Meg Movie Quotes

Lana says J.P. makes Matt Damon from the Bourne movies look like Oliver from Hannah Montana

I'm a damsel, I'm in distress, I can handle this. Have a nice day!

And I'm going to tell the truth: I didn't like that Sean Penn movie Into the Wild so much. Yes! I know it was critically acclaimed. I know it won all these awards! It's very sad that a boy is dead and all. But I thought the movie Enchanted, with the singing princess and the chipmunk and the people dancing in Central Park, was cuter. So there!

Okay. I picked up a movie to watch tonight. You can watch it with me if you like. It's a chick movie. Merri Lee said that means girls like it, not that there are small birds in it.

Maybe you should go home and rest," Simon told Meg. Maybe he could go home with her and they could cuddle for a while or play a game. Or she could watch a movie with him and pet him.

Who-who are you?" Seth asked, hesitantly."Wh-what do you want?" How else was was I supposed to reply? The words were out of my mouth before I could stop them.I mean, I'd only seen the movie like seventeen times. "I'm Luke Skywalker," I said. "I'm here to rescue you.

I have nothing against Sean Penn. I don't even mind that he ended up divorcing Madonna. I mean, I still like Shia LaBeouf even though he chose to star in Transformers, which turned out to be a movie about robots from space. That Talk. Which is just as bad as choosing to divorce Madonna, if you ask me

That's enough of that," Jesse said. Next thing I knew, he'd scooped me up. Only instead of carrying me to my bed and setting me down on it all romantically, you know, like guys do to girls in the movies, he just dumped me onto it, so I bounced around and would have fallen off if I hadn't grabbed the edge of the mattress. "Thanks," I said, not quite able to keep all of the sarcasm out of my voice.

Leola Mae Harmon. I saw a movie about her on the Lifetime channel. Leola was an air force nurse who was in a car accident and the lower part of her face got all mangled, but then Armand Assante, who plays a plastic surgeon, said he could fix her. Leola had to endure hours of painful reconstructive surgery, during which her husband left her because she didn't have any lips (which I guess is why the movie is called Why Me?). Armand Assante said he would make her a new pair of lips, only the other air force doctors didn't like the fact that he wanted to make them out of skin from Leola's vagina. But he did it anyway, and then he and Leola got married and worked together to help give other accident victims vagina lips. And the whole thing turned out to have been based on a true story.

The way things are going, I wouldn't be surprised if pretty soon I start wearing ripped-up fishnet stockings and dyeing my hair black. Maybe I'll even start smoking and get my ears double-pierced or something. And then they'll make a TV movie about me and call it Royal Scandal. It will show me going up to Prince William and saying,'Who's the most popular young royal now, huh, punk?' and then headbutting him or something.

Everyone thinks of romantic comedies as being these sappy, unrealistic stories where love conquers all and everyone ends up happy at the end. But that's not what her movies were at all. Like, in Sleepless in Seattle, you can't really get any sadder that Tom Hanks missing his dead wife. And in You've Got Mail, Meg Ryan misses her mom and loses her store. None of that gets resolved by the end. It's not like Tom's wife comes back to life, and Meg Ryan still loses the business her mom built.

I change the channel to another movie. An old one, but new to me. And, ironically, a thin, gorgeous blonde—Meg Ryan, maybe—rides her bike on a country road. She smiles like she has no cares in the world. Like no one ever judges her. Like her life is perfect. Wind through her hair and sunshine on her face. The only thing missing are the rainbows and butterflies and cartoon birds singing on her shoulder. Maybe I should grab my bike and try to catch up with Mom, Mike, and the kids. They can't be going very fast. I would love to feel like that, even if it's just for a second—free and peaceful and normal. Suddenly, there's a truck. It can't be headed toward Meg Ryan. Could it? Yes. Oh my God. No! Meg Ryan just got hit by that truck. Figures. See what happens when you exercise?

