Cap Talk Quotes

Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet" Where are you hiding, Dolores Haze? Why are you hiding, darling? (I Talk in a daze, I walk in a maze I cannot get out, said the starling). Where are you riding, Dolores Haze? What make is the magic carpet? Is a Cream Cougar the present craze? And where are you parked, my car pet? Who is your hero, Dolores Haze? Still one of those blue-capped star-men? Oh the balmy days and the palmy bays, And the cars, and the bars, my Carmen! Oh Dolores, that juke-box hurts! Are you still dancin', darlin'? (Both in worn levis, both in torn T-shirts, And I, in my corner, snarlin'). Happy, happy is gnarled McFate Touring the States with a child wife, Plowing his Molly in every State Among the protected wild life. My Dolly, my folly! Her eyes were vair, And never closed when I kissed her. Know an old perfume called Soliel Vert? Are you from Paris, mister? L'autre soir un air froid d'opera m'alita; Son fele -- bien fol est qui s'y fie! Il neige, le decor s'ecroule, Lolita! Lolita, qu'ai-je fait de ta vie? Dying, dying, Lolita Haze, Of hate and remorse, I'm dying. And again my hairy fist I raise, And again I hear you crying. Officer, officer, there they go-- In the rain, where that lighted store is! And her socks are white, and I love her so, And her name is Haze, Dolores. Officer, officer, there they are-- Dolores Haze and her lover! Whip out your gun and follow that car. Now tumble out and take cover. Wanted, wanted: Dolores Haze. Her dream-gray gaze never flinches. Ninety pounds is all she weighs With a height of sixty inches. My car is limping, Dolores Haze, And the last long lap is the hardest, And I shall be dumped where the weed decays, And the rest is rust and stardust.

Happiness So early it's still almost dark out. I'm near the window with coffee, and the usual early morning stuff that passes for thought. When I see the boy and his friend walking up the road to deliver the newspaper. They wear caps and sweaters, and one boy has a bag over his shoulder. They are so happy they aren't saying anything, these boys. I think if they could, they would take each other's arm. It's early in the morning, and they are doing this thing together. They come on, slowly. The sky is taking on light, though the moon still hangs pale over the water. Such beauty that for a minute death and ambition, even love, doesn't enter into this. Happiness. It comes on unexpectedly. And goes beyond, really, any early morning talk about it.

At a certain point in our lives, when we really need a clear-cut solution, the person who knocks at our door is, more likely than not, a messenger bearing bad news. This isn’t always the case, but from experience I’d say the gloomy reports far outnumber the others. The messenger touches his hand to his cap and looks apologetic, but that does nothing to improve the contents of the message. It isn’t the messenger’s fault. No good to blame him, no good to grab him by the collar and shake him. The messenger is just conscientiously doing the job his boss assigned him. And this boss? That would be none other than our old friend Reality.

So, do you, like, talk pirate?” GG raises his brows. “No, love.” “Well that’s no fun. I think I need to introduce that to ye scallywags.” They all burst out laughing. … I turn and grin up at Hendrix. “Aye cap’n, I took ye advice and joined in this party.” He raises his brows. “Seriously?

In many a case, the phrase ‘I’d like to get to know you better’ is a euphemism for ‘I want us to fuck.

Lassiter skidded in from the billiards room, the fallen angel glowing from his black-and-blond hair and white eyes, all the way down to his shitkickers. Then again, maybe the illumination wasn’t his nature, but that gold he insisted on wearing. He looked like a living, breathing jewelry tree. “I’m here. Where’s my chauffeur hat?” “Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.” The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.” “Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.” Lassiter tossed the cap back. Whistled. Looked casual. “Are you serious?” Butch said. Like the guy had maybe volunteered for a lobotomy. Or a limb amputation. Or a pedicure. “No fucking way,” V echoed. “When and where did you become a friend of the enemy—” The angel held up his palms. “It’s not my fault you guys suck—” Tohr actually stepped in front of Lassiter, like he was worried that something a lot more than smack talk was going to start flying. And the sad thing was, he was right to be concerned. Apart from their shellans, V and Butch loved the Sox above almost everything else—including sanity.

I do not like the killers, and the killing bravely and well crap. I do not like the bully boys, the Teddy Roosevelt’s, the Hemingways, the Ruarks. They are merely slightly more sophisticated versions of the New Jersey file clerks who swarm into the Adirondacks in the fall, in red cap, beard stubble and taut hero’s grin, talking out of the side of their mouths, exuding fumes of bourbon, come to slay the ferocious white-tailed deer. It is the search for balls. A man should have one chance to bring something down. He should have his shot at something, a shining running something, and see it come a-tumbling down, all mucus and steaming blood stench and gouted excrement, the eyes going dull during the final muscle spasms. And if he is, in all parts and purposes, a man, he will file that away as a part of his process of growth and life and eventual death. And if he is perpetually, hopelessly a boy, he will lust to go do it again, with a bigger beast.

Five years later, I take a deep, shuddery breath to stop myself crying. It’s not just that I can’t hold Aoife again, it’s everything: It’s grief for the regions we deadlanded, the ice caps we melted, the Gulf Stream we redirected, the rivers we drained, the coasts we flooded, the lakes we choked with crap, the seas we killed, the species we drove to extinction, the pollinators we wiped out, the oil we squandered, the drugs we rendered impotent, the comforting liars we voted into office—all so we didn’t have to change our cozy lifestyles. People talk about the Endarkenment like our ancestors talked about the Black Death, as if it’s an act of God. But we summoned it, with every tank of oil we burned our way through. My generation were diners stuffing ourselves senseless at the Restaurant of the Earth’s Riches knowing—while denying—that we’d be doing a runner and leaving our grandchildren a tab that can never be paid.

Unlike my father, who blindly churned out one canvas after another, I had real ideas about the artistic life. Seated at my desk, my beret as tight as an acorn’s cap, I projected myself into the world represented in the art books I’d borrowed from the public library. Leafing past the paintings, I would admire the photographs of the artists seated in their garrets, dressed in tattered smocks and frowning in the direction of their beefy nude models. To spend your days in the company of naked men – that was the life for me. ‘Turn a bit to the left, Jean-Claude. I long to capture the playful quality of your buttocks.

All yours, sweetheart,” Smithe added. “And Steele, I’m talking to Donovan. If there was ever anything sweet about you the Polar ice caps might melt.

I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops. We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.

Kosykh: What the hell... is there really no one even to talk to? We might as well be living in Australia: no common interests, no solidarity... Everyone lives separate lives...But I must go... it's time. [Takes his cap.] Time is precious. [Gives Lebedev his hand.] I pass!

We should be rethinking the image we conjure up when we think of a working-class person. Instead of a white man in a flat cap, it’s a black woman pushing a pram.

All my life I’ve pursued the perfect red. I can never get painters to mix it for me. It’s exactly as if I’d said, “I want Rococo with a spot of Gothic in it and a bit of Buddhist temple” – they have no idea what I’m talking about. About the best red is to copy the color of a child’s cap in any Renaissance portrait.

I especially loved the Old Testament. Even as a kid I had a sense of it being slightly illicit. As though someone had slipped an R-rated action movie into a pile of Disney DVDs. For starters Adam and Eve were naked on the first page. I was fascinated by Eve's ability to always stand in the Garden of Eden so that a tree branch or leaf was covering her private areas like some kind of organic bakini. But it was the Bible's murder and mayhem that really got my attention. When I started reading the real Bible I spent most of my time in Genesis Exodus 1 and 2 Samuel and 1 and 2 Kings. Talk about violent. Cain killed Abel. The Egyptians fed babies to alligators. Moses killed an Egyptian. God killed thousands of Egyptians in the Red Sea. David killed Goliath and won a girl by bringing a bag of two hundred Philistine foreskins to his future father-in-law. I couldn't believe that Mom was so happy about my spending time each morning reading about gruesome battles prostitutes fratricide murder and adultery. What a way to have a "quiet time." While I grew up with a fairly solid grasp of Bible stories I didn't have a clear idea of how the Bible fit together or what it was all about. I certainly didn't understand how the exciting stories of the Old Testament connected to the rather less-exciting New Testament and the story of Jesus. This concept of the Bible as a bunch of disconnected stories sprinkled with wise advice and capped off with the inspirational life of Jesus seems fairly common among Christians. That is so unfortunate because to see the Bible as one book with one author and all about one main character is to see it in its breathtaking beauty.

...And another item from the growing file of people who voluntarily wear dunce caps... You'll be talking cordially to someone and make an offhand reference, 'I recently read where--' and they'll cut you off and say, 'Oh, I don't read'... This is a tragedy on so many different levels. First, because they don't read, they don't know enough to keep it to themselves. Next, and this is the most amazing part, they use a demeaning tone like I'm the stupid one for wasting time with books.

Desmond ushered the man inside. He was stooped and ugly, with an unkempt beard and unwashed clothes, yet Father greeted him pleasantly and asked his name. “Yoren, as it please m’lord. My pardons for the hour.” He bowed to Arya. “And this must be your son. He has your look.” “I’m a girl,” Arya said, exasperated. If the old man was down from the Wall, he must have come by way of Winterfell. “Do you know my brothers?” she asked excitedly. “Robb and Bran are at Winterfell, and Jon’s on the Wall. Jon Snow, he’s in the Night’s Watch too, you must know him, he has a direwolf, a white one with red eyes. Is Jon a ranger yet? I’m Arya Stark.” The old man in his smelly black clothes was looking at her oddly, but Arya could not seem to stop talking. “When you ride back to the Wall, would you bring Jon a letter if I wrote one?” She wished Jon were here right now. He’d believe her about the dungeons and the fat man with the forked beard and the wizard in the steel cap.

But in real life things don't go so smoothly. At certain points in our lives, when we really need a clear-cut solution, the person who knocks at our door is more likely than not, a messenger bearing bad news...The messenger touches his hand to his cap and looks apologetic, but that does nothing to improve the contents of the message. It isn't the messenger's fault, no good to grab him by the collar and shake him. The messenger is just conscientiously doing the job his boss assigned him. And this boss? That would none other than our old friend Reality.

