“
I knew you'd kiss me."
"How?" I say. Because I didn't know myself.
"Because I am in pain," He say's. "That's the only way I get your attention.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Peeta, you said at the interview you’d had a crush on me forever. When did forever start?
Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair...it was in two braids instead of one. My father pointed you out when we were waiting to line up."
Your father? Why?"
He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner.'"
What? You’re making that up!"
No, true story. And I said, 'A coal miner? Why did she want a coal miner if she could’ve had you?' And he said, 'Because when he sings...even the birds stop to listen.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I don't want you forgetting how different our circumstaces are. If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life." Peeta says. "I would never be happy again. It's different for you. I'm not saying it wouldn't be hard. But there are other people who'd make your life worth living."
"No one really needs me," he says, and there's no selfpity in his voice. It's true his family doesn't need him. They will mourn him, as will a handfull of friends. But they will get on.... I realise only one person will be damaged beyond repair if Peeta dies. Me.
"I do," I say. "I need you.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
No, not you two. Stay here.'
'Does he just not get how unfair and sexist that is?' Eve asked. 'Men.'
'You really want to go first?'
'Of course no. But I'd like the chance to refuse to go first.
”
”
Rachel Caine (Lord of Misrule (The Morganville Vampires, #5))
“
But I have to confess, I'm glad you two had at least a few months of happiness together."
I'm not glad," says Peeta. "I wish we had waited until the whole thing was done officially."
This takes even Caesar aback. "Surely even a brief time is better than no time?"
Maybe I'd think that, too, Caesar," says Peeta bitterly, "If it weren't for the baby.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
I'm so sorry," I whisper. I lean forward and kiss him.
His eyelashes flutter and he looks at me through a haze of opiates. "Hey, Catnip."
"Hey, Gale," I say.
"Thought you'd be gone by now," He says.
My choices are simple. I can die like a quarry in the woods or I can die here beside Gale. "I'm not going anywhere. I'm going to stay right here and cause all kinds of trouble."
"Me, too," Gale says. He just manages a smile before the drugs pull him back under.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Then he smiles as if he'd be happy to lie there and gaze at me forever.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
He’s dozed off again, but I kiss him awake, which seems to startle him. Then he smiles as if he’d be happy to lie there gazing at me forever.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Isn't it strange that I know you'd risk your life to save mine, but I don't even know what your favorite color is?
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
All right, so give me some idea of what you can do," says Haymitch.
I can’t do anything," says Peeta, "unless you count baking bread."
Sorry, I don’t. Katniss. I already know you’re handy with a knife,” says Haymitch.
Not really. But I can hunt,” I say. “With a bow and arrow.”
And you’re good?” asks Haymitch.
I have to think about it. I’ve been putting food on the table for four years. That’s no small task. I’m not as good as my father was, but he’d had more practice. I’ve better aim than Gale, but I’ve had more practice. He’s a genius with traps and snares. “I’m all right,” I say.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
It's meant to be pretty," whispers Octavia, and I can see the tears threatening to spill over her lashes.
Posy considers this and says matter-of-factly, "I think you'd be pretty in any color."
The tiniest of smiles forms on Octavia's lips. "Thank you.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Maybe I'd think that, too, Caesar," says Petta bitterly, "if it weren't for the baby."
There. He's done it again.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
You're punishing him over and over for things that are out of his control. Now, I'm not saying you shouldn't have a fully loaded weapon next to you round the clock. But I think it's time you flipped this little scenario in your head. If you'd been taken by the Capitol, and hijacked, and then tried to kill Peeta, is this the way he would be treating you?" demands Haymitch.
I fall silent. It isn't. It isn't how he would be treating me at all. He would be trying to get me back at any cost. Not shutting me out, abandoning me, greeting me with hostility at every turn.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Parents had some kind of sin radar, Claire thought. They always called when you were in the middle of something you just knew they'd consider wrong. Or at least risky.
”
”
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
“
I think I'd fall for you no matter what, Claire. You're kind of awesome.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
I feel like I owe him something, and I hate owing people. Maybe if I had thanked him at some point, I'd be feeling less conflicted now. I thought about it a couple of times, but the opportunity never seemed to present itself. And now it never will. Because we're going to be thrown into an arena to fight to the death. Exactly how am I supposed to work in a thank-you in there? Somehow it just won't seem sincere if I'm trying to slit his throat.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Fire is catching, she’d say, but if this one burns down the arena, I say good riddance.
”
”
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
“
No problem," Gale replies. "I wake up ten times a night anyway."
"To make sure Katniss is still here?" asks Peeta.
"Something like that,"...
"That was funny, what Tigris said. About no one knowing what to do with her."
"Well, WE never have,"...
"She loves you, you know," says Peeta. "She as good as told me after they whipped you."
"Don't believe it,"Gale answers. "The way she kissed you in the Quarter Quell...well she never kissed me like that."
"It was just part of the show," Peeta tells him, although there's an edge of doubt in his voice.
"No, you won her over. Gave up everything for her. Maybe that's the only way to convince her you love her." There's a long pause. "I should have volunteered to take your place in the first Games. Protected her then."
"You couldn't," says Peeta. "She'd never have forgiven you. You had to take care of her family. They matter more to her than her life."
...
"I wonder how she'll make up her mind."
"Oh, that I do know." I can just catch Gale's last words through the layer of fur. "Katniss will pick whoever she thinks she can't survive without
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
It'd be better if he were easier to hate.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
It's only now that he's been corrupted that I can fully appreciate the real Peeta. Even more than I would've if he'd died. The kindness, the steadiness, the warmth that had an unexpected heat behind it. Outside of Prim, my mother and Gale, how many people in the world love me unconditionally? I think in my case, the answer may be none.
