Silk Scarf Quotes

Thank you,” Simon said. “It’s a joke, Isabelle. He’s the Count. He likes counting. You know. ‘What did the Count eat today, children? One chocolate chip cookie, two chocolate chip cookies, three chocolate chip cookies . . .’” There was a rush of cold air as the door of the restaurant opened, letting in another customer. Isabelle shivered and reached for her black silk scarf. “It’s not realistic.” “What would you prefer? ‘What did the Count eat today, children? One helpless villager, two helpless villagers, three helpless villagers . . .

He wound the scarf around his fingers until her hand was hanging in the space between them. Then he slid the silk and his fingers into her open palm. And Eleanor disintegrated.

Hey,” the cabbie yelled. “How’s about a tip?” “You bet-ski,” Evie said, heading toward the old Victorian mansion, her long silk scarf trailing behind her. “Don’t kiss strange men in Penn Station.

Kizzy was so busy wishing she was Sarah Ferris or Jenny Glass that she could scarcely see herself at all and she was certainly blind to her own weird beauty: her heavy spell-casting eyes too-wide mouth wild hair and hips that could be wild too if they learned how. No one else in town looked anything like her and if she lived to womanhood she was the one artists would want to draw not the Sarahs and Jennys. She was the one who would some day know a dozen ways to wear a silk scarf how to read the sky for rain and coax feral animals near how to purr throaty love songs in Portuguese and Basque how to lay a vampire to rest how to light a cigar how to light a man's imagination on fire.

I brought your topaz silk scarf with me.” “That’s where it went. I wanted to wear it today, but I couldn’t find it in the closet. Please don’t tell me you like wearing women’s clothes.

The next night I went back to the sea dressed in 1950s silk travel scarves – Paris with the Eiffel tower and ladies in hats and pink poodles, Venice with bronze horses and gondoliers, New York in celestial blue and silver. I brought candles and lit the candles, all the candles, in a circle around the lifeguard stand and put a tape in my boom box. I came down the ramp with the sea lapping at my feet and the air like a scarf of warm silk and the stars like my tiara. And my angel was sitting there solemnly in the sand, sitting cross-legged like a buddha, with sand freckling his brown limbs and he watched me the way no boy had ever watched me before, with so much tenderness and also a tremendous sorrow, which was what my dances were about just as much, the sorrow of not being loved the way my womb, rocking emptily inside of me, insisted I be loved, the sorrow of never finding the thing I had been searching for.

A beautiful white silk scarf was around her neck, tucked below the fur collar. Her lips were well painted into a bright red cupid’s bow. Cute as hell I always told myself, with a tinge of regret. She had a steady girlfriend.

In those days we saw every sort of object as though it were one of those tiny handkerchiefs from which a conjuror can produce silk scarfs, streamers, flags, and yards of ribbon. A cup of coffee became a kaleidoscope in which we could spend ages watching the mutable reflections of ceiling or chandelier.

Painfully delicate and surprisingly strong, silk resembles love. I told Shams how the silkworms destroy the silk they produce as they emerge from their cocoons. This is why the farmers have to make a choice between the silk and the silkworm. More often than not, they kill the silkworm while it is inside the cocoon in order to pull the silk out intact. It takes the lives of hundreds of silkworms to produce one silk scarf. … But eventually, for the silk to survive, the silkworm had to die.

In return, he gave her a silk scarf with a reproduction of Cherry Blossoms at Night, by Katsushika Ōi, on it. The painting depicts a woman composing a poem on a slate in the foreground. The titular cherry blossoms are in the background, all but a few of them in deep shadow. Despite the title, the cherry blossoms are not the subject; it is a painting about the creative process—its solitude and the ways in which an artist, particularly a female one, is expected to disappear. The woman’s slate appears to be blank.

What's this?' 'A silk scarf, milady!' exclamed Valannie. 'To cover your head.' 'I have hair for that,' replied Clariel.

I felt I would do a very fine job of being a vapor, for example, or a silk scarf. I would make a very good wall. For

For weeks Octavio returned to the shelter of the trees. The woman would appear as the sun reached midday. She would walk to the edge of the trees, find her chair and drag it to the boat pond. Every Sunday the same chair, the same spot. Every Sunday a book. He needed only one word to imagine a hundred stories: she - was a dancer; cooling her feet after a morning of twists and leaps. was the daughter of a sea captain, remembering her childhood as the toy boats crossed the pond. was an empress hiding among her subjects, shielding her face with a scarf made from the silk of ten thousand worms. Five thousand green, five thousand blue. was a teacher, a lover of learning, patient and gentle with her students. She - was a reader. He had a library.

