Sister Act Quotes

We've searched our database for all the quotes and captions related to Sister Act. Here they are! All 100 of them:

This life is what you make it. No matter what, you're going to mess up sometimes, it's a universal truth. But the good part is you get to decide how you're going to mess it up. Girls will be your friends - they'll act like it anyway. But just remember, some come, some go. The ones that stay with you through everything - they're your true best friends. Don't let go of them. Also remember, sisters make the best friends in the world. As for lovers, well, they'll come and go too. And baby, I hate to say it, most of them - actually pretty much all of them are going to break your heart, but you can't give up because if you give up, you'll never find your soulmate. You'll never find that half who makes you whole and that goes for everything. Just because you fail once, doesn't mean you're gonna fail at everything. Keep trying, hold on, and always, always, always believe in yourself, because if you don't, then who will, sweetie? So keep your head high, keep your chin up, and most importantly, keep smiling, because life's a beautiful thing and there's so much to smile about.
Marilyn Monroe
I'm lonely. Why do you think I had to learn to act so independent? I also get mad too quickly, and I hog the covers, and my second toe is longer than my big one. My hair has it's own zip code. Plus, I get certifiably crazy when I've got PMS. You don't love someone because they're perfect. You love them in spite of the fact that they're not.
Jodi Picoult (My Sister’s Keeper)
And the very act of living is a tide; at first it seems to make no difference at all, and then one day you look down and see how much pain has eroded
Jodi Picoult (My Sister’s Keeper)
See, as much as you want to hold on to the bitter sore memory that someone has left this world, you are still in it. And the very act of living is a tide: at first it seems to make no difference at all, and then one day you look down and see how much pain has eroded.
Jodi Picoult (My Sister’s Keeper)
Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep overlapping and blur, your story is part of your sister’s story is part of many other stories, and there in no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.
Erin Morgenstern (The Night Circus)
Now you get off that Pegasus and come down here and start acting your age!" "Honey, he's four thousand years old," Veronica said.
Michael Buckley (The Everafter War (The Sisters Grimm, #7))
You know how the tightrope guy at the circus wants everyone to believe his act is an art, but deep down you can see that he's really just hoping he makes it all the way across?
Jodi Picoult (My Sister’s Keeper)
How despicably I have acted!" she cried; "I, who have prided myself on my discernment! I, who have valued myself on my abilities! who have often disdained the generous candour of my sister, and gratified my vanity in useless or blameable mistrust! How humiliating is this discovery! Yet, how just a humiliation! Had I been in love, I could not have been more wretchedly blind. But vanity, not love, has been my folly. Pleased with the preference of one, and offended by the neglect of the other, on the very beginning of our aquaintance, I have courted prepossession and ignorance, and driven reason away, where either were concerned. Till this moment I never knew myself.
Jane Austen (Pride and Prejudice)
Alex kneels down to Shelley's level. The simple act of respect tears at something suspiciously like my heart. Colin always ignores my sister, treating her as if she's blind and deaf as well as physically and mentally disabled.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
And another thing—I’ve heard my sister and her little friends have their chats too. Some of the things that came out of their mouths could’ve made Larry fucking Flynt blush. So don’t act like women don’t talk just as much as us guys do…because I know for a fact they do.
Emma Chase (Tangled (Tangled, #1))
In front of my mother and my sisters, I pretend love is cheap and vulgar. I act like it’s a sin–I pretend that love is for women on a dark path. But at night I dream of a love so heavy it makes my spine throb. I dream up a lover who makes love like he is separating salt from water.
Salma Deera
She, too, is one of Regin’s friends. They’re poker buddies, sisters of the Wii, and Mari is a vaunted member of the karaoke contingent. Regin has long acted as the witches’ designated driver.” “BFF?” Lachlain asked, brows drawn. “Sisters of the what?” Emma supplied, “Best friend forever and a video game.” Lachlain muttered to Emma, “Your relatives are just no’ right.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
I told you before, that there are different ways to fail. Imperfection is inevitable. That’s life. But it doesn’t sound to me like you failed at all, Eve. It sounds like your dream broke, and you’ve been picking up shattered pieces, and blaming yourself when your hands bleed.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
You're not just my sunshine; you're the sun.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
Sometimes, being convenient instead of real was exhausting. So maybe from now on, she’d stop.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
Your abilities lie in the places people usually overlook, so you’ve been convinced you don’t have any at all. But you’re smart, and you’re capable, and if people struggle to see that, it’s their problem, not yours.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
If I could, Sister James, I would certainly choose to live in innocence. But innocence can only be wisdom in a world without evil. Situations arise and we are confronted with wrongdoing and the need to act.
John Patrick Shanley (Doubt, a Parable)
Izzy," said Jace, as they neared the pond, and she jumped up and spun around. Her smile was dazzling. "Jace!" She flew at him and hugged him. Now that was the way sisters were supposed to act, Clary thought. Not all stiff and weird and peculiar, but happy and loving. Watching Jace hug Isabelle, she tried to school her features into a happy and loving expression. "Are you all right?" Simon asked, with some concern. "Your eyes are crossing." "I'm fine." Clary abandoned the attempt. "Are you sure? You looked sort of… contorted.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Yeah, okay, I might’ve overreacted, but it’s just because I care about you. You’re my sister and I’m supposed to act like a douche when it comes to guys you’re with.” “You got that part down to a science,” Jase muttered. Cam flipped him off.
J. Lynn (Be with Me (Wait for You, #2))
Among our Potawatomi people, women are the Keepers of Water. We carry the sacred water to ceremonies and act on its behalf. “Women have a natural bond with water, because we are both life bearers,” my sister said. “We carry our babies in internal ponds and they come forth into the world on a wave of water. It is our responsibility to safeguard the water for all our relations.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
You won’t get your head out of your ass? Aren’t you concerned about potential suffocation?
