Sister Missing Quotes

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There once was a girl who found herself dead. She peered over the ledge of heaven and saw that back on earth her sister missed her too much, was way too sad, so she crossed some paths that would not have crossed, took some moments in her hand shook them up and spilled them like dice over the living world. It worked. The boy with the guitar collided with her sister. "There you go, Len," she whispered. "The rest is up to you.
Jandy Nelson (The Sky Is Everywhere)
Do you know how sometimes - when you are riding your bike and you start skidding across sand, or when you miss a step and start tumbling down the stairs - you have those long, long seconds to know that you are going to be hurt, and badly?
Jodi Picoult (My Sister’s Keeper)
Don't laugh at the spinsters, dear girls, for often very tender, tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and many silent sacrifices of youth, health, ambition, love itself, make the faded faces beautiful in God's sight. Even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life, if for no other reason.
Louisa May Alcott (Little Women (Little Women, #1))
Everyone keeps telling me that time heals all wounds, but no one can tell me what I’m supposed to do right now. Right now I can’t sleep. It’s right now that I can’t eat. Right now I still hear his voice and sense his presence even though I know he’s not here. Right now all I seem to do is cry. I know all about time and wounds healing, but even if I had all the time in the world, I still don’t know what to do with all this hurt right now.
Nina Guilbeau (Too Many Sisters)
My brother cleared his throat. "I wish she knew that I think she is the most hilarious person on Earth. And that whenever she's not home, I feel like I'm missing my partner in crime." My throat tightened. Do not cry. Do not cry. "I wish she knew that she's really Mom's favorite--" I shook my head here. "--the princess she always wanted. That Mom used to dress her up like a little doll and parade her around like Mara was her greatest achievement. I wish Mara knew that I never minded, because she's my favorite too.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
You've never been in love," she said. "You don't understand." "If being in love means giving up your freedom, not to mention your opportunities," Caitlin said, "Then I haven't missed anything.
Judy Blume (Summer Sisters)
recant, v. I want to take back at least half of the “I love you”s, because I didn’t mean them as much as the other ones. I want to take back the book of artsy photos I gave you, because you didn’t get it and said it was hipster trash. I want to take back what I said about you being an emotional zombie. I want to take back the time I called you “honey” in front of your sister and you looked like I had just shown her pictures of us having sex. I want to take back the wineglass I broke when I was mad, because it was a nice wineglass and the argument would have ended anyway. I want to take back the time we had sex in a rent-a-car, not because I feel bad about the people who got in the car after us, but because it was massively uncomfortable. I want to take back the trust I had while you were away in Austin. I want to take back the time I said you were a genius, because I was being sarcastic and I should have just said you’d hurt my feelings. I want to take back the secrets I told you so I can decide now whether to tell them to you again. I want to take back the piece of me that lies in you, to see if I truly miss it. I want to take back at least half the “I love you”s, because it feels safer that way.
David Levithan (The Lover's Dictionary)
Usually time alters and affects everything, but when someone you love dies time cannot change that, no amount of time will ever change that, so time stops having any meaning.
Rosamund Lupton (Sister)
Grief is love turned into an eternal missing
Rosamund Lupton (Sister)
Because we weren’t like other people. We were peculiar.” “Peculiar how?” “Oh, all sorts of ways,” he said. “There was a girl who could fly, a boy who had bees living inside him, a brother and sister who could lift boulders over their heads.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
How could she just leave me here to live without her? I miss her so much. I love her. I want her to grow up and become who she was meant to be. I wanted her to grow up with me.
Ava Dellaira (Love Letters to the Dead)
When you have been with your partner for so many years, they become the glove compartment map that you've worn dog-eared and white-creased, the trail you recogonize so well you could draw it by heart and for this very reason keep it with you on journeys at all times. And yet, when you least expect it, one day you open your eyes and there is an unfamiliar turnoff, a vantage point taht wasn't there before, and you have to stop and wonder if maybe this landmark isn't new at all, but rather something you have missed all along.
Jodi Picoult (My Sister’s Keeper)
if you think of a relationship as a living entity, I guess it's one thing if the missing two percent is, like, a fingernail. But when it's the heart, that's a whole different ball of wax.
Jodi Picoult (My Sister’s Keeper)
I miss my brother, and if you won’t fight for the thing that makes you happy, then I’m going to fight for you.
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
She does not cry for me,” he says, his voice hardening. “She cries for her lost youth, her missed opportunities and her limited options. She does not cry for me, she cries for herself.
Oyinkan Braithwaite (My Sister, the Serial Killer)
...grief is loved turned into an eternal missing. ...It can't be contained in hours or days or minutes.
Rosamund Lupton (Sister)
She scrambled to her feet. She knew her sisters were eyeing her strangely, knew that what she was feeling was undisguised. Right then, she didn't care. She turned and ran for him. Bastian! Standing at the door, so tall and proud. When he saw her, his lips parted, then he absently palmed the center of his chest. As she hadn't slowed, he opened his arms - she knew what this meant - but she didn't hesitate to run into them, leaping up and latching onto him. They would have gone reeling if he weren't so strong. The Valkyrie who'd flown down the stairs at the marked lightning saw her. All around them, she heard gasps. One muttered, "She ran to his arms. I saw it." "Bastian, I missed you!" Kaderin whispered. "God, I missed you, too," he murmured, clutching her.
Kresley Cole
I gaze out at the glittering sea, the breathtaking sky above it, and think of birds and the moment before the fall, and how my sister as a child had been strong enough for the both of us, and I wonder when exactly that changed. I don't know when, but it did. Jake was right - I'm strong in a way June never was. Because I know that I want to be here. Even with the pain. Even with the ugliness. I've seen the other side - marching side by side down city streets with people who all believe they can change the world and the view of the sunset from Fridgehenge and Tom Waits lyrics and doing the waltz and kisses so hot they melt into each other and best friends who hold your hand and stretching out underneath a sky draped with stars and everything else. There is so much beauty in just existing. In being alive. I don't want to miss a second.
Hannah Harrington (Saving June)
Knowing Lissa missed me hurt almost more than if she'd completely written me off. I'd never wanted to hurt her. Even when I'd resented her for feeling like she was controlling my life, I'd never hated her. I loved her like a sister and couldn't stand the thought of her suffering now on my behalf. How had things gotten so screwed up between us?
Richelle Mead (Blood Promise (Vampire Academy, #4))
Sometimes when I wake up, I forget that she's gone and then I remember and my heart drops like it does when you miss a step or trip over a kerb.
Annabel Pitcher (My Sister Lives on the Mantelpiece)
When I saw your strand of hair I knew that grief is love turned into an eternal missing.
Rosamund Lupton (Sister)
Daylight...In my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephenie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over the azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yeard with their friend, enacting a strange little drama of their own invention. It was fall and his children fought ont he sidewalk in front of Mrs. Dubose's. The boy helped his sister to her feet and they made their way home. Fall, and his children trotted to and fro around the corner, the day's woe's and triymph's on their face. They stopped at an oak tree, delighted, puzzled apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter and a man walked into the street, dropped his glasses, and show a dog. Summer, and he watched his children's heart break. Autumn again, and Boo's children needed him.