For it must be remembered that at the time I knew quite nothing, naturally, concerning Milo Payne, the mysterious Cockney-talking Englishman with the checkered long-beaked Sherlockholmsian cap; nor of the latter’s ‘Barr-Bag,’ which was as like my own bag as one Milwaukee wienerwurst is like another; nor of Legga, the Human Spider, with her four legs and her six arms; nor of Ichabod Chang, ex-convict, and son of Dong Chang; nor of the elusive poetess, Abigail Sprigge; nor of the Great Simon, with his 2,163 pearl buttons; nor of — in short, I then knew quite nothing about anything or anybody involved in the affair of which I had now become a part, unless perchance it were my Nemesis, Sophie Kratzenschneiderwümpel — or Suing Sophie!

Children write essays in school about the unhappy, tragic, doomed life of Anna Karenina. But was Anna really unhappy? She chose passion and she paid for her passion—that's happiness! She was a free, proud human being. But what if during peacetime a lot of greatcoats and peaked caps burst into the house where you were born and live, and ordered the whole family to leave house and town in twenty-four hours, with only what your feeble hands can carry?... You open your doors, call in the passers-by from the streets and ask them to buy things from you, or to throw you a few pennies to buy bread with... With ribbon in her hair, your daughter sits down at the piano for the last time to play Mozart. But she bursts into tears and runs away. So why should I read Anna Karenina again? Maybe it's enough—what I've experienced. Where can people read about us? Us? Only in a hundred years? "They deported all members of the nobility from Leningrad. (There were a hundred thousand of them, I suppose. But did we pay much attention? What kind of wretched little ex-nobles were they, the ones who remained? Old people and children, the helpless ones.) We knew this, we looked on and did nothing. You see, we weren't the victims." "You bought their pianos?" "We may even have bought their pianos. Yes, of course we bought them." Oleg could now see that this woman was not yet even fifty. Yet anyone walking past her would have said she was an old woman. A lock of smooth old woman's hair, quite incurable, hung down from under her white head-scarf. "But when you were deported, what was it for? What was the charge?" "Why bother to think up a charge? 'Socially harmful' or 'socially dangerous element'—S.D.E.', they called it. Special decrees, just marked by letters of the alphabet. So it was quite easy. No trial necessary." "And what about your husband? Who was he?" "Nobody. He played the flute in the Leningrad Philharmonic. He liked to talk when he'd had a few drinks." “…We knew one family with grown-up children, a son and a daughter, both Komsomol (Communist youth members). Suddenly the whole family was put down for deportation to Siberia. The children rushed to the Komsomol district office. 'Protect us!' they said. 'Certainly we'll protect you,' they were told. 'Just write on this piece of paper: As from today's date I ask not to be considered the son, or the daughter, of such-and-such parents. I renounce them as socially harmful elements and I promise in the future to have nothing whatever to do with them and to maintain no communication with them.

Not taking a drink was easy. Just a matter of muscle movement, the simple refusal to put alcohol to my lips. The impossible part was everything else. How could I talk to people? Who would I be? What would intimacy look like, if it weren’t coaxed out by the glug-glug of a bottle of wine or a pint of beer? Would I have to join AA? Become one of those frightening 12-step people? How the fuck could I write? My livelihood, my identity, my purpose, my light—all extinguished with the tightening of a screw cap.

The internet is always on, interaction always available, but it could not guarantee I would be able to interact with someone I liked and understood, or who (I thought) liked and understood me. I’d gotten used to using people I’d never met, or met a few times, to muffle the sound of time passing without transcendence or joy or any of the good emotions I wanted to experience during my life, and I knew the feeling was mutual, and that was the comfort in it. It was compared to white noise so often for a reason: so many people, talking, mumbling, murmuring, muttering, suggesting, gently reminding, chiming in, jumping in, just wanting to add, just reminding, just asking, just wondering, just letting that sink in, just telling, just saying, just wanting to say, just screaming, just *whispering*, in all lowercase letters, in all caps, with punctuation, with no punctuation, with photos, with GIFs, with related links, Pay attention to me!

I grin, and he beams with pride. “So what kind of hat is that?” I ask, unable to resist. He’s adorable when he’s showing off his wardrobe—like a puppy doing tricks. Although I remain cautious, knowing in the blink of an eye he can become a wolf again. “My Peregrination Cap,” he answers. “Huh?” His smile widens—baring white teeth. “Peregrination. An excursion … a journey.” “So, why don’t you just call it your traveling cap?” “Then it wouldn’t be much of a conversation starter, would it?” I raise an eyebrow. “Um, the fact that it’s made of living moths might give you something to talk about.” Morpheus laughs. For once our relationship feels comfortable, friendly.

You ever seen him care for anyone, Cap?” I ask him but keep my eyes on Royce who’s laughing on the phone in the driveway. “Nobody but her. He liked having someone to talk to outside us. He felt comfortable being himself with her.” I nod. “Pretty fucking sure she was the center of his world.

We came home. I took off all the clothes that I'd worn there and threw them down the trash chute. I gave my cap to my little son. he really wanted it. And he wore it all the time. Two years later they gave him a diagnosis: a tumor in his brain...You can write the rest of this yourself. I don't want to talk anymore.

No hem de rumiar on anem ni patir la incertesa de no saber on anirem. (No tenim mapa de cap lloc.)

On the other hand, if you drive to Minnesota you could have car trouble right away and be towed to a gas station: —“I don’t like the sound of that thing. At first I thought maybe just moisture in the distributor cap, but now, I don’t know, I think we’re talking valves here, or a broken piston.” —“I appreciate your concern.” —“You bet. Goin’ far?” —“I guess not.

La llibertat és bona, diu. És millor que l'esclavitud. I el perdó és bo, millor que la revenja. I l'esperança cap a allò que és desconegut és bona, millor que l'odi al que és conegut.

Li vaig preguntar què en traurien, ella i la resta de dones, de les actes, si cap no sabia llegir? (I ella, per la seva banda, em podia haver preguntat: Què en traiem de viure si no som al món?)

This was most alarming, what sort of terrible toil had deranged the poor woman? Would I also have to work day and night till I couldn't stop talking? Perhaps they made her shovel coal for a huge furnace, probably they kept a private crematorium, old people do keep dying off. Maybe they had a chain gang too and we would have to chop stones and sing sea shanties (this would explain why she wore the yachting cap.)

The devotional came on. A minister talked about beating swords into plowshares. Then the “Star Spangled Banner” played over scenes of majestic snow-capped mountains, wide, waving fields of wheat and corn, running streams, verdant forests and mighty cities; it ended with an image of the American flag, stretched out and immobile on a pole sunk into the surface of the moon. The picture froze, lingered for a few seconds, and then static filled the screen as the local station signed off.

we keep on going, he continued, fostering all kinds of crazy hopes. To redeem the lost, some sliver of personal revelation. It’s an addiction, like playing the slots, or a game of golf. —It’s a lot easier to talk about nothing, I said. He didn’t outright ignore my presence, but he did fail to respond. —Well, anyway, that’s my two cents. —You’re just about to pack it in, toss the clubs in a river, when you hit your stride, the ball rolls straight in the cup, and the coins fill your inverted cap.

Yes, a policeman! Nothing else will do. Doesn’t matter whether he wears a number or a red cap. A policeman should be posted alongside every person in the country with the job of moderating the vocal outbursts of our honest citizenry. You talk about ruin. I tell you, doctor, that nothing will change for the better in this house, or in any other house for that matter, until you can make these people stop talking claptrap! As soon as they put an end to this mad chorus the situation will automatically change for the better.

6. Before the Memorial Cup final, Gord Wasden—the father of one of the Medicine Hat Tigers—stood by the side of the ice, talking about his son Scott. He was wearing a Medicine Hat baseball cap and a black Medicine Hat T-shirt. “When he was four and five years old,” Wasden

I never knew it happened like that." I snap my gaze to her. "What?" "You know. Romeo and Juliet stuff. Love at first sight and all that." "It's not like that," I say quickly. "You could have fooled me." We're up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will's there, fighting laughter. "Nice," he says. "Glad I'm downcourt of you." I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. "Happy to amuse you." His smile slips then, and he's looking at me with that strange intensity again. Only I understand. I know why. He must remember...must recognize me on some level even though he can't understand it. "You want to go out?" he asks suddenly. I blink. "As in a date?" "Yes. That's what a guy usually means when he asks that question." Whistles blow. The guys and girls head in opposite directions. "Half-court scrimmage," Will mutters, looking unhappy as he watches the coaches toss out jerseys. "We'll talk later in study hall. Okay?" I nod, my chest uncomfortably tight, breath hard to catch. Seventh period. A few hours to decide whether to date a hunter. The choice should be easy, obvious, but already my head aches. I doubt anything will ever be easy for me again.

Eve, wrapped in perfect beauty, answered: “My Lord and master, what you order I will obey without question; this is how God orders it, You follow God’s orders and I follow yours: to be aware of that Is a woman’s happiest privilege. When talking with you I lose track of the time,

In this case, building housing out of reach for working-class people meant that it was out of reach for black people. We should be rethinking the image we conjure up when we think of a working-class person. Instead of a white man in a flat cap, it’s a black woman pushing a pram.