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
You think this is a big deal because, no offense, you've had a lot of people in your life who claimed to care about you but didn't act like it. That's not me. I can cook, and right now, you can't. So I'm doing it for you because that's how people should behave; they should fill in each other's gaps. Don't think about it too hard.
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
We no longer dare to believe in beauty and we make of it a mere appearance in order the more easily to dispose of it. Our situation today shows that beauty demands for itself at least as much courage and decision as do truth and goodness, and she will not allow herself to be separated and banned from her two sisters without taking them along with herself in an act of mysterious vengeance. We can be sure that whoever sneers at her name as if she were the ornament of a bourgeois past -- whether he admits it or not -- can no longer pray and soon will no longer be able to love.
Hans Urs von Balthasar (Seeing the Form (The Glory of the Lord: A Theological Aesthetics, Vol. 1))
In a world of sorrow, love was an act of will. All you needed were the right ingredients.
Alice Hoffman (The Story Sisters)
I know you love her. I’ve never seen you act this crazed in your life. I get that. But Nan hates her. If you love Blaire then protect her from the venom that is dripping from your sister’s fangs. Or I will.
Abbi Glines (Never Too Far (Rosemary Beach, #2; Too Far, #2))
What happened was: they became a team, a family of two. There had been times before they ran away when they acted like a team, but those were very different from feeling like a team. Becoming a team didn't mean the end of their arguments. But it did mean that the arguments became a part of the adventure, became discussions not threats. To an outsider the arguments would appear to be the same because feeling like part of a team is something that happens invisibly. You might call it caring. You could even call it love. And it is very rarely, indeed, that it happens to two people at the same time-- especially a brother and a sister who had always spent more time with activities than they had with each other.
E.L. Konigsburg (From the Mixed-Up Files of Mrs. Basil E. Frankweiler)
I don’t know which half of my brain is the smart half and which half is all emotional and shit." "Maybe the smart half is all emotional and shit." "Yes, I’d been afraid of that.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
It sounds like your dream broke, and you've been picking up shattered pieces and blaming yourself when your hands bleed.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
The world would be a much better place if they stopped congratulating themselves on being normal and started to accept that there were countless different normals.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
Avery had previously thought love was built on large, visible gestures, but a marriage turned out to be the accrual of ordinary, almost inconsequential, acts of daily devotion—washing the mugs left in the sink before bed, taking the time to run up or downstairs to kiss each other quickly before one left the house, cutting up an extra piece of fruit to share—acts easy to miss, but if ever gone, deeply missed.
Coco Mellors (Blue Sisters)
A handsome man is a fearsome liability to everyone but himself.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
Sitting there, watching my sister, I wondered which was harder, in the end. The act of telling, or who you told it to. Or maybe if, when you finally got itout, the story was really all that mattered.
Sarah Dessen (Just Listen)
Why are we acting as if we're angry. Are we angry?
Judy Blume (Summer Sisters)
No. You are divine. You are impossible to get enough of. Perhaps some people would disagree, but those people don’t especially matter, because you’re mine.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
He was demanding. He always would be. But sometimes, he was so vulnerable and she realized she had power in the relationship as well. She hadn’t expected that. He was as vulnerable to her as she was to him. He just acted arrogant and bossy, but deep down, where it counted, he didn’t want to lose her either.
Christine Feehan (Safe Harbor (Drake Sisters, #5))
She used to reach, once upon a time. But it hurt so terribly to fall.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
A flood of tenderness and affection, gentle, yet powerful enough to swallow entire cities whole. Familiar, but magnified. Known, but intense. The sort of love you read about in books.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
I stay back, because if i get close I'll have to roll him over and look in his eyes, and what if they're empty like Alina's were ? Then I'll know he's gone, like I knew she was gone, too far beyond my reach to ever hear my voice again, to hear me say, I'm sorry, Alina. I wish I'd called more often; I wish I'd heard the truth beneath our vapid sister talk; I wish I'd come to Dublin and fought beside you, or raged at you, because you were acting from fear, too, Alina, not hope at all, or you would have trusted me to help you. Or maybe just apologize, Barrons, for being too young to have my priorities reffined, like you, because I haven't suffered whatever the hell it is you suffered, and then shove you up against a wall and kiss you until you can't breathe, do what I wanted to do the first day I saw you there in your bloody damned bookstore. Disturb you like you disturbed me, make you see me, make you want me-pink me!-shatter your self-control, bring you crashing to your knees in front of me, even though I told myself I'd never want a man like you, that you were too old, too carnal, more animal than man, with one foot in the swamp and no desire to come all the way out, when the truth was that I was terrified by what you made me feel.
Karen Marie Moning (Shadowfever (Fever, #5))
Read like your book is burning.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
Should you have liked your sister to have been noticed by a grocer's assistant for doing so?” "In the first place, as it is not many years since I myself was a draper's assistant, the mere circumstance of a grocer's assistant noticing any act does not alter the character of the act to me.
Elizabeth Gaskell (North and South)
I thought you said no man-talk?” “They’re like ants. They get into everything.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
So easy now that Elder Sister has explained to her what all young girls in houses are taught—that with care and meticulous acting and tears of pretended pain and fear, and the final modest telltale stains cautiously placed, a girl can, if necessary, be virgin ten times for ten different men.
James Clavell (Tai-Pan (Asian Saga, #2))
Now y’all, cut it out. Brothers and sisters shouldn’t act like this.” Sissy stared at her brother’s mate. “Are you new to the neighborhood?
