Sink Clean Quotes

We've searched our database for all the quotes and captions related to Sink Clean. Here they are! All 100 of them:

Love is Not All Love is not all: it is not meat nor drink Nor slumber nor a roof against the rain; Nor yet a floating spar to men that sink And rise and sink and rise and sink again; Love can not fill the thickened lung with breath, Nor clean the blood, nor set the fractured bone; Yet many a man is making friends with death Even as I speak, for lack of love alone. It well may be that in a difficult hour, Pinned down by pain and moaning for release, Or nagged by want past resolution’s power, I might be driven to sell your love for peace, Or trade the memory of this night for food. It well may be. I do not think I would.
Edna St. Vincent Millay (Collected Poems)
You can have everything in the world, but if you don't have love, none of it means crap," he said promptly. "Love is patient. Love is kind. Love always forgives, trusts, supports, and endures. Love never fails. When every star in the heavens grows cold, and when silence lies once more on the face of the deep, three things will endure: faith, hope, and love." And the greatest of these is love," I finished. "That's from the Bible." First Corinthians, chapter thirteen," Thomas confirmed. "I paraphrased. Father makes all of us memorize that passage. Like when parents put those green yucky-face stickers on the poisonous cleaning products under the kitchen sink.
Jim Butcher (Blood Rites (The Dresden Files, #6))
Don't tell anyone at the church this, but I think girls going out with girls is quite sensible. Imagine not having to do all the housework, and if you found a nice girl the same size you'd have double the wardrobe and you'd never have to shave your legs or clean whiskers out of the sink. I don't know why everyone doesn't do it. Not it's fine, provided you stay that way. It's the changing back to men that sends you mad.
Toni Jordan (Addition)
No army, no matter how clean its reputation, walked away from war untainted. And no leader, no matter how noble, could help but sink into the crem when he stepped into the game of conquest.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
Angela had done a marvelous job, I tell you. The puke was everywhere except the toilet. The walls, the floor, the sinks - even on the ceiling, though don't ask me how she did that. So there I was, perched on all fours, cleaning up the puke at the homecoming dance in my best blue suit, which was exactly what I had wanted to avoid in the first place. And Jamie, my date, was on all fours, too, doing exactly the same thing.
Nicholas Sparks (A Walk to Remember)
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?” “Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it. “Well, what the hell? Mare didn’t even say goodbye.” “You knew she was going to class. Quit being a cry baby.” Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?” “Shut up.” “That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?” “She didn’t say much, except that she’s not into birthdays.” “So what are we doing?” “Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.” Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?” “How do you feel about a puppy?” Shepley laughed once. “It’s not my birthday, bro.” I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.” “Keep it here? Seriously? What are we going to do with a dog?” “I found a Cairn Terrier online. It’s perfect.” “A what?” “Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.” Shepley’s face was blank. “The Wizard of Oz.” “What? I liked the scarecrow when I was a little kid, shut the fuck up.” “It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.” “So does America … minus the crapping.” Shepley wasn’t amused. “I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.” “You can’t keep it from barking.” “Think about it. You gotta admit it’ll win her over.” Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?” My brows pulled together. “Quit it.” His smile widened. “You can get the damn dog…” I grinned with victory. “…if you admit you have feelings for Abby.” I frowned in defeat. “C’mon, man!” “Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it. I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day. “I like her,” I said through my teeth. Shepley held his hand to his ear. “What? I couldn’t quite hear you.” “You’re an asshole! Did you hear that?” Shepley crossed his arms. “Say it.” “I like her, okay?” “Not good enough.” “I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?” “For now,” he said, grabbing his backpack off the floor.
Jamie McGuire (Walking Disaster (Beautiful, #2))
I have never been a nag. I have always been rather proud of my un-nagginess. So it pisses me off, that Nick is forcing me to nag. I am willing to live with a certain amount of sloppiness, of laziness, of the lackadaisical life. I realize I am more type A than Nick, and I try not to inflict my neat-freaky, to-do-list nature on him. Nick is not the kind of guy who is going to think to vacuum or clean out the fridge. He truly doesn't see that kind of stuff. Fine. Really. But I do like a certain standard of living - I think it's fair to say the garbage shouldn't literally overflow, the plates shouldn't sit in the sink for a week with smears of bean burrito dried on them. That is just being a good grown-up roommate. And Nick's doing anything anymore, so I nag, and it pisses me off: You are turning me into what I never have been and never wanted to be, a nag because you are not living up to your end of a very basic compact. Don't do that, It's not ok to do.
Gillian Flynn (Gone Girl)
When a deer bounded across the path, I cried, "Oh, look! Admit it, you paid to have that deer run in front of us. Come clean." Sounding furious, he said, "I cued the deer ten minutes ago. What kind of outfit are they running?" I burst out laughing, sinking back against him.
Kresley Cole (The Master (The Game Maker, #2))
Hephzibah normally left the dishes until the next day. Piled up in the sink so that it was near impossible to fill a kettle. And what the sink wouldn't take would stay on the kitchen table. Treslove liked that about her. She didn't believe they had to clean up after every excess. There wasn't a price to pay for pleasure.
Howard Jacobson (The Finkler Question)
I’ll bring boys home if I haven’t cleaned my apartment. I’ll let them see the dishes in my sink, the mascara rubbed into my pillowcases, my unswept floors. Think, if we are seeing each other undressed and blemished from the sun, what is a dirty fork?
Kristina Haynes
I’ve never done drugs, and though I’ve tasted alcohol, I’ve never had a whole drink. I don’t even drink coffee. I had a small cup once—it was like drinking battery acid. I had to poop all morning. I once had a sniff of Scotch. I thought, I should be cleaning my sink with this stuff. It’s not some moral objection—drugs and booze and caffeine just have no appeal to me.
Alex Honnold (Alone on the Wall: Alex Honnold and the Ultimate Limits of Adventure)
A North Korean soldier would later recall a buddy who had been given an American-made nail clipper and was showing it off to his friends. The soldier clipped a few nails, admired the sharp, clean edges, and marveled at the mechanics of this simple item. Then he realized with a sinking heart: If North Korea couldn’t make such a fine nail clipper, how could it compete with American weapons?
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
Restrooms at gas stations were an unpleasant and shocking surprise; I had never considered the serious drawbacks of such lazily-cleaned rooms. I was completely unable to ignore the filth, and wasted a burst of power to turn the sink, floors and porcelain toilet into sparkling, clean examples of their kind before using the facility. I felt that was a much less judgmental response than simply blowing the place off the face of the Earth, which was also a distinct temptation, especially when the storekeeper overcharged me for a bottle of cold water.
Rachel Caine (Unknown (Outcast Season, #2))
Watson,” says Frank, “experiment time. Could you go into the kitchen and get one balloon, two packets of salt, three packets of pepper, and one plastic spoon?” “That sounds about as scientific as . . . my peashooter,” says Watson, heading for the kitchen as Frank and the robots finish cleaning up the lab. Watson returns with the experiment supplies. “I can’t wait to see what you make with this.” Frank rips open the salt and pepper packets and dumps everything into one pile on the table. He blows up the balloon. “Rub this on your head, Watson.” Watson rubs the balloon on his head. “Oh, this is much more scientific.” “Just watch,” says Frank. “Now put the balloon over the salt and pepper.” Watson moves the balloon. The positively charged, lighter pieces of pepper separate from the heavier pieces of salt and stick to the balloon. “Wireless,” says Frank. “And cheap. Now watch this.” Frank rubs the plastic spoon on Watson’s sweater. He turns the water on in the lab sink so that a small, steady stream flows out. “Observe.” Frank puts the spoon near the water column. “No way!” says Watson. “The water is bending toward the spoon!” Klink beeps, “In both cases, extra negative charge caused by gathering electrons . . . attracts positively charged pepper pieces and water stream.
Jon Scieszka (Frank Einstein and the Electro-Finger (Frank Einstein series #2): Book Two (Frank Einstein and the Antimatter Motor))
Y Won’t U B With Me, Kate? Oh, Kate, Y won’t U B with me? Kate, Don’t U know what U mean to me? I look at the dirty dishes piling up in the sink and all I can think is Kate U kept the place so clean Kate, I treated U like a queen Oh, Kate, U mean the world to me Kate, Come home to me Oh, Kate, Y can’t it B Like it used to B Because this world ain’t meant for lovers No, this world ain’t meant for U and me Because the bureaucrats in Washington, they’ll set off the bombs, so what’s the point, Kate? We’re all just going to die, anyway. So, Kate, Y won’t U B with me? —Dale Carter, All Rights Reserved
Meg Cabot (Boy Meets Girl (Boy, #2))
Almost half the world — over three billion people — live on less than $2.50 a day. 1.1 billion people have inadequate access to clean water and 2.6 billion lack basic sanitation. Let those facts sink in for just a moment… and slowly allow gratitude and a desire to become part of the solution find a place in your heart.  
Joshua Becker (Inside-Out Simplicity)
Can we talk now?” she asked. “Nay, we need to . . . load the dishwasher.” He padded into the kitchen and took his time rinsing everything in the sink before stacking it into the machine. He even scrubbed the pot he’d warmed the soup in. When he closed the dishwasher, she was waiting there, holding a mop. She offered it to him. “Do you want to clean the floors now? And sweep the porch? I think the antlers on the moose head need polishing.
Kerrelyn Sparks (Vampire Mine (Love at Stake, #10))
Baking soda is particularly effective for cleaning sinks.
Shoukei Matsumoto (A Monk's Guide to a Clean House and Mind)
The four major branches of philosophy – metaphysics (the study of reality); epistemology (the study of knowledge); politics (the study of state power); and ethics (the study of virtue) – are like the plumbing that delivers water to your sink. Aqueducts, sewers, piping – these all only have value insofar as they enable you to turn on a tap in your house and actually get some clean water. Metaphysics,
Stefan Molyneux (Essential Philosophy: How to know what on earth is going on)
The aim of cleaning, then, should be to reduce bacteria numbers—but not to zero. Even harmful bacteria can be good for us when the immune system uses them for training. A couple of thousand Salmonella bacteria in the kitchen sink are a chance for our immune system to do a little sightseeing. They become dangerous only when they turn up in greater numbers. Bacteria get out of hand when they encounter the perfect conditions: a protected location that is warm and moist with a supply of delicious food.
Giulia Enders (Gut: The Inside Story of Our Body's Most Underrated Organ)
That is the girl I was then: stumbling, sinking, lost in brightness and space. My past had been wiped clean, bleached a stark and spotless white. But you can build a future out of anything. A scrap, a flicker. The desire to go forward, slowly, one foot at a time. You can build an airy city out of ruins.
Lauren Oliver (Pandemonium (Delirium, #2))
Like you, I’m figuring out how to walk with Christ into my day, into Target, into church, into the kitchen, and most importantly, into the lives of other people. Christ doesn’t stop being relevant just because I’m standing at my sink, cleaning out my closet, meeting over coffee, driving to the bank.
Emily P. Freeman (Simply Tuesday: Small-Moment Living in a Fast-Moving World)
The Irish essayist has us close our eyes and listen to the words she says without trying to control our thoughts. I keep mine open a crack, to scan the packed room. He’s not here. ‘A rainy day,’ she says. My mother and me running from the Mustang to the house. ‘The sound of a musical instrument.’ Caleb playing the guitar. ‘An act of love.’ My father cleaning my golf clubs in the kitchen sink. She has us write about one of these moments that come up unbidden, unforced.