Sometimes, when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena. To make myself put a name to the thing I've lost. But what's the use? It's gone. He's gone. Whatever existed between us is gone. All that's left is my promise to kill Snow. I tell myself this ten times a day.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Senator Collins and Speaker Bowling are two cuts or more above typical politicians. If all politicians modeled their examples, we’d have a government of the people, by the people, and for the people.
”
”
Shafter Bailey (James Ed Hoskins and the One-Room Schoolhouse: The Unprosecuted Crime Against Children)
“
How'd you get to be so good at this?"
"I had a good teacher."
"Better not have been Myrnin or I'll have to kick his predatory ass."
"I mean you, dummy."
"Oh.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
I know we promised Haymitch, we'd do exactly what they said, but I don't think he considered this angle.'
'Where is Haymitch, anyway? Isn't he supposed to protect us from this sort of thing?' says Peeta.
'With all that alcohol in him, it's probably not advisable to have him around an open flame,' I say.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
You okay?"
"Fine."
"Your heart's beating really fast."
"Gee, thanks. That's very comforting that you can hear it."
He smiled, and it was the old Michael, the one she'd first met before all the vamp stuff.
"Yeah, I know it is. Sorry. Just stay behind me if there's trouble."
"You sound like Shane."
"Well, he did say he'd kill me if I got you hurt. I'm just looking after my own neck."
"Liar.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
That's right. Who am I thinking of? Oh, I know. It's Cinna who likes you. But that's mainly because you didn't try to run when he set you on fire," says Peeta. "On the other hand, Haymitch... well, if I were you, I'd avoid Haymitch completely. He hates you.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
He was a nice guy, middle-aged, a little tired, like most doctors usually seemed to be, but he just nodded and said,
"Let me take a look at him. Shane?"
"I'm not dropping my pants," Shane said. "I just thought I'd say that up front.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
I adore Wilkie Collins,” Tessa cried. “Oh—Armadale! And The Woman in White …
Are you laughing at me?”
“Not at you,” said Will, grinning, “more because of you. I’ve never seen anyone get so
excited over books before. You’d think they were diamonds.”
“Well, they are, aren’t they? Isn’t there anything you love like that? And don’t say ‘spats’ or ‘lawn tennis’ or something silly.”
“Good Lord,” he said with mock horror, “it’s like she knows me already.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
She gave me the same smile I'd seen on Saturday night. That type of smile caused men to write those pussy-ass songs that Isaiah and I made fun of. I'd sit in Mrs. Collins's office for hours and wake my ass up early to go to calculus in order to see that smile again.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I pull the sleeping bag up to his chin and kiss his forehead, not for the audience, but for me. Because I'm so grateful that he's here, not dead by the stream as I'd thought. So glad I don't have to face Cato alone.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Hey, Mikey? You get her hurt and I'll end you.'
'You let anything happen to Eve and I'll do the same,' Michael said. He'd just finished kissing Eve, too. 'While you're at it, don't get yourself killed, either, bro.'
'Ditto. And don't kiss me.'
Claire cocked her head at him, exasperated. 'Seriously, Shane? Ditto? That's the best you can do?'
Shane and Michael exchanged identical looks and shrugs. Guys.
'Let me show you idiots how it's done,' Eve said, and hugged Claire fiercely. She kissed her on the cheek. 'I love you, CB. Please take care of yourself, okay?'
'I love you, too,' Claire said, and suddenly her throat felt tight and her eyes burned with tears. 'I really do.'
Shane and Michael watched them with identical expressions of blank bemusement, and finally Shane said, 'So basically, it's what I said. Ditto.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
Either you came in here a swimmer or you'd better be a really fast learner
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”
“Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.
“Your father? Why?” I ask.
“He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.
“What? You’re making that up!” I exclaim.
“No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”
“That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.
“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.
“Oh, please,” I say, laughing.
“No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”
“Without success,” I add.
“Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.
It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
“You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”
“I am now,” I say.
“Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”
I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Remember?" he asks. "This is where you kissed me."
So the heavy dose of morphling administered after the whipping wasn't enough to erase that from his consciousness. "I didn't think you'd remember that," I say.
"Have to be dead to forget. Maybe even not then," he tells me. "Maybe I'll be like that man in 'The Hanging Tree'. Still waiting for an answer." Gale, who I have never seen cry, has tears in his eyes. To keep them from spilling over, I reach forward and press my lips against his. We taste of heat, ashes, and misery. It's a surprising flavour for such a gentle kiss. He pulls away first and gives me a wry smile. "I knew you'd kiss me."
"How?" I say. Because I didn't know myself.
"Because I'm in pain," he says. "That's the only way I get your attention." He picks up the box. "Don't worry, Katniss. It'll pass." He leaves me before I can answer.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Katniss: I’m coming back into focus when Caesar asks him if he has a girlfriend back home.
Peeta: (Gives an unconvincing shake of head.)
Caesar: Handsome lad like you. There must be some special girl. Come on, what’s her name?
Peeta: Well, there is this one girl. I’ve had a crush on her ever since I can remember. But I’m pretty sure she didn’t know I was alive until the reaping.
Caesar: She have another fellow?
Peeta: I don’t know, but a lot of boys like her.
Caesar: So, here’s what you do. You win, you go home. She can’t turn you down, eh?
Peeta: I don’t think it’s going to work out. Winning… won’t help in my case.