Hello," Lilly said."Movie. Of your life.You were portrayed as shy and awkward." "I am shy and awkward," I reminded her. "They made your grandmother all kindly and sympathetic to your plight," Lilly said."It was the grossest mischaracterization I've seen since Shakespeare in Love tried to pass off the Bard as a hottie with a six-pack and a full set of teeth.

Maybe you should go home and rest,” Simon told Meg. Maybe he could go home with her and they could cuddle for a while or play a game. Or she could watch a movie and pet him. “Merri Lee is helping me make some sample packages of cookies,” Meg said, sounding like the only game she wanted to play right now was whack a Wolf.

Lilly asked me if i had to choose between Harrison Ford or George Clooney who would it be, and I said Harrison Ford even though he's so old, but the Harrison Ford from Indiana Jones, not Star Wars, and then Lilly said she'd choose Harrison Ford as Jack Ryan in those Tom Clancy movies, and then Michael goes, Who would you choose, Harrison Ford or Leonardo di Caprio? and we both chose Harrison Ford because Leonardo is so passe,

I should think people would be disappointed if they watched that kind of movie and then came to see us dance and none of us slit our wrists onstage or made ourselves vomit or got on the backs of motorcycles while wearing tutus and started fucking each other.

He might know things Meg wanted to learn, but he would never be as thorough about cleaning the salt and butter off her hands after movie night.

I came across Piper deep in conversation with Jet one afternoon and when I asked her what they were talking about she shrugged and said Dog Things. Sometimes the loneliness of being the odd man out in these conversation got to me but most of the time I just ignored it. I like old movies. She talks to dogs.

It seems right now that all I’ve ever done in my life is making my way here to you.’ I could see that Rosie could not place the line from The Bridges of Madison County that had produced such a powerful emotional reaction on the plane. She looked confused. ‘Don, what are you…what have you done to yourself?’ ‘I’ve made some changes.’ ‘Big changes.’ ‘Whatever behavioural modifications you require from me are a trivial price to pay for having you as my partner.’ Rosie made a downwards movement with her hand, which I could not interpret. Then she looked around the room and I followed her eyes. Everyone was watching. Nick had stopped partway to our table. I realised that in my intensity I had raised my voice. I didn’t care. ‘You are the world’s most perfect woman. All other women are irrelevant. Permanently. No Botox or implants will be required. ‘I need a minute to think,’ she said. I automatically started the timer on my watch. Suddenly Rosie started laughing. I looked at her, understandably puzzled at this outburst in the middle of a critical life decision. ‘The watch,’ she said. ‘I say “I need a minute” and you start timing. Don is not dead. 'Don, you don’t feel love, do you?’ said Rosie. ‘You can’t really love me.’ ‘Gene diagnosed love.’ I knew now that he had been wrong. I had watched thirteen romantic movies and felt nothing. That was not strictly true. I had felt suspense, curiosity and amusement. But I had not for one moment felt engaged in the love between the protagonists. I had cried no tears for Meg Ryan or Meryl Streep or Deborah Kerr or Vivien Leigh or Julia Roberts. I could not lie about so important a matter. ‘According to your definition, no.’ Rosie looked extremely unhappy. The evening had turned into a disaster. 'I thought my behaviour would make you happy, and instead it’s made you sad.’ ‘I’m upset because you can’t love me. Okay?’ This was worse! She wanted me to love her. And I was incapable. Gene and Claudia offered me a lift home, but I did not want to continue the conversation. I started walking, then accelerated to a jog. It made sense to get home before it rained. It also made sense to exercise hard and put the restaurant behind me as quickly as possible. The new shoes were workable, but the coat and tie were uncomfortable even on a cold night. I pulled off the jacket, the item that had made me temporarily acceptable in a world to which I did not belong, and threw it in a rubbish bin. The tie followed. On an impulse I retrieved the Daphne from the jacket and carried it in my hand for the remainder of the journey. There was rain in the air and my face was wet as I reached the safety of my apartment.