Lily King (Writers & Lovers)
I knew myself a heroine. No better way to clean a stranger’s hairs from a sink basin than to imagine oneself a poetic figure burdened by an unraveling story—
Susan Scarf Merrell (Shirley)
And the sinks and mirrors are right there. The hotel instructions state: employees must be clean, their hair smoothly groomed. Unruly poetic locks are forbidden.
Antanas Škėma (Balta drobulė)
It's not about fear. It's about never feeling clean, spending years scrubbing your soul raw so you can eat without feeling nauseous, can look in the mirror and meet your own eyes when you put on makeup, brush your hair. To learn to be strong, to run your life and not be a victim of it, knowing in your heart that everything you've built is sitting on a foundation that can sink at any time. And you build it anyway, on faith alone that it won't be shattered, when everything in your life tells you that faith is a fucking joke, but you do it anyway. You do it anyway.(...)
Joey W. Hill (Mirror of My Soul (Nature of Desire, #4))
As filthy as any night was, a New York City morning is always clean. The eyes get washed. Flowers in white deli buckets are replenished. The population bathes, in marble mausoleums of Upper East Side showers, or in Greenwich Village tubs, or in the sink of a Chinatown one-bedroom crammed with fifteen people. Some bar opens and the first song on the jukebox is Johnny Thunders, while bums pick up cigarette butts to see what’s left to smoke. The smell of espresso and hot croissants. The weather vane squeaks in the sun. Pigeons are reborn out of the mouths of blue windows.
Jardine Libaire (White Fur)
Digging Between my finger and my thumb The squat pen rests; snug as a gun. Under my window, a clean rasping sound When the spade sinks into gravelly ground: My father, digging. I look down Till his straining rump among the flowerbeds Bends low, comes up twenty years away Stooping in rhythm through potato drills Where he was digging. The coarse boot nestled on the lug, the shaft Against the inside knee was levered firmly. He rooted out tall tops, buried the bright edge deep To scatter new potatoes that we picked, Loving their cool hardness in our hands. By God, the old man could handle a spade. Just like his old man. My grandfather cut more turf in a day Than any other man on Toner’s bog. Once I carried him milk in a bottle Corked sloppily with paper. He straightened up To drink it, then fell to right away Nicking and slicing neatly, heaving sods Over his shoulder, going down and down For the good turf. Digging. The cold smell of potato mould, the squelch and slap Of soggy peat, the curt cuts of an edge Through living roots awaken in my head. But I’ve no spade to follow men like them. Between my finger and my thumb The squat pen rests. I’ll dig with it.
Seamus Heaney
These I have loved: Pork with apple sauce; tea in a heavy mug; The smell of new books, and musty ones; A girl with red coils for curls --Her scream--Her smile; The slap of a blonde dog's tongue Against my face; and an old face--Nana's; A broken fence--a secret pathway between two houses; The sinking into a familiar bed; Sheets white and crispy clean; The return of a woman in a green coat-- Imperfect and human; The sound of poetry; And of pencil lead scuffing the page as I write; Made-up stores; and Truth. These I have loved.
Sarah Crossan (Apple and Rain)
There had been a time, once, when he had not lived like this, a .32 under his pillow, a lunatic in the back yard firing off a pistol for God knew what purpose, some other nut or perhaps the same one imposing a brain-print of his own shorted-out upstairs on an incredibly expensive and valued cephscope that everyone in the house, plus all their friends, loved and enjoyed. In former days Bob Arctor had run his affairs differently: there had been a wife much like other wives, two small daughters, a stable household that got swept and cleaned and emptied out daily, the dead newspapers not even opened carried from the front walk to the garbage pail, or even, sometimes, read. But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that. Probably he should have regretted his decision. He had not. That life had been one without excitement, with no adventure. It had been too safe. All the elements that made it up were right there before his eyes, and nothing new could ever be expected. It was like, he had once thought, a little plastic boat that would sail on forever, without incident, until it finally sank, which would be a secret relief to all. But in this dark world where he now dwelt, ugly things and surprising things and once in a long while a tiny wondrous thing spilled out at him constantly; he could count on nothing.
Philip K. Dick (A Scanner Darkly)
Sometimes when he touched her, she saw the man who’d dragged her father onto the porch, the one with the red-gold hair. Tall, gray shirt partially unbuttoned, a scab on his cheek as if he’d nicked himself while shaving. Blake pressed open her thighs and the man with the red-gold hair was on top of her—she could almost smell his sweat, see the freckles on his back. Then it was Blake’s clean Ivory soap again, his voice whispering her name. It was ridiculous—the men looked nothing alike and Blake had never hurt her. But he could, which made her grip him even tighter as she felt him sink inside.
Brit Bennett (The Vanishing Half)
It’s amazing the way Mitch can just write these women off. Sink his teeth into them, spit them out, and Roz is expected to clean up the mess. Fire of his loins and then wipe, like a blackboard, and after that he can barely remember their names. Roz is the one who remembers. Their names, and everything else about them.
Margaret Atwood (The Robber Bride)
rumors. I’ll not say more on the subject. Cheese in your eggs?” “Yes, please.” * * * With Kendra gone, Seth got out the equipment he had bundled in his towel, including his emergency kit and the jar he had smuggled from the pantry. The jar was now empty, washed clean in the bathroom sink. Taking out his pocket knife, Seth used the awl to punch holes in the lid. Unscrewing the top, he gathered bits of grass, flower petals, a twig, and a pebble, and placed them in the jar. Then he wandered across the garden from the pool, leaving the skimmer behind. If skill failed, he would resort to cunning. He found a good spot not far from a fountain, then took the small mirror from his
Brandon Mull (Fablehaven (Fablehaven, #1))
Dude, Kellan, I know you and Kiera are in there . . . people saw you two head that way. Open the door.” Cursing, Kellan separated from me. I instantly went for his mouth, but he pushed me back a little and unlocked the bathroom door right next to us. Cracking it open, he scowled at the person on the other side of it. “What, Matt?” I laid my head on Kellan’s chest and stared blankly at Matt looking at us through the slit in the door. He didn’t look happy. “Are you about to have sex in my bathroom?” Without missing a beat, Kellan responded with “Yes,” and started closing the door. My hazed mind found it funny, and I started laughing. Matt stopped the door with his hand. “Kell, we only have one bathroom. I don’t want people peeing in my kitchen sink.” Sighing in irritation, Kellan opened the door wider and glared at Matt. Matt looked down at Kellan’s bare chest, then my half-naked chest, then snapped his eyes up to Kellan’s eyes. Kellan shook his head and shrugged. “Bedroom or bathroom,” was all he said. Matt scrunched his brow and Kellan repeated himself, raising his eyebrows. “Bedroom or bathroom? You pick, Matt.” Sighing, Matt rolled his eyes. “Fine, but make it quick.” Grinning, Kellan slammed the door shut and locked it again. I giggled as my mind swam. On the other side I heard Matt slurringly yell, “And clean up when you’re done, damn it!
S.C. Stephens (Effortless (Thoughtless, #2))
Lunch had been at a McDonald’s in Santa Barbara. It had been so clean. It had smelled like food. It had sounded happy and alive. In the bathroom, the toilet flushed. Water ran in the sink. He had passed a trash can on the way back to his table and stopped just to look at it. It was full of food. Leftover burgers, the last few fries, smears of ketchup on cardboard. He’d had to hold back tears when he saw it. “Candy bar?” Vicky asked, and held a Snickers out to him. At that moment they slowed to turn off the highway and head cautiously, carefully, through recently bulldozed streets, toward the town plaza. That’s where the McDonald’s was. His McDonald’s. A candy bar. People had killed for less.
Michael Grant (Light (Gone, #6))
And death shall have no dominion. Dead men naked they shall be one With the man in the wind and the west moon; When their bones are picked clean and the clean bones gone, They shall have stars at elbow and foot; Though they go mad they shall be sane, Though they sink through the sea they shall rise again; Though lovers be lost love shall not; And death shall have no dominion. And death shall have no dominion. Under the windings of the sea They lying long shall not die windily; Twisting on racks when sinews give way, Strapped to a wheel, yet they shall not break; Faith in their hands shall snap in two, And the unicorn evils run them through; Split all ends up they shan't crack; And death shall have no dominion. And death shall have no dominion. No more may gulls cry at their ears Or waves break loud on the seashores; Where blew a flower may a flower no more Lift its head to the blows of the rain; Though they be mad and dead as nails, Heads of the characters hammer through daisies; Break in the sun till the sun breaks down And death shall have no dominion.
Dylan Thomas (Twenty-five poems)
men worked fifty, sixty, even seventy or more hours a week; the women worked all the time, with little assistance from labor-saving devices, washing laundry, ironing shirts, mending socks, turning collars, sewing on buttons, mothproofing woolens, polishing furniture, sweeping and washing floors, washing windows, cleaning sinks, tubs, toilets, and stoves, vacuuming rugs, nursing the sick, shopping for food, cooking meals, feeding relatives, tidying closets and drawers, overseeing paint jobs and household repairs, arranging for religious observances, paying bills and keeping the family’s books while simultaneously attending to their children’s health, clothing, cleanliness, schooling, nutrition, conduct, birthdays, discipline, and morale.
Philip Roth (The Plot Against America)
I longed for artificial bacon bits, melted cheese in a shade of yellow unknown to nature, and creamy chocolate fillings, sometimes all in the same product. I wanted food that squirts when you bite into it or plops onto your shirt front in such gross quantities that you have to rise very, very carefully from the table and sort of limbo over to the sink to clean yourself up.
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After 20 Years Away)
These days my desire, overpowering sometimes, is for some land. An acre or two, some bean rows. A pasture, broadleaved trees, a view of a river. A small house, my kids running about. Solidity, hard ground beneath me, something there to stop me sinking. Clean air, food, meat water. Family, earth, mud, all the small wonders and irritations of life rising up to meet me as i come home. Having a home.
Paul Kingsnorth (Confessions of a Recovering Environmentalist and Other Essays)
maybe pick it up by mistake with the cleaning?” “It is there.” “With the cleaning?” “In the closet.” “No, it isn’t. I looked.” About to speak, Willie tightened her lips and scowled. Karl had walked in. “Good evening, Madam.” He went to the sink for a glass of water. “Did you set those traps?” asked Chris. “No rats.” “Did you set them?” “I set them, of course, but the attic is clean.” “Tell me, how
William Peter Blatty (The Exorcist)
A destroyer is towed in from the horizon. A throbbing of the tug's engines, behind it the quiet gray behemoth rolls a giant wake and Dorotea sees the numbers painted on the sides and ship-sinking cannons that look so calm and clean. Its hull is big as an apartment building; she wonders how she could ever believe her father could learn about something so big. How anyone could learn about something so big.
Anthony Doerr (The Shell Collector)
She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he’d just stayed the same old Jay he’d always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she’d just never imagined that he’d grow up so well. Instead she accused him: “Well, maybe if you hadn’t pushed me I wouldn’t have fallen.” She made the outlandish accusation with a completely straight face. He shook his head. “You’ll never be able to prove it. There were no witnesses—it’s just your word against mine.” She giggled and hopped down. “Yeah, well, who’s gonna believe you over me? Weren’t you the one who shoplifted a candy bar from the Safeway?” She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. “Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn’t it?” He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and the temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubbles from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn’t even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. “Yeah, well, maybe if you hadn’t done it right in front of the cashier, we might have gotten away with it. Instead, you got both of us grounded for stealing.” He didn’t miss a beat, and he seemed unaware of her temporary lapse. “And some might say that our grounding saved us from a life of crime.” She hung the towel over the oven’s door handle. “Maybe it saved me, but the jury’s still out on you. I always thought you were kind of a bad seed.” He gave her a questioning look. “Seriously, a ‘bad seed’, Vi? When did you turn ninety and start saying things like ‘bad seed’?” She pushed him as she walked by, even though he really wasn’t in her way. He gave her a playful shove from behind and teased her, “Don’t make me trip you again.” Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just friends. Otherwise, this was going to be a long—and painful—year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
she remained unreconciled to the loss of her electric toothbrush. She’d pined for it for weeks before realizing that it was more than the sensation of a clean mouth that she missed—it was her marriage, all those years of mindless domestic happiness, long, crowded days that culminated with her and Kevin standing side by side in front of the dual sinks, battery-operated wands buzzing in their hands, their mouths full of minty froth.