Caesar: Why ever not?
Peeta: Because… because… she came here with me.
Caesar: Oh, that is a piece of bad luck.
Peeta: It’s not good.
Caesar: Well, I don’t think any of us can blame you. It’d be hard not to fall for that young lady. She didn’t know?
Peeta: Not until now.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Shane, in case we don’t … don’t come out of this, I wanted to say…”
He glanced over at her, and she felt her whole body warm from it. She remembered that look. It made her feel naked inside and out, but not in a creepy kind of way. In a way that felt…. Free. “If what you say is true, and I guess it has to be, I think I know why we’re … together,” he said. “I think I’d fall for you no matter what, Claire. You’re kind of awesome.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
Yes, they have to have a victor. Without a victor, the whole thing would blow up in the Gamemakers' faces. They'd have failed the Capitol. Might possibly even be executed, slowly and painfully, while the cameras broadcast it to every screen in the country.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
A disturbing thought hits me,"but then our only neighbor would be Haymich!"
"Ah, that'll be nice,"says Peeta, tightening his arms around me."You and me and Haymich. Very cozy. Picnics, birthdays. long winters around the campfire retelling old Hunger Games tales."
"I told you he hates me!" I say, but I can't help laughing at the image of Haymich becoming my new pal.
"Only sometimes. When he's sober, I've never heard him say one negative thing about you," says Peeta.
He's never sober!" I protest.
That's right. Who am I thinking of? Oh, I know. It's Cinna who likes you. But that's mainly because you didn't try to run when he set you in fire," says Peeta. "On the other hand, Haymich ... well, if I were you, I'd avoid Haymich completely. He Hates you."
" I thought that you said I was his favorite," I say.
"He hates me more," says Peeta, "I don't think people in general are his sort of thing.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Always.
In the twilight of the morphling, Peeta whispers the word and I go searching for him. It's a gauzy, violet-tinted world, with no hard edges, and many places to hide. I push through cloud banks, follow faint tracks, catch the scent of cinnamon, of dill. Once I feel his hand on my cheek and try to trap it, but it dissolves like mist through my fingers.
When I finally begin to surface into the sterile hospital room in 13, I remember. I was under the influence of sleep syrup. My heel had been injured after I'd climbed out on a branch over the electric fence and dropped back into 12. Peeta had put me to bed and I had asked him to stay with me as I was drifting off. He had whispered something I couldn't quite catch. But some part of my brain had trapped his single word of reply and let it swim up through my dreams to taunt me now. "Always.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Who's your daddy?'
Myrnin stared at him as if he'd gone completely mental. 'Excuse me?
”
”
Rachel Caine (Black Dawn (The Morganville Vampires, #12))
“
I think you'd be pretty in any color."-Posy to Octavia
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Haymitch said you'd take a lot of convincing.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Oh, come on, just this once," Eve said. "Protects your neck. As in your arteries and veins?
That's kind of crucial, right?"
"Thanks for the thought, but it doesn't go with my shoes."
"You're seriously going to worry about what people think right now?"
"No, I'm worrying about people taking pictures and putting them on Facebook. That crap never dies. Kind of like you, Mikey."
Michael, straight-faced, said, "He's got a point, because I would definitely take pictures. So would you."
Eve had to grin. "Yeah, I would. Okay, then. But you'd look glam. I could fix you up with silver eye shadow to match.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
So what I'd really like is to try and conceal him somewhere safe, then go hunt, and come back and collect him. But I have a feeling his ego isn't going to go for that suggestion.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I think—I think it’s a big deal. Bigger for him and Eve than for most people.' Shane kept his eyes down, fixed on the sidewalk and the steps they were taking. 'Look, ask him, okay? This is girl talk. I don’t do girl talk.'
She punched him in the shoulder. 'Ass.'
'That’s better. I was starting to feel like we should go shoe shopping or something.'
'Being a girl is not a bad thing!'
'No.' He took his hand out of his pocket and put his arm around her shoulders, hugging her close. 'If I could be half the girl you are, I’d be—wow, I have no idea where I was going with that, and it just turned out uncomfortable, all of a sudden.'
'Jackass.'
'You like being a girl—that’s good. I like being a guy—that’s also good.'
'Next you’ll be all Me, Tarzan, you, Jane!
”
”
Rachel Caine (Last Breath (The Morganville Vampires, #11))
“
To this day, I can never shake the connection between this boy, Peeta Mellark, and the bread that gave me hope, and the dandelion that reminded me that I was not doomed. And more than once, I have turned in the school hallway and caught his eyes trained on me, only to quickly flit away. I feel like I owe him something, and I hate owing people. Maybe if I had thanked him at some point, I'd be feeling less conflicted now. I thought about it a couple of times, but the opportunity never seemed to present itself. And now it never will. Because we're going to be thrown into an arena to fight to the death. Exactly how am I supposed to work in a thank-you in there? Somehow it just won't seem sincere if I'm trying to slit his throat.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
The ability to control things. Yes, that was what he’d loved best of all.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Which was worse? To feel nothing, or to grieve for something you no longer remembered? Surely when you forgot, you’d forget to be sad, or what was the point? And yet that numbness would take part of your self away, it would be like having pins-and-needles in your soul … I took a deep breath.
”
”
Bridget Collins (The Binding)
“
does you costume involve leather?" she'd asked. and he'd said, "Actually, yeah, it might."
it really did. it involved a leather dog collar, leather pants and a leash, and the leash was held by Ysandre, who was in skintight red rubber, from neck to knee high boots. she'd topped it off with a pair of devil horns and a red tridant.
she'd made Shane her dog, complete with furry dog mask.
