Silk Stockings Quotes

This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the irises of children's eyes.

A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.

We may be only one of millions of advanced civilizations. Unfortunately, space being spacious, the average distance between any two of these civilizations is reckoned to be at least two hundred light-years, which is a great deal more than merely saying it makes it sound. It means for a start that even if these beings know we are here and are somehow able to see us in their telescopes, they're watching light that left Earth two hundred years ago. So, they're not seeing you and me. They're watching the French Revolution and Thomas Jefferson and people in silk stockings and powdered wigs--people who don't know what an atom is, or a gene, and who make their electricity by rubbing a rod of amber with a piece of fur and think that's quite a trick. Any message we receive from them is likely to begin "Dear Sire," and congratulate us on the handsomness of our horses and our mastery of whale oil. Two hundred light-years is a distance so far beyond us as to be, well, just beyond us.

So we went to bed, assaulted by sleep that fumed at us from medicine glasses, or was wielded from small sweet-coated tablets -- dainty bricks of dream wrapped in the silk stockings of oblivion.

Robin: When you do marry, who will you marry? Maria: I have not quite decided yet, but I think I shall marry a boy I knew in London. Robin(yells): What? Marry some mincing nincompoop of a Londoner with silk stockings and a pomade in his hair and face like a Cheshire cheese? You dare do such a thing! You - Maria - if you marry a London man I'll wring his neck! (...) I'll not only wring his neck, I'll wring everybody's necks, and I'll go right away out of the valley, over the hills to the town where my father came from, and I won't ever come back here again. So there! (...) Maria: Why don't you want me to marry that London boy? Robin(shouting): Because you are going to marry me. Do you hear, Maria? You are going to marry me.

This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the irises of children's eyes. From the western half of the sky the sun was shying little golden disks at the sea--if you gazed intently enough you could see them skip from wave tip to wave tip until they joined a broad collar of golden coin that was collecting half a mile out and would eventually be a dazzling sunset.

In a cool medium, the audience is an active constituent of the viewing or listening experience. A girl wearing open-mesh silk stockings or glasses is inherently cool and sensual because the eye acts as a surrogate hand in filling in the low-definition image thus engendered. Which is why boys make passes at girls who wear glasses.

Francie looked at her legs. They were long, slender, and exquisitely molded. She wore the sheerest of flawless silk stockings, and expensively made high-heeled pumps shod her beautifully arched feet. "Beautiful legs, then, is the secret of being a mistriss," concluded Francie. She looked down at her own long thin legs. "I'll never make it, I guess." Sighing , she resigned herself to a sinless life.

The bitterness of wearing your enemies' cast-off clothes eats into your soul. If I wore silk stockings for the rest of my life, I don't believe I could obliterate the scar.

She says it is a school for bluestockings which, according to her, is really only a fashionable way of saying it is a school for ugly girls who cannot find suitable husbands. To tease her, for I believe it is one of his greatest pleasures in this life, my father bought a pair of blue silk stockings for me the day we received my letter of acceptance. That evening and the next, father and I dined alone.

Mary Lou wore the ring faithfully. She studied the coy girls the ones who pretended not to get the dirty joke that made Mary Lou stifle a laugh. The ones who practiced the shy downward glance who pretended giggly outrage when a boy made a suggestive remark who waited to be seen and never made the first move. The ones who called other girls sluts and judged with ease. The good girls. Occasionally from the school bus windows she would see other wild girls on the edges of cornfields running without shoes hair unkempt. Their short skirts rode up flashing warning lights of flesh: backs of knees the curve of a calf a smooth plain of thigh. Sometimes it was just a girl waiting for a bus but in her eyes Mary Lou recognized the feral quality. That was a girl who wanted to race trains under a full moon a girl who liked the feel of silk stockings against her skin the whisper promise of a boy's neck under her lips who did not wait for life to choose her but wished to do the choosing herself. It made Mary Lou ache with everything she held back.

Silk stockings. With garters. Well, they were out. There were a lot of things he'd do for Sybil, but if garters figured anywhere in the relationship they weren't going to be on him.

Now, Miss Bentley,” he said with mock seriousness.   “I’ll have you know that yes, you are correct, I will always be the master in a relationship.   I will always be the master when it comes to sex.   I am the man.” Harly was having a hard time trying to maintain her own contrite, meek expression; her quivering lips gave that away.   “Yes, Sir.” “See, when I say strip, you strip.   When I say come here, you come.   When I say kiss me, you kiss me.   When I say you’re walking around in my presence in nothing but silk stockings and a garter belt and a red satin bra, you will do so.” “Not happening.” “Insubordination will not be tolerated.” “I’ll tell my mother.” “I’m not scared of her.” “All right.   I’ll tell your mother.” “Okay, some insubordination will be tolerated.” “I thought so.” “And when I say get the bondage gear-” She guffawed right in his face.

I stood in front of him in nothing but my shoes and gartered rose-silk stockings.

He fingers her stuff, her undies, a stocking. He winds it round his hand, tight silk, unwinds it, lays it back across the chair where it dangles like leg skin.

I shall die. I must die. I cannot be so unhappy, and live.

The capitalist achievement does not typically consist in providing more silk stockings for queens, but in bringing them within reach of factory girls in return for steadily decreasing amounts of effort. —JOSEPH SCHUMPETER1

Then she washed and dressed very attentively, putting on high-heeled court shoes, silk stockings, a black skirt and crisply ironed white blouse, because she was Viennese and one dressed properly even when one's world had ended.

The carriage was crammed: waves of silk, ribs of three crinolines, billowed, clashed, entwined almost to the height of their heads; beneath was a tight press of stockings, girls' silken slippers, the Princess's bronze-colored shoes, the Princes patent-leather pumps; each suffered from the others' feet and could find nowhere to put his own.

You can't know how I dreaded appearing in school in those miserable poor box dresses. I was perfectly sure to be put down in a class next to the girl who first owned my dress, and she would whisper and giggle and point it out to the others. The bitterness of wearing your enemies cast-off clothes eats into your soul. If I wore silk stockings for the rest of my life, I don't believe I could obliterate the scar.

Above his head at street level, he saw an angled aileron of a scarlet Porsche, its jaunty fin more or less at the upper edge of his window frame. A pair of very soft, clean glistening black shoes appeared, followed by impeccably creased matt charcoal pinstriped light woollen legs, followed by the beautifully cut lower hem of a jacket, its black vent revealing a scarlet silk lining, its open front revealing a flat muscular stomach under a finely-striped red and white shirt. Val’s legs followed, in powder-blue stockings and saxe-blue shoes, under the limp hem of a crêpey mustard-coloured dress, printed with blue moony flowers. The four feet advanced and retreated, retreated and advanced, the male feet insisting towards the basement stairs, the female feet resisting, parrying. Roland opened the door and went into the area, fired mostly by what always got him, pure curiosity as to what the top half looked like.

