“
What the future held for her she didn't know. Of two things only she was certain. There would be children-her own or other people's-and there would be books.
”
”
Alice Dalgliesh (The Silver Pencil (Newbery Library, Puffin))
“
Out of the bedroom window, Tara watches the silver moon in the night sky cast a faint glow on the pine trees. Ian was right. It’s time to move on. Not to forget, but to forge ahead.
”
”
Dawn Chalker
“
The future cannot blame the present, just as the present cannot blame the past. The hope is always here, always alive, but only your fierce caring can fan it into a fire to warm the world.
”
”
Susan Cooper (Silver on the Tree (The Dark is Rising, #5))
“
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves.
After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm.
That’s what I believe.
The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.
These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
”
”
Robert McCammon (Boy's Life)
“
We are meant to be.” He pressed his lips to mine again; against myself, against my worry, I once again succumbed to the power of his kiss. “I know that now. Our love is stronger than magic, stronger than the laws of all Feyland. It will survive this...whatever the future brings.
”
”
Kailin Gow (Silver Frost (Frost, #3))
“
Slowly, she turned to him. It was her face—or it would be in a few years. When she Settled. But it wasn’t the slightly older features that knocked the breath from him. It was the hand on her rounded belly. She stared toward him, hair still flowing. Behind her, four small figures emerged. Rowan fell to his knees. The tallest: a girl with golden hair and pine-green eyes, solemn-faced and as proud as her mother. The boy beside her, nearly her height, smiled at him, warm and bright, his Ashryver eyes near-glowing beneath his cap of silver hair. The boy next to him, silver-haired and green-eyed, might as well have been Rowan’s twin. And the smallest girl, clinging to her mother’s legs … A fine-boned, silver-haired child, little more than a babe, her blue eyes harking back to a lineage he did not know. Children. His children. Their children. With another mere weeks from being born. His family. The family he might have, the future he might have. The most beautiful thing he’d ever seen.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
But a shared past didn’t make a future.
”
”
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
“
THE INVITATION
by Oriah Mountain Dreamer
It doesn't interest me what you do for a living.
I want to know what you ache for, and if you
dare to dream of meeting your heart's longing.
It doesn't interest me how old you are.
I want to know if you will risk looking like a fool
for love,
for your dreams,
for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow,
if you have been opened by life's betrayals
or have become shriveled and closed from fear of future pain.
I want to know if you can sit with pain,
mine or your own,
without moving to hide it,
or fade it,
or fix it.
I want to know if you can be with joy,
mine or your own,
if you can dance with wildness
and let the ecstasy fill you
to the tips of your fingers and toes
without cautioning us to be careful,
to be realistic,
to remember
the limitations of being human.
It doesn't interest me if the story you are telling
me is true.
I want to know if you can disappoint another to be true to yourself;
if you can bear the accusation of betrayal
and not betray your own soul;
if you can be faithless and therefore
trustworthy.
I want to know if you can see beauty even when it's not pretty,
every day,
and if you can source your own life from its presence.
I want to know if you can live with failure,
yours or mine,
and still stand on the
edge of the lake
and shout to the silver of the full moon, "yes!"
It doesn't interest me who you know, or how you came to be here.
I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied.
I want to know what sustains you,
from the inside,
when all else falls away.
I want to know if you can be alone
with your and if you truly like the company you keep
in the empty moments.
”
”
Oriah Mountain Dreamer
“
Because stories are how we share our lives and what we truly mourn when they are lost. Stories are what connect us to our past and carry us to our future. They are what we cherish and what we remember.
”
”
Grace Lin (When the Sea Turned to Silver)
“
This may not be much, but it is something. Tomorrow we die; but at least we danced in silver shoes.
”
”
Stella Gibbons (Nightingale Wood)
“
life was only about the ‘what ifs’ when dreaming of the future, not for beating yourself up over the past.
”
”
Lisa Gillis (Snow Storms (Silver Strings G, #3))
“
The two of us in that room. No past, no future. All intense deep that-time-only. A feeling that everything must end, the music, ourselves, the moon, everything. That if you get to the heart of things you find sadness for ever and ever, everywhere; but a beautiful silver sadness, like a Christ face.
”
”
John Fowles (The Collector)
“
Is is, therefore, not an exaggeration to say that if the city of New York were suddenly replaced by a ball of fire, some significant percentage of the American population would see a silver-lining in the subsequent mushroom cloud, as it would suggest to them that the best thing that is ever going to happen was about to happen: the return of Christ. It should be blindingly obvious that beliefs of this sort will do little to help us create a durable future for ourselves - socially, economically, environmentally, or geopolitically. Imagine the consequences if any significant component of the US government actually believed that the world was about to end and that its ending would be glorious. The fact that nearly half of the American population apparently believes this, purely on the basis of religion dogma, should be considered a moral and intellectual emergency.
”
”
Sam Harris (Letter to a Christian Nation)
“
Cold as winter, strong as stone;
She faced the darkness all alone.
A silver goddess; a reflection.
A mirage; a recollection.
No return; no turning back.
The past is gone, the future, black.
Serpents gather in their nest,
And she stands above the rest.
Shadows hunt; she hunts the shadow.
The moon is risen; she stands below.
She views her world through the eyes of others.
Black and white; there are no colors,
As she looks down upon a shattered youth.
A shattered mirror shows a shattered truth.
”
”
Amelia Atwater-Rhodes
“
I
Hear the sledges with the bells -
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells -
From the jingling and the tinkling of the bells.
II
Hear the mellow wedding bells -
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight! -
From the molten - golden notes,
And all in tune,
What a liquid ditty floats
To the turtle - dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! - how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells -
Of the bells, bells, bells, bells,
Bells, bells, bells -
To the rhyming and the chiming of the bells!
III
Hear the loud alarum bells -
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now - now to sit, or never,
By the side of the pale - faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear, it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells -
Of the bells -
Of the bells, bells, bells, bells,
Bells, bells, bells -
In the clamor and the clanging of the bells!
IV
Hear the tolling of the bells -
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people - ah, the people -
They that dwell up in the steeple,
All alone,
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone -
They are neither man nor woman -
They are neither brute nor human -
They are Ghouls: -
And their king it is who tolls: -
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells: -
Of the bells:
Keeping time, time, time
In a sort of Runic rhyme,
To the throbbing of the bells -
Of the bells, bells, bells: -
To the sobbing of the bells: -
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells -
Of the bells, bells, bells -
To the tolling of the bells -
Of the bells, bells, bells, bells,
Bells, bells, bells, -
To the moaning and the groaning of the bells.
”
”
Edgar Allan Poe
“
Quasida of the Woman Prone"
To see you naked is to remember the Earth,
the smooth Earth, clean of horses,
the Earth without reeds, pure form,
closed to the future, confine of silver.
To see you naked is to understand the desire
of rain that looks for the delicate waist,
or the fever of the broad-faced sea
that cannot find the light of its cheek.
Blood will ring through the bedrooms
and will come with flaming swords,
but you will not know the hiding places
of the violet or the heart of the toad.
Your womb is a struggle of roots.
Your lips are a dawn without contour.
Under the lukewarm roses of the bed
the dead men moan, awaiting their return.
”
”
Federico García Lorca
“
For remember, that it is altogether your world now. You and all the rest. We have delivered you from evil, but the evil that is inside men is at the last a matter for men to control. The responsibility and the hope and the promise are in your hands-your hands and the hands of all men on this earth. The future can not blame the present, just as the present can not blame the past. The hope is always here, always alive, but only your fierce caring can fan it into a fire to warm the world.
For Drake is no longer in his hammock, children, nor is Arthur somewhere sleeping, and you may not lie idly expecting the second coming of anybody now, because the world is yours and it is up to you. Now especially since man has the strength to destroy the world, it is the responsibility of man to keep it alive, in all its beauty and marvelous joy.
And the world will still be imperfect, because men are imperfect. Good men will still be killed by bad, or sometimes by other good men, and there will still be pain and disease and famine, anger and hate. But if you work and care and are watchful, as we have tried to be for you, then in the long run the worse will never, ever, triumph over the better. And the gifts put into some men, that shine as bright as Eirias the sword, shall light the dark corners of life for all the rest, in so brave a world.
”
”
Susan Cooper (Silver on the Tree (The Dark is Rising, #5))
“
The mustard—pot got up and walked over to his plate on thin silver legs that waddled like the owl’s. Then it uncurled its handles and one handle lifted its lid with exaggerated courtesy while the other helped him to a generous spoonful. ‘Oh, I love the mustard—pot!’ cried the Wart. ‘Wherever did you get it?’ At this the pot beamed all over its face and began to strut a bit, but Merlyn rapped it on the head with a teaspoon, so that it sat down and shut up at once. ‘It is not a bad pot,’ he said grudgingly. ‘Only it is inclined to give itself airs.