***"Breathe," Myrnin said. "I'm not much for it myself, but i hear it's quite good for humans."***
”
”
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
“
When did my house turn into a hangout for every grossly overpaid, terminally pampered professional football player in northern Illinois?"
"We like it here," Jason said. "It reminds us of home."
"Plus, no women around." Leandro Collins, the Bears' first-string tight end emerged from the office munching on a bag of chips. "There's times when you need a rest from the ladies."
Annabelle shot out her arm and smacked him in the side of the head. "Don't forget who you're talking to."
Leandro had a short fuse, and he'd been known to take out a ref here and there when he didn't like a call, but the tight end merely rubbed the side of his head and grimaced. "Just like my mama."
"Mine, too," Tremaine said with happy nod.
Annabelle spun on Heath. "Their mother! I'm thirty-one years old, and I remind them of their mothers."
"You act like my mother," Sean pointed out, unwisely as it transpired, because he got a swat in the head next.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
You're seriously going to worry about what people think right now?"
"No, I'm worrying about people taking pictures and putting them on Facebook. That crap never dies. Kind of like you, Mikey."
Michael, straight-faced, said, "He's got a point, because I would definitely take pictures. So would you."
Eve had to grin. "Yeah, I would. Okay, then. But you'd look glam. I could fix you up with silver eye shadow to match.
”
”
Rachel Caine
“
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his.
...
After a while I rest my head against his shoulder. Feel his hand caress my hair.
"Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again."
I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says.
My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it.
Everithing. That's what Peeta wants me to take from him.
...
"No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me.
"I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.
I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down.
This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
That it's no good loving me because I'm never going to get married anyway and he'd just end up hating me later instead of sooner.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
If you'd been taken by the Capital and hijacked and then tried to kill Peeta, is this the way he would be treating you?
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
I Promise," Shane said.
"You'd better, jerkface," Eve said. "How's the head?"
"Taped. It's fine, chicks dig scars. Wait, did you just call me jerkface? Are we back in grade school?"
"I love you," Eve said.
He closed his moth, fast, because obviously that was not what he'd expected. "I, uh, okay, love you too. Can we stop that? It's uncomfortable."
"Jerkface."
"Much better.
”
”
Rachel Caine (Fall of Night (The Morganville Vampires, #14))
“
Good-bye, Maysilee Donner, who I loathed, then grudgingly respected, then loved. Not as a sweetheart or even a friend. A sister, I’d said. But what is that exactly? I think about our journey — everything from sniping with her in those early days after the reaping to battling those pink birds. I guess that’s my answer. A sister is someone you fight with and fight for. Tooth and nail.
”
”
Suzanne Collins (Sunrise on the Reaping)
“
I can't argue that Finnick isn't one of the most stunning, sensuous people on the planet.
But I can honestly say he's never been attractive to me. Maybe he's too pretty, or maybe he's too easy to get, or maybe it's really that he'd just be
too easy to lose.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
But once I saw Fulvia Cardew crumple up a sheet of paper with just a couple of words written on it and you would’ve thought she’d murdered someone from the looks she got.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
But it's Posy, Gale's five-year-old sister, who helps the most. She scoots along the bench to Octavia and touches her skin with a tentative finger. “You're green. Are you sick?”
“It's a fashion thing, Posy. Like wearing lipstick,” I say.
“It's meant to be pretty,” whispers Octavia, and I can see the tears threatening to spill over her lashes.
Posy considers this and says matter-of-factly, “I think you'd be pretty in any color.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Although who knows? Maybe this will be it, Katniss."
"What?" I ask.
"The time it sticks. Maybe we are witnessing the evolution of the human race. Think about that." And then he asks me if I'd like to perform on a new singing program he's launching in a few weeks. Something upbeat would be good. He'll send the crew to my house.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
You would think after all the hours I’d spent with Gale– watching him talk and laugh and frown– that I would know all there was to know about his lips. But I hadn’t imagined how warm they would feel pressed against my own. Or how those hands [...] could entrap me… I vaguely remember my fingers, curled tightly closed, resting on his chest.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
All I could determine was that it must have been a nice thing to see if it was a house you were thinking about moving into. But not so nice if it was the house you were moving out from. I could practically hear Mr Collins, who had taught my fifth-grade English class and was still the most intimidating teacher I'd ever had, yelling at me. "Amy Curry," I could still hear him intoning, "never end a sentence with a preposition!" Irked that after six hears he was still mentally correcting me, I told the Mr. Collins in my head to off fuck.
”
”
Morgan Matson (Amy & Roger's Epic Detour)
“
Coriolanus felt sure he’d spotted his first mockingjay, and he disliked the thing on sight.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
The more he had treated her as something special, the more she'd become human
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
I love you,' Eve said.
He closed his mouth, fast, because obviously that was not what he'd expected. 'I, uh, okay. Love you, too. Can we stop that? It's uncomfortable.'
'Jerkface.'
'Much better.
”
”
Rachel Caine (Fall of Night (The Morganville Vampires, #14))
“
I waited at least two hours. I'd begun to think that he'd given up on me in the weeks that had passed. Or that he no longer cared about me. Hated me even. And the idea of losing him for ever, my best friend, the only person I'd ever trusted with my secrets, was so painful I couldn't stand it. Not on top of everything else that had happened. I could feel my eyes tearing up and my throat starting to close the way it does when I get upset.
Then I look up and there he was, three metres away, just watching me. Without even thinking, I jumped up and threw my arms around him, making some weird sound that combined laughing, choking and crying.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Are you, are you
Coming to the tree
They strung up a man
They say who murdered three.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree
Where the dead man called out
For his love to flee.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree
Where I told you to run,
So we'd both be free.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree
Wear a necklace of rope,
Side by side with me.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
You'd have thought we planned it," says Peeta, giving me just the hint of a smile.
"Didn't you?" asks Portia. Her fingers press her eyelids closed as if she's warding off a very bright light.
"No," I say looking at Peeta with a new sense of apreciation. "Neither of us even knew what we were going to do before we went in."
"And Haymitch?" says Peeta. "We decided we don't want any other allies in the arena."
"Good. Then I won't be responsible for you killing off any of my friends with your stupidity," he says.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
There were two Avoxes with me in prison. Darius and Lavinia, but the guards mostly called them the redheads. They'd been our servants in the Training Center, so they arrested them, too. I watched them being tortured to death. She was lucky. They used too much voltage and her heart stopped right off. It took days to finish him off. Beating, cutting off parts. They kept asking him questions, but he couldn't speak, he just made these horrible animals sounds. They didn't want information, you know? They wanted me to see it.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
And then there was Tick. Brave little Tick, who had flown into the faces of an army of rats to save his baby sister. Tick - who never spoke much. Tick - who shared her food. Tick - who was after all just a roach. Just a roach who had given all the time she had left so that Boots could have more.
Gregor pressed Boots's fingers against his lips and felt scalding tears begin to slide down his cheeks. He hadn't cried, not the whole time he'd been down here, and there had been plenty of bad stuff. But somehow Tick's sacrifice had crushed whatever thin shell remained between him and sorrow.
”
”
Suzanne Collins (Gregor the Overlander (Underland Chronicles, #1))
“
That I knew I'd misjudged you. That you do love him. I'm not saying in what way. Maybe you don't even know yourself. But anyone paying attention could see how much you care about him.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
When I finally begin to surface into the sterile hospital room in 13, I remember. I was under the influence of sleep syrup. My heel had been injured after I'd climbed out on a branch over the electric fence and dropped back into 12. Peeta had put me to bed and I had asked him to stay with me as I was drifting off. He had whispered something I couldn't quite catch. But some part of my brain had trapped his single word of reply and let it swim up through my dreams to taunt me now. "Always.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Vorrei poter fermare il tempo e vivere così per sempre"
Di solito questi riferimenti al suo imperituro amore nei miei confronti mi fanno sentire in colpa e a disagio. Ma mi sento così tranquilla e rilassata e al di là di qualsiasi preoccupazione per un futuro che comunque non avrò che mi lascio sfuggire due semplici parole: "Va bene"
Sento il sorriso nella sua voce. "Allora sei d'accordo?"
"Sono d'accordo" dico io.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Desperate, yet no longer alone after that day, because we'd found each other.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
I'm not allowed to bet, but if I could, I'd bet on you.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
In the far corner, a tenor began to sing, Zsadist's crystal-clear voice sailing up toward the warrior paintings on the ceiling far, far above them all. At first John didn't know what the song was...although if he'd been asked what his name was, he would have said Santa Claus, or Luther Vandross, or Teddy Roosevelt.
Maybe even Joan Collins.
”
”
J.R. Ward
“
Johanna glances over at Finnick, to be sure, then turns to me. “How’d you lose Mags?”
“In the fog. Finnick had Peeta. I had Mags for a while. Then I couldn’t lift her. Finnick said he couldn’t take them both. She kissed him and walked right into the poison,” I say.
“She was Finnick’s mentor, you know,” Johanna says accusingly. “No, I didn’t,” I say.
“She was half his family,” she says a few moments later, but there’s less venom behind it.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
I’m about to haul my packs into a tree to make camp when a silver parachute floats down and lands in front of me. A gift form a sponsor. But why now? I’ve been in fairly good shape with supplies. Maybe Haymitch’s noticed my despondency and is trying to cheer me up a bit. Or could it be something to help my ear?
I open the parachute and find a small loaf of bread. It’s not the fine white of the Capitol stuff. It’s made of dark ration grain and shaped in a crescent. Sprinkled with seeds. I flashback to Peeta’s lesson on the various district breads in the Training Center. This bread came from District 11. I cautiously lift the still warm loaf. What must it have cost the people of District 11 who can’t even feed themselves? How many would’ve had to do without to scrape up a coin to put in the collection for this one loaf? It had been meant for Rue, surely. But instead of pulling the gift when she died, they’d authorized Haymitch to give it to me. As a thank-you? Or because, like me, they don’t like to let debts go unpaid? For whatever reason, this is a first. A district gift to a tribute who’s not your own.
I lift my face and step into the last falling rays of sunlight. “My thanks to the people of District Eleven,” I say. I want them to know I know where it came from. That the full value of the gift has been recognized.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Yeah, I get it; you're a vampire," she said. "Creepy. And okay, a little hot, I admit."
"You don't mean that."
"Come on. I still like you, you know, even if you... crave plasma."
Michael blinked and looked at her as if he had never seen her before.
"You what?"
"Like. You." Eve enunciated slowly, as if Michael might not know the words. "Idiot. I always have. What, you didn't know?" Eve sounded cool and grown-up about it, but Claire saw the hectic color in her cheeks, under the makeup.
"How clueless are you? Does it come with the fangs?"
"I guess I... I just thought... Hell. I just didn't think... You're kind of intimidating, you know."
"I'm intimidating? Me? I run like a rabbit from trouble, mostly," Eve said.