Kristin comes down the stairs, and the pressure on my chest snaps. I take a moment to turn away, inhaling deeply, blinking away tears. She sets the plate on a table behind the couch, and half tiptoes back up the stairs. Thank god. I don’t think I could have handled maternal attention right this second. My body feels like it’s on a hair trigger. I need to get it together. This is why people avoid me. Someone asks if I want a drink and I have a panic attack. “You’re okay.” Declan is beside me, and his voice is low and soft, the way it was in the foyer. He’s so hard all the time, and that softness takes me by surprise. I blink up at him. “You’re okay,” he says again. I like that, how he’s so sure. Not Are you okay? No question about it. You’re okay. He lifts one shoulder in a half shrug. “But if you’re going to lose it, this is a pretty safe place to fall apart.” He takes two cookies from the plate, then holds one out to me. “Here. Eat your feelings.” I’m about to turn him down, but then I look at the cookie. I was expecting something basic, like sugar or chocolate chip. This looks like a miniature pie, and sugar glistens across the top. “What . . . is that?” “Pecan pie cookies,” says Rev. He’s taken about five of them, and I think he might have shoved two in his mouth at once. “I could live on them for days.” I take the one Declan offered and nibble a bit from the side. It is awesome. I peer up at him sideways. “How did you know?” He hesitates, but he doesn’t ask me what I mean. “I know the signs.” “I’m going to get some sodas,” Rev says slowly, deliberately. “I’m going to bring you one. Blink once if that’s okay.” I smile, but it feels watery around the edges. He’s teasing me, but it’s gentle teasing. Friendly. I blink once. This is okay. I’m okay. Declan was right. “Take it out on the punching bag,” calls Rev. “That’s what I do.” My eyes go wide. “Really?” “Do whatever you want,” says Declan. “As soon as we do anything meaningful, the baby will wake up.” Rev returns with three sodas. “We’re doing something meaningful right now.” “We are?” I say. He meets my eyes. “Every moment is meaningful.” The words could be cheesy—should be cheesy, in fact—but he says them with enough weight that I know he means them. I think of The Dark and all our talk of paths and loss and guilt. Declan sighs and pops the cap on his soda. “This is where Rev starts to freak people out.” “No,” I say, feeling like this afternoon could not be more surreal. Something about Rev’s statement steals some of my earlier guilt, to think that being here could carry as much weight as paying respects to my mother. I wish I knew how to tell whether this is a path I’m supposed to be on. “No, I like it. Can I really punch the bag?” Rev shrugs and takes a sip of his soda. “It’s either that or we can break out the Play-Doh

We stay in that sunshine, on that marvellous summit, for an hour and an era. We don’t talk much. Up there, language seems impossible, impertinent, sliding stupidly off this landscape. Its size makes metaphor and simile seem preposterous. It is like nowhere I have ever been. It shucks story, leaves the usual forms of meaning-making derelict. Glint of ice cap, breach of whales, silt swirls in outflows, sapphire veins of a crevasse field. A powerful dissonance overtakes my mind, whereby everything seems both distant and proximate at the same time. It feels as if I could lean from that summit and press a finger into the crevasses, tip a drop of water from the serac pool, nudge a berg along the skyline with my fingertip. I realize how configured my sense of distance has become from living so much on the Internet, where everything is in reach and nothing is within touch. The immensity and the vibrancy of the ice are beyond anything I have encountered before. Seen in deep time – viewed even in the relatively shallow time since the last glaciation – the notion of human dominance over the planet seems greedy, delusory. Up there on that summit, at that moment, gazing from the Inner Ice to the berg-filled sea, the idea of the Anthropocene feels at best a conceit, at worst a perilous vanity. I recall the Inuit word I first heard in northern Canada: ilira, meaning ‘a sense of fear and awe’, and also carrying an implication of the landscape’s sentience with it. Yes. That is what I feel here. Ilira.

La Mariche explica que a la Mejal li ha vingut l'atac arran del pensament que les dones podrien fer el seu propi mapa. No es tracta d'un temor conscient d'això de fer un mapa, precisa, sinó del que implica la qüestió: que som mestresses del nostre propi destí. Que ens n'anirem cap a un espai desconegut.

He’s like my best friend. And I say that only because I have no real friends, and Cap’n is a great listener (he never interrupts when I’m talking—and I’m always the one doing all the talking). The day he does respond to me will probably be the best day of my life, because it means my walls are finally padded.

She and Stacy both turned from Eric to smile at Jeff, as if taunting him. He didn’t respond—what was the point? Clearly, it had already been decided: they were going to the village. Pablo finally stopped talking; Mathias was putting the cap back on the water bottle. Jeff shouldered his pack. “Shall we?” he said.

Do not take this lightly,” Chiron warned. “I’m not talking about some tinfoil-covered zigzag you’d see in a second-grade play. I’m talking about a two-foot-long cylinder of high-grade celestial bronze, capped on both ends with god-level explosives.” “Oh.” “Zeus’s master bolt,” Chiron said, getting worked up now. “The symbol of his power,

I’ve been around the world twice, talked to everyone once, seen two whales fuck, been to three world fairs, and I even know a man in Thailand with a wooden cock. Push more peter, more sweeter and more completer than any other peter pusher around. I’m a hard bodied, hairy chested, rootin, tootin, shootin, parachutin, demolition double cap crimping, Frogman. “There ain’t nothing I can’t do, no sky too high, no sea to rough, no muff too tough. “Learnt a lot of lessons in my life, never shoot a large calibre man with a small calibre bullet. Drive all kinds of truck 2 bys, 4 bys, 6 bys, those big motherfuckers that bend and go tshhhh, tshhhh, when you step on the breaks. Anything in life worth doing, is worth overdoing, moderation is for cowards. I’m a lover, I’m a fighter, I’m a UDT Navy Seal Diver, I wine, dine, intertwine and sneak out the back door when the revealing is done. So, if you’re feeling froggy you better jump because this Frogman’s been there, done that, and is going back for more. Cheers Boys!

But in real life things don't go so smoothly. At certain points in our lives, when we really need a clear-cut solution, the person who knocks at our door is, more likely than not, a messenger bearing bad news. It isn't always the case, but from experience I'd say the gloomy reports far outnumber the others. The messenger touches his hand to his cap and looks apologetic, but that does nothing to improve the contents of the message. It isn't the messenger's fault. No good to blame him, no good to grab him by the collar and shake him. The messenger is just conscientiously doing the job his boss assigned him. And this boss? That would be none other than our old friend Reality.

the crap game in progress in the middle of the block, the scraps of obscene talk she heard as she passed the poolroom, the tough young boys with their caps on backward who swaggered by, were things that she saw with the eyes of an adult and reacted to from an adult’s point of view. It was impossible to know how this street looked to eight-year-old Bub.

La Salome continua de seguida: El temps ens curarà l'aflicció del cor. L'objectiu final és la nostra llibertat i la seguretat, i els que impedeixen que l'aconseguim són els homes. Però no tots els homes, diu la Mejal. L'Ona puntualitza: Potser no els homes per se, sinó més aviat una ideologia perniciosa que han deixat que s'apoderés dels cors i dels caps dels homes.

The fathers were standing around in their baseball caps, in a knot, smoking and talking. They looked over at Kohn’s van, trying to identify it. Many of them would have known each other all their lives. On this field they would have tormented the chubby, the bespectacled goat of their generation. Their sons sat clumped along the bench like pigeons on the arm of a statue.

My very best thinking led me to a therapist’s office weeping and pleading for help regarding my alcoholism at the age of 19. I thought I could ‘manage’ my alcohol addiction, and I failed miserably until I asked for help. My older friends in recovery remind me that I looked like ‘death’ when I started attending support groups. I was not able to give eye contact, and I covered my eyes with a baseball cap. I had lost significant weight and was frightened to talk to strangers. I was beset with what the programme of Alcoholics Anonymous describes as ‘the hideous Four Horseman – terror, bewilderment, frustration and despair’. Similarly, my very best thinking led me to have unhappy, co-dependent relationships. I can go on. The problem was I was dependent on my own counsel. I did not have a support system, let alone a group of sober people to brainstorm with. I just followed my own thinking without getting feedback. The first lesson I learned in recovery was that I needed to check in with sober and wiser people than me regarding my thinking. I still need to do this today. I need feedback from my support system.

Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.

La Mariche no es pot reprimir més. Titlla l'Ona de somiadora. Som dones sense veu, puntualitza l'Ona, tranquil·la. Som dones sense temps ni lloc, fins i tot sense la llengua del país on vivim. Som mennonites sense pàtria. No tenim cap lloc on tornar, fins els animals de Molotschna estan més segurs a casa seva que nosaltres, les dones. Totes les dones tenim els nostres somnis… Així que, i tant que som somiadores.

Faintly, Sara heard a noise from somewhere above them, the grating of wood against wood, but she thrust the sound from her mind. Then a voice called down from above, “Cap’n? Cap’n, you down here?” Gideon tore his mouth from hers and jerked his hand back, a curse rumbling from his lips. “Yes, Silas, I’m here. I’ll be with you presently.” Shame washed over Sara in buckets as she came out of her sensual fog. Good heavens, her hand was on his breeches! And he’d been touching her with an intimacy only allowed a husband! As she snatched her hand away, the sound of descending footsteps echoed down to them. “Ive got to talk to you,” Silas said, his words punctuated by the clumping sound of his wooden leg on the steps. “It’s about that woman Louisa—“ “If you come any nearer, Silas” Gideon barked, “I’ll have you keelhauled, I swear I will!

I know that it was around this time that I started having a recurring dream. In it, I find myself on the streets of some unnamed city, a neighborhood with trees, storefronts, light traffic. The day is pleasant and warm, with a soft breeze, and people are out shopping or walking their dogs or coming home from work. In one version I'm riding a bike, but most often I'm on foot, and I'm strolling along, without any thoughts in particular, when suddenly I realize that no one recognizes me. My security detail is gone. there's nowhere I have to be. My choices have no consequence. I wander into a corner store and buy a bottle of water or iced tea, making small talk with the person behind the counter. I settle down on a nearby bench, pop open the cap on my drink, take a sip, and just watch the world passing by. I feel like I've won the lottery.

I vaig pensar: Per encendre el foc, per escalfar-se, les actes els donaran vida, de la mateixa manera que elles me n'han donat a mi. Les paraules no tenien cap importància, era un document. El que comptava era la vida. La migració, el moviment, la llibertat. Volem mantenir la nostra fe. Volem el món. Volem el món? Si en soc fora, del món, si la meva vida n'és fora, del món, i jo soc fora de la vida, què en trec? Ensenyar? Què ensenyo si no és el món?

THIS IS WHAT they want. The words tumbled through Sophie’s mind as she raced up the spiral staircase, counting her steps, trying to guess which door to take. The first handle she tried was locked. Another opened into darkness. A third revealed a path that glowed with eerie blue balefire sconces. The floor shook as she hesitated and threads of dust slipped through the ceiling, scratching her throat and making it hurt to breathe. She followed the flames. Back and forth the halls snaked—a careful maze, designed to deceive. Swallow. Separate. The tremors grew with every step, the shifting subtle but unmistakable. And too far away. No one else would feel the ripples swelling, like waves gathering speed. They were too focused on their celebration. Too caught up in their imagined victory. Too trusting. Too blind. Too late. The ground rattled harder, the first fissures crackling the stones. This is what they want. ONE THIS IS A security nightmare!” Sandor grumbled, keeping his huge gray hand poised over his enormous black sword. His squeaky voice reminded Sophie more of a talking mouse than a deadly bodyguard. Several prodigies raced past, and Sandor pulled Sophie closer as the giggling group jumped to pop the candy-filled bubbles floating near the shimmering crystal trees. All around them, kids were running through the confetti-covered atrium in their amber-gold Level Three uniforms, capes flying as they caught snacks and bottles of lushberry juice and stuffed tinsel-wrapped gifts into the long white thinking caps dangling from everyone’s lockers. The Midterms Celebration was a Foxfire Academy tradition—hardly the impending doom Sandor was imagining. And yet, Sophie understood his concern. Every parent roaming the streamer-lined halls. Every face she didn’t recognize. Any of them could be a rebel.

