dream in an illusion of Time. Let your Faith walk hand in hand with you as you tread softly towards your destination, because no matter the years or the lifetimes, someday the sky shall be clear for the rainbow of your soul to smile in the Justice of Him, who knows all, sees all, feels all and does all.
Debatrayee Banerjee
Since we were on Everest, many other climbers have succeeded on the “big one” as well. She has now been scaled by a blind man, a guy with prosthetic legs, and even by a young Nepalese teenager. Don’t be fooled, though. I never belittle the mountain. She is still just as high and just as dangerous. Instead, I admire those mountaineers--however they have climbed her. I know what it is really like up there. Humans learn how to dominate and conquer. It is what we do. But the mountain remains the same--and sometimes she turns and bites so damn hard that we all recoil in terror. For a while. Then we return. Like vultures. But we are never in charge. It is why, within Nepal, Everest is known as the mother goddess of the sky--lest we forget. This name reflects the respect the Nepalese have for the mountain, and this respect is the greatest lesson you can learn as a climber. You climb only because the mountain allows it. If the peak hints at you to wait, then you must wait; and when she begins to beckon you to go then you must struggle and strain in the thin air with all your might. The weather can change in minutes, as storm clouds envelop the peak--and the summit itself stubbornly pokes into the fierce band of jet-stream winds that circle the earth above twenty-five thousand feet. These 150+ mph winds cause the majestic plume of snow that pours off Everest’s peak. A constant reminder that you have got to respect the mountain. Or you die.
Bear Grylls (Mud, Sweat and Tears)
You know,” I said, “you don’t owe New Fiddleham anything. You don’t need to help them.” “Look,” Charlie said as we clipped past Market Street. He was pointing at a man delicately painting enormous letters onto a broad window as we passed. NONNA SANTORO’S, it read, although the RO’S was still just an outline. “That Italian restaurant?” “Yes,” he smiled. “They will be opening their doors for the first time very soon. Sweet family. I bought my first meal in New Fiddleham from that man. A couple of meatballs from a street cart were about all I could afford at the time. He’s an immigrant, too. He’s going to do well. His red sauce is amazing.” “That’s grand for him, then,” I said. “I like it when doors open,” said Charlie. “Doors are opening in New Fiddleham every day. It is a remarkable time to be alive anywhere, really. Do you think our parents could ever have imagined having machines that could wash dishes, machines that could sew, machines that do laundry? Pretty soon we’ll be taking this trolley ride without any horses. I’ve heard that Glanville has electric streetcars already. Who knows what will be possible fifty years from now, or a hundred. Change isn’t always so bad.” “Your optimism is both baffling and inspiring,” I said. “The sun is rising,” he replied with a little chuckle. I glanced at the sky. It was well past noon. “It’s just something my sister and I used to say,” he clarified. “I think you would like Alina. You often remind me of her. She has a way of refusing to let the world keep her down.” He smiled and his gaze drifted away, following the memory. “Alina found a rolled-up canvas once,” he said, “a year or so after our mother passed away. It was an oil painting—a picture of the sun hanging low over a rippling ocean. She was a beautiful painter, our mother. I could tell that it was one of hers, but I had never seen it before. It felt like a message, like she had sent it, just for us to find. “I said that it was a beautiful sunset, and Alina said no, it was a sunrise. We argued about it, actually. I told her that the sun in the picture was setting because it was obviously a view from our camp near Gelendzhik, overlooking the Black Sea. That would mean the painting was looking to the west. “Alina said that it didn’t matter. Even if the sun is setting on Gelendzhik, that only means that it is rising in Bucharest. Or Vienna. Or Paris. The sun is always rising somewhere. From then on, whenever I felt low, whenever I lost hope and the world felt darkest, Alina would remind me: the sun is rising.” “I think I like Alina already. It’s a heartening philosophy. I only worry that it’s wasted on this city.” “A city is just people,” Charlie said. “A hundred years from now, even if the roads and buildings are still here, this will still be a whole new city. New Fiddleham is dying, every day, but it is also being constantly reborn. Every day, there is new hope. Every day, the sun rises. Every day, there are doors opening.” I leaned in and kissed him on the cheek. “When we’re through saving the world,” I said, “you can take me out to Nonna Santoro’s. I have it on good authority that the red sauce is amazing.” He blushed pink and a bashful smile spread over his face. “When we’re through saving the world, Miss Rook, I will hold you to that.