”
”
T.H. White (The Once and Future King (The Once and Future King, #1-5))
“
It was Christmas night, the eve of the Boxing Day Meet. You must remember that this was in the old Merry England of Gramarye, when the rosy barons ate with their fingers, and had peacocks served before them with all their tail feathers streaming, or boars' heads with the tusks stuck in again—when there was no unemployment because there were too few people to be unemployed—when the forests rang with knights walloping each other on the helm, and the unicorns in the wintry moonlight stamped with their silver feet and snorted their noble breaths of blue upon the frozen air. Such marvels were great and comfortable ones. But in the Old England there was a greater marvel still. The weather behaved itself.
”
”
T.H. White (The Once and Future King (The Once and Future King, #1-5))
“
I don’t want to be the one-night stand who’s used to scratch an itch. I want a woman like Winter Hamilton—beautiful, and smart, and sharp-tongued—to look at me and see a future.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
I can't wait to see it.'
And for the first time, with these two friends beside her, with a mate waiting for her... it was true.
Nesta couldn't wait to see the future that unfolded. All of it.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
I was ten when I heard the music that ended the first phase of my life and cast me hurtling towards a new horizon. Drenched to the skin, I stood on Dunoon’s pier peering seawards through diagonal rain, looking for the ferry that would take me home. There, on the everwet west coast of Scotland, I heard it: like sonic scalpels, the sounds of electric guitars sliced through the dreich weather. My body hairs pricked up like antennae. To my young ears these amplified guitars sounded angelic, for surely no man-made instrument could produce that tone. The singer couldn't be human. His voice was too clean, too pure, too resonant, as though a robot larynx were piping words through vocal chords of polished silver. The overall effect was intoxicating - a storm of drums, earthquake bass, razor-sharp guitar riffs, and soaring vocals of astonishing clarity. I knew that I was hearing the future.
”
”
Mark Rice (Metallic Dreams)
“
It was a silver watch with a matching chain and fob, and on the back was an engraving of Samaranth.
'Is it a time machine?' Jack asked. 'Will it let us travel through time?'
'I believe it will,' Ordo Maas replied. 'I've found that for every minute I watch it, I move a full minute farther into the future.
”
”
James A. Owen (The Indigo King (The Chronicles of the Imaginarium Geographica, #3))
“
Houses, gardens, and people were transfigured into musical sounds, all that was solid seemed to be transfigured into soul and into gentleness. Sweet veils of silver and soul-haze swam through all things and lay over all things. The soul of the world had opened, and all grief, all human disappointment, all evil, all pain seemed to vanish, from now on never to appear again. Earlier walks came before my eyes; but the wonderful image of the humble present became a feeling which overpowered all others. The future paled, and the past dissolved. I glowed and flowered myself in the glowing, flowering present. From near and far, great things and small things emerged bright silver with marvelous gestures, joys, and enrichments, and in the midst of this beautiful place I dreamed of nothing but this place itself. All other fantasies sank and vanished in meaninglessness. I had the whole rich earth immediately before me, and I still looked only at what was most small and most humble. With gestures of love the heavens rose and fell. I had become an inward being, and walked as in an inward world; everything outside me became a dream; what I had understood till now became unintelligible. I fell away from the surface, down into the fabulous depths, which I recognized then to be all that was good. What we understand and love understands and loves us also. I was no longer myself, was another, and yet it was on this account that I became properly myself. In the sweet light of love I realized, or believe I realized, that perhaps the inward self is the only self which really exists.
”
”
Robert Walser (Selected Stories)
“
The distant sea, lapping the sandy shore with measured sound; the nearer cries of the donkey-boys; the unusual scenes moving before her like pictures, which she cared not in her laziness to have fully explained before they passed away; the stroll down to the beach to breathe the sea-air, soft and warm on the sandy shore even at the end of November; the great long misty sea-line touching the tender-coloured sky; the white sail of a distant boat turning silver in some pale sunbeam: - it seemed as if she could dream her life away in such luxury of pensiveness, in which she made her present all in all, from not daring to think of the past, or wishing to contemplate the future.
”
”
Elizabeth Gaskell (North and South)
“
Perhaps the future did not need to be planned- she could just take it one day at a time. As long as she had Cassian at her side, her friends with her, she could do it. Face it. They wouldn't let her fall back into that pit. Cassian would never let her fall again.
But if she did fall... he'd be waiting for her at the top again. Hand outstretched. She didn't deserve it, but she'd endeavour to be worthy of him.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Like the others, you are Red and Silver, and stronger than both. I think you are the future. I think you are the new dawn.
”
”
Victoria Aveyard (Red Queen (Red Queen, #1))
“
What had occurred in the past did not have to dictate the future.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
But still, somehow, I feel a pull to him. I remember the burdened boy who gave me a silver coin when I was nothing. With that one gesture he changed my future, and destroyed his own.
”
”
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
Here’s the dirty little secret: Fiat currency is designed to lose value. Its very purpose is to confiscate your wealth and transfer it to the government. Each time the government prints a new dollar and spends it, the government gets the full purchasing power of that dollar.
”
”
Michael Maloney (Guide To Investing in Gold & Silver: Protect Your Financial Future)
“
The Elder Boom™ crisis is coming. We can act now to create a better aging future and be glad we did, or ignore it and find ourselves in the midst of the crisis wishing we had! We need an Elder Boom Revolution™!
”
”
Angil Tarach-Ritchey (Behind the Old Face)
“
You must contrive for your future rulers another and a better life than that of a ruler, and then you may have a well-ordered State; for only in the State which offers this, will they rule who are truly rich, not in silver and gold, but in virtue and wisdom, which are the true blessings of life.
”
”
Plato (The Republic)
“
Sometimes driven aground by the photon storms, by the swirling of the galaxies, clockwise and counterclockwise, ticking with light down the dark sea-corridors lined with our silver sails, our demon-haunted sails, our hundred-league masts as fine as threads, as fine as silver needles sewing the threads of starlight, embroidering the stars on black velvet, wet with the winds of Time that go racing by. The bone in her teeth! The spume, the flying spume of Time, cast up on these beaches where old sailors can no longer keep their bones from the restless, the unwearied universe. Where has she gone? My lady, the mate of my soul? Gone across the running tides of Aquarius, of Pisces, of Aries. Gone. Gone in her little boat, her nipples pressed against the black velvet lid, gone, sailing away forever from the star-washed shores, the dry shoals of the habitable worlds. She is her own ship, she is the figurehead of her own ship, and the captain. Bosun, Bosun, put out the launch! Sailmaker, make a sail! She has left us behind. We have left her behind. She is in the past we never knew and the future we will not see. Put out more sail, Captain for the universe is leaving us behind…
”
”
Gene Wolfe (The Citadel of the Autarch)
“
In the days when money was backed by its face value in silver or gold, there were limits to how much wealth could flow around the world. Today, it's virtual money that the bank lends into existence on a computer screen. "And unless the economy continually expands, there is no new flow of money to pay back that money, plus interest." . . . "As it stands now, if banks start loaning money more slowly than they collect debts, the quantity of money in the economy goes down, and it's impossible to pay back debts. So we get defaults on houses . . . our economy plunges into misery and unemployment. Under our current monetary system, the only alternative to that is endless growth. So one absolute thing we have to change is the whole nature of the monetary system. . . . we deny banks the right to create money." . . . There's a challenge with that solution, he admits. "You're trying to take the right to create wealth away from some of the wealthiest people on the planet.
”
”
Alan Weisman (Countdown: Our Last Best Hope for a Future on Earth?)
“
star charts this time, but rendered in calligraphy and gold and silver leaf, stunning juxtapositions of the technological future and the hand-crafted past.
”
”
M.C.A. Hogarth (Even The Wingless (Princes' Game #1))
“
In the end it was currency debasement and pure deficit spending to fund the military, public works, social programs, and war that brought down the Roman Empire.
”
”
Michael Maloney (Guide To Investing in Gold & Silver: Protect Your Financial Future)
“
Perhaps all sisters had difficulties, fights, chasms between them... What had occurred in the past did not have to dictate the future.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.
”
”
Joseph Brodsky
“
Metal is from the earth, he thought as he scrutinized. From below: from that realm which is the lowest, the most dense. Land of trolls and caves, dank, always dark. Yin world, in its most melancholy aspect. World of corpses, decay and collapse. Of feces. All that has died, slipping and disintegrating back down layer by layer. The daemonic world of the immutable; the time-that-was.
And yet, in the sunlight, the silver triangle glittered. It reflected light. Fire, Mr. Tagomi thought. Not dank or dark object at all. Not heavy, weary, but pulsing with life. The high realm, aspect of yang: empyrean, ethereal. As befits work of art. Yes, that is artist's job: takes mineral rock from dark silent earth transforms it into shining light-reflecting form from sky.
Has brought the dead to life. Corpse turned to fiery display; the past had yielded to the future.