If I owned a silk scarf,” he said, “I could put it around my neck and take it away with me. If I owned a flower, I could pluck that flower and take it away with me. But you cannot pluck the stars from heaven …

The fourth elf was younger than the others. This showed in the perfection of her skin, the agility and speed of her movements, and in the brightness of her dress. Her long silk garment was yellow and gold and green, and she wore a blue silk choker with a trailing silver scarf at her neck matching another at her waist. There was fire in her dark eyes which added to her overpowering beauty.

Pressing my nails firmly into the bark of the tree, I watch as a silhouette reveals itself in the moonlight. Tall and built, the human frame enters the clearing that I stand in. My eyes are immediately drawn to the breathtaking sight of his face. I am familiar with those deep brown eyes, which draw me gently towards him. I let him pull me into his warm embrace. “Kirano!” I breathe, pressing my head against his regal blue jacket. I can hear his heart beating rapidly with excitement. “Aisha,” Kirano’s voice is as soothing as I remember. Looking up, I see his warm, adoring smile. “I see that you tied your favourite silk scarf to the tree.

Watanabe-san and Sadie exchanged gifts. She brought him a pair of carved wooden Ichigo chopsticks that their Japanese distributor had had made to celebrate the release of the second Ichigo in Japan. In return, he gave her a silk scarf with a reproduction of Cherry Blossoms at Night, by Katsushika Ōi, on it. The painting depicts a woman composing a poem on a slate in the foreground. The titular cherry blossoms are in the background, all but a few of them in deep shadow. Despite the title, the cherry blossoms are not the subject; it is a painting about the creative process---its solitude and the ways in which an artist, particularly a female one, is expected to disappear. The woman's slate appears to be blank. "I know Hokusai is an inspiration for you," Watanabe-san said. "This is by Hokusai's daughter. Only a handful of her paintings survived, but I think she is even better than the father.

I rushed off to Whitehall and assumed Aidan would head back to Astor. But when I turned around briefly, I saw Aidan uncoiling her black scarf from around her neck. She held each end of the scarf above her head, the silk capturing the wind, arching above her like a parachute. Aidan released one end, kiting the scarf. The wind swirled around her for a moment before Aidan let go completely. She was an excellent student. The light silk caught a thermal and rose, sailing above the water. A dark black bird against the blue sky.

Theo shook out the half square of heavy silk. "It will make all the difference to this insipid gown." With one sharp wrench she pulled out the lace fichu tucked into her bodice and replaced it with the scarf. It flashed raspberry red against the almond-colored muslin of her gown.

depending on the angle at which she regarded you. Uniforms weren’t required of the wait staff, and this woman—her badge identified her as KANANI, which was Hawaiian for a beauty—was dressed in white slacks and a white blouse accessorized with a red-silk sash worn as a belt and a red-and-gold silk scarf at her throat. Elaborate dangling gold earrings. Flashy bracelets. Eight diamond finger rings. She might have worn ten rings, except that she had only eight fingers. Ironically, on each hand, she was missing the ring finger, which was next to the pinkie. Kanani

Nor could I fail to recall my friendship with Howard K. Beale, professor of American History at the University of North Carolina. There he was, one day in 1940, standing just outside my room in the men’s dormitory at St. Augustine’s, in his chesterfield topcoat, white silk scarf, and bowler hat, with his calling card in hand, perhaps looking for a silver tray in which to drop it. Paul Buck, whom he knew at Harvard, had told him to look me up. He wanted to invite me to his home in Chapel Hill to have lunch or dinner and to meet his family. From that point on we saw each other regularly. After I moved to Durham, he invited me each year to give a lecture on “The Negro in American Social Thought” in one of his classes. One day when I was en route to Beale’s class, I encountered one of his colleagues, who greeted me and inquired where I was going. I returned the greeting and told him that I was going to Howard Beale’s class to give a lecture. After I began the lecture I noticed that Howard was called out of the class. He returned shortly, and I did not give it another thought. Some years later, after we both had left North Carolina, Howard told me that he had been called out to answer a long-distance phone call from a trustee of the university who had heard that a Negro was lecturing in his class. The trustee ordered Beale to remove me immediately. In recounting this story, Beale told me that he had said that he was not in the habit of letting trustees plan his courses, and he promptly hung up. Within a few years Howard accepted a professorship at the University of Wisconsin. A favorite comment from Chapel Hill was that upon his departure from North Carolina, blood pressures went down all over the state.

