Grown Up Baby Quotes

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It's just that the thing you never understand about being a mother, until you are one, is that it is not the grown man - the galumphing, unshaven, stinking, opinionated off-spring - you see before you, with his parking tickets and unpolished shoes and complicated love life. You see all the people he has ever been all rolled up into one. I look at him and see the baby I held in my arms, dewing besotted, unable to believe that I'd created another human being. I see the toddler, reaching for my hand, the schoolboy weeping tears of fury after being bullied  by some other child. I saw the vulnerabilities, the love, the history.
Jojo Moyes (Me Before You (Me Before You, #1))
We know, for instance, that there is a direct, inverse relationship between frequency of family meals and social problems. Bluntly stated, members of families who eat together regularly are statistically less likely to stick up liquor stores, blow up meth labs, give birth to crack babies, commit suicide, or make donkey porn. If Little Timmy had just had more meatloaf, he might not have grown up to fill chest freezers with Cub Scout parts.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
He had grown up in a country run by politicians who sent the pilots to man the bombers to kill the babies to make the world safe for children to grow up in.
Ursula K. Le Guin (The Lathe of Heaven)
I love you, Alexa. I want you and I want our baby. I want this ridiculous hound dog because I've grown to love him, too. I also figured out what I don't want. I don't want to live my life without you. I don't want to be alone anymore. And I don't want to believe I deserve not to have you. And I swear to God, I'll spend the rest of my life making this up to you. - Nicholas Ryan
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
Where do babies come from? Don't bother asking adults. They lie like pigs. However, diligent independent research and hours of playground consultation have yielded fruitful, if tentative, results. There are several theories. Near as we can figure out, it has something to do with acting ridiculous in the dark. We believe it is similar to dogs when they act peculiar and ride each other. This is called "making love". Careful study of popular song lyrics, advertising catch-lines, TV sitcoms, movies, and T-Shirt inscriptions offers us significant clues as to its nature. Apparently it makes grown-ups insipid and insane. Some graffiti was once observed that said "sex is good". All available evidence, however, points to the contrary.
Matt Groening (Childhood Is Hell)
Things certainly aren't the way you imagine them when you're a kid and dreaming big dreams about what your life as a grown-up will look like.
Emily Giffin (Baby Proof)
people used to tell me that i had beautiful hands told me so often, in fact, that one day i started to believe them until i asked my photographer father, “hey daddy could i be a hand model” to which he said no way, i dont remember the reason he gave me and i wouldve been upset, but there were far too many stuffed animals to hold too many homework assignment to write, too many boys to wave at too many years to grow, we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three. hands learn more than minds do, hands learn how to hold other hands, how to grip pencils and mold poetry, how to tickle pianos and dribble a basketball, and grip the handles of a bicycle how to hold old people, and touch babies , i love hands like i love people, they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future, but i read hands to tell your past, each scar marks the story worth telling, each calloused palm, each cracked knuckle is a missed punch or years in a factory, now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies. even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer. one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom. kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long, but hands are not about politics, when did it become so complicated. i always thought its simple. the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
Sarah Kay
Baby Girl,” I say. “I need you to remember everything I told you. Do you remember what I told you?” She still crying steady, but the hiccups is gone. “To wipe my bottom good when I’m done?” “No, baby, the other. About what you are.” I look deep into her rich brown eyes and she look into mine. Law, she got old-soul eyes, like she done lived a thousand years. And I swear I see, down inside, the woman she gone grow up to be. A flash from the future. She is tall and straight. She is proud. She got a better haircut. And she is remembering the words I put in her head. Remembering as a full grown woman. And then she say it, just like I need her to. “You is kind,” she say, “you is smart. You is important.
Kathryn Stockett (The Help)
You need to have mercy on me, baby," his tone turned slightly threatening, "before I snap." "I told you to stay the fuck away from him. I told you not to let him touch you. I told you not to let him kiss you. Did he fuckin' kiss you again? You let him fucking touch you again?" "Am i gonna have to beat the shit out o' him? Is that what it's gonna take?" "He can't fuck you, Elaina." His hands released her wrists and dropped down until his arms encircled her waist completely. He hugged her to him, running his hands up and down her back. "I get that you're too young for me. I can't have you yet." His hands clenched tight in pure possession. "But baby, you need to take care. You belong to me--" She jerked in his arms and caught him off guard. "I don't belong to you---" His head whipped up to glare at her face and his hand grabbed her chin and lifted it. "You're gonna fckin' belong to me. Just as soon as you get grown, I've told you before. But you need to take care, protect what's mine, or all bets are off and I'll move in now. Your choice. I'll give you time and space but you gotta promise. Nobody fucks you. Now. Promise Now.
Lynda Chance (Staking His Claim (Ranchers of Chatum County, #1))
When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing--a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees. After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her. Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling. Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet. Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard...
Toni Morrison (Beloved (Beloved Trilogy, #1))
Stephen Hawking… found it tantalizing that we could not remember the future. But remembering the future is child's play for me now. I know what will become of my helpless, trusting babies because they are grown-ups now. I know how my closest friends will end up because so many of them are retired or dead now… To Stephen Hawking and all others younger than myself I say, 'Be patient. Your future will come to you and lie down at your feet like a dog who knows and loves you no matter what you are.
Kurt Vonnegut Jr.
Advice to friends. Advice to fellow mothers in the same boat. "How do you do it all?" Crack a joke. Make it seem easy. Make everything seem easy. Make life seem easy and parenthood and marriage and freelancing for pennies, writing a novel and smiling after a rejection, keeping the faith after two, reminding oneself that four years of work counted for a lot, counted for everything. Make the bed. Make it nice. Make the people laugh when you sit down to write and if you can't make them laugh make them cry. Make them want to hug you or hold you or punch you in the face. Make them want to kill you or fuck you or be your friend. Make them change. Make them happy. Make the baby smile. Make him laugh. Make him dinner. Make him proud. Hold the phone, someone is on the other line. She says its important. People are dying. Children. Friends. Press mute because there is nothing you can say. Press off because you're running out of minutes. Running out of time. Soon he'll be grown up and you'll regret the time you spent pushing him away for one more paragraph in the manuscript no one will ever read. Put down the book, the computer, the ideas. Remember who you are now. Wait. Remember who you were. Wait. Remember what's important. Make a list. Ten things, no twenty. Twenty thousand things you want to do before you die but what if tomorrow never comes? No one will remember. No one will know. No one will laugh or cry or make the bed. No one will have a clue which songs to sing to the baby. No one will be there for the children. No one will finish the first draft of the novel. No one will publish the one that's been finished for months. No one will remember the thought you had last night, that great idea you forgot to write down.
Rebecca Woolf
Actually, Saint Peter was in jail, one time --" I laugh. "Babies don't go in jail." "This happened when they were all grown up." I didn't know Baby Jesus grows up.
Emma Donoghue (Room)
She’s kind of like a baby. She didn’t know she was supposed to grow up, and that makes her more fun than other grown-up people.
Glendy Vanderah (Where the Forest Meets the Stars)
You may think that grown-ups create children. The reality is that children create grown-ups. They become their own person, and so do you. Children give so much more than they take.
John Medina (Brain Rules for Baby: How to Raise a Smart and Happy Child from Zero to Five)
I was grown-up. I’d packed my own backpack and had left Bloodletter, my stuffed bear, at home. Stuffed bears were for babies, even if you’d fashioned your own mock power armor for yours out of string and broken ceramics.
Brandon Sanderson (Skyward (Skyward, #1))
We need not deplore the renunciation of historical truth when we put forward rational grounds for the precepts of civilization. The truths contained in religious doctrines are after all so distorted and systematically disguised that the mass of humanity cannot recognize them as truth. The case is similar to what happens when we tell a child that new-born babies are brought by the stork. Here, too, we are telling the truth in symbolic clothing, for we know what the large bird signifies . But the child does not know it. He hears only the distorted part of what we say, and feels that he has been deceived; and we know how often his distrust of the grown-ups and his refractoriness actually take their start from this impression. We have become convinced that it is better to avoid such symbolic disguisings of the truth in what we tell children and not to withhold from them a knowledge of the true state of affairs commensurate with their intellectual level.
Sigmund Freud (The Future of an Illusion)
A strong and capable leader can stand on their own two feet. A wimpy puppet of a leader needs to have their father, their father-in-law, mother, mother-in-law, sister, nursemaid, paid 'yes' people, etc. prop him up. That's fine if he is a baby, but not fine when he is a grown man. If he is capable of leading a company without the help of nepotism, then his workers will respect him and naturally get motivated to support him as a leader. - Strong by Kailin Gow
Kailin Gow
We shower so much love on babies and children,"she said. "But as we grow up, it stops. No one showers love on grown-ups. But I think we need more love as we get older, not less. Life gets harder, not easier, but we stop loving each other so much, just when we need love most.
Kerry Egan (On Living)
That meant that Nancy was the grown-up, the one who got to decide everything. And it meant that Bean was the little, boring, poopy baby who didn't get to decide anything.
Annie Barrows (Ivy and Bean Take Care of the Babysitter (Ivy & Bean #4))
He saw a baby elephant tied to a post with a steel chain. The baby ripped and scratched and tried to get free, but the chain wouldn't break. Then, he saw a grown elephant tied to a post with nothing but a little piece of rope. He asked his mother how the little piece of rope held the big elephant in place. She explained they chain the babies until they give up. The elephants think that little piece of rope is still a chain.