If you imagine, friend, that I do not have those black serpents in the pit of my body, that I am not crushed in fragments by the tough butterfly wing broken and crumpled like a black silk stocking, if you imagine that my body is not blackened burned wood, then you imagine a false woman.

Yet she is happy -- is it happiness she feels? -- as she places her things in the cupboards and drawers. Her quills, stockings, shoes. The room is dotted by porcelain figures. Punctuated, she thinks. She picks one up, puts it down. The former wife's collection? Then opens a window to London bells and that green-silk scent of spring. And she sees now, here in this room, how badly she'd needed to leave.

What an interesting and exciting thought. We may be only one of millions of advanced civilizations. Unfortunately, space being spacious, the average distance between any two of these civilizations is reckoned to be at least two hundred light-years, which is a great deal more than merely saying it makes it sound. It means for a start that even if these beings know we are here and are somehow able to see us in their telescopes, they’re watching light that left Earth two hundred years ago. So they’re not seeing you and me. They’re watching the French Revolution and Thomas Jefferson and people in silk stockings and powdered wigs—people who don’t know what an atom is, or a gene, and who make their electricity by rubbing a rod of amber with a piece of fur and think that’s quite a trick. Any message we receive from them is likely to begin “Dear Sire,” and congratulate us on the handsomeness of our horses and our mastery of whale oil. Two hundred light-years is a distance so far beyond us as to be, well, just beyond us.

And now the bride begins to move. Little mechanical doll, clinging to her husband’s arm, climbing into the carriage. Her white silk stocking, her elegant shoe.

the emperor’s two chief ministers were detected in a plan to replace Bonaparte by Murat, the emperor subjected Talleyrand to a lengthy and public dressing down in front of an astonished court. His parade-ground language was shocking, as in his tirade to Whitworth—he called Talleyrand “merde en bas-de-soie” (a shit in silk stockings)—and from that day to this, no one knows whether Bonaparte’s loss of temper was deliberate or not.

When once your foot enters the church, be bare. God is more there, than thou: for thou art there Only by his permission. Then beware, And make thyself all reverence and fear. Kneeling ne’er spoil’d silk stocking: quit thy state All equal are within the church’s gate.

Miss Chauvenet." Morgan willed himself to speak his tongue near to tied. He was unable to take his gaze from her. She looked as fresh as springtime, her dark hair hanging in a braid beyond her hips, her eyes wide with surprise. Then her gaze moved over him, and he knew a moment of utter mortification. She's thinkin' you look like a peacock, laddie. With lace cuffs, silk stockings and drawers, and shoes with shiny brass buckles, he did look like a bloody peacock or, worse, like somoene that whoreson Wentworth would invite to his supper table. -Morgan

Mirabeau, the French revolutionary politician, once observed of Talleyrand that he “would sell his soul for money and he would be right, for he would be exchanging dung for gold.”32 Napoleon expressed this sentiment more concisely, calling Talleyrand “a pile of shit in a silk stocking.

The ads in the papers all said 'help wanted, will train,' but wherever she went she was turned down. "The position's just been filled," she was told again and again. Or, "We wouldn't want to upset the other employees." At the department store where she had once bought all her hats and silk stockings they would not hire her as a cashier because they were afraid of offending the customers. Instead they offered her work adding up sales slips in a small dark room in the back where no one could see her but she politely declined. "I was afraid I'd ruin my eyes back there," she told us. "I was afraid I might accidentally remember who I was and ... offend myself.

Facing these men, who were ferocious, we admit, and terrifying, but ferocious and terrifying for good ends, there are other men, smiling, embroidered, gilded, beribboned, starred, in silk stockings, in white plumes, in yellow gloves, in varnished shoes, who, with their elbows on a velvet table, beside a marble chimney-piece, insist gently on demeanor and the preservation of the past, of the Middle Ages, of divine right, of fanaticism, of innocence, of slavery, of the death penalty, of war, glorifying in low tones and with politeness, the sword, the stake, and the scaffold. For our part, if we were forced to make a choice between the barbarians of civilization and the civilized men of barbarism, we should choose the barbarians.

It was then that I began to understand that everything in the room had stopped, like the watch and the clock, a long time ago. I noticed that Miss Havisham put down the jewel exactly on the spot from which she had taken it up. As Estella dealt the cards, I glanced at the dressing-table again, and saw that the shoe upon it, once white, now yellow, had never been worn. I glanced down at the foot from which the shoe was absent, and saw that the silk stocking on it, once white, now yellow, had been trodden ragged. Without this arrest if everything, this standing still of all the pale decayed objects, not even the withered bridal dress on the collapsed form could not have looked so like grave-clothes, or the long veil so like a shroud.

little sleek crisp flaxen wig, setting very close to his head: which wig, it is to be presumed, was made of hair, but which looked far more as though it were spun from filaments of silk or glass. His linen, though not of a fineness in accordance with his stockings, was as white as the tops of the waves that broke upon the neighbouring beach, or the specks of sail that glinted

Of course the post-war development of cheap luxuries has been a very fortunate thing for our rulers. It is quite likely that fish-and-chips, art-silk stockings, tinned salmon, cut-price chocolate (five two-ounce bars for sixpence), the movies, the radio, strong tea, and the Football Pools have between them averted revolution. Therefore we are some-times told that the whole thing is an astute manoeuvre by the governing class–a sort of 'bread and circuses' business–to hold the unemployed down. What I have seen of our governing class does not convince me that they have that much intelligence. The thing has happened, buy by an un-conscious process–the quite natural interaction between the manufacturer's need for a market and the need of half-starved people for cheap palliatives.

I simply adore Virginia Woolf, and so would you. You would fall quite flat before her charm and personality. [...] Mrs. Woolf is so simple: she does give the impression of something big. She is utterly unaffected: there is no outward adornments -- she dresses quite atrociously. At first you think she is plain; then a sort of spiritual beauty imposes itself on you, and you find a fascination in watching her. She was smarter last night; that is to say, the woolen orange stockings were replaced by yellow silk ones, but she still wore the pumps. She is both detached and human, silent till she wants to say something, and then says it supremely well. She is quite old. I've rarely taken such a fancy to anyone, and I think she likes me. At least, she's asked me to Richmond where she lives. Darling, I have quite lost my heart.

We try a new drug, a new combination of drugs, and suddenly I fall into my life again   like a vole picked up by a storm then dropped three valleys and two mountains away from home.   I can find my way back. I know I will recognize the store where I used to buy milk and gas.   I remember the house and barn, the rake, the blue cups and plates, the Russian novels I loved so much,   and the black silk nightgown that he once thrust into the toe of my Christmas stocking.