There was a little sketch pad with a pink paper cover, a packet of handwritten notes in what looked like my grandmother's handwriting, a silk scarf of water lilies on a blue background, a black fountain pen with an ornate silver hand on it, a book of poems by American poets with a number of pages dog-eared (I made a mental note to see if "Mending Wall" was in there), a magnifying glass with a carved wooden handle, a book called 'Native Flowers of New England' with a ragged cloth binding, another clothbound book called the 'Berry Farmer's Companion', and a stack of twenty faded black-and-white photographs.

A flaming red flapper dress, a sleek black dress with full, satin purple sleeves and a matching flounce, a summery cotton frock with a cheerful red poppy print, and a musketeer's gold-trimmed jacket tumbled out of the pile of clothing. A mound of scarves fluttered onto the bed. Marge fingered the frayed, tasseled edge of a silk jacquard scarf in shades of amethyst and emerald green.

And what do you do with these stars?" "What do I do with them?" "Yes." "Nothing. I own them." "You own the stars?" "Yes" "But I have already seen a king who--" "Kings do not own, they reign over. It is a very different matter." "And what good does it do you to own the stars?" "It does me the good of making me rich." "And what good does it do you to be rich?" "It makes it possible for me to buy more stars, if any are ever discovered." "This man," said the little prince to himself, "reasons a little like my poor tippler..." Nevertheless, he still had some more questions. "How is it possible for one to own the stars?" "To whom do they belong?" the businessman retorted, peevishly. "I don't know. To nobody." "Then they belong to me, because I was the first person to think of it." "Is that all that is necessary?" "Certainly. When you find a diamond that belongs to nobody, it is yours. When you discover an island that belongs to nobody, it is yours. When you get an idea before any one else , you take out a patent on it: it is yours. So with me: I own the stars, because nobody else before me ever though about owning them." "Yes, that is true," said the little prince. "And what do you do with them?" "I administer them, " replied the businessman. "I count them and recount them. It is difficult. But I am a man who is naturally interested in matters of consequence. The little prince was still not satisfied. "If I owned a silk scarf," he said, "I could put it around my neck and take it away with me. If I owned a flower, I could pluck that flower and take it away with me. But you cannot pluck the stars from heaven..." "No. But I can put them in the bank." "Whatever does that mean?" "That means I write down the number of my stars on a little paper. And then I put this paper in a drawer and lock it with a key." "And that is all?" "That is enough," said the businessman. "It is entertaining," thought the little prince. "It is rather poetic. But it is of no great consequence." On matters of consequence the little prince had ideas which were very different from those of the grown-ups. "I myself own a flower," he continued his conversation with the businessman, "which I water every day. I own three volcanoes, which I clean out every week (for I also clean out the one that is extinct; one never knows). It is of some use to my volcanoes, and it is of some use to my flower, that I own them. But you are of no use to the stars..." The businessman opened his mouth, but he found nothing to say in answer. And the little prince went away.

It was a lovely night, so warm that he threw his coat over his arm, and did not even put his silk scarf round his throat. As he strolled home, smoking his cigarette, two young men in evening dress passed him. He heard one of them whisper to the other, ‘That is Dorian Gray.’ He remembered how pleased he used to be when we was pointed out, or stared at, or talked about. He was tired of hearing his own name now. Half the charm of the little village where he had been so often lately was that no one knew who he was. He had often told the girl whom he had lured to love him that he was poor, and she had believed him. He had told her once that he was wicked, and she had laughed at him, and answered that wicked people were always very old and very ugly. What a laugh she had! – just like a thrush singing. And how pretty she had been in her cotton dresses and her large hats! She knew nothing, but she had everything that he had lost.

Father reaches out to touch my scarf. “Your mother’s scarf,” he says softly. “She loved this so very much, you know. I remember her creative streak, how she refused to use the strong dye colours that we usually use for silk design. Instead, she preferred a shade of white, which would not sell as successfully in trade. She loved this scarf, the way it sat humbly around her neck and gave her senses of comfort and peace as she held you tight. You would often beg to wear it, Aisha.” I stroke the scarf subconsciously. A memory flashes in my mind of my mother’s shaking hands as she shaped spun silk into this beautiful scarf. My gentle mother, who coughed violently and shook, plagued she was with an illness that had deteriorated her immensely. I spent every moment I could with her, my heart knowing that each might be my last. “Beautiful Aisha, wear this scarf with your love,” said my mother one morning as she tied it around my neck. I stared at her, my lips wobbling as tears rolled down my cheeks. “I’ll wear it, always loving you, Mother,” I replied. My mother nodded, her eyes also filling with tears as she realised that I understood how little time we had left together.