Harper Lee (To Kill a Mockingbird)
Aunt Prue was holding one of the squirrels in her hand, while it sucked ferociously on the end of the dropper. 'And once a day, we have ta clean their little private parts with a Q-tip, so they'll learn ta clean themselves.' That was a visual I didn't need. 'How could you possibly know that?' 'We looked it up on the E-nternet.' Aunt Mercy smiled proudly. I couldn't imagine how my aunts knew anything about the Internet. The Sisters didn't even own a toaster oven. 'How did you get on the Internet?' 'Thelma took us ta the library and Miss Marian helped us. They have computers over there. Did you know that?
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
I miss the way he used to kiss my shoulder whenever it was bare and he was nearby. I miss how he cleared his throat before he took a sip of water and scratched his left arm with his right hand when he was nervous. I miss how he tucked my hair behind my ear when it came loose and took my temperature when I was sick or when he was bored. I miss his glasses on my nightstand. I miss watching him take Sunday afternoon naps on my couch, with the newspaper resting on his stomach like a blanket. How his hands stayed clasped, fingers intertwined, while he slept. I miss the cadence of his speech and the stupidity of his puns. I miss playing doctor when we made love, and even when we didn't. I miss his smell, like fresh laundry and honey (because of his shampoo) at his place. Fresh laundry and coconut (because of my shampoo) at mine. I miss that he used to force me to listen to French rap and would sing along in a horrible accent. I miss that he always said "I love you" when he hung up the phone with his sister, never shy or embarassed, regardless of who else was around. I miss that his ideal Friday night included a DVD, eating Chinese food right out of the carton, and cuddling on top of my duvet cover. I miss that he reread books from his childhood and then from mine. I miss that he was the only man that I have ever farted on, and with, freely. I miss that he understood that the holidays were hard for me and that he wanted me to never feel lonely.
Julie Buxbaum (The Opposite of Love)
When Jo's conservative sister Meg says she must turn up her hair now that she is a "young lady," Jo shouts, "I'm not! and if turning up my hair makes me one, I'll wear it in two tails till I'm twenty.... I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China aster! It's bad enough to be a girl anyway, when I like boys' games and work and manners! I can't get over my disappointment in not being a boy; and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay at home and knit, like a poky old woman.
Louisa May Alcott (Little Women (Little Women, #1))
This cruel age has deflected me, like a river from this course. Strayed from its familiar shores, my changeling life has flowed into a sister channel. How many spectacles I've missed: the curtain rising without me, and falling too. How many friends I never had the chance to meet.
Anna Akhmatova (The Complete Poems of Anna Akhmatova)
I turn to head outside when the boys make their way back into the house. Kel stops in the doorway and puts his hands on his hips, then looks up at me. “Are you my sister’s boyfriend?” I’m thrown off by his directness. I pull my jacket on and shake my head. “Um, no. Just her friend.” “She told my mom you were taking her on a date. I thought only boyfriends took girls on dates.” “Well,” I pause. “Sometimes boys take girls on dates to see if they want them to be their girlfriend.” I notice Caulder standing beside me, taking in the conversation as if he’s just as curious. I wasn’t prepared to have to explain the rules of dating right now. “So it’s like a test?” Caulder asks. “To see if you want Layken to be your girlfriend?” I shrug and nod. “Yeah, I guess you could say that.” Kel laughs. “You aren’t gonna like her. She burps a lot. And she’s bossy. And she never lets me drink coffee, so she probably won’t let you have any, either. And she has really bad taste in music and sings way too loud and leaves her bras all over the house. It’s gross.” I laugh. “Thanks for the warning. You think it’s too late to back out now?” Kel shakes his head, missing my sarcasm completely. “No, she’s already dressed so you have to take her now.” I sigh, pretending to be annoyed. “Well, it’s just a few hours. Hopefully she won’t burp a lot and boss me around and steal my coffee and sing to her really bad music and leave her bra in my car.” Or hopefully she will.
Colleen Hoover (This Girl (Slammed, #3))
I shall be much obliged to you, cousin, if you will refrain from telling my sisters that she has a face like a horse!’ ‘But, Charles, no blame attaches to Miss Wraxton! She cannot help it, and that, I assure you, I have always pointed out to your sisters!’ ‘I consider Miss Wraxton’s countenance particularly well-bred!’ ‘Yes, indeed, but you have quite misunderstood the matter! I meant a particularly well-bred horse!’ 'You mean, as I am perfectly aware, to belittle Miss Wraxton!' 'No, no! I am very fond of horses!' Sophy said earnestly. Before he could stop himself he found that he was replying to this. 'Selina, who repeated the remark to me, is not fond of horses, however, and she—' He broke off, seeing how absurd it was to argue on such a head. 'I expect she will be, when she has lived in the same house with Miss Wraxton for a month or two,' said Sophy encouragingly.
Georgette Heyer (The Grand Sophy)
She yearned to see her mother again, and Robb and Bran and Rickon… but it was Jon Snow she thought of most. She wished somehow they could come to the Wall before Winterfell, so Jon might muss up her hair and call her “little sister.” She’d tell him, “I missed you,” and he’d say it too at the very same moment, the way they always used to say things together. She would have liked that. She would have liked that better than anything.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
All the worry people expend over not existing after they die, yet nary a one ever seems to spare a moment to worry about not having existed before they were conceived. Or at all. After all, one sperm over and we would have been our sisters, and we'd never have been missed.
Lois McMaster Bujold (CryoBurn (Vorkosigan Saga, #14))
Avery had previously thought love was built on large, visible gestures, but a marriage turned out to be the accrual of ordinary, almost inconsequential, acts of daily devotion—washing the mugs left in the sink before bed, taking the time to run up or downstairs to kiss each other quickly before one left the house, cutting up an extra piece of fruit to share—acts easy to miss, but if ever gone, deeply missed.
Coco Mellors (Blue Sisters)
It's the person that calls you up because they're eating at ‘our favorite spot,’ and it made them think of you and miss being there with you. That's a friend, to me.
Crystal Woods (Write like no one is reading 2)
I stand there for a while, then sit cross-legged before it and bow my head. "Hi, Metias," I say in a soft voice. "Today's my birthday. Do you know how old I am now?" I close me eyes, and through the silence surrounding me I think I can sense a ghostly hand on my shoulder, my brother's gentle presence that I'm able to feel every now and then, in these quiet moments. I imagine him smiling down at me, his expression relaxed and free. "I'm twenty-seven today," I continue in a whisper. My voice catches for a moment. "We're the same age now." For the first tine in my life, I am no longer his little sister. Next year I will step across the line and he will still be in the same place. From now on, I will be older than he ever was. I try to move on to other thoughts, so I tell my brother's ghost about my year, my struggles and successes in commanding my own patrols, my hectic workweeks. I tell him, as I always do, that I miss him. And as always, I can hear the whisper of his ghost against my ear, his gentle reply that he misses me too. That he's looking out for me, from wherever he is.