”
”
Philip K. Dick (The Man in the High Castle)
“
Here is your future ruler, King Evardo Fifteenth. He is fifteen years of age, has fifteen silver buckles on his jacket and is the fifteenth Evardo to rule the land of Ev." The people shouted their approval fifteen times,
”
”
L. Frank Baum (Ozma of Oz (Oz #3))
“
Daughter, daughter, shining bright
Precious jewel within mine sight
Oh, if I could soar with thee
As you seek your destiny.
To see with you the caves and skies
Vistas grand beneath your eyes
Taking wing to horizons new
Let us wonder who waits for you.
A dragon bright?
A dragon dark?
Victor of duels with battle mark?
A dragon strong?
A dragon keen?
Singer of honors and triumphs seen?
Red, Gold, Bronze, and Blue
To your lord you shall be true,
Copper, Silver, Black, and White,
Who will win your mating flight?
For in your hearts our future rests
To see our line with hatchlings blessed
And for those who threaten clutch of flame,
To feel the wrath of dragon-dame.
”
”
E.E. Knight (Dragon Avenger (Age of Fire #2))
“
The night was a river. After the candle was blown out, they lay together on the old bed in strips of silver moonlight filtered through the shutters, drifting lazily, cut loose from their past and future. The night took care of them.
”
”
Steve Wilson
“
There is such joy in a good ship, and a greater joy to have the ship's belly fat with other men's silver. It is the Viking joy, driving a dragon-headed hull through a wind-driven sea towards a future full of feasts and laughter. The Danes taught me that and I love them for it.
”
”
Bernard Cornwell (The Pale Horseman (The Saxon Stories, #2))
“
As students of the silver screen recall, Bogart's admonition about future regret led Bergman to board the plane and fly away with her husband. Had she stayed with Bogey in Casablanca, she would probably have felt just fine. Not right away, perhaps, but soon, and for the rest of her life.
”
”
Daniel Todd Gilbert (Stumbling on Happiness)
“
One day, we wake up to the narcissist’s cunning masquerade. We watch their fake mask slip off their face. Everything becomes crystal clear. We see right through their phony disguise.
To anyone who’s dealt with the pain and torment of a narcissist, a silver lining is a sign of hope. Hope that someday you can break free from the abuse. Hope to rebuild a better life. Hope to find comfort and peace within. Hope to recover from your trauma. Hope to embrace a brighter future.
We can no longer unsee their hideous charade. We accept how lethal a malignant narcissist is. We actively set healthy boundaries. We walk away from hurtful relationships. Like the Phoenix, we rise above the fiery ashes. We stand up, dust ourselves off, and march forward.
”
”
Dana Arcuri (Soul Rescue: How to Break Free From Narcissistic Abuse & Heal Trauma)
“
The “something” that connects the two transactions is called money, and it has taken innumerable physical forms—from stones to feathers to tobacco to shells to copper, silver, and gold to pieces of paper and entries in ledger books. Who knows what will be the future incarnations of money? Computer bytes?
”
”
Milton Friedman (Money Mischief: Episodes in Monetary History)
“
Yes,' Montriveau went on in an unsteady voice, 'this Catholic faith to which you wish to convert me is a lie that men make for themselves; hope is a lie at the expense of the future; pride, a lie between us and our fellows; and pity, and prudence, and terror are cunning lies. And now my happiness is to be one more lying delusion; I am expected to delude myself, to be willing to give gold coin for silver to the end. If you can so easily dispense with my visits; if you confess me neither as your friend nor your love, you do not care for me! And I, poor fool that I am, tell myself this, and know it, and love you!
”
”
Honoré de Balzac (The Duchesse De Langeais)
“
I'll buy you a blow-up doll. I'm sure my mate won't mind when I explain how hard up you are."
She didn't bother to punch him this time, just glared with promise of future retaliation. "Very funny. You wouldn't be laughing if you knew how sexually frustrated I am right now." [...] "The last time was when that SilverBlade sentinel was in town for a communications meeting."
All amusement left Dorian's face. "You serious? That was months ago." A very long time to go without intimate touch. "Merce, that could get dangerous."
"I know. Do you think I don't know?" She thrust her hands through her hair. "Damn it Dorian! It's getting to the point where I'm starting to wonder if some of the wolves would be good in bed. [...]
"Cat and wolf isn't a ... um ... normal combination."
"And Psy and cat is?" She made a face at him. "Yeah, yeah I know. Cat and wolf is strange." [...]
"How about one of the Rats?" Dorian's eyes gleamed.
”
”
Nalini Singh (Hostage to Pleasure (Psy-Changeling, #5))
“
Nesta nodded slowly. Perhaps it wasn’t just her and Feyre, then. Perhaps all sisters had difficulties, fights, chasms between them. She wasn’t perfect, but … neither was Feyre. They had both made mistakes. And both had long, long lives ahead of them. What had occurred in the past did not have to dictate the future.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
One can never call me a quitter
I take something right and see it
through till it’s wrong
Auctioning myself off to the lowest bidder
Going once, going twice
Gone
Sold to the man for the price of disdain
Some are sold for a song
I don’t rate a refrain
I guess it was all going just a little too well
If I wasn’t careful I’d be happy pretty soon
Heaven’s no place for one who thrives on hell,
One who prefers the bit to the silver spoon.
Then just when I’d almost resigned myself to winning
When it seemed my bright future would never dim
When my luck looked as though it was only beginning
I met him.
Sullen and scornful; a real Marlboro man
The type who pours out the beer and eats the can
A tall guy with a cultivated leer
One you can count on to diaprove or disappear
I knew right away that he was a find
Given this, he was the kindest man I’d ever met
Back came my sense of worthlessness
And my long lost pangs of regret
I was my old self again, lost and confused
Reunited with that old feeling
Of being misunderstood and misused.
Sold to the man for the price of disdain
All of this would be interesting
If it weren’t so mundane
”
”
Carrie Fisher (The Princess Diarist)
“
Beau Eaton, don’t you dare pick something huge.” I turn to face her now. She shakes her head at me as I walk backward, straight into the waiting arms of . . . a giant stuffed raccoon. The biggest toy they’ve got. “Why not, future Mrs. Eaton?” I call back, grinning so hard my cheeks hurt. “You love that massive rock I put on your finger, don’t you?
”
”
Elsie Silver (Hopeless (Chestnut Springs, #5))
“
Somehow, against all odds, my worst-case scenario has turned into a bright, wonderful future.
”
”
Tammy L. Gray (Love and the Silver Lining (State of Grace, #2))
“
You are my beginning; you will be my end; in the middle lies our future.
”
”
Sally Gardner (The Silver Blade (French Revolution, #2))
“
The bones of his hand reminded her of the skeleton of a baby field mouse that Della had once found. It was completely intact, missing only its future.
”
”
Marisa Silver (Mary Coin)
“
The future can not blame the present, just as the present cannot blame the past.
”
”
Susan Cooper (Silver on the Tree (The Dark is Rising, #5))
“
Stop fussing,” Legna admonished her, tapping her finger against Isabella’s absently energetic hand.
“I’m getting married in a few minutes, Legna, I think I’ve a right to fuss.” Isabella felt her heart turn over as she spoke aloud, listening to herself talk about her impending marriage.
“Well, brides are supposed to be blushing, as I understand it. At the moment you are no less than five shades of gray.” Legna continued with her interrupted weaving of more ribbons in Isabella’s hair. “And as much as it matches the silver of your dress, I think you would look better with a little natural color.” Legna reached to smooth down a portion of the shimmering silver fabric that draped off of the bride’s shoulders in a Grecian fashion. “You know,” she pressed, “there are only two nights in a year when Demons perform a joining ceremony. Samhain and Beltane. If you pass out tonight, you will have to wait until next spring.”
“Thanks for the bulletin. You’re too kind,” Isabella retorted dryly.
“Actually, purely out of kindness, I will tell you that your future husband is just shy of tossing his cookies himself, so you can take comfort in knowing he is just as nervous as you are.”
“Legna!” Bella laughed. “You’re a wretch!” She turned to look at the female Demon, briefly admiring how pretty she looked in her soft white chiffon gown. “And how would you know? You’re standing too close to me to be able to sense his emotions.”
“Because when I went to fetch the ribbons, he was seated next to Noah with his head between his knees.” Legna giggled. “I have never seen anything rattle Jacob before. I cannot help but find it amusing.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
But maybe it's only been a brief separation that feels like years. Like a solo car ride that takes all night but feels like a lifetime. Watching all those highway dashes flying by at seventy miles an hour, your eyes becoming lazy slits and your mind wandering over the memory of a whole lifetime-past and future, childhood memories to thoughts of your own death-until the numbers on the dashboard clock do not mean anything more. And then the sun comes up and you get to your destination and the ride becomes the thing that is no longer real, because that surreal feeling has vanished and time has become meaningful again.
”
”
Matthew Quick (The Silver Linings Playbook)
“
In The Garret
Four little chests all in a row,
Dim with dust, and worn by time,
All fashioned and filled, long ago,
By children now in their prime.