Tresses of lustrous, snow-white hair tumbled from their cloth-bound imprisonment, streaming like a waterfall down the young woman’s back. In an effort to make his student more at ease, Alexi did his best to appear wholly disinterested as she carefully removed her protections with delicate, private ceremony. But then she turned to face him, clutching those items that had held her unusual features in mystery : glasses, gloves, long scarf. "As you would have it so, Professor, here is your pupil in all her ghastliness." Though Miss Parker's hands clearly trembled, her voice did not. Luminous crystal eyes held streaks of pale blue shooting from tiny black pupils. A face youthful but devoid of color, smooth and unblemished like porcelain, had graceful lines as well-defined and proportioned as a marble statue. Her long, blanched locks shimmered in the candlelight like spider silk. Upon high cheekbones lay hints of rouge : any more would have appeared garish against her blindingly white skin, but she had been artful in her application. Her rosebud lips were tinted in the same manner. "You see, Professor, even you, so stern and stoic, cannot hide your shock, surprise, distaste-" "Distaste ?" he interrupted quietly. "Is that what you see ?

doeskin trousers, topped off with a merino vest and silk scarf. Propped nearby was a handsome cane

Looking pretty,” said Wilson. “Like you. Maryam flushed. She draped her green silk scarf more firmly around her neck, wishing for a moment she could pull it up to cover her face.

When you see me in a scarf you may think “Oh, she went to some trouble there.” But no, when I wear a scarf it means "this grey blouse was unwrinkled and those mocha pants make my behind look fine and voila I have a vivid grey and brown silk scarf which means I have transformed self from bone lazy to coordinated accessory maven.(Maid in Waiting publish date June 2014)

When you see me in a scarf you may think “Oh, she went to some trouble there.” But no, when I wear a scarf it means” this grey blouse was unwrinkled and those mocha pants make my behind look fine and voila I have a vivid grey,brown and white silk scarf which means I have transformed self from bone lazy to coordinated accessory maven.--Bridget Allison (Gretchen Gallen in my book#3, "Maid in Waiting" publish date June 2014)

He was still holding the end of her scarf, rubbing the silk idly between his thumb and fingers. She watched his hand.

He didn’t look up. He wound the scarf around his fingers until her hand was hanging in the space between them. Then he slid the silk and his fingers into her open palm. And Eleanor disintegrated. ==========

The human form, overly complex and weak though it is, can sometimes be surprisingly versatile at sneaking around and exploring complex and novel environments; and it’s fun. My favorite human-shape remote is a copy of Amelia Earhart, from pre-exodus earth. Walking through the ruins of some long-dead alien civilization, flying goggles pulled back on my head, leather flying jacket zipped up tight with a silk scarf around my neck, hiking boots crunching on dust older than the phylum of my progenitors, I think I can imagine what it must have been like for those early human explorers. At

Her silk scarf was the same wine color as her unpainted lips—a dirty trick.

But as her body moves, all the yarn in the room suddenly gains tension. There's a swift swishing sound as the lines pull taut. She feels everything in the room move at once, from the big ropey lines supporting her weight, down to the tiny interlocking stitches pressed against her skin. "She rests in mid-air, suspended above her bed by the network of yarn slicing around the room. It holds her, and at the same time it caresses her. She feels its touch through the stitches on her arms, her legs, her stomach. It feels as if her weight is held in its giant hand, and it contemplates her like Yorick's skull. Hundreds of strings and lines of yarn, ranging from individual strands up to thick knitted cables now move on her. She is wrapped by long meaty loops that move around her legs, and her arms, and her neck; and thin little strings that slip between her fingers. A loop circles her hair and pulls it gently into a pony tail, and it lifts to supports her head. "She hangs quietly and meditatively for a while, feeling the caress of the yarn, gently tightening and loosening, and sliding over her body. It feels along her body. And as it feels her, she feels it. She can feel its affection through the way the yarn touches her. The caresses slide up and down her arms, her legs, between her fingers, and around her neck. "She can feel all the different textures of the different yarns. The scratchy itch of cheap wool, and the smooth toughness of nylon and polyester strings. In places there's even some slick and soft rayon and silk. And she's sure she can tell just by the touch of it, that her foot has been wrapped in a small scarf she made of an extremely fine cashmere. "But the thing doesn't just want to hold her.