I sat down on the edge of a deep soft chair and looked at Mrs. Regan. She was worth a stare. She was trouble. She was stretched out on a modernistic chaise-longue with her slippers off, so I stared at her legs in the sheerest silk stockings. They seemed to be arranged to stare at. They were visible to the knee and one of them well beyond. The knees were dimpled, not bony and sharp. The calves were beautiful, the ankles long and slim and with enough melodic line for a tone poem.

She replaced her wardrobe with marvels of the season bought from boutiques of the Palais-Royal and rue de la Chaussee-d'Antin. Outfits for a ball detailed in the fashion pages of the January 1839 edition of Paris Elegant describe dresses of pale pink crépe garnished with lace and velvet roses and accessorized with white gloves, silk stockings, and white cashmere or taffeta shawls. In the spring of that year, misty tulle bonnets came into fashion worn with capes of Alencon lace - “little masterpieces of lightness and freshness.“ Her bed was her stage, raised on a platform and curtained with sumptuous pink silk drapes. The adjoining cabinet de toilette was also a courtesan’s natural habitat, its dressing table a jumble of lace, bows, ribbons, embossed vases, crystal bottles of scents and lotions, brushes and combs of ivory and silver. She indulged her sweet tooth with cakes from Rollet the patissier, glaceed fruit from Boissier, and on one occasion sent for twelve biscuits, macaroons, and maraschino liqueur.

All April and May, the stock-pots exuded the fragrance of the crushed bones and marrow of cattle and fowl, seasoned with the crispate herbs and vegetables from her own luxuriant garden. The smells coalesced into a dark perfume that felt like a layer of silk on the tongue. My nose grew kingly at the approach of my home. There would be the redolent brown stocks the color of tanned leather, the light and chipper white stocks, and the fish stocks brimming with the poached heads of trout smelling like an edible serving of marsh.

Savage. Let us explain this word. When these bristling men, who in the early days of the revolutionary chaos, tattered, howling, wild, with uplifted bludgeon, pike on high, hurled themselves upon ancient Paris in an uproar, what did they want? They wanted an end to oppression, an end to tyranny, an end to the sword, work for men, instruction for the child, social sweetness for the woman, liberty, equality, fraternity, bread for all, the idea for all, the Edenizing of the world. Progress; and that holy, sweet, and good thing, progress, they claimed in terrible wise, driven to extremities as they were, half naked, club in fist, a roar in their mouths. They were savages, yes; but the savages of civilization. They proclaimed right furiously; they were desirous, if only with fear and trembling, to force the human race to paradise. They seemed barbarians, and they were saviours. They demanded light with the mask of night. Facing these men, who were ferocious, we admit, and terrifying, but ferocious and terrifying for good ends, there are other men, smiling, embroidered, gilded, beribboned, starred, in silk stockings, in white plumes, in yellow gloves, in varnished shoes, who, with their elbows on a velvet table, beside a marble chimney-piece, insist gently on demeanor and the preservation of the past, of the Middle Ages, of divine right, of fanaticism, of innocence, of slavery, of the death penalty, of war, glorifying in low tones and with politeness, the sword, the stake, and the scaffold. For our part, if we were forced to make a choice between the barbarians of civilization and the civilized men of barbarism, we should choose the barbarians.

They have found a house in the stay-away zone, under the barrage balloons south of London. The town, evacuated in ’40, is still “regulated”—still on the Ministry’s list. Roger and Jessica occupy the place illegally, in a defiance they can never measure unless they’re caught. Jessica has brought an old doll, seashells, her aunt’s grip filled with lace knickers and silk stockings. Roger’s managed to scare up a few chickens to nest in the empty garage. Whenever they meet here, one always remembers to bring a fresh flower or two. The nights are filled with explosion and motor transport, and wind that brings them up over the downs a last smack of the sea. Day begins with a hot cup and a cigarette over a little table with a weak leg that Roger has repaired, provisionally, with brown twine. There’s never much talk but touches and looks, smiles together, curses for parting. It is marginal, hungry, chilly—most times they’re too paranoid to risk a fire—but it’s something they want to keep, so much that to keep it they will take on more than propaganda has ever asked them for. They are in love. Fuck the war.

They have found a house in the stay-away zone, under the barrage balloons south of London. The town, evacuated in '40, is still "regulated"—still on the Ministry's list. Roger and Jessica occupy the place illegally, in a defiance they can never measure unless they're caught. Jessica has brought an old doll, seashells, her aunt's grip filled with lace knickers and silk stockings. Roger's managed to scare up a few chickens to nest in the empty garage. Whenever they meet here, one always remembers to bring a fresh flower or two. The nights are filled with explosion and motor transport, and wind that brings them up over the downs and a smack of the sea. Day begins with a hot cup and a cigarette over a little table with a weak leg that Roger has repaired, provisionally, with brown twine. There's never much talk but touches and looks, smiles together, curses for parting. It is marginal, hungry, chilly-most times they're too paranoid to risk a fire—but it's something they want to keep, so much that to keep it, they will take on more than propaganda has ever asked them for. They are in love. Fuck the war.

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!

Robin: When you do marry, who will you marry? Maria: I have not quite decided yet, but I think I shall marry a boy I knew in London. Robin(yells): What? Marry some mincing nincompoop of a Londoner with silk stockings and a pomade in his hair and face like a Cheshire cheese? You dare do such a thing! You - Maria - if you marry a London man I'll wring his neck! (...) I'll not only wring his neck, I'll wring everybody's necks, and I'll go right away out of the valley, over the hills to the town where my father came from, and I won't ever come back here again. So there! (...) Maria: Why don't you want me to marry that London boy? Robin(shouting): Because you are going to marry me. Do you hear, Maria? You are going to marry me.

There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?

what rainbow silks and satins! what pinking of thin stockings, and pinching of thin shoes, and fluttering of ribbons and silk tassels, and display of rich cloaks with gaudy hoods and linings! The young gentlemen are fond, you see, of turning down their shirt-collars and cultivating their whiskers, especially under the chin; but they cannot approach the ladies in their dress or bearing, being, to say the truth, humanity of quite another sort.

How the penises of Western men have leapt, for a century, to the sight of this singular point at the top of a lady's stocking, this transition from silk to bare skin and suspender! It's easy for non-fetishists to sneer about Pavlovian conditioning and let it go at that, but any underwear enthusiast worth his unwholesome giggle can tell you there is much more here - there is a cosmology: of nodes and cusps and points of osculation, mathematical kisses… singularities! Consider cathedral spires, holy minarets, the crunch of trainwheels over the points as you watch peeling away the track you didn't take… mountain peaks rising sharply to heaven, such as those to be noted at scenic Berchtesgaden… the edges of steel razors, always holding potent mystery… rose thorns that prick us by surprise… even, according to the Russian mathematician Friedmann, the infinitely dense point from which the present Universe expanded… In each case, the change from point to no-point carries a luminosity and enigma at which something in us must leap and sing, or withdraw in fright. Watching the A4 pointed at the sky - just before the last firing-switch closes - watching that singular point at the very top of the Rocket, where the fuze is… Do all these points imply, like the Rocket's, an annihilation? What is that, detonating in the sky above the cathedral? beneath the edge of the razor, under the rose?