Four little keys hung side by side,
With faded ribbons, brave and gay
When fastened there, with childish pride,
Long ago, on a rainy day.
Four little names, one on each lid,
Carved out by a boyish hand,
And underneath there lieth hid
Histories of the happy band
Once playing here, and pausing oft
To hear the sweet refrain,
That came and went on the roof aloft,
In the falling summer rain.
'Meg' on the first lid, smooth and fair.
I look in with loving eyes,
For folded here, with well-known care,
A goodly gathering lies,
The record of a peaceful life--
Gifts to gentle child and girl,
A bridal gown, lines to a wife,
A tiny shoe, a baby curl.
No toys in this first chest remain,
For all are carried away,
In their old age, to join again
In another small Meg's play.
Ah, happy mother! Well I know
You hear, like a sweet refrain,
Lullabies ever soft and low
In the falling summer rain.
'Jo' on the next lid, scratched and worn,
And within a motley store
Of headless dolls, of schoolbooks torn,
Birds and beasts that speak no more,
Spoils brought home from the fairy ground
Only trod by youthful feet,
Dreams of a future never found,
Memories of a past still sweet,
Half-writ poems, stories wild,
April letters, warm and cold,
Diaries of a wilful child,
Hints of a woman early old,
A woman in a lonely home,
Hearing, like a sad refrain--
'Be worthy, love, and love will come,'
In the falling summer rain.
My Beth! the dust is always swept
From the lid that bears your name,
As if by loving eyes that wept,
By careful hands that often came.
Death canonized for us one saint,
Ever less human than divine,
And still we lay, with tender plaint,
Relics in this household shrine--
The silver bell, so seldom rung,
The little cap which last she wore,
The fair, dead Catherine that hung
By angels borne above her door.
The songs she sang, without lament,
In her prison-house of pain,
Forever are they sweetly blent
With the falling summer rain.
Upon the last lid's polished field--
Legend now both fair and true
A gallant knight bears on his shield,
'Amy' in letters gold and blue.
Within lie snoods that bound her hair,
Slippers that have danced their last,
Faded flowers laid by with care,
Fans whose airy toils are past,
Gay valentines, all ardent flames,
Trifles that have borne their part
In girlish hopes and fears and shames,
The record of a maiden heart
Now learning fairer, truer spells,
Hearing, like a blithe refrain,
The silver sound of bridal bells
In the falling summer rain.
Four little chests all in a row,
Dim with dust, and worn by time,
Four women, taught by weal and woe
To love and labor in their prime.
Four sisters, parted for an hour,
None lost, one only gone before,
Made by love's immortal power,
Nearest and dearest evermore.
Oh, when these hidden stores of ours
Lie open to the Father's sight,
May they be rich in golden hours,
Deeds that show fairer for the light,
Lives whose brave music long shall ring,
Like a spirit-stirring strain,
Souls that shall gladly soar and sing
In the long sunshine after rain
”
”
Louisa May Alcott (Little Women)
“
In Russia they have a strange disease. It makes membrane grow across the sick person's throat, and they start to choke. there's less and less air until they eventually die. They treat it with a strange gizmo, A little silver tube. the membrane can't tolerate silver. The healer inserts the little silver tube in the patient's throat and he breaths through it until it gets over the illness. You're my little silver tube. With you, I have started breathing.
”
”
Dmitry Glukhovsky (FUTU.RE)
“
The foretelling, Elias,” the Augur says. “The future given to the Augurs in visions. That is the reason we built this school. That is the reason you are here. Do you know the story?” The story of Blackcliff’s origin was the first thing I learned as a Yearling: Five hundred years ago, a warrior brute named Taius united the fractured Martial clans and swept down from the north, crushing the Scholar Empire and taking over most of the continent. He named himself Emperor and established his dynasty. He was called the Masked One, for the unearthly silver mask he wore to scare the hell out of his enemies. But the Augurs, considered holy even then, saw in their visions that Taius’s line would one day fail. When that day came, the Augurs would choose a new Emperor through a series of physical and mental tests: the Trials. For obvious reasons, Taius didn’t appreciate this prediction, but the Augurs must have threatened to strangle him with sheep gut, because he didn’t make a peep when they raised Blackcliff and began training students here. And here we all are, five centuries later, masked just like Taius the First, waiting for the old devil’s line to fail so one of us can become the shiny new Emperor. I’m not holding my breath. Generations of Masks have trained and served and died without a whisper of the Trials. Blackcliff may have started out as a place to prepare the future Emperor, but now it’s just a training ground for the Empire’s deadliest asset. “I know the story,” I say in response to the Augur’s question. But I don’t believe a word of it, since it’s mythical horse dung.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
Something creaked beneath me! A soft step on rotting wood!
I jumped startled, scared, and turned, expecting to see-God
knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than
usual? Was it the moonlight, shining through my airy clothes?
All random doubts were cleared when he said in a voice
gritty and low, "You look beautiful sitting there like that." He
cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through
your clothes."
Then, bewilderingly, he seized me by the shoulders, digging
in his fingers, hard! They hurt. "Damn you, Cathy! You kissed
that man! He could have awakened and seen you, and demanded
to know who you were! And not thought you only a part of his
dream!"
Scary the way he acted, the fright I felt for no reason at all.
"How do you know what I did? You weren't there; you were
sick that night."
He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!"
"He saw me?" I cried, disbelieving. It wasn't possible . . .
wasn't!
"Yes!" he yelled. This was Chris, who was usually in such
control of his emotions. "He thought you a part of his dream!
But don't you know Momma can guess who it was, just by
putting two and two together-just as I have? Damn you and
your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's
counting, and we don't have enough-not yet!"
He yanked me down from the widow sill! He appeared wild
and furious enough to slap my face-and not once in all our
lives had he ever struck me, though I'd given him reason to
when I was younger. But he shook me until my eyes rolled, until
I was dizzy and crying out: "Stop! Momma knows we can't pass
through a looked door!"
This wasn't Chris . . . this was someone I'd never seen
before . . . primitive, savage.
He yelled out something like, "You're mine, Cathy! Mine!
You'll always be mine! No matter who comes into your future,
you'll always belong to me! I'll make you mine . . . tonight . . .
now!"
I didn't believe it, not Chris!
And I did not fully understand what he had in mind, nor, if I
am to give him credit, do I think he really meant what he said,
but passion has a way of taking over.
We fell to the floor, both of us. I tried to fight him off. We
wrestled, turning over and over, writhing, silent, a frantic strug-
gle of his strength against mine.
It wasn't much of a battle.
I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than
i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him.
And I loved him. I wanted what he wanted-if he wanted it
that much, right and wrong.
Somehow we ended up on that old mattress-that filthy,
smelly, stained mattress that must have known lovers long
before this night. And that is where he took me, and forced in
that swollen, rigid male sex part of him that had to be satisfied.
It drove into my tight and resisting flesh which tore and bled.
Now we had done what we both swore we'd never do.
”
”
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
“
For it would be only for a time. Until what he knew and thought became no longer relevant or necessary and was forgotten. But that was the same with all of us. We were only what we were for a time, at that time. Then our own silver began to mix with the tin of our future to change us. I knew this to be so and grieved for Windlow while I grieved for me. In time I would not be this Peter, even as I now was not the peter of two years ago.... Yet that Peter was not lost.
”
”
Sheri S. Tepper (The True Game (Land of the True Game, #1-3))
“
Successful gamblers—and successful forecasters of any kind—do not think of the future in terms of no-lose bets, unimpeachable theories, and infinitely precise measurements. These are the illusions of the sucker, the sirens of his overconfidence.
”
”
Nate Silver (The Signal and the Noise: Why So Many Predictions Fail-but Some Don't)
“
U-boats were on the run. Radar, sonar, aircraft, and new tactics by American and British destroyers had turned predators into prey. The future offered little but death. To survive another patrol, the men of the U-351 would have to beat long, long odds.
”
”
Tom Young (Silver Wings, Iron Cross)
“
Just as fossil-fueled resource mastery led to more fossil fuels, it also led to more of every kind of resource being available—including the gold, mercury, silver, copper, zinc, natural gas, and petroleum the Club of Rome had predicted would have run out by now.
”
”
Alex Epstein (Fossil Future: Why Global Human Flourishing Requires More Oil, Coal, and Natural Gas--Not Less)
“
But the most extraordinary is this relationship with Jesus. It’s not mass produced - one size fits all. No, it’s one to one, customized to fit the shape of who you have been, what you have done and where you want to be in the future. He’s taken that time to tune into me, into my patterns and my past.
”
”
Emily Silver (Fifty Shades of Christ)
“
Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity.
Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing.
Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty.
Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance.
The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’
Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.
”
”
Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)
“
Live blindly and upon the hour. The Lord,
Who was the Future, died full long ago.