"It's all show and makeup. You're the one who's intimidating. I mean, come on. All that talent, and you look... Well, you know how you look."
" How do I look?" He sounded fascinated now, and he'd actually moved a little closer to Eve on the couch.
She laughed. "Oh come on. You're a total model-babe."
"You're kidding."
"You don't think you are?"
He shook his head.
"Then you're kind of an idiot, Glass. Smart, but and idiot." Eve crossed her arms.
“So? What exactly do you think about me, except that I’m intimidating?”
“I think you’re…you’re…ah, interesting?” Michael was amazingly bad at this, Claire thought, but then he saved it by looking away and continuing. “I think you’re beautiful. And really, really strange.”
Eve smiled and looked down, and that looked like a real blush, under the rice powder. “Thanks for that, “ she said, “I never thought you knew I existed, or if you did, that you thought I was anything but Shane’s bratty freak friend.”
“Well, to be fair, you are Shane’s bratty freak friend.”
“Hey!”
“You can be bratty and beautiful,” Michael said. “I think it’s interesting.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
The realization that I’d have nothing to take home had finally sunk in. My knees buckled and I slid down the tree trunk to its roots. It was too much. I was too sick and weak and tired, oh, so tired. Let them call the Peacekeepers and take us to the community home, I thought. Or better yet, let me die right here in the rain.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Let's say that the consensus is that our species, being the higher primates, Homo Sapiens, has been on the planet for at least 100,000 years, maybe more. Francis Collins says maybe 100,000. Richard Dawkins thinks maybe a quarter-of-a-million. I'll take 100,000. In order to be a Christian, you have to believe that for 98,000 years, our species suffered and died, most of its children dying in childbirth, most other people having a life expectancy of about 25 years, dying of their teeth. Famine, struggle, bitterness, war, suffering, misery, all of that for 98,000 years.
Heaven watches this with complete indifference. And then 2000 years ago, thinks 'That's enough of that. It's time to intervene,' and the best way to do this would be by condemning someone to a human sacrifice somewhere in the less literate parts of the Middle East. Don't lets appeal to the Chinese, for example, where people can read and study evidence and have a civilization. Let's go to the desert and have another revelation there. This is nonsense. It can't be believed by a thinking person.
Why am I glad this is the case? To get to the point of the wrongness of Christianity, because I think the teachings of Christianity are immoral. The central one is the most immoral of all, and that is the one of vicarious redemption. You can throw your sins onto somebody else, vulgarly known as scapegoating. In fact, originating as scapegoating in the same area, the same desert. I can pay your debt if I love you. I can serve your term in prison if I love you very much. I can volunteer to do that. I can't take your sins away, because I can't abolish your responsibility, and I shouldn't offer to do so. Your responsibility has to stay with you. There's no vicarious redemption. There very probably, in fact, is no redemption at all. It's just a part of wish-thinking, and I don't think wish-thinking is good for people either.
It even manages to pollute the central question, the word I just employed, the most important word of all: the word love, by making love compulsory, by saying you MUST love. You must love your neighbour as yourself, something you can't actually do. You'll always fall short, so you can always be found guilty. By saying you must love someone who you also must fear. That's to say a supreme being, an eternal father, someone of whom you must be afraid, but you must love him, too. If you fail in this duty, you're again a wretched sinner. This is not mentally or morally or intellectually healthy.
And that brings me to the final objection - I'll condense it, Dr. Orlafsky - which is, this is a totalitarian system. If there was a God who could do these things and demand these things of us, and he was eternal and unchanging, we'd be living under a dictatorship from which there is no appeal, and one that can never change and one that knows our thoughts and can convict us of thought crime, and condemn us to eternal punishment for actions that we are condemned in advance to be taking. All this in the round, and I could say more, it's an excellent thing that we have absolutely no reason to believe any of it to be true.
”
”
Christopher Hitchens
“
If you'd been taken by the Capitol, and hijacked, and then tried to kill Peeta, is this the way he would be treating you?" demands Haymitch.
I fall silent. It isn't. It isn't how he would be treating me at all. He would be trying to get me back at any cost. Not shutting me out, abandoning me, greeting me with hostility at every turn.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
I'd begun to think that he'd given up on me in the weeks that had passed. Or that he no longer cared about me. Hated me even. And the idea of losing him forever, my best friend, the only person I'd ever trusted with my secrets, was so painful I couldn't stand it.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
I guess in my beer-soaked mind it would all just magically work out, and she'd be so happy to see me she'd forget about everything else. Because everybody loves having the drunken self-pitying boyfriend banging on their door at, Jesus, four thirty in the morning.
”
”
Rachel Caine (Fall of Night (The Morganville Vampires, #14))
“
His girl. His. Here in the Capitol, it was a given that Lucy Gray belonged to him, as if she’d had no life before her name was called out at the reaping. Even that sanctimonious Sejanus believed she was something he could trade for. If that wasn’t ownership, what was? With her song, Lucy Gray had repudiated all that by featuring a life that had nothing to do with him, and a great deal to do with someone else. Someone she referred to as “lover,” no less. And while he had no claim on her heart — he barely knew the girl! — he didn’t like the idea of anyone else having it either. Although the song had been a clear success, he felt somehow betrayed by it. Even humiliated.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
Are you, are you
Coming to the tree
Where they strung up a man they say murdered three
Where the dead man called out for his love to flee
Where I told you to run, so we'd both be free
Wear a necklace of rope, side by side with me
Strange things did happen here
No stranger would it be
If we met up at midnight in the hanging tree
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
When he[Thresh] shouts, I jump, never having heard him speak above a mutter. "What'd you do to that little girl? You kill her?"