Tom Perrotta (The Leftovers)
Home is where I take up such a tiny portion of the memory foam; home is a splintered word. His pillow is a sweat-stained map of an escape plot, also a map of love’s dear abandon. (When did he give way, at which breath?) Forgiveness may mean retrospectively abandoning the pillow and abandoning the photograph of someone with curious eyes, kissing my toes, poolside. I paint my toes Big Apple Red. I don’t know what to do about the shock of red nails on clean, white tiles except get used to it. (And when he gave way, was there room for feelings or the words for feeling?) While I brush my teeth, I can see him in my periphery at the other sink. The outline of him lulls and stings. (And when he gave way, was it the end of the beginning of suffering?) I draw his profile near, I make him brush his teeth with me, he spits and makes a mess. I could love another face, but why?
Karen Green
I have putt the change in the till, I have cleaned and made room for new bottles in the cooling sink, for butter and cheese in the icebox. Now I am standing in the shop waiting by the open door without switching the light on. I like this early half-light, the mild air from the sea, standing inside looking out without being seen, and there are almost no sounds from the street, and I can think and remember who I am before anything new comes along. Everything happens so fast it's easy to forget, everything is exploding and burning. But now it is quiet.
Per Petterson (To Siberia)
So, yes, I might look like I’m doing okay after my week’s holiday, like I’m thriving and happy, but nobody saw what I was like during it. Nobody asked how many times I had to tiptoe to the toilet because my bladder hurt from how long it took me to gather the strength to go wee. Nobody saw the clean sink in the kitchen and wondered if I’m just really good at cleaning up after myself, or if I’ve not eaten in a week. People only see what you show on the outside, and when you come across as a cheery, upbeat person, you don’t give people any reason to look deeper.
Letty Frame (Death is Easy (Second Chances, #1))
Did he use a condom?" Trixie shook her head. "He pulled out before he finished. There was blood on the carpet, and on me, too. He was worried about that. He said he didn't mean to hurt me." Maybe, Daniel mused, he would do all of these things to Jason Underhill. Twice. "He got up and found a roll of paper towels so I could clean myself up. Then he took some rug cleaner from under the kitchen sink, and he scrubbed the spot on the carpet. He said we were lucky it wasn't ruined." And what about Trixie? What magical solution would take away the stain he'd left on her forever?
Jodi Picoult (The Tenth Circle)
I thought about every mundane moment that makes up that gray area of a person’s life. It’s the hour or two a day that you clean your kitchen or watch TV or do the laundry. All my gray moments with Mia were colored in: chasing her around the Laundromat, spraying water on her from the kitchen sink, or messing around with her on the couch while we spent whole days watching reruns of The Office. I looked forward to the rest of my life, even if the rest of my life only consisted of the humdrum day-in, day-out bullshit, it didn’t matter because Mia turned the most unremarkable moments into moments I cherished.
Renee Carlino (Sweet Little Thing (Sweet Thing, #1.5))
We’re not going to make it,” Baxian called as Lidia zoomed toward the guard station. “Lidia,” Athalar warned. “Get down!” Lidia barked, and Ruhn shut his eyes, sinking low as the grate lowered at an alarming rate. Metal screamed and exploded right above them, the car rocking, shuddering— Yet Lidia kept driving. She raced onto the open road beyond the city as the grate slammed shut behind them. “Cutting it a little close, don’t you think?” Hunt shouted to Lidia, and Ruhn opened his eyes to find that the gunner had been ripped clean off. Baxian was clinging for dear life to the back of the jeep, a manic grin on his face.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
too is the pyramid-look, because you don’t have to think about a ceiling. You want to have a roof over your head, so why not let your walls also be your ceiling, so you have one less thing to think about—one less surface to look at, one less surface to clean, one less surface to paint. The tepee-dwelling Indians had the right idea. A cone might be nice if circles didn’t exclude the edges and if you could find the right round sink, but I prefer an equilateral-triangular pyramidal-shaped enclosure even more than a square-based pyramid shape, because with a triangular base you have one less wall to think about, and one less corner to dust.
Andy Warhol (The Philosophy of Andy Warhol: From A to B and Back Again)
Love is Not All (Sonnet XXX) - 1892-1950 Love is not all: it is not meat nor drink Nor slumber nor a roof against the rain; Nor yet a floating spar to men that sink And rise and sink and rise and sink again; Love can not fill the thickened lung with breath, Nor clean the blood, nor set the fractured bone; Yet many a man is making friends with death Even as I speak, for lack of love alone. It well may be that in a difficult hour, Pinned down by pain and moaning for release, Or nagged by want past resolution's power, I might be driven to sell your love for peace, Or trade the memory of this night for food. It well may be. I do not think I would.
Edna St. Vincent Millay
Well, that was certainly a disgusting display worthy of your father's family." "Shut up, Ma," Lisa Livia said, her hands on her hips. "Like you weren't born in the Bronx, and the Fortunatos weren't a big step up for you. Now you listen to me. You try to move this wedding away from Two Rivers again, I'm gonna clean every skeleton out of every closet you got and make them dance, you hear me? I'll dig up everything you ever buried, including my daddy, and then I'll sink that beat-up rowboat you're living on so you'll be out in the street with nothing. Do not fuck with my kid and do not fuck with my friend, they are all the family I got, and they are off-limits to you. Understand?
Jennifer Crusie (Agnes and the Hitman (The Organization, #0))
Walking home's going to be...interesting half dressed." Alan mused as he dropped the shirt over the lip of the sink. Shelby shot a look over her shoulder, but the retort she had in mind slipped away from her.He was lean enough so she could have counted his ribs, but there was a sense of power and endurance in the breadth of his chest and shoulders, the streamlined waist. His body made her forget any other man she'd ever seen. It had been he,she realized all at once, whom she'd been thinking of when she'd thrown the clay into that clean-lined bowl. Shelby let the first flow of arousal rush through her because it was as sweet as it was sharp. Then she tensed against it, rendering it a distant throb she could control. "You're in excellent shape," she commented lightly. "You should be able to make it to P street in under three minutes at a steady jog." "Shelby, that's downright unfriendly." "I thought it was more rude," she corrected as she struggled against a grin. "I suppose I could be a nice guy and throw it in the dryer for you." "It was your clay." "It was your move," she reminded him, but snatched up the damp shirt. "Okay, come on upstairs." With one hand, she tugged off her work apron, tossing it aside as she breezed through the doorway. "I suppose you're entitled to one drink on the house." "You're all heart," Alan murmured as he followed her up the stairs. "My reputation for generosity precedes me.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
If you want to write, practice writing. Practice it for hours a day, not to come up with a story you can publish, but because you long to learn how to write well, because there is something that you alone can say. Write the story, learn from it, put it away, write another story. Think of a sink pipe filled with sticky sediment. The only way to get clean water is to force a small ocean through the tap. Most of us are full up with bad stories, boring stories, self-indulgent stories, searing works of unendurable melodrama. We must get all of them out of our system in order to find the good stories that may or may not exist in the freshwater underneath. Does this sound like a lot of work without any guarantee of success? Well, yes, but it also calls into question our definition of success.
Ann Patchett (This Is the Story of a Happy Marriage)
In former days Bob Arctor had run his affairs differently: there had been a wife much like other wives, two small daughters, a stable household that got swept and cleaned and emptied out daily, the dead newspapers not even opened carried from the front walk to the garbage pail, on even, sometimes, read. But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It lashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that.
Philip K. Dick (A Scanner Darkly)
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Guy was going to self-terminate for any reason, he’d have finished putting his pajamas on and gotten into bed nice and comfy first. So means are foul. Where’s Sommers?” “I don’t know why they bother to keep me around here.” But he was grinning as he slid the brain into a tray for scan and analysis. “I expect the tox eval will verify both our suspicions shortly. Sommers is done, and in a cold box. Her family and boyfriend came in together this morning. I was able to block them from seeing her, though it wasn’t easy. I had to use official grounds.” “The eyes aren’t public yet, and I don’t want them to be, not even to next of kin. Even family and lovers can leak to the media. More so if they’re grieving or pissed. No access outside of need-to-know to any of the vics in this investigation.” “You want to see her again.” “Yeah.” “Let me clean up a bit. Our gentleman friend will hold.” He went to the sink to scrub blood, matter, and sealant from his hands. “Her body was more traumatized than the others.” “Violence is escalating. I know.” “So is his pace.” Morris dried his hands, then removed his protective gear, dumping it in a hamper. “We’re closer. Every minute, we’re closer.” “I have no doubt. Well.” He stepped over in his pristine blue shirt and red necktie, offered his arm. “Shall we?” She laughed, as only he could make her in the company of the
J.D. Robb (Visions in Death (In Death, #19))
Last night I decided that it is totally nuts to believe in Christ, that it is every bit as crazy as being a Scientologist or a Jehovah’s Witness. But a priest friend said solemnly, “Scientologists and Mormons and Jehovah’s Witnesses are crazier than they have to be.” Then something truly amazing happened. A man from church showed up at our front door, smiling and waving to me and Sam, and I went to let him in. He is a white man named Gordon, fiftyish, married to our associate pastor, and after exchanging pleasantries he said, “Margaret and I wanted to do something for you and the baby. So what I want to ask is, What if a fairy appeared on your doorstep and said that he or she would do any favor for you at all, anything you wanted around the house that you felt too exhausted to do by yourself and too ashamed to ask anyone else to help you with?” “I can’t even say,” I said. “It’s too horrible.” But he finally convinced me to tell him, and I said it would be to clean the bathroom, and he ended up spending an hour scrubbing the bathtub and toilet and sink with Ajax and lots of hot water. I sat on the couch while he worked, watching TV, feeling vaguely guilty and nursing Sam to sleep. But it made me feel sure of Christ again, of that kind of love. This, a man scrubbing a new mother’s bathtub, is what Jesus means to me. As Bill Rankin, my priest friend, once said, spare me the earnest Christians.