I don’t like movies where people’s heads spin around, or where things come bursting out of their stomachs. I like movies with beauty makeovers and dancing.

The two Lucys are going to go to the movies with Eli and I,” Robby said, “Great. And you have English teachers for parents.

Would you rather be the mayor from the movie Jaws who keeps the beaches open when there’s a killer shark out there? Or do you want to be the sheriff who turns out to be right about the killer shark, and saves thousands of people’s lives?

There was, I believe," he said finally, when his search came up negative, "a young woman. At one time." Aha. I pictured Audrey Hepburn for some reason. You know, in that movie that's always on, the one where she played a nun. Maybe Father Dom and his one true love had met in priest and nun school! Maybe their love had been forbidden like in the movie! "Did you know her before you took your, um, orders, or whatever they're called?" I asked, trying to sound casual. "Or after?" "Before, of course!" He sounded shocked. "For heaven's sake, Susannah." "I was just wondering.

I want to not think so much about what I want, and what I missed out on. I want to think about other things—other people, in other places even. I am so tired of all the little ironic in-jokes, and reciting lines from TV shows and movies and books. Everything from the . . . circumscribed world. I want an uncircumscribed world.

Why, Maddy asked herself lately, had she ever decided to have a baby? She wasn't ready for this, and neither was Peter. Very recently, it seemed, they had been staying up late and having lots of sex, and eating in a variety of cheap restaurants and going to many movies, and once even going to a tiny jewelry store on Avenue A on a Saturday night to have Maddy's nose pierced. Then, on a whim almost as casual as the nose-piercing decision, they had decided to stop using birth-control. She had taken her circular packet of pills one night, put them in an ash-tray, and ceremonially burned them, although the plastic had only curled and smoked and stank up the apartment, leaving the pills themselves intact behind their transparent bubble windows.

She wasn’t one of those girls who seemed to be everywhere, hands on hips, those girls who were described in certain books and movies as being “spitfires,” or, later on, “kickass.” Even now, at college, there were girls like this, fuck-you confident and assured of their place in the world. Whenever they came upon resistance in the form of outright sexism or even more generic grossness, they either vanquished it or essentially rolled their eyes and acted as if it was just too stupid for them to acknowledge.

I gesture at the hair, the dress, the shiny, sexy costume that somehow caught his attention in a way that "just Meg" never did. Because the fact is, he's looked right past me all year. Even in my old gown, I didn't register - like I don't exist unless I fit their weird category of hotness. I suppose that's what they don't tell you about makeovers in the movies - that maybe the people who gasp with grand double takes aren't worth the effort. Because if I don't deserve his attention when I'm myself, then what good is he?

At any rate,’ he continued, ‘we hoped that once the war was over the Oracle might start working again. When it did not … Rachel became concerned.’ ‘Who’s Rachel?’ Meg asked. ‘Rachel Dare,’ I said. ‘The Oracle.’ ‘Thought the Oracle was a place.’ ‘It is.’ ‘Then Rachel is a place, and she stopped working?’ Had I still been a god, I would have turned her into a blue-belly lizard and released her into the wilderness never to be seen again. The thought soothed me. ‘The original Delphi was a place in Greece,’ I told her. ‘A cavern filled with volcanic fumes, where people would come to receive guidance from my priestess, the Pythia.’ ‘Pythia.’ Meg giggled. ‘That’s a funny word.’ ‘Yes. Ha-ha. So the Oracle is both a place and a person. When the Greek gods relocated to America back in … what was it, Chiron, 1860?’ Chiron see-sawed his hand. ‘More or less.’ ‘I brought the Oracle here to continue speaking prophecies on my behalf. The power has passed down from priestess to priestess over the years. Rachel Dare is the present Oracle.’ From the cookie platter, Meg plucked the only Oreo, which I had been hoping to have myself. ‘Mm-kay. Is it too late to watch that movie?’ ‘Yes,’ I snapped. ‘Now, the way I gained possession of the Oracle of Delphi in the first place was by killing this monster called Python who lived in the depths of the cavern.’ ‘A python like the snake,’ Meg said. ‘Yes and no. The snake species is named after Python the monster, who is also rather snaky, but who is much bigger and scarier and devours small girls who talk too much. At any rate, last August, while I was … indisposed, my ancient foe Python was released from Tartarus. He reclaimed the cave of Delphi. That’s why the Oracle stopped working.’ ‘But, if the Oracle is in America now, why does it matter if some snake monster takes over its old cave?’ That was about the longest sentence I had yet heard her speak. She’d probably done it just to spite me. ‘It’s too much to explain,’ I said. ‘You’ll just have to –’ ‘Meg.’ Chiron gave her one of his heroically tolerant smiles. ‘The original site of the Oracle is like the deepest taproot of a tree. The branches and leaves of prophecy may extend across the world, and Rachel Dare may be our loftiest branch, but if the taproot is strangled the whole tree is endangered. With Python back in residence at his old lair, the spirit of the Oracle has been completely blocked.