Victor Noir. He was a journalist shot by Pierre Bonaparte," St. Clair says, as if that explains anything. He pulls The Hat up off his eyes. "The statue on his grave is supposed to help...fertility." "His wang us rubbed shiny," Josh elaborates. "For luck." "Why are we talking about parts again?" Mer asks. "Can't we ever talk about anything else?" "Really?" I ask. "Shiny wang?" "Very," St. Clair says. "Now that's something I've gotta see." I gulp my coffee dregs, wipe the bread crumbs from my mouth, and hop up. "Where's Victor?" "Allow me." St. Clair springs up to his feet and takes off. I chase after him. He cuts through a stand of bare trees, and I crash through the twigs behind him. We're both laughing when we hit the pathway and run smack into a guard. He frowns at us from underneath his military-style cap. St. Clair gives an angelic smile and a small shrug. The guard shakes his head but allows us to pass. St. Clair gets away with everything. We stroll with exaggerated calm, and he points out an area occupied with people snapping pictures.We hang back and wait our turn. A scrawny black cat darts out from behind an altar strewn with roses and wine bottles,and rushes into the bushes. "Well.That was sufficiently creepy. Happy Halloween." "Did you know this place is home to three thousand cats?" St. Clair asks. "Sure.It's filed away in my brain under 'Felines,Paris.

Invoco l'amor de l'Ona per la precisió, però també pels rius misteriosos i pels jocs secrets, la seva abraçada, la tendresa, la seva criatura que encara no és nada, la reparació i els somnis inquietants, l'amor que li inspira el mite, la follia, allò de passar endavant, escoltar, la solitud i els punys alçats cap a les constel·lacions, els teulats, els safareigs i els ulls brillants, uns ulls que van llambrejant a mesura que arrela la història i que la crueltat es va convertint en una flama feble i a la fi s'apaga del tot.

Mrs. Alingsby was tall and weird and intense, dressed rather like a bird-of-paradise that had been out in a high gale, but very well connected. She had long straight hair which fell over her forehead, and sometimes got in her eyes, and she wore on her head a scarlet jockey-cap with an immense cameo in front of it. She hated all art that was earlier than 1923, and a considerable lot of what was later. In music, on the other hand, she was primitive, and thought Bach decadent: in literature her taste was for stories without a story, and poems without metre or meaning. But she had collected round her a group of interesting outlaws, of whom the men looked like women, and the women like nothing at all, and though nobody ever knew what they were talking about, they themselves were talked about. Lucia had been to a party of hers, where they all sat in a room with black walls, and listened to early Italian music on a spinet while a charcoal brazier on a blue hearth was fed with incense… Lucia’s general opinion of her was that she might be useful up to a point, for she certainly excited interest.

It’s odd how we use some words even when they’re not accurate. We try our best to make words right here; they’re important. They show you care and you understand. Take for example: ‘walking across this room towards her’. I’m walking it, while some other people here wheel or crawl. So if I was talking about all us Wrecklings, I’d just say ‘moving’ instead. Cap’n says words are mighty. That they’re sometimes used by powerful people to make other people appear weaker, even when they’re the ones with lionhearts. Cap’n can be a pain about many things, but I think he’s right about that.

No surprise. I was the only one at Dave and Bubba’s not wearing a Ragland Rattlers cap. Talk about feeling disloyal. And uncomfortable. My discomfort must have shown, because while we were waiting in line to get our food, Jason took off his cap, folded it, and stuck it in his back jeans pocket. “You don’t have to do that on my account,” I said. He shrugged. “I was taught not to wear a hat indoors.” I wasn’t sure I’d ever met anyone who did things with so little fanfare. I thought about telling him to put his hat back on, but the truth was, it made me feel less self-conscious not to be the only one.

Tu saps que, li vaig dir (quan baixava l'escala, encara enriolada; era l'última de sortir), que és físicament impossible que un porc alci la vista cap el cel? En aquell precís moment, l'Ona va alçar la vista cap a mi des del graó de l'escala. Així?, em va preguntar. Allò em va fer riure. Se'n va anar, satisfeta. Ella haurà de ser la que alci la vista cap el cel, vaig pensar. Justament per això el porc del seu somni la tenia enclosa contra la paret. Però després vaig pensar: Com pot ser? Com podia ser exacta la interpretació del somni de l'Ona si ella no estava al cas, conscientment o no, de les limitacions físiques dels porcs?

At certain points in our lives, when we really need a clear-cut solution, the person who knocks at our door is, more likely than not, a messenger bearing bad news. It isn't always the case, but from experience I'd say the gloomy reports far outnumber the others. The messenger touches his hand to his cap and looks apologetic, but that does nothing to improve the contents of the message. It isn't the messenger's fault. No good to blame him, no good to grab him by the collar and shake him. The messenger is just conscientiously doing the job his boss assigned him. And this boss? That would be none other than our old friend Reality.

Wearing Deni's huge vicuna coat with the si cap over my ears, in cold biting winds of December New York, Irwin and Simon led me up to the Russian Tea Room to meet Salvador Dali. He was sitting with his chin on a finely decorated tile headed cane, blue and white, next to his wife at the Cafe table. He had a cane, blue and white, next to his wife at the Cafe table. He had a little wax moustache, thin. When the waiter asked him what he wanted he said 'One grapefruit...peenk!' and he had big blue eyes like a baby, a real or Spaniard. He told us no artist was great unless he made money. Was he talking about Uccello, Ghianondri, Franca? We didn't even know what money really was or what to do with it. Dali had already read an article about the 'insurgent' 'beats' and was interested. When Irwin told him (in Spanish) we wanted to meet Marlon Brando (who ate in this Russian Tea Room) he said, waving three fingers at me, 'He is more beautiful than M. Brando.' I wondered why he said that but he probably had a tiff with old Marlon. But what he meant was my eyes, which were blue, like his, and my hair, which is black, like his, and when I looked into his eyes, and he looked into my eyes, we couldn't stand all that sadness. In fact, when Dali and I look in the mirror we can't stand all that sadness. To Dali sadness is beautiful.

But the more I use social media, the more I realize that the great danger is not in simply overusing social media, it is in living through social media. The problem is not so much the way it wastes time, it is the way it frames time. Without limits, we begin to see our whole life through it. We see our whole day through a possible post. We look around, wondering what in our field of view is worth taking a picture of. We listen to every conversation for a tweetable quote, instead of trying to understand the human being who is talking. We avoid disagreement in public, yet we express our most ardent emotions in carefully crafted Facebook replies or all-caps tweets.

A la fi li he preguntat si sabia alguna cosa de la Creu del Sud. Li he assenyalat aquella constel·lació d'estrelles relluents. I tant, ha dit. S'ha posat a riure. Li he explicat que ella i les dones, per orientar-se, podien fer servir la Creu del Sud, anomenada també Crux Australis. Si clous el puny dret així, li he dit. Li he agafat la mà i l'hi he tancat. L'he alçat cap a les estrelles. Tenia el braç estirat, el puny clos, com una lluitadora per la llibertat. Ara has d'alinear el primer artell amb l'eix de la Creu, he continuat. Li he aguantat la mà, el canell. He notat la majestat divina, una gratitud acaparadora. L'estómac se m'havia capgirat. Havien atès la meva súplica.

A mesura que s'allargassaven les ombres ens anàvem desplaçant una vegada i una altra un xic més cap al sol, fins que va desaparèixer la claror i l'Ona, amb una rialla, va alçar el puny cap a la posta, cridant-li traïdor i covard. Se'm va acudir la idea d'explicar-lo la qüestió dels hemisferis, el fet que ens toca compartir el sol amb altres bandes del món, que si observéssim la Terra des de l'espai podríem veure fins a quinze sortides i postes de sol en un dia, i que potser, en compartir el sol, el món podria aprendre a compartir-ho tot, podria prendre consciència que tot és de tothom! Però em vaig limitar a fer un gest d'assentiment amb el cap. Sí, el sol és un covard. Com jo.

Arianna simply wasn’t up to it. She had a pretty voice, she could carry a tune—that was never a problem. But she had no depth. She couldn’t interpret a song, place her stamp on it. Unlike Lesley, who fairly stomped on it! And that’s what you need in folk music. These are songs that have been around for hundreds, maybe thousands of years. They existed for centuries before any kind of recording was possible, even before people could write, for god’s sake! So the only way those songs lived and got passed on was by singers. The better singer you were, the more likely it was people were going to turn out to hear you and remember you—and remember the song—whether it was at a pub or wedding or ceilidh or just a knot of people seeking shelter under a tree during a storm. It’s a kind of time machine, really, the way you can trace a song from whoever’s singing it now back through the years—Dylan or Johnny Cash, Joanna Newsom or Vashti Bunyan—on through all those nameless folk who kept it alive a thousand years ago. People talk about carrying the torch, but I always think of that man they found in the ice up in the Alps. He’d been under the snow for 1,200 years, and when they discovered him, he was still wearing his clothes, a cloak of woven grass and a bearskin cap, and in his pocket they found a little bag of grass and tinder and a bit of dead coal. That was the live spark he’d been carrying, the bright ember he kept in his pocket to start a fire whenever he stopped. You’d have to be so careful, more careful than we can even imagine, to keep that one spark alive. Because that’s what kept you alive, in the cold and the dark. Folk music is like that. And by folk I mean whatever music it is that you love, whatever music it is that sustains you. It’s the spark that keeps us alive in the cold and night, the fire we all gather in front of so we know we’re not alone in the dark. And the longer I live, the colder and darker it gets. A song like “Windhover Morn” can keep your heart beating when the doctors can’t. You might laugh at that, but it’s true.