Stephen Chbosky (Imaginary Friend)
It's the strangest feeling at the end of pregnancy: you look down at this huge belly and try to imagine how some little person, whom you haven't even met, is going to emerge from it any day and completely change your lives. First, you wonder how this pregnancy, to which you've grown so accustomed over much of the last year, can, with barely any notice, come to an abrupt end. Then you try to fathom how this baby is ever going to come out; your bowling ball stomach seems misproportioned for what lies between it and the outside world. And only then do you realize what it all means-that the easy part, pregnancy, is almost over, and it's time to gear up for the tough stuff: childbirth!
Lise Eliot (What's Going On in There? How the Brain and Mind Develop in the First Five Years of Life)
To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory.
Arundhati Roy (The God of Small Things)
-It is too hard yet to realize that they're grown up. When I look at those two tall sons of mine I wonder if they can possibly be the fat, sweet, dimpled babies I kissed and cuddled and sang to slumber the other day - only the other day...
L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
An infant's smile was the greatest promise that the world would go on, no matter how much the grown-ups mucked around with it.
Janice Maynard (Baby for Keeps (Kavanaghs of Silver Glen #2))
It’s not that you want a baby, or want to get married, or any of it. It’s not your bag. You just feel tired for some reason. Tired of the world. Tired of trying to fit in where you don’t.
Jami Attenberg (All Grown Up)
Then men were not dependent upon women after all, as she had thought—women were dependent upon men. Boys were frail, boys cried, boys were tender, boys were helpless. Mary Anne knew this, because she was the eldest girl among her three young brothers, and the baby Isobel did not count at all. Men also were frail, men also cried, men also were tender, men also were helpless. Mary Anne knew this because her stepfather, Bob Farquhar, was all of these things in turn. Yet men went to work. Men made the money—or frittered it away, like her stepfather, so that there was never enough to buy clothes for the children, and her mother scraped and saved and stitched by candlelight, and often looked tired and worn. Somewhere there was injustice. Somewhere the balance had gone. “When I’m grown up I shall marry a rich man,” she said.
Daphne du Maurier (Mary Anne)
I hate babies with trendy names like Tiffany and Britney and Heather and Noah and Blake and Justin. I’m sick of Olivia and Chloe and Eva and Madison. I hope Aiden and Jayden and Braden and Graden all suffer minor head injuries while reading Dr. Seuss. Enough already with the cutesy-poo baby names. What happened to John and Dave and Sue? Babies with trendy names grow up to be adults with ridiculous names. “This is our CEO, Micah.” “You know what, Micah? I want my money back. I’m closing my portfolio. I’m going with Michael. He’s a grown-up.” One day all of these trendy-named children will grow up and become parents and then grandparents, and it’s all wrong. Grandma Tori? Zayda Jared? Nana Savannah?
Joan Rivers (I Hate Everyone... Starting with Me)
After all, as educated men, we should realize that myths always stand for other things. They are toys for children teething. The man knows that the toy horse is not a true horse but merely suggests the idea of a horse to a baby's mind. When we pray before the statue of Zeus, though the statue contains him as everything must, the statue is not the god himself but only a suggestion of him. Surely, as fellow priests, we can be frank with one another about these grown-up matters.
Gore Vidal (Julian)
... those females least embedded in male “culture,” the least nice, those crass and simple souls who reduce fucking to fucking, who are too childish for the grown-up world of suburbs, mortgages, mops and baby shit, too selfish to raise kids and husbands, too uncivilized to give a shit for anyone’s opinion of them, too arrogant to respect Daddy, […] in short, those who, by the standards of our “culture” are SCUM … these females are cool and relatively cerebral and skirting asexuality.
Valerie Solanas (SCUM Manifesto)
It’s just that the thing you never understand about being a mother, until you are one, is that it is not the grown man—the galumphing, unshaven, stinking, opinionated offspring—you see before you, with his parking tickets and unpolished shoes and complicated love life. You see all the people he has ever been all rolled up into one. I looked at Will and I saw the baby I held in my arms, dewily besotted, unable to believe that I had created another human being. I saw the toddler, reaching for my hand, the schoolboy weeping tears of fury after being bullied by some other child. I saw the vulnerabilities, the love, the history. That’s what he was asking me to extinguish—the small child as well as the man—all that love, all that history.
Jojo Moyes (Me Before You (Me Before You, #1))
Ruby and Aaron are both crazy patient; they’re good parents.” “I could be a good dad,” Ivan whispered, still feeding Jess. I could have told him he’d be good at anything he wanted to be good at, but nah. “Do you want to have kids?” he asked me out of the blue. I handed Benny another block. “A long time from now, maybe.” “A long time… like how long?” That had me glancing at Ivan over my shoulder. He had his entire attention on Jessie, and I was pretty sure he was smiling down at her. Huh. “My early thirties, maybe? I don’t know. I might be okay with not having any either. I haven’t really thought about it much, except for knowing I don’t want to have them any time soon, you know what I mean?” “Because of figure skating?” “Why else? I barely have enough time now. I couldn’t imagine trying to train and have kids. My baby daddy would have to be a rich, stay-at-home dad for that to work.” Ivan wrinkled his nose at my niece. “There are at least ten skaters I know with kids.” I rolled my eyes and poked Benny in the side when he held out his little hand for another block. That got me a toothy grin. “I’m not saying it’s impossible. I just wouldn’t want to do it any time soon. I don’t want to half-ass or regret it. If they ever exist, I’d want them to be my priority. I wouldn’t want them to think they were second best.” Because I knew what that felt like. And I’d already screwed up enough with making grown adults I loved think they weren’t important. If I was going to do something, I wanted to do my best and give it everything. All he said was, “Hmm.” A thought came into my head and made my stomach churn. “Why? Are you planning on having kids any time soon?” “I wasn’t,” he answered immediately. “I like this baby though, and that one. Maybe I need to think about it.” I frowned, the feeling in my stomach getting more intense. He kept blabbing. “I could start training my kids really young…. I could coach them. Hmm.” It was my turn to wrinkle my nose. “Three hours with two kids and now you want them?” Ivan glanced down at me with a smirk. “With the right person. I’m not going to have them with just anybody and dilute my blood.” I rolled my eyes at this idiot, still ignoring that weird feeling in my belly that I wasn’t going to acknowledge now or ever. “God forbid, you have kids with someone that’s not perfect. Dumbass.” “Right?” He snorted, looking down at the baby before glancing back at me with a smile I wasn’t a fan of. “They might come out short, with mean, squinty, little eyes, a big mouth, heavy bones, and a bad attitude.” I blinked. “I hope you get abducted by aliens.” Ivan laughed, and the sound of it made me smile. “You would miss me.” All I said, while shrugging was, “Meh. I know I’d get to see you again someday—” He smiled. “—in hell.” That wiped the look right off his face. “I’m a good person. People like me.” “Because they don’t know you. If they did, somebody would have kicked your ass already.” “They’d try,” he countered, and I couldn’t help but laugh. There was something wrong with us. And I didn’t hate it. Not even a little bit.
Mariana Zapata (From Lukov with Love)
As a great Christian writer (George MacDonald) pointed out, every father is pleased at the baby’s first attempt to walk: no father would be satisfied with anything less than a firm, free, manly walk in a grown-up son. In the same way, he said, ‘God is easy to please, but hard to satisfy.
C.S. Lewis (Mere Christianity)
If you could change one thing about this world, what would it be?” Mrs. Peabody asked her. “It would be wars,” Myriah replied seriously. “I would stop them. I would say to the people who were making the wars, ‘Now you stop that. You settle this problem yourselves like grown-ups. Our children want peace.’ That’s what I’d change.
Ann M. Martin (Little Miss Stoneybrook... and Dawn (The Baby-Sitters Club, #15))
None of this was part of the plan all the girls I'd grown up with had been given. Not a written plan, unless the book about Cinderella counted. The plan was in the water we drank, the air we breathed. It was poured into the pavement on the streets we called home. Marry a nice man, one who was a good provider, and live happily, or at least comfortably, ever after. Safe to say I'd followed the plan. I'd married a banker. Had a baby. But the plan had failed me. It left me alone huddled in a window seat with every emotion I'd refused to let myself feel seeping through my pores until the air in my bedroom was heavy with sadness and angst and confusion. (p. 235)
Julie Mulhern (The Deep End (The Country Club Murders #1))
Three cars for two grown-ups, I thought. What a country. What a couple selfish dicks my wife and her new husband were. I could see that, over the years, my babies would slowly transform into selfish-dick babies, then selfish-dick toddlers, kids, teenagers, and adults, with me all that time skulking around like some unclean suspect uncle.
George Saunders (Tenth of December)
It’s not that I don’t care about seeing her baby, it’s that I don’t care about seeing any baby. Also
Jami Attenberg (All Grown Up)
Founders often had to step aside to let corporate “grown-ups” raise their babies—that was just how Silicon Valley worked.
Gina Keating (Netflixed: The Epic Battle for America's Eyeballs)
Parents get all focused on themselves, and they see their little babies start walkin' and talkin', and since they kinda look like them and sound like the, they start thinking of those little babies as themselves....And then something funny happens. Those babies grow up to be kids and teenages and grown-ups in their own right....so everything the kids do, everything, is a betrayal.