The rain-sifted light was weaker now, coming in through the transom windows in pallid silver and dark rainbow dapples. Through heavy-lidded eyes, she watched the play of muted color and shadow across Tom's shirt. Eventually, his long-boned, eloquent hands slid up over her knees and beneath the legs of her drawers. He untied her white lace garters and rolled her silk stockings down into neat circles. After dropping them to the floor, he unfastened his shirt and discarded it, taking his time, letting her look her fill. His body was beautiful, built with the long, efficient lines of a rapier, every inch wrought with tough muscle. A light furring of hair covered his chest and narrowed down toward his midriff. Cassandra sat up on the mattress and touched the black fleece, her fingertips as shy and fleet as a hummingbird in flight. Still standing by the side of the bed, Tom reached out to gather her against his chest. Cassandra shivered at the feel of being surrounded by so much bare skin and body hair, so much hardness. "Did you ever imagine we would be doing this?" she said in a wondering tone. "Sweet darling... I imagined it about ten seconds after we met, and I haven't stopped since.

You, my dear, do not know how to have fun." "I do, too!" "You do not. You are as bad as Lucien. And do you know something? I think it's time someone showed you how to have fun. Namely, me. You can worry all you like about our situation tomorrow, but tonight ... tonight I'm going to make you laugh so hard that you'll forget all about how afraid of me you are." "I am not afraid of you!" "You are." And with that, he pushed his chair back, stalked around the table, and in a single easy movement, swept her right out of her chair and into his arms. "Gareth!  Put me down!" He only laughed, easily carrying her toward the bed. "Gareth, I am a grown woman!" "You are a grown woman who behaves in a manner far too old for her years," he countered, still striding toward the bed. "As the wife of a Den member, that just will not do." "Gareth, I don't want — I mean, I'm not ready for that!" "That? Who said anything about that?"  He tossed her lightly onto the bed. "Oh, no, my dear Juliet. I'm not going to do that —" She tried to scoot away. "Then what are you going to do?" "Why, I'm going to wipe that sadness out of your eyes if only for tonight. I'm going to make you forget your troubles, forget your fears, forget everything but me. And you know how I'm going to do that, O dearest wife?"  He grabbed a fistful of her petticoats as she tried to escape. "I'm going to tickle you until you giggle ... until you laugh ... until you're hooting so loudly that all of London hears you!" He fell upon the bed like a swooping hawk, and Juliet let out a helpless shriek as his fingers found her ribs and began tickling her madly. "Stop!  We just ate!  You'll make me sick!" "What's this? Your husband makes you sick?" "No, it's just that — aaaoooooo!" He tickled her harder. She flailed and giggled and cried out, embarrassed about each loud shriek but helpless to prevent them. He was laughing as hard as she. Catching one thrashing leg, he unlaced her boot and deftly removed it. She yelped as his fingers found the sensitive instep, and she kicked out reflexively. He neatly ducked just in time to avoid having his nose broken, catching her by the ankle and tickling her toes, her soles, her arch through her stockings. "Stop, Gareth!"  She was laughing so hard, tears were streaming from her eyes. "Stop it, damn it!" Thank goodness Charlotte, worn out by her earlier tantrum, was such a sound sleeper! The tickling continued. Juliet kicked and fought, her struggles tossing the heavy, ruffled petticoats and skirts of her lovely blue gown halfway up her thigh to reveal a long, slender calf sheathed in silk. She saw his gaze taking it all in, even as he made a grab for her other foot. "No!  Gareth, I shall lose my supper if you keep this up, I swear it I will — oooahhhhh!" He seized her other ankle, yanked off the remaining boot, and began torturing that foot as well, until Juliet was writhing and shrieking on the bed in a fit of laughter. The tears streamed down her cheeks, and her stomach ached with the force of her mirth. And when, at last, he let up and she lay exhausted across the bed in a twisted tangle of skirts, petticoats, and chemise, her chest heaving and her hair in a hopeless tumbled-down flood of silken mahogany beneath her head, she looked up to see him grinning down at her, his own hair hanging over his brow in tousled, seductive disarray.

We begin with an onion soup as smoky and fragrant as autumn leaves, with croutons and grated Gruyère and a sprinkle of paprika over the top. She serves and watches me throughout, waiting, perhaps, for me to produce from thin air an even more perfect confection that will cast her effort into the shade. Instead I eat, and talk, and smile, and compliment the chef, and the chink of crockery goes through her head, and she feels slightly dazed, not quite herself. Well, pulque is a mysterious brew, and the punch is liberally spiked with it, courtesy of Yours Truly, of course, in honor of the joyful occasion. As comfort, perhaps, she serves more punch, and the scent of the cloves is like being buried alive, and the taste is like chilies spiced with fire, and she wonders, Will it ever end? The second course is sweet foie gras, sliced on thin toast with quinces and figs. It's the snap that gives this dish its charm, like the snap of correctly tempered chocolate, and the foie gras melts so lingeringly in the mouth, as soft as praline truffle, and it is served with a glass of ice-cold Sauternes that Anouk disdains, but which Rosette sips in a tiny glass no larger than a thimble, and she gives her rare and sunny smile, and signs impatiently for more. The third course is a salmon baked en papillote and served whole, with a béarnaise sauce. Alice complains she is nearly full, but Nico shares his plate with her, feeding her tidbits and laughing at her minuscule appetite. Then comes the pièce de résistance: the goose, long roasted in a hot oven so that the fat has melted from the skin, leaving it crisp and almost caramelized, and the flesh so tender it slips off the bones like a silk stocking from a lady's leg. Around it there are chestnuts and roast potatoes, all cooked and crackling in the golden fat.

For one moment, she stood stock-still, drinking in the simple beauty of the marble fountain, the base of its pedestal wreathed in delicate fronds, that stood, glowing lambently in the soft white light, in the center of a small, secluded, fern-shrouded clearing. Water poured steadily from the pitcher of the partially clad maiden frozen forever in her task of filling the wide, scroll-lipped basin. The area had clearly been designed to provide the lady of the house with a private, refreshing, calming retreat in which to embroider, or simply rest and gather thoughts. In the moonlit night, surrounded by mysterious shadow and steeped in a silence rendered only more intense by the distant sighing of music and the silvery tinkle of the water, it was a hauntingly magical place. For three heartbeats, the magic held Patience immobile. Then, through the fine silk of her gown, she felt the heat of Vane's body. He did not touch her, but that heat, and the flaring awareness that raced through her, had her quickly stepping forward. Hauling in a desperate breath, she gestured to the fountain. "It's lovely." "Hmm," came from close behind. Too close behind. Patience found herself heading for a stone bench, shaded by a canopy of palms. Stifling a gasp, she veered away, toward the fountain.