Shelly Laurenston (The Mane Attraction (Pride, #3))
THERE IS, IN the act of destruction, a beauty which we try to deny, and a joy which we cannot.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
She laughed, and it was like little bubbles of sunlight popping against his skin.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
THERE IS, IN the act of destruction, a beauty which we try to deny, and a joy which we cannot. Children build to knock down, and though we may grow around it, that need runs in us,
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
I’m going to stay and I’m going to love you and I’m going to try. You taught me how much that matters.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
With everyone except her sisters, she felt a slight pressure to perform, to hide away the most annoying parts of herself in order to be liked
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
See, as much as you want to hold on to the bitter sore memory that someone has left this world, you are still in it. And the very act of living is a tide: at first it seems to make no difference at all, and then one day you look down and see how much pain has eroded.
Jodi Picoult (My Sister’s Keeper)
Of course I care. You're my big sister. I may act like a pain in the butt sometimes, but I actually like you. Pissing you off is just a hobby with me. [pp. 109]
Shari Maurer (Change of Heart)
Are you sure you didn’t come here to kill me?" "Quite sure." "But you’d be so good at it. You half-murder me on a regular basis completely by accident.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
He acts like an animal, has an animal's habits! Eats like one, moves like one, talks like one! There's even something -sub-human -something not quite to the stage of humanity yet! Yes, something - ape-like about him, like one of those pictures I've seen in - anthropological studies! Thousands and thousands of years have passed him right by, and there he is - Stanley Kowalski - survivor of the Stone Age! Bearing the raw meat home from the kill in the jungle! And you - you here - waiting for him! Maybe he'll strike you or maybe grunt and kiss you! That is, if kisses have been discovered yet! Night falls and the other apes gather! There in the front of the cave, all grunting like him, and swilling and gnawing and hulking! His poker night! - you call it - this party of apes! Somebody growls - some creature snatches at something - the fight is on! God! Maybe we are a long way from beng made in God's image, but Stella - my sister - there has been some progress since then! Such things as art - as poetry and music - such kinds of new light have come into the world since then! In some kinds of people some tendered feelings have had some little beginning! That we have got to make grow! And cling to, and hold as our flag! In this dark march towards what-ever it is we're approaching . . . Don't - don't hang back with the brutes!
Tennessee Williams (A Streetcar Named Desire)
What if I’d killed somebody?” “I wouldn’t be surprised, and I would visit you in prison if necessary.” She gasped, all feigned outrage. “You wouldn’t offer to help me hide the body?” Jacob’s lips quirked without permission. “You’ve been here quite a while Sunshine, and there’s no police sniffing around, so I imagine you hid it just fine yourself.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
What is was, was that we complemented each other. We just fit in this way that made strangers ask us if we were sisters, even though her hair was blond and curly and mine was straight and dark. Even though her eyes were blue and mine were brown. Maybe it was the way we acted, or spoke, just moved. The way we would look at something and both have the same thought at the same moment, and turn to each other at the same time and start to say the same thing.
Nina LaCour (Hold Still)
When people in authority want the rest of us to behave, it matters—first and foremost—how they behave. This is called the “principle of legitimacy,” and legitimacy is based on three things. First of all, the people who are asked to obey authority have to feel like they have a voice—that if they speak up, they will be heard. Second, the law has to be predictable. There has to be a reasonable expectation that the rules tomorrow are going to be roughly the same as the rules today. And third, the authority has to be fair. It can’t treat one group differently from another. All good parents understand these three principles implicitly. If you want to stop little Johnnie from hitting his sister, you can’t look away one time and scream at him another. You can’t treat his sister differently when she hits him. And if he says he really didn’t hit his sister, you have to give him a chance to explain himself. How you punish is as important as the act of punishing itself.
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
It wasn't a meaningless act for me either," Marcus said, his raspy whisper tickling her ear. "Yesterday I finally realized that all the things that I thought were wrong about you were actually the things I enjoyed most. I don't give a damn what you do, so long as it pleases you. Run barefoot on the front lawn. Eat pudding with your fingers. Tell me to go to hell as often as you like. I want you just as you are. After all, you're the only woman aside from my sisters who has ever dared to tell me to my face that I'm an arrogant ass. How could I resist you?" His mouth moved to the soft cushion of her cheek. "My dearest Lillian," he whispered, easing her head back to kiss her eyelids. "If I had the gift of poetry, I would shower you with sonnets. But words have always been difficult for me when my feelings are strongest. And there is one word in particular that I can't bring myself to say to you...'goodbye'. I couldn't bear the sight of you walking away from me. If you won't marry me for the sake of your honor, then do it for the sake of everyone who would have to tolerate me otherwise. Marry me because I need someone who will help me to laught at myself. Because someone has to teach me how to whistle. Marry me, Lillian...because I have the most irresistable fascination for your ears.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
That means a lot, that you told me.” “It means a lot that you didn’t act like you see me differently now.” He tucks a strand of hair behind my ear as the wind whips it across my face. “I don’t see you differently. I see you better.
Chloe Liese (Two Wrongs Make a Right (The Wilmot Sisters, #1))
Lo shoots a withering glare his way. "Your our goddamn publicist, not the king of the caste, so stop acting like you have authority to banish my brother into another room.
Krista Ritchie (Fuel the Fire (Calloway Sisters, #3))
Being away is difficult, but the hardest part is the physical act of leaving.” - Willow Hale,
Krista Ritchie (Some Kind of Perfect (Calloway Sisters #5))
Diaries were horribly organized and awfully prescriptive. They involved dates and plans and regular entries and the suffocating weight of commitment. Journals, on the other hand, were deliciously wild and lawless things. One could abandon a journal for weeks, then crack it open one Saturday evening under the influence of wine and marshmallows without an ounce of guilt.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
impressive. Eve rolled her eyes and mouthed, Men. Jacob, to her surprise, gave her a look of approval. “Quite.” “You don’t like men?” she whispered. “It depends. I don’t like imbalanced relationships, and men are frequently the perpetrators.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
I suggest that people walk around under the moon barefoot, as I have today. There's that voice of your mom and dad and aunt and big sister and uncle and annoying cousin in your ear saying "Your feet are going to get dirty and you're going to turn into a bat" so the defiance in the act of simply taking your shoes off and standing there under that moon— is astronomical. A dirty-feet-moonlit-defiance that will make you smile.