Barry Lyga (Blood of My Blood (I Hunt Killers, #3))
And Ŗeżżőcħ came like a summer storm, hard and fast, wielding magic more powerful than we had ever known. In his sleep, his hunger had grown strong.” “I know the feeling,” I say. “Sometimes when I wake up, I’m just craving a Baby Ruth, like—” “Jack!” Quint whispers. “Oh. Right. Story time.” Bardle chuckles. “Ŗeżżőcħ did not crave ‘Baby Ruths.’ Ŗeżżőcħ craved death. He is the destructor.” I
Max Brallier (The Last Kids on Earth and the Zombie Parade)
Then they had grown. Edging into life from the back door. Becoming. Everybody in the world was in a position to give them orders. White women said, "Do this." White children said, "Give me that." White men said. "Come here." Black men said, "Lay down." The only people they need not take orders from were black children and each other. But they took all of that and re-created it in their own image. They ran the houses of white people, and knew it. When white men beat their men, they cleaned up the book and went home to receive abuse from the victim. They beat their children with one hand and stole for them with the other. The hangs that felled trees also cut umbilical cords; the hands that wrung the necks of chickens and butchered hogs also nudged African violets into bloom; the arms that loaded sheaves, bales, and sacks rocked babies into sleep. They patted biscuits into flaky ovals of innocence--and shrouded the dead. They plowed all day and came home to nestle like plums under the limbs of their men, The legs that straddled a mule's back were the same ones that straddled their men's hips. And the difference was all the difference there was.
Toni Morrison (The Bluest Eye (A Play))
I understand that it’s disheartening to pour effort and money into a work of art and find that others do not value it with the same intensity. I’ve been to this rodeo more than a few times, and yes, it’s painful and hard on the soul. It is also the sort of thing that grown-ups do every day. Anyone deluded enough to think they are owed monetary success because they bled for their art is in for some hard, hard knocks and buckets full of tears. There will be many cries of “unfair” and much jealousy and hatred. And to be fair, all authors go through this every time they watch their books ride the waves of bestseller charts and the ego torture chamber known as Goodreads reviews. Even the most well-adjusted of us watch that horrible piece of shit book beat our baby to pieces and gnash our teeth and shout at our monitors demanding to know what brain-donors are shopping on amazon.com these days. But holy Smart Bitch on a cracker, Batman, to write a post about how stupid readers are and worse to actually put it out there on the internet is so beyond the pale there’s a special hell for that kind of idiocy. Let me repeat: authors exist at the pleasure of readers. Without the people who buy and read my books, I am just another dizzy broad writing shit down. Readers aren’t just an author’s audience; they are her lifeblood. --
Heidi Cullinan
You know what I do all day long as I lie here?” she said. “I try to be loveful.” I asked her what she meant. “We shower so much love on babies and children,” she said. “But as we grow up, it stops. No one showers love on grown-ups. But I think we need more love as we get older, not less. Life gets harder, not easier, but we stop loving each other so much, just when we need love most. I—” Her voice caught in her throat, but she took a big breath and kept going. “I need more love now that I’m so old. I need love.” She lay back on her pillows and closed her eyes, out of breath. In another few seconds, she opened her eyes again. “One day, when I was lying here, I realized how old God is. He is so old. He must need so much love. People are always demanding so much from him, but who is there to shower him with love? So I thought that was something I could do. That’s what I do all day: I try to love God. I lie here and try to make my heart burst with so much love. I can lie here and love God and maybe it will help him.” She sighed heavily and her eyelids fluttered. She promptly fell asleep. I
Kerry Egan (On Living)
There are so many things to grieve....All the dogs & cats & birds & snakes we have loved & lost, & old lovers, but what else? ... it took me forever to see that one of them was my own daughter, my baby, a young woman I thought of only as a girl, a child, & there she was, suddenly a woman, & I felt this ache gnaw at me as if I hadn't eaten in a year. ... I stood there watching my daughter gesture & move & laugh with the grace of a grown-up, & I just started crying like a baby. It wasn't unlike the same type of sorrow we all feel when we realize something we once had that was very precious is not longer there. That it is forever lost, changed, deceased. Like a baby, gone, except in your memory. ... My own daughter is now a woman. I get it. Another passage, another form of loss, another reason to grieve, another part of this life process.
Kris Radish (Annie Freeman's Fabulous Traveling Funeral)
As I walk behind her down the halls, it happens. I shrink inch by inch until I am no longer an adult, but a baby toddling along in a comically oversized business suit. I have been pretending to be a grown-up this whole time. My briefcase is full of milk: I have been found out. 'This, then, is home. What is home? Is it a sort of lap of location, that exists only if certain conditions are in place? Is it the intersection of rigidity and comfort--a junction of familiartiy that you curl into? Is it a feeling? I don't know, but I'm being hugged hard against it, and I can't tell when I'll be let go.
Patricia Lockwood (Priestdaddy)
If we think of eroticism not as sex per se, but as a vibrant, creative energy, it’s easy to see that Stephanie’s erotic pulse is alive and well. But her eroticism no longer revolves around her husband. Instead, it’s been channeled to her children. There are regular playdates for Jake but only three dates a year for Stephanie and Warren: two birthdays, hers and his, and one anniversary. There is the latest in kids’ fashion for Sophia, but only college sweats for Stephanie. They rent twenty G-rated movies for every R-rated movie. There are languorous hugs for the kids while the grown-ups must survive on a diet of quick pecks. This brings me to another point. Stephanie gets tremendous physical pleasure from her children. Let me be perfectly clear here: she knows the difference between adult sexuality and the sensuousness of caring for small children. She, like most mothers, would never dream of seeking sexual gratification from her children. But, in a sense, a certain replacement has occurred. The sensuality that women experience with their children is, in some ways, much more in keeping with female sexuality in general. For women, much more than for men, sexuality exists along what the Italian historian Francesco Alberoni calls a “principle of continuity.” Female eroticism is diffuse, not localized in the genitals but distributed throughout the body, mind, and senses. It is tactile and auditory, linked to smell, skin, and contact; arousal is often more subjective than physical, and desire arises on a lattice of emotion. In the physicality between mother and child lie a multitude of sensuous experiences. We caress their silky skin, we kiss, we cradle, we rock. We nibble their toes, they touch our faces, we lick their fingers, let them bite us when they’re teething. We are captivated by them and can stare at them for hours. When they devour us with those big eyes, we are besotted, and so are they. This blissful fusion bears a striking resemblance to the physical connection between lovers. In fact, when Stephanie describes the early rapture of her relationship with Warren—lingering gazes, weekends in bed, baby talk, toe-nibbling—the echoes are unmistakable. When she says, “At the end of the day, I have nothing left to give,” I believe her. But I also have come to believe that at the end of the day, there may be nothing more she needs. All this play activity and intimate involvement with her children’s development, all this fleshy connection, has captured Stephanie’s erotic potency to the detriment of the couple’s intimacy and sexuality. This is eros redirected. Her sublimated energy is displaced onto the children, who become the centerpiece of her emotional gratification.
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
We're brainwashed with garbage idioms like "Big girls don't cry". Guys who "cry like a girl" are told to "man up". Or "she's crying like a baby", as if only babies cry, which makes no sense to me, given babies have the fewest problems out of all of us. They don't have mortgages or jury duty, and they get the fun end of the whole birthing situation. The mother is the one who is pushing and bleeding and tearing, and the baby basically just gets to jet down a water slide. I think the whole "crying like a baby" idiom should be reversed: what we should say about babies is "Jesus, that baby is crying like a grown-up!
Whitney Cummings (I'm Fine...And Other Lies)
My second baby was a girl. Cutest thing you ever did see. He was happy with a girl. His first born. He liked havin’ a girl. He fell in love with her and played with her and praised her every move. Seem to me that men only happy with the female sex when we just girls. They want us to stay girls because they don’t like grown women.
Brian Broome (Punch Me Up to the Gods)
kathakali discovered long ago that the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover’s skin. You know how they end, yet you listen as though you don’t. In the way that although you know that one day you will die, you live as though you won’t. In the Great Stories you know who lives, who dies, who finds love, who doesn’t. And yet you want to know again. That is their mystery and their magic. To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey’s tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna’s smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory. He tells stories of the gods, but his yarn is spun from the ungodly, human heart. The Kathakali Man is the most beautiful of men. Because his body is his soul. His only instrument. From the age of three it has been planed and polished, pared down, harnessed wholly to the task of story-telling. He has magic in him, this man within the painted mask and swirling skirts.
Arundhati Roy (The God of Small Things)
Bring a baby to any grown-up -- even the gruffest or most inhibited -- and watch what happens. Without exception, they will do something to try and make the baby laugh. Psychologists, anthropologists, and other experts have theories about why this is so. For me it's enough to believe that whenever a baby laughs, our humanity is somehow exalted.
Jack Moore
As a baby boomer, I had grown up seeing only growth and opportunity. Success seemed a given. But working through the economic ups and downs of the 1970s and early 1980s, I had come to understand that success is about taking advantage of those rare moments of opportunity that you can’t predict but come to you provided you’re alert and open to major changes.
Stephen A. Schwarzman (What It Takes: Lessons in the Pursuit of Excellence)
Is that coffee?” Hunt busied himself with pouring three cups, passing one to Quinlan first. “A drop of coffee in a cup of milk, just as you like it.” “Asshole.” She swiped the mug. “I don’t know how you drink it straight.” “Because I’m a grown-up.” Hunt passed the second mug to Ithan, whose large hands engulfed the white ceramic cup that said I Survived Class of 15032 Senior Week and All I Got Was This Stupid Mug! Ithan peered at it, his mouth twitching. “I remember this mug.” Hunt fell silent as Bryce let out a breathy laugh. “I’m surprised you do, given how drunk you were. Even though you were a sweet baby frosh.” Ithan chuckled, a hint of the handsome, cocky male Hunt had heard about. “You and Danika had me doing keg stands at ten in the morning. How was I supposed to stay sober?” The wolf sipped from his coffee. “My last memory from that day is of you and Danika passed out drunk on a couch you’d moved right into the middle of the quad.” “And why was that your last memory?” Bryce asked sweetly. “Because I was passed out next to you,” Ithan said, grinning now.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Coke had a theory to explain grown-ups, as he did for most things in life. In his view, babies are born with a specific number of brain cells, which waste away and die off as people get older. So by the time they reach thirty—and certainly by the time they reach forty—most of their brain cells are gone. This explains why grown-ups do and say the things they do.
Dan Gutman (Mission Unstoppable)
the baby Christian is often prone to sin. The zeal of his enthusiastic feelings, not yet balanced by a true sense of his own imperfections, leads him to rebuke others with a prideful and censorious spirit. But the grown-up Christian can bear with the youngster patiently because he has been there himself and will not expect fruit to be ripe before its due season. In
Barbara R. Duguid (Extravagant Grace: God's Glory Displayed in Our Weakness)
As I thought about endings and – being a lover of fairy tales – I knew immediately that the deeply rooted last line in folk stories, ‘And they lived happily ever after’, is the core of what we think we know about endings. We hear it always in our hindbrain because it’s the last line most of us in the West have grown up with. That line stops the story at the point of greatest happiness. The wedding, the homecoming, the mystery unraveled, the villain disposed of, families reunited, babies born. If we went on in the story Cinderella, she might be whispered about in court: after all, her manners are not impeccable, she always has smudges of ash on her nose, and no one can trace her bloodline back enough generations. Perhaps she has grown fat eating all that rich food in the castle, and the prince’s eye has strayed. If we went on in The Three Little Pigs, the brother who builds with bricks will have kicked the other two lay-abouts out of his house, or hired them to run his successful company and they – angry at their lower status – plot to kill him. But, having little imagination, do it the only way they know how, by trying to boil him in the pot that still holds the memory of the wolf’s demise, so of course the brick building pig finds them out. But modern books pose a different problem. They present harder choices. It’s no longer fairy tale endings we are talking about, but the other stuff, more realistic, stronger, difficult, and maybe not happy-ever-after stuff.
Jane Yolen
When I wasn’t in the barn garden, helping out, sorting seeds or checking hoses I’d spend time alone, usually in the bathroom adjacent to Joel’s room, staring into the shattered mirror as my hand gently caressed my baby bump. More often than not I would cry. Not because my pregnancy upset me, or that my hormones were getting the better of me, but because I missed Joel, my baby’s father. That the baby would grow up without a dad made me anxious. Then again, if he had survived, what irreparable damage would he have suffered and how would his pain translate to his child? Jesus, I was studying myself in the very mirror he’d smashed the night he chose to take his own life. The bump had grown slowly in the last couple of months. With these limited resources, I didn’t have the privilege of eating whatever I craved. Had that been the case, I was sure I would have been bigger by now. Still, I tried to eat as well and as often as I could and the size of my belly had proven that my attempts at proper nutrition were at least growing something in there. Nothing made me happier than feeling my baby move. It was a constant source of relief for me. In our present circumstances, with no vitamins and barely any meat products save the recent stash of jerky Earl had found in an abandoned trailer, my diet consisted of berries, lettuce, and canned beans for the most part. Feeling the baby move inside me was an experience I often enjoyed alone. I would think of Joel then as well. Imagining his hand on my belly, with mine guiding his to the kicks and punches.
Michael Poeltl (Rebirth (The Judas Syndrome, #2))
We shower so much love on babies and children,” she said. “But as we grow up, it stops. No one showers love on grown-ups. But I think we need more love as we get older, not less. Life gets harder, not easier, but we stop loving each other so much, just when we need love most. I—” Her voice caught in her throat, but she took a big breath and kept going. “I need more love now that I’m so old. I need love.
Kerry Egan (On Living: Dancing More, Working Less and Other Last Thoughts)
You see, I never knew what I wanted to be -- I still don;t know. All I knew was that I was supposed to get married and have babies just like my mother did and my sisters did. I wanted to do that. I met your father and I was his wife, that is who I was. Then I had my children. And then I was a mother. That's who I was. A wife and a mother but I don't know if I was or if I am of any real value. You and the boys are all grown up, so what I am now?
Cecelia Ahern
Will, was not as taken with the photo of the new baby as the grown ups around him. “It look like Mr. Potato Head.” “I’m sure your baby sister will appreciate that,” Alessandro said with a wry grin. “A girl? It’s a girl?” Will asked with a grimace. “That’s right,” Bree announced as Vanessa and Brian congratulated them. “I can play wif Gianni but what we gonna do wif a girl?” he asked, handing the picture back to them. “Nope, send it back and get another boy dis time.
E. Jamie (The Betrayal (Blood Vows, #2))
I thought of Joey and Nate. Had they been happy babies too or had they always been nervous and shy? I had a feeling I knew the answer. Their personalities probably had a lot to do with the environment they’d grown up in. Mr. Nicholls was not exactly the sweet, loving, supportive type of parent I was used to, but I didn’t want to judge him. I knew he was probably raising his kids the way he believed was right. Every parent has different ideas about how to bring up good kids.
Ann M. Martin (Claudia and the Terrible Truth (The Baby-Sitters Club, #117))
...Women have preserved this `baby look' for as long as possible so as to make the world continue to believe in the darling, sweet little girl she once was, and she relies on the protective instinct in man to make him take care of her. As with everything a woman undertakes on her own initiative, this whole maneuvre is as incredible as it is stupid. It is amazing, in fact, that it succeeds. It would appear very shortsighted to encourage such an ideal of beauty. For how can any woman hope to maintain it beyond the age of twenty-five? Despite every trick of the cosmetics industry, despite magazine advice against thinking or laughing (both tend to create wrinkles), her actual age will inevitably show'- through in the end. And what on earth is a man to do with a grown-up face when he has been manipulated into considering only helpless, appealing little girls to be creatures of beauty? What is a men to do with a woman when the smooth curves have become flabby tires of flesh, the skin slack and pallid, when the childish tones have grown shrill and the laughter sounds like neighing? What is to become of this shrew when her face no longer atones for her ceaseless inanities and when the cries of `Ooh' and Ah' begin to drive him out of his mind? This mummified `child' will never fire a man's erotic fantasy again. One might think her power broken at last. But no, she still manages to get her own way - and for two reasons. The first is obvious: she now has children, who enable her to continue feigning helplessness. As for the second - there are simply not enough young women to go around. It is a safe bet that, given the choice, man would trade in his grown-up child-wife for a younger model, but, as the ratio between the sexes is roughly equal, not every man can have a younger woman. And as he has to have a wife of some sort. he prefers to keep the one he already possesses. This is easy to prove. Given the choice, a man will always choose a younger woman.
Esther Vilar (The Manipulated Man)
After Mary confessed that dream to him, Jack got to wondering how women felt about motherhood once their children are grown and didn't need them anymore. How do they close the storybooks, box up the toys, and pack up the memories of the deeply lived-in childhoods of their babies? Childhoods that fly by quickly and selfishly, without regard to a mother's unconditional love and sacrifice. How does a mother go on being a mother when one day she wakes up and finds that her arms are empty and her grown children are walking away from her without so much as a glance back?
Lilli Jolgren Day (The Wonder of Ordinary Magic)
You know, Fee," said Liam, "I have huge admiration for Lulu and I'm hoping that you and I can be friends, too. But.." He stopped. "Did you ask me about my mother?" he asked. "Yes," said Fee. "Oh," said Liam. "Sorry. I was five, and Freddie was three." "Poor little babies," said Fee. "Five and three, that must have been so hard on all of you. It's a huge credit to your father that you've both grown up so beautifully. Can I ask you another question, Liam?" A little nervously, Liam cleared his throat. "Ask away?" he said. "What on earth," said Fee, "has Lulu been telling you about me?
Gabrielle Donnelly (The Little Women Letters)
Regrettably, all that happened was that Blake became another man over whom Amy sought control but who ended up controlling her. Blake clearly loved Amy but I don’t believe he was ever emotionally there for her. That the media built Blake up to be an evil monster was laughable to me. He was a baby boy who had never grown up himself and who demanded unhealthy amounts of attention. Every time he pulled away from Amy, she chased him. It was infatuation. As far as I could see, their relationship had very little to do with kindness or care at that stage and everything to do with co-dependency.
Janis Winehouse (Loving Amy: A Mother's Story)
There you are.” Roshar beamed. “I need your help, Arin.” “For the preparation of meat?” “It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.” “Because of meat.” “It’s for his tiger,” said the cook. Arin palmed his face, eyes squeezed shut. “Your tiger.” “He’s very particular,” said Roshar. “You can’t bring the tiger to the banquet.” “Little Arin has missed me. I will not be parted from him.” “Would you consider changing his name?” “No.” “What if I begged?” “Not a chance.” “Roshar, the tiger has grown.” “And what a sweet big boy he is.” “You can’t bring him into a dining hall filled with hundreds of people.” “He’ll behave. He has the mien and manners of a prince.” “Oh, like you?” “I resent your tone.” “I’m not sure you can control him.” “Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--” “Gods, Roshar, shut up.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Oh Jesus Mary mother of god!” Mrs. Sloane swore as she leapt up, Madeline still in her arms. “That is truly hideous, child!” She looked into the small red face and bounced the bundle around the laboratory, her voice raised above the noise. “Years ago, when I was a new mother, Mr. Sloane was away on business and a horrible man broke into the house and said if I didn’t give him all our money, he’d take the baby. I hadn’t slept or showered in four days, hadn’t combed my hair for at least a week, hadn’t sat down in I don’t know how long. So I said, ‘You want the baby? Here.’ ” She shifted Madeline to the other arm. “Never seen a grown man run so fast.
Bonnie Garmus (Lessons in Chemistry)
You ask if I miss having my vision. And I give you polite answers and deflections so you won't worry about me. But I'm not afraid of blindness. I made sure when I was young to see everything. The ocean, the sky, every kind of person on Earth, all the animals that were left before they were gone. I even saw space from inside, the Earth as it trailed away behind us - even if only in my mind. I've seen sunrise on Mars and my own baby, though she's nearly grown up now and doesn't talk to me much. "I'm about as afraid to die as I am of being blind. What else is there to do or see? I've seen it all, and all that's left is reminders that it's gone, all of it gone.