The scarf, a gift from Willa—purchased lovingly, with money from her savings account, from a Paris boutique—had been one of Kate's most prized possessions. Its thick, creamy silk had felt so soft around her neck, the fringe so jaunty and brave.

and a hat and sunglasses.” “None of this information is new.” He eyed her knowingly. “There’s more, isn’t there?” “His hair was brown. His cheeks very pink. Either flushed or chapped. He was clean-shaven. She’s very certain of those facts. His clothing was inexpensive, but his gloves were furlined leather and she believes the scarf around his neck was silk.” “He wore a combination of his own expensive clothes and cheaper apparel.” “He was quite fair, his face round and full, his nose large, rather prominent. Not handsome, but not ugly.” “Anything else?” Griffin asked, knowing that even with an artist’s sketch, it was unlikely anyone could ID the suspect from this description. But it was far more than they’d ever had. And there was always the off chance that even a sketch showing a guy in sunglasses and wearing a hat might be of some use. After all, they now had a partial description. “Does Barbara Jean have any idea that you were—?” “No. When we spoke, she simply repeated what she had already told you in the past,” Yvette said. “The rest, I gained by invading her private thoughts.” Griff took Yvette’s small, slender hands into his, lifted them to his lips and kissed first one and then the other. “Don’t feel guilty for using your special talent. You did it for the right reason, for a good cause.” “The end always justifies the means.” Her voice held a tone of self-condemnation. “Not always,” he told her. “But sometimes.

She turned to call the dog, saw he had made his way down to the creek and was swimming between the boats. ‘Cooper!’ She hissed his name quietly, not wanting to disrupt the silence of the morning. When he ignored her, she tottered down to the water’s edge. ‘Cooper! Come here now!’ She could hardly go wading in after him with her crutches and was debating what to do when a female voice came from behind her. ‘Cooper!’ Lila turned to see a woman standing on the muddy bank. Although casually dressed, her blonde haircut looked expensive, as did the emerald-coloured silk scarf that was looped around her neck. The woman whistled loudly and the dog’s head shot up. ‘Cooper! Come here now.’ He seemed to recognise her, paddling furiously towards the shore.

Paul Blumberg writes: "A Massachusetts Act of 1651, for example, prohibited status disguises in such matters as dress, and declared ‘our utter detestation and dislike that men and women of meane Condition should take upon themselves the garb of gentlemen, by wearing gold and silver, lace or buttons, or points at their knees or to walk in bootes or women of the same rancke to wear silke or tiffany horlles or scarfes, which though allowable to persons of greater estates, or more liberal education, yet we cannot but judge it intollerable in persons of such like condition.

sounded like another language entirely. I felt relieved, momentarily, to be a relatively worldly Lubavitcher, even if I didn’t entirely fit in with the Crown Heights crowd. — Much to my disappointment, Miri was rarely to be seen. Most days she left the apartment around ten in a giddy rush and returned in the early evening with armloads of shopping bags, only to leave again for dinner with her friends. But one morning, when Leah was otherwise engaged, I was finally recruited for shomeres service. We were going to Ratfolvi’s, in Flatbush, to pick up the sheitel that Miri would be required to wear as a married woman. Pulling up to a residential building, we let ourselves into Mrs. Ratfolvi’s wig shop/apartment and sat down in the reception area, where four or five women were chatting away on a damask sofa and chairs. While we waited our turn, I examined the rows of wigs on display: there were various shades of brunette, blonde, and ginger; short, teased bouffants and glamorous, shoulder-length falls; wigs encased in rollers and wigs that were fully styled, needing nothing more than a final shpritz of hair spray. They were set upon Styrofoam heads complete with turned-up noses, high cheekbones, and luscious lips that looked like they could come alive at any moment. I longed to get my hands on a brush and a pair of scissors so that I could create my own visions of tonsorial loveliness. I did this from time to time to my dolls, to my mother’s great irritation, and here was a whole wall of victims. When Miri’s name was called, she plunked herself into the salon chair and pulled the silk scarf off her ponytail. I stood as close as I could without getting in the way. From conversations that I’d overheard between my mother and her sisters, I knew that Mrs. Ratfolvi was considered “the best,” and I was eager to watch her at work. The “rat” in her name had led me to expect someone old and unattractive, but she was actually a nicely put-together middle-aged woman. The receptionist brought over a plastic case about the size of a chubby toddler. In one expert motion, Mrs. Ratfolvi clicked it open, withdrew the fully styled wig on its Styrofoam head