C. JoyBell C.
You’ve helped me for years.” His brows pull hard. “Now it’s time I help you, and I’m not acting like you’re a leper because this guy tells me to. You may be fucking weird as hell when you and Rose start verbally sparring, but you’re my weirdo best friend. That’s not changing.
Krista Ritchie (Fuel the Fire (Calloway Sisters, #3))
That’s it,” Mabel said, getting up. She tossed her napkin on the table. “No. That is not right. I don’t know what you just said, but whatever it was, I’m pretty certain it was pure hokum. I don’t want to dance. I don’t want to hear about your plans for a summer house. I am not your sister. And if I were your sister, I’d have to tell people you’d been adopted as an act of charity. Please, don’t get up.
Libba Bray (The Diviners (The Diviners, #1))
What do you mean? Why do you think you like them? That’s all you and I did together when you were little. Don’t you remember?” I. Don’t. Remember. I remember, It’s a sink-or-swim world, Noah. I remember, Act tough and you are tough. I remember every heart-stomping look of disappointment, of embarrassment, of bewilderment from him. I remember: If your twin sister wasn’t my spitting image I’d swear you came about from parthenogenesis. I remember the 49ers, the Miami Heat, the Giants, the World Cup. I do not remember Animal Planet.
Jandy Nelson (I'll Give You the Sun)
[T]here are some human rights that are so deep that we can't negotiate them away. I mean people do heinous, terrible things. But there are basic human rights I believe that every human being has. The Universal Declaration of Human Rights in the United Nations says it for me. And it says there are two basic rights that can't be negotiated that government doesn't give for good behavior and doesn't take away for bad behavior. And it's the right not to be tortured and not to be killed. Because the flip side of this is that then when you say OK we're gonna turn over -- they truly have done heinous things, so now we will turn over to the government now the right to take their life. It involves other people in doing essentially the same kind of act." (PBS Frontline: Angel on Death Row)
Helen Prejean
You could learn a thing or two from your sister.” “What’s that supposed to mean?” Ruhn demanded. Flynn and Dec pretended to be busy looking into a closed butcher shop as they passed by. “You’re a prince,” Lidia said coolly. “Start acting like one.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I once tried to give him a friendly little "drugs chat". He politely corrected me on every single fact, then said he'd noticed I drank above the recommended guidelines of Red Bull and did I think I might have an addiction? That was the last time I tried to act like the older sister.
Sophie Kinsella
Some thoughts were too big to accept all at once. She shoved this one frantically to the back of her mind before it could crack her wide open, but traces of it still lingered—like the ghost of a sparkler after you’d waved it through the air. Bright and dangerous and not-really-there.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own. Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one. In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis... In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch. Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.
Rebecca Solnit (The Faraway Nearby)
My only one! In your last letter "My head aches my heart is stunned!" you say. "If they hang you, if I lose you;" you say; "I can't live!" You'll live my dearest wife, like a black smoke in the wind my memory will vanish; you'll live, the red-haired sister of my heart at most one year it lasts in the twentieth century the grief of death.. Death a dead body swinging on a rope. My heart doesn't accept such a death.. But be sure that, my love, if some pitiable gypsy's hairy black spider like hand slips the rope around my neck, to see the fear in my blue eyes they'll look in vain at Nâzım! And I, in the twilight of my last morning, shall see my friends and you, and carry only the grief of an unfinished song to the soil... My wife! Good hearted, golden coloured, with eyes sweeter than honey, my bee; why did I write you that they want to hang me, the trial is in the first step and they don't pluck like a turnip the head of a man. Come, forget them all. These are so far away probabilities. If you have some money buy me a flannel underwear, my sciatica is acting up. And don't forget that always there should be good thoughts in the mind of a prisoner's wife.
Nâzım Hikmet
Ambrose's eyes shoot back to Charlotte and he nods. "She's changed, hasn't she? Charlotte, I mean." "Um, besides growing her hair long she doesn't seem to have changed much to me," I say, trying not to smile. "Why?" "It's just that she seems so... in charge. I mean, she's always had her act together, but ever since she's been back she's seemed more confident or something. And now that she's Vincent's second... I guess I've always thought of her as a little sister. You know, the huggable kind you want to take care of. But now that I see her working with him and taking control... I mean... the girl is fierce." Ambrose's face shines with respect and a sort of curious awe, and I have to restrain myself from jumping up and cheering for the fact that it has finally happened. He has finally noticed what was right under his nose.
Amy Plum (If I Should Die (Revenants, #3))
Confession is a difficult Discipline for us because we all too often view the believing community as a fellowship of saints before we see it as a fellowship of sinners. We feel that everyone else has advanced so far into holiness that we are isolated and alone in our sin. We cannot bear to reveal our failures and shortcomings to others. We imagine that we are the only ones who have not stepped onto the high road to heaven. Therefore, we hide ourselves from one another and live in veiled lies and hypocrisy. But if we know that the people of God are first a fellowship of sinners, we are freed to hear the unconditional call of God's love and to confess our needs openly before our brothers and sisters. We know we are not alone in our sin. The fear and pride that cling to us like barnacles cling to others also. We are sinners together. In acts of mutual confession we release the power that heals. Our humanity is no longer denied, but transformed.
Richard J. Foster (Celebration of Discipline: The Path to Spiritual Growth)
I told you before,” Jacob said into the silence, “that there are different ways to fail. Imperfection is inevitable. That’s life. But it doesn’t sound to me like you’ve failed at all, Eve. It sounds like your dream broke, and you’ve been picking up shattered pieces and blaming yourself when your hands bleed.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
What rivets me to history is seeing / acts of survival turned / to rituals of self-hatred. This / is colonization. Unborn sisters, / look back on us in mercy where we failed ourselves, / see us not one-dimensional but with / the past as your steadying and corrective lens.
Adrienne Rich (A Wild Patience Has Taken Me This Far)
I'll see she gets them," Brodick said. Judith shook her head. "I want to meet her," she explained. She stood up and walked over to the table. "I have messages to give her from her mother." "I'll be happy to show you the way," Alex volunteered. "I'll do it," Gowrie announced in a much firmer voice. Brodick shook his head. "Isabelle is my sister-in-law," he snapped. "I'll show Judith the way." Iain had opened the door, and stood there listening to the argument. He was having difficulty believing what he was hearing… and seeing. His warriors were acting like lovesick squires while they argued over who would escort Judith.
Julie Garwood (The Secret (Highlands' Lairds, #1))
Jacob set his jaw. He didn't appreciate Spock comments. He's received a lot of them over his lifetime, and he knew exactly what they were supposed to imply, and they made him want to throttle people before sitting them down for a long and detailed chat on why the wold would be a much better place if they stopped congratulating themselves on being normal and started to accept that there were countless different normals, and Jacob's kind was just as fine as everyone else's.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
So often, we're told that women's stories are unimportant. After all, what does it matter what happens in the main room, in the kitchen, or in the bedroom? Who cares about the relationships between mother, daughter, and sister? A baby's illness, the sorrows and pains of childbirth, keeping the family together during war, poverty, or even in the best of days are considered small and insignificant compared with the stories of men, who fight against nature to grow their crops, who wage battles to secure their homelands, who struggle to look inward in search of the perfect man. We're told that men are strong and brave, but I think women know how to endure, accept defeat, and bear physical and mental agony much better than men. The men in my life—my father, Z.G., my husband, my father-in-law, my brother-in-law, and my son—faced, to one degree or another, those great male battles, but their hearts—so fragile—wilted, buckled, crippled, corrupted, broke, or shattered when confronted with the losses women face every day...Our men try to act strong, but it is May, Yen-yen, Joy, and I who must steady them and help them bear their pain, anguish, and shame.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Looking for unconditional love in a world of conditions must inevitably fail. Since all your brothers and sisters are acting out of shame-based patterns, they cannot offer you the love you know that you deserve, nor can you offer it to them. The best that you can do is raise each other’s awareness of the love that is necessary and begin taking responsibility for giving it to yourself.
Paul Ferrini (Love Without Conditions)
I point at Drew, as I turn to Dawn. "See? My sister finds her soulmate, and not only does she get rewarded with love and happiness, she gets free champagne flutes, and dutch ovens, and fifty-dollar checks. And what do I get? What do I get on a day when I still haven't found anyone to love? When I'm waiting by the phone for some jerk to call me, and acting like a crazy woman, e-mailing him at three a.m., clutching at straws that I might ever find anyone? Do I get gifts? No! I get condemnation from my grandmother, and I get to wear a dress that makes me look like a baked potato.
Kim Gruenenfelder (A Total Waste of Makeup (Charlize Edwards, #1))
I tell them: don’t depend on a woodsman in the third act. I tell them: look for sets of three, or seven. I tell them: there’s always a way to survive. I tell them: you can’t force fidelity. I tell them: don’t make bargains that involve major surgery. I tell them: you don’t have to lie still and wait for someone to tell you how to live. I tell them: it’s all right to push her into the oven. She was going to hurt you. I tell them: she couldn’t help it. She just loved her own children more. I tell them: everyone starts out young and brave. It’s what you do with it that matters. I tell them: you can share that bear with your sister. I tell them: no-one can stay silent forever. I tell them: it’s not your fault. I tell them: mirrors lie. I tell them: you can wear those boots, if you want them. You can lift that sword. It was always your sword. I tell them: the apple has two sides. I tell them: just because he woke you up doesn’t mean you owe him anything. I tell them: his name is Rumplestiltskin.
Catherynne M. Valente (The Bread We Eat in Dreams)
The photograph dragged Maneck's eyes back to it, to the event that was once unsettling, pitiful, and maddening in its crystalline stillness. The three sisters looked disappointed, he thought, as though they had expected something more than death, and discovered that was all there was. He found himself admiring their courage. What strength it must have taken, he thought , to unwind those sarees from their bodies, to tie the knots around their necks. Or perhaps it had been easy, once the act acquired the beauty of logic and the weight of sensibleness.
Rohinton Mistry (A Fine Balance)
Well, Pip,’ said Joe, ‘be it so or be it son’t, you must be a scholar afore you can be a oncommon one, I should hope! The king upon his throne, with his crown upon his ed, can’t sit and write his acts of Parliament in print, without having begun, when he were a unpromoted Prince, with the alphabet – Ah!’ added Joe, with a shake of the head that was full of meaning. ‘and begun at A too, and worked his way to Z. And I know what that is to do, though I can’t say I’ve exactly done it.’ There was some hope in this piece of wisdom, and it rather encouraged me. ‘Whether common ones as to callings and earnings,’ pursued Joe reflectively, ‘mightn’t be the better of continuing for to keep company with common ones, instead of going out to play with oncommon ones – which reminds me to hope there were a flag, perhaps?’ ‘No, Joe.’ ‘(I’m sorry there weren’t a flag, Pip.) Whether that might be or mightn’t be, is a thing as can’t be looked into now, without putting your sister on the Rampage; and that’s a thing not to be thought of, as being done intentional. Lookee here, Pip, at what is said to you by a true friend. Which this to you the true friend say. If you can’t get to be oncommon through going straight, you’ll never get to do it through going crooked. So don’t tell no more on ‘em, Pip, and live well and die happy.’ Chapter 9
Charles Dickens (Great Expectations)
Yeah…uh, about Facebook…all that social networking. I don't have it. My parents check my sister's emails, Facebook, and texts like stalkers. In order to get our cell phones, Kika and I had to agree to the Jordan Household No Privacy Act. I do have a school email account. But Facebook and Twitter…if you're me…there's no point. You'd be my only ‘friend’ besides my family.