Jason Dias (Finding Life on Mars: A novel of isolation)
Little girls ought to be taught and brought up with boys, so that they might be always together. A woman ought to be trained so that she may be able, like a man, to recognise when she's wrong, or she always thinks she's in the right. Instil into a little girl from her cradle that a man is not first of all a cavalier or a possible lover, but her neighbour, her equal in everything. Train her to think logically, to generalise, and do not assure her that her brain weighs less than a man's and that therefore she can be indifferent to the sciences, to the arts, to the tasks of culture in general. The apprentice to the shoemaker or the house painter has a brain of smaller size than the grown-up man too, yet he works, suffers, takes his part in the general struggle for existence. We must give up our attitude to the physiological aspect, too -- to pregnancy and childbirth, seeing that in the first place women don't have babies every month; secondly, not all women have babies; and, thirdly, a normal countrywoman works in the fields up to the day of her confinement and it does her no harm. Then there ought to be absolute equality in everyday life. If a man gives a lady his chair or picks up the handkerchief she has dropped, let her repay him in the same way. I have no objection if a girl of good family helps me to put on my coat or hands me a glass of water --
Anton Chekhov
As for this story’s theme, probably the most concise summation of it that I’ve seen appears in Kurt Vonnegut’s introduction to the twenty-fifth-anniversary edition of Slaughterhouse-Five: “Stephen Hawking…found it tantalizing that we could not remember the future. But remembering the future is child’s play for me now. I know what will become of my helpless, trusting babies because they are grown-ups now. I know how my closest friends will end up because so many of them are retired or dead now…To Stephen Hawking and all others younger than myself I say, ‘Be patient. Your future will come to you and lie down at your feet like a dog who knows and loves you no matter what you are.’ 
Ted Chiang (Arrival)
In this world of human affairs there is no worse nuisance than a boy at the age of fourteen. He is neither ornamental nor useful. It is impossible to shower affection on him as on a little boy; and he is always getting in the way. If he talks with a childish lisp he is called a baby, and if he answers in a grown-up way he is called impertinent. In fact any talk at all from him is resented. Then he is at the unattractive, growing age. He grows out of his clothes with indecent haste; his voice grows hoarse and breaks and quavers; his face grows suddenly angular and unsightly. It is easy to excuse the shortcomings of early childhood, but it is hard to tolerate even unavoidable lapses in a boy of fourteen.
Rabindranath Tagore (Stories from Tagore)
This wasn’t the usual disappointment about election results—this was fear and horror and outrage that it seemed would never subside and not just for members of Generation Wuss, like my partner, but also for real grown-ups in their forties and fifties and sixties, so unhinged that their team hadn’t won they began using words like “apocalypse” and “Hitlerian.” Sometimes, when listening to friends of mine, I’d stare at them while a tiny voice in the back of my head started sighing, You are the biggest fucking baby I’ve ever fucking heard in my entire fucking life and please you’ve got to fucking calm the fuck down—I get it, I get it, you don’t like fucking Trump but for fuck’s sake enough already for fuck’s sake.
Bret Easton Ellis (White)
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her. 'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling. Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet. Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. 'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Ann didn't move. There was no use; her mother had seen her. She could try to hide the flowered plates but that wouldn't be any use either. Her mother had already been in the cabin and seen the open chest. Ann waited, her heart pounding and her eyes on the ground. When she finally looked up, her mother was standing quietly beside her and looking at the tea party table. Ann held her breath, but for some reason her mother didn't look cross at all. Instead, there was the same kind of lovingness in her face as she had when she rocked the baby after he had been crying for a long time. Then Mrs. Hamilton turned to Ann and smiled. "Good afternoon, Mrs. Jones," she said. "I hope I am not too late for tea. And is this your daughter?" Mrs. Hamilton nodded toward Semanthie. "My, how she's grown!
Jean Fritz (The Cabin Faced West)
A parent-child combo might pop up at the crest of the old country road, wan and wary, and Mark Spitz shrank from these, no matter how well outfitted they were. Parenthood made grown-ups unpredictable. They hesitated at the key moment out of consideration for their kid’s abilities or safety, they were paranoid he wanted to rape or eat their offspring, they slowed him down with their baby steps or kept him distracted as he pondered their erraticism. They were worse than the bandits, who only wanted your stuff and sometimes managed to take it, on the spot, or at gunpoint later when the opportunity presented itself, when you were sleeping or taking a piss. The parents were dangerous because they didn’t want your precious supplies. They possessed the valuables, and it hobbled their reasoning.
Colson Whitehead (Zone One)
I looked up again at the stained glass window. There she was, the same smile on her lips. I'm sure you were totally freaked out when they told you that you were pregnant, but at least your baby's birth is now celebrated all around the world! And so many people have been saved by you, and by your child! Then again, to be eternally known as the Virgin Mother, as if that's the only thing that gave meaning to your existence... Hey did you have any hobbies of your own? Or maybe there was a singer you were really into? You must have gotten stressed out sometimes. I mean, being called the Virgin Mother, even after your son was all grown up... And then to have him crucified like that. I can't imagine how hard that must have been. I just hope you managed to live your life the way you wanted, to take naps when you felt like it, to know yourself by a name that made sense to you...
Emi Yagi (Diary of a Void)
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved (Beloved Trilogy, #1))
I want to say you'd be surprised by the kind of people who go visit their relatives and lovers in jail, but really you wouldn't be surprised at all. It's just like you see on TV - desperate, broken-toothed women in ugly clothes, or other ladies who dress up like streetwalkers to feel sexy among the inmates and who are waiting for marriage proposals from their men in cuffs, even if they're in maximum security and the court has already marked them for life or death penalty. There are women who come with gangs of kids who crawl over their daddies, and there are the teenagers and grown-up kids who come and sit across the picnic tables bitter-lipped while their fathers try to apologize for being there. Then there are the sisters, like me, who show up because nobody else will. Our whole family, the same people who treated my brother like he was baby Moses, all turned their backs on Carlito when he went to the slammer. Not one soul has visited him besides me. Not an uncle, a tia, a primo, a friend, anybody.
Patricia Engel (The Veins of the Ocean)
When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing--a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees. After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, "Let the children come!" and they ran from the trees toward her. "Let your mothers hear you laugh,"she told them, and the woods rang. The adults looked on and could not help smiling. Then "Let the grown men come," she shouted. They stepped out one by one from among the ringing trees. "Let your wives and your children see you dance," she told them, and groundlife shuddered under their feet. Finally she called the women to her. “Cry,” she told them. “For the living and the dead. Just cry.” And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart…“Here,” she said, “in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it… No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them! Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face ‘cause they don’t love that either. You got to love it - you! And no, they ain’t in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed…What you put into it to nourish your body they will snatch away and give leavins instead. No they don’t love your mouth. You got to love it." "This is flesh I’m talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I’m telling you. And oh my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it, and hold it up. And all your inside parts that they’d just as soon slop for hogs, you got to love them. The dark, dark liver - love it, love it, and the beat and beating heart, love that too. More than eyes or feet…More than your life-holding womb and your live-giving private parts, hear me now, love your heart. For this is the prize."" -Baby Suggs
Toni Morrison (Beloved (Beloved Trilogy, #1))
This is a story about a pregnant lioness who gave birth to a baby lion before suddenly dying while attacking a flock of sheep. Taking pity on the cub, the sheep brought the young lion up. The lion ate grass and not meat, and bleated like a sheep. In time, it became a big, full-grown lion, but the lion still thought it was a sheep.   One day another lion came in search of prey, and was astonished to find that in the midst of this flock of sheep was a lion, fleeing like the sheep at the approach of danger. He tried to get near the sheep-lion to tell it that it was not a sheep but a lion but the poor animal fled at his approach. However, he watched his opportunity, and one day found the sheep-lion sleeping.   He approached it and said, "You’re a lion."   "I’m a sheep," bleated the other lion.   The lion dragged him towards a lake and said, "Look! There is my reflection and yours."   Then came the comparison. The sheep-lion looked at both reflections, and realized he was indeed a lion. He let out a mighty roar. The bleating was gone, never to return.
Vishwanath (The Power Of Visualization : Meditation Secrets That Matter The Most)
I’ve been allowed to read more grown-up books lately. Eva’s Youth by Nico van Suchtelen is currently keeping me busy. I don’t think there’s much of a difference between this and books for teenage girls. Eva thought that children grew on trees, like apples, and that the stork plucked them off the tree when they were ripe and brought them to the mothers. But her girlfriend’s cat had kittens and Eva saw them coming out of the cat, so she thought cats laid eggs and hatched them like chickens, and that mothers who wanted a child also went upstairs a few days before their time to lay an egg and brood on it. After the babies arrived, the mothers were pretty weak from all that squatting. At some point, Eva wanted a baby too. She took a wool scarf and spread it on the ground so the egg could fall into it, and then she squatted down and began to push. She clucked as she waited, but no egg came out. Finally, after she’d been sitting for a long time, something did come, but it was a sausage instead of an egg. Eva was embarrassed. She thought she was sick. Funny, isn’t it?