A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools. Oh my god, said the sergeant.

She buys only the best couverture, from a fair trade supplier down near Marseille, and pays for it all in cash. A dozen blocks of each kind, to begin with, she says; but I already know from her eager response that a dozen blocks will not be enough. She used to make all her own stock, so she tells me, and though I'll admit I didn't quite believe it at first, the way she has thrown herself back into the business tells me that she was not exaggerating. The process is deft and peculiarly therapeutic to watch. First comes the melting and tempering of the raw couverture: the process that enables it to leave its crystalline state and take on the glossy, malleable form necessary to make the chocolate truffles. She does it all on a granite slab, spreading out the melted chocolate like silk and gathering it back toward her using a spatula. Then it goes back into the warm copper, the process to be repeated until she declares it done. She rarely uses the sugar thermometer. She has been making chocolates for so long, she tells me, that she can simply sense when the correct temperature has been reached. I believe her; certainly over the past three days I have been watching her, she has never produced a less than flawless batch. During that time I have learned to observe with a critical eye: to check for streaks in the finished product; for the unappealing pale bloom that denotes incorrectly tempered chocolate; for the high gloss and sharp snap that are the indicators of good-quality work.

Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.” Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.” A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.” He grinned. “I have more.” She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts. By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes. “I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.” “I wouldn’t have done it without you.” She shook her head. “You did it for yourself not for me.” Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.” She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.” “Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.” Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased. His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him. Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life. Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face. Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it. “I heard you that night,” he admitted. “When you told me you loved me.” Her head tilted. “I thought you were asleep.” “No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.” Her smile was smug. “I know.” She kissed him again. “Make love to me.” His entire body pulsed. “I intend to, but there’s one thing I have to do first.” Rose frowned. “What’s that?” Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.

These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977

Come here, you flea-ridden hair wad. You’ll have all the sugar biscuits you want, if you’ll give your new toy to me.” He whistled softly and clicked. But the blandishments did not work. Dodger merely regarded him with bright eyes and stayed at the threshold, clutching the vial in his tiny paws. “Give him one of your garters,” Leo said, still staring at the ferret. “I beg your pardon?” Miss Marks asked frostily. “You heard me. Take off a garter and offer it to him as a trade. Otherwise we’ll be chasing this damned animal all through the house. And I doubt Rohan will appreciate the delay.” The governess gave Leo a long-suffering glance. “Only for Mr. Rohan’s sake would I consent to this. Turn your back.” “For God’s sake, Marks, do you think anyone really wants a glance at those dried-up matchsticks you call legs?” But Leo complied, facing the opposite direction. He heard a great deal of rustling as Miss Marks sat on a bedroom chair and lifted her skirts. It just so happened that Leo was positioned near a full-length looking glass, the oval cheval style that tilted up or down to adjust one’s reflection. And he had an excellent view of Miss Marks in the chair. And the oddest thing happened—he got a flash of an astonishingly pretty leg. He blinked in bemusement, and then the skirts were dropped. “Here,” Miss Marks said gruffly, and tossed it in Leo’s direction. Turning, he managed to catch it in midair. Dodger surveyed them both with beady-eyed interest. Leo twirled the garter enticingly on his finger. “Have a look, Dodger. Blue silk with lace trim. Do all governesses anchor their stockings in such a delightful fashion? Perhaps those rumors about your unseemly past are true, Marks.” “I’ll thank you to keep a civil tongue in your head, my lord.” Dodger’s little head bobbed as it followed every movement of the garter. Fitting the vial in his mouth, the ferret carried it like a miniature dog, loping up to Leo with maddening slowness. “This is a trade, old fellow,” Leo told him. “You can’t have something for nothing.” Carefully Dodger set down the vial and reached for the garter. Leo simultaneously gave him the frilly circlet and snatched the vial.

If it were any of the other Sharpes, he wouldn’t balk. But the idea of spending serveral hours in her company was both intoxicating and terrifying. “If you don’t let me go along,” she continued, “I’ll just follow you. He scowled at her. She probably would; the woman was as stubborn as she was beautiful. “And don’t think you can outride me, either,” she added. “Halstead Hall has a very good stable, and lady Bell is one of our swiftest mounts.” “Lady Bell?” he said sarcastically. “Not Crack Shot or Pistol?” She glared over at him. “Lady Bell was my favorite doll when I was a girl, the last one Mama gave me before she died. I used to play with it whenever I wanted to remember her. The doll got so ragged that I threw her away when I outgrew her.” Her voice lowered. “I regretted that later, but by then it was too late.” The idea of her playing with a doll to remember her late mother made his throat tighten and his heart falter. “Fine,” he bit out. “You can go with me to High Wycombe.” Surprise turned her cheeks rosy. “Oh, thank you, Jackson! You won’t regret it, I promise you!” “I already regret it,” he grumbled. “And you must do as I say. None of your going off half-cocked, do you hear?” “I never go off half-cocked!” “No, you just walk around with a pistol packed full of powder, thinking you can hold men at bay with it.” She tossed her head. “You’ll never let me forget that, will you?” “Not as long as we both shall live.” The minute the words left his lips, he could have kicked himself. They sounded too much like a vow, one he’d give anything for the right to make. Fortunately, she didn’t seem to have noticed. Instead, she was squirming and shimmying about on her saddle. “Are you all right?” he asked. “I’ve got a burr caught in my stocking that keeps rubbing against my leg. I’m just trying to work it out. Don’t mind me.” His mouth went dry at her mention of stockings. It brought yesterday’s encounter vividly into his mind, how he’d lifted her skirts to reach the smooth expanse of calf encased in silk. How he’d run his hands up her thighs as his mouth had tasted- God save him. He couldn’t be thinking about such things while riding. He shifted uncomfortably in the saddle as they reached the road and settled into a comfortable pace. The road was busy at this early hour. The local farmers were driving their carts to market or town, and laborers were headed for the fields. To Jackson’s relief, that made it easy not to talk. Conversaing with her was bound to be difficult, especially if she started consulting him about her suitors.

THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.

Her unintended striptease was all the more sensual because Belle was lowering her stocking with agonizing slowness not because she had an audience but because she seemed to love the feel of the silk sliding along her soft skin.

Each moment had a brief life and was gone, never to return. Prized moments were never about riches, not jewels nor silks, not fine cars nor mansions, not stacks of cash nor stock certificates. Prized moments were a look of love, a gentle touch, the sight of a cat's grace, sunlight slanting through a stained glass window.