Anne Eliot (Almost)
Women are lot more stronger then men, not just mentally but even physically, not only do they look beautiful in any form, but are also blessed with there caring nature which they have by birth.. What do men need more then this to respect a women??? Handling a family is equivalent to handling a big corporate office.. N she does it very well..Respect her beauty by praising it n don't dis-respect it by passing dirty comments.. Some mentally ill men RAPE a women, but dis-respect every women including there mother n sisters with this act... and cause of such mentally ill men, every man is ashamed of being a Male/Man..
honeya
Watching the children, he noticed two things especially. A girl of about five, and her sister, who was no more than three, wanted to drink from the pebbled concrete fountain at the playground’s edge, but it was too high for either of them, so the five-year-old…jumped up and, resting her stomach on the edge and grasping the sides, began to drink. But she was neither strong enough nor oblivious enough of the pain to hand on, and she began to slip off backward. At this, the three-year-old…advanced to her sister and, also grasping the edge of the fountain, placed her forehead against her sister’s behind, straining to hold her in place, eyes closed, body trembling, curls spilling from her cap. Her sister drank for a long time, held in position by an act as fine as Harry had ever seen on the battlefields of Europe.
Mark Helprin (In Sunlight and in Shadow)
As if I didn't have enough to worry about. My kingdom is threatened by war, extinction, or both, and the only way to solve it is to give up the only thing I've ever really wanted. Then Toraf pulls something like this. Betrays me and my sister. Galen cant imagine how things could get worse. So he's not expecting it when Emma giggles. He turns on her. "What could be funny?" She laughs so hard she has to lean into him for support. He stiffens against the urge to wrap his arms around her. Wiping tears from her eyes, she says, "He kissed me!" The confession makes her crack up all over again. "And you think that's funny?" "You don't understand, Galen," she says, the beginnings of hiccups robbing her of breath. "Obviously." "Don't you see? It worked!" "All I saw was Toraf, my sister's mate, my best friend, kissing my...my..." "Your what?" "Student." Obsession. "Your student. Wow." Emma shakes her head then hiccups. "Well, I know you're mad about what he did to Rayna, but he did it to make her jealous." Galen tries to let that sink in, but it stays on the surface like a bobber. "You're saying he kissed you to make Rayna jealous?" She nods, laugher bubbling up again. "And it worked! Did you see her face?" "You're saying he set Rayna up." Instead of me? Galen shakes his head. "Where would he get an idea like that?" "I told him to do it." Galen's fists ball against his will. "You told him to kiss you?" "No! Sort of. Not really though." "Emma-" "I told him to play hard to get. You know, act uninterested. He came up with kissing me all on his own. I'm so proud of him!" She thinks Toraf is a genius for kissing her. Great. "Did...did you like it?" "I just told you I did, Galen." "Not his plan. The kiss." The delight leaves her face like a receding tide. "That's none of your business, Highness." He runs a hand through his hair to keep from shaking her. And kissing her. "Triton's trident, Emma. Did you like it or not?" Taking several steps back, she throws her hands on her hips. "Do you remember Mr. Pinter, Galen? World history?" "What does that have to do with anything?" "Tomorrow is Monday. When I walk into Mr. Pinter's class, he won't ask me how I liked Toraf's kiss. In fact, he won't care what I did for the entire weekend. Because I'm his student. Just like I'm your student, remember?" Her hair whips to the side as she turns and walks away with that intoxicating saunter of hers. She picks up her towel and steps into her flip-flops before heading up the hill to the house. "Emma, wait." "I'm tired of waiting, Galen. Good night.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
You?" I start to laugh. "Look at you. You're a knock-out. You're smarter than I am. You're on a career track and you're family-centered and you probably even can balance your checkbook." "And I'm lonely, Cambell." Jewel adds. Why do you think I had to learn to act so independent? I also get mad too quickly, and I hog the covers, and my second toe is longer than my big one. My hair has its own zipcode. Plus, I get certifiably crazy when I've got PSM. You don't love someone because they're perfect," she says. "You love them in spite of the fact that they're not.
Jodi Picoult (My Sister’s Keeper)
What God do for me? I ast. She say, Celie! Like she shock. He gave you life, good health, and a good woman that love you to death. Yeah, I say, and he give me a lynched daddy, a crazy mama, a lowdown dog of a step pa and a sister I probably won't ever see again. Anyhow, I say, the God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgitful and lowdown. She say, Miss Celie, You better hush. God might hear you. Let 'im here me, I say. If he ever listened to poor colored women the world would be a different place, I can tell you. She talk and she talk, trying to budge me way from blasphemy. But I blaspheme much as I want to. All my life I never care what people thought about nothing I did, I say. But deep in my heart I care about God. What he going to think. And come to find out, he don't think. Just sit up there glorying in being deef, I reckon. But it ain't easy, trying to do without God. Even if you know he ain't there, trying to do without him is a strain.