Clove is scrambling backwards on all fours, like a frantic insect, too shocked to even call for Cato. "No! No, it wasn't me!"
"You said her name. I heard you. You kill her?" Another thought brings a fresh wave of rage to his features. "You cut her up like you were about to do to this girl here?"
"No! No, I-" Clove sees the stone, about the size of a small loaf of bread in Thresh's hand and loses it. "Cato!" she screeches. "Cato!"
"Clove!" I hear Cato's answer, but he's too far away, I can tell that much, to do her any good. What was he doing? Trying to get Foxface or Peeta? Or had he been lying in wait for Thresh and just badly misjudged his location?
Thresh brings the rock down hard against Clove's temple. It's not bleeding, but I can see the dent in her skull and I know that she's a goner.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
And he didn't like love, the way it had made him feel stupid and vulnerable. If he ever married, he'd choose someone incapable of swaying his heart. Someone he hated, even, so they could never manipulate him the way Lucy Grey had. Never make him feel jealous. Or weak.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
I call him my friend, but in the last year it's seemed too casual a word for what Gale is to me. A pang of longing shoots through my chest. If only he was with me now! But of course, I don't want that. I don't want him in the arena where he'd be dead in a few days. I just... I just miss him. And I hate being so alone. Does he miss me? He must.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Something that’s bothered me for a while now is the current profligacy in YA culture of Team Boy 1 vs Team Boy 2 fangirling. [...] Despite the fact that I have no objection to shipping, this particular species of team-choosing troubled me, though I had difficulty understanding why. Then I saw it applied to Suzanne Collins’s The Hunger Games trilogy – Team Peeta vs Team Gale – and all of a sudden it hit me that anyone who thought romance and love-triangles were the main event in that series had utterly missed the point. Sure, those elements are present in the story, but they aren’t anywhere near being the bones of it, because The Hunger Games, more than anything else, is about war, survival, politics, propaganda and power. Seeing such a strong, raw narrative reduced to a single vapid argument – which boy is cuter? – made me physically angry.
So, look. People read different books for different reasons. The thing I love about a story are not necessarily the things you love, and vice versa. But riddle me this: are the readers of these series really so excited, so thrilled by the prospect of choosing! between! two! different! boys! that they have to boil entire narratives down to a binary equation based on male physical perfection and, if we’re very lucky, chivalrous behaviour? While feminism most certainly champions the right of women to chose their own partners, it also supports them to choose things besides men, or to postpone the question of partnership in favour of other pursuits – knowledge, for instance. Adventure. Careers. Wild dancing. Fun. Friendship. Travel. Glorious mayhem. And while, as a woman now happily entering her fourth year of marriage, I’d be the last person on Earth to suggest that male companionship is inimical to any of those things, what’s starting to bother me is the comparative dearth of YA stories which aren’t, in some way, shape or form, focussed on Girls Getting Boyfriends, and particularly Hot Immortal Or Magical Boyfriends Whom They Will Love For All Eternity.
Blog post: Love Team Freezer
”
”
Foz Meadows
“
In fact, all three are so readily respectful and nice to my mother that I feel bad about how I go around feeling so superior to them. Who knows who I would be or what I would talk about if I'd been raised in the Capitol? Maybe my biggest regret would be having feathered costumes at my birthday party, too.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
„Like‟ is a mild sort of word for what Con and I have,” Collin replied, leaning forward to touch noses with the big doofus. Constantine half-closed his eyes and twitched his whiskers back. “I‟d go with the deeply twisted interpersonal relationship that a hero has for his nemesis, sort of a Batman/Joker thing, if the Joker suddenly started going down on Batman like a porn-star on Viagra.”
Jeff looked at him in alarm. “Jesus, Sparky, stop touching my cat!
”
”
Amy Lane (Living Promises (Promises, #3))
“
Being older, I began to understand the lyrics. At the beginning, it sounds like a guy is trying to get his girlfriend to secretly meet up with him at midnight. But it’s an odd place for a tryst, a hanging tree, where a man was hung for murder. The murderer’s lover must have had something to do with the killing, or maybe they were just going to punish her anyway, because his corpse called out for her to flee. That’s weird obviously, the talking-corpse bit, but it’s not until the third verse that “The Hanging Tree” begins to get unnerving. You realize the singer of the song is the dead murderer. He’s still in the hanging tree. And even though he told his lover to flee, he keeps asking if she’s coming to meet him. The phrase Where I told you to run, so we’d both be free is the most troubling because at first you think he’s talking about when he told her to flee, presumably to safety. But then you wonder if he meant for her to run to him. To death. In the final stanza, it’s clear that that’s what he was waiting for. His lover, with her rope necklace, hanging dead next to him in the tree.
I used to think the murderer was the creepiest guy imaginable. Now, with a couple of trips to the Hunger Games under my belt, I decide not to judge him without knowing more details. Maybe his lover was already sentenced to death and he was trying to make it easier. To let her know he’d be waiting. Or maybe he thought the place he was leaving her was really worse than death. Didn’t I want to kill Peeta with that syringe to save him from the Capitol? Was that really my only option? Probably not, but I couldn’t think of another at the time.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
As miserable as Gregor felt about being dumped with a rat, his heart ached for Vikus. He wanted to scream at Luxa, "Say something! Don't let your granpa fly off like this! Four of us aren't coming back!" But the words caught in his throat. Part of him wasn't ready to forgive Vikus for abandoning them, either.