God bless her, but the child is wild. It’s not her fault. But she’ll never be normal. At least let her enjoy her childhood. You read the report, didn’t you? There was rotten food in the fridge, clothes all over the floor. She came here wearing one of her father’s T-shirts and his baseball cap. You just wanted to throw out all the things that she had in her suitcase and give her a chance to start all over again. And the child’s fingernails were long. Who ever heard of long fingernails on a twelve-year-old? And she smelled!’ ‘Is she worse than Rodney?’ ‘Rodney? No, God no. She doesn’t need psychiatric help. I’m just saying that she needs a couple extra things like a sweater or some new toys of her own.’ Later that afternoon, Isabelle came into my room with a box filled with girls’ toys. I pulled out a blue pony with long yellow hair and pink seashells on its butt. ‘Who was Rodney?’ I asked her. A little boy who lived here and used to wear swimming goggles all the time. Who’s been talking to you about Rodney?’ ‘You mentioned him to the social worker.’ ‘Lord! Don’t worry what I say to the social worker. I have to make you sound like a real sorrowful case to be able to get you more things. See, I got you a pretty pony, didn’t I?’ I guess it was worth having your self-esteem destroyed if there was a free toy involved. Isabelle told me that she was trying to get us a subscription to Ranger Rick magazine. I didn’t want to hear what she was going to say about me to get it.

In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.

Exaggeration is another way of saying you’re afraid someone won’t listen to the truth. But the truth’s enough, Laramie. We never know that because we never dare to speak it. Look at how we talk. Or text, in all caps. Thumbs stuck on CAPS lock because we’re scared they won’t get the idea. The media. Everyone begs to be interesting. And questioning what people have always questioned is suddenly an “existential crisis.” And we’re so numb to it. Laughing is called “dying.” Any brief moment of sadness is called “crying.” A great moment is called "iconic." We call our boyfriends and girlfriends our ‘kings’ and ‘queens.’ Who can measure up to that? All of these words, it’s impatient and rudimentary. We are desensitized, Laramie. As if it’s the internet’s information overload that causes us to dramatize our opinions.

The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961

I take a deep, shuddery breath to stop myself crying. It’s not just that I can’t hold Aoife again, it’s everything: It’s grief for the regions we deadlanded, the ice caps we melted, the Gulf Stream we redirected, the rivers we drained, the coasts we flooded, the lakes we choked with crap, the seas we killed, the species we drove to extinction, the pollinators we wiped out, the oil we squandered, the drugs we rendered impotent, the comforting liars we voted into office—all so we didn’t have to change our cozy lifestyles. People talk about the Endarkenment like our ancestors talked about the Black Death, as if it’s an act of God. But we summoned it, with every tank of oil we burned our way through. My generation were diners stuffing ourselves senseless at the Restaurant of the Earth’s Riches knowing—while denying—that we’d be doing a runner and leaving our grandchildren a tab that can never be paid.

Déu pot definir la nostra marxa d'una altra manera. I com creieu que definiria la nostra marxa?, diu l'Ona. Com un temps d'estimar, un temps de pau, diu la Mejal. Ahà!, fa l'Ona. Pica de mans, contenta. La Salome somriu. La Mejal està radiant. L'Agata gira el cos cap a l'esquerra, després cap a la dreta. (Em sorprèn una idea: potser és la primera vegada que les dones de Molotschna interpreten pel seu compte la paraula de Déu.) Sentirem angoixa, sentirem pena, sentirem incertesa, sentirem tristesa, però no culpabilitat, diu l'Agata. Podem tenir sentiment de culpabilitat, però sabem que no som culpables, l'esmena la Mariche. Les altres assenteixen, impacients. Podem tenir ganes de cometre un homicidi, però sabem que no som assassines, diu la Mejal. Podem sentir desitjos de venjança, però sabem que no som óssos rentadors, diu l'Ona. La Salome riu. Ens podem sentir perdudes, diu, però sabem que no som perdedores.

And I went from sleeper to sleeper, examining their faces as I had so many years ago in the tunnel, always looking for His Cognizance and always hoping—although I knew how absurd it was—that I would find Silk, that Silk had left Hyacinth and would be going with us after all, that Silk had rejoined us when I was inattentive, talking to Scleroderma and Shrike, and lagging behind the slowest walkers to talk to His Cognizance, whom I sought without finding on that nightmare night under the cloud-capped trees that outreach all our towers, so that at last I called out softly “Silk? Silk?” as I walked among the sleepers until Oreb grasped my hand with fingers that were in fact feathers, repeating, “Here Silk. Good Silk,” and I took my own advice and found the numbing fruit, cut one in two with the gold-chased black blade of the sword that I had imagined for myself and pressed a half against the sting on my arm, weeping. *

slowly, slowly pulling up. Or grabbing hold of Debby’s arm, vise-like, for an Indian rub and what starts as a joke gets more and more frantic, him rubbing until he draws speckles of blood, his teeth grinding. She could see him getting that same look Runner got when he was around the kids: jacked up and tense. “Dad needs to leave.” “Geez, Patty, not even a hi before you toss me out? Come on, let’s talk, I got a business proposition for you.” “I’m in no position to make a business deal, Runner,” she said. “I’m broke.” “You’re never as broke as you say,” he said with a leer, and twisted his baseball cap backward on stringy hair. He’d meant it to sound jokey, but it came out menacing, as if she’d better not be broke if she knew what was good for her. He dumped the girls off him and walked over to her, standing too close as always, beer sweat sticking his longjohn shirt to his chest. “Didn’t you just sell the tiller, Patty? Vern Evelee told

In short the only fully rational world would be the world of wishing-caps, the world of telepathy, where every desire is fulfilled instanter, without having to consider or placate surrounding or intermediate powers. This is the Absolute's own world. He calls upon the phenomenal world to be, and it IS, exactly as he calls for it, no other condition being required. In our world, the wishes of the individual are only one condition. Other individuals are there with other wishes and they must be propitiated first. So Being grows under all sorts of resistances in this world of the many, and, from compromise to compromise, only gets organized gradually into what may be called secondarily rational shape. We approach the wishing-cap type of organization only in a few departments of life. We want water and we turn a faucet. We want a kodak-picture and we press a button. We want information and we telephone. We want to travel and we buy a ticket. In these and similar cases, we hardly need to do more than the wishing—the world is rationally organized to do the rest. But this talk of rationality is a parenthesis and a digression. What we were discussing was the idea of a world growing not integrally but piecemeal by the contributions of its several parts. Take the hypothesis seriously and as a live one. Suppose that the world's author put the case to you before creation, saying: "I am going to make a world not certain to be saved, a world the perfection of which shall be conditional merely, the condition being that each several agent does its own 'level best.' I offer you the chance of taking part in such a world. Its safety, you see, is unwarranted. It is a real adventure, with real danger, yet it may win through. It is a social scheme of co-operative work genuinely to be done. Will you join the procession? Will you trust yourself and trust the other agents enough to face the risk?" Should you in all seriousness, if participation in such a world were proposed to you, feel bound to reject it as not safe enough? Would you say that, rather than be part and parcel of so fundamentally pluralistic and irrational a universe, you preferred to relapse into the slumber of nonentity from which you had been momentarily aroused by the tempter's voice? Of course if you are normally constituted, you would do nothing of the sort. There is a healthy- minded buoyancy in most of us which such a universe would exactly fit. We would therefore accept the offer—"Top! und schlag auf schlag!" It would be just like the world we practically live in; and loyalty to our old nurse Nature would forbid us to say no. The world proposed would seem 'rational' to us in the most living way. Most of us, I say, would therefore welcome the proposition and add our fiat to the fiat of the creator. Yet perhaps some would not; for there are morbid minds in every human collection, and to them the prospect of a universe with only a fighting chance of safety would probably make no appeal. There are moments of discouragement in us all, when we are sick of self and tired of vainly striving. Our own life breaks down, and we fall into the attitude of the prodigal son. We mistrust the chances of things. We want a universe where we can just give up, fall on our father's neck, and be absorbed into the absolute life as a drop of water melts into the river or the sea. The peace and rest, the security desiderated at such moments is security against the bewildering accidents of so much finite experience. Nirvana means safety from this everlasting round of adventures of which the world of sense consists. The hindoo and the buddhist, for this is essentially their attitude, are simply afraid, afraid of more experience, afraid of life. And to men of this complexion, religious monism comes with its consoling words: "All is needed and essential—even you with your sick soul and heart. All are one

Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!

The general, whom the boys knew as the commander of their division, looked at the other officer and spoke coolly, as if he were criticising his clothes. "Th' enemy's formin' over there for another charge," he said. "It'll be directed against Whiterside, an' I fear they'll break through there unless we work like thunder t' stop them." The other swore at his restive horse, and then cleared his throat. He made a gesture toward his cap. "It'll be hell t' pay stoppin' them," he said shortly. "I presume so," remarked the general. Then he began to talk rapidly and in a lower tone. He frequently illustrated his words with a pointing finger. The two infantrymen could hear nothing until finally he asked: "What troops can you spare?" The officer who rode like a cowboy reflected for an instant. "Well," he said, "I had to order in th' 12th to help th' 76th, an' I haven't really got any. But there's th' 304th. They fight like a lot 'a mule drivers. I can spare them best of any." The youth and his friend exchanged glances of astonishment. The general spoke sharply. "Get 'em ready, then. I'll watch developments from here, an' send you word when t' start them. It'll happen in five minutes." As the other officer tossed his fingers toward his cap and wheeling his horse, started away, the general called out to him in a sober voice: "I don't believe many of your mule drivers will get back." The other shouted something in reply. He smiled. With scared faces, the youth and his companion hurried back to the line. These happenings had occupied an incredibly short time, yet the youth felt that in them he had been made aged. New eyes were given to him. And the most startling thing was to learn suddenly that he was very insignificant. The officer spoke of the regiment as if he referred to a broom. Some part of the woods needed sweeping, perhaps, and he merely indicated a broom in a tone properly indifferent to its fate. It was war, no doubt, but it appeared strange.

He had full opportunity to learn the falsity of the maxim that the Prince of Darkness is a gentleman. Again and again he felt that a suave and subtle Mephistopheles with red cloak and rapier and a feather in his cap, or even a sombre tragic Satan out of Paradise Lost, would have been a welcome release from the thing he was actually doomed to watch. It was not like dealing with a wicked politician at all: it was much more like being set to guard an imbecile or a monkey or a very nasty child. What had staggered and disgusted him when it first began saying, ‘Ransom … Ransom …’ continued to disgust him every day and every hour. It showed plenty of subtlety and intelligence when talking to the Lady; but Ransom soon perceived that it regarded intelligence simply and solely as a weapon, which it had no more wish to employ in its off-duty hours than a soldier has to do bayonet practice when he is on leave. Thought was for it a device necessary to certain ends, but thought in itself did not interest it.