William Ritter (The Dire King (Jackaby, #4))
FEBRUARY 16 Misery If peace comes from seeing the whole, then misery stems from a loss of perspective. We begin so aware and grateful. The sun somehow hangs there in the sky. The little bird sings. The miracle of life just happens. Then we stub our toe, and in that moment of pain, the whole world is reduced to our poor little toe. Now, for a day or two, it is difficult to walk. With every step, we are reminded of our poor little toe. Our vigilance becomes: Which defines our day—the pinch we feel in walking on a bruised toe, or the miracle still happening? It is the giving over to smallness that opens us to misery. In truth, we begin taking nothing for granted, grateful that we have enough to eat, that we are well enough to eat. But somehow, through the living of our days, our focus narrows like a camera that shutters down, cropping out the horizon, and one day we're miffed at a diner because the eggs are runny or the hash isn't seasoned just the way we like. When we narrow our focus, the problem seems everything. We forget when we were lonely, dreaming of a partner. We forget first beholding the beauty of another. We forget the comfort of first being seen and held and heard. When our view shuts down, we're up in the night annoyed by the way our lover pulls the covers or leaves the dishes in the sink without soaking them. In actuality, misery is a moment of suffering allowed to become everything. So, when feeling miserable, we must look wider than what hurts. When feeling a splinter, we must, while trying to remove it, remember there is a body that is not splinter, and a spirit that is not splinter, and a world that is not splinter.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Jesus goes while blessing, and he remains in that gesture of blessing. His hands remained stretched out over this world. The blessing hands of Christ are like a roof that protects us. . . . In faith we know that Jesus holds his hands stretched out in blessing over us. That is the lasting motive of Christian joy.[3] The blessing hands of Christ are over us. Whenever we look up at the sky, we can imagine the ascending Christ with his arms outstretched. Wherever we go, we go under the sky above us, so wherever we go, we go under the blessing protection and the blessing mission of the Lord Jesus. As Benedict wrote elsewhere of the disciples, “They knew that they were forever blessed and stood under blessing hands wherever they went.”[4] The implications for daily life are stirring. How hard are circumstances pressing you? Can you yet look up and see sky? That sky represents the blessing hands of Jesus keeping you even through these days. Have your powers been curtailed by illness or age? Can you at least still imagine sky? Let it remind you of the one who claims you and loves you. He went up to heaven still in the body. He is still wedded to our humanity. He has promised that he will transform our lowly bodies to be like his glorious body (Philippians 3:21)—we too will live in rippling, embodied resurrection life. How hopeless does the future of the world seem? How far does the arm of evil reach? Look at the sky and remember Jesus’ blessing hands. Evil cannot ever go where Christ is and pull him down into our mire. Nor can it ever prevent his return to set all things right. He is still over us like the sky, his blessing hands like a great shell of protection all of our days on this earth.