Alice Walker (The Color Purple)
Look,” he said, the word a rasp. “There are many ways to fail—” “Trust me, I’m aware.” “And very few of them are actually controllable. Life has too many moving parts.” He managed to sound resentful of the very nature of human existence, which Eve found impressive despite herself. “So when it comes to this job, and failing, or succeeding, there’s really only one thing you can promise me. And,” he added sharply, “you will promise.” “What?” His response couldn’t be more surprising if he’d delivered it while butt naked and standing on his head. “Try for me, Eve. That’s all. Just try.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
I remember how I would eye with envy all the kids in our neighborhood, in my school, who had a little brother or sister. How bewildered I was by the way some of them treated each other, oblivious to their own good luck. They acted like wild dogs. Pinching, hitting, pushing, betraying one another any way they could think of. Laughing about it too. They wouldn’t speak to one another. I didn’t understand. Me, I spent most of my early years craving a sibling. What I really wished I had was a twin, someone who’d cried next to me in the crib, slept beside me, fed from Mother’s breast with me. Someone to love helplessly and totally, and in whose face I could always find myself.
Khaled Hosseini (And the Mountains Echoed)
You were in business making meth? Do you have any idea what that drug does to people?" We weren't givin' it away," Concise snaps. "If someone was fool enough to mess himself up, that was his problem." I shake my head, disgusted. "If you build it, they will come." If you build it," Concise says, "you cover your rent. If you build it, you pay off the loan sharks. If you build it, you put shoes on your kid's feet and food in his belly and maybe even show up every now and then with a toy that every other goddamn kid in the school already has." He looks up at me. "If you build it, maybe your son don't have to, when he grow up." It is amazing -- the secrets you can keep, even when you are living in close quarters. "You didn't tell me." Concise gets up and braces his hands against the upper bunk. "His mama OD'd. He lives with her sister, who can't always be bothered to take care of him. I try to send money so that I know he's eatin' breakfast and gettin' school lunch tickets. I got a little bank account for him, too. Jus' in case he don't want to be part of a street gang, you know? Jus' in case he want to be an astronaut or a football player or somethin'." He digs out a small notebook from his bunk. "I'm writin' him. A diary, like. So he know who his daddy is, by the time he learn to read." It is always easier to judge someone than to figure out what might have pushed him to the point where he might do something illegal or morally reprehensible, because he honestly believes he'll be better off. The police will dismiss Wilton Reynolds as a drug dealer and celebrate one more criminal permanently removed from society. A middle-class father who meets Concise on the street, with his tough talk and his shaved head, will steer clear of him, never guessing that he, to, has a little boy waiting for him at home. The people who read about me in the paper, stealing my daughter during a custody visit, will assume I am the worst sort of nightmare.
Jodi Picoult (Vanishing Acts)
A blast of music echoing down the corridors was his only reply. Alec and Raphael both winced. Raphael glanced up at him. “This is the worst party I’ve ever been to,” he said. “And I hate parties. People keep asking me whether I have extra superpowers, and I tell them they are thinking of Simon, whom I dislike.” “That’s a little harsh,” said Alec. “You have to be harsh with fledglings or they do not learn,” said Raphael sternly. “Besides, his jokes are stupid.” “They’re not all gold,” Alec admitted. “How do you know him?” Raphael snapped his fingers. “Wait, I remember. He’s friends with your annoying blond parabatai, right?” He was, though Simon would probably be surprised to hear it. Alec was very familiar with how Jace behaved when he wanted to be your friend. He didn’t act friendly, which would have been too easy. Instead he just spent a lot of time in your presence until you got used to him being there, which he was clearly now doing with regard to Simon. When Jace and Alec were little, Jace had done a lot of hostile hanging around him, hoping to be noticed and loved. Alec honestly preferred it to awkward getting-to-know-you conversations. “Right. Plus, Simon is sort of dating my sister, Isabelle,” said Alec. “That can’t be,” said Raphael. “Isabelle can do better.” “Er, do you know my sister?” Alec asked. “She threatened me with a candelabra once, but we don’t really chat,” said Raphael. “Which means we have my ideal relationship.” He gave Alec a cold glare. “It’s the relationship I wish I had with all Shadowhunters.” Alec was about to give up and walk away.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Where's my sister?" "She's setting up the island we found tonight." Galen shakes his head. "You slithering eel. You might have told me what you were up to." Toraf laughs. "Oh sure. 'Hey, Galen, I need to borrow Emma for a few minutes so I can kiss her, okay?' Didn't see that going over very well." "You think your surprise attack went over better?" Toraf shrugs. "I'm satisfied." "I could have killed you today." "Yeah." "Don't ever do that again." "Wasn't planning on it. Thought it was real sweet of you to defend your sister's honor. Very brotherly." Toraf snickers. "Shut up." "I'm just saying." Galen runs a hand through his hair. "I only saw Emma. I forgot all about Rayna." "I know, idiot. That's why I let you hit me fifty-eight times. That's what I would do if someone kissed Rayna." "Fifty-nine times." "Don't get carried away, minnow. By the way, was Emma boiling mad or just a little heated? Should I keep my distance for a while?" Galen snorts. "She laughed so hard I thought she'd pass out. I'm the one in trouble." "Shocker. What'd you do?" "The usual." Hiding his feelings. Blurting out the wrong thing. Acting like a territorial bull shark. Toraf shakes his head. "She won't put up with that forever. She already thinks you only want to change her so she can become another of your royal subjects." "She said that?" Galen scowls. "I don't know what's worse. Letting her think that, or telling her the truth about why I'm helping her to change." "In my opinion, there's nothing to tell her unless she can actually change. And so far, she can't." "You don't think she's one of us?" Toraf shrugs. "Her skin wrinkles. It's kind of gross. Maybe she's some sort of superhuman. You know, like Batman." Galen laughs. "How do you know about Batman?" "I saw him on that black square in your living room. He can do all sorts of things other humans can't do. Maybe Emma is like him." "Batman isn't real. He's just a human acting like that so other humans will watch him." "Looked real to me." "They're good at making it look real. Some humans spend their whole lives making something that isn't real look like something that is." "Humans are creepier than I thought. Why pretend to be something you're not?" Galen nods. To take over a kingdom, maybe? "Actually, that reminds me. Grom needs you." Toraf groans. "Can it wait? Rayna's getting all cozy on our island right about now." "Seriously. I don't want to know." Toraf grins. "Right. Sorry. But you can see my point, right? I mean, if Emma were waiting for you-" "Emma wouldn't be waiting for me. I wouldn't have left." "Rayna made me. You've never hit me that hard before. She wants us to get along. Plus, there's something I need to tell you, but I didn't exactly get a change to." "What?" "Yesterday when we were practicing in front of your house, I sensed someone. Someone I don't know. I made Emma get out of the water while I went to investigate." "And she listened to you?" Toraf nods. "Turns out, you're the only one she disobeys.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
It is no longer appropriate to think only in terms of even my nation or my country, let alone my village. If we are to overcome the problems we face, we need what I have called a sense of universal responsibility rooted in love and kindness for our human brothers and sisters. In our present state of affairs, the very survival of humankind depends on people developing concern for the whole of humanity, not just their own community or nation. The reality of our situation impels us to act and think more clearly. Narrow-mindedness and self-centered thinking may have served us well in the past, but today will only lead to disaster. We can overcome such attitudes through the combination of education and training.