Knowledge which is the Past is folly. Go,
Poor, child, and be not to thyself abhorred.
Around thine earth sun-winged winds do blow
And planets roll; a meteor draws his sword;
The rainbow breaks his seven-coloured chord
And the long strips of river-silver flow:
Awake! Give thyself to the lovely hours.
Drinking their lips, catch thou the dream in flight
About their fragile hairs' aerial gold.
Thou art divine, thou livest,—as of old
Apollo springing naked to the light,
And all his island shivered into flowers.
”
”
Trumbull Stickney
“
But these things now belonged to the past, and he was flying toward the future. As they banked, Dr. Floyd could see below him a maze of buildings, then a great airstrip, then a broad, dead-straight scar across the flat Florida landscape—the multiple rails of a giant launching track. At its end, surrounded by vehicles and gantries, a spaceplane lay gleaming in a pool of light, being prepared for its leap to the stars. In a sudden failure of perspective, brought on by his swift changes of speed and height, it seemed to Floyd that he was looking down on a small silver moth, caught in the beam of a flashlight.
”
”
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
“
Time goes, you say? Ah no!
Alas, Time stays, we go;
Or else, were this not so,
What need to chain the hours,
For Youth were always ours?
Time goes, you say?-ah no!
Ours is the eyes' deceit
Of men whose flying feet
Lead through some landscape low;
We pass, and think we see
The earth's fixed surface flee:-
Alas, Time stays,-we go!
Once in the days of old,
Your locks were curling gold,
And mine had shamed the crow.
Now, in the self-same stage,
We've reached the silver age;
Time goes, you say?-ah no!
Once, when my voice was strong,
I filled the woods with song
To praise your 'rose' and 'snow';
My bird, that sang, is dead;
Where are your roses fled?
Alas, Time stays,-we go!
See, in what traversed ways,
What backward Fate delays
The hopes we used to know;
Where are our old desires?-
Ah, where those vanished fires?
Time goes, you say?-ah no!
How far, how far, O Sweet,
The past behind our feet
Lies in the even-glow!
Now, on the forward way,
Let us fold hands, and pray;
Alas, Time stays,-we go!
”
”
Henry Austin Dobson
“
One for the past – what we were apart.” Moving to the middle cord, he gently smoothed it and attached a silver ring. “One for the present – what we are now.” His touch lingered on the topmost cord, and I saw the hesitation in his gaze. I wrapped my hands around his wrists and squeezed to reassure him. “One for the future – what we will become.
”
”
Adam A. Fox (A Sinful Sacrifice)
“
The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.
”
”
Matthew Gregory Lewis (The Monk)
“
Yes, my friend, I said; and there lies the point. You must contrive for your future rulers another and a better life than that of a ruler, and then you may have a well-ordered State; for only in the State which offers this, will they rule who are truly rich, not in silver and gold, but in virtue and wisdom, which are the true blessings of life.
”
”
Plato (Republic)
“
We observe in this torrent of incoherence a lack of regularity in the subject himself; the "I" has fallen to pieces after struggling for three centuries against the great objective institutions and dissolving them with its subjectivism and rejecting in them any law that was sacred and binding on itself.
There is no reason to think that Decadence - obviously an historical phenomenon of great inevitability and significance — has confined itself to poetry; we should expect in the more or less distant future the Decadence of philosophy and finally the Decadence of morality, politics, and forms of communal life. To a certain extent Nietzsche can already be considered the Decadent of human thought — at least to the extent that Maupassant, in certain "final touches" of his art, can be considered the Decadent of human emotion. Like Maupassant, Nietzsche ended in madness; and in Nietzsche, just as in Maupassant, the cult of the "I" loses all restraining limits: the world, history, and the human being with his toils and legitimate demands have disappeared equally from the works of both; both were "mystic males" to a considerable degree, only one of them preferred to "flutter " above "quivering orchids," whereas the other liked to sit inside a cave or upon a mountaintop and proclaim a new religion to mankind in his capacity as the reborn "Zarathustra." The religion of the "superman," he explained. But all of them, including Maupassant, were already "supermen" in that they had absolutely no need of mankind and mankind had absolutely no need of them. On this new type of nisus formativus of human culture, so to speak, we should expect to see great oddities, great hideousness, and perhaps great calamities and dangers.
("On Symbolists And Decadents")
”
”
Vasily Rozanov (Silver Age of Russian Culture (An Anthology))
“
Our public lands contain a wealth of natural resources—trees, oil, gas, coal, gold, silver, copper, iron, zinc, and many other minerals, onshore and off. We own these lands. Yet under current law the corporations control their extraction and pay very little to Uncle Sam for what revenues and profits they reap. Sometimes, in fact, they pay just about nothing.
”
”
Ralph Nader (The Seventeen Solutions: Bold Ideas for Our American Future)
“
scales scattered under her wings and two teardrop silver scales in the corners of her eyes. A startled jolt ran through Luna, waking her up like a bolt of lightning. This dragon looked like Clearsight. Or at least, the way Clearsight always looked in pictures. Luna sat up as the two of them came closer, with Jerboa behind them. “Oh wow,” said the one with the earring, noticing Luna. “What —” said the Clearsight-looking dragon. “How — ?” “I believe this is our first visitor from the lost continent,” Jerboa said. “She blew in with the storm.” The little black dragon sat down and tipped her head as though she was listening to something far away. “I’m Moon,” she said, “and this is Qibli. Are you really from across the sea?” “I guess so,” Luna said. “It was kind of an accident, coming here. I’m Luna.” “Hi, Luna,” said Qibli. “This must be pretty weird for you, too. You have so many wings! I mean, that’s cool. Is it hard to fly with all those wings? That’s a silly question. I can’t believe we’re meeting a dragon from another continent! This is amazing!” “Are you like Clearsight?” Luna asked Moon. “Can you see the future?” Moon’s eyebrows shot up. “You know about Clearsight?” “I know some things about her,” Luna said, thinking darkly of the Book and the lies Queen Wasp had told about it. “I know she came from here, and she had scales like yours. I always wondered if there were other dragons over here who could see the future, too.
”
”
Tui T. Sutherland (The Lost Continent (Wings of Fire, #11))
“
Per? You can come out now."
A figure slowly emerged from the shadows. "Are they gone?"
"No one is here," he reassured her, his voice dropping to a new calm at the sight of her.
She was exquisite. He loved everything about her, from the crown of silver flowers she wore in her black hair to the dark eyes that offset her tan skin. For the first time ever, he even noticed clothing. He couldn't help admiring how she favored cobalt blue for her gown over drab browns. Today's dress was clipped at her waist with a floral silver belt.
"What did the Fates say?" she asked, sounding timid for the first time since he'd met her. She was anything but a wallflower. She was fiery. He loved that about her most of all.
He glided over and put his arms around her. "I'm on my way to see them right now. I don't want you to worry. I thought you were going to go do that thing to take your mind off all that."
"I am," she said with a smile. "You're going to love it."
He doubted that, but he wanted her to be happy. "In any case, we'll make sure the future is in our favor. Even if we have to burn the whole world to the ground.
”
”
Jen Calonita (Go the Distance)
“
It was on the day, or rather night, of the 27th of June 1787, between the hours of eleven and twelve, that I wrote the last line of the last page, in a summer house in my garden. After laying down my pen, I took several turns in a berceau, or covered walk of acacias, which commands a prospect of the country, the lake, and the mountains. The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters and all nature was silent. I will not dissemble the first emotions of joy on the recovery of my freedom, and, perhaps, the establishment of my fame. But my pride was soon humbled, and a sober melancholy was spread over my mind, by the idea that I had taken an everlasting leave of an old and agreeable companion, and that whatsoever might be the future date of my 'History', the life of the historian must be short and precarious.
”
”
Edward Gibbon
“
He had a swift and utterly lucid vision of himself in this position in thirty-odd years. Loathsome tea, hot steam, silver spoon, and fifty-year-old Chloe seated opposite him talking about clothing, because to her it was categorically, absolutely, the most fascinating topic on the planet.
Besides, of course, herself.
For an unflinching instant, Armand wished with his whole heart that he were dead.
Then, at the very edge of his perception, something changed.
He glanced up.
She was passing by the doorway, walking with that fluid, nearly animal grace that no one else seemed to capture or even notice.
He was given four steps of her.
One: She moved from the hallway shadows into the light cast from the parlor. He saw her illuminated, drab colors gone bright; her skin alabaster, reflective; her hair tinted pink and gold and pink again.
Two: Her gaze met his, finding him past all the other people crowded inside the stuffy mirrored room, dying by inches and taking their tea.
Three: He was paralyzed. He couldn’t move, couldn’t smile, couldn’t nod. He was pinned in the gray of her eyes, a prisoner to their piercing clarity.
For an unflinching instant, Armand felt his heart explode like a firework, and the future seemed unwritten.
