Singapore Beauty Quotes

We've searched our database for all the quotes and captions related to Singapore Beauty. Here they are! All 10 of them:

You yearn to stay in this in-between place, where the beauty of the times you have freshly bade farewell to is still alive and vivid in your mind – almost real – and the reality of your new circumstances has yet to fully sink in. You listen to the familiar melodies that had accompanied you on your journey, and allow the music to evoke landscapes and scenes in your mind. The songs caress your sub-consciousness and fill your being with an airy joy. You are both here and elsewhere. Or perhaps you are everywhere and nowhere.
Agnes Chew (The Desire for Elsewhere)
Moments later, I was climbing nervously into the back of the car. The driver wore the archetypal expression of an antagonist. No words were exchanged beyond the brief lines uttered to this nameless stranger, whose inclinations remained unclear. The car sped along empty roads and traversed dingy alleyways. Music blared from its speakers. I did not remember exhaling throughout the entire journey.
Agnes Chew (The Desire for Elsewhere)
Upon you will be founded a city, a city past compare in riches and marvels and beauty,” she said. “But first, you must lose yourself, riding on the waves of seven oceans. Only at your journey’s end will you come to rest, and only then will the city rise. It will be a city of eternal summer, a land of surpassing beauty. Indeed, it will come to be known as the city of the gods.” “Where must I journey? Where should I go?” asked the fisherman, staring in awe at her radiant beauty. “Before, between, and beyond. Tomorrow night, take your boat and sail towards the rising moon,” she replied. “And you will find your destiny.
Judith Huang (Sofia and the Utopia Machine)
His wife had also studied art in her hometown, and she could paint, but depending on such work for her livelihood was just not possible. As far as appearances went, she was definitely a real beauty. When she was young, she looked a little like Gong Li, but now that she was middle-aged, she had put on weight and gradually taken on more of a bell-shaped look, resembling Li Siqin. But no matter what, a wife always looks better than her balding, broadbellied husband.
Chew Kok Chang (Other Cities, Other Lives)
It is a strange thing, looking at the sea. When it is calm, or with only gentle ripples, it gives an impression of being soft and kind. But often, on such a calm, the wind suddenly blows, thrusting the water back into angry waves. At such times, in a certain sense, one feels sorry for the sea. Never of itself offensive to others, it is all too often attacked by wind and rain, the rain falling densely upon it, shaming the beauty of its calm face with a million bouncing bubbles. Were the wind to stop blowing, the ocean, surely, would never afflict the land with any calamity, nor would any human beings suffer.
Tan Kok Seng (Son of Singapore)
Once There was a quiet island, With a name. You must believe me When I say that sunlight, Impure but beautiful, Broke upon the bay, silvered The unrepentant, burning moon.
Edwin Thumboo (The Best of Edwin Thumboo)
In Scotland, affordable housing is a right. The same is true in Singapore, where 82 percent of the residents live in public housing, including many with beautiful architecture and amenities.
Carol Lamberg
India and Pakistan have nuclear bombs now and feel entirely justified in having them. Soon others will, too. Israel, Iran, Iraq, Saudi Arabia, Norway, Nepal (I’m trying to be eclectic here), Denmark, Germany, Bhutan, Mexico, Lebanon, Sri Lanka, Burma, Bosnia, Singapore, North Korea, Sweden, South Korea, Vietnam, Cuba, Afghanistan, Uzbekistan … and why not? Every country in the world has a special case to make. Everybody has borders and beliefs. And when all our larders are bursting with shiny bombs and our bellies are empty (deterrence is an exorbitant beast), we can trade bombs for food. And when nuclear technology goes on the market, when it gets truly competitive and prices fall, not just governments, but anybody who can afford it can have their own private arsenal—businessmen, terrorists, perhaps even the occasional rich writer (like myself). Our planet will bristle with beautiful missiles. There will be a new world order. The dictatorship of the pro-nuke elite. We can get our kicks by threatening each other. It’ll be like bungee jumping when you can’t rely on the bungee cord, or playing Russian roulette all day long. An additional perk will be the thrill of Not Knowing What to Believe. We can be victims of the predatory imagination of every green card–seeking charlatan who surfaces in the West with concocted stories of imminent missile attacks. We can delight at the prospect of being held to ransom by every petty troublemaker and rumormonger, the more the merrier if truth be told, anything for an excuse to make more bombs. So you see, even without a war, we have a lot to look forward to.
Arundhati Roy (My Seditious Heart: Collected Nonfiction)
As much as it celebrates regional produce, this book hopes to be a young Singaporean's love song to the markets. In the course of writing this book, the market's beauty has grown on me. When I fumble with coins in my purse, the vegetable uncle always tells me that I can pay the next time. I learn cooking tips and recipes not only from the vendors, but also from fellow patrons - shopping at the wet markets is an interactive, immersive experience. I do not think I will ever tire of walking through markets, admiring the way the produce spills over baskets and cartons, relishing the way everything feels so organic, so raw and so real.
Pamelia Chia (Wet Market to Table: A Modern Approach to Fruit and Vegetables)
No nation has ever produced a military history of such verbal nobility as the British. Retreat or advance, win or lose, blunder or bravery, murderous folly or unyielding resolution, all emerge alike clothed in dignity and touched with glory. Every engagement is gallant, every battle a decisive action. There is no shrinking from superlatives: every campaign produces a general or generalship hailed as the most brilliant of the war. Everyone is splendid: soldiers are staunch, commanders cool, the fighting magnificent. Whatever the fiasco, aplomb is unbroken. Mistakes, failures, stupidities or other causes of disaster mysteriously vanish. Disasters are recorded with care and pride and become transmuted into things of beauty. Official histories record every move in monumental and infinite detail but the details serve to obscure. Why Singapore fell or how the Sittang happened remains shrouded. Other nations attempt but never quite achieve the same self-esteem. It was not by might but by the power of her self-image that Britain in her century dominated the world. That this was irrecoverable (and that no successor would inherit it) was not yet clear in 1944.
Barbara W. Tuchman (Stilwell and the American Experience in China: 1911-1945)