At some point as she spoke, in a motion as natural as an exhale or a stretch, he'd begun sliding his hands up her thighs. She stopped talking. And thinking. And breathing. She resumed breathing on a shuddery exhale. And as her thighs were bare apart from the garters holding up her stockings; his hands heated all the way through the fine silk if her dress to her skin. Every tiny hair on her body stood erect, as if craving his attention. She felt spangled with heat, cinders everywhere on her body. "Molten" rather described how she felt between her legs. He strummed his thumbs softly, softly, back and forth, back and forth, against her thighs. Oh God. She opened her mouth to reiterate: 'Only kissing.' "Guh," surprisingly, was what emerged instead. A sort of hybrid gasp-sigh. "'Guh,' indeed," he agreed, softly. She would have laughed. But the sensation was too new and too total, and desire gathered with a distracting, heavy intensity beneath the weight of his hands, coaxed by those feathery stroking thumbs, and her entire body, brain included, was invested in enjoying 'that,' not in making coherent sounds. She fought to keep her thighs from falling open like a trap door, inviting him deeper in. Was it cold? Were they outdoors? She knew only his touch. "I would never 'dream' of disappointing you, Genevieve," he reassured her on a rough-silk whisper that dragged against her imagination the way his fingers dragged along her thighs, stirring possibilities into life.

He ran his hands over her, discovering she was still wearing garters and silk stockings. With a smoothness that left her gasping, Cam disappeared beneath the covers, his broad shoulders tenting the layers of linen, wool and velvet. Amelia tried to struggle to a sitting position but fell back with a whimper as she felt his mouth against the soft skin inside her thigh. He untied the garter, letting it fall away, and began to roll the stocking down her leg with torturous slowness, his lips following the path of furling silk. His tongue ventured into the hollow behind her knee … glided over the clenched muscle of her calf … the delicate side of her ankle. The silk was gently tugged away from her clenched toes. It took fierce concentration not to cry out as she felt his hot, wet mouth closing over her toes, one at a time, sucking and stroking while her ticklish foot jerked in response.

giving you the ultimate Moscow fashion tour,” she said directly into the lens. “We’re in front of Cartier, but not because I’m going to show you any jewelry or accessories. I want to tell you about a nineteenth-century celebutante named Anna Annenkova, whose house stood on this very spot. Anna was part of Russian nobility and was so worried that she might be unprepared for any sudden high-society happenings that instead of pajamas, she went to bed every night fully dressed in a ballgown with silk stockings and shoes. Talk about your fear of missing out.

I'm going to get hold of a real woman's frock from somewhere and wear it instead of these bloody trousers. I'll wear silk stockings and high-heeled shoes! In this room I'm going to be a woman, not a Party comrade.

The old, the crippled, the children, everyone with their worldly goods on their backs, we’ll all have to fend for ourselves when our own soldiers flood the Marsh, but sheep are valuable. Look, nobody gives a damn for the Marsh except Marshmen. The government and the King don’t care if we starve. They put on the blockade but charge their rents and taxes same as ever, and they’ll let the sea or the French take us if that preserves their skins for another day. So we look after ourselves. And that means trading, and selling wool—some of it wool off the sheep that are going to be saved when old women and children will be left behind, acause if you think those landowners have given up their income for the sake of the war, you’re joking. They want their wool sold, just like the Quality in London want to wear silk and drink brandy, and the merchants want their shelves stocked. We run goods for them, and when they catch us doing it, they hang us for the look of the thing.

Floral lace mesh patterns crisscrossed the unpadded body, with silk bows and an open back, brought together with a soft neck harness and a pair of detachable lace stockings that clipped on with delicate straps.

He for a considerable time used to frequent the Green Room, and seemed to take delight in dissipating his gloom, by mixing in the sprightly chit-chat of the motley circle then to be found there. Mr. David Hume related to me from Mr. Garrick, that Johnson at last denied himself this amusement, from considerations of rigid virtue; saying, ‘I’ll come no more behind your scenes, David; for the silk stockings and white bosoms of your actresses excite my amorous propensities.

She was posed, sitting upright on a bed. Two stockings and a pink silk scarf were knotted around her neck, and a “Happy New Year” card rested against her feet.

Many a rich man’s bed is bigger than many a poor woman’s bedroom; his bedroom, her house.

I fell in love with her partly because I understood what she was doing with her work. I fell because she understood what she was doing with it. I also fell in love because she was wearing a sexy black dress and silk stockings, the kind that hook with garters.

Red-heeled shoes and silk stockings clocked in black. Gray satin breeches with silver knee buckles. Snowy linen, with Brussels lace six inches deep at cuff and jabot. The coat, a masterpiece in heavy gray with blue satin cuffs and crested silver buttons, hung behind the door, awaiting its turn.

silk handkerchief that erupted out of the breast pocket, an affectation he had adopted to distance himself from the Westminster hordes in their banal Christmas-stocking ties and Marks & Spencer suits.

Spare time, as I used to understand it, was the time left over from doing the necessary, unpleasant things, like correcting Sophomore English themes or washing out silk stockings in the bathroom. It was the time i frittered away on useless, entertaining pursuits, like the movies or contract bridge. Now almost everything I do - except cooking- is fun, and it is also useful. There is no line of demarcation between work and play. It makes it hard to explain what I do with my spare time.

Val began draping silk stockings over the open lid of a cedar chest. “She is not my mother. Valentine, those are my unmentionables.” He shrugged. “I like unmentionables. I like pretty things and pretty ladies. Come dancing with me tonight, Mags. I won’t go without you.” “Very well, but you come by for me after you’ve made your bow at the mansion.” “Fair enough.” He smiled at her, wrapping a stocking around his neck and holding it up like a noose. “If I tell Her Grace you’re to come out socializing with me, she’ll hardly let me finish my tea.” “Stop disrespecting your sister’s personal effects.” She snatched the stocking from around his silly neck.

The lift door was opened for him on the first floor by Rosetta, who was wearing a white apron over a black dress. Wound around her head like a mouse’s tail was a blonde plait. Her hands and feet were too large and her legs massive, the calf muscles showing through artificial silk stockings that shone as if a snail had left a layer of slime across them. She gave the new arrival the once-over and held out her hand to take his hat. Clara, the senior employee, appeared at the door; she always assisted Marta during the first few days of a show, and she came in, cards and pencils in hand. She too was dressed in black silk and walked in wearing shiny silver leather sandals with cork soles and heels over ten centimetres high. She said nothing, but her look, lips pursed, rendered her face a picture of perplexity.