Then four: Eleanore looked away and passed the doorway. He was stuck with tea and dresses once more.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
Every dark cloud has a silver lining—conversely, the silver lining frames a dark cloud. Or as chapter 58 of Tao Te Ching expresses it: Misfortune is what fortune depends upon Fortune is where misfortune hides beneath Yin contains yang; yang contains yin. Every failure harbors the hidden seed of future success; every triumph contains the covert cause of future defeat. Thus, Sai Ong’s father isn’t mortified by bad news—but neither is he overelated
”
”
Derek Lin (The Tao of Daily Life: The Mysteries of the Orient Revealed The Joys of Inner Harmony Found The Path to Enlightenment Illuminated)
“
Earth, the startlingly pure blue and white, the brown and silver snakes that are rivers filled with erosion, the fragmented coastlines where the rising seas are eating the land, just as Earth’s remaining resources are being eaten by the population. Soon the population may be the only resource left. The Orbitals were once their hope, a gateway to new resources. Now the Orbitals stand like a wall between Earth and its broken dreams, claiming the future for their own. Reno
”
”
Walter Jon Williams (Solip:System (Hardwired Series))
“
The sound of the trumpets died away and Orlando stood stark naked. No human being since the world began, has ever looked more ravishing. His form combined in one the strength of a man and a woman’s grace. As he stood there, silver trumpets prolonged their note, as if reluctant to leave the lovely sight which their blast had called forth; and Chastity, Purity, and Modesty, inspired, no doubt, by Curiosity, peeped in at the door and threw a garment like a towel at the naked form which, unfortunately, fell short by several inches. Orlando looked at himself up and down in a long looking-glass, without showing any signs of discompose, and went presumably, to his bath.
We many take advantage of this pause in the narrative to make certain statements. Orlando had become a woman - there is no denying it. But in every other respect, Orlando remained precisely as he had been. The change in sex, though it altered their future, did nothing whatever to alter their identity. Their faces remained, as their portraits prove, practically the same. His memory - but in the future we must, for convention’s sake, say ‘her’ for ‘his’, and ‘she’ for ‘he’ - her memory then, went back through all the events of her past life without encountering any obstacle. Some slight haziness there may have been, as if a few dark spots had fallen into the clear pool of memory; certain things had become a little dimmed; but that was all. The change seemed to have been accomplished painlessly and completely and in such a way that Orlando herself showed no surprise at it. Many people, taking this into account, and holding that such a change in sex is against nature, have been at great pains to prove (1) that Orlando has always been a woman, (2) that Orlando is at this moment a man. Let biologists and psychologists determine. It is enough for us to state the simple fact; Orlando was a man till the age of thirty; when he became a woman and has remained so ever since.
”
”
Virginia Woolf (Orlando)
“
I grabed one of his hands that was hanging loosely at his side.I took a little bit of work to pry the fat silver ring off his finger, but when I had it free I held it up between the two of us and looked him dead in the eye. He was watching me caustiously, but didn't ask me what I was doing. Do you love me Jet? Dispite it all. Do you love me? Aden I'm here of course I love you. I love you before, I love you after, and I'll love you for everything in between. Had we not been in a grungy motel room in Kentucky,there was a good chance I would have gotten down on one kneeto make the moment more dramatic, to prove to him just how serious I was about not running away anymore but a girl had to have standards. I grad his left hand and put a kiss in his left palm. Jet Keller I love you and there is no future for me without you in it. I'm never going to bed with a man that isn't you again. I don't care if you're a rock star or a a car salesman.I just want there to be a you and me forever. Will you marry me?
”
”
Jay Crownover (Jet (Marked Men, #2))
“
You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.
”
”
Elif Shafak (The Island of Missing Trees)
“
and here instead’s another version of what was happening that morning, as if from a novel in which sophia is the kind of character she’d choose to be, prefer to be, a character in a much more classic sort of story, perfectly honed and comforting, about how sombre yet bright the major-symphony of winter is and how beautiful everything looks under a high frost, how every grassblade is enhanced and silvered into individual beauty by it, how even the dull tarmac of the roads, the paving under our feet, shines when the weather’s been cold enough and how something at the heart of us, at the heart of all our cold and frozen states, melts when we encounter a time of peace on earth, goodwill to all men; a story in which there’s no room for severed heads; a work in which sophia’s perfectly honed minor-symphony modesty and narrative decorum complement the story she’s in with the right kind of quiet wisdom-from-experience ageing-female status, making it a story that’s thoughtful, dignified, conventional in structure thank god, the kind of quality literary fiction where the slow drift of snow across the landscape is merciful, has a perfect muffling decorum of its own, snow falling to whiten, soften, blur and prettify even further a landscape where there are no heads divided from bodies hanging around in the air or anywhere, either new ones, from new atrocities or murders or terrorisms, or old ones, left over from old historic atrocities and murders and terrorisms and bequeathed to the future as if in old french revolution baskets, their wickerwork brown with the old dried blood, placed on the doorsteps of the neat and central-heating-interactive houses of now with notes tied to the handles saying please look after this head thank you,
well, no,
thank you,
thank you very much:
”
”
Ali Smith (Winter (Seasonal, #2))
“
Any chance you could get us a bucket of ice water for today’s lesson?” he asked, straightening up and clearing his throat. “I promise not to dump it on Foster’s head—unless she wants me to.” Elwin sighed as he headed for the alchemy section of the Healing Center. “Why do I have a feeling I’m going to regret this?” “You won’t!” Keefe assured him. “We’re working on body temperature regulation.” Sophie groaned. The day they’d practiced that skill at Exillium had been long, hot, and very, very sweaty. And given the large silver basin of freezing water that Elwin set on the cot next to hers, it looked like a lot of shivering would soon be in her future.
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
Joe looked out of the window again. He had the feeling that outside the window there should have been hover-cars, men in trilby hats and jet packs, spider-webs of passageways spreading out of the distant tops of the towers. There should have been women in silver suits taking in a show at the tri-vids before indulging in a spot of lunch, the kind that came in three-course pills, great big subservient robots trailing behind them. Instead there was a brown man in overalls collecting rubbish with a long stick outside an adult cinema, and the cars were halted, bumper-to-bumper, beside a traffic light that seemed to be stuck permanently on red. There was a siren in the distance. There was the sound of car horns, a door slamming, someone cursing loudly in American English.
”
”
Lavie Tidhar (Osama)
“
The woman [Cadsuane] looked at the battered tea things as if she had all the time in the world. “Now you know,” she said at last, calm as ever, “that I know your future, and your present. The Light’s mercy fades to nothing for a man who can channel. Some see that and believe the Light denies those men. I do not. Have you begun to hear voices, yet?”
“What do you mean?” he asked slowly. He could feel Lews Therin listening.
[...]
“Some men who can channel begin to hear voices.” She spoke almost absently, frowning at the flattened sphere of silver and gold. “It is a part of the madness. Voices conversing with them, telling them what to do.” The teapot drifted gently to the floor by her feet. “Have you heard any?”
[...]
“I will ask the questions,” Rand said firmly. “You seem to forget. I am the Dragon Reborn.” You are real, aren’t you? he wondered. There was no answer. Lews Therin? Sometimes the man did not answer, but Aes Sedai always drew him. Lews Therin? He was not mad; the voice was real, not imagination. Not madness. A sudden desire to laugh did not help.
Cadsuane sighed. “You are a young man who has little idea where he is going or why, or what lies ahead. You seem overwrought. Perhaps we can speak when you are more settled. Have you any objection to my taking Merana and Annoura away for a little while? I’ve seen neither in quite some time.”
Rand gaped at her. She swooped in, insulted him, threatened him, casually announced she knew about the voice in his head, and with that she wanted to leave and talk with Merana and Annoura? Is she mad? Still no answer from Lews Therin. The man was real. He was!
“Go away,” he said. “Go away, and...” He was not mad. “All of you, get out! Get out!”
[...] Finally they were all gone, and he was alone. Alone.
Convulsively he hurled the Dragon Scepter. The spear-point stuck quivering in the back of one the chairs, the tassels swaying.
“I am not mad,” he said to the empty room. Lews Therin had told him things; he would never have escaped Galina’s chest without the dead man’s voice. But he had used the Power before he ever heard the voice; he had figured out how to call lightning and hurl fire and form a construct that had killed hundreds of Trollocs. But then, maybe that had been Lews Therin, like those memories of climbing trees in a plum orchard, and entering the Hall of the Servants, and a dozen more that crept up on him unawares. And maybe those memories were all fancies, mad dreams of a mad mind, just like the voice.
”
”
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
“
is, therefore, not an exaggeration to say that if the city of New York were suddenly replaced by a ball of fire, some significant percentage of the American population would see a silver-lining in the subsequent mushroom cloud, as it would suggest to them that the best thing that is ever going to happen was about to happen: the return of Christ. It should be blindingly obvious that beliefs of this sort will do little to help us create a durable future for ourselves—socially, economically, environmentally, or geopolitically. Imagine the consequences if any significant component of the U.S. government actually believed that the world was about to end and that its ending would be glorious. The fact that nearly half of the American population apparently believes this, purely on the basis of religious dogma, should be considered a moral and intellectual emergency.