When ad legend Lee Clow took the imagery from George Orwell’s 1984 to create the most iconic TV commercial of all time, almost no one watching Apple’s Super Bowl ad understood all of the references. (They’d read the book in high school, but if you want to impact a hundred million beer-drinking sports fans, an assigned high school book is not a good place to start.) But the media-savvy talking heads instantly understood, and they took the bait and talked about it. And the nerds did, and they eagerly lined up to go first. The lesson: Apple’s ad team only needed a million people to care. And so they sent a signal to them, and ignored everyone else. It took thirty years for the idea to spread from the million to everyone, thirty years to build hundreds of billions of dollars of market cap. But it happened because of the brilliant use of semiotics, not technology. At every turn, Apple sent signals, and they sent them in just edgy enough words, fonts, and design that the right people heard the message.

Zamyotov.” “Zamyotov?… The clerk?… What for?” Raskolnikov quickly turned and fixed his eyes on Razumikhin. “But what’s wrong with … Why be so worried? He wanted to make your acquaintance; he wanted it himself, because I talked about you a lot with him … Otherwise, who would have told me so much about you? He’s a nice fellow, brother, quite a wonderful one … in his own way, naturally. We’re friends now; we see each other almost every day. Because I’ve moved into this neighborhood. You didn’t know yet? I’ve just moved. We’ve called on Laviza twice. Remember Laviza, Laviza Ivanovna?” “Was I raving about something?” “Sure enough! You were out of your mind, sir.” “What did I rave about?” “Come now! What did he rave about? You know what people rave about … Well, brother, let’s not waste any more time. To business!” He got up from his chair and grabbed his cap. “What did I rave about?” “You just won’t let go! Afraid about some secret, are you? Don’t worry, you didn’t say anything about the countess. But about some bulldog, and about

I leaned against my car and sighed, rubbing a hand over my eyes. “It’s been a long day, James. A long, somewhat odd day. Let’s not cap it off with me sitting in the yard talking to a cat, okay?”   James gave a derisive snort—strangely suiting his feline persona—and shifted into his dragon form, which is about the size of a schnauzer. He flapped his wings once and settled in, puffing a ring of smoke at me while he did.   I tried not to sigh in exasperation. “Yes, that’s much better . Talking to a cat was weird, but speaking to a miniature dragon completely fulfills my desire for normalcy.” He blew a thin jet of fire at my shoes. I jumped up with a yelp, and he snickered.   “Cute...” James had three forms: cat, small schnauzer-sized dragon, and human. The third had been a surprise until I moved in and asked him how he’d managed to do all of Douglas’s errands with no opposable thumbs. He’d morphed, poked me on the head with one of said opposable thumbs, and finished by stealing my yogurt. I still hadn’t quite figured James out.

He shared his place with a Dr. Tubeside, whose practice consisted largely of injecting people with "vitamin B12", a euphemism for the physician's own blend of amphetamines. Today, early as it was, Doc still had to edge his way past a line of "B12"- deficient housewives of a certain melancholy index, actors with casting calls to show up at, deeply tanned geezers looking ahead to an active day of schmoozing in the sun, stewardii just off in some high-stress red-eye, even a few legit cases of pernicious anemia or vegetarian pregnancy, all shuffling along half asleep, chain-smoking, talking to themselves, sliding one by one into the lobby of the little cinder-block building through a turnstile, next to which, holding a clipboard and checking them in, stood Petunia Leeway, a stunner in a starched cap and micro-length medical outfit, not so much an actual nurse uniform as a lascivious commentary on one, which Dr. Tubeside claimed to've bought a truckload of from Fredericks's of Hollywood, in a variety of fashion pastels, today's being aqua, at close to wholesale.

Unlike some of his buddies, Truely had never been afraid of books. Following his daddy's example, he had read the newspaper every day of his life since the sixth grade, starting with the sports page. He had a vague idea what was going on in the world. It was true that Truely could generally nail a test, took a certain pride in it, but he was also a guy who like to dance all night to throbbing music in makeshift clubs off unlit country roads. He liked to drink a cold beer on a hot day, maybe a flask of Jack Daniel's on special occasions. He wore his baseball cap backwards, his jeans ripped and torn--because they were old and practically worn-out, not because he bought them that way. His hair was a little too long, his boots a little too big, his aspirations modest. He preferred listening to talking--and wasn't all that great at either. He like barbecue joints more than restaurants. Catfish and hush puppies or hot dogs burned black over a campfire were his favorites. He preferred simple food dished out in large helpings. He liked to serve himself and go for seconds.

Maybe I've put too much high hopes and expectations on you, or started holding you to an unreachable standard." "That isn't fair," he says, his own breath coming quicker. He's starting to look less confused and more straight-up angry. Join the club, bud. "I probably should have told you before Geoffrey and Aiden, but I was excited, and you've been ignoring all my attempts to talk since UltiCon. And I really didn't think you would take the news this way. I thought it was a good thing and truthfully? I think you're overreacting." The little porcupine quills that I imagine live just beneath my skin, primed to shoot up and protect me at a moment's notice, are at the ready now. Except they feel more like Wolverine claws in this case, and Norberto Beneventi's about to feel their wrath. "Overreacting, huh? Love to hear that. Sorry I'm not over the moon, shooting rainbows out my eyeballs because I'm so delighted for you. Sorry I'm not a selfless little woman whose only goal in life is to see her man shine, that I have real feelings and ambitions for myself." "Reese, for the love of---" he shouts, throwing his hands up in the air and walking in a tight circle before returning to stand in front of me. He adjusts his cap with a long-suffering sigh. "You know what? I think you've been waiting for this. I think you figured out that there was more to say after our last conversation, and you know this is not that big of a deal, but you've been scared for so long, and angry, and the world's been unfair to you. And I bet whether you realize it or not, you've been waiting for the first excuse to get rid of me for good. You're used to being alone and it's easier than letting another person in, so all you needed was the smallest hint that something may not be perfect and boom---no more Benny. Am I right?" I scoff, moving to pass him for real this time and not stopping when his hand brushes my shoulder. "You just know me so well, don't you? Please, tell me more about how I'm feeling, why I do the things I do. But you'll have to send it in another message, because I don't have to stay here and listen to it." I hoist my bag farther onto my shoulder and stomp away from him, my own fury nearly blocking out his parting words. "Go on, then. Maybe you can move back across the country. See if running from your problems works the second time around.

cap to scratch his bald head. ‘Well, you won’t miss the veg because I’ll be bringing you some every week now. I’ve always got plenty left over and I’d rather give it to you than see it waste.’ He gave a rumbling laugh. ‘I caught that young Tommy Barton digging potatoes from Percy’s plot this mornin’. Give ’im a cuff round ’is ear but I let him take what he’d dug. Poor little bugger’s only tryin’ to keep his ma from starvin’; ain’t ’is fault ’is old man got banged up for robbin’, is it?’ Tilly Barton, her two sons Tommy and Sam and her husband, lived almost opposite the Pig & Whistle. Mulberry Lane cut across from Bell Lane and ran adjacent to Spitalfields Market, and the folk of the surrounding lanes were like a small community, almost a village in the heart of London’s busy East End. Tilly and her husband had been good customers for Peggy until he lost his job on the Docks. It had come as a shock when he’d been arrested for trying to rob a little corner post office and Peggy hadn’t seen Tilly to talk to since; she’d assumed it was because the woman was feeling ashamed of what her husband had done. ‘No, of course not.’ Peggy smiled at him. A wisp of her honey-blonde hair had fallen across her face, despite all her efforts to sweep it up under a little white cap she wore for cooking. ‘I didn’t realise Tilly Barton was in such trouble. I’ll take her a pie over later – she won’t be offended, will she?’ ‘No one in their right mind would be offended by you, Peggy love.’ ‘Thank you, Jim. Would you like a cup of coffee and a slice of apple pie?’ ‘Don’t mind a slice of that pie, but I’ll take it for my docky down the allotment if that’s all right?’ Peggy assured him it was and wrapped a generous slice of her freshly cooked pie in greaseproof paper. He took it and left with a smile and a promise to see her next week just as her husband entered the kitchen. ‘Who was that?’ Laurence asked as he saw the back of Jim walking away. ‘Jim Stillman, he brought the last of the stuff from Percy’s allotment.’ Peggy’s eyes brimmed and Laurence frowned. ‘I don’t know what you’re upset for, Peggy. Percy was well over eighty. He’d had a good life – and it wasn’t even as if he was your father…’ ‘I know. He was a lot older than Mum but…Percy was a good stepfather to me, and wonderful to Mum when she was so ill after we lost Walter.’ Peggy’s voice faltered, because it still hurt her that her younger brother had died in the Great War at the tender age of seventeen. The news had almost destroyed their mother and Peggy thought of those dark days as the worst of her

Rip ran a hand through his dusty brown hair and tried to imagine what Larsen had found. Larsen’s words “a Cosega find” had been playing over in his mind almost constantly since he’d heard them. Cosega was the reason that Rip became an archaeologist. The Jeep’s motor whined as it pushed over the unmaintained road. Rip’s thoughts drifted to the past. They always did when he was in the mountains. Fifteen years earlier he had graduated from the University of Pennsylvania with honors after publishing a series of papers on the prehistory of man. His first break came when billionaire Booker Lipton, a Penn alumnus who had amassed a fortune through brutal corporate takeovers and a variety of other business dealings, immediately offered him funding. Rip had skipped the “cap and gown nonsense,” as he called it, and was already in Africa when his degree caught up with him. His first human origins digs were featured in an eight-page layout for National Geographic. Within a few years Archaeology Magazine had twice detailed his findings for cover stories. He taught courses at three different universities, and often shared his expertise on news and talk shows. Then, four years ago, he published a paper on the creation stories of all known Native American tribes entitled: Cosega. The controversy that erupted after had almost ended his career. Not yet forty, Ripley had already achieved more than the greats