Anne Frank (The Diary of Anne Frank: The Definitive Edition)
The California Board of Education provides, through its virtual libraries, a book intended for kindergarten teachers to read to their students: Who Are You? The Kid’s Guide to Gender Identity by Brook Pessin-Whedbee.19 The author begins with a familiar origin story: “Babies can’t talk, so grown-ups make a guess by looking at their bodies. This is the sex assigned to you at birth, male or female.”20 This author runs the gamut of typical kindergarten gender identity instruction. Who Are You? offers kids a smorgasbord of gender options. (“These are just a few words people use: trans, genderqueer, non-binary, gender fluid, transgender, gender neutral, agender, neutrois, bigender, third gender, two-spirit….”) The way baby boomers once learned to rattle off state capitals, elementary school kids are now taught today’s gender taxonomy often enough to have committed it to memory. And while gender ideologues insist they are merely presenting an objective ontology, it is hard to miss that they seem to hope kids will pick a fun, “gender-creative”21 option for themselves.
Abigail Shrier (Irreversible Damage: The Transgender Craze Seducing Our Daughters)
There she was, up on that bed pushing and pushing just as they’d practiced. She was dilated and the tension had been building to this moment all day. He had never been so glad to be a writer. It meant that he could be here and he could be at home, helping her as much as he liked after the baby was born. Wendy was sweating and bleary-eyed, focusing so very hard on the movement of her baby down the birth canal that it took her a moment to hear what anyone said to her. The pain was clearly unimaginable and he wished he could have taken some of it from her, but she’d insisted on a natural birth and that’s just what she was doing. “Are you okay, Babe?” She’d grown extra quiet in the last few moments, tension lines growing deeper in her face, her hands clawing at the bed rails as she pushed. She was trying so hard to endure and to get through that he had to ask again. “Are you okay?” She looked at him from the bed with all the nurses and the doctor flitting about the room watching her vital signs, monitoring the baby’s heart rate and her own and of course, guiding the course of the birth itself. She said something he barely heard. “No, no something is…”and then they all knew.
Amanda M. Lyons (Wendy Won't Go)
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
You’re good at this,” said Ronan. “What?” He leaned to touch the baby’s head. “Being a mother.” “What is that supposed to mean?” Ronan looked awkward. Then he said glibly, “Nothing, if you don’t like it.” He glanced at Benix, Faris, and the others, but they were discussing thumbscrews and nooses. “It didn’t mean anything. I take it back.” Kestrel set the baby on the grass next to Faris. “You cannot take it back.” “Just this once,” he said, echoing her earlier words during the game. She stood and walked away. He followed. “Come, Kestrel. I spoke only the truth.” They had entered the shade of thickly grown laran trees, whose leaves were a bloody color. They would soon fall. “It’s not that I wouldn’t want to have a child someday,” Kestrel told Ronan. Visibly relieved, he said, “Good. The empire needs new life.” It did. She knew this. As the Valorian empire stretched across the continent, it faced the problem of keeping what it had won. The solutions were military prowess and boosting the Valorian population, so the emperor prohibited any activities that unnecessarily endangered Valorian lives--like dueling and the bull-jumping games that used to mark coming-of-age ceremonies. Marriage became mandatory by the age of twenty for anyone who was not a soldier. “It’s just--” Kestrel tried again: “Ronan, I feel trapped. Between what my father wants and--” He held up his hands in flat-palmed defense. “I am not trying to trap you. I am your friend.” “I know. But when you are faced with only two choices--the military or marriage--don’t you wonder if there is a third, or a fourth, or more, even, than that?” “You have many choices. The law says that in three years you must marry, but not whom. Anyway, there is time.” His should grazed hers in the teasing push of children starting a mock fight. “Time enough for me to convince you of the right choice.” “Benix, of course.” She laughed. “Benix.” Ronan made a fist and shook it at the sky. “Benix!” he shouted. “I challenge you to a duel! Where are you, you great oaf?” Ronan stormed from the laran trees with all the flair of a comic actor. Kestrel smiled, watching him go. Maybe his silly flirtations disguised something real. People’s feelings were hard to know for certain. A conversation with Ronan resembled a Bite and Sting game where Kestrel couldn’t tell if the truth looked like a lie, or a lie like the truth. If it was true, what then?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
This may be our only hope,” said Lillian. “Don’t think too long.” Lillian turned and left, the baggy back of her cardigan seeming to sweep behind her like a cape. “I wasn’t kidding. Someone really has to talk to her about her motivational speaking,” said Dad. “She’s meant to be the town leader, isn’t she?” “She’s the only adult sorcerer alive who isn’t strictly evil,” said Rusty. “So she wins the crown by default, I guess. Unless Henry wants it.” Kami supposed Henry was technically grown up, though he was only a couple of years older than Rusty. “Your town seems very nice,” said Henry, in the tones of one being very polite when offered a large unwanted present that was on fire. “But I only just got here. I don’t feel qualified to lead.” “Okay,” said Dad. “So she’s all we’ve got to work with, as Ash and Jared are both so extremely and tragically seventeen. Fine. So what we need to do now is get the town behind her. Worse politicians have been elected every day.” “I don’t think Lillian will be kissing any babies anytime soon,” Holly said doubtfully. “Since she probably hates babies. And kittens. And rainbows and sunshine,” said Angela, who sounded like she had a certain amount of sympathy for Lillian’s viewpoint.
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
Harper walked over to her reception desk. “What’s with the Tyson look-alikes out there? I almost couldn’t get in here.” Pixie frowned. “Better go ask your boy-o. Famous rock star in the house.” Pixie accentuated her comment with the poke of her pen. Jeez, he was huge. And built. And shirtless. Okay, enough staring. Well, maybe just for another second. Trent was leaning over the guy, and she could tell from the wide-reaching spread of purple transfer lines that he was just beginning a sleeve on the other man’s lower arm. The guy in the chair might well be a rock star— although Harper would never admit she had no clue who he was— but he was wincing. Harper could totally feel for him. Trent was in his usual position— hat on backward, gloves on, and perched on a stool. Harper approached them nervously. The big guy’s size and presence were a little intimidating. “I don’t bite.” Oh God. He was talking to her. “Excuse me?” He sucked air in between clenched teeth. “I said I don’t bite. You can come closer.” His blue eyes were sparkling as he studied her closely. Trent looked up. “Hey, darlin’,” he said, putting the tattoo machine down and reaching for her hand. “Dred, this is my girl, Harper. Harper, this is Dred Zander from the band Preload. He’s one of the other judges I told you about.” Wow. Not that she knew much about the kind of music that Trent listened to, but even she had heard of Preload. That certainly explained the security outside. Dred reached out his hand and shook hers. “Nice to meet you, Harper. And a pity. For a minute, I thought you were coming over to see me.” “No,” Harper exclaimed quickly, looking over at Trent, who was grinning at her. “I mean, no, I was just bringing Trent some cookies.” Holy shit. Was she really that lame? It was like that moment in Dirty Dancing when Baby told Johnny she carried a watermelon. Dred turned and smiled enigmatically at Trent. “I see what you mean, man.” “Give.” Smiling, Trent held out his hand. Reaching inside her bag, she pulled out the cookies and handed the container to him. “Seriously, dude, she’s the best fucking cook on the planet.” Trent paused to take a giant bite. “You got to try one,” he mumbled, offering the container over. Harper watched, mortified, as a modern-day rock legend bit into one of her cookies. Dred chewed and groaned. “These are almost as good as sex.” Harper laughed. “Not quite,” Trent responded, giving her a look that made her burn. “You should try her pot roast. Could bring a grown man to his knees.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
I was here. I was fine. It was a beautiful day, and I was around people who gave me more love and happiness in a month than I’d had for seventeen years. I would never have to see those jerks again. And today was going to be a good day, damn it. So I got it together and finally looked back down at my best friend to ask, “Did I tell you I stole a bottle of Visine once because I wanted to put a few drops into my dad’s coffee, but I always chickened out?” Lenny snickered. “No. Psycho. Did I tell you that one time I asked Santa to bring my mom back?” I made a face. “That’s sad, Lenny.” I blinked. “I pretty much did the same thing.” “Uh-huh.” I raised my eyebrows at her. “Did I ever tell you that I wanted to have like ten kids when I was younger?” The laugh that came out of her wasn’t as strong as it usually was, but I was glad she let it out anyway. It sounded just like her, loud and direct and so full of happiness it was literally infectious. “Ten? Jesus, why?” I wrinkled my nose at her. “It sounded like a good number.” The scoff that came out of her right then was a little louder. “You’re fucking nuts, Luna. One, two, three, four, five, six, seven, eight, nine, ten-ten?” “That’s what ten means.” I grinned at her. “I said that was back when I was younger, not any time recently. I can’t afford ten kids.” “Still. How about… none?” I glanced down the table again when I heard Thea’s sharp laugh. “Okay, Only Child.” I laughed. “I think four’s a good number now.” My friend beside me groaned before reaching forward to grab a chip, dipping it into the tiny bowl of guacamole beside it. “Look, Grandpa Gus was basically my brother, my dad, my uncle, and my grandpa all rolled into one, and I had a bunch of kids to play with,” she claimed. “Whatever makes you happy, but I think I’m fine with zero kids in my future.” I reached over and grabbed one of the pieces of fajita from her plate and plopped it into my mouth. “Watch, you’ll end up with two,” I told her, covering my mouth while I chewed the meat. “You’ve already got that ‘mom’ vibe going on better than anyone I know.” That had her rolling her eyes, but she didn’t argue that she didn’t, because we both knew it was true. She was a twenty-seven-year-old who dealt with full-grown man babies daily. She had it down. I was friends with my coworkers. Lenny was a babysitter for the ones she was surrounded with regularly. “Like you’re one to talk, bish,” she threw out in a grumpy voice that said she knew she couldn’t deny it. She had a point there. She picked up a piece of fajita and tossed it into her mouth before mumbling, “For the record, you should probably get started on lucky number four soon. You aren’t getting any younger.” I rolled my eyes, still chewing. “Bish.” “Bish.