While timing was only part of the issue with Doris Day, it would be a key reason why, from the mid-1950s onward, good people were unable to appear in good musicals. An original like Never Steal Anything Small was unsuccessful on every level—and heinous in its waste of Jimmy Cagney’s talent—while skillful adaptations like Silk Stockings and Bells Are Ringing flopped resoundingly. As fewer opportunities arose, they were sometimes attended by the questionable notion that dubbing solves all problems. This is why Rossano Brazzi and Sidney Poitier could look great, in South Pacific and Porgy and Bess, and sound ostensibly like the opera singers who were doing the actual vocalizing. While dubbing had been present from the very beginning, it achieved some kind of pinnacle from the mid-fifties to the late sixties. Hiring nonsinging names like Deborah Kerr and Rosalind Russell and Natalie Wood and Audrey Hepburn, even nonsinging non-names like Richard Beymer, was viewed as a form of insurance, conviction be damned.8 Casting for name recognition instead of experience has long been part of the film equation, and it cuts both ways. It may, for example, have seemed more astute than desperate to put Lee Marvin and Clint Eastwood into Paint Your Wagon, despite the equivocal results. Nicole Kidman in Moulin Rouge! was far less a musical player than a photogenic, aurally enhanced artifact, and many people left Mamma Mia! wondering if Pierce Brosnan’s execrable singing was intended as a deliberate joke. In contrast with these are the film people who take the plunge with surprising ease.

As we were to be here over Sunday, and Monterey was the best place to go ashore on the whole coast, and we had had no liberty-day for nearly three months, every one was for going ashore. On Sunday morning, as soon as the decks were washed, and we had got breakfast, those who had obtained liberty began to clean themselves, as it is called, to go ashore. A bucket of fresh water apiece, a cake of soap, a large coarse towel, and we went to work scrubbing one another, on the forecastle. Having gone through this, the next thing was to get into the head,—one on each side—with a bucket apiece, and duck one another, by drawing up water and heaving over each other, while we were stripped to a pair of trowsers. Then came the rigging-up. The usual outfit of pumps, white stockings, loose white duck trowsers, blue jackets, clean checked shirts, black kerchiefs, hats well varnished, with a fathom of black ribbon over the left eye, a silk handkerchief flying from the outside jacket pocket, and four or five dollars tied up in the back of the neckerchief, and we were “all right.” One of the quarter-boats pulled us ashore, and we steamed up to the town. I

don’t get the fuss over Simon Le Bon but I’d give my entire stock of Silk Cut Menthol, my Avon lipstick collection, all my mixed tapes and a kidney, for a night with the guitarist John Taylor. I think it’s the emaciated look and the way his fringe falls in his face. I could be good for that man.

Suddenly her hands were pinned above her head, and he was filling her mouth with his tongue. She tasted the salt of her skin on his lips and the pervasive ache between her legs became a flooding, insistent sort of pain. He kissed her with such scorching thoroughness, he quite erased the last vestiges of rational thought. “Now,” she sobbed against his mouth, too distressed to feel shame at the pleading note in her voice. His dark noise was full of masculine victory as he continued his seductive assault on her lips, caressing down the soft curve of her hip, then slid lower, gathering the folds of her skirts in his hand, tugging them up her leg. Mena’s fingers blindly gripped the stone behind her as frantically as she grasped for her sanity. Then he dropped to his knees. “What are you doing?” she gasped, reaching for him, meaning to pull him back against her. “Doona touch me, lass,” he commanded, sliding his hands up beneath her dress, his calluses rasping against the silk of her stockings with a delightfully wicked sensation. “I’ll not be able to stop myself from taking ye.” Her brows drew together in bemused consternation. “But I told you that you could take me.” She was almost panting now, as though she’d run a great length. “Aye.” He chuckled, his clever fingers stopping to toy with a garter, effectively rendering her witless. “I give before I take, lass. It’ll always be thus.

Then he dropped to his knees. “What are you doing?” she gasped, reaching for him, meaning to pull him back against her. “Doona touch me, lass,” he commanded, sliding his hands up beneath her dress, his calluses rasping against the silk of her stockings with a delightfully wicked sensation. “I’ll not be able to stop myself from taking ye.” Her brows drew together in bemused consternation. “But I told you that you could take me.” She was almost panting now, as though she’d run a great length. “Aye.” He chuckled, his clever fingers stopping to toy with a garter, effectively rendering her witless. “I give before I take, lass. It’ll always be thus.

Kneeling ne’er spoil’d silk stocking: quit thy state. All equal are within the church’s gate.

What you hate is what you are. An animal, just like me. Don’t pretend like you’ve never imagined it—the thrill of the hunt. No chaperones, no silk stockings, nothing holding you back. Tearing through the city like we were back on that island, feeling your blood boil, your pulse race. You’re jealous of my freedom. You said it yourself once.

CHORES Together, make a list of chores he can do to help around the house: Make his bed, walk the dog, empty wastebaskets, take out trash, pull weeds, rake, shovel, sweep, vacuum, fold laundry, empty the dishwasher, set and clear the table. Let him know you need and appreciate him. Make a routine and stick to it. If the child is forgetful, make a chart and post it on the refrigerator. When he finishes a chore, let him stick a star on the chart. Reward him with a special privilege or outing when he accumulates several stars. Break chores down into small steps. Let her clear the table one plate at a time. (She doesn’t have to clear all the dishes.) BATHING Let the child help regulate the water temperature. Provide an assortment of bath toys, soaps, and scrubbers. Scrub the child with firm, downward strokes. Provide a large bath sheet for a tight wrap-up. SLEEPING Give your child notice: “Half an hour until bedtime!” or “You can draw for five more minutes.” Stick to a bedtime routine. Include stories and songs, a look at a sticker collection, a chat about today’s events or tomorrow’s plans, a back rub and snug tuck-in. Children with tactile defensiveness are very particular about clothing, so provide comfortable pajamas. Some like them loose, some like them tight; some like them silky, some don’t like them at all. Nobody likes them bumpy, scratchy, lacy, or with elasticized cuffs. Use percale or silk sheets for a smooth and bumpless bed. Let your child sleep with extra pillows and blankets, in a sleeping bag or bed tent, or on a waterbed. Life at home can improve with a sensory diet and attention to your child’s special needs, and life at school can improve as well.

I think it would be for the best if we both pretend yesterday afternoon- in the woods- it never happened. Wouldn't you agree?" "I would." He takes a step closer, his eyes still locked on hers. He is no longer smiling. "And I think we should avoid any future situations that put us in close proximity to each other." "Like this one?" "Yes." Jack nods, still holding her eye, and she tries hard to control the rise of blood to her face as a fragment of something from the woods comes back to her- the sensation of his fingers running down the curve of her collarbone, his mouth against her neck. "Good." She clears her throat. "I'm glad we understand each other." "We do." He takes another step towards her, so close now that she wonders if it is the breeze through the open window she can feel on her skin, or his warm breath. "I think that is our problem, Lillian. We understand each other. You and I, we seem to share something." Lillian can hear her heart beating in her ribcage. "I felt it that first moment I saw you... at the party." Lillian swallows. "You feel it too, don't you?" he asks. The sun, now low in the sky, filters through the trees outside in the arboretum, casting them both in a burnished glow. She knows she must go. She knows she must turn and leave the room, but something in his eyes holds her fixed to the spot. "Tell me that it's not just me, that I'm not imagining this," he says in a low voice. There is a stillness in the room, as if they both await the next breath, the next word. She swallows. "I feel it, too." She isn't sure who takes the next step but it doesn't really matter; she is in his arms again and he is kissing her, pulling her close and all reason and rational thought- all the jumbled arguments she has agonized over- fly away like a flock of birds startled from the branches of a tree. Her arms are wrapped around his waist and his hands are on her face and in her hair as they stumble backwards. She meets the edge of the desk, and then he is lifting her onto its surface, several brushes clattering to the floor as he presses against her. "We mustn't," she sighs, but already her fingers are tugging at the buttons of his shirt. She parts her legs and his hands move under her skirt, his fingertips grazing the bare skin above her silk stockings. "Do you want me to stop?" he asks, his breath hot against her neck. But she draws him to her again, pressing her mouth against his ear to whisper her answer. "Don't stop. I don't want you to stop.