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
There," he said, admiring his own handiwork. "Good as new." Violet glanced at the ridiculously huge Band-Aids on her knees and looked at him doubtfully. "You really think so? 'Good as new'?" He smiled. "I think I did pretty good. It's not my fault you can't walk." She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he'd just stayed the same old Jay he'd always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she'd just never imagined that he'd grow up so well. Instead she accused him: "Well, maybe if you hadn't pushed me I wouldn't have fallen." She made the outlandish accusation with a completely straight face. He shook his head. "You'll never be able to prove it. There were no witnesses-it's just your word against mine." She giggled and hopped down. "Yeah, well, who's gonna believe you over me? Weren't you the one who shoplifted a candy bar from the Safeway?" She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. "Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn't it?" He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and she temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubble from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn't even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. "Yeah, well, maybe if you hadn't done it right in front of the cashier, we might have gotten away with it. Instead, you go both of us grounded for stealing." He didn't miss a beat, and he seemed unaware of her temporary lapse. "And some might say that our grounding saved us from a life of crime." She hung the towel over the oven's door handle. "Maybe it saved me, but the jury's still out on you. I always though you were kind of a bad seed." He gave her a questioning look. "Seriously, a 'bad seed,' Vi? When did you turn ninety and start saying things like 'bad seed'?" She pushed him as she walked by, even though he really wasn't in her way. He gave her a playful shove from behind and teased her, "Don't make me trip you again." Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just fiends. Otherwise, this was going to be a long-and painful-year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Prince Wen Hui’s cook Was cutting up an ox. Out went a hand, Down went a shoulder, He planted a foot, He pressed with a knee, The ox fell apart With a whisper, The bright cleaver murmured Like a gentle wind. Rhythm! Timing! Like a sacred dance, Like “The Mulberry Grove,” Like ancient harmonies! “Good work!” the Prince exclaimed, “Your method is faultless!” “Method?” said the cook Laying aside his cleaver, “What I follow is Tao Beyond all methods!” “When I first began To cut up an oxen I would see before me The whole ox All in one mass. “After three years I no longer saw this mass. I saw the distinctions. “But now, I see nothing With the eye. My whole being Apprehends. My senses are idle. The spirit Free to work without plan Follows its own instinct Guided by natural line, By the secret opening, the hidden space, My cleaver finds its own way. I cut through no joint, chop no bone. A good cook needs a new chopper Once a year–he cuts. A poor cook needs a new one Every month–he hacks! “I have used this same cleaver Nineteen years. It has cut up A thousand oxen. Its edge is as keen As if newly sharpened. “There are spaces in the joints; The blade is thin and keen: When this thinness Finds that space There is all the room you need! It goes like a breeze! Hence I have this cleaver nineteen years As if newly sharpened! “True, there are sometimes Tough joints. I feel them coming, I slow down, I watch closely, Hold back, barely move the blade, And whump! the part falls away Landing like a clod of earth. “Then I withdraw the blade, I stand still And let the joy of the work Sink in. I clean the blade And put it away.” Prince Wan Hui said, “This is it! My cook has shown me How I ought to live My own life!” Chuang Tzu, The Way of Chuang Tzu, translated by Thomas Merton
Thomas Merton (The Way of Chuang Tzu (Shambhala Library))
They taught him how to milk cows and now they expected him to tame lions. Perhaps they expected him to behave like all good lion tamers. Use a whip and a chair. But what happens to the best lion tamer when he puts down his whip and his chair. Goddamnit! It was wrong. He felt cheated, he felt almost violated. He felt cheated for himself, and he felt cheated for guys like Joshua Edwards who wanted to teach and who didn’t know how to teach because he’d been pumped full of manure and theoretical hogwash. Why hadn’t anyone told them, in plain, frank English, just what to do? Couldn’t someone, somewhere along the line, have told them? Not one single college instructor? Not someone from the board of Ed, someone to orientate them after they’d passed the emergency exam? Not anyone? Now one sonofabitch somewhere who gave a good goddamn? Not even Stanley? Not even Small? Did they have to figure it out for themselves, sink and swim, kill or be killed? Rick had never been told how to stop in his class. He’d never been told what to do with a second term student who doesn’t even know how to write down his own goddamn name on a sheet of paper. He didn’t know, he’d never been advised on the proper tactics for dealing with a boy whose I.Q. was 66, a big, fat, round, moronic 66. He hadn’t been taught about kids’ yelling out in class, not one kid, not the occasional “difficult child” the ed courses had loftily philosophized about, not him. But a whole goddamn, shouting, screaming class load of them all yelling their sonofbitching heads off. What do you do with a kid who can’t read even though he’s fifteen years old? Recommend him for special reading classes, sure. And what do you do when those special reading classes are loaded to the asshole, packed because there are kids who can’t read in abundance, and you have to take only those who can’t read the worst, dumping them onto a teacher who’s already overloaded and those who doesn’t want to teach a remedial class to begin with? And what do you with that poor ignorant jerk? Do you call him on class, knowing damn well he hasn’t read the assignment because he doesn’t know how to read? Or do you ignore him? Or do you ask him to stop by after school, knowing he would prefer playing stickball to learning how to read. And knowing he considers himself liberated the moment the bell sounds at the end of the eighth period. What do you do when you’ve explained something patiently and fully, explained it just the way you were taught to explain in your education courses, explained in minute detail, and you look out at your class and see that stretching, vacant wall of blank, blank faces and you know nothing has penetrated, not a goddamn thing has sunk in? What do you do then? Give them all board erasers to clean. What do you do when you call on a kid and ask “What did that last passage mean?”and the kid stands there without any idea of what the passage meant , and you know that he’s not alone, you know every other kid in the class hasn’t the faintest idea either? What the hell do you do then? Do you go home and browse through the philosophy of education books the G.I bill generously provided. Do you scratch your ugly head and seek enlightenment from the educational psychology texts? Do you consult Dewey? And who the hell do you condemn, just who? Do you condemn elementary schools for sending a kid on to high school without knowing how to read, without knowing how to write his own name on a piece of paper? Do you condemn the masterminds who plot the education systems of a nation, or a state or a city?
Evan Hunter (The Blackboard Jungle)
He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here. He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before. His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days. The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank. A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay. Nobody was okay. And that was what made me not okay. “Hey,” I said, standing in front of him. He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?” The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.” His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.” I stared at him. He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.” He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced. “I’m doing this for you,” I whispered. “Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.” I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment. But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.” He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.” My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles. I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.” My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.” Hands came up under my elbows, and his touch radiated through me. “Kristen, stop.” I spun on him. “Fuck you, Josh! You need help, and I need to help you!” And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh. I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
For most people moving is a tiring experience. When on the verge of moving out to a new home or into a new office, it's only natural to focus on your new place and forget about the one you’re leaving. Actually, the last thing you would even think about is embarking on a heavy duty move out clean. However, you can be certain that agents, landlords and all the potential renters or buyers of your old home will most definitely notice if it's being cleaned, therefore getting the place cleaned up is something that you need to consider. The process of cleaning will basically depend to things; how dirty your property and the size of the home. If you leave the property in good condition, you'll have a higher the chance of getting back your bond deposit or if you're selling, attracting a potential buyer. Below are the steps you need to consider before moving out. You should start with cleaning. Remove all screws and nails from the walls and the ceilings, fill up all holes and dust all ledges. Large holes should be patched and the entire wall checked the major marks. Remove all the cobwebs from the walls and ceilings, taking care to wash or vacuum the vents. They can get quite dusty. Clean all doors and door knobs, wipe down all the switches, electrical outlets, vacuum/wipe down the drapes, clean the blinds and remove all the light covers from light fixtures and clean them thoroughly as they may contain dead insects. Also, replace all the burnt out light bulbs and empty all cupboards when you clean them. Clean all windows, window sills and tracks. Vacuum all carpets or get them professionally cleaned which quite often is stipulated in the rental agreement. After you've finished the general cleaning, you can now embark on the more specific areas. When cleaning the bathroom, wash off the soap scum and remove mould (if any) from the bathroom tiles. This can be done by pre-spraying the tile grout with bleach and letting it sit for at least half an hour. Clean all the inside drawers and vanity units thoroughly. Clean the toilet/sink, vanity unit and replace anything that you've damaged. Wash all shower curtains and shower doors plus all other enclosures. Polish the mirrors and make sure the exhaust fan is free of dust. You can generally vacuum these quite easily. Finally, clean the bathroom floors by vacuuming and mopping. In the kitchen, clean all the cabinets and liners and wash the cupboards inside out. Clean the counter-tops and shine the facet and sink. If the fridge is staying give it a good clean. You can do this by removing all shelves and wash them individually. Thoroughly degrease the oven inside and out. It's best to use and oven cleaner from your supermarket, just take care to use gloves and a mask as they can be quite toxic. Clean the kitchen floor well by giving it a good vacuum and mop . Sometimes the kitchen floor may need to be degreased. Dust the bedrooms and living room, vacuum throughout then mop. If you have a garage give it a good sweep. Also cut the grass, pull out all weeds and remove all items that may be lying or hanging around. Remember to put your garbage bins out for collection even if collection is a week away as in our experience the bins will be full to the brim from all the rubbish during the moving process. If this all looks too hard then you can always hire a bond cleaner to tackle the job for you or if you're on a tight budget you can download an end of lease cleaning checklist or have one sent to you from your local agent. Just make sure you give yourself at least a day or to take on the job. Its best not to rush through the job, just make sure everything is cleaned thoroughly, so it passes the inspection in order for you to get your bond back in full.
Tanya Smith
There had been a time, once, when he had not lived like this, a .32 under his pillow, a lunatic in the back yard firing off a pistol for God knew what purpose, some other nut or perhaps the same one imposing a brain-print of his own shorted-out upstairs on an incredibly expensive and valued cephscope that everyone in the house, plus all their friends, loved and enjoyed. In former days Bob Arctor had run his affairs differently: there had been a wife much like other wives, two small daughters, a stable household that got swept and cleaned and emptied out daily, the dead newspapers not even opened carried from the front walk to the garbage pail, or even, sometimes, read. But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that. Probably he should have regretted his decision. He had not. That life had been one without excitement, with no adventure. It had been too safe. All the elements that made it up were right there before his eyes, and nothing new could ever be expected. It was like, he had once thought, a little plastic boat that would sail on forever, without incident, until it finally sank, which would be a secret relief to all. But in this dark world where he now dwelt, ugly things and surprising things and once in a long while a tiny wondrous thing spilled out at him constantly; he could count on nothing.