Mariana Zapata (Luna and the Lie)
It was as if we had made something very simple incredibly complicated. Here were these bodies, ready to reproduce, controlled against reproduction, then stimulated for an eventual reproduction that was put on ice. My friends who wanted to prolong their fertility did so, now that they were in their thirties and professionally successful, because circumstances in their lives had not lined up as planned. They had excelled at their jobs. They had nice apartments and enough money to comfortably start a family, but they lacked a domestic companion who would provide the necessary genetic material, lifelong support, and love. They wanted to be the parents they had grown up under, but love couldn't be engineered, and ovaries could. Hanging over all of this was an idea of choice, an arbitrary linking of goals and outcomes, which reduced structural, economic and technological change to individual decision. "The right to choose"―the right to birth control and abortion services―is different from the idea of choice I mean here. I mean that the baby question justified a fiction that one had to conform one's life to a uniform box by a certain deadline. If the choice were only to have a baby or not, then anybody who wanted a baby and was physically able would simply have one (as many people did), but what I saw with my friends was that it wasn’t actually about the choice of having a baby but of setting up a nuclear family, which unfortunately could not, unlike making a baby, happen more or less by fiat.
Emily Witt (Future Sex: A New Kind of Free Love)
Gareth?" "What is it, dearest?" She took a deep breath and reached up to touch his cheek. "I ... love you." "Oh, Juliet ..."  He actually blushed, so pleased was he by her long-overdue admission. "You couldn't have chosen a nicer time to tell me." "I should have told you ages ago, when I first knew. But I couldn't admit it then, not even to myself." "And when did you first know?" "When you took that bullet meant for the little boy. When you nearly died trying to save him — and all of us on that coach. I think I started to love you then. I think I've loved you ever since. I just ... haven't told you." "But — what about Charles?" She gave him a patient little smile. "I'll be honest, Gareth. Once, I was like everyone else in that I was always comparing the two of you. But as I've grown to know you, those comparisons have happened less and less, and when they do occur ... well, you always come out on top."  She leaned up to kiss the smile just breaking out on his face. "Lately, I've come to realize that Charles and I would never have been this happy together. We were too much alike. You, on the other hand ... well, I've never had as much fun with anyone as I have with you." "Oh, Juliet. I don't know what to say."  He was grinning fiercely. "But I will tell you this. I've always been sure." "Of what?" "That I love you." "Are you, now?" she asked, trying to muster a grin even as a tear leaked from one eye. She knuckled it away. Sniffled. Heavens, she was beginning to bawl like a baby. "Yes. And you know something else, my dear, darling little wife? I'm going to take you upstairs and prove it." Laughing,
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
The problem with adulthood was feeling like everything came with a timer—a dinner date with Sam was at most two hours, with other friends, probably not even as long. There was maybe waiting for a table, there was a night at a bar, there was a party that went late, but even that was just a few hours of actual time spent. Most of Alice’s friendships now felt like they were virtual, like the pen pals of her youth. It was so easy to go years without seeing someone in person, to keep up to date just through the pictures they posted of their dog or their baby or their lunch. There was never this—a day spent floating from one thing to another. This was how Alice imagined marriage, and family—always having someone to float through the day with, someone with whom it didn’t take three emails and six texts and a last-minute reservation change to see one another. Everyone had it when they were kids, but only the truly gifted held on to it in adulthood. People with siblings usually had a leg up, but not always. There were two boys from Belvedere, best friends since kindergarten, who had grown up and married a pair of sisters, and now all four of their children went to Belvedere, driven by one mom or the other in a little cousin carpool. That was next-level friendship—locking someone in through marriage. It seemed positively medieval, like when you realized that all the royal families in the world were more or less cousins. Even just the concept of cousins felt like bragging—Look at all these people who belong to me. Alice had never felt like she belonged to anyone—or like anyone belonged to her—except for Leonard.
Emma Straub (This Time Tomorrow)
My Father mapped out the perfect blueprint for how to treat a woman. He caters hand and foot to my Mother. Even showers that love onto my sister. He never had to tell me how to treat my woman because his actions spoke louder. Did I cling to my woman? Absolutely. Being up under soft melanin skin pleased me. You want to read a book? Cool, what story we reading? Wanna go shopping? Take my card if you promise to model everything for me. Those females at work bothering you? Let’s get animated in the mirror and act like we about to tag team. Your period on? Baby, want me to rub your belly? You need me to get those diaper looking pads with the wings? How about some lemon ginger tea? What are your dreams? You want to sell weave? Let’s catch a flight to China or India and figure out how we can become wholesalers. You wanna make cute Snapchat filter videos? What filter do you want? Are they not liking your pics? Fine. I’ll blast you all over my page. Your Mother threatening to kick you out. Where you wanna move? Better yet, move in with me. Just focus on school and building your brand. I got everything else. You got finals coming up. Pick a tutor. Heck, can I pay for the answers to the quiz? You think those stretch marks make you unattractive? Come here and let me show you how much I appreciate your stripes of glitter. Do you want to go to Dr. Miami? Absolutely not. We going to the gym. Gym grown not silicone. We are working out together. Go ahead and hashtag us as #baegoals #coupleswhoworkouttogetherstaytogether. You want to switch the hair and get a tapered cut? Let me call my barber and see when we can go. Stressing and worrying? You keep hearing whispers while you’re sleeping? Nah bae, that’s not a ghost. That’s me praying for you.
Chelsea Maria (For You I Will (Chaos of Love #1))
Over the course of two years, from June 2004 to June 2006, two separate deaths did nothing to ease my overall anxiety. Steve’s beloved Staffordshire bull terrier Sui died of cancer in June 2004. He had set up his swag and slept beside her all night, talking to her, recalling old times in the bush catching crocodiles, and comforting her. Losing Sui brought up memories of losing Chilli a decade and a half earlier. “I am not getting another dog,” Steve said. “It is just too painful.” Wes, the most loyal friend anyone could have, was there for Steve while Sui passed from this life to the next. Wes shared in Steve’s grief. They had known Sui longer than Steve and I had been together. Two years after Sui’s death, in June 2006, we lost Harriet. At 175, Harriet was the oldest living creature on earth. She had met Charles Darwin and sailed on the Beagle. She was our link to the past at the zoo, and beyond that, our link to the great scientist himself. She was a living museum and an icon of our zoo. The kids and I were headed to Fraser Island, along the southern coast of Queensland, with Joy, Steve’s sister, and her husband, Frank, our zoo manager, when I heard the news. An ultrasound had confirmed that Harriet had suffered a massive heart attack. Steve called me. “I think you’d better come home.” “I should talk to the kids about this,” I said. Bindi was horrified. “How long is Harriet going to live?” she asked. “Maybe hours, maybe days, but not long.” “I don’t want to see Harriet die,” she said resolutely. She wanted to remember her as the healthy, happy tortoise with whom she’d grown up. From the time Bindi was a tiny baby, she would enter Harriet’s enclosure, put her arms around the tortoise’s massive shell, and rest her face against her carapace, which was always warm from the sun. Harriet’s favorite food was hibiscus flowers, and Bindi would collect them by the dozen to feed her dear friend. I was worried about Steve but told him that Bindi couldn’t bear to see Harriet dying. “It’s okay,” he said. “Wes is here with me.” Once again, it fell to Wes to share his best mate’s grief.