I don't know just where I'm going But I'm goin' to try for the kingdom if I can 'Cause it makes me feel like I'm a man When I put a spike into my vein Then I tell you things aren't quite the same When I'm rushing on my run And I feel just like Jesus' son And I guess I just don't know And I guess that I just don't know I have made very big decision I'm goin' to try to nullify my life 'Cause when the blood begins to flow When it shoots up the dropper's neck When I'm closing in on death You can't help me not you guys All you sweet girls with all your sweet talk You can all go take a walk And I guess I just don't know And I guess I just don't know I wish that I was born a thousand years ago I wish that I'd sailed the darkened seas On a great big clipper ship Going from this land here to that I put on a sailor's suit and cap Away from the big city Where a man cannot be free Of all the evils in this town And of himself and those around Oh, and I guess I just don't know Oh, and I guess I just don't know Heroin, be the death of me Heroin, it's my wife and it's my life Because a mainer to my vein Leads to a center in my head And then I'm better off than dead When the smack begins to flow Then I really don't care anymore About all the Jim-Jims in this town And everybody putting everybody else down And all of the politicians makin' crazy sounds All the dead bodies piled up in mounds, yeah Wow, that heroin is in my blood And the blood is in my head Yeah, thank God that I'm good as dead Ooohhh, thank your God that I'm not aware And thank God that I just don't care And I guess I just don't know And I guess I just don't know - Heroin

Aquell bisbe substitut venia de l'Amèrica del Nord, i tenia una dona que no es trenava els cabells. Pel que sembla, va dir a la congregació que no creia en l'existència literal del cel i de l'infern. Alguns dels membres de la congregació van sospitar d'ell i, alarmats, el van fer fora de la colònia. Però abans d'anar-se'n encara va tenir temps de dir-los que no solament no creia en el cel i en l'infern, sinó que estava convençut que cap membre de la congregació hi creia de debò. Els va demanar que alcessin la mà els qui tenien un fill esgarriat, un de rebel que havia abandonat la colònia o un que havia manifestat que no tenia fe. Se'n van alçar unes quantes. Aleshores, el substitut va adreçar la pregunta següent als que s'havien manifestat: Si estimeu els vostres fills i esteu convençuts que quan es morin cremaran al foc de l'infern durant tota l'eternitat, com podeu restar aquí asseguts tan tranquils? Com podeu tornar a casa i gaudir d'un dinar boníssim a base de vernike i platz que us ha preparat la dona i relaxar-vos després a sota de l'edredó de plomes a fer una maddachschlop (migdiada), sabent que el vostre fill aviat cremarà per sempre més, esgargamellant-se en un sofriment etern? Si hi creguéssiu veritablement, no faríeu el que estigués a les vostres mans per aconseguir que es penedís, que acceptés sincerament Jesucrist i que obtingués el perdó? No regiraríeu cel i terra a la recerca d'aquests fills perduts, dels qui han deixat la colònia, o dels qui n'han estat expulsats, dels qui erren pel desert proverbial, dels qui considereu pecadors però continuen sent fills vostres, carn de la vostra carn i sang de la vostra sang, les vostres estimades criatures?

Chip asked me about New York and what I wanted to do, and how long my dad had owned the shop, and what it was I loved about Waco. He asked about my sisters and my family in general, and what I’d done at Baylor, and if I’d known a few communications majors he’d run around with at school. (I told y’all he was chatty!) Somehow none of these questions seemed intrusive or strange to me at the time, which is funny, because thinking back I find them particularly telling. At the time, it was just like talking with an old friend. John finally stood up, and this baseball-cap-wearing customer that John had introduced as Chip followed. “Well, nice talking to you,” he said. “Nice talking to you too,” I replied, and that was it. I went back inside. The guys in the shop wanted to know what I thought about Hot John, and I just laughed. “Sorry, guys, I don’t think it’s gonna work out.” The next day I came back from my lunch break to find a note on my desk: “Chip Gaines called. Call him back.” I thought, Oh, that must be the guy I met yesterday. So I called him. I honestly thought he was going to ask me about getting a better price on his brakes or something, but instead he said, “Hey, I really enjoyed our conversation yesterday. I was wondering…you want to go out sometime?” And for some reason I said okay--just like that, without any hesitation. It wasn’t like me at all. When I hung up the phone, I went, “What in the world just happened!” So you said okay immediately? I don’t even remember that. That’s fun! No reservations? Man, I must’ve been good-lookin’. What Chip didn’t know was I didn’t even give myself time to have reservations. Something told me to just go for it. Cute, Joey. This story makes me love you all over again.

An old man wearing a red seed cap was saying, "Little lady, one day you'll remember the days people told you that you had nice legs as a good memory." Adam braced for the explosion. It was nails and dynamite. "Good--memory? Oh, I wish I were as ignorant as you! What happiness! There are girls who kill themselves over negative body image and you--" "Is there a problem here?" Adam broke in. The man seemed relieved. People were always pleased to see clean, muted Adam, the deferential Southern voice of reason. "Your girlfriend's quite a firecracker." Adam stared at the man. Blue stared at Adam. He wanted to tell her it wasn't worth it--that he'd grown up with this sort of man and knew they were untrainable--but then she'd throw the thermos at Adam's head and probably slap the guy in the mouth. It was amazing that she and Ronan didn't get along better, because they were different brands of the same impossible stuff. "Sir," Adam started--Blue's eyebrows spiked--"I think maybe your mama didn't teach you how to talk to women." The old man shook his head at Adam, like in pity. Adam added, "And she's not my girlfriend." Blue flashed him a brilliant look of approval, and then she got into the car with a dramatic door slam Ronan would have approved of. "Look, kid," the old man started. Adam interrupted, "Your fuel door's open, by the way." He climbed back into his little, shitty car, the one Ronan called the Hondayota. He felt heroic for no good reason. Blue simmered righteously as they pulled out of the station. For a few moments, there was nothing but the labored sounds of the little car's breathing. Then Noah said, "You do have nice legs, though." Blue swung at him. A helpless laugh escaped Adam, and she hit his shoulder too.

Wishing I had a towel, I used my fingers to wipe the raindrops off my face. My wet face that had been partially protected by the brim of his cap. Which would have worked if the rain fell straight down. This had been slashing across. “Oh, no.” “What?” Jason said. “Turn on the light.” He did. I lowered the sun visor, looked at my reflection in the mirror, groaned, and slapped the visor back into place. “Turn the light off.” “What’s wrong?” I didn’t look at him, didn’t want him to see. “The makeup ran.” Not as badly as I’d expected, but I had dark smudges beneath my eyes and my bruising was more visible. “So what?” I leaned my head back. “I look worse than I did the night you met me.” “I thought you looked fine.” I rolled my head to the side, so I could see him. Hoping the shadows made it so he couldn’t see me. “What are you talking about? I looked like a Cirque de Soleil performer.” “What are you talking about?” “The black dots around my eyes?” He shook his head. “I’m lost.” “You were staring--” “Oh, yeah.” He gazed through the windshield. “Sorry about that. I’ve just never seen eyes as green as yours. I was trying to figure out if you wore contacts.” “You were looking at my eyes?” “Yeah.” “Not the makeup.” He turned his attention back to me. “I didn’t realize you were wearing any. That night, anyway. Tonight it’s pretty obvious.” “Oh.” Didn’t I feel silly? “I thought--” I shook my head. “Never mind.” On second thought… “You don’t like all the makeup?” “I just don’t think you need it. I mean, you look pretty without it.” Oh, really? That was totally unexpected. He started tapping the steering wheel like he was listening to a rock concert, or suddenly embarrassed, maybe wishing someone would shut him up. “Sorry I don’t have a towel in the car.” Subject change. He was embarrassed. How cute was that?

He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here. He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before. His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days. The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank. A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay. Nobody was okay. And that was what made me not okay. “Hey,” I said, standing in front of him. He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?” The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.” His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.” I stared at him. He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.” He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced. “I’m doing this for you,” I whispered. “Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.” I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment. But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.” He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.” My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles. I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.” My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.” Hands came up under my elbows, and his touch radiated through me. “Kristen, stop.” I spun on him. “Fuck you, Josh! You need help, and I need to help you!” And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh. I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.

First of all, she was uncertain how to read the statement. Did Harry actually mean what he said, or was there another underlying message? Did he mean “Wow, you are so completely unattractive, no other man could possibly be interested in you, so I’ll take advantage of you by pretending to desire you. And maybe I’ll get lucky and get laid while having a big laugh at your expense?” Or did he mean “I’ll tell you this to make you feel better because, even though it’s not completely true, you don’t repulse me, and if we do end up having sex, I’ll just make sure all the lights are off.” “Look, Allie, I didn’t mean to freak you out or anything,” Harry said. “I mean, by saying what I said back in the car . . .” Alessandra realized that she had blindly followed him and they were standing on one of the lines, waiting to order their daily indigestion. She had been staring sightlessly up at the menu. “It’s just . . . You wanted honesty,” he continued, “and I . . .” He shrugged. “I took it a little too far, as usual. Some things probably just shouldn’t be said.” “I don’t know how to do this,” Alessandra admitted. “Talking to men was easy when I was beautiful. But now . . .” Harry was looking at her, studying her very naked, very plain face, his dark brown eyes so intense. It was as if the crowd around them had ceased to exist, as if they were the only two people standing in that fast-food lobby. He touched her hair, pushing a limp lock back behind her ear. “The haircut really sucks,” he told her. She closed her eyes. “Yes, I believe you mentioned that once already today.” “But it’s just hair.” “Spoken by the reigning king of bad hair days.” She reached up and took off his baseball cap. His hair, as usual, was standing up in all directions. He shrugged. “Maybe we should just get matching Mohawks.” Alessandra had to laugh. He touched her again, his fingers warm and slightly rough against her cheek. “You’re still beautiful,” he said softly.

Isn’t he a lovely sight?” said Tweedledum. Alice couldn’t say honestly that he was. He had a tall red night-cap on, with a tassel, and he was lying crumpled up into a sort of untidy heap, and snoring loud—“fit to snore his head off!” as Tweedledum remarked. “I’m afraid he’ll catch cold with lying on the damp grass,” said Alice, who was a very thoughtful little girl. “He’s dreaming now,” said Tweedledee: “and what do you think he’s dreaming about?” Alice said “Nobody can guess that.” “Why, about you!” Tweedledee exclaimed, clapping his hands triumphantly. “And if he left off dreaming about you, where do you suppose you’d be?” “Where I am now, of course,” said Alice. “Not you!” Tweedledee retorted contemptuously. “You’d be nowhere. Why, you’re only a sort of thing in his dream!” “If that there King was to wake,” added Tweedledum, “you’d go out—bang!—just like a candle!” “I shouldn’t!” Alice exclaimed indignantly. “Besides, if I’m only a sort of thing in his dream, what are you, I should like to know?” “Ditto,” said Tweedledum. “Ditto, ditto!” cried Tweedledee. He shouted this so loud that Alice couldn’t help saying, “Hush! You’ll be waking him, I’m afraid, if you make so much noise.” “Well, it’s no use your talking about waking him,” said Tweedledum, “when you’re only one of the things in his dream. You know very well you’re not real.” “I am real!” said Alice, and began to cry. “You won’t make yourself a bit realler by crying,” Tweedledee remarked: “there’s nothing to cry about.” “If I wasn’t real,” Alice said—half-laughing through her tears, it all seemed so ridiculous—“I shouldn’t be able to cry.” “I hope you don’t suppose those are real tears?” Tweedledum interrupted in a tone of great contempt. “I know they’re talking nonsense,” Alice thought to herself: “and it’s foolish to cry about it.” So she brushed away her tears, and went on as cheerfully as she could, “At any rate I’d better be getting out of the wood, for really it’s coming on very dark. Do you think it’s going to rain?” Tweedledum spread a large umbrella over himself and his brother, and looked up into it. “No, I don’t think it is,” he said: “at least—not under here. Nohow.” “But it may rain outside?” “It may—if it chooses,” said Tweedledee: “we’ve no objection. Contrariwise.