Marie Lu (Champion (Legend, #3))
I was trying to go... somewhere. But I kept getting pulled back here. I couldn't stop walking, couldn't stop thinking. About the first time I ever saw you, and how after I couldn't forget you. I wanted to, but I couldn't stop myself. I forced Hodge to let me be the one who came to find you and bring you back to the Institute. And even back then, in that stupid coffee shop, when I saw you with Simon, even then that felt wrong to me-- I should have been the one sitting with you. The one who made you laugh like that. I couldn't get rid of that feeling. That it should have been me. And the more I knew you, the more I felt it-- it had never been like that for me before. I'd always wanted a girl and then gotten to know her and not wanted her anymore, but with you the feeling just got stronger and stronger until that night when you showed up at Renwick's and I knew. And then to find out the reason I felt like that-- like you were some part of me I'd lost and never ever knew I was missing until I saw you again-- that the reason was that you were my sister, it felt like some cosmic joke. Like God was spitting on me. I don't even know for what-- for thinking that I actually get to have you, that I would deserve something like that, to be happy. I couldn't imagine what it was I'd done that I was being punished for--
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Growing up in my family meant ambushes on your birthday, crossbows for Christmas, and games of dodge ball where the balls were occasionally rigged to explode. It also meant learning how to work your way out of a wide variety of death traps. Failure to get loose on your own could lead to missing dinner, or worse, being forced to admit that you missed dinner because your baby sister had tied you to the couch. Again.
Seanan McGuire (Discount Armageddon (InCryptid, #1))
He is writing a book," said the King, following them out into the sunny, crisp gardens. "About the gardens here. We have two of his books already. Library, north side, O. What say you, Miss Azalea? Does he pass that list of your sisters'?" Azalea cocked her head. Was the king actually teasing her? "He'll have to shave," she said, deciding to take his lead. "And what," said the King, stroking his own close-trimmed beard, "is wrong with whiskers?" Azalea laughed, surprised at the King's uncharacteristic funning.
Heather Dixon Wallwork (Entwined)
Small moment, missed opportunities, things we don't see or pay attention to at the time sometimes have a far bigger impact on our lives than we would have ever guessed in advance.
Charles Sheehan-Miles (The Last Hour (Thompson Sisters, #4))
She missed him. She missed him so much that she was starting to hate him.
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
Queenie Hennessy - "I am here to die." Sister Mary Inconnue - "Pardon me but you are here to live until you die. There is a significant difference.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
As for the temperature of Hell, Miss Gray,” he said, “let me give you a piece of advice. The handsome young fellow who’s trying to rescue you from a hideous fate is never wrong. Not even if he says the sky is purple and made of hedgehogs.” He really is mad, Tessa thought, but didn’t say so; she was too alarmed by the fact that he had started toward the wide double doors of the Dark Sisters’ chambers. “No!” She caught at his arm, pulling him back. “Not that way. There’s no way out. It’s a dead end.” “Correcting me again, I see.” Will turned and strode the other way, toward the shadowy corridor Tessa had always feared. Swallowing hard, she followed him.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Come on, where did you learn to fight? Miss Manners’ School for Girls? My baby sister could hit harder than you when she was three years old. Damn, if you’re going to turn Daimon, the least you could do is take a few fighting lessons so you can make my boring job more interesting. (Wulf)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
I’m so in love with you, Kiera. I’ve missed you so much. I’m so sorry. I’m sorry I say awful things to you. I’m sorry I lied about your sister…I never touched her. I promised you I wouldn’t. I couldn’t let you know…how much I adore you…how much you hurt me.
S.C. Stephens (Thoughtful (Thoughtless, #4))
What was his greatest fact"... "His heart. The way he loved so deep and felt so much. The way he loved his sister and his mom. The way he missed his dad...
Brittainy C. Cherry (Loving Mr. Daniels)
Particles of raw inspiration sleet through the universe all the time. Every once in a while one of them hits a receptive mind, which then invents DNA or the flute sonata form or a way of making light bulbs wear out in half the time. But most of them miss. Most people go through their lives without being hit by even one.
Terry Pratchett (Wyrd Sisters (Discworld, #6))
I don’t think you can even begin to understand what your words mean to me. Even if they were addressed to Forest in the beginning. You were a sister writing to her missing older brother. And I felt that pain as a brother who had lost the only sibling he ever had.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
People love to see you get ahead — so long as you don't get farther ahead than they are.
Carol Plum-Ucci (The Night My Sister Went Missing)
I don’t want to wait until I’m 73 to embrace my body. To look back and think of my beauty: How did I miss it? Let’s not wait another moment.
Ashley Asti (Dear Sisters: Your Nature is to Bloom)
Rose lived the same life I did, but she doesn’t have PTSD. No bad dreams, no missing memories. Sometimes I’m jealous that she seems to deal with everything better than I do. But then I’ll catch her with this hollow look in her eyes and think maybe she just disguises everything for my benefit. Maybe she’s broken on the inside too.
Paula Stokes (Vicarious (Vicarious, #1))
Kota!” I said, stepping away from my sisters and Lucy. “You can sleep on the couch or in the garage or in the tree house for all I care; but if you don’t check your attitude, I’ll send you back to your apartment right now! Have some gratitude for the security you’ve been offered. Need I remind you that tomorrow we’re burying our father? Either stop the bickering or go home.” I turned on my heel and headed down the hall. Without checking, I knew Lucy was right behind me, suitcase in hand. I opened the door to my room, waiting for her to come in with me. Once her skirts swished past the frame, I slammed it shut, heaving a sigh. “Was that too much?” I asked. “It was perfect!” she replied with delight. “You might as well be the princess already, miss. You’re ready for it.
Kiera Cass (The One (The Selection, #3))
Great way to impress your future brother-in-law, by the way," Kieran continued. "You look like you took a blood bath. The only thing missing is the axe. Would Dallas really let his little sister date a crazed murderer who hacks bodies in the basement? You need to change that shirt pronto. And oh, you're welcome. I just saved you from making a complete and utter fool of yourself, but don't mention it." I curled my lips into a fake smile. "Thanks. It's so nice to know you've got my back." Kieran regarded me coolly. "A hobby might help ease all that hunger. Have you ever considered fixing cars, or woodworking, or maybe a DIY project around the house?" "You're getting a big laugh out of this, aren't you?" Kieran shrugged. "There's nothing on TV.
Jayde Scott (A Job From Hell (Ancient Legends, #1))
But that is love, isn't it? It's terribly inconvenient. It sweeps you up and stales your attention and slows down your work. our labors fall behind, our friends report us missing, and everything comes to a screeching halt! Everything, that is, except what truly matters in this life --- true love. We've all been there. We know the feelings. So when we see it in a friend, a dear, dear friend, we throw down our work and we celebrate. We rejoice. We raise a glass. Because when we recognize it in the hearts of friends, it reminds us of how important it is in our own. Mr. Seven, you are and always have been my companion and friend. You have made me a better man, and almost on a daily basis you have reminded me that I too need to celebrate the love in my life. - William Charming
Michael Buckley (The Council of Mirrors (The Sisters Grimm, #9))
One fine moonlit night, Mortain and his Wild Hunt were riding through the countryside when they spied two maids more beautiful than any they had ever seen before. They were picking evening primrose, which only blooms in the moonlight. “The two maids turned out to be Amourna and Arduinna, twin daughters of Dea Matrona. When Mortain saw the fair Amourna, he fell instantly in love, for she was not only beautiful but light of heart as well, and surely the god of death needs lightness in his world. “But the two sisters could not be more different. Amourna was happy and giving, but her sister, Arduinna, was fierce, jealous, and suspicious, for such is the dual nature of love. Arduinna had a ferocious and protective nature and did not care for the way Mortain was looking at her beloved sister. To warn him, she drew her bow and let fly with one of her silver arrows. She never misses, and she didn’t miss then. The arrow pierced Mortain’s heart, but no one, not even a goddess, can kill the god of death. “Mortain plucked the arrow from his chest and bowed to Arduinna. ‘Thank you,’ he said. ‘For reminding me that love never comes without cost
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
Miss Brodie was easily the equal of both sisters together, she was the square on the hypotenuse of a right-angled triangle and they were only the squares on the other two sides.
Muriel Spark (The Prime of Miss Jean Brodie)
I tried to take solace in Holiday, our dog. I missed him in a way I hadn't yet let myself miss my mother and father, my sister and brother. That way of missing would mean that I had accepted that I would never be with them again; it might sound silly but I didn't believe it, would not believe it.
Alice Sebold
Ouch," he said. "Move your foot." "No." "Go away." "Glad to see you, too." "What are you doing here?" I asked. "You missed the bus," he said. "I'm sick." "Need chicken soup?" "Actually, it's my period," I lied. "Killer cramps." "Chocolate and a heating pad?" "How do you know that?" "I have an older sister and my mom is a kick-ass feminist," he said. "I'm probably the only guy in school who can buy tampons without having a seizure. Look, at that, I can even say the word. 'Tampon, tampon, tampon.' If you say it enough, it stops sounding like a word, know what I mean?
Laurie Halse Anderson (The Impossible Knife of Memory)
He is never going to be here, I thought. He is never coming back. Was I okay with it? No. But missing him every day for the rest of my life was still easier than the fight Sebastian had: to stuff himself inside a box every morning and tuck that box inside his heart and pray that his heart kept beating around the obstacle. Every day I could go to class as exactly the person I am, and meet new people, and come outside later for some fresh air and Frisbee. Every day I would be grateful that no one who matters to me questions whether I am too masculine, too feminine, too open, too closed. Every day I would be grateful for what I have, and that I can be who I am without judgment. So every day I would fight for Sebastian, and people in the same boat, who don’t have what I do, who struggle to find themselves in a world that tells them white and straight and narrow gets first pick in the schoolyard game of life. My chest was congested with regret, and relief, and resolve. Give me more of those, I thought to whoever was listening—whether it was God, or Oz, or the three sisters of Fate. Give me those moments where I think he’s coming back. I can take the hurt. The reminder that he’s not coming back—and why—will keep me fighting.
Christina Lauren (Autoboyography)
We do this thing. We open our hearts to the world around us. And the more we do that, the more we allow ourselves to love, the more we are bound to find ourselves one day - like Dave, and Morley, and Sam, and Stephanie - standing in the kitchen of our live, surrounded by the ones we love, and feeling empty, and alone, and sad, and lost for words, because one of our loved ones, who should be there, is missing. Mother or father, brother or sister, wife or husband, or a dog or cat. It doesn't really matter. After a while, each death feels like all the deaths, and you stand there like eveyone else has stood there before you, while the big wind of sadness blows around and through you. "He was a great dog," said Dave. "Yes," said Morley. "He was a great dog.
Stuart McLean
This is our siblings of more famous BookWorld Personalities self-help group expalined Loser (Gatsby). That's Sharon Eyre, the younger and wholly disreputable sister of Jane; Roger Yossarian, the draft dodger and coward; Rupert Bond, still a virgin and can't keep a secret; Tracy Capulet, who has slept her way round Verona twice; and Nancy Potter, who is a Muggle.
Jasper Fforde (One of Our Thursdays Is Missing (Thursday Next, #6))
Jace, you don’t have to—” “I was trying to go…somewhere,” Jace said. “But I kept getting pulled back here. I couldn’t stop walking, couldn’t stop thinking. About the first time I ever saw you, and how after that I couldn’t forget you. I wanted to, but I couldn’t stop myself. I forced Hodge to let me be the one who came to find you and bring you back to the Institute. And even back then, in that stupid coffee shop, when I saw you sitting on that couch with Simon, even then that felt wrong to me—I should have been the one sitting with you. The one who made you laugh like that. I couldn’t get rid of that feeling. That it should have been me. And the more I knew you, the more I felt it—it had never been like that for me before. I’d always wanted a girl and then gotten to know her and not wanted her anymore, but with you the feeling just got stronger and stronger until that night when you showed up at Renwick’s and I knew. “And then to find out that the reason I felt like that—like you were some part of me I’d lost and never even knew I was missing until I saw you again—that the reason was that you were my sister, it felt like some sort of cosmic joke. Like God was spitting on me. I don’t even know for what—for thinking that I could actually get to have you, that I would deserve something like that, to be that happy. I couldn’t imagine what it was I’d done that I was being punished for—” “If you’re being punished,” Clary said, “then so am I.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
According to the three missed calls from her mother—who thought Madison had been kidnapped in the big, bad city and was now being held for an ungodly sum of money—the four text messages from her brother wondering if she knew how to navigate the beltway—because apparently little sisters couldn’t drive—and the voice mail from her father warning there was a problem with the reservations, she was late for brunch.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Well, the thing is, I don't think Indians are nomadic anymore. Most indians anyway.' No, we're not,' I said I'm not nomadic,' Rowdy said. 'Hardly anybody on this rez is nomadic. Except for you. You're the nomadic one.' Whatever.' No. I'm serious. I always knew you were going to leave. I always knew you were going to leave us behind and travel the world. I had this dream about you a few months ago. You were standing on the Great Wall of China. You looked happy. And I was happy for you.' Rowdy didn't cry. But I did. You're an old-time nomad,' Rowdy said. 'You're going to keep moving all over the world in search of food and water and grazing land. That's pretty cool.' I could barely talk. Thank you,' I said. Yeah,' Rowdy said. 'Just make sure you send me postcards, you asshole.' From everywhere,' I said. I would always love Rowdy. And I would always miss him, too. Just as I would always love and miss my grandmother, my big sister, and Eugene. Just as I would always love and miss my reservation and my tribe. I hoped and prayed that they would someday forgive me for leaving them. I hoped and prayed that I would someday forgive myself for leaving them.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
All I was allowed to keep for myself was missing you. Which is what? The tears that pricked the inside of my face, the emotion catching at the top of my throat, the cavity in my chest that was larger than I am. Was that all I had now?
Rosamund Lupton (Sister)
If ever sorrow and suffering set their profaning marks on the youth and beauty of Miss Fairlie’s face, then, and then only, Anne Catherick and she would be the twin-sisters of chance resemblance, the living reflections of one another.
Wilkie Collins (The Woman in White)
To be misunderstood is one thing, but the curious hostility of a sibling's approach lies less in what they miss than in the strange backdated nature of the things they choose to know. A person can be thirty, thirty-five, and yet still largely described by her sisters in terms of things which happened to be true at the age of seventeen.
Julia Armfield (Private Rites)
I go away for a few years and the whole fucking world is upside down Jules said angrily. Buildings are missing. You get strip-searched every time you go to someone's office. Everybody sounds stoned because they're emailing people the whole time they're talking to you. Tom and Nicole are with different people...And now my rock-and-roll sister and her husband are hanging around with Republicans. What the fuck - Jules Jones
Jennifer Egan (A Visit from the Goon Squad)
Gideon could not imagine any other young unmarried woman of his acquaintance passing up the opportunity to snare, if not himself, then the Carradice fortune. In any case, the number of women who’d rejected him in any way was gratifyingly small. Yet Miss Prudence Merridew had most unmistakably rejected him. Several times. Wielding that damned lethal reticule like a little Amazon, to emphasize her point.