To me, the best part about opening yourself up to hearing from Spirit is that you can do it just by being yourself. You don’t need tarot cards or crystals. You don’t even need to hold or wear an object with your family member’s energy, like a lot of people think. When I mention a necklace or ring during a session that you’ve brought with you, it’s not because I’m drawn to that energy like a magnet. It’s because Spirit tells me to reference it. In fact, I once did a phone reading for a woman who had a lot of female energy around her that had passed on, including a mom, grandmother, aunt, and cousin. She also had a grandfather and father on the Other Side. Anyway, Spirit showed me a picture I have of Victoria, wearing the most random clothes—a baseball cap, sunglasses, Rug Rat pajamas, holding the pet parakeet that Gram got her, and Mardi Gras beads. So I said, “This is going to sound bizarre, but I feel like you’re wearing a strange mix of items: pajamas, a silk scarf, a man’s hat, gloves, rosary beads, and jewelry that doesn’t match. Are you wearing an article from every dead person you want to hear from?” There was total silence on the phone. I think she was a little embarrassed, but I have to admit that I was actually relieved she didn’t dress like that all the time!

It’s just a scarf. I thought it’d look nice at yer collar,” muttered Tom, embarrassed. The wisp of blue had reminded him of Jon’s eyes so he had pocketed it. “Ye don’t have to wear it. Forget it.” He reached for the scarf, but Jon pulled back and smiled. “Thank you. It’s just unexpected, that’s all. It’s beautiful, Tom. Really.” Tom scratched the back of his neck and nodded, his face hot. Jon watched him for a moment before holding out the piece of silk. “Actually,” he said with a smirk. “Can you put it on me? You know how I am with knots.” Tom took the soft piece of grey-blue silk and looped it around the back of Jon’s neck, carefully tying it over itself like a cravat in the front and tucking the loose ends beneath Jon’s black shirt. After giving him a quick, chaste kiss on the cheek, Tom stepped back and smiled sheepishly. “There. Ye look like a right lord,” he said. Jon’s seal-brown curls framed his face and continued in a tumble over his shoulders, nearly as dark as his shirt. The scarf that peeped out from the open collar really did bring out the blue in his eyes, and Tom was glad that he had given it to him. “Sweet is definitely not the word I would have chosen to describe you when we met,” laughed Jon, fingering the silk at his throat. Tom scowled, but really it was just an act.

All he could stand,” said Meredith, someone whose intelligence protruded through her beauty, Milgrim felt, like the outline of unforgiving machinery pressing against a taut silk scarf.

tie a silk scarf around her neck and not have it be ironic.

Duchess stole a glance at her, bright lips and smoked eyes, hair curled. She wore a cream skirt, navy top cut low, and silk scarf. So much a woman Duchess felt even more a girl. “That’s a lot of tit for church.” “I take my bra off and they’d roll down the aisle.

By the time Miles had showered, groomed, and donned a fresh uniform and glossy spare boots, his pills had cut in and he was feeling no pain at all. When he caught himself whistling as he splashed on aftershave and adjusted a rather flashy and only demi-regulation black silk scarf around his neck, tucked into his gray-and-white jacket, he decided he’d better cut the dosage in half next round. He was feeling much too good.

contained a suture kit, more water purification tablets, Russian aspirin, blood-clotting gauze, an Israeli-style wrap bandage, tweezers, six Russian-style Band-Aids of varying sizes, two antibacterial wipes, a small tube of antiseptic ointment, and an electrolyte drink mix. The fourth and final pouch in the ditch kit was emblazoned with words Harvath didn’t know. Opening it up, he looked inside. As soon as he saw the signal mirror, he knew exactly what this bag was—a SERE kit. In addition to the mirror, there was a compass, a whistle, more stormproof matches, more water purification tablets, a small notebook and pen, a silk scarf printed with panels containing survival instructions, more hextabs, a flint and striker, a packet of sunscreen, and some mosquito wipes. Opening the flare gun case, he examined its contents. In keeping with similar setups from the Soviet days, the kit included the pistol itself and four flares, beneath which was a conversion tube. When inserted into the barrel, it allowed for firing of .45 or .410 ammunition. Two cardboard boxes with five rounds of each

Kyosuke was right on time, as usual. He was dressed in winter-white flannel trousers, a black turtleneck sweater, and a gray-and-black herringbone tweed jacket. An oyster-colored silk scarf was slung carelessly around his neck. Kenzo, who had thrown on some wrinkled khaki slacks and an old tan sweater, stared admiringly at his friend’s dashing getup.