”
”
Richard Dawkins (The God Delusion)
“
She woke to find dawn light, pearly silver tinged with pink, washing into the room. For a moment, she wondered what had woken her, then she glanced at Breckenridge-into his hazel eyes.
"You're awake!" She only just managed not to squeal. The joy leaping through her was near impossible to contain.
He smiled weakly. His lids drooped, fell. "I've been awake for some time, but didn't want to wake you."
His voice was little more than a whisper.
She realized it was the faint pressure of his fingers on hers that had drawn her rom sleep. Those fingers, his hand, were no longer over-warm. Reaching out, she laid her fingers on his forehead. "Your temperature's normal-the fever's broken. Thank God."
Retrieving her hand, refocusing on his face, she felt relief crash through her in a disorienting, almost overpowering wave. "You have to rest." That was imperative; she felt driven by flustered urgency to ensure he understood. "You're mending nicely. Now the crisis has passed, you'll get better day by day. Catriona says that with time you'll be as good as new." Algaria had warned her to assure him of that.
He swallowed; eyes closed, he shifted his head in what she took to be a nod. "I'll rest in a minute. But first...did you mean what you said out there by the bull pen? That you truly want a future with me?"
"Yes." She clutched his hand more tightly between hers. "I meant every word."
His lips curved a fraction, then he sighed. Eyes still closed-she sensed he found his lids too heavy to lift-he murmured, "Good. Because I meant every word, too."
She smiled through sudden tears. "Even about our daughters being allowed to look like Cordelia?"
His smile grew more definite. "Said that aloud, did I? Yes, I meant that, but for pity's sake don't tell her--she'll never let me hear the end of it, and Constance will have my head to boot."
His words were starting to slur again; he was slipping back into healing sleep.
Catriona's words, her warning, rang in Heather's head. She remembered her vow. Rising, she leaned over him; his hand still clasped between hers, and kissed him gently. "Go to sleep and get well, but before you do, I need to tell you this. I love you. I will until the end of my days. I don't expect you to love me back, but that doesn't matter anymore. You have my love regardless, and always will." She kissed him again, sensed he'd heard, but that he was stunned, surprised. He didn't respond.
She drew back. "And now you need to put your mind to getting better. We have a wedding to attend, after all."
She knew he heard that-his features softened, eased.
As he slid into sleep, he was, very gently, smiling.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
And so it was that Michael built a brown castle on the peak of his mountain, Gabriel built a golden pyramid in the midst of his plain, saying it was both a holy temple in my praise and an edifice that would guide him on his pattern for his future work, though I knew that only he would ever understand it, to my amusement, and Raphael built a silver palace to sparkle above the trees of his forests, as his home and celestial workshop, and I was well pleased with their work, as ever it was better than what I had hoped for.
"That was the First Age, the Archangel Age, long over. I can speak in much detail about each stage in my creation, and my scribes have written all my words on each stage in the books I gave to the angel courts, for study and meditation and for prayer, but such details are for my sons and daughters most interested in them, when they are of an age, with the understanding, to comprehend such things.
”
”
Philip Dodd (Angel War)
“
London is a friend whom I can leave knowing without doubt that she will be the same to me when I return, to-morrow or forty years hence, and that, if I do not return, she will sing the same song to inheritors of my happy lot in future generations. Always, whether sleeping or waking, I shall know that in Spring the sun rides over the silver streets of Kensington, and that in the Gardens the shorn sheep find very green pasture. Always the plaited threads of traffic will wind about the reel of London; always as you up Regent Street from Pall Mall and look back, Westminster will rise with you like a dim sun over the horizon of Whitehall. That dive down Fleet Street and up to the black and white cliffs of St. Paul's will for ever bring to mind some rumour of romance. There is always a romance that we leave behind in London, and always London enlocks that flower for us, and keeps it fresh, so that when we come back we have our romance again.
”
”
Stella Benson (This Is the End)
“
1
The holes in this story are not lamps, they are not wheels. I walked and walked, grew a beard so I could drag it in the dirt, into a forest that wasn't there. I want to give you more but not everything. You don't need everything.
2
This is what they found on the dead man's desk when the landlord let them in: twenty-eight pages, esoteric and unfollowable, written with perfect penmanship and a total disregard for any reader, as it the intended audience was a population not quite human. Angelic script, says the detective, lifting the pages, feeling their heft and he wonders what he means because it isn't. His partner nods but ignores him.
A park bench, white roses, dark coats and white roses, snow and repetitions of snow--it's hard to read but pretty much how they found him: dead on a bench in a black coat, the snow falling down.
Twigs and blackbirds, snow and red horses, the ghosts floating up, the snow falling down--the detective is weeping--and the black coat.
3
Someone has to leave first. This is a very old story. There is no other version of this story.
4
It's getting late, Little Moon. Finish the song. It's not that late. You are my moon, Little Moon, and it's late enough. So climb down out of the tree. Is it safe? Safe enough. Are you dead as well?
The night is cold, it is silver, it is a coin.
Not everyone is dead, Little Moon. But the big moon needs the tree. There is a ghost at the end of the song. Yes, there is. And you see his hand and then you see the moon. Am I the ghost at the end of the song? We are very close now, Little Moon. Thank you for shining on me.
5
He was pointing at the moon but I was looking at his hand. He was dead anyway, a ghost. I'm surprised I saw his hand at all. All this was prepared for me. All this was set in motion a long time ago. I live in someone else's future. I stayed as long as I could, he said. Now look at the moon.
The Worm King’s Lullaby
”
”
Richard Siken
“
Rhys looked them each in the eye, even my sisters, his hand brushing the back of my own.
'Do you want the inspiring talk or the bleak one?' he asked.
'We want the real one,' Amren said.
Rhys pushed his shoulders back, elegantly folding his wings behind him. 'I believe everything happens for a reason. Whether it is decided by the Mother, of the Cauldron, or some sort of tapestry of Fate, I don't know. I don't really care. But I am grateful for it, whatever it is. Grateful that it brought you all into my life. If it hadn't... I might have become as awful as the price we're going to face today. If I had not met an Illyrian warrior-in-training,' he said to Cassian, 'I would not have known the true depth of strength, of resilience, of honour and loyalty.' Cassian's eyes gleamed bright. Rhys said to Azriel, 'If I had not met a shadowsinger, I would not have known that it is the family you make not the one you are born into, that matters. I would not have known what it is to truly hope, even when the world tells you to despair.' Azriel bowed his head in thanks.
Mor was already crying when Rhys spoke to her. 'If I had not met my cousin, I would never have learned that light can be found in even the darkest of hells. That kindness can thrive even amongst cruelty.' She wiped away her tears as she nodded.
I waited for Amren to offer a retort. But she was only waiting.
Rhys bowed his head to her. 'If I had not met a tiny monster who hoards jewels more fiercely than a firedrake...' A quiet laugh from all of us at that. Rhys smiled softly. 'My own power would have consumed me long ago.'
Rhys squeezed my hand as he looked to me at last. 'And if I had not met my mate...' His words failed him as silver lined his eyes.
He said down the bond, I would have waited five hundred more years for you. A thousand years. And if this was all the time we were allowed to have... The wait was worth it.
He wiped away the tears sliding down my face. 'I believe that everything happened, exactly the way it had to... so I could find you.' He kissed another tear away.
And then he said to my sisters, 'We have not known each other for long. But I have to believe that you were brought here, into our family, for a reason, too. And maybe today we'll find out why.'
He surveyed them all again- and held out his hand to Cassian. Cassian took it, and held out his other for Mor. Then Mor extended her other to Azriel. Azriel to Amren. Amren to Nesta. Nesta to Elain. And Elain to me. Until we were all linked, all bound together.
Rhys said, 'We will walk out onto that field and only accept Death when it comes to haul us away to the Otherworld. We will fight for life, for survival, for our futures. But if it is decided by that tapestry of Fate or the Cauldron or the Mother that we do not walk off that field today...' His chin lifted. 'The great joy and honour of my life has been to know you. To call you my family. And I am grateful- more than I can possibly say- that I was given this time with you all.'
'We are grateful, Rhysand,' Amren said quietly. 'More than you know.'
Rhys gave her a small smile as the others murmured their agreement.
He squeezed my hand again as he said, 'Then let's go make Hybern very ungrateful to have known us, too.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Hearing the rising tide, I think how it is pressing also against other shores I know — rising on a southern beach where there is no fog, but a moon edging all the waves with silver and touching the wet sands with lambent sheen, and on a still more distant shore sending its streaming currents against the moonlit pinnacles and the dark caves of the coral rock.