EVEN BEFORE HE GOT ELECTROCUTED, Jason was having a rotten day. He woke in the backseat of a school bus, not sure where he was, holding hands with a girl he didn’t know. That wasn’t necessarily the rotten part. The girl was cute, but he couldn’t figure out who she was or what he was doing there. He sat up and rubbed his eyes, trying to think. A few dozen kids sprawled in the seats in front of him, listening to iPods, talking, or sleeping. They all looked around his age…fifteen? Sixteen? Okay, that was scary. He didn’t know his own age. The bus rumbled along a bumpy road. Out the windows, desert rolled by under a bright blue sky. Jason was pretty sure he didn’t live in the desert. He tried to think back…the last thing he remembered… The girl squeezed his hand. “Jason, you okay?” She wore faded jeans, hiking boots, and a fleece snowboarding jacket. Her chocolate brown hair was cut choppy and uneven, with thin strands braided down the sides. She wore no makeup like she was trying not to draw attention to herself, but it didn’t work. She was seriously pretty. Her eyes seemed to change color like a kaleidoscope—brown, blue, and green. Jason let go of her hand. “Um, I don’t—” In the front of the bus, a teacher shouted, “All right, cupcakes, listen up!” The guy was obviously a coach. His baseball cap was pulled low over his hair, so you could just see his beady eyes. He had a wispy goatee and a sour face, like he’d eaten something moldy. His buff arms and chest pushed against a bright orange polo shirt. His nylon workout pants and Nikes were spotless white. A whistle hung from his neck, and a megaphone was clipped to his belt. He would’ve looked pretty scary if he hadn’t been five feet zero. When he stood up in the aisle, one of the students called, “Stand up, Coach Hedge!” “I heard that!” The coach scanned the bus for the offender. Then his eyes fixed on Jason, and his scowl deepened. A jolt went down Jason’s spine. He was sure the coach knew he didn’t belong there. He was going to call Jason out, demand to know what he was doing on the bus—and Jason wouldn’t have a clue what to say. But Coach Hedge looked away and cleared his throat. “We’ll arrive in five minutes! Stay with your partner. Don’t lose your worksheet. And if any of you precious little cupcakes causes any trouble on this trip, I will personally send you back to campus the hard way.

intelligence. This is not surprising because our present computers are less complex than the brain of an earthworm, a species not noted for its intellectual powers. But computers roughly obey a version of Moore’s Law, which says that their speed and complexity double every eighteen months. It is one of these exponential growths that clearly cannot continue indefinitely, and indeed it has already begun to slow. However, the rapid pace of improvement will probably continue until computers have a similar complexity to the human brain. Some people say that computers can never show true intelligence, whatever that may be. But it seems to me that if very complicated chemical molecules can operate in humans to make them intelligent, then equally complicated electronic circuits can also make computers act in an intelligent way. And if they are intelligent they can presumably design computers that have even greater complexity and intelligence. This is why I don’t believe the science-fiction picture of an advanced but constant future. Instead, I expect complexity to increase at a rapid rate, in both the biological and the electronic spheres. Not much of this will happen in the next hundred years, which is all we can reliably predict. But by the end of the next millennium, if we get there, the change will be fundamental. Lincoln Steffens once said, “I have seen the future and it works.” He was actually talking about the Soviet Union, which we now know didn’t work very well. Nevertheless, I think the present world order has a future, but it will be very different. What is the biggest threat to the future of this planet? An asteroid collision would be—a threat against which we have no defence. But the last big such asteroid collision was about sixty-six million years ago and killed the dinosaurs. A more immediate danger is runaway climate change. A rise in ocean temperature would melt the ice caps and cause the release of large amounts of carbon dioxide. Both effects could make our climate like that of Venus with a temperature of 250 degrees centigrade (482 degrees Fahrenheit). 8 SHOULD WE COLONISE SPACE? Why should we go into space? What is the justification for spending all that effort and money on getting a few lumps of moon rock? Aren’t there better causes here on Earth? The obvious answer is because it’s there, all around us. Not to leave planet Earth would be like castaways on a desert island not trying to escape. We need to explore the

By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay ? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-yaw-lat - jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' a-wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud Wot they called the Great Gawd Budd Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay... When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! With 'er arm upon my shoulder an' 'er cheek agin my cheek We useter watch the steamers an' the hathis pilin' teak. Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay... But that's all shove be'ind me - long ago an' fur away An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay... I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and - Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay... Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! O the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay !

You’re probably wondering what happened before you got here. An awful lot of stuff, actually. Once we evolved into humans, things got pretty interesting. We figured out how to grow food and domesticate animals so we didn’t have to spend all of our time hunting. Our tribes got much bigger, and we spread across the entire planet like an unstoppable virus. Then, after fighting a bunch of wars with each other over land, resources, and our made-up gods, we eventually got all of our tribes organized into a ‘global civilization.’ But, honestly, it wasn’t all that organized, or civilized, and we continued to fight a lot of wars with each other. But we also figured out how to do science, which helped us develop technology. For a bunch of hairless apes, we’ve actually managed to invent some pretty incredible things. Computers. Medicine. Lasers. Microwave ovens. Artificial hearts. Atomic bombs. We even sent a few guys to the moon and brought them back. We also created a global communications network that lets us all talk to each other, all around the world, all the time. Pretty impressive, right? “But that’s where the bad news comes in. Our global civilization came at a huge cost. We needed a whole bunch of energy to build it, and we got that energy by burning fossil fuels, which came from dead plants and animals buried deep in the ground. We used up most of this fuel before you got here, and now it’s pretty much all gone. This means that we no longer have enough energy to keep our civilization running like it was before. So we’ve had to cut back. Big-time. We call this the Global Energy Crisis, and it’s been going on for a while now. “Also, it turns out that burning all of those fossil fuels had some nasty side effects, like raising the temperature of our planet and screwing up the environment. So now the polar ice caps are melting, sea levels are rising, and the weather is all messed up. Plants and animals are dying off in record numbers, and lots of people are starving and homeless. And we’re still fighting wars with each other, mostly over the few resources we have left. “Basically, kid, what this all means is that life is a lot tougher than it used to be, in the Good Old Days, back before you were born. Things used to be awesome, but now they’re kinda terrifying. To be honest, the future doesn’t look too bright. You were born at a pretty crappy time in history. And it looks like things are only gonna get worse from here on out. Human civilization is in ‘decline.’ Some people even say it’s ‘collapsing.’ “You’re probably wondering what’s going to happen to you. That’s easy. The same thing is going to happen to you that has happened to every other human being who has ever lived. You’re going to die. We all die. That’s just how it is.

Damn It Feels Good To Be A Gangsta Verse 1 Damn it feels good to be a gangsta A real gangsta-ass nigga plays his cards right A real gangsta-ass nigga never runs his f**kin mouth Cuz real gangsta-ass niggas don't start fights And niggas always gotta high cap Showin' all his boys how he shot em But real gangsta-ass niggas don't flex nuts Cuz real gangsta-ass niggas know they got em And everythings cool in the mind of a gangsta Cuz gangsta-ass niggas think deep Up three-sixty-five a year 24/7 Cuz real gangsta ass niggas don't sleep And all I gotta say to you Wannabe, gonnabe, cocksuckin', pussy-eatin' prankstas 'Cause when the fire dies down what the f**k you gonna do Damn it feels good to be a gangsta Verse 2 Damn it feels good to be a gangsta Feedin' the poor and helpin out with their bills Although I was born in Jamaica Now I'm in the US makin' deals Damn it feels good to be a gangsta I mean one that you don't really know Ridin' around town in a drop-top Benz Hittin' switches in my black six-fo' Now gangsta-ass niggas come in all shapes and colors Some got killed in the past But this gangtsa here is a smart one Started living for the lord and I last Now all I gotta say to you Wannabe, gonnabe, pussy-eatin' cocksuckin' prankstas When the sh*t jumps off what the f**k you gonna do Damn it feels good to be a gangsta Verse 3 Damn it feels good to be a gangsta A real gangta-ass nigga knows the play Real gangsta-ass niggas get the flyest of the b**ches Ask that gangsta-ass nigga Little Jake Now b**ches look at gangsta-ass niggas like a stop sign And play the role of Little Miss Sweet But catch the b**ch all alone get the digit take her out and then dump-hittin' the ass with the meat Cuz gangsta-ass niggas be the gang playas And everythings quiet in the clique A gangsta-ass nigga pulls the trigger And his partners in the posse ain't tellin' off sh*t Real gangsta-ass niggas don't talk much All ya hear is the black from the gun blast And real gangsta-ass niggas don't run for sh*t Cuz real gangsta-ass niggas can't run fast Now when you in the free world talkin' sh*t do the sh*t Hit the pen and let the mothaf**kas shank ya But niggas like myself kick back and peep game Cuz damn it feels good to be a gangsta Verse 4 And now, a word from the President! Damn it feels good to be a gangsta Gettin voted into the White House Everything lookin good to the people of the world But the Mafia family is my boss So every now and then I owe a favor gettin' down like lettin' a big drug shipment through And send 'em to the poor community So we can bust you know who So voters of the world keep supportin' me And I promise to take you very far Other leaders better not upset me Or I'll send a million troops to die at war To all you Republicans, that helped me win I sincerely like to thank you Cuz now I got the world swingin' from my nuts And damn it feels good to be a gangsta