Philip K. Dick
My head snaps around at the hiss, but it takes awhile to believe he’s real. How could he have gotten here? I take in the claw marks from some wild animal, the back paw he holds slightly above the ground, the prominent bones in his face. He’s come on foot, then, all the way from 13. Maybe they kicked him out or maybe he just couldn’t stand it there without her, so he came looking. “It was the waste of a trip. She’s not here,” I tell him. Buttercup hisses again. “She’s not here. You can hiss all you like. You won’t find Prim.” At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. “Get out!” He dodges the pillow I throw at him. “Go away! There’s nothing left for you here!” I start to shake, furious with him. “She’s not coming back! She’s never ever coming back here again!” I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. “She’s dead.” I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. “She’s dead, you stupid cat. She’s dead.” A new sound, part crying, part singing, comes out of my body, giving voice to my despair. Buttercup begins to wail as well. No matter what I do, he won’t go. He circles me, just out of reach, as wave after wave of sobs racks my body, until eventually I fall unconscious. But he must understand. He must know that the unthinkable has happened and to survive will require previously unthinkable acts. Because hours later, when I come to in my bed, he’s there in the moonlight. Crouched beside me, yellow eyes alert, guarding me from the night. In the morning, he sits stoically as I clean the cuts, but digging the thorn from his paw brings on a round of those kitten mews. We both end up crying again, only this time we comfort each other. On the strength of this, I open the letter Haymitch gave me from my mother, dial the phone number, and weep with her as well. Peeta, bearing a warm loaf of bread, shows up with Greasy Sae. She makes us breakfast and I feed all my bacon to Buttercup.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
Much to Sophie’s extreme lack of surprise, Benedict showed up at his mother’s home the following morning for breakfast. Sophie should have been able to avoid him completely, except that he was loitering in the hall as she tried to make her way down to the kitchen, where she planned to take her morning meal with the rest of the servants. “And how was your first night at Number Five, Bruton Street?” he inquired, his smile lazy and masculine. “Splendid,” Sophie replied, stepping aside so that she might make a clean half circle around him. But as she stepped to her left, he stepped to his right, effectively blocking her path. “I’m so glad you’re enjoying yourself,” he said smoothly. Sophie stepped back to her right. “I was,” she said pointedly. Benedict was far too debonair to step back to his left, but he somehow managed to turn and lean against a table in just the right way to once again block her movement. “Have you been given a tour of the house?” he asked. “By the housekeeper.” “And of the grounds?” “There are no grounds.” He smiled, his brown eyes warm and melting. “There’s a garden.” “About the size of a pound note,” she retorted. “Nonetheless . . .” “Nonetheless,” Sophie cut in, “I have to eat breakfast.” He stepped gallantly aside. “Until next time,” he murmured. And Sophie had the sinking feeling that next time would come quickly indeed. Thirty minutes later, Sophie edged slowly out of the kitchen, half-expecting Benedict to jump out at her from around a corner. Well, maybe not half-expecting. Judging from the way she couldn’t quite breathe, she was probably whole-expecting. But he wasn’t there. She inched forward. Surely he would come bounding down the stairs at any moment, ambushing her with his very presence. Still no Benedict. Sophie opened her mouth, then bit her tongue when she realized she’d been about to call out his name. “Stupid girl,” she muttered. “Who’s stupid?” Benedict asked. “Surely not you.” Sophie nearly jumped a foot. “Where did you come from?” she demanded, once she’d almost caught her breath. He pointed to an open doorway. “Right there,” he answered, his voice all innocence. “So now you’re jumping out at me from closets?” “Of course not.” He looked affronted. “That was a staircase.” Sophie peered around him. It was the side staircase. The servants’ staircase. Certainly not anyplace a family member would just happen to be walking. “Do you often creep down the side staircase?” she asked, crossing her arms. He leaned forward, just close enough to make her slightly uncomfortable, and, although she would never admit it to anyone, barely even herself, slightly excited. “Only when I want to sneak up on someone.” -Benedict & Sophie
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
As Frank promised, there was no other public explosion. Still. The multiple times when she came home to find him idle again, just sitting on the sofa staring at the rug, were unnerving. She tried; she really tried. But every bit of housework—however minor—was hers: his clothes scattered on the floor, food-encrusted dishes in the sink, ketchup bottles left open, beard hair in the drain, waterlogged towels bunched on bathroom tiles. Lily could go on and on. And did. Complaints grew into one-sided arguments, since he wouldn’t engage. “Where were you?” “Just out.” “Out where?” “Down the street.” Bar? Barbershop? Pool hall. He certainly wasn’t sitting in the park. “Frank, could you rinse the milk bottles before you put them on the stoop?” “Sorry. I’ll do it now.” “Too late. I’ve done it already. You know, I can’t do everything.” “Nobody can.” “But you can do something, can’t you?” “Lily, please. I’ll do anything you want.” “What I want? This place is ours.” The fog of displeasure surrounding Lily thickened. Her resentment was justified by his clear indifference, along with his combination of need and irresponsibility. Their bed work, once so downright good to a young woman who had known no other, became a duty. On that snowy day when he asked to borrow all that money to take care of his sick sister in Georgia, Lily’s disgust fought with relief and lost. She picked up the dog tags he’d left on the bathroom sink and hid them away in a drawer next to her bankbook. Now the apartment was all hers to clean properly, put things where they belonged, and wake up knowing they’d not been moved or smashed to pieces. The loneliness she felt before Frank walked her home from Wang’s cleaners began to dissolve and in its place a shiver of freedom, of earned solitude, of choosing the wall she wanted to break through, minus the burden of shouldering a tilted man. Unobstructed and undistracted, she could get serious and develop a plan to match her ambition and succeed. That was what her parents had taught her and what she had promised them: To choose, they insisted, and not ever be moved. Let no insult or slight knock her off her ground. Or, as her father was fond of misquoting, “Gather up your loins, daughter. You named Lillian Florence Jones after my mother. A tougher lady never lived. Find your talent and drive it.” The afternoon Frank left, Lily moved to the front window, startled to see heavy snowflakes powdering the street. She decided to shop right away in case the weather became an impediment. Once outside, she spotted a leather change purse on the sidewalk. Opening it she saw it was full of coins—mostly quarters and fifty-cent pieces. Immediately she wondered if anybody was watching her. Did the curtains across the street shift a little? The passengers in the car rolling by—did they see? Lily closed the purse and placed it on the porch post. When she returned with a shopping bag full of emergency food and supplies the purse was still there, though covered in a fluff of snow. Lily didn’t look around. Casually she scooped it up and dropped it into the groceries. Later, spread out on the side of the bed where Frank had slept, the coins, cold and bright, seemed a perfectly fair trade. In Frank Money’s empty space real money glittered. Who could mistake a sign that clear? Not Lillian Florence Jones.
Toni Morrison (Home)
(The very next day) 'I am enduring will standing alone bare and yes, I am completely naked to the world outside. So, unprotected by the atmosphere above and around me, so unlike- the day, I was born into this hellish world.' 'My life was not always like this! Still as of now, I stand trembling on top of this cruel land, which I call my hereditary land or my home-town.' 'Some still call me by my name, and that is 'Nevaeh May Natalie.' 'Some of the others, like the kids I go to school within this land, have other titles for me.' 'However, you can identify me by the name of 'Nevaeh.' That is if you want to.' 'I do not think that even matters to you, my name is… it has been replaced and it is not significant anymore. Nor does my name matter to anyone out there for miles around. At least that is the way it seems to me, standing here now as I see the bus come to take me there.' 'Names or not said to me, 'I feel alone!' I whispered to myself.' 'It is like I am living a dream. I didn't think my nightmare of orgasmic, tragic, and drizzling emotions pouring in my mind would last this long.' ('Class, faces, names, done.') 'It like a thunderstorm pounding in my brain, as it is today outside. I have come home from yet another day of hell that would be called- school to you.' 'I don't even go into the house until I have this restricting schoolgirl uniform torn off my body. I feel like my skin is crawling with bugs when it is on my figure.' (Outside in the fields, next to the tracks) 'It's the middle- September and I am standing in the rain. It is so cold, so lonely, and so loveless! Additionally, this is not usual for me, I am always bare around my house, I have my reason you'll see.' 'The rain has been falling on me like knives ever since the moment, I got off the yellow bus.' 'A thunderbolt clattered, more resonant than anything ever heard previously.' 'All the rain is matting my long brown hair on me as it lies on my backside longer than most girls. Yet I am okay with that at last, I am free.' (I have freedom) 'To a point! I still feel so trapped by all of them.' 'Ten or twenty minutes have now passed; I am still in the same very spot. Just letting water follow me down. I'm drenched!' 'I can feel the wetness as it lingers in my hair for a while, so unforgivably soaking my body even more as if sinking within me washing me clean.' 'Counting my sanctions, I feel satisfied in a way when I do feel it dropping offends my hair, as if 'God' is still in control of my life, even if I was sent to and damned to hell.' 'Like it is wiping away everything that happened to me today, away from the day of the past too.' 'The wetness is still running down the small of my back thirty minutes must have passed, and it is like my mind is off.' 'Currently, it follows the center point on my back. Then down in-between my petite butt cheeks. Water and bloodstream off my butt to the ground near the heels of my feet. I can feel as if that part of me is washed clean from the day that I had to go through.' 'Some of this shower is cascading off my little face, and it slowly collects on my little boobs, where it beads up and separates into two different watercourses down to my belly button.' 'I eyeball this, as it goes all the way down the front of me. It trickles down on me, to where it turns the color of light pink off my 'Girly Parts.' As they would never be the same.
Marcel Ray Duriez
Billy sipped the last of his coffee from the mug and shut down his laptop. 1,000 words wasn’t great but it also wasn’t as bad as no words at all. It hadn’t exactly been a great couple of years and the royalties from his first few books were only going to hold out so much longer. Even if he didn’t have anything else to worry about there was always Sara to consider. Sara with her big blue eyes so like her mother’s. He sat for a moment longer thinking about his daughter and all they’d been through since Wendy had passed. Then he picked up his mug with a long sigh and carried it to the kitchen to rinse it in the sink. When he came back into his little living room and the quiet of 1 AM he wasn’t surprised to find her there over to the side of the bookshelf hovering close to the floor just beyond the couch. Wendy. Her eyes were cold and intense in death, angry and spiteful in a way he’d never seen them when she was alive. What once had been beautiful was now a horror and a threat, one that he’d known far too well in the years since she’d died. He and Sara both. He stood where he was looking at her as she glared up at him. Part of her smaller vantage point was caused by kneeling next to the shelf but he knew from the many times she’d walked or run through a room that death had also reduced her, made her no higher than 4 or 4 and half feet when she’d been 6 in life. She was like a child trapped there on the cusp between youth and coming adulthood. Crushed and broken down into a husk, an entity with no more love for them than a snake. Familiar tears stung his eyes but he blinked them away letting his anger and frustration rise in place of his grief. “Fuck you! What right do you have to be here? Why won’t you let Sara and I be? We loved you! We still love you!” She doesn’t respond, she never does. It’s as if she used up all of her words before she died and now all that’s left is the pain and the anger of her death. The empty lack of true life in her eyes leaves him cold. He doesn’t say anything else to her. It’s all a waste and he knows it. She frightens him as much as she makes him angry. Spite lives in every corner of her body and he’s reached his limit on how long he can see this perversion, this nightmare of what once meant so much to him. He walks past the bookshelf and through the doorway there. He and Sara’s rooms are up above. With an effort he resists the urge to look back down the hall to see if she’s followed. He refuses to treat his wife like a boogeyman no matter how much she has come to fit that mold. He can feel her eyes burning into him from somewhere back at the edge of the living room. The sensation leaves a cold trail of fear up his back as he walks the last four feet to the stairs and then up. He can hear her feet rush across the floor behind him and the rustle of fabric as she darts up the stairs after him. His pulse and his feet speed up as she grows closer but he’s never as fast as she is. Soon she slips up the steps under his foot shoving him aside as she crawls on her hands and feet through his legs and up the last few stairs above. As she passes through his legs, her presence never more clear than when it’s shoving right against him, he smells the clean and medicinal smells of the operating room and the cloying stench of blood. For a moment he’s back in that room with her, listening to her grunt and keen as she works so hard at pushing Sara into the world and then he’s back looking up at her as she slowly considers the landing and where to go from there. His voice is a whisper, one that pleads. “Wendy?