Gerrit Scott Dawson (The Blessing Life: A Journey to Unexpected Joy)
Eventually the girl-child will turn away from the Spirit-filled One. Her original spirituality will become confined within the acceptable lines of religion. She will be taught the right way to imagine and name god. “He” will be mediated to her through words, images, stories, and myths shaped, written, and spoken by men. She will adopt the god she is given. It is too dangerous to rebel. If she dares to venture out of the lines by communing with the spirit of a tree, the mysterious night sky, or her grandma, she will be labeled heretic, backslide, or witch. She is told: Prideful One, your grandma is not god; neither is your favorite star or rock. God has only one name and face. You shall have no gods before him. God is Father, Son, and Holy Ghost. He is found in the church, heavens, and holy book, not in you. God is the god of the fathers and sons; the daughters have no say in the matter. As it was in the beginning, it is now and ever shall be. The Spirit-Filled One falls asleep. Occasionally she awakens to remind the girl-child-turned-woman of what she once knew. These periodic reminders are painful. The woman fills her life with distractions so she will not hear the quiet inner voice, calling her to return home. Years later, new teachers enter the woman's life—a therapist, a self-help group, a support circle, a beloved friend, or perhaps this workbook. They remind her of what she once knew: Spirit-filled One, your grandma is god and so are your favorite star and rock. God has many names and many faces. God is Mother, Daughter, and Wise Old Crone. She is found in your mothers, in your daughters, and in you. She is Mother of all Living and blessed are her daughters. You are girl-woman made in her image. The spirit of the universe pulsates through you.
Patricia Lynn Reilly (A Deeper Wisdom: The 12 Steps from a Woman's Perspective)
The same song was playing the second I met my ex–best friend and the moment I realized I’d lost her. I met my best friend at a neighborhood cookout the year we would both turn twelve. It was one of those hot Brooklyn afternoons that always made me feel like I'd stepped out of my life and onto a movie set because the hydrants were open, splashing water all over the hot asphalt. There wasn't a cloud in the flawless blue sky. And pretty black and brown people were everywhere. I was crying. ‘What a Wonderful World’ was playing through a speaker someone had brought with them to the park, and it reminded me too much of my Granny Georgina. I was cupping the last snow globe she’d ever given me in my small, sweaty hands and despite the heat, I couldn’t help imagining myself inside the tiny, perfect, snow-filled world. I was telling myself a story about what it might be like to live in London, a place that was unimaginably far and sitting in the palm of my hands all at once. But it wasn't working. When Gigi had told me stories, they'd felt like miracles. But she was gone and I didn't know if I'd ever be okay again. I heard a small voice behind me, asking if I was okay. I had noticed a girl watching me, but it took her a long time to come over, and even longer to say anything. She asked the question quietly. I had never met anyone who…spoke the way that she did, and I thought that her speech might have been why she waited so long to speak to me. While I expected her to say ‘What’s wrong?’—a question I didn’t want to have to answer—she asked ‘What are you doing?’ instead, and I was glad. “I was kind of a weird kid, so when I answered, I said ‘Spinning stories,’ calling it what Gigi had always called it when I got lost in my own head, but my voice cracked on the phrase and another tear slipped down my cheek. To this day I don’t know why I picked that moment to be so honest. Usually when kids I didn't know came up to me, I clamped my mouth shut like the heavy cover of an old book falling closed. Because time and taught me that kids weren't kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tonted glasses. And actual, really thick glasses. Girls who thought the world was beautiful, and who read too many books, and who never saw cruelty coming. But something about this girl felt safe. Something about the way she was smiling as she stuttered out the question helped me know I needn't bother with being shy, because she was being so brave. I thought that maybe kids weren't nice to girls like her either. The cookout was crowded, and none of the other kids were talking to me because, like I said, I was the neighborhood weirdo. I carried around snow globesbecause I was in love with every place I’d never been. I often recited Shakespeare from memory because of my dad, who is a librarian. I lost myself in books because they were friends who never letme down, and I didn’t hide enough of myself the way everyone else did, so people didn’t ‘get’ me. I was lonely a lot. Unless I was with my Gigi. The girl, she asked me if it was making me feel better, spinning the stories. And I shook my head. Before I could say what I was thinking—a line from Hamlet about sorrow coming in battalions that would have surely killed any potential I had of making friends with her. The girl tossed her wavy black hair over her shoulder and grinned. She closed her eyes and said 'Music helps me. And I love this song.' When she started singing, her voice was so unexpected—so bright and clear—that I stopped crying and stared at her. She told me her name and hooked her arm through mine like we’d known each other forever, and when the next song started, she pulled me up and we spun in a slow circle together until we were both dizzy and giggling.
Ashley Woodfolk (When You Were Everything)
In the shores of twilight, Wide and deep as your eyes, I swim. In a way, I feel her Night, a crowned goddess commanding the stars to swim, So peaceful, even death escapes into serenity. Stars so far, they seem as they tell the living world, lights, live into shinning, die into nothingness. Worlds I want to travel, away to shadows of your eyes in the hold of your lips. So far, so far away.... As your kiss, as my lover. Night, With a soft touch, Touches my face, winds to the trees, sunlight on grass, life, breath, so quite, death screams in the abyss, a black pearl with grains of sand. The dance of the night..reminds me of her. Her tender laughter, the gleam in her enormous eyes, her soft whirlpool lips. As a reflection from dark streams, She reveals hot love, Nothing hidden, no shame, just love that hurts. The solace in the night makes me cry... The lights of stars as arrows to me. Night, Hits my eyes, Beauty of the wilderness, Calling me, Homeless in a city, naked on cold steel At home with the sea, with night above, foam of waters breaks below. As my companion, friend I speak to. I say to the night sky. Does she love me? When travels of the heart goes outside of me, outside the seas into clouds of your warmth, To another place in her heart trying to find out... Does your heart want me to visit or stay? Night, Calm is the winds, feeling the air, Night, She is beautiful.. Hitting me with such painful softness, I don't want day to arrive, I want to stay.. In the night, Peaceful, loving...with you... Night...vast space in time, Nothing, empty, to hold, for night, you are me. For I cannot have her. A love vast, beautiful and alone. For in the night, We see each other, In the light, Nothing hidden, Everything revealed, Night..I love you.,,as I love her. For I don't have her but I have you. As my love, invisible and forever waiting like a lost sailor in the night sea....
Albert Alexander Bukoski
She faced her pretend Arin. His scar was healed. His gray eyes were startlingly clear. “You’re not real,” she reminded him. “I feel real.” He brushed one finger across her lower lip. It suddenly seemed that there were no clouds in the sky, and that she sat in full sunshine. “You feel real,” he said. The puppy yawned, her jaws closing with a snap. The sound brought Kestrel to herself. She felt a little embarrassed. Her pulse was high. But she couldn’t stop pretending. Kestrel reached beneath her skirts to pull down a knee-high stocking. Arin made a sound. “I want to feel the grass beneath my feet,” Kestrel told him. “Someone’s going to see you.” “I don’t care.” “But that someone is me, and you should have a care, Kestrel, for my poor heart.” He reached under the hem of her dress to catch her hand in the act of pulling down the second stocking. “You’re treating me quite badly,” he said, and slid the stocking free, his palm skimming along the path of her calf. He looked at her. His hand wrapped around her bare ankle. Kestrel became shy…though she had known full well what she was doing. Arin grinned. With his free hand, he plucked a blade of grass. He tickled it against the sole of her foot. She laughed, jerking away. He let her go. He settled down beside her, lying on his stomach on the grass, propped up by his elbow. Kestrel lay on her back. She heard birdsong: high and long, with a trill at the end. She gazed up at the sky. It was blue enough for summer. “Perfect,” she said. “Almost.” She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream. “Don’t wake up,” he said. The air smelled like new leaves. “You said you trusted me.” “I did.” He added, “I do.” “You are a dream.” He smiled. “I lied to you,” Kestrel said. “I kept secrets. I thought it was for the best. But it was because I didn’t trust you.” Arin shifted onto his side. He caressed her cheek lightly with the back of his hand. That trailing sensation felt like the last note of the bird’s song. “No,” he agreed, his voice gentle. “You didn’t.” Kestrel woke. The puppy was draped across her feet, sleeping. Her stockings lay in a small heap beside her. The sun had climbed in the sky. Her cheek was flushed, the skin tight: a little sunburned. The puppy twitched, still lost in sleep. Kestrel envied her. She rested her head again on the grass. She closed her eyes, and tried to find her way back into her dream.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))