"Fly you high, Gregor the Overlander," said Vikus.
Gregor struggled with how to respond. Should he ignore Vikus? Let him know that none of them, not even an Overlander, could forgive him? Just as he had steeled himself against replying, Gregor thought of the last two years, seven months, and was it fifteen days now? There were so many things he wished he'd said to his dad when he'd had the chance. Things like how special it was when they went on the roof at night and tried to find the stars. Or how much he loved it when they took the subway out to the stadium to watch a baseball game. Or just that he felt lucky that out of all the people in the world, his dad was his dad.
He didn't have room inside him for any more unspoken words. The bats were rising into the air. He only had a second. "Fly you high, Vikus!" he yelled. "Fly you high!"
Vikus turned back, and Gregor could see tears shining on his cheeks. He lifted up a hand to Gregor in thanks.
And then they were gone.
”
”
Suzanne Collins (Gregor the Overlander (Underland Chronicles, #1))
“
We fought, Wilkie Collins and I. We fought bitterly and with all our might, to a standstill, over a period of about three weeks, on trains and aeroplanes and by hotel swimming pools. Sometimes – usually late at night, in bed – he could put me out cold with a single paragraph; every time I got through twenty or thirty pages, it felt to me as though I’d socked him good, but it took a lot out of me, and I had to retire to my corner to wipe the blood and sweat off my reading glasses. Only in the last fifty-odd pages, after I’d landed several of these blows, did old Wilkie show any signs buckling under the assault.
”
”
Nick Hornby (The Polysyllabic Spree)
“
What the hell?” I muttered. Then I realized it was Jack Quinn’s car. Jack was a Hound and Bea’s boyfriend. The left blinker flashed on for just a second, and then Jack drove at speed again.
“Zayvion, I’m sorry to tell you I think I have a crush on another man.”
“Who is this unfortunate and soon-to-be-dead fool?” he asked.
“Jack. That’s his car. He must have been waiting for us, or maybe he followed us.”
“Jack Quinn has been following us?” Shame said.
“And now he’s taking us to Collins, I think.”
“Or a trap,” Shame said.
“He’s a Hound, Shame.”
“My statement stands.”
“You still don’t get it, do you?” I turned left, following the car. “Hounds are loyal. Jack and Bea told me they’d help me if they could. They’re not going to turn against me while I’m in trouble.”
“What happens when you’re not in trouble?” Shame asked.
“Don’t know. It’s never happened.
”
”
Devon Monk (Magic Without Mercy (Allie Beckstrom, #8))
“
The place is deserted except for my classmate Asterid March, who’s arranging tiny bottles on a shelf behind the counter. A long blond braid falls down her back, but the damp heat has brought out tendrils of hair that frame her perfect face. Asterid’s the town beauty and rich by District 12 standards. I used to hold that against her, but she showed up one night in the Seam, alone, to treat a neighbor woman who’d been whipped for back-talking a Peacekeeper. She brought some ointment she’d concocted herself, then slipped away, never mentioning payment. Since then, she’s who people turn to for help when a loved one goes under the lash. I guess Asterid has more substance than her pack of snooty town friends suggests. Besides, Burdock’s nuts about her, so I try to be nice even though he’s got about as much chance with her as a mockingjay with a swan. Town girls don’t marry Seam boys, not unless something really goes haywire.
”
”
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
“
Coriolanus moved back to his seat - she knew where to find him now - to listen and to savor their actual reunion, which was only a song away. His eyes teared up when she began the song from the zoo.
"Down in the valley, valley so low,
Late in the evening, hear the train blow.
The train, love, hear the train blow.
Late in the evening, hear the train blow."
Coriolanus felt an elbow nudge his ribs and looked over to see Sejanus beaming at him. It was nice, after all, to have someone else who knew the significance of the song. Someone who knew what they'd been through.
"Go build me a mansion, build it so high,
So I can see my true love go by.
See him go by, love, see him go by.
So I can see my true love go by."
That's me, Coriolanus wanted to tell people around him. I'm her true love. And I saved her life.
"Go write me a letter, send it by mail.
Bake it and stamp it to the Capitol jail.
Capitol jail, love, to the Capitol jail.
Bake it and stamp it to the Capitol jail."
Should he say hello first? Or just kiss her?
"Roses are red, love; violets are blue.
Birds in the heavens know I love you."
Kiss her. Definitely, just kiss her.
"Know I love you, oh, know I love you,
Birds in the heavens know I love you.
"Good night, everybody. Hope we see you next week, and until then, keep singing your song," said Lucy Gray, and the whole Covey took one final blow.
”
”
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
“
All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle
”
”
Andrew Clements (The Losers Club)
“
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two.
Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic.
Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told.
You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea.
It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake.
I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas.
We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
”
”
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
“
How are things going with your brothers?”
“The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.”
“That is awesome!”
“Yeah.”
“What’s wrong?”
“Carrie and Joe hired a lawyer and I lost visitation.”
Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry."
I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law."
"Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls."
I lowered my voice. "Not that it matters. I only care what one girl thinks about me."
She relaxed her fingers into mine and stroked her thumb over my skin.
Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?”
“No.”
If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.”
Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.”
“Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better.
I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.”
“I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.”
“That’s awesome, Echo. Sounds like you’re fitting into your future perfectly.
Where did you decide to go to school?”
“I don’t know if I’m going to school.”
Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know?
You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?”
My damned little siren laughed at me. “I see your language has improved.”
Poof—like magic, the anger disappeared.
“If you’re not going to school, then what are your plans?”
"I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.”
“I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?”
Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.”
"I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))