Anne Gracie (The Perfect Rake (The Merridew Sisters, #1))
You will find, Emilia, life is not always a circle. More often, it’s a tangled knot of detours and dead ends, false starts and broken hearts. An exasperating, dizzying maze, impossible to navigate and useless to map.” She squeezes my hand. “But not a single corner nor curve should ever, ever be missed.
Lori Nelson Spielman (The Star-Crossed Sisters of Tuscany)
Your fangs are showing, Miss Lyndon." "Are they?" she asked, reaching up to touch her face. "I shall have to remember to retract them." Charles burst out laughing. "You, Miss Lyndon, are a treasure." "That's what I keep telling everyone," she said with a shrug and a wicked smile, "but no one seems to believe me.
Julia Quinn (Brighter Than the Sun (The Lyndon Sisters, #2))
You’re the bravest person I know, little Sister.” I couldn’t stop myself from snorting. I was a sniffling, teary mess—hardly the mark of bravery. Thomas had held me the entire carriage ride home just so I wouldn’t break apart. I’d siphoned his strength and missed it terribly now. Nathaniel shook his head, easily reading my thoughts. Well, I hope not the one regarding Thomas with his arms around me.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
Remember those dogs I was talking about? The cues? While I was watching TV, I missed a few. Take a look: Steven is smiling, almost laughing. After all the punishment he’s received from my sister over the years, he’s developed quite the sadistic streak when it comes to other people getting their asses handed to them. Then there’s Matthew. God only knows what kind of sick and depraved penalties Delores has inflicted on that poor bastard, because he just looks scared. Kate, on the other hand, is staring at my hand like it’s a cockroach. That she wants to squash. And then she gets an idea—a wonderful, awful idea. If you look hard enough, you can see the light bulb go on above her head. She smiles and leaves the room. I missed all this the first time.
Emma Chase (Tangled Extra Scenes (Tangled, #1.1))
I wonder if I could have done the same—bluffed and brazened my way through this whole nightmare without telling Jake the truth. Then I look at my sister, chuckling with the guy behind the coffee counter in a way she never did with Charlie, and remember how careful and contained I always had to be around Jake. If I was going to the party tonight I’d have to wear something he picked out, stay as late as he wanted, and not talk to anyone who might make him mad. I miss him still. I do. But I don’t miss that.
Karen M. McManus (One of Us Is Lying (One of Us is Lying, #1))
You see, sister, little Miss Scarlett has no idea who she is. Her chraming tricks attract men who are unworthy of her. "Rhett's voice dropped to a whisper. "Hindoos believe we have had lives before this. Is it true? He raised a mocking eyebrow. Perhaps Scarlett and I were star-crossed lovers; perhaps we died in each other's arms...
Donald McCaig (Rhett Butler's People)
Hullo!” she says to both of us serenely. “We’re here to rescue your friends, and all their limbs.” A pause, then: “Well, no. I can’t promise all their limbs, but most, surely . . .” “What my sister is trying to say,” Kiaran interrupts, “is that we’ll bring them back alive. Mostly in one piece.” I love the way he looks at me then, with expectation, a hint of a smile. God, I missed this.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
Matilda had never once stopped to think about where Miss Honey might be living. She had always regarded her purely as a teacher, a person who turned up out of nowhere and taught at school and then went away again. Do any of us children, she wondered, ever stop to ask ourselves where our teachers go when school is over for the day? Do we wonder if they live alone, or if there is a mother at home or a sister or a husband?
Roald Dahl (Matilda)
This was the sort of situation that she read about in the novels she favored, by authors such as Miss Jane Austen, whom Margaret was sure she’d met long ago at the Assembly Rooms the first time we visited Lyme. One of Miss Austen’s books had even featured Lyme Regis, but I did not read fiction and could not be persuaded to try it. Life itself was far messier and didn’t end so tidily with the heroine making the right match. We Philpot sisters were the very embodiment of that frayed life. I did not need novels to remind me of what I had missed.
Tracy Chevalier (Remarkable Creatures)
And do you want to hear something that was breaking my heart, day after day? I forgot the faces of my granddaughters in all that hatred. Hatred smothers all beauty. Beloved Isaboe has little resemblance to her older sisters, but your Phaedra — she made me remember those precious, precious girls, and I wasn’t angry anymore. I just missed them, and it’s the beauty in here,” she said, pointing to her chest, “that made me remember them. Her beauty.
Melina Marchetta (Quintana of Charyn (Lumatere Chronicles, #3))
This is too grand to be said (so I’m just the man to say it), but I can’t be my brother’s brother for nothing, and I know – not always, but I know – there is no single thing I do that is more important than going into that awful Room 307. There isn’t one girl in there, including the Terrible Miss Zabel, who is not as much my sister as Boo Boo or Franny. They may shine with the misinformation of the ages, but they shine. This thought manages to stun me: There’s no place I’d really rather got right now than into Room 307. Seymour once said that all we do our whole lives is go from one little piece of Holy Ground to the next. Is he never wrong? Just go to bed, now. Quickly. Quickly and slowly.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
The next visit I paid to Nancy Brown was in the second week in March: for, though I had many spare minutes during the day, I seldom could look upon an hour as entirely my own; since, when everything was left to the caprices of Miss Matilda and her sister, there could be no order or regularity. Whatever occupation I chose, when not actually busied about them or their concerns, I had, as it were, to keep my loins girded, my shoes on my feet, and my staff in my hand; for not to be immediately forthcoming when called for, was regarded as a grave and inexcusable offence: not only by my pupils and their mother, but by the very servant, who came in breathless haste to call me, exclaiming 'You're to go to the school-room directly, mum- the young ladies is WAITING!!' Climax of horror! actually waiting for their governess!!!
Anne Brontë (Agnes Grey)
And now, Henry," said Miss Tilney, "that you have made us understand each other, you may as well make Miss Morland understand yourself—unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general. Miss Morland is not used to your odd ways." "I shall be most happy to make her better acquainted with them." "No doubt; but that is no explanation of the present." "What am I to do?" "You know what you ought to do. Clear your character handsomely before her. Tell her that you think very highly of the understanding of women." "Miss Morland, I think very highly of the understanding of all the women in the world—especially of those—whoever they may be—with whom I happen to be in company." "That is not enough. Be more serious." "Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much that they never find it necessary to use more than half.
Jane Austen (Northanger Abbey)
Sister Ernestine said something very nasty about how maybe Miss Simon didn’t realize how unpleasant detention at the Mission Academy could be. I assured Sister Ernestine that if she was threatening corporal punishment, I would tell my mother, who was a local news anchor-woman and would be over here with a TV camera so fast, nobody would have time to say so much as a single Hail Mary. Sister Ernestine was pretty quiet after that.