By my early twenties, I was still devoted to heroic woman stories, but the love narratives had started to lose some of their appeal. The release of a new Meg Ryan/Tom Hanks vehicle seemed far less interesting to me than the latest installment of the Alien movie franchise. Had I lost interest in romance? Far from it. In fact, this was at the time in my life when I was very serious about finding a great love. However, I was also struggling to be my own person, to understand my identity, to follow my own dreams and start down my chosen career path. I had plans to travel the world, to attend graduate school. I was coming into—and exercising—my own forms of strength and independence. But I was tired of the one-sided representations of male-identified characters doing this, of feeling that only one version of this kind of empowerment existed. I wanted balance and social justice. I wanted to see more evidence of women on screen doing the same, women making a difference, doing something amazing, and being the heroes of their own lives and stories. Unfortunately, there weren’t very many female-bodied characters who did that who also got to find love. In fact, the more romance a woman enjoyed in a narrative, the less strength or independence of any kind she expressed in the story, especially before the last two decades. (3)

for Dunaway, constantly kneeling or sprawling to take photographs, her legs, especially her thighs, are far more important to her performance than her eyes; her flesh gives off heat. Tommy Lee Jones is the police lieutenant who represents old-fashioned morality, and when the neurotically vulnerable Laura, who has become telepathic about violence, falls in love with him, they’re a very creepy pair. With the help of the editor, Michael Kahn, Kershner glides over the gaps in the very uneven script (by John Carpenter and David Z. Goodman, with an assist from Julian Barry). The cast includes Raul Julia, Rose Gregorio, Meg Mundy, and Bill Boggs (as himself). Columbia. color (See When the Lights Go Down.)

A week before the fair, Andy had to turn in all of her notes and photographs to Dr. Finney to prove that she had actually done all of the work herself. She was laying out the dubious evidence on the teacher’s desk when Cleet Laraby walked in. Andy had to clasp together her hands to keep them from trembling when Cleet stopped to look at the photos. “Meg Ryan,” Cleet said. “I dig it. Blow up the bitch, right?” Andy felt a cold slice of air cut open her lips. “My girlfriend loves that stupid movie. The one with the angels?” Cleet showed her the sticker on his backpack. “They wrote that shitty song for the soundtrack, man. That’s why I keep this here, to remind me never to sell out my art like those faggots.” Andy didn’t move. She couldn’t speak. Girlfriend. Stupid. Shitty. Man. Faggots.

Sometimes she thought she would have been better off procreating at twenty-two than thirty-two. Back then, she had thought she wanted four or five kids someday. She was still young and dumb enough to think it possible. Maybe that’s how mothers like Anne Marie were made — they plunged headlong into the whole endeavor before they knew any better. They weren’t selfish or greedy with their time because as adults they had never spent several Saturdays in a row lying in bed watching Meg Ryan movies on cable. They had never passed an entire weekend indoors, just because they felt like it.