Joanna Macy (Coming Back to Life: The Updated Guide to the Work That Reconnects)
There are a few books I have read that I’ve never been the same after, and I think all good writing somehow addresses the concern of and acts as an anodyne against loneliness. We’re all terribly, terribly lonely. And there’s a way, at least in prose fiction, that can allow you to be intimate with the world and with a mind and with characters that you just can’t be in the real world. I don’t know what you’re thinking. I don’t know that much about you as I don’t know that much about my parents or my lover or my sister, but a piece of fiction that’s really true allows you to be intimate with… I don’t want to say people, but it allows you to be intimate with a world that resembles our own in enough emotional particulars so that the way different things must feel is carried out with us into the real world. I think what I would like my stuff to do is make people less lonely.
David Foster Wallace
I might not like what you do, but you’re not going to lose me, Gin.” “Why not?” I said, forcing the words out through the lump of emotion that clogged my throat. “What’s changed?” Bria looked at me. “Because we came down here, and I saw how Donovan treated you. How he thought he was so much better than you, so much more righteous, and I realize that it’s the same way I’ve been treating you for months now, when you’ve done nothing but save my life over and over again. With no question, no hesitation, and nothing asked in return. Not one damn thing.” Tears streaked down her cheeks, and her blue eyes were agonizingly bright in her face. “The truth is that I’m ashamed of myself for acting like him and most especially for taking you for granted. When we found out that Callie was in trouble, you were the first one to do anything about it. You immediately stepped up and offered to help her. If it wasn’t for you, Callie would be dead now and probably Donovan along with her. You saved her not because I asked you to and not even because she was my friend but because you saw someone who was in trouble and you realized you could help her. Maybe you are an assassin, maybe you are one of the bad guys, but you know what? I don’t give a damn anymore. You’re my sister first, and that’s all that matters to me.” I blinked and was surprised to find hot tears sliding down my own cheeks, one after another in a torrent that I couldn’t control. She . . . she . . . understood. She actually understood who and what I was and that I would probably never change or give up being the Spider. She knew it all, and she was still here with me. All sorts of emotions surged through my heart then, but there was one that drowned out all the others—relief. Pure, sweet relief that she wasn’t going to walk out of my life, that she was going to stick with me through the good and the bad and whatever else the world threw at us. I reached forward and wrapped my arms around Bria, and she did the same to me. We stood like that for several minutes, still and quiet, with silent sobs shaking both of our bodies. Just letting out all the fear and anger and guilt that had crept up on us both and had created this gulf between us. But we’d overcome those emotions, and I’d be damned if we’d ever grow apart like this again.
Jennifer Estep (By a Thread (Elemental Assassin #6))
There are some who are still weak in faith, who ought to be instructed, and who would gladly believe as we do. But their ignorance prevents them...we must bear patiently with these people and not use our liberty; since it brings to peril or harm to body or soul...but if we use our liberty unnecessarily, and deliberately cause offense to our neighbor, we drive away the very one who in time would come to our faith. Thus St. Paul circumcised Timothy (Acts 16:3) because simple minded Jews had taken offense; he thought: what harm can it do, since they are offended because of ignorance? But when, in Antioch, they insisted that he out and must circumcise Titus (Gal. 2:3) Paul withstood them all and to spite them refused to have Titus circumcised... He did the same when St. Peter...it happened in this way: when Peter was with the Gentiles he ate pork and sausages with them, but when the Jews came in, he abstained from this food and did not eat as he did before. Then the Gentiles who had become Christians though: Alas! we, too, must be like the Jews, eat no pork, and live according to the law of Moses. But when Paul learned that they were acting to the injury of evangelical freedom, he reproved Peter publicly and read him an apostolic lecture, saying: "If you, though a Jew, live like a Gentile, how can you compel the Gentiles to live like Jews?" (Gal. 2:14). Thus we, too, should order our lives and use our liberty at the proper time, so that Christian liberty may suffer no injury, and no offense be given to our weak brothers and sisters who are still without the knowledge of this liberty.
Martin Luther
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
Stephanie Garber (Legendary (Caraval, #2))