Meg Cabot (Shadowland (The Mediator, #1))
Lindsey took my father's hand and watched his face for movement. My sister was growing up before my eyes. I listened as she whispered the words he had sung to the two of us before Buckley was born: Stones and bones; snow and frost seeds and beansand polliwogs. Paths and twigs, assorted kisses, We all who knowwho Daddy misses! His two little frogs of girls, that's who. They know where they are, do you, do you? When her eyes closed and they both slept silently together, I whispered to them: Stones and bones; snow and frost; seeds and beans and polliwogs. Paths and twigs, assorted kisses, We all know who Susie misses.....
Alice Sebold (The Lovely Bones)
Dear sisters, many of you are endlessly compassionate and patient with the weaknesses of others. Please remember also to be compassionate and patient with yourself. In the meantime, be thankful for all the small successes in your home, your family relationships, your education and livelihood, your Church participation and personal improvement. Like the forget-me-nots, these successes may seem tiny to you and they may go unnoticed by others, but God notices them and they are not small to Him. If you consider success to be only the most perfect rose or dazzling orchid, you may miss some of life’s sweetest experiences.
Dieter F. Uchtdorf
Now he was gone. She said a silent prayer. Sent it up to heaven. Sam, if you can hear me, I hope you’ve got nice food where you are. Some vegetables like these. They’re meant to be good for you. So eat them all up, like I’m doing. When I die I’ll come and see you, and we’ll be together again. But for now I’m going to think of you safe and happy and playing knights with a friend. Love from Ella. Your sister. P.S. I got a good long turn with Godzilla today after we got here. Godzilla is very happy. P.P.S. I forgot, you never met Godzilla. He is a puppy and is very cute. He belonged to a boy called Joel who got killed by monkeys. I think the monkeys were sick. Monkeys are usually nice. At least in stories. P.P.P.S. Maybe you’ll meet Joel where you are. Say hello. He is nice. P.P.P.P.S. Good night, Sam. The others call you Small Sam. To me you’re just Sam—my brother. I miss you. I wish I was with you.
Charlie Higson
Miss Bingley was very deeply mortified by Darcy's marriage; but as she thought it advisable to retain the right of visiting at Pemberley, she dropt all her resentment; was fonder than ever of Georgiana, almost as attentive to Darcy as heretofore, and paid off every arrear of civility to Elizabeth. Pemberley was now Georgiana's home; and the attachment of the sisters was exactly what Darcy had hoped to see. They were able to love each other, even as well as they intended. Georgiana had the highest opinion in the world of Elizabeth; though at first she often listened with an astonishment bordering on alarm at her lively, sportive manner of talking to her brother. He, who had always inspired in herself a respect which almost overcame her affection, she now saw the object of open pleasantry. Her mind received knowledge which had never before fallen in her way. By Elizabeth's instructions she began to comprehend that a woman may take liberties with her husband which a brother will not always allow in a sister more than ten years younger than himself. Lady Catherine was extremely indignant on the marriage of her nephew; and as she gave way to all the genuine frankness of her character, in her reply to the letter which announced its arrangement, she sent him language so very abusive, especially of Elizabeth, that for some time all intercourse was at an end. But at length, by Elizabeth's persuasion, he was prevailed on to overlook the offence, and seek a reconciliation; and, after a little farther resistance on the part of his aunt, her resentment gave way, either to her affection for him, or her curiosity to see how his wife conducted herself: and she condescended to wait on them at Pemberley, in spite of that pollution which its woods had received, not merely from the presence of such a mistress, but the visits of her uncle and aunt from the city. With the Gardiners they were always on the most intimate terms. Darcy, as well as Elizabeth, really loved them; and they were both ever sensible of the warmest gratitude towards the persons who, by bringing her into Derbyshire, had been the means of uniting them.
Jane Austen (Pride and Prejudice)
Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own. Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one. In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis... In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch. Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.
Rebecca Solnit (The Faraway Nearby)
My Father, the Age I Am Now Time, which diminishes all things, increases understanding for the aging. —PLUTARCH My mother was the star: Smart and funny and warm, A patient listener and an easy laugher. My father was . . . an accountant: Not one to look up to, Ask advice from, Confide in. A man of few words. We faulted him—my mother, my sister, and I, For being this dutiful, uninspiring guy Who never missed a day of work, Or wondered what our dreams were. Just . . . an accountant. Decades later, My mother dead, my sister dead, My father, the age I am now, Planning ahead in his so-accountant way, Sent me, for my records, Copies of his will, his insurance policies, And assorted other documents, including The paid receipt for his cemetery plot, The paid receipt for his tombstone, And the words that he had chosen for his stone. And for the first time, shame on me, I saw my father: Our family’s prime provider, only provider. A barely-out-of-boyhood married man Working without a safety net through the Depression years That marked him forever, Terrified that maybe he wouldn’t make it, Terrified he would fall and drag us down with him, His only goal, his life-consuming goal, To put bread on our table, a roof over our head. With no time for anyone’s secrets, With no time for anyone’s dreams, He quietly earned the words that made me weep, The words that were carved, the following year, On his tombstone: HE TOOK CARE OF HIS FAMILY.
Judith Viorst (Nearing Ninety: And Other Comedies of Late Life (Judith Viorst's Decades))
Am I a liar in your eyes?' He asked, passionately. 'Little sceptic, you shall be convinced. What love have I for Miss Ingram? None, and that you know. What love has she for me? None, as I have taken pains to prove; I caused a rumor to reach her that my fortune was not a third of what was supposed, and after that I presented myself to see the result; it was coldness both from her and her mother. I would not - I could not - marry Miss Ingram. You - you strange - you almost unearthly thing! I love as my own flesh. You - poor and obscure, and small and plain, as you are - I entreat to accept me as a husband.
Charlotte Brontë (Jane Eyre)
Most peasants did not miss the school. "What's the point?" they would say. "You pay fees and read for years, and in the end you are still a peasant, earning your food with your sweat. You don't get a grain of rice more for being able to read books. Why waste time and money? Might as well start earning your work points right away." The virtual absence of any chance of a better future and the near total immobility for anyone born a peasant took the incentive out of the pursuit of knowledge. Children of school age would stay at home to help their families with their work or look after younger brothers and sisters. They would be out in the fields when they were barely in their teens. As for girls, the peasants considered it a complete waste of time for them to go to school. "They get married and belong to other people. It's like pouring water on the ground." The Cultural Revolution was trumpeted as having brought education to the peasants through 'evening classes." One day my production team announced it was starting evening classes and asked Nana and me to be the teachers. I was delighted. However, as soon as the first 'class' began, I realized that this was no education. The classes invariably started with Nana and me being asked by the production team leader to read out articles by Mao or other items from the People's Daily. Then he would make an hour-long speech consisting of all the latest political jargon strung together in undigested and largely unintelligible hunks. Now and then he would give special orders, all solemnly delivered in the name of Mao.