Then in my thoughts these shores, so different in their nature and in the inhabitants they support, are made one by the unifying touch of the sea. For the differences I sense in this particular instant of time that is mine are but the differences of a moment, determined by our place in the stream of time and in the long rhythms of the sea. Once this rocky coast beneath me was a plain of sand; then the sea rose and found a new shore line. And again in some shadowy future the surf will have ground these rocks to sand and will have returned the coast to its earlier state. And so in my mind’s eye these coastal forms merge and blend in a shifting, kaleidoscopic pattern in which there is no finality, no ultimate and fixed reality — earth becoming fluid as the sea itself.
”
”
Rachel Carson (The Edge of the Sea)
“
Some rapture Christians go further and actually yearn for nuclear war because they interpret it as the ‘Armageddon’ which, according to their bizarre but disturbingly popular interpretation of the book of Revelation, will hasten the Second Coming. I cannot improve on Sam Harris’s chilling comment, in his Letter to a Christian Nation: It is, therefore, not an exaggeration to say that if the city of New York were suddenly replaced by a ball of fire, some significant percentage of the American population would see a silver-lining in the subsequent mushroom cloud, as it would suggest to them that the best thing that is ever going to happen was about to happen: the return of Christ. It should be blindingly obvious that beliefs of this sort will do little to help us create a durable future for ourselves—socially, economically, environmentally, or geopolitically. Imagine the consequences if any significant component of the U.S. government actually believed that the world was about to end and that its ending would be glorious. The fact that nearly half of the American population apparently believes this, purely on the basis of religious dogma, should be considered a moral and intellectual emergency.
”
”
Richard Dawkins (The God Delusion)
“
June 26 “Be ye also patient; stablish your hearts: for the coming of the Lord draweth nigh.” James 5:8 THE last word in the Canticle of love is, “Make haste, my beloved,” and among the last words of the Apocalypse we read, “The Spirit and the Bride say, Come;” to which the heavenly Bridegroom answers, “Surely I come quickly.” Love longs for the glorious appearing of the Lord, and enjoys this sweet promise – “The coming of the Lord draweth nigh.” This stays our minds as to the future. We look out with hope through this window. This sacred “window of agate” lets in a flood of light upon the present, and puts us into fine condition for immediate work or suffering. Are we tried? Then the nearness of our joy whispers patience. Are we growing weary because we do not see the harvest of our seed-sowing? Again this glorious truth cries to us, “Be patient.” Do our multiplied temptations cause us in the least to waver? Then the assurance, that before long the Lord will be here, preaches to us from this text, “Stablish your hearts.” Be firm, be stable, be constant, “steadfast, unmoveable, always abounding in the work of the Lord.” Soon will you hear the silver trumpets which announce the coming of your King. Be not in the least afraid. Hold the fort, for he is coming; yea, he may appear this very day.
”
”
Charles Haddon Spurgeon (The Chequebook of the Bank of Faith: Precious Promises Arranged for Daily Use with Brief Comments)
“
Hmm. Feels like my brilliant pep talk isn’t doing its job—so how about we play Name That Baby Alicorn? Otherwise I’m going to call them Sparkle Tushie Number One and Number Two. Actually, I’m probably going to call them that anyway—but I might occasionally go with something more official, as long as Mama and Papa pick something that pleases me.” Silveny didn’t seem to understand anything he was saying, so Sophie did her best to explain telepathically. Name baby? Name baby? Silveny asked, glancing at Greyfell. “I don’t think they’ve picked anything yet,” Sophie told Keefe. He clapped his hands. “Perfect! It’s a girl and a boy, right? So how about Keeferina and the Keefster?” “Keeferina?” Sophie had to ask. Even Silveny looked like she was wincing. “Or Keefette. Or Keefelle. Or Keefiana. Honestly, I thought you’d fight me harder on the Keefster.” “How about nothing with Keefe?” Sophie suggested. “See, but there really is no better name, is there?” He glanced at Silveny, who definitely did not chant any Keefes. “Fine. Your loss. How about an homage to the Mysterious Miss F instead? We could have a little Sophie and a little Foster—though now that I’m saying that out loud, I’m realizing how confusing that would get. What’s your middle name, again? Something with an E?” “Elizabeth,” Sophie confirmed. “What’s yours?” “It’s ‘Nope’—as in nope, we’re so not going there.” “Why not?” Ro asked, momentarily breaking the Bo-Ro glarefest. “Because I have enough humiliation in my immediate future, thanks to you,” he told her. “Yeah, I think you’re going to have to tell me now,” Sophie insisted. “See, but I’m too busy naming alicorn babies. They’re silver, right? So how about Sterling and Argent?” “Argent?” Sophie repeated. “Yeah, wow, I’m pretty bad at this. You might want to help, or I’m going back to Keeferina.
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
The most poignant lesson, which proved to be the last, was held a few days before the wedding. Diana’s thoughts were on the profound changes ahead. Miss Snipp noted: “Lady Diana rather tired--too many late nights. I delivered silver salt-cellars--present from West Heath school--very beautiful and much admired. Lady Diana counting how many days of freedom are left to her. Rather sad. Masses of people outside of Palace. We hope to resume lessons in October. Lady Diana said: “In 12 days time I shall no longer be me.’”
Even as she spoke those words Diana must have known that she had left behind her bachelor persona as soon as she had entered the Palace portals. In the weeks following the engagement she had grown in confidence and self-assurance, her sense of humour frequently bubbling to the surface. Lucinda Craig Harvey saw her former cleaning lady on several occasions during her engagement, once at the 30th birthday party of her brother-in-law, Neil McCorquodale. “She had a distance to her and everyone was in awe of her,” she recalls. It was a quality also noticed by James Gilbey. “She has always been seen as a typical Sloane Ranger. That’s not true. She was always removed, always had a determination about her and was very matter-of-fact, almost dogmatic. That quality has now developed into a tremendous presence.”
While she was in awe of Prince Charles, deferring to his every decision, she didn’t appear to be overcome by her surroundings. Inwardly she may have been nervous, outwardly she appeared calm, relaxed and ready to have fun. At Prince Andrew’s 21st birthday party which was held at Windsor Castle she was at her ease among friends. When her future brother-in-law asked where he could find the Duchess of Westminster, the wife of Britain’s richest aristocrat, she joked: “Oh Andrew, do stop name dropping.” Her ready repartee, cutting but not vicious, was reminiscent of her eldest sister Sarah when she was the queen bee of the Society circuit.
“Don’t look so serious it’s not working,” joked Diana as she introduced Adam Russell to the Queen, Prince Charles and other members of the royal family in the receiving line at the ball held at Buckingham Palace two days before her wedding. Once again she seemed good humoured and relaxed in her grand surroundings. There wasn’t the slightest sign that a few hours earlier she had collapsed in paroxysms of tears and seriously considered calling the whole thing off.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
I'm renowned within the ton as being cool under fire- around you, I'm never cool. I'm heated- I seethe- I burn with desire. If I'm in the same room, all I can think about is heat- your heat- and how you'll feel around me."
Patience felt the heat rise, a real force between them.
"I've gained the reputation of being the soul of discretion- now look at me. I've seduced my godmother's niece- and been seduced by her. I share her bed openly, even under my godmother's roof." His lips twisted wryly. "So much for discretion."
He drew a deep breath; his chest brushed her breasts.
"And as for my vaunted, up-until-you 'legendary' control- the instant I'm inside you that evaporates like water on hot steel."
What prompted her Patience never knew. His lips were so close- with her teeth, she nipped the lower. "I told you to let go- I won't break."
The tension, pouring off him in waves, eased, just a little. He sighed, and rested his forehead on hers. "I don't like losing control- it's like losing myself- in you."
She felt him gather himself, felt the tension swell and coalesce about them.
"It's giving myself to you- so that I'm in your keeping."
The words, low and gravelly, rolled through her; closing her eyes, she drew in a shallow breath. "And you don't like doing that."
"I don't like it- but I crave it. I don't approve of it, yet I yearn for it." His words feathered her cheek, then his lips touched hers. "Do you understand? I haven't any choice."
Patience felt his chest swell as he drew a deep breath.
"I love you."
She shivered, eyes shut tight, and felt the world shift about her.
"Losing myself in you- giving my heart and soul into your keeping- is part of that."
His lips brushed hers in an inexpressibly tender caress.
"Trusting you is part of that. Telling you I love you is part of that."
His lips touched hers; Patience didn't wait for more. She kissed him. Letting go of the post, she slid her hands up, framing his face, so she could let him know- let him feel- her response to all he'd said.
He felt it, sensed it- and reacted; his arms locked tight about her. She couldn't breathe, but she didn't care. All she cared about was the emotion that held them, that flowed so effortlessly between them.
Silver and gold, it wound about them, investing each touch with its magic. Silver and gold, it shimmered about them, and quivered in their fractured breaths. It was immediate compulsion and future promise, heavenly delight and earthly pleasure. It was here and now- and forever.
”
”
Stephanie Laurens (A Rake's Vow (Cynster, #2))