Of course, if they make a third movie of my life, it would be lovely if they show Michael taking a bullet for me, just to liven things up a bit.

Son unas cualquieras,” she mutters. Nobodies. No culture, no family life, illiterates, she means. The kind of people who make her cross to the other side of the street if she meets them in the dark on payday. They’re her worst nightmare of what a Latin girl can become in the United States. Their big hoop earrings and plucked eyebrows, their dark lips painted like those stars in the old black-and-white movies, their tight T-shirts that show too much curve and invite boys’ touches.

desk to me. “She had her hair cut like Meg Ryan, the movie star. Everybody

Oh, right. She doesn’t know your secret identity.” Andy unzipped his sweatshirt and tossed it on a chair. “So, Meg Ryan just sent Tom Hanks a book but…” “No, Meg Ryan just sent NY152 a book, which was then overnighted to Tom Hanks, who lives above Meg Ryan and knows she’s Shopgirl, while she has no idea he’s NY152.” “I’m a little disturbed you know that movie so well.” “It was actually a remake of a 1937 play called Parfumerie by Miklós László.” Paul blew out a breath. “And it’s really not as fun as they made it sound.” “But hey, at least you can say you’ve got mail,” Andy said, chuckling.

In the last few years, Meg had been to hell and back- literally. She'd sold her soul to the god of the Underworld and spent her days and nights fulfilling Hades's every demand. While she still walked in the land of the living, her life was no longer her own. Meeting Hercules had awoken something in her. Honestly, she wasn't sure what that something was, but she knew it felt important. Why else would she have leaped in front of a falling pillar to save him, causing her own demise in the process? That moment, and Wonder Boy's rescue of her afterward, was a blur now, like so many nightmares she tried hard to forget. The next thing she remembered was air filling her lungs as if she'd held her breath underwater for too long. Then there had been a crack of lightning, a flurry of clouds, and she and Wonder Boy were being whisked into the heavens toward Mount Olympus.

But aren't you a damsel in distress ? I'm a damsel I'm in distress I can handle this; have a nice day !

The many delights of solo living are seldom shown in the media, just as the pain, vulnerability, and often conflict of living alongside the same person for years and years are rarely depicted, unless a "break-up" is involved. What is the impact of seeing the repetition, over and over and over again, of the "happily-ever-after" of getting together with a partner as the ending of every story from fairy tale to action movie? How much do we internalize the notion that this is the goal we should be thriving for?

Proof of Life (ActionDram 3.1, with a Meg Ryan plug-in) greatly bolsters my opinion that Meg Ryan has no talent other than being just as cute as a little button.

Tendrils of fog crept along the cliffside we were climbing down, gathering thickly in the dips the trail made, swirling whenever I set my foot down in it, as if it were recoiling at the prospect of touching me. I tried not to think about movies I'd seen in which horrible things happened to people out in such heavy fog. You know the movies I'm talking about.

Oh yes,’ agreed Smokey. ‘That’s what us screenwriters call a complication, you see. It can’t just be boy meets cigarette machine, falls in love, the end, can it? I mean, who would want to see that? No, you’ve got to have obstacles – like how Romeo and Juliet are from warring families, or how Meg Ryan’s character in Sleepless in Seattle is already engaged when she falls for Tom Hanks, or how she runs a little bookshop in You’ve Got Mail and he runs a big one, or how he’s trapped on a desert island with a volleyball and she isn’t even in that movie. Obstacles, you see. Obstacles.

Sing Street, that movie about the teenaged boy in Ireland who starts a

Lana says J.P. makes Matt Damon from the Bourne movies look like Oliver from Hannah Montana.

I don’t even know how to shoot a bow and arrow (despite the erroneous movies made of my life).

even his VOICE has changed. It’s sort of deeper now, like that kid’s who plays Harry Potter in the movies.

Dancing in movies is always good.