Ino is an Austin,TX based fashion label that offers unique, handmade, elegant, silk scarves and ties. ino Scarf Boutique offers handmade unique silk scarves that are a timeless gift of softness and elegance. The ino scarf flows from the past with ancient art lacework to today's silk fabric for you to enjoy into the future.

Bart’s mother shuffles onto the porch dressed in a colorful muumuu, house shoes, and a bright yellow scarf. A matching silk flower adorns the fluffy gray bun atop her head.

Miss French looked very much a lady for classical music, with her sensible grey bob and her navy waistcoat and pleated skirt and silk scarf

recommended a couple of feel-good novels to a lady who wore a yellow silk scarf with sunflowers on it, and she rearranged the thriller display.

She was posed, sitting upright on a bed. Two stockings and a pink silk scarf were knotted around her neck, and a “Happy New Year” card rested against her feet.

Dolly’d given him a white silk scarf as a parting present. He didn’t know how she’d managed the money for it and she wouldn’t let him ask, just settled it round his neck inside his flight jacket. Somebody’d told her the Spitfire pilots all wore them, to save the constant collar chafing, and she meant him to have one. It felt nice, he’d admit that. Made him think of her touch when she’d put it on him. He pushed the thought hastily aside; the last thing he could afford to do was start thinking about his wife, if he ever hoped to get back to her. And he did mean to get back to her. Where

Every thought in his head disappeared the moment Vivien appeared and a collective sigh of admiration escaped the servants. She made her way downstairs unescorted, wearing a glimmering bronze gown that swirled around her hips and legs as if it were liquid metal. No other color could have brought out the richness of her hair or the peaches and cream of her complexion half so well. The low, scooped bodice pushed the mounds of her breasts up and together in a display that literally made Grant's mouth water. Swallowing hard, he stared at her while the brandy snifter wobbled precariously in his fingers. He was hardly aware of Kellow tactfully removing it from his unsteady grasp. The short, full sleeves exposed the curves of Vivien's shoulders, while her arms were encased in full-length white gloves. A French silk scarf of bronze trimmed in gold was draped loosely around her elbows. The only ornamentation on the gown was a stomacher of woven gold and bronze, cinched just above her small waist.

Helena let me borrow a silk scarf to go with the green trench and white gloves. When she secured a navy blue cloche hat over my hair, I almost didn’t recognize myself. I felt very much the part, standing next to Blue in his white collar shirt, green sweater vest and tie, caramel-colored suit, and brown flat cap tilted to the side. Helena whistled and said he was the eel’s hips, whatever that meant. When I told him he looked smokin’ hot, he just shook his head and said, “Nah, I’m not hot at all. This suit breathes really well.” I won’t lie. In that moment, my heart melted a little for Nicholas Piasecki.

Kadie stared at Saintcrow. He was taller than Vaughan, broad-shouldered, and lean-hipped, with an air of confidence and authority that was almost tangible. He wore black jeans, black boots, and a black silk shirt open at the throat. His inky black hair brushed the collar of his jacket; his eyes were like deep pools of ebony. A thin white scar ran from the outer corner of his left eye, down his cheek, and disappeared under his shirt collar. Power radiated from him, making the short hairs rise along her arms. Even if no one had told her what he was, she would have known he wasn't human. Saintcrow took Kadie's hands in his. "I regret that I was not able to welcome you when you arrived," he said. Kadie nodded. His voice moved over her like a caress, deep and whiskey smooth. Eyes narrowed, Saintcrow took hold of the black scarf hanging out of her back pocket and tossed it aside. "I rather fancy her," he said. "You don't mind if I borrow her for a while, do you, Vaughan?" It wasn't really a request, not the way he said it. Clenching her hands into fists, Kadie sent a pleading glance to Vaughan. He looked at her, his eyes filled with pity. "As you wish, my lord," he said, and vanished from sight. Kadie stared at Saintcrow. She had been afraid of Vaughan, but that was nothing compared to the terror that gripped her when Saintcrow looked at her through those fathomless black eyes. "Come along, Kadie Andrews." His gaze burned into hers, hotter than hellfire, yet strangely compelling. When he held out his hand, she dared not refuse. With a predatory smile, his fingers- long and incredibly strong- closed over her own. A rush of preternatural power surrounded her. It was like being caught in the center of a tornado. The world spun out of focus. Darkness swallowed her.

He wore a thin silk scarf—little more than a cravat—and a bowler, but he was famously, almost comically hardy. Dexter had never seen him sweat even wearing a dinner suit in dead summer. He’d a quick knifelike walk that required Dexter to stride in earnest to keep up, although he was several inches taller.

It had been often commented upon that Vibe offspring tended to be crazy as bedbugs. ‘Fax’s brother Cragmont had run away with a trapeze girl, then brought her back to New York to get married, the wedding being actually performed on trapezes, groom and best man, dressed in tails and silk opera hats held on with elastic, swinging upside down by their knees in perfect synchrony across the perilous Æther to meet the bride and her father, a carnival “jointee” or concessionaire, in matched excursion from their own side of the ring, bridesmaids observed at every hand up twirling by their chins in billows of spangling, forty feet above the faces of the guests, feathers dyed a deep acid green sweeping and stirring the cigar smoke rising from the crowd. Cragmont Vibe was but thirteen that circus summer he became a husband and began what would become, even for the day, an enormous family. The third brother, Fleetwood, best man at this ceremony, had also got out of the house early, fast-talking his way onto an expedition heading for Africa. He kept as clear of political games as of any real scientific inquiry, preferring to take the title of “Explorer” literally, and do nothing but explore. It did not hurt Fleetwood’s chances that a hefty Vibe trust fund was there to pick up the bills for bespoke pith helmets and meat lozenges and so forth. Kit met him one spring weekend out at the Vibe manor on Long Island. “Say, but you’ve never seen our cottage,” ‘Fax said one day after classes. “What are you doing this weekend? Unless there’s another factory girl or pizza princess or something in the works.” “Do I use that tone of voice about the Seven Sisters material you specialize in?” “I’ve nothing against the newer races,” ‘Fax protested. “But you might like to meet Cousin Dittany anyway.” “The one at Smith.” “Mount Holyoke, actually.” “Can’t wait.” They arrived under a dourly overcast sky. Even in cheerier illumination, the Vibe mansion would have registered as a place best kept clear of—four stories tall, square, unadorned, dark stone facing looking much older than the known date of construction. Despite its aspect of abandonment, an uneasy tenancy was still pursued within, perhaps by some collateral branch of Vibes . . . it was unclear. There was the matter of the second floor. Only the servants were allowed there. It “belonged,” in some way nobody was eager to specify, to previous occupants. “Someone’s living there?” “Someone’s there.” . . . from time to time, a door swinging shut on a glimpse of back stairway, a muffled footfall . . . an ambiguous movement across a distant doorframe . . . a threat of somehow being obliged to perform a daily search through the forbidden level, just at dusk, so detailed that contact with the unseen occupants, in some form, at some unannounced moment, would be inevitable . . . all dustless and tidy, shadows in permanent possession, window-drapes and upholstery in deep hues of green, claret, and indigo, servants who did not speak, who would or could not meet one’s gaze . . . and in the next room, the next instant, waiting . . . “Real nice of you to have me here, folks,” chirped Kit at breakfast. “Fellow sleeps like a top. Well, except . . .” Pause in the orderly gobbling and scarfing. Interest from all around the table. “I mean, who came in the room in the middle of the night like that?” “You’re sure,” said Scarsdale, “it wasn’t just the wind, or the place settling.” “They were walking around, like they were looking for something.” Glances were exchanged, failed to be exchanged, were sent out but not returned. “Kit, you haven’t seen the stables yet,” Cousin Dittany offered at last. “Wouldn’t you like to go riding?

The gown Lottie had decided to wear tonight was a pale blue satin overlaid with white tulle, with a daring scooped neckline that bared the tops of her shoulders. Lottie stood in the center of the bedroom while Mrs. Trench and Harriet pulled the billowing gown over her head and helped guide her arms through the puffed sleeves of stiffened satin. It was a gown as beautiful- no, more beautiful- than any she had seen during the parties at Hampshire. Thinking of the ball she was about to attend, and Nick's reaction when he saw her, Lottie was nearly giddy with excitement. Her light-headedness was no doubt encouraged by the fact that her corset was laced with unusual tightness, to enable Mrs. Trench to fasten the close-fitting gown. Wincing in the confinement of stays and laces, Lottie stared into the looking glass as the two women adjusted the ballgown. The transparent white tulle overslip was embroidered with sprays of white silk roses. White satin shoes, long kid gloves, and an embroidered gauze scarf were the final touches, making Lottie feel like a princess. The only flaw was her stick-straight hair, which refused to hold a curl no matter how hot the tongs were. After several fruitless attempts to create a pinned-up mass of ringlets, Lottie opted for a simple braided coil atop her head, encircled with fluffy white roses. When Harriet and Mrs. Trench stood back to view the final results of their labors, Lottie laughed and did a quick turn, making the blue skirts whirl beneath the floating white tulle.