Terri Irwin (Steve & Me)
My cold-weather gear left a lot to be desired: black maternity leggings under boot-cut maternity jeans, and a couple of Marlboro Man’s white T-shirts under an extra-large ASU sweatshirt. I was so happy to have something warm to wear that I didn’t even care that I was wearing the letters of my Pac-10 rival. Add Marlboro Man’s old lumberjack cap and mud boots that were four sizes too big and I was on my way to being a complete beauty queen. I seriously didn’t know how Marlboro Man would be able to keep his hands off of me. If I caught a glimpse of myself in the reflection of the feed truck, I’d shiver violently. But really, when it came right down to it, I didn’t care. No matter what I looked like, it just didn’t feel right sending Marlboro Man into the cold, lonely world day after day. Even though I was new at marriage, I still sensed that somehow--whether because of biology or societal conditioning or religious mandate or the position of the moon--it was I who was to be the cushion between Marlboro Man and the cruel, hard world. That it was I who’d needed to dust off his shoulders every day. And though he didn’t say it, I could tell that he felt better when I was bouncing along, chubby and carrying his child, in his feed truck next to him. Occasionally I’d hop out of the pickup and open gates. Other times he’d hop out and open them. Sometimes I’d drive while he threw hay off the back of the vehicles. Sometimes I’d get stuck and he’d say shit. Sometimes we’d just sit in silence, shivering as the vehicle doors opened and closed. Other times we’d engage in serious conversation or stop and make out in the snow. All the while, our gestating baby rested in the warmth of my body, blissfully unaware of all the work that awaited him on this ranch where his dad had grown up. As I accompanied Marlboro Man on those long, frigid mornings of work, I wondered if our child would ever know the fun of sledding on a golf course hill…or any hill, for that matter. I’d lived on the ranch for five months and didn’t remember ever hearing about anyone sledding…or playing golf…or participating in any recreational activities at all. I was just beginning to wrap my mind around the way daily life unfolded here: wake up early, get your work done, eat, relax, and go to bed. Repeat daily. There wasn’t a calendar of events or dinner dates with friends in town or really much room for recreation--because that just meant double the work when you got back to work. It was hard for me not to wonder when any of these people ever went out and had a good time, or built a snowman. Or slept past 5:00 A.M.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
She thought she was getting out of the Water Rising clean, because she didn’t see her father anywhere around: there was only Ash and Lillian sitting at a table, and a few other patrons at as much of a distance from Ash and Lillian as they could get. She made for the door, at which point Lillian caught her arm. “Where are you going?” “Uh,” said Kami, eyeballing her wildly. “I’m going to buy some drugs.” Lillian stared. “I beg your pardon?” “This is a really stressful time for everyone,” said Kami. “So I thought maybe I could buy a little weed, take the edge off. I might be a while. This is a very clean-living town, apart from all the murders, so I don’t actually know any drug dealers. I realize Jared kind of looks like one, but he’s not, which is a shame because I think the drug dealer’s girlfriend gets her drugs free.” “I realize you are attempting to be humorous,” said Lillian, after a pause during which she stared some more. “I don’t understand it.” “Hey, you’re not the only family with a legacy. ‘Glass’ rhymes with ‘sass.’ Have you met my dad?” “I have had that dubious pleasure,” said Lillian. “He is, in fact, meant to be meeting me in order to, and I quote, ‘teach me to integrate better with society, display leadership skills, win over the populace, and stop acting like a robot princess from space.’ I admit that the humor in his humor escapes me as well.” She paused and suddenly looked determined. “I’m going to start without him.” She climbed off the stool and headed toward the group of people in the corner. Kami and Ash watched as they collectively shrank away. “Come on, quick,” said Kami, and as if summoned by some spirit warning him of his child’s intended reckless behavior, her dad appeared through the inn doors. He looked distracted. “Where’s Lillian?’ Kami checked over her shoulder. “Appears to be trying to wrest a screaming baby from the arms of her frightened mother in order to kiss it.” “Oh no no no,” murmured Jon, and raised his voice as he made his way over. “Libba, we’ve talked about this!” “The good news is the grown-ups are distracted by politics,” said Kami. You mean that your poor father is distracted by my awful mother, said Ash, who was far too polite to say such a thing out loud and looked vaguely embarrassed to be thinking it. Kami grinned. “Why quibble when we have the results we want!” I wish I could ask you what you’re planning, but I know what you’re planning, said Ash. Lucky me. I know this is important information, but going to Aurimere at all is a huge risk. “See, the thing is, if I ran a business it would probably be called Risky Business,
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
Three-and-a-half-month-old infants already seem to exhibit the other-race effect. In a study at the University of Kentucky, white babies were very good at distinguishing faces with 100 percent Caucasian features from faces that had been graphically morphed to include features that were 70 percent white and 30 percent Asian. They couldn’t do the reverse: They could not tell 100 percent Asian faces from those that were morphed to include 30 percent white features. In other words, they could detect small differences between white and not-quite-white faces, but not the same kinds of differences between Asian and not-quite-Asian faces. Lawrence A. Hirschfeld of the University of Michigan did some of the pioneering work on how early in life children begin to understand race. He showed children of ages three, four, and seven, a picture of “Johnny:” a chubby black boy in a police uniform, complete with whistle and toy gun. He then showed them pictures of adults who shared two of Johnny’s three main traits of race, body build, and uniform. Prof. Hirschfeld prepared all combinations—policemen who were fat but were white, thin black policemen, etc.—and asked the children which was Johnny’s daddy or which was Johnny all grown up. Even the three-year-olds were significantly more likely to choose the black man rather than the fat man or the policeman. They knew that weight and occupation can change but race is permanent. In 1996, after 15 years of studying children and race, Prof. Hirschfeld concluded: “Our minds seem to be organized in a way that makes thinking racially—thinking that the human world can be segmented into discrete racial populations—an almost automatic part of our mental repertoire.” When white preschoolers are shown racially ambiguous faces that look angry, they tend to say they are faces of blacks, but categorize happy faces as white. “These filters through which people see the world are present very early,” explained Andrew Baron of Harvard. Phyllis Katz, then a professor at the University of Colorado, studied young children for their first six years. At age three, she showed them photographs of other children and asked them whom they would like to have as friends. Eighty-six percent of white children chose photographs of white children. At age five and six, she gave children pictures of people and told them to sort them into two piles by any criteria they liked. Sixty-eight percent sorted by race and only 16 by sex. Of her entire six-year study Prof. Katz said, “I think it is fair to say that at no point in the study did the children exhibit the Rousseau type of color-blindness that many adults expect.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
IN HIS 2005 COLLECTION of essays Going Sane, Adam Phillips makes a keen observation. “Babies may be sweet, babies may be beautiful, babies may be adored,” he writes, “but they have all the characteristics that are identified as mad when they are found too brazenly in adults.” He lists those characteristics: Babies are incontinent. They don’t speak our language. They require constant monitoring to prevent self-harm. “They seem to live the excessively wishful lives,” he notes, “of those who assume that they are the only person in the world.” The same is true, Phillips goes on to argue, of young children, who want so much and possess so little self-control. “The modern child,” he observes. “Too much desire; too little organization.” Children are pashas of excess. If you’ve spent most of your adult life in the company of other adults—especially in the workplace, where social niceties are observed and rational discourse is generally the coin of the realm—it requires some adjusting to spend so much time in the company of people who feel more than think. (When I first read Phillips’s observations about the parallels between children and madmen, it so happened that my son, three at the time, was screaming from his room, “I. Don’t. Want. To. Wear. PANTS.”) Yet children do not see themselves as excessive. “Children would be very surprised,” Phillips writes, “to discover just how mad we think they are.” The real danger, in his view, is that children can drive their parents crazy. The extravagance of children’s wishes, behaviors, and energies all become a threat to their parents’ well-ordered lives. “All the modern prescriptive childrearing literature,” he concludes, “is about how not to drive someone (the child) mad and how not to be driven mad (by the child).” This insight helps clarify why parents so often feel powerless around their young children, even though they’re putatively in charge. To a preschooler, all rumpus room calisthenics—whether it’s bouncing from couch cushion to couch cushion, banging on tables, or heaving bowls of spaghetti onto the floor—feel normal. But to adults, the child looks as though he or she has suddenly slipped into one of Maurice Sendak’s wolf suits. The grown-up response is to put a stop to the child’s mischief, because that’s the adult’s job, and that’s what civilized living is all about. Yet parents intuit, on some level, that children are meant to make messes, to be noisy, to test boundaries. “All parents at some time feel overwhelmed by their children; feel that their children ask more of them than they can provide,” writes Phillips in another essay. “One of the most difficult things about being a parent is that you have to bear the fact that you have to frustrate your child.
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
What no one tells you is that there will be a last time you ever carry your child. A last time you tuck them in. A last time they run into your arms off the school bus. All through his infancy, Dylan was attached to me, almost literally. I nursed him, and he was fussy, so I carried him almost constantly, patting his back, humming to him, breathing in his delicious baby scent. He didn’t walk till he was fourteen months old, and I loved that, because I got to carry him that much longer. I took him for hikes in a backpack, his little knees hitting my ribs. I carried him on my shoulders, him clinging to fistfuls of my hair. I loved every minute. He was an affectionate boy full of drooly kisses and cuddles. He was generous with his hugs, from Paul at the post office to Christine, our librarian. And especially with me. Every night when I read him bedtime stories, his sweet little head would rest against my shoulder, and he’d idly stroke my arm, smelling like Dove soap and baby shampoo. Driving in the car was like a tranquilizer dart for Dylan . . . even bumping down our long dirt road wouldn’t wake him up, and I’d park the car, get out and unbuckle him, then lift his sweaty little body into my arms to carry him inside and just sit on the couch with him in my arms, heart against heart. And then one day, he no longer needed that. The bedtime stories stopped when he was about ten and wanted to read to himself. The last time I attempted to carry him from the car, he woke up and said, “It’s okay, Mom. I’m awake.” He never needed that again. Had someone told me “This is the last time you’ll get to carry your son,” I would have paid more attention. I would have held him as long as I could. They don’t tell you that your son will stop kissing you with sweet innocence, and those smooches will be replaced with an obligatory peck. They don’t tell you that he won’t want a piggyback ride ever again. That you can’t hold his hand anymore. That those goofy, physical games of chasing and tickling and mock wrestling will end one day. Permanently. All those natural, easy, physical gestures of love stop when your son hits puberty and is abruptly aware of his body . . . and yours. He doesn’t want to hug you the same way, finding your physicality perhaps a little . . . icky . . . that realization that Mom has boobs, that Mom’s stomach is soft, that Mom and Dad have sex, that Mom gets her period. The snuggles stop. This child, the deepest love of your life, won’t ever stroke your arm again. You’ll never get to lie in bed next to him for a bedtime chat, those little talks he used to beg for. No more tuck-ins. No more comforting after a bad dream. The physical distance between the two of you is vast . . . it’s not just that he’ll only come so close for the briefest second, but also the simple fact that he isn’t that little boy anymore. He’s a young man, a fully grown male with feet that smell like death and razor stubble on his once petal-soft cheeks.
Kristan Higgins (Out of the Clear Blue Sky)
On the first day of school, a first-grade teacher tells her class they’re not babies anymore. They have to use grown up words. Then she asks the kids what they did that summer. The first kid says, ‘I got a bad boo boo.” Teacher says, ‘No. You suffered an injury. Use grown up words.’ Second kid says, ‘I rode on a choo choo.’ Teacher says, ‘No. You rode on a train. Use grown up words.’ Third kid says, ‘I read a book.’ Teacher says, ‘Good for you! Which book did you read?’ The kid says, ‘Uh…Winnie the Shit!
John Locke (Promise You Won't Tell?)
A grown-up man behaving like a baby was shocking and very embarrassing at the time. But finding amusement in the worst memories may be the best way to move on.
Reham Khan
All parents were once babies and children themselves, so try to remember this when observing parents from afar. Adults are just children who have grown up—they’re toddlers with longer legs.
Sean Patrick Brennan (The Angel's Guide to Taking Human Form)