Jung Chang (Wild Swans: Three Daughters of China)
Miss Peyton,” Lillian Bowman asked, “what kind of man would be the ideal husband for you?” “Oh,” Annabelle said with irreverent lightness, “any peer will do.” “Any peer?” Lillian asked skeptically. “What about good looks?” Annabelle shrugged. “Welcome, but not necessary.” “What about passion?” Daisy inquired. “Decidedly unwelcome.” “Intelligence?” Evangeline suggested. Annabelle shrugged. “Negotiable.” “Charm?” Lillian asked. “Also negotiable.” “You don’t want much,” Lillian remarked dryly. “As for me, I would have to add a few conditions. My peer would have to be dark-haired and handsome, a wonderful dancer…and he would never ask permission before he kissed me.” “I want to marry a man who has read the entire collected works of Shakespeare,” Daisy said. “Someone quiet and romantic—better yet if he wears spectacles— and he should like poetry and nature, and I shouldn’t like him to be too experienced with women.” Her older sister lifted her eyes heavenward. “We won’t be competing for the same men, apparently.” Annabelle looked at Evangeline Jenner. “What kind of husband would suit you, Miss Jenner?” “Evie,” the girl murmured, her blush deepening until it clashed with her fiery hair. She struggled with her reply, extreme bashfulness warring with a strong instinct for privacy. “I suppose…I would like s-s-someone who was kind and…” Stopping, she shook her head with a self-deprecating smile. “I don’t know. Just someone who would l-love me. Really love me.” The words touched Annabelle, and filled her with sudden melancholy. Love was a luxury she had never allowed herself to hope for—a distinctly superfluous issue when her very survival was so much in question. However, she reached out and touched the girl’s gloved hand with her own. “I hope you find him,” she said sincerely. “Perhaps you won’t have to wait for long.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Because I questioned myself and my sanity and what I was doing wrong in this situation. Because of course I feared that I might be overreacting, overemotional, oversensitive, weak, playing victim, crying wolf, blowing things out of proportion, making things up. Because generations of women have heard that they’re irrational, melodramatic, neurotic, hysterical, hormonal, psycho, fragile, and bossy. Because girls are coached out of the womb to be nonconfrontational, solicitous, deferential, demure, nurturing, to be tuned in to others, and to shrink and shut up. Because speaking up for myself was not how I learned English. Because I’m fluent in Apology, in Question Mark, in Giggle, in Bowing Down, in Self-Sacrifice. Because slightly more than half of the population is regularly told that what happens doesn’t or that it isn’t the big deal we’re making it into. Because your mothers, sisters, and daughters are routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied, harassed, threatened, punished, propositioned, and groped, and challenged on what they say. Because when a woman challenges a man, then the facts are automatically in dispute, as is the speaker, and the speaker’s license to speak. Because as women we are told to view and value ourselves in terms of how men view and value us, which is to say, for our sexuality and agreeability. Because it was drilled in until it turned subconscious and became unbearable need: don’t make it about you; put yourself second or last; disregard your feelings but not another’s; disbelieve your perceptions whenever the opportunity presents itself; run and rerun everything by yourself before verbalizing it—put it in perspective, interrogate it: Do you sound nuts? Does this make you look bad? Are you holding his interest? Are you being considerate? Fair? Sweet? Because stifling trauma is just good manners. Because when others serially talk down to you, assume authority over you, try to talk you out of your own feelings and tell you who you are; when you’re not taken seriously or listened to in countless daily interactions—then you may learn to accept it, to expect it, to agree with the critics and the haters and the beloveds, and to sign off on it with total silence. Because they’re coming from a good place. Because everywhere from late-night TV talk shows to thought-leading periodicals to Hollywood to Silicon Valley to Wall Street to Congress and the current administration, women are drastically underrepresented or absent, missing from the popular imagination and public heart. Because although I questioned myself, I didn’t question who controls the narrative, the show, the engineering, or the fantasy, nor to whom it’s catered. Because to mention certain things, like “patriarchy,” is to be dubbed a “feminazi,” which discourages its mention, and whatever goes unmentioned gets a pass, a pass that condones what it isn’t nice to mention, lest we come off as reactionary or shrill.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
She opens her eyes. “Adelina?” she whispers, blinking. And all I can see before me is the little sister who used to braid my hair, who sang to me and whimpered under the stairs, who bandaged my broken finger and came to me when the thunder rolled outside. She is my sister, always, even in death, even beyond. My heart twists again as I think of what I am doing, and I choke back a sob. Oh, Magiano. I will miss all the days we will never have, all the moments we will never share. Forgive me, forgive me, forgive me. I open my mouth. I mean to tell my sister I’m sorry, sorry I couldn’t save her in the mountains, sorry I didn’t listen to her, I didn’t tell her more often that I loved her. I am ready to say a thousand words. But I say none of them. Instead, I say, “The deal is done.” A faint glow encircles Violetta. The pillar vanishes. She sucks in a deep gasp of air, then falls to her knees. She is alive.
Marie Lu (The Midnight Star (The Young Elites, #3))
What God do for me? I ast. She say, Celie! Like she shock. He gave you life, good health, and a good woman that love you to death. Yeah, I say, and he give me a lynched daddy, a crazy mama, a lowdown dog of a step pa and a sister I probably won't ever see again. Anyhow, I say, the God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgitful and lowdown. She say, Miss Celie, You better hush. God might hear you. Let 'im here me, I say. If he ever listened to poor colored women the world would be a different place, I can tell you. She talk and she talk, trying to budge me way from blasphemy. But I blaspheme much as I want to. All my life I never care what people thought about nothing I did, I say. But deep in my heart I care about God. What he going to think. And come to find out, he don't think. Just sit up there glorying in being deef, I reckon. But it ain't easy, trying to do without God. Even if you know he ain't there, trying to do without him is a strain.
Alice Walker (The Color Purple)
I keeled over sideways. The world turned fluffy, bleached of all color. Nothing hurt anymore. I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders. “He’s almost gone,” Diana said. Then I was gone. My mind slipped into a pool of cold, slimy darkness. “Oh, no, you don’t.” My sister’s voice woke me rudely. I’d been so comfortable, so nonexistent. Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her. As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades. “H-how long was I out?” I croaked. “Roughly three seconds,” she said. “Now, get up, drama queen.” She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth. I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion. She blinked, clearly unsure what to do with this information. “You really have changed.” “I missed you!” “Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.” “It worked, then!” I grinned at Hazel and Meg. “It worked!” “Yeah,” Meg said wearily. “Hi, Artemis.” “Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.” Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.” I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect. Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.” “Little brother?” She smirked.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
My mind had no answers. It was limp and dulled, useless as my missing fingers. One thought came clear: I must do something. I could not stand by while a horror was loosed upon the world. I had the thought that I should find my sister’s workroom. Perhaps there would be something there to help me, some antidote, some great drug of reversal. It was not far, a hall off her bedchamber separated by a curtain. I had never seen another witch’s craft room before, and I walked its shelves expecting I do not know what, a hundred grisly things, kraken livers, dragons’ teeth, the flayed skin of giants. But all I saw were herbs, and rudimentary ones at that: poisons, poppies, a few healing roots. I had no doubt my sister could work plenty with them, for her will had always been strong. But she was lazy, and here was the proof. Those few simples were old and weak as dead leaves. They had been collected haphazardly, some in bud, some already withered, cut with any knife at any time of day. I understood something then. My sister might be twice the goddess I was, but I was twice the witch. Her crumbling trash could not help me. And my own herbs from Aiaia would not be enough, strong as they were. The monster was bound to Crete, and whatever would be done, Crete must guide me.
Madeline Miller (Circe)
The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.
Anthony Marra (A Constellation of Vital Phenomena)
Taking us by and large, we're a queer lot We women who write poetry. And when you think How few of us there've been, it's queerer still. I wonder what it is that makes us do it, Singles us out to scribble down, man-wise, The fragments of ourselves. Why are we Already mother-creatures, double-bearing, With matrices in body and in brain? I rather think that there is just the reason We are so sparse a kind of human being; The strength of forty thousand Atlases Is needed for our every-day concerns. There's Sapho, now I wonder what was Sapho. I know a single slender thing about her: That, loving, she was like a burning birch-tree All tall and glittering fire, and that she wrote Like the same fire caught up to Heaven and held there, A frozen blaze before it broke and fell. Ah, me! I wish I could have talked to Sapho, Surprised her reticences by flinging mine Into the wind. This tossing off of garments Which cloud the soul is none too easy doing With us to-day. But still I think with Sapho One might accomplish it, were she in the mood to bare her loveliness of words and tell The reasons, as she possibly conceived them of why they are so lovely. Just to know How she came at them, just watch The crisp sea sunshine playing on her hair, And listen, thinking all the while 'twas she Who spoke and that we two were sisters Of a strange, isolated little family. And she is Sapho -- Sapho -- not Miss or Mrs., A leaping fire we call so for convenience....
Amy Lowell
The vampire live on, and cannot die by mere passing of the time, he can flourish when that he can fatten on the blood of the living. Even more, we have seen amongst us that he can even grow younger, that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty. “But he cannot flourish without this diet, he eat not as others. Even friend Jonathan, who lived with him for weeks, did never see him eat, never! He throws no shadow, he make in the mirror no reflect, as again Jonathan observe. He has the strength of many of his hand, witness again Jonathan when he shut the door against the wolves, and when he help him from the diligence too. He can transform himself to wolf, as we gather from the ship arrival in Whitby, when he tear open the dog, he can be as bat, as Madam Mina saw him on the window at Whitby, and as friend John saw him fly from this so near house, and as my friend Quincey saw him at the window of Miss Lucy. “He can come in mist which he create, that noble ship’s captain proved him of this, but, from what we know, the distance he can make this mist is limited, and it can only be round himself. “He come on moonlight rays as elemental dust, as again Jonathan saw those sisters in the castle of Dracula. He become so small, we ourselves saw Miss Lucy, ere she was at peace, slip through a hairbreadth space at the tomb door. He can, when once he find his way, come out from anything or into anything, no matter how close it be bound or even fused up with fire, solder you call it. He can see in the dark, no small power this, in a world which is one half shut from the light. Ah, but hear me through.
Bram Stoker (Dracula (Annotated))
December 25, 4:30 p.m. Dear America, It’s been seven hours since you left. Twice now I’ve started to go to your room to ask how you liked your presents and then remembered you weren’t here. I’ve gotten so used to you, it’s strange that you aren’t around, drifting down the halls. I’ve nearly called a few times, but I don’t want to seem possessive. I don’t want you to feel like I’m a cage to you. I remember how you said the palace was just that the first night you came here. I think, over time, you’ve felt freer, and I’d hate to ruin that freedom, I’m going to have to distract myself until you come back. I decided to sit and write to you, hoping maybe it would feel like I was talking to you. It sort of does, I can imagine you sitting here, smiling at my idea, maybe shaking your head at me as if to say I’m being silly. You do that sometimes, did you know? I like that expression on you. You’re the only person who wears it in a way that doesn’t come across like you think I’m completely hopeless. You smile at my idiosyncrasies, accept that they exist, and continue to be my friend. And, in seven short hours, I’ve started to miss that. I’ve wonder what you’ve done in that time. I’m betting by now you’ve flown across the country, made it to your home, and are safe. I hope you are safe. I can’t imagine what a comfort you must be to your family right now. The lovely daughter has finally returned! I keep trying to picture you home. I remember you telling me it was small, that you had a tree house, and that your garage was where you father and sister did all their work. Beyond that I’ve had to resort to my imagination. I imagine you curled up in a hug with you sister or kicking around a ball with your little brother. I remember that, you know? That you said he liked to play ball. I tried to imagine walking into your house with you. I would have liked that, to see you where you grew up. I would love to see you brother run around or be embraced by your mother. I think it would be comforting to sense the presence of people near you, floorboards creaking and doors shutting. I would have liked to sit in one part of the house and still probably be able to smell the kitchen. I’ve always imagined that real homes are full of the aromas of whatever’s being cooked. I wouldn’t do a scrap of work. Nothing having to do with armies or budgets or negotiations. I’d sit with you, maybe try to work on my photography while you played the piano. We’d be Fives together, like you said. I could join your family for dinner, talking over one another in a collection of conversations instead of whispering and waiting our turns. And maybe I’d sleep in a spare bed or on the couch. I’d sleep on the floor beside you if you’d let me. I think about that sometimes. Falling asleep next to you, I mean, like we did in the safe room. It was nice to hear your breaths as they came and went, something quiet and close keeping me from feeling so alone. This letter has gotten foolish, and I think you know how I detest looking like a fool. But still I do. For you. Maxon
Kiera Cass (The One (The Selection, #3))
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
Dolly Alderton (Good Material)
You must have traveled all night,” she heard herself say. “I had to come back early.” She felt his lips brush her tumbled hair. “I left some things unfinished. But I had a feeling you might need me. Tell me what’s happened, sweetheart.” Amelia opened her mouth to answer, but to her mortification, the only sound she could make was a sort of miserable croak. Her self-control shattered. She shook her head and choked on more sobs, and the more she tried to stop them, the worse they became. Cam gripped her firmly, deeply, into his embrace. The appalling storm of tears didn’t seem to bother him at all. He took one of Amelia’s hands and flattened it against his heart, until she could feel the strong, steady beat. In a world that was disintegrating around her, he was solid and real. “It’s all right,” she heard him murmur. “I’m here.” Alarmed by her own lack of self-discipline, Amelia made a wobbly attempt to stand on her own, but he only hugged her more closely. “No, don’t pull away. I’ve got you.” He cuddled her shaking form against his chest. Noticing Poppy’s awkward retreat, Cam sent her a reassuring smile. “Don’t worry, little sister.” “Amelia hardly ever cries,” Poppy said. “She’s fine.” Cam ran his hand along Amelia’s spine in soothing strokes. “She just needs…” As he paused, Poppy said, “A shoulder to lean on.” “Yes.” He drew Amelia to the stairs, and gestured for Poppy to sit beside them. Cradling Amelia on his lap, Cam found a handkerchief in his pocket and wiped her eyes and nose. When it became apparent that no sense could be made from her jumbled words, he hushed her gently and held her against his large, warm body while she sobbed and hid her face. Overwhelmed with relief, she let him rock her as if she were a child. As Amelia hiccupped and quieted in his arms, Cam asked a few questions of Poppy, who told him about Merripen’s condition and Leo’s disappearance, and even about the missing silverware. Finally getting control of herself, Amelia cleared her aching throat. She lifted her head from Cam’s shoulder and blinked. “Better?” he asked, holding the handkerchief up to her nose. Amelia nodded and blew obediently. “I’m sorry,” she said in a muffled voice. “I shouldn’t have turned into a watering pot. I’m finished now.” Cam seemed to look right inside her. His voice was very soft. “You don’t have to be sorry. You don’t have to be finished, either.” She realized that no matter what she did or said, no matter how long she wanted to cry, he would accept it. And he would comfort her.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))