Amanda M. Lyons (Wendy Won't Go)
Not liking to think of him so, and wondering if they had guessed at dinner why he suddenly became irritable when they talked about fame and books lasting, wondering if the children were laughing at that, she twitched the stockings out, and all the fine gravings came drawn with steel instruments about her lips and forehead, and she grew still like a tree which has been tossing and quivering and now, when the breeze falls, settles, leaf by leaf, into quiet. It didn't matter, any of it, she thought. A great man, a great book, fame—who could tell? She knew nothing about it. But it was his way with him, his truthfulness—for instance at dinner she had been thinking quite instinctively, If only he would speak! She had complete trust in him. And dismissing all this, as one passes in diving now a weed, now a straw, now a bubble, she felt again, sinking deeper, as she had felt in the hall when the others were talking, There is something I want—something I have come to get, and she fell deeper and deeper without knowing quite what it was, with her eyes closed. And she waited a little, knitting, wondering, and slowly rose those words they had said at dinner, "the China rose is all abloom and buzzing with the honey bee," began washing from side to side of her mind rhythmically, and as they washed, words, like little shaded lights, one red, one blue, one yellow, lit up in the dark of her mind, and seemed leaving their perches up there to fly across and across, or to cry out and to be echoed; so she turned and felt on the table beside her for a book. And all the lives we ever lived And all the lives to be, Are full of trees and changing leaves, she murmured, sticking her needles into the stocking. And she opened the book and began reading here and there at random, and as she did so, she felt that she was climbing backwards, upwards, shoving her way up under petals that curved over her, so that she only knew this is white, or this is red. She did not know at first what the words meant at all. Steer, hither steer your winged pines, all beaten Mariners she read and turned the page, swinging herself, zigzagging this way and that, from one line to another as from one branch to another, from one red and white flower to another, until a little sound roused her—her husband slapping his thighs. Their eyes met for a second; but they did not want to speak to each other. They had nothing to say, but something seemed, nevertheless, to go from him to her. It was the life, it was the power of it, it was the tremendous humour, she knew, that made him slap his thighs. Don't interrupt me, he seemed to be saying, don't say anything; just sit there. And he went on reading. His lips twitched. It filled him. It fortified him. He clean forgot all the little rubs and digs of the evening, and how it bored him unutterably to sit still while people ate and drank interminably, and his being so irritable with his wife and so touchy and minding when they passed his books over as if they didn't exist at all. But now, he felt, it didn't matter a damn who reached Z (if thought ran like an alphabet from A to Z). Somebody would reach it—if not he, then another. This man's strength and sanity, his feeling for straight forward simple things, these fishermen, the poor old crazed creature in Mucklebackit's cottage made him feel so vigorous, so relieved of something that he felt roused and triumphant and could not choke back his tears. Raising the book a little to hide his face, he let them fall and shook his head from side to side and forgot himself completely (but not one or two reflections about morality and French novels and English novels and Scott's hands being tied but his view perhaps being as true as the other view), forgot his own bothers and failures completely in poor Steenie's drowning and Mucklebackit's sorrow (that was Scott at his best) and the astonishing delight and feeling of vigour that it gave him.
Virginia Woolf (To the Lighthouse)
Clean up the kitchen. Check Leave dishes in the sink. Check Pack up the tarp and equipment.
Cassie Page (A Corpse In A Teacup)
The house squatted around them, vast, empty, unnecessary and indestructible. You had to be a fat busy Victorian family to expand enough to fill up basements and passages and conservatives and attics. You had to have an army of bootboys and nurses and parlourmaids. You had to have a complicated greedy system of living that used up plenty of space and people and just in the daily business of eating and sleeping and keeping clean. You had to multiply your requirements and your possessions, activate that panel of bells in the kitchen - Drawing-Room and Master Bedroom and Library - keep going a spiral of needs and people to satisfy the needs. if you did not, if you contracted into three people without such needs, then a house like this became a dinosaur, occupying too much air and ground and demanding to be fed new sinks and drainpipes and a sea of electricity. Such a house became a fossil, stranded among neighbours long since chopped up into flats and bed-sitting-rooms, or sleek modern houses that had a suitable number of rooms for correct living in the late twentieth century. It and its kind, stood awkwardly on the fringes of a city renowned for old and beautiful buildings: they were old, and unbeautiful.
Penelope Lively (The House in Norham Gardens)
What caused the elephant to be so admired was that he had no enemies in the animal world. No other beast could conquer him. He could die (in the past) only a natural death. It occurred usually at dusk, when the elephant came to the water. They would stand at the edge of a lake or river, reach out far with their trunks, and drink. But the day would come when the tired old elephant could no longer raise his trunk, and to drink clean water he would have to walk further and father out into the lake. His legs would sink into the muck, deeper and deeper. The lake pulled him into its cavernous interior. There on the bottoms of our lakes are the age old elephant cemeteries.
Ryszard Kapuściński (The Shadow of the Sun)
Activities to Develop the Tactile Sense Rub-a-Dub-Dub—Encourage the child to rub a variety of textures against her skin. Offer different kinds of soap (oatmeal soap, shaving cream, lotion soap) and scrubbers (loofah sponges, thick washcloths, foam pot-scrubbers, plastic brushes). Water Play—Fill the kitchen sink with sudsy water and unbreakable pitchers and bottles, turkey basters, sponges, eggbeaters, and toy water pumps. Or, fill a washtub with water and toys and set it on the grass. Pouring and measuring are educational and therapeutic, as well as high forms of entertainment. Water Painting—Give the child a bucket of water and paintbrush to paint the porch steps, the sidewalk, the fence, or her own body. Or, provide a squirt bottle filled with clean water (because the squirts often go in the child’s mouth). Finger Painting—Let the sensory craver wallow in this literally “sensational” activity. Encourage (but don’t force) the sensory avoider to stick a finger into the goop. For different tactile experiences, mix sand into the paint, or place a blob of shaving cream, peanut butter, or pudding on a plastic tray. Encourage him to draw shapes, letters, and numbers. If he “messes up,” he can erase the error with his hand and begin again. Finger Drawing—With your finger, “draw” a shape, letter, number, or design on the child’s back or hand. Ask the child to guess what it is and then to pass the design on to another person. Sand Play—In a sandbox, add small toys (cars, trucks, people, and dinosaurs), which the child can rearrange, bury, and rediscover. Instead of sand, use dried beans, rice, pasta, cornmeal, popcorn, and mud. Making mud pies and getting messy are therapeutic, too.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
He trims his eyebrows and nose hair and leaves his clippings all over the floor, the sink, the tiles. No matter how many times I mention this to him, he never cleans them up. He thinks he does. I’ve watched him sweep his hand across the tiles, gathering a few hairs, leaving hundreds. Sometimes I think he can’t see them. There’s no other explanation.” —Tina, Memphis, TN
Merry Bloch Jones (I Love Him, But . . .)
I surface from the simulation with a heavy feeling in the pit of my stomach. I detach from the wires and get up. She’s still recovering from the sensation of almost drowning, shaking her hands and taking deep breaths. I watch her for a moment, not sure how to say what I need to say. “What?” she says. “How did you do that?” “Do what?” “Crack the glass.” “I don’t know.” I nod, and offer her my hand. She gets up without any trouble, but she avoids my eyes. I check the corners of the room for cameras. There is one, just where I thought it would be, right across from us. I take her elbow and lead her out of the room, to a place where I know we won’t be observed, in the blind spot between two surveillance points. “What?” she says irritably. “You’re Divergent,” I say. I haven’t been very nice to her today. Last night I saw her and her friends by the chasm, and a lapse in judgment--or sobriety--led me to lean in too close, to tell her she looked good. I’m worried that I went too far. Now I’m even more worried, but for different reasons. She cracked the glass. She’s Divergent. She’s in danger. She stares. Then she sinks against the wall, adopting an almost-convincing aura of casualness. “What’s Divergent?” “Don’t play stupid,” I say. “I suspected it last time, but this time it’s obvious. You manipulated the simulation; you’re Divergent. I’ll delete the footage, but unless you want to wind up dead at the bottom of the chasm, you’ll figure out how to hide it during the simulations! Now, if you’ll excuse me.” I walk back to the simulation room, pulling the door closed behind me. It’s easy to delete the footage--just a few keystrokes and it’s done, the record clean. I double-check her file, making sure the only thing that’s in there is the data from the first simulation. I’ll have to come up with a way to explain where the data from this session went. A good lie, one that Eric and Max will actually believe. In a hurry, I take out my pocketknife and wedge it between the panels covering the motherboard of the computer, prying them apart. Then I go into the hallway, to the drinking fountain, and fill my mouth with water. When I return to the simulation room, I spit some of the water into the gap between the panels. I put my knife away and wait. A minute or so later, the screen goes dark. Dauntless headquarters is basically a leaky cave--water damage happens all the time.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
It’s not the most uncommon thing in the world. I keep a journal, you know.” Kate looked up. “You do? I never knew that.” “For years and years.” He moved another stack of muffin tins to the sink. She watched as he cleaned one, scraping crust from its edges. “Why? If you don’t mind my asking,” she said. He paused in his scrubbing. “I mean, are you going to do anything with them? Do you love writing?” He looked over his shoulder at her. “It’s not a matter of loving writing. It’s something I need to do. It helps me vent and figure things out. I don’t have to think about anyone else’s feelings or judgments. It’s the one place I really get to have my say.” “Why not just call a friend?” He gave her a wry smile that suggested she’d missed the point in some important way. “ ‘The unexamined life’ and all that, m’dear.” They sat in silence while he drained the sink. “Besides. Who wants to hear all that? Really.
Nichole Bernier (The Unfinished Work of Elizabeth D.)
My heart was pounding as I drove up the coast again a few days later. There was the familiar little sign, the modest entrance. And here he was again, as large as life--six feet tall, broad shoulders, a big grin, and a warm and welcome handshake. Our first real touch. “Well, I’m back,” I said lamely. “Good on you, mate,” Steve said. I thought, I’ve got what on me? Right away, I was extremely self-conscious about a hurdle I felt that we had to get over. I wasn’t entirely sure about Steve’s marital status. I looked for a ring, but he didn’t wear one. That doesn’t mean anything, I told myself. He probably can’t wear one because of his work. I think he figured out what I was hinting at as I started asking him questions about his friends and family. He lived right there at the zoo, he told me, with his parents and his sister Mandy. His sister Joy was married and had moved away. I was trying to figure out how to say, “So, do you have a girlfriend?” when suddenly he volunteered the information. “Would you like to meet my girlfriend?” he asked. Ah, I felt my whole spirit sink into the ground. I was devastated. But I didn’t want to show that to Steve. I stood up straight and tall, smiled, and said, “Yes, I’d love to.” “Sue,” he called out. “Hey, Sue.” Bounding around the corner came this little brindle girl, Sui, his dog. “Here’s my girlfriend,” he said with a smile. This is it, I thought. There’s no turning back. We spent a wonderful weekend together. I worked alongside him at the zoo from sunup to sunset. During the day it was raking the entire zoo, gathering up the leaves, cleaning up every last bit of kangaroo poo, washing out lizard enclosures, keeping the snakes clean. But it was the croc work that was most exciting. The first afternoon of that visit, Steve took me in with the alligators. They came out of their ponds like sweet little puppies--puppies with big, sharp teeth and frog eyes. I didn’t know what to expect, but with Steve there, I felt a sense of confidence and security. The next thing I knew, I was feeding the alligators big pieces of meat, as if I’d done it all my life.