In fact, there were no movie stars in view, though Finian himself was a talent star, one of the last of the Golden Age, Fred Astaire. He hadn’t filmed a musical since Silk Stockings, in 1957, but it was a frustrating return, for Astaire felt Coppola had no feeling for the form. And Coppola didn’t—not the form of musical Astaire was used to making. For instance, some of the show’s many dance sequences became choreography by other means—a festive picnic with a tug-of-war and other contests for “If This Isn’t Love.” Then, too, Astaire was working with his old RKO assistant, Hermes Pan, who was suddenly fired from the picture, offending Astaire’s deep-rooted sense of loyalty—to his profession, to the great songwriters who had made songs on him, and to his colleagues. Still, the movie flows along nicely with a likable confidence, not easy to bring off when the plot takes in a pot of gold that grants wishes.

Love is what I had (I was ten) Holy, mother of god, we are in the shower together he bubbled up yet not covered up, and back down will it around until I would come, I got some just call me, he was just enjoying me being cute, he washed my hair and played with my body, like my boobs feeling the and rubbing, suck, and kissing them, flicking with his fingers and others, HOT steamy water pouring on our head, as we were hugging it out, and do it all. Rubbing my legs and crap- I say freak, yeah, but I don’t swear like that! I fasten the garter around his hip's legs side to side around his hips, and as I am arching my back to slip the silk stocking off my toes, I unclasped my bar for him to see them fall, as we go to bed for the night, we were body unstop of body, and we even had our toes laced, together on one foot, like our hands. I have to bite my lip to stop my impatient moan from escaping, yet it all comes out of me. Scorching flush rivalries over my skin, my face hot and red that down there pink feeling has a handprint on my body. My figure is shaking with shock at the news of us doing this tonight at this age. A baby they say I show them? No freaking way, no way should I be doing this yet they will never- ever no, NO WAY!!! Unserviceable my awareness is tiresome to grasp this staggering bit of data. Of why… Like a small child gets out and the woman is here to say, I’m downhearted, helplessly trying to fit everything together in my mind, like I should some time you have to say what the hell and go with it and piss on them. My inner goddess is quickly losing my virginity, the light in the room fading recklessly as I see it all there looking at it deeply, but I can’t settle on that now. I am not sure we're ready for all of this just yet. Gritty again I feel as I work my way in, I scan the room for anything I might have elapsed to say when my eyes fall on my ribbons on the wall. I would say anything to make him think about not going in so fast, yet I want it all. The blinking to every downward moment, seeing it all so fast, what to do, it was hard, not slow and good, I don’t remember it all.

don’t get the fuss over Simon Le Bon but I’d give my entire stock of Silk Cut Menthol, my Avon lipstick collection, all my mixed tapes and a kidney, for a night with the guitarist John Taylor. I think it’s the emaciated look and the way his fringe falls in his face. I could be good for that man. I

I'm very good at arranging hair," the maid said firmly. "And Lady Westcliff told me to use her very own pearl hairpins for you. Now, if you'll sit at the dressing table, miss...?" Touched by Lillian's generosity in sending her own maid, Hannah complied. It took an eternity to curl her hair with hot tongs, and arrange it in pinned-up curls, with gleaming white pearls scattered amid the dark locks of her hair. The maid helped her into the white ballgown, and gave her a pair of silver-embroidered silk stockings from Evie. After fastening a pearl necklace from Annabelle Hunt around Hannah's neck, the maid helped her to tug on a pair of long white satin gloves from Daisy Swift. The wallflowers, Hannah thought with a grateful smile, were her own group of fairy godmothers.

And around this hub, its center enclosed by the rounded rectangle of the elevated Loop tracks, clustered the dozens of individual neighborhoods that together formed this huge and diverse metropolis. Here was Little Poland, Little Italy, the Black Belt, and Greektown, the silk-stocking districts and the New World shtetls, each one of which—whether made up of crumbling tenements, luxurious mansions, or neat little worker cottages—stood in many ways apart from the others, a self-contained enclave with its own ethos and mores. From this height, one could also see the engines that kept this collection of urban villages in operation—the interlocking feedlots and slaughterhouses of the stockyards district to the southwest, the enormous steel mills to the far south, the reaper works, the railcar factories, the gasworks, the warehouses and merchandise marts of the retailing trade, and the endless railyards full of trains that connected the city to the rest of the world. To call this conglomeration by a single name—Chicago—seemed wildly inappropriate. It was less like a city than a world unto itself, bringing together the artifacts and energies of a vast multitude.

A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tacked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained weddingveil and some in headgear of cranefeathers or rawhide helmets that bore the horns of buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' eats and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daublings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from hell more horrible yet than the brimstone land of christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.

NIGHT 1: LEXI Lexi arrives at eleven o’clock wearing a black lace dress that is both sexy and modest at the same time. It comes to just above her knees and the v-neckline reveals a hint of her small, round breasts. She’s wearing black stockings and short heels, and I’m curious to see if she’s wearing a garter belt under there. Her thick brown hair falls to her shoulders and her large brown eyes make her look innocent and doe-like. “Come in,” I say opening the door wide and stepping aside. Lexi hesitates for a second then comes in, looking around at our small studio apartment. The room is dimly lit by shaded lamps, letting most of the light come in through the uncurtained windows. I can see the full moon framed against one pane. In the center of the room is our four-poster king sized bed. Eric is lying on the red silk sheets.

well into the series .. I had written a show in which Margaret Houlihan comes into my tent and she says: 'how dare you grate that thing before me?' .. where there is an athletic supporter, jockstrap .. the network said you cannot name it, you cannot show it, you cannot even see a piece of white cloth underwear that a man wears .. but every week for several years we have never been censored seeing ladies bras, panties, silk stockings .. I get hit in the face with these things .. I walk through cloth lines .. get tangled up with underwear but because it came in contact with women's erogenous zones it was ok, but not men's! .. really interesting! that was somehow filthy and degrading to do that! And that was after, when we didn't have much censorship over us!