Silhouette Philosophy Quotes

We've searched our database for all the quotes and captions related to Silhouette Philosophy. Here they are! All 33 of them:

We walked at night towards a cafe blooming with Japanese lanterns and I followed your white shoes gleaming like radium in the damp darkness. Rising off the water, lights flickered an invitation far enough away to be interpreted as we liked; to shimmer glamourously behind the silhouette of retrospective good times when we still believed in summer hotels and the philosophies of popular songs.
Zelda Fitzgerald
Then she elaborated: I don't think friendship or love need any reason. What matters is how long we are committed to the relationship. This is more important than any reason.
Avijeet Das (Why the Silhouette?)
Some love stories never end.
Avijeet Das (Why the Silhouette?)
How do I hold on to these moments that are fluttering away as birds in the sky...
Avijeet Das (Why the Silhouette?)
We need four things to survive life: bread, water, oxygen, and dreams!
Avijeet Das (Why the Silhouette?)
It's like some part of me is always with you" she said. I looked at the sky and smiled.
Avijeet Das (Why the Silhouette?)
Books are the windows to our soul!
Avijeet Das (Why the Silhouette?)
Embrace your struggles. They are making you the person you were meant to be.
Avijeet Das (Why the Silhouette?)
It may take some time for you to achieve your goals and dreams in life. But do not give up on your idealism and integrity.
Avijeet Das (Why the Silhouette?)
But what is life without a passion?
Avijeet Das (Why the Silhