Skipping Stones Quotes

I found myself grinning until my cheeks hurt, my scalp prickling till I thought it might lift off my head. My tongue ran away from me, giddy with freedom. This, and this, and this, I said to him. I did not have to fear that I spoke too much. I did not have to worry that I was too slender, or too slow. This and this and this! I taught him how to skip stones, and he taught me how to carve wood. I could feel every nerve in my body, every brush of air against my skin.

We want you gone. Your presence is obviously upsetting for her." "Oh, aye, the poor, wee lass -- who tossed me like a skipping stone.

Thinking about something is like picking up a stone when taking a walk, either while skipping rocks on the beach, for example, or looking for a way to shatter the glass doors of a museum. When you think about something, it adds a bit of weight to your walk, and as you think about more and more things you are liable to feel heavier and heavier, until you are so burdened you cannot take any further steps, and can only sit and stare at the gentle movements of the ocean waves or security guards, thinking too hard bout too many things to do anything else.

I saw then how I had changed. I did not mind anymore that I lost when we raced and I lost when we swam out to the rocks and I lost when we tossed spears or skipped stones. For who can be ashamed to lose to such beauty? It was enough to watch him win, to see the soles of his feet flashing as they kicked up sand, or the rise and fall of his shoulders as he pulled through the salt. It was enough.

The truth, she found, felt smooth, like a skipping stone in the palm of your hand.

Thrown from my secure life, whether by chance or the Powers That Be, I was sitting on a skipping stone and it was fear, not confidence, that was increasing with the ripples of uncertainty. Mine had become a world without center.

We skip the moments like stones.

I had known contentment before, brief snatches of time in which I pursued solitary pleasure: skipping stones or dicing or dreaming. But in truth, it had been less a presence than an absence, a laying aside of dread:

But when they made love he was offended by her eyes. They behaved as though they belonged to someone else. Someone watching. Looking out of the window at the sea. At a boat in the river. Or a passerby in the mist in a hat. He was exasperated because he didn't know what that look meant. He put it somewhere between indifference and despair. He didn’t know that in some places, like the country that Rahel came from, various kinds of despair competed for primacy. And that personal despair could never be desperate enough. That something happened when personal turmoil dropped by at the wayside shrine of the vast, violent, circling, driving, ridiculous, insane, unfeasible, public turmoil of a nation. That Big God howled like a hot wind, and demanded obeisance. Then Small God (cozy and contained, private and limited) came away cauterized, laughing numbly at his own temerity. Inured by the confirmation of his own inconsequence, he became resilient and truly indifferent. Nothing mattered much. Nothing much mattered. And the less it mattered, the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from, poised forever between the terror of war and the horror of peace, Worse Things kept happening. So Small God laughed a hollow laugh, and skipped away cheerfully. Like a rich boy in shorts. He whistled, kicked stones. The source of his brittle elation was the relative smallness of his misfortune. He climbed into people’s eyes and became an exasperating expression.

I’ve learned through the years that it’s not where you live, it’s the people who surround you that make you feel at home.

I saw a pattern forming, like a series of skipping stones that sent ripples through the generations: all the granddaughters and grandmothers who loved each other, all the mothers left stranded in between.

Because I want to know if I'm allowed to kiss your tears away. Because I want to be able to hold your hand. Because I like you.

The place had enormous possibilities. He realized that at once. The stream, of course, was perfect for sailing toy boats, for skipping stones, and, in the event of failing inspiration, for falling into. Several of the trees appeared to have been specifically designed for climbing, and one huge, white old birch overhanging the stream promised the exhilarating combination of climbing a tree and falling into the water, all at one time.

The grass whispered under his body. He put his arm down, feeling the sheath of fuzz on it, and, far away, below, his toes creaking in his shoes. The wind sighed over his shelled ears. The world slipped bright over the glassy round of his eyeballs like images sparked in a crystal sphere. Flowers were sun and fiery spots of sky strewn through the woodland. Birds flickered like skipped stones across the vast inverted pond of heaven. His breath raked over his teeth, going in ice, coming out fire. Insects shocked the air with electric clearness. Ten thousand individual hairs grew a millionth of an inch on his head. He heard the twin hearts beating in each ear, the third heart beating in his throat, the two hearts throbbing his wrists, the real heart pounding his chest. The million pores on his body opened. I'm really alive! he thought. I never knew it before, or if I did I don't remember!

Turning my head so I can look into his eyes, I strum my fingers across his cheek. “You’re right. I think we’ve both had enough darkness. I want to live in light.

His lips brush my ear as his voice causes my body to come to attention. “If the night never ends, then there’s never a new day … and with a new day comes renewed hope, light.

The light was leaving in the west it was blue The children's laughter sang and skipping just like the stones they threw the voices echoed across the way its getting late It was just another night with the sun set and the moon rise not so far behind to give us just enough light to lay down underneath the stars listen to papas translations of the stories across the sky we drew our own constellations

When I was done, I'd hesitated and then hastily scrawled at the bottom, I don't know if you got my other letters. This place is more beautiful then I can describe, but I would trade it all to spend an afternoon skipping stones with you at Trivka's pond. Please write.

This time, I want the hugs, kisses, and love that comes with a farewell … even if it’s a temporary one.” He takes a step and cups my head in his hands. “I want to say ‘see ya later’ and know that it’s not a final goodbye. I want to memorize every line,” he strums his finger across my face, “every line of your face, Alex. When I walk away, I want to know that I’ve made every last second I had with you count.

I had known contentment before, brief snatches of time in which I pursued solitary pleasure: skipping stones or dicing or dreaming. But in truth, it had been less a presence than an absence, a laying aside of dread: my father was not near, nor boys. I was not hungry, or tired, or sick. This feeling was different.

The words bounced off her like a stone skipping over the surface of a lake. A stone may skip a long way, but it always sinks eventually.

Now where does he sit as he thinks of her? These years later. A stone of history skipping over the water, bouncing up so she and he have aged before it touches the surface again and sinks.

What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they'd think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present. For example, the father of a family might go out for a walk, and, across the street, he'll see something like a red rag, blown towards him by the wind. And when the rag has gotten close to him he'll see that it is a side of rotten meat, grimy with dust, dragging itself along by crawling, skipping, a piece of writhing flesh rolling in the gutter, spasmodically shooting out spurts of blood. Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. And someone might be sleeping in his comfortable bed, in his quiet, warm room, and wake up naked on a bluish earth, in a forest of rustling birch trees, rising red and white towards the sky like the smokestacks of Jouxtebouville, with big bumps half way out of the ground, hairy and bulbous like onions. And birds will fly around these birch trees and pick at them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, warm and glassy with little bubbles.

I know you probably feel like there's no color left in the world. Like there's no light, instead all darkness. But there's sunshine. There are colorful flowers all around us. And for me, you're the only thing...the only one I see. The only one I've seen in a long time. I know it's hard to imagine, but one day you'll see the colors again.

All night his mind seemed to skip over the surface of sleep like a stone upon water, never quite breaking the skin. As

Lightspeed travel between worlds had let him skip like a stone over the surface of time.

even in the darkest of times one couldn’t skip out on the beauty of life and love. None of us knew how many tomorrows we would get.

Each of her words was the skip of a stone across a lake, forming ripples of emotion. The Queen of Inys could not cast illusions, but her voice and bearing on this night had turned her into an enchantress.

I saw then how I had changed. I did not mind anymore that I lost when we raced and I lost when we swam out to the rocks and I lost when we tossed spears or skipped stones. For who can be ashamed to lose to such beauty?

I don’t want to remember. The past has become discontinuous, like stones skipped across water, like postcards: I catch an image of myself, a dark blank, an image, a blank.

She is a pebble skipping over the surface of a lake. As I once was. Not a deep sinking stone that leaves widening ripples behind after it's disappeared. As I hope to be.

In this last memory, I am skipping stones for her, plink, plink, plink, across the skin of the sea. She seems to like the way the ripples look, dispersing back to glass.

With hope, failure is a skipping stone. Without hope, failure is a tombstone.

I don’t want to be demure or respectable. I was that way, asleep, for years. That way, you forget too many important things. How the little stones, even if you can’t hear them, are singing. How the river can’t wait to get to the ocean and the sky, it’s been there before. What traveling is that! It is a joy to imagine such distances. I could skip sleep for the next hundred years. There is a fire in the lashes of my eyes. It doesn’t matter where I am, it could be a small room. The glimmer of gold Böhme saw on the kitchen pot was missed by everyone else in the house. Maybe the fire in my lashes is a reflection of that. Who do I have so many thoughts, they are driving me crazy. Why am I always going anywhere, instead of somewhere? Listen to me or not, it hardly matters. I’m not trying to be wise, that would be foolish. I’m just chattering.

I shall never 'go and marry' anyone," observed Meg, walking on with great dignity while the others followed, laughing, whispering, skipping stones, and 'behaving like children', as Meg said to herself,

Hendricks is mean. My sister’s been skipping school since last week. Now I have to try to convince her she should go to school.” Luke’s dark brown eyes softened. The blond locks were pulled back with a clip he’d stolen from me. “I know how you feel. I’ve got a chemistry test tomorrow.” Stone, C. L. (2013-10-27). Forgiveness and Permission: The Ghost Bird Series: #4 (p. 95). Arcato Publishing. Kindle Edition.

My mind, a Venn diagram. You, the overlap and the intersect; a pulsating glimmer—omnipresent, a lighthouse with its glowing breath. You are the stone that skirts the river, that skips along its crystal plane; a surface skimmed by concentric shimmer, and trembles with the touch of rain. You are worlds that spin in orbit, a star who rose and fell; infinity summoned for audit— a penny toss in the wishing well.

What is toast?” says Snowman to himself, once they’ve run off. Toast is when you take a piece of bread – What is bread? Bread is when you take some flour – What is flour? We’ll skip that part, it’s too complicated. Bread is something you can eat, made from a ground-up plant and shaped like a stone. You cook it . . . Please, why do you cook it? Why don’t you just eat the plant? Never mind that part – Pay attention. You cook it, and then you cut it into slices, and you put a slice into a toaster, which is a metal box that heats up with electricity – What is electricity? Don’t worry about that. While the slice is in the toaster, you get out the butter – butter is a yellow grease, made from the mammary glands of – skip the butter. So, the toaster turns the slice of bread black on both sides with smoke coming out, and then this “toaster” shoots the slice up into the air, and it falls onto the floor . . . Forget it,” says Snowman. “Let’s try again.” Toast was a pointless invention from the Dark Ages. Toast was an implement of torture that caused all those subjected to it to regurgitate in verbal form the sins and crimes of their past lives. Toast was a ritual item devoured by fetishists in the belief that it would enhance their kinetic and sexual powers. Toast cannot be explained by any rational means. Toast is me. I am toast.

It had been quite some time since the duty and pleasure of undressing her son had fallen to Rosa. For several years, she had been wishing him, willing him, into maturity, independence, a general proficiency beyond his years, as if hoping to skip him like a stone across the treacherous pond of childhood, and now she was touched by a faint trace of the baby in him, in his pouting lips and the febrile sheen of his eyelids.

We skipped stones across the creek, which sounds dumb but it wasn't. I don't know. Like the way the sun is right now, with the long shadows and that kind of bright, soft light you get when the sun isn't quite setting? That's the light that makes everything better, everything prettier, and today, everything just seems to be in that light.

Pen realized it: Sometimes there is nothing to do but surrender yourself to wonder... You must stop measuring - over and over - the line between loving and being in love. You must offer yourself, whole, to the cobalt starfish (and the orange one and the pale pink one and the biscuit-colored one with the raised, chocolate-brown art deco design) and to the clear, clear water and to the sweep of shining sky and to the silver scattershot of leaping fish (an entire school skipping across the ocean like a stone.)

Time rippling out. It’s like a lake that won’t ever calm after a stone skips across it. I

Out of the corner of his eye he saw the fluttering banner high above, flashing Potter for President over the crowd. His heart skipped. He felt braver.

You can’t over say I love you.

But God gives us the people we need in our lives for the amount of time he sees fit.

Once upon a time, in a land  of verdant fields and stone castles, an evil queen and a lovely maiden… You know what? Never mind the introduction, let’s just skip to the action!   “Mirror,

I did not mind anymore that I lost when we raced and I lost when we swam out to the rocks and I lost when we tossed spears or skipped stones. For who can be ashamed to lose to such beauty?

I know people who read interminably, book after book, from page to page, and yet I should not call them 'well-read people'. Of course they 'know' an immense amount; but their brain seems incapable of assorting and classifying the material which they have gathered from books. They have not the faculty of distinguishing between what is useful and useless in a book; so that they may retain the former in their minds and if possible skip over the latter while reading it, if that be not possible, then--when once read--throw it overboard as useless ballast. Reading is not an end in itself, but a means to an end. Its chief purpose is to help towards filling in the framework which is made up of the talents and capabilities that each individual possesses. Thus each one procures for himself the implements and materials necessary for the fulfilment of his calling in life, no matter whether this be the elementary task of earning one's daily bread or a calling that responds to higher human aspirations. Such is the first purpose of reading. And the second purpose is to give a general knowledge of the world in which we live. In both cases, however, the material which one has acquired through reading must not be stored up in the memory on a plan that corresponds to the successive chapters of the book; but each little piece of knowledge thus gained must be treated as if it were a little stone to be inserted into a mosaic, so that it finds its proper place among all the other pieces and particles that help to form a general world-picture in the brain of the reader. Otherwise only a confused jumble of chaotic notions will result from all this reading. That jumble is not merely useless, but it also tends to make the unfortunate possessor of it conceited. For he seriously considers himself a well-educated person and thinks that he understands something of life. He believes that he has acquired knowledge, whereas the truth is that every increase in such 'knowledge' draws him more and more away from real life, until he finally ends up in some sanatorium or takes to politics and becomes a parliamentary deputy. Such a person never succeeds in turning his knowledge to practical account when the opportune moment arrives; for his mental equipment is not ordered with a view to meeting the demands of everyday life. His knowledge is stored in his brain as a literal transcript of the books he has read and the order of succession in which he has read them. And if Fate should one day call upon him to use some of his book-knowledge for certain practical ends in life that very call will have to name the book and give the number of the page; for the poor noodle himself would never be able to find the spot where he gathered the information now called for. But if the page is not mentioned at the critical moment the widely-read intellectual will find himself in a state of hopeless embarrassment. In a high state of agitation he searches for analogous cases and it is almost a dead certainty that he will finally deliver the wrong prescription.

Or rather, she could - could find a way to skip from house to house, like stones skating across the river - but she will not. Because when she thinks of it, she feels neither like the river nor the stone, but like a hand, as it tires of throwing

This is a life, he thought, smooth skipping stones bounding across the surfaces of time, with brief moments of deepened consciousness as you hit the water before going airborne again, flying across the carpool lane, over weeks at a desk, enjoying yourself when the skipping stopped, and spending the rest of your life in a kind of drifting contentment, slipped consciousness, lost weekends, the glow from the television sets warming placid faces, smile lines growing in the glare of the screen.

I saw then how I had changed. I did not mind anymore that I lost when we raced and I lost when we swam out to the rocks and I lost when we tossed spears or skipped stones. For who could be ashamed to lose to such beauty? It was enough to watch him win.

Space is often compared to our oceans. Throw a stone at the water and the density smothers its propulsion. Skim the stone across the surface and the propulsion is mostly preserved with minimal drag. This kind of approach could work for NASA's mission to Mars.

Merrill Meewee knew his stones. As a boy in Kenya, skipping stones was his favorite free-time activity. There had been an abundance of saucer-shaped missiles on the banks of his father’s own fishpond. Fat, river-smoothed disks, they skipped ten, twelve, sixteen times before slipping beneath the surface with a watery plop. His father, a man of little wealth but great forbearance, was not pleased with his boy’s solitary pastime, but he never ordered him to stop. Instead, he asked the boy how many stones he thought the pond could hold. I don’t know, Meewee remembered answering. A hundred thousand? Oh, such a big number! And how many stones do you suppose you’ve thrown already? Merrill, who was an excellent student, calculated the number of stones he might have tossed in an hour and how many free hours were left each day after school and chores, how many afternoons in how many years since he first discovered the sport. I would estimate 14,850, he informed his father with a certain amount of swagger. His father was impressed. So many? And all of them have gone to the bottom? Of course they’ve gone to the bottom, he had said, embarrassed by his father’s apparent ignorance. They’re stones. They’re heavier than water. And heavier than fishes? Of course heavier than fishes. Good, good, his father concluded, patting him on the head. Keep at it, son, and soon I won’t have to work so hard. Father? It’s true. When you fill up my pond with your stones, I won’t need nets and plungers to harvest the fish. I’ll simply wade up to my ankles and pick them like squash. It was a lesson in diplomacy, as much as aquaculture, and it stayed with him all these years.

But that is just half the story. The Gospel of Thomas has what I take to be the full text. The Kingdom of God is within you and all around you. Split a piece of wood. I am there. Lift up a stone, and you will find me there. The holiest thing then, the Kingdom, is inside, the observing consciousness, the deep core of being, and outside, the Brown Thrasher, the little girl skipping over the squares of the sidewalk, the universe itself that, so far as we know is unlimited. It would be best here to start singing and dancing for the spacious joy of inside and outside.

A trellis filled with roses arched above the patio, leading to a winding garden path made out of stones that Lucy wanted to skip along. Flowers in reds and pinks and whites and purples bloomed from the curved edges of the yard, so beautiful they reminded Lucy of something out of Eliza's paintings.

Bucket had started his criminal career in Braas, not far from when Allan and his new friends now found themselves. There he had gotten together with some like-minded peers and started the motorcycle club called The Violence. Bucket was the leader; he decided which newsstand was to be robbed of cigarettes next. He was the one who has chosen the name- The Violence, in English, not swedish. And he was the one who unfortunately asked his girlfriend Isabella to sew the name of the motorcycle club onto ten newly stolen leather jackets. Isabella had never really learned to spell properly at school, not in Swedish, and certainly not in English. The result was that Isabella sewed The Violins on the jackets instead. As the rest of the club members had had similar academic success, nobody in the group noticed the mistake. So everyone was very surprised when one day a letter arrived for The Violins in Braas from the people in charge of the concert hall in Vaxjo. The letter suggested that, since the club obviously concerned itself with classical music, they might like to put in am appearance at a concert with the city’s prestigious chamber orchestra, Musica Viate. Bucket felt provoked; somebody was clearly making fun of him. One night he skipped the newsstand, and instead went into Vaxjo to throw a brick through the glass door of the concert hall. This was intended to teach the people responsible lesson in respect. It all went well, except that Bucket’s leather glove happened to follow the stone into the lobby. Since the alarm went off immediately, Bucket felt it would be unwise to try to retrieve the personal item in question. Losing the glove was not good. Bucket had traveled to Vaxjo by motorbike and one hand was extremely cold all the way home to Braas that night. Even worse was the fact that Bucket’s luckless girlfriend had written Bucket’s name and adress inside the glove, in case he lost it." For more quotes from the novel visit my blog: frommybooks.wordpress.com

We skipped stones across the creek, which sounds dumb but it wasn’t. I don’t know. Like the way the sun is right now, with the long shadows and that kind of bright, soft light you get when the sun isn’t quite setting? That’s the light that makes everything better, everything prettier, and today, everything just seemed to be in that light.

I took her to my favorite bookstore, where I loaded her up with Ian Rankin novels and she bullied me into buying a book on European snails. I took her to the chip shop on the corner, where she distracted me by giving a detailed-and-probably-bullshit account of her brother's sex life (drones, cameras, his rooftop pool) while she ate all my fried fish and left her own plate untouched. I took her for a walk along the Thames, where I showed her how to skip a stone and she nearly punctured a hole in a passing pontoon boat. We went to my favorite curry place. Twice. In one day. She'd gotten this look on her face when she took her first bite of their pakora, this blissful lids-lowered look, and two hours later I decided that it made up for the embarrassment I felt that night, when I found her instructing my sister, Shelby on the best way to bleach out bloodstains, using the curry dribble on my shirt as a test case. In short, it was both the best three days I'd ever had, my mother notwithstanding, and a fairly standard week with Charlotte Holmes.

The ocean crashes to the shore, And comes to us with a mighty roar. And stones can threaten our path, To trip our progress with their wrath. But you can pass this test of life, And turn to fun the daunting strife. So pick a stone and toss it free, To skip across the raging sea. And laugh out loud as it leaves your hand, I'll show you how...my little man.

i did not mind anymore that i lost when we raced and i lost when we swam out to the rocks and i lost we tossed spears or skipped stones. for who can be ashamed to lose to such beauty? it was enough to watch him win, to see the soles of his feet flashing as they kciked up the sand, or the rise and fall of his shoulders as he pulled throuhg the salt. it was enough.

I did not mind anymore that I lost when we raced and I lost when we swam out to the rocks and I lost when we tossed spears or skipped stones. For who can be ashamed to lose to such beauty? It was enough to watch him win, to see the soles of his feet flashing as they kicked up sand, or the rise and fall of his shoulders as he pulled through the salt. It was enough.

i did not mind anymore that i lost when we raced and i lost when we swam out to the rocks and i lost when we tossed spears or skipped stones. for who can be ashamed to lose to such beauty? it was enough to watch him win, to see the soles of his feet flashing as they kciked up the sand, or the rise and fall of his shoulders as he pulled throuhg the salt. it was enough.

I saw then how I had changed. I did not mind anymore that I lost when we raced and I lost when we swam out to the rocks and I lost when we tossed spears or skipped stones. For who can be ashamed to lose to such beauty? It was enough to watch him win, to see the soles of his feet flashing as they kicked up sand, or the rise and fall of his shoulders as he pulled through the salt. It was enough.

Snuggle up with a hot fireman! Meet Tanner West. Sharon looked up into the most gorgeous face she had ever seen. Eyes like dark chocolate, deep and warm, stared out at her from a face that looked like it could have been chiseled in stone. Skin the color of burnished copper, high cheekbones, a sharp nose, full lips, and a cleft chin. How the hell had she failed to notice him before? Her heart skipped a beat and she ran her gaze down the rest of his body. He was tall, well over six feet, she would guess, with broad shoulders that tapered into a trim waist. His thighs, encased in worn denim, fit like a second skin against legs the size of tree trunks, and oh my, what lay between those thighs… Her attention snapped back to his face and she could feel the heat of a blush suffuse her skin.

I saw then how I had changed. I did not mind anymore that I lost when we raced and I lost when we swam out to the rocks and I lost when we tossed spears or skipped stones. For who can be ashamed to lose to such a beauty? It was enough to watch him win, to see the soles of his feet flashing as they kicked up sand, or the rise and fall of his shoulders as he pulled through the salt. It was enough.

I am a Hindu because of sculptured cones of red kumkum powder and baskets of yellow turmeric nuggets, because of garlands of flowers and pieces of broken coconut, because of the clanging of bells to announce one's arrival to God, because of the while of the reedy nadaswaram and the beating of drums, because of the patter of bare feet against stone floors down dark corridors pierced by shafts of sunlight, because of the fragrance of incense, because of flames of arati lamps circling in the darkness, because of bhajans being sweetly sung, because of elephants standing around to bless, because of colourful murals telling colourful stories, because of foreheads carrying, variously signified, the same word - faith. I became loyal to these sense impressions even before I knew what they meant or what they were for. It is my heart that commands me so. I feel at home in a Hindu temple. I am aware of Presence, not personal the way we usually presence, but something larger. My heart still skips a beat when I catch sight of the murti, of God Residing, in the inner sanctum of the temple. Truly I am in a sacred cosmic womb, a place where everything is born, and it is my sweet luck to behold its living core. My hands naturally come together in reverent worship.

Learning to skip has brought control into her life. Whenever she feels at all sad she switches into this wholly happy gait, sliding, hopping, and sliding again; when doing this, it seems as though her head separates from her body, making her feel dizzy and emptied out of bad thoughts. Does anyone else in the world know this trick, she wonders. Probably not, though her mother sometimes waves at her from the window, waves and smiles.

The core of our being is drawn like a stone to the quiet depths of each moment where God waits for us with eternal longing. But to those depths the false self will not let us travel. Like stones skipped across the surface of the water we are kept skimming along the peripheral, one-dimensional fringes of life. To sink is to vanish. To sink into the unknown depths of God’s call to union with himself is to lose all that the false self knows and cherishes.

When the Bolide Fragmentation Rate shot up through a certain level on Day 701, marking the formal beginning of the White Sky, a number of cultural organizations launched programs that they had been planning since around the time of the Crater Lake announcement. Many of these were broadcast on shortwave radio, and so Ivy had her pick of programs from Notre Dame, Westminster Abbey, St. Patrick’s Cathedral, the Imperial Palace in Tokyo, Tiananmen Square, the Potala Palace, the Great Pyramids, the Wailing Wall. After sampling all of them she locked her radio dial on Notre Dame, where they were holding the Vigil for the End of the World and would continue doing so until the cathedral fell down in ruins upon the performers’ heads and extinguished all life in the remains of the building. She couldn’t watch it, since video bandwidth was scarce, but she could imagine it well: the Orchestre Philharmonique de Radio France, its ranks swollen by the most prestigious musicians of the Francophone world, all dressed in white tie and tails, ball gowns and tiaras, performing in shifts around the clock, playing a few secular classics but emphasizing the sacred repertoire: masses and requiems. The music was marred by the occasional thud, which she took to be the sonic booms of incoming bolides. In most cases the musicians played right through. Sometimes a singer would skip a beat. An especially big boom produced screams and howls of dismay from the audience, blended with the clank and clatter of shattered stained glass raining to the cathedral’s stone floor. But for the most part the music played sweetly, until it didn’t. Then there was nothing.

Toast is when you take a piece of bread—What is bread? Bread is when you take some flour—What is flour? We’ll skip that part, it’s too complicated. Bread is something you can eat, made from a ground-up plant and shaped like a stone. You cook it... Please, why do you cook it? Why don’t you just eat the plant? Never mind that part—Pay attention. You cook it, and then you cut it into slices, and you put a slice into a toaster, which is a metal box that heats up with electricity—What is electricity? Don’t worry about that. While the slice is in the toaster, you get out the...

Sometimes she know things she should not have known, where a vanished man had vanished through the ice, where a disordered woman had buried a child who died of diphtheria, why an animal gave itself to one hunter not another, why disease struck a young and skipped his frail grandfather, why an odd stone might have appear outside the door one morning out of nowhere. The stars send a message to us... because everything was alive, responsive in its own way, capable of being hurt in its own way, capable of punishment in its own way, Zhaanat’s thinking was build on treating everything with great care

There's a current running and a pretty stiff offshore breeze." "Merde," said Freycinet again. He went forward along the rail and lay down beside the anchor windlass, peering into the chains. "He's a cook too," Gillian said, speaking softly. "How come you're not more like him?" "An accident of birth," Blessington said. "If we were married," she said, "you wouldn't have to skip on your visa." "Ah," said Blessington, "don't think it hasn't occurred to me. Nice to be a legal resident." "Legal my ass," she said. Freycinet suddenly turned and watched them. He showed them the squint, the bared canines. "What

Oh God,was all Keeley could think. Oh God, get me out of here. When they swung through the stone pillars at Royal Meadows,she had to fight the urge to cheer. "I'm so glad our schedules finally clicked. Life gets much too demanding and complicated, doesn't it? There's nothing more relaxing than a quiet dinner for two." Any more relaxed, Keeley thought, and unconsciousness would claim her. "It was nice of you to ask me, Chad." She wondered how rude it would be to spring out of the car before it stopped, race to the house and do a little dance of relief on the front porch. Pretty rude,she decided.Okay, she'd skip the dance. "Drake and Pamela-you know the Larkens of course-are having a little soiree next Sunday evening.Why don't I pick you up at eightish?" It took her a minute to get over the fact he'd actually used the word soiree in a sentence. "I really can't Chad. I have a full day of lessons on Saturday. By the time it's done I'm not fit for socializing.But thanks." She slid her hand to the door handle, anticipating escape. "Keeyley,you can't let your little school eclipse so much of your life." Her and stiffened,and though she could see the lights of home, she turned her head and studied his perfect profile. One day,someone was going to refer to the academy as her little school, and she was going to be very rude.And rip their throat out.

And as Adeline watches, she realizes she cannot stay. Or rather, she could—could find a way to skip from house to house, like stones skating across the river—but she will not. Because when she thinks of it, she feels neither like the river nor the stone, but like a hand, as it tires of throwing. There is Estele, closing her door. There is Isabelle, one moment kind, and the next filled with horror. Later, much later, Addie will make a game of these cycles, will see how long she can step from perch to perch before she falls. But right now, the pain is too fresh, too sharp, and she cannot fathom going through those motions, cannot weather the weary look on her father’s face, the rebuke in Estele’s eyes. Adeline LaRue cannot be a stranger here, to these people she has always known. It hurts too much, watching them forget her.

It was a sad fact that the commonest complaint in the outpatient department was “Rasehn . . . libehn . . . hodehn,” literally, “My head . . . my heart . . . and my stomach,” with the patient’s hand touching each part as she pronounced the words. Ghosh called it the RLH syndrome. The RLH sufferers were often young women or the elderly. If pressed to be more specific, the patients might offer that their heads were spinning (rasehn yazoregnal) or burning (yakatelegnal ), or their hearts were tired (lib dekam), or they had abdominal discomfort or cramps (hod kurteth), but these symptoms were reported as an aside and grudgingly, because rasehn-libehn-hodehn should have been enough for any doctor worth his salt. It had taken Matron her first year in Addis to understand that this was how stress, anxiety, marital strife, and depression were expressed in Ethiopia—somatization was what Ghosh said the experts called this phenomenon. Psychic distress was projected onto a body part, because culturally it was the way to express that kind of suffering. Patients might see no connection between the abusive husband, or meddlesome mother-in-law, or the recent death of their infant, and their dizziness or palpitations. And they all knew just the cure for what ailed them: an injection. They might settle for mistura carminativa or else a magnesium trisilicate and belladonna mixture, or some other mixture that came to the doctor’s mind, but nothing cured like the marfey—the needle. Ghosh was dead against injections of vitamin B for the RLH syndrome, but Matron had convinced him it was better for Missing to do it than have the dissatisfied patient get an unsterilized hypodermic from a quack in the Merkato. The orange B-complex injection was cheap, and its effect was instantaneous, with patients grinning and skipping down the hill. T

He was taking another hit from his short-and-squat of Goose when his eyes skipped to the arched doorway of the room. Jane hesitated as she glanced inside, her white coat opening as she leaned to the side, as if she were looking for him. When their eyes met, she smiled a little. And then a lot. His first impulse was to hide his own grin behind his Goose. But then he stopped himself. New world order. Come on, smile, motherfucker, he thought. Jane gave a short wave and played it cool, which was what they usually did when they were together in public. Turning away, she headed over to the bar to make herself something. “Hold up, cop,” V murmured, putting his drink down and bracing his cue against the table. Feeling like he was fifteen, he put his hand-rolled between his teeth and tucked his wife-beater tightly into the waistband of his leathers. A quick smooth of the hair and he was . . . well, as ready as he could be. He approached Jane from behind just as she struck up a convo with Mary—and when his shellan pivoted around to greet him, she seemed a little surprised that he’d come up to her. “Hi, V . . . How are—” Vishous stepped in close, putting them body to body, and then he wrapped his arms around her waist. Holding her with possession, he slowly bent her backward until she gripped his shoulders and her hair fell from her face. As she gasped, he said exactly what he thought: “I missed you.” And on that note, he put his mouth on hers and kissed the ever-living hell out of her, sweeping one hand down to her hip as he slipped his tongue in her mouth, and kept going and going and going . . . He was vaguely aware that the room had fallen stone silent and that everything with a heartbeat was staring at him and his mate. But whatever. This was what he wanted to do, and he was going to do it in front of everyone—and the king’s dog, as it turned out. Because Wrath and Beth came in from the foyer. As Vishous slowly righted his shellan, the catcalls and whistling started up, and someone threw a handful of popcorn like it was confetti. “Now that’s what I’m talkin’ ’bout,” Hollywood said. And threw more popcorn. Vishous cleared his throat. “I have an announcement to make.” Right. Okay, there were a lot of eyes on the pair of them. But he was so going to suck up his inclination to bow out. Tucking his flustered and blushing Jane into his side, he said loud and clear: “We’re getting mated. Properly. And I expect you all to be there and . . . Yeah, that’s it.” Dead. Quiet. Then Wrath released the handle on George’s harness and started to clap. Loud and slow. “About. Fucking. Time.

When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings. [Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text

When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings. [Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text.

When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings. [Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text.

David Greene was kind, and he had a sense of humor. He made your mother laugh.” That was all Gran could muster up? “Did you not like him?” “He wasn’t a big believer in Tarot. Humor aside, he was a very practical man. From New England,” she added, as if that explained everything. “I’d been wearing Karen down about the Arcana—until she met him. Before I knew it, your mother was pregnant. Even then, I sensed you were the Empress.” “He didn’t want us to live up north?” “David planned to move there.” Her gaze went distant. “To move you—the great Empress—away from her Haven.” That must have gone over well. “In the end, I convinced them not to go.” ...... I opened up the family albums. As I scrolled through them, her eyes appeared dazed, as if she wasn’t seeing the images. Yet then she stared at a large picture of my father. I said, “I wish I could remember him.” “David used to carry you around the farm on his shoulders,” she said. “He read to you every night and took you to the river to skip stones. He drove you around to pet every baby animal born in a ten-mile radius. Lambs, kittens, puppies.” She drew a labored breath. “He brought you to the crops and the gardens. Even then, you would pet the bark of an oak and kiss a rose bloom. If the cane was sighing that day, you’d fall asleep in his arms.” I imagined it all: the sugarcane, the farm, the majestic oaks, the lazy river that always had fish jumping. My roots were there, but I knew I would never go back. Jack’s dream had been to return and rebuild Haven. A dream we’d shared. I would feel like a traitor going home without him. Plus, it’d be too painful. Everything would remind me of the love I’d lost. “David’s death was so needless,” she said. “Don’t know what he was doing near that cane crusher.” “David’s death was so needless,” she said. “Don’t know what he was doing near that cane crusher.” I snapped my gaze to her. “What do you mean? He disappeared on a fishing trip in the Basin.” She frowned at me. “He did. Of course.” Chills crept up my spine. Was she lying? Why would she, unless . . .

Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.

He watched her pace toward him. She stopped just short of his chair and looked down at him. Her loose hair slipped over her shoulder. “I remember something. I’m not sure if it happened or not. Will you tell me?” “Yes,” he whispered. “I remember lying with you on the lawn of the imperial palace’s spring garden.” He shifted. Lamplight pulsed over his face. He shook his head. “I remember finding you in your suite.” This memory was coming to her now. It had a similar flavor as the last one. “I promised to tell you my secrets. You held a book. Or kindling? You were making a fire.” “That didn’t happen.” “I kissed you.” She touched the hollow at the base of his neck. His pulse was wild. “Not then,” he said finally. “But I have before.” There was a rush of images. It was as if the melody she’d imagined while lying in the dark had been dunked in the green liquor. All the cold stops gained heat and ran together. It was easy to remember Arin, especially now. Her hand slid to his chest. The cotton of his shirt was hot. “Your kitchens. A table. Honey and flour.” His heart slammed against her palm. “Yes.” “A carriage.” “Yes.” “A balcony.” Breath escaped him like a laugh. “Almost.” “I remember falling asleep in your bed when you weren’t here.” He pulled back slightly, searched her face. “That didn’t happen.” “Yes it did.” His mouth parted, but he didn’t speak. The blacks of his eyes were bright. She wondered what it would be like to give her body what it wanted. It knew something she didn’t. Her heart sped, her blood was lush in her veins. “The first day,” she said. “Last summer. Your hair was a mess. I wanted to sweep it back and make you meet my eyes. I wanted to see you.” His chest rose and fell beneath her hand. “I don’t know. I can’t--I don’t know what you wanted.” “I never said?” “No.” She lowered her mouth to his. She tasted him: the raw burn of liquor on his tongue. She felt him swallow, heard the low, dry sound of it. He pulled her down to him, tangled his hands in her hair, sucked the breath from her lips. She became uncertain whose breath was whose. He kissed her back, fingertips fanning across her face, then gone, nowhere. Then: a light touch along the curve of her hip, just barely. A stone skipping the surface of the water. “Strange,” he murmured into her mouth. She wasn’t listening. She was rippling, the sensation spreading wide. Stone on water, dimpled pockets of pressure. The wait for the stone to finally drop down. Suddenly she knew--or thought she knew--what he found strange as he traced where a dagger should have been. To see a part of her missing. She felt her missing pieces, the stark gaps. She was arrested by the thought (it pierced her, sharp and surreal) that she had become transparent, that if he touched her again his hand would go right through her, into air, into the empty spaces of who she was now.

And then they half-ran, half-skipped the last eight blocks to her apartment, their bodies connected by their crossed arms. Half a block away, their combined shadow looked like the wings of a single sea bird, wheeling in a bright sky. Two blocks further, and they looked like two boats, alone on an endless ocean. One block from that, and their joined bodies merged into a symbol of infinity.

1979" Shakedown 1979, cool kids never have the time On a live wire right up off the street You and I should meet Junebug skipping like a stone With the headlights pointed at the dawn We were sure we'd never see an end to it all And I don't even care to shake these zipper blues And we don't know Just where our bones will rest To dust I guess Forgotten and absorbed into the earth below Double cross the vacant and the bored They're not sure just what we have in store Morphine city slipping dues down to see That we don't even care as restless as we are We feel the pull in the land of a thousand guilts And poured cement, lamented and assured To the lights and towns below Faster than the speed of sound Faster than we thought we'd go, beneath the sound of hope Justine never knew the rules, Hung down with the freaks and the ghouls No apologies ever need be made, I know you better than you fake it To see that we don't even care to shake these zipper blues And we don't know just where our bones will rest To dust I guess Forgotten and absorbed into the earth below The street heats the urgency of now As you see there's no one around

You do not know how many times a stone will skip until you throw it.

Rosetta Stone language kiosk. I asked if I could try their Turkish demo, which the woman was kind enough to let me test-drive for 15 minutes. I skipped to a Level 3 test, which is intended to be taken after 120–150 hours of study, and scored more than 80% correct. In addition to saving me time, that 30-minute, 12-sentence audit saved me $399.

Jeanne continued to drive until she reached a small state park. She parked her car and walked over to a bench parallel to the lake. Jeanne stared out at the lake and thought about carving all of her ex-lovers names onto the large stones that sat in the grass and spending her entire life waiting for them to be eroded by the wind and the rain. In the park there were also children dropping medium sized rocks with both hands into a stream. They fell heavily into the water and sunk down with the sound of small giggles. The children shouted something to their mothers. Something like, “Look mom we’re skip- ping rocks!” The mothers didn’t look but they shouted something back like, “Wow good job honey!” The “wow” was drawn out long and slow, more pronounced than any of the other words in the sentence. The children seemed pleased with this response and continued to laugh and throw stones into the river. A woman sat on a bench across from Jeanne for an extended period of time, folding leaves in her hands like a nervous tick. The woman looked up from her hands and laughed. She looked back down at her hands and looked sad again. Jeanne felt the urge to ask the woman why she looked down at the leaves and felt sad. Maybe, Jeanne speculated, she felt sad for the leaves that were in pieces all around her. Maybe the woman felt sad for herself because she was sitting on a bench alone and feeling ner- vous. Perhaps the woman felt guilty because she was laughing while killing something. Jeanne watched the woman as she looked up at middle space and alternated her expression from smiling to sad. Jeanne thought about wanting to kiss the woman’s face when it looked sad. Jeanne wanted to catch her mouth right in the in-be- tween before she smiled. Jeanne wanted the kiss to be sad and slow but hopeful as children laughed and threw rocks with her ex-lovers names into the river. Jeanne sat on the bench in the park and did nothing. She could feel her heart beating inside of her left shoulder blade. Jeanne wanted to throw rocks into the river like a child and kiss. Jeanne thought, “Kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss kiss,” but she continued to sit. She didn’t throw rocks. She didn’t kiss anyone.

Just as it is important not to skip steps like crawling in physical development, it is important not to skip play, which allows for the development of a wide range of experiences, so that what is first grasped through action can later be learned anew through thought. Thus when the adolescent studies the laws of levers and mechanics in physics, he will have had the experience of shifting further forward or back on the seesaw, depending on the size of his friend; or the study of trajectories will have had its foundation in throwing balls or skipping stones.

My heart is sore. In my dream I toss it across an asphalt pavement, watching it skip like a stone. Just

Basically, Sam Phillips recorded Bill Haley, Johnny Cash, and all those other Memphis guys; Chuck Berry played the top two strings; Elvis appeared on The Ed Sullivan Show above the waist; the Beatles made all the girls squirm by singing about wanting to hold their “hands”; Ray Davies got lost in a sunset; Pete Townshend smashed his guitar; Brian Wilson heard magic in his head and made it come out of a studio; the Rolling Stones urinated on a garage door; and then (skipping a bit) you’ve got Joey Levine and Chapman-Chinn and Mott the Hoople and Iggy and the Runaways and KISS and the Pink Fairies and Rick Nielsen and Jonathan Richman and Johnny Ramone and Lemmy and the Young brothers and Cook and Jones and Pete Shelley and Feargal Sharkey and Rob Halford … and Foghat. You get what I’m saying. It didn’t happen in a vacuum, but it did happen, and now here we are in the aftermath.

I follow him behind the throne and off the dais, where a small door is set against the stone wall, half hidden by ivy. I've never been here before. Cardan sweeps aside the ivy, and we go in. It is a small room, clearly intended for intimate meetings and assignations. Its walls are covered in moss, with small glowing mushrooms climbing them, casting a pale white light on us. There's a low couch upon which people could sit or recline, as the situation called for. We are alone in a way we have not been alone for a long time, and when he takes a step toward me, my heart skips a beat.

What position do you want?” I blurt out. Modeus doesn’t skip a beat. “Whichever gives you the most satisfaction.

Skip a stone and it will eventually sink to the bottom, but the ripples it creates, go on and on, forever.

It’s like I’m holding a mine full of thoughts but can’t tell the skipping stone from the gold.

Most natural inanimate objects are symmetrical only by chance. Think of the uncommon delight in finding a perfectly shaped skipping stone or an evenly balanced cloud formation. Symmetrical forms and patterns that emerge from pure physical principles—crystals, tides, snowflakes—feel like miracles and are often held up as evidence of the divine.

Love,” he said, “is carrying her around the castle on my back. It is the way she bites her lip when thinking. It’s her tangle of blonde hair blowing lazily in the breeze as she skips stones on the lake. It is in the way she steals my leather jacket and gives it back each time she claims that it no longer smells like me. It is how her hand is always covered in ink and papercuts. It is the instinct I have to protect her at all costs.

Schwalbe lights two lanterns with a long match that he waves in the air to extinguish. On a nearby table, there is well-fed cat washing its face with a freshly licked paw. Schwalbe hands one lantern to Cardell, closes his door and skips haltingly out in front of them. On the other side of the yard is a low stone building. Schwalbe puts his hand to his mouth and makes a loud noise before he unlocks the door. ‘For the rats,’ he explains. ‘I prefer to frighten them than the other way around.’ Objects are

He clarified, and my heart skipped a beat. “A face like yours makes men stumble over themselves.” He tilted his head to look at me through a new angle. “Faces like yours are carved into statues, immortalized in stone for the world to see over the ages.” He let in a deep breath then exhaled slowly. “You…are art.

Children’s leisure had to fit around work and school. Visit any playground in Britain today, and you will witness Victorian games in action. Various forms of Tag, British Bulldog, Grandma’s Footsteps and What’s the Time, Mr Wolf? still form much of the charging about when children gather. Games of marbles can be found in quieter corners, Five Stones and Jacks are still popular, and many girls are still highly skilled with a skipping rope.

They Have Intense but Shallow Emotions Emotionally immature people are easily overwhelmed by deep emotion, and they display their uneasiness by transmuting it into quick reactivity. Instead of feeling things deeply, they react superficially. They may be emotionally excitable and show a strong sentimentality, perhaps being easily moved to tears. Or they may puff up in anger toward anything they dislike. Their reactivity may seem to indicate that they’re passionate and deeply emotional, but their emotional expression often has a glancing quality, almost like a stone skipping the surface rather than going into the depths. It’s a fleeting reaction of the moment—dramatic but not deep. When interacting with such people, the weirdly shallow quality of their emotions may leave you feeling unmoved by their distress. You might tell yourself that you should be feeling more for them, but your heart can’t resonate with their exaggerated reactions. And because they overreact so frequently, you may quickly learn to tune them out for the sake of your own emotional survival.