Terri Irwin (Steve & Me)
Before I met Rosie, I’d believed that a snake’s personality was rather like that of a goldfish. But Rosie enjoyed exploring. She stretched her head out and flicked her tongue at anything I showed her. Soon she was meeting visitors at the zoo. Children derived the most delight from this. Some adults had their barriers and their suspicions about wildlife, but most children were very receptive. They would laugh as Rosie’s forked tongue tickled their cheeks or touched their hair. Rosie soon became my best friend and my favorite snake. I could always use her as a therapist, to help people with a snake phobia get over their fear. She had excellent camera presence and was a director’s dream: She’d park herself on a tree limb and just stay there. Most important for the zoo, Rosie was absolutely bulletproof with children. During the course of a busy day, she often had kids lying in her coils, each one without worry or fear. Rosie became a great snake ambassador at the zoo, and I became a convert to the wonderful world of snakes. It would not have mattered what herpetological books I read or what lectures I attended. I would never have developed a relationship with Rosie if Steve hadn’t encouraged me to sit down and have dinner with her one night. I grew to love her so much, it was all the more difficult for me when one day I let her down. I had set her on the floor while I cleaned out her enclosure, but then I got distracted by a phone call. When I turned back around, Rosie had vanished. I looked everywhere. She was not in the living room, not in the kitchen, not down the hall. I felt panic well up within me. There’s a boa constrictor on the loose and I can’t find her! As I turned the corner and looked in the bathroom, I saw the dark maroon tip of her tail poking out from the vanity unit. I couldn’t believe what she had done. Rosie had managed to weave her body through all the drawers of the bathroom’s vanity unit, wedging herself completely tight inside of it. I could not budge her. She had jammed herself in. I screwed up all my courage, found Steve, and explained what had happened. “What?” he exclaimed, upset. “You can’t take your eyes off a snake for a second!” He examined the situation in the bathroom. His first concern was for the safety of the snake. He tried to work the drawers out of the vanity unit, but to no avail. Finally he simply tore the unit apart bare-handed. The smaller the pieces of the unit became, the smaller I felt. Snakes have no ears, so they pick up vibrations instead. Tearing apart the vanity must have scared Rosie to death. We finally eased her out of the completely smashed unit, and I got her back in her enclosure. Steve headed back out to work. I sat down with my pile of rubble, where the sink once stood.
Terri Irwin (Steve & Me)
Farfar had the Wii already fired up when I stepped out of the bathroom from my shower, the menu music from Mario Kart blaring from the living room TV. Koopa---the cat, not the character---was curled up on Farfar's lap in his spot at the end of the couch. One hand held his beer on top of his stomach, the other ran through Koopa's gray fur, both of their eyes closed in bliss. I sank into the other end of the couch and grabbed my controller. "All cleaned up and ready for your whooping?" he asked, pronouncing it, like always, with long OOs, like the crane. He raised his beer to his lips with his eyes still closed. This was probably number two already. "Not tonight, old man. I'm in the zone, and you're looking tired." His eyes were open then, a smirk on his face, and he produced his special blue remote---the best Lillajul gifts I'd ever gotten him---from the cushion beside him. "Do you need to ease in with Mushroom Gorge, or are you ready to play for real?" "I'm ready for any course you want," I said, smirking back. He just chuckled---without the jollity he gave the guys outside C of C, I noticed---went straight to Rainbow Road, and promptly destroyed me. Afterward, sinking back into the couch with a third beer and a number of victories under his belt, he let out a long sigh. "You did good today, Gubben." I smiled. "I'm picking a new character.
Jared Reck (Donuts and Other Proclamations of Love)
When autumn kisses nature with golden rays of a sinking sun and carving winds, does a tree say: “No, I can’t, I’m not ready to let go of my leaves, I need them!”Nature cleans up after herself on a daily basis. She recognizes the need for space, for letting go in order for fresh growth to appear. She’s built for possibility, for letting go of the old and embracing the new. However, we accumulate, gather, hold onto and refuse to give space for the opportunity for the new to arrive and we often do it with our “stuff”. We hold on tight to our things, clothes, books, magazines, dishes and so much more. We do it with our emotions and our thoughts as well. We clutter our homes and our hearts.
Liana Chaouli (YOU Are a Masterpiece: How to Dress a More Powerful & Authentic You)
Look, no one really does the dishes in our apartment and that’s worked out just fine for the two of us. The dishes in our sink get cleaned on a need-to-use basis.
Mike Birbiglia (The New One: Painfully True Stories from a Reluctant Dad)
casually at the dishes in the sink, which began to clean themselves, clinking gently in the background. “It was cloudy, Mum!” said Fred. “You keep your mouth closed while you’re eating!” Mrs. Weasley snapped. “They were starving him, Mum!” said George. “And you!” said Mrs. Weasley, but it was with a slightly softened expression that she started cutting Harry bread and buttering it for him. At that moment there was a diversion in the form of a small, redheaded figure in a long nightdress, who appeared in the kitchen, gave a small squeal, and ran out again. “Ginny,” said Ron in an undertone to Harry. “My sister. She’s been talking about you all summer.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
In the United States, I have a close friend named Jim Forest. When I first met him eight years ago, he was working with the Catholic Peace Fellowship. Last winter, Jim came to visit. I usually wash the dishes after we’ve finished the evening meal, before sitting down and drinking tea with everyone else. One night, Jim asked if he might do the dishes. I said, “Go ahead, but if you wash the dishes you must know the way to wash them.” Jim replied, “Come on, you think I don’t know how to wash the dishes?” I answered, “There are two ways to wash the dishes. The first is to wash the dishes in order to have clean dishes and the second is to wash the dishes in order to wash the dishes.” Jim was delighted and said, “I choose the second way—to wash the dishes to wash the dishes.” From then on, Jim knew how to wash the dishes. I transferred the “responsibility” to him for an entire week. If while washing dishes, we think only of the cup of tea that awaits us, thus hurrying to get the dishes out of the way as if they were a nuisance, then we are not “washing the dishes to wash the dishes.” What’s more, we are not alive during the time we are washing the dishes. In fact we are completely incapable of realizing the miracle of life while standing at the sink. If we can’t wash the dishes, the chances are we won’t be able to drink our tea either. While drinking the cup of tea, we will only be thinking of other things, barely aware of the cup in our hands. Thus we are sucked away into the future—and we are incapable of actually living one minute of life.
Thich Nhat Hanh (The Miracle of Mindfulness: An Introduction to the Practice of Meditation)
I wash and pray,” the woman says, her voice louder now, and she smiles for the first time to show even-sized teeth, the front ones stained brown. Her dimples sink into her cheeks, deep enough to swallow half a finger, and unusual in a face so lean. The woman clumsily washes her hands and face at the tap, then removes her scarf from her neck and places it down on the floor. Chika looks away. She knows the woman is on her knees, facing Mecca, but she does not look. It is like the woman’s tears, a private experience, and she wishes that she could leave the store. Or that she, too, could pray, could believe in a god, see an omniscient presence in the stale air of the store. She cannot remember when her idea of God has not been cloudy, like the reflection from a steamy bathroom mirror, and she cannot remember ever trying to clean the mirror.
Chimamanda Ngozi Adichie (The Thing Around Your Neck)
finish cleaning up. A creak overhead let her know Mama was in the small attic. Again. Belinda grasped the lip of the sink, lowered her head, and closed her eyes. Lord, bring healing to Mama’s heart. She misses Papa so, but it’s not healthy for her to sit beside the trunk of his clothes and relive past days. She needs to move forward. A dog barked outside, and Belinda looked out the window. A dark figure moved through the alley—a man, tall and wide-shouldered, his head down and hands thrust deep in his pockets. She recognized him by his size. Herr Ollenburger. No other man in town carried such proportions. His posture exuded sadness, and Belinda’s heart caught in sympathy. So many of Gaeddert’s former residents seemed to have lost their sparkle. She leaned closer to the open window, watching as he turned into the backyard of the house across the alley. If he glanced her way, she would reward him with a cheery expression. To her delight, his chin angled in her direction. She called a greeting. “Good evening! Did you enjoy—” She drew back in embarrassment when she realized the man wasn’t Herr Ollenburger after all.
Kim Vogel Sawyer (Where the Heart Leads (Heart of the Prairie #2))
Push press. The push press is identical to the press but includes a leg drive. The lift initiates from the legs and is completed through the arm and hand. This allows more diversified conditioning in addition to significantly increasing the ability to work at higher volume and intensity. Once you find the max load you can use in the press, the use of your legs will allow you to do more than you can in a strict press. The use of the legs also allows greater endurance because you are distributing effort over more of your body. To perform this exercise, clean the kettlebell to your chest (see figure 7.20a). Load the stance by sinking your knees downward as you compress your rib cage (see figure 7.20b). Immediately follow the slight downward knee bend with fast and explosive lifting, pressing your feet vigorously into the ground (see figure 7.20c). From the extension of the legs, the kettlebell will already be more than halfway to the top. Complete the lift by pressing through the triceps into the overhead lockout position, identical to the top position of the press (see figure 7.20d). To drop the kettlebell back to your chest, rise up slightly on your toes as you move your body back in order to allow the kettlebell to fall straight down the chimney (see figure 7.20e). Your feet are planted again as the kettlebell reaches your chest and your elbow slides on top of your hip (see figure 7.20f). When performing this exercise, use anatomical breathing with four breathing cycles. Starting from the rack position, inhale deeply before the initial compression, and then exhale as you drop into a half squat. Inhale as you extend the legs and bump with the rib cage, and exhale as you lock out. Take one full breath cycle while in lockout and add more recovery breaths if needed. Inhale as you deflect the trunk backward to drop the kettlebell, and exhale as the kettlebell lands back in the rack position.
Steve Cotter (Kettlebell Training)
Her momma finds her stray hair still left in the bathroom sink. Where she combed out her ratty do for what seemed like forever. Staring at herself in the mirror and pulling and teasing and shaping all that her stingy god would give her and nothing ever more. She’d contemplate her face there. Her flat wide nose and dark eyes and the combinations. She’d test her looks to see how she looked when she kissed. She'd extend her tongue as far out of her mouth as she could to check out how long it was and if she had anything extra special to offer. And what she'd have to do to serve it up. Momma grabs a kleenex and cleans around the deep rust stains in the sink. Does she throw away the old dry hairs crumbled in her hand under the tissue or keep such sad memories. Does she store them in a drawer or is she just being silly. Should she cherish this precious angel manna or try and just fucking get over it. Not give into it. Could she even possibly throw them away into the garbage without bawling uncontrollably. Can she possibly change the urge over from utter despair. When she sees her child getting brutally raped and hammered into, her baby's baby fingers digging into the rocks and dirt she can pass by daily. A dilapidated pit that crumbles in the middle of all their continuing lives and remains standing out of sheer old bull-headed promise and well organized planning. The forefathers of this neighborhood didn't count on the incredibly heavy weight of the public’s filthy laziness. My poor baby. My poor baby. She has to seek help. This nameless faceless mother. She can’t deal with this all alone. She can’t quit these imaginings from her old yellowed eyes and ears and off her cleaning washing working fingertips and the very constant edges of her smaller brain. The sickness that slipped thick repetitive blobs of useless male sperm and thin streams of rust washed metal stripping toxins bleeding down her daughter’s black throat may or may not be only one in a great number of difficult dreams and attempts but she just can’t find a polite perspective anymore. She can’t live like this any longer. She should have offered her child more than a dirty smudged mirror in a peeling and running bathroom when she got home from a dirty hot school every damn day. Where were the cops? And the doctors who were supposed to save her? And the fucking psychiatrists who could have done some trepanning into that evil dog's motherfucking bursting crack head before he was let out on the streets with his glass dick and his screaming pussy hunting cock. Dogs don't need help. They need to be put down.
Peter Sotos (Tick)
To me, the board has always been profoundly three-dimensional, an effect enhanced by the chalk dust which drifts up from the tray, or is inadequately removed when the slate is washed, so that its normal blue-black monochrome is full of subtle variations, grays which suggest faraway galaxies or a nebula's gaseous clouds. And when I begin to draw a line across a freshly cleaned section, my hand follows the chalk in, as though like fish it swam there, and then, in the curve of an encircled word, it returns toward its source, and the simpler surface of the classroom world. That may be one reason why I lose my way while spelling the most common terms, for the letters will not remain in a row on the same plane as they do on the page, but sink or rise or float away, becoming curlicues and bows of string, whorls of suspended weed in which I lose all sense of the word's original identity.
William H. Gass (The Tunnel)
I couldn't repress the sigh of relief at being back here. It was bright and tidy and smelled like oranges. Ellie stood at the sink wearing an old-fashioned sundress, navy blue with red roses, with a deep V that showed her upper back. Brown beauty spots dotted her creamy skin. What would they taste like? The grumpy voice I'd had in my head since Brian called lost the attitude and instead started to list reasons why kissing Ellie's neck would be amazing. The dip of her waist would be perfect to rest my hands in. She'd smell like Earl Grey and clean sheets, and taste like salt and citrus. She'd turn in my hold, rest her arms on my shoulders, and her soft blue eyes would flutter closed like they had when she'd tasted that blood orange at the farmers' market.
Sarah Chamberlain (The Slowest Burn)
She was pleasantly surprised at how much remained. Her parents had abandoned a heap of old Caltreyan clothes. Selecting one of the island dresses, Kiela shook it out. Dust plumed in the air. The skirt was a quilt of blue--- sky blue, sapphire blue, sea blue--- all stitched together with silvery thread and hemmed with silver ribbon, and the bodice was a soft white blouse. Not at all a city style, but it was perfect for a picnic in a garden or a stroll on a shore. With a few repairs, she could wear a lot of her mother's abandoned clothes, and she could use her father's for... She wasn't sure what, but they were nice to have. She'd find a use for them. If nothing else, she could chop the fabric up into cleaning rags. Or perhaps learn to quilt? There was a moth-eaten blanket in one closet, in addition to the old quilts on the daybed and her parents' bed. Each quilt had its own pattern--- one was comprised of colors of the sunset and sewn in strips like rays of light, while another was the brown and pale green of a spring garden with pieces cut like petals and sewn like abstract flowers. We left so many beautiful things behind. She'd had no idea. She'd been too little to help much with the packing, though she remembered she'd tried. Carrying an armful of clothes into the kitchen, Kiela dumped them into the sink to soak in water. She planned to use the excess line from the boat to hang them out in the sun to dry. They'll be even more beautiful once they're clean. The kitchen cabinet produced more treasures: a few plates, bowls, and cups. Each bowl was painted with pictures of strawberries and raspberries, and the plates were painted with tomatoes and asparagus. The teacups bore delicate pictures of flowers.
Sarah Beth Durst (The Spellshop)
Another afternoon: I'm unshaven, dishes are fermenting in the kitchen sink and my shirt smells like a teenage boy's bedroom. There were no clean spoons around the house so I ate cottage cheese with a plastic tortoiseshell shoehorn that was lying next to the couch — so I guess I've hit a new personal low.
Douglas Coupland
Benedict!” Damn. He’d nearly made a clean escape. He looked up to see his mother hurrying toward him. She was dressed in some sort of Elizabethan costume. He supposed she was meant to be a character in one of Shakespeare’s plays, but for the life of him, he had no idea which. “What can I do for you, Mother?” he asked. “And don’t say ‘Dance with Hermione Smythe-Smith.’ Last time I did that I nearly lost three toes in the process.” “I wasn’t going to ask anything of the sort,” Violet replied. “I was going to ask you to dance with Prudence Featherington.” “Have mercy, Mother,” he moaned. “She’s even worse.” “I’m not asking you to marry the chit,” she said. “Just dance with her.” Benedict fought a groan. Prudence Featherington, while essentially a nice person, had a brain the size of a pea and a laugh so grating he’d seen grown men flee with their hands over their ears. “I’ll tell you what,” he wheedled. “I’ll dance with Penelope Featherington if you keep Prudence at bay.” “That’ll do,” his mother said with a satisfied nod, leaving Benedict with the sinking sensation that she’d wanted him to dance with Penelope all along. “She’s over there by the lemonade table,” Violet said, “dressed as a leprechaun, poor thing. The color is good for her, but someone really must take her mother in hand next time they venture out to the dressmaker. A more unfortunate costume, I can’t imagine.” “You obviously haven’t seen the mermaid,” Benedict murmured. She swatted him lightly on the arm. “No poking fun at the guests.” “But they make it so easy.” She shot him a look of warning before saying, “I’m off to find your sister.” “Which one?” “One of the ones who isn’t married,” Violet said pertly.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Babies should not receive their first full bath until the umbilical cord has fallen off (10-14 days after birth on average). Never immerse your baby in water while the cord is still attached. A sponge bath is all a newborn really needs. Never try to remove the umbilical cord by cutting or twisting it off. It will fall off by itself any time after the second week of age. Keep the cord-area clean by using a cotton swab and some rubbing alcohol or by using alcohol wipes. This should be done after each diaper change. After the cord falls off, and your baby is ready for a bath in the kitchen sink (easier on your back) or bathtub, be sure the water is warm to the touch but never hot. Go easy on the soap since it is drying to the skin, leaving it itching and flaky. Never leave a baby in water unattended, even after he is capable of sitting up by himself. The potential danger is too great a risk, even for a minute.
Gary Ezzo (On Becoming Baby Wise: Giving Your Infant the Gift of Nighttime Sleep)
O that poor sinners would go to Jesus, believing in the power of His blessed substitutionary work, and they would soon learn the power of His gracious touch. That hand which multiplied the loaves, which saved sinking Peter, which upholds afflicted saints, which crowns believers, that same hand will touch every seeking sinner, and in a moment make him clean. The love of Jesus is the source of salvation. He loves, He looks, He touches us, WE LIVE.
Charles Haddon Spurgeon (Morning and Evening Daily Devotions with Charles Spurgeon Book (Annotated))
O that poor sinners would go to Jesus, believing in the power  of his blessed substitutionary work, and they would soon learn the  power of his gracious touch. That hand which multiplied the loaves,  which saved sinking Peter, which upholds afflicted saints, which crowns  believers, that same hand will touch every seeking sinner, and in a  moment make him clean. The love of Jesus is the source of salvation. He  loves, he looks, he touches us, we live . 
Charles Haddon Spurgeon (Morning and Evening)
LAST Waste-pipe sweat, unchecked, has stained the floor under the kitchen sink. For twenty years it’s eased my carelessness into a mean soft place, its dirty secret dark, in a common place. Today the pipe’s fixed. Workmen rip up the floor that’s served and nagged me all these good/bad years. They cut and set in new boards, to last for years. House-kept no more, I waltz out of the place clean-shod and leave no footprint on the floor, displaced and unfloored. This year, nothing goes to waste.
Marie Ponsot (Easy)
Brigham, the greatest and certainly the most able economist and administrator and businessman this nation has ever seen, didn't give a hoot for earthly things: 'I have never walked across the streets to make a trade.' He didn't mean that literally. You always do have to handle things. But in what spirit do we do it? Not the Krishna way, by renunciation, for example... If you refuse to be concerned with these things at all, and say, "I'm above all that," that's as great a fault. The things of the world have got to be administered; they must be taken care of, they are to be considered. We have to keep things clean, and in order. That's required of us. This is a test by which we are being proven. This is the way by which we prepare, always showing that these things will never captivate our hearts, that they will never become our principle concern. That takes a bit of doing, and that is why we have the formula 'with an eye single to his glory.' Keep first your eye on the star, then on all the other considerations of the ship. You will have all sorts of problems on the ship, but unless you steer by the star, forget the ship. Sink it. You won't go anywhere.
Hugh Nibley
Unexpected emergency plumbers Unexpected emergency plumber is? If your own group, but probably the same dress isn’t in the middle, where they start imitating the pool, the owner most likely to smoke. This is certainly a task that will require a qualified plumber, clean bathrooms and sinks in each backup, and even the simple addition of a new line of right tubes. Unfortunately, there are elements that do not require any old plumber, but a situation of sudden emergency, like H2O uncontrolled always works with tap water and start flooding the marsh peace. However, they are high quality. How can I tell if other service providers should be, or not? Are you sure you need a plumber crisis? Shortly before speaking to the installer should complete the water supply or the probability that the water line, the rack provides back. It is in order to avoid problems with the drinking water. He is not only very welcome to complete the water flow. After the arrest of H2O oneself've, evaluates the circumstances. If the problem is a bathroom fully equipped, bathroom once, until dawn, so the long-term wear’s each washing. He is a very potential and are reluctant to get up early in the morning when you are ready for self-determination, these solutions makes the kitchen sink, toilet and a lounge. In fact, you can get away from high fire call 24 hours a plumber at night for a few hours or during holidays or weekends to stay. In an interview with an unexpected emergency plumbers Unfortunately, when the time of the suspension of H2O and objective analysis and emergency may not be present, created only for contacting unexpected emergency sanitary and easy and to take concerns in writing to the other include some content his hands to keep the person. Preliminary interviews hydraulic range is trying to understand a lot of the other Box difficulties. Other personal data and many other facts themselves can be better able to assess the management of the crisis and the calculation of the payments change. Is a great addition to the amount pipeline management principle affects many, if not yet in a plumber decision. In fact, bought a lot of contact carrier price quotes can also sometimes significant price differences. Also check out the views of the services is in his hands. Some of the costs only in the room, even if they, after maintenance. Well, the result have, as it in this area before the season and it is surprising simply be a monthly bill. Please ask to get the price of maintenance. 24 hours plumber not calculates the direction of providing greater than a cell phone, and requires separate installation scenario earlier selection. But it can be equipped with a direction to select difficulty of defining and thinking about the cost, if he succeeded in presenting the sewage system in unforeseen emergencies. Ask will differ plumber state and talk about their own crisis normal or common prices. If you need to contact the unexpected rescue tend to check an unexpected emergency plumber to the self to take us in the direction of first, so that you can be your own ready to talk to the plumber, one after another, much better, then you determine the value.
oxford plumber
These are for you.  You have two choices.  You can use them when Rachel’s gone, or you can wait until she’s back, and I’m sure she’d be happy to help you.” He studied me for a moment then walked out of the kitchen, turning toward the bathroom.  I followed a few steps behind. A startled yelp escaped me when I rounded the corner and caught sight of a naked backside.  Without much thought, I tossed the soap and toothbrush in and slammed the door shut. “You could have waited until I put the stuff in there,” I said through the door as my heart thundered in my ears.  I took a steadying breath and heard the water turn on, the clink of his dog tag hitting the sink, then the shower curtain move. Who would have thought he would even know how to use a shower?  I hadn’t.  On the way home, I’d started to think of all the different things I would need to explain, like making sure to position the curtain inside the tub.  Standing outside the door, still reeling from the view I’d gotten, I realized I might see the same thing again if I didn’t get him a towel. I’d packed two bath towels.  Purchased from a discount store, they both sported gaudy floral designs.  I grabbed one and waited outside the door again until I heard him splashing in the shower.  Then, I knocked. “I have a towel for you,” I said through the door.  “If you’re still in the shower, I can open the door and toss it on the toilet seat.  Okay?”  I didn’t hear anything.  No surprise.  “Okay, I’m coming in.”  I waited a moment for any indication that I shouldn’t enter. When the water continued to run, I cautiously opened the door.  As soon as I saw a clear path to the toilet seat, I tossed the towel.  Standing just inside the bathroom with my hand wrapped around the door handle for a quick exit, I paused.  His new toothbrush rested on the sink. “My toothpaste is the one marked with the pink nail polish on the cap.  I’ll let you use it as long as you promise not to squeeze the tube from the middle.” His answer took the form of an accurately aimed splash of water over the top of the shower curtain.  I barely dodged it. “You’re cleaning that up.” I
Melissa Haag (Hope(less) (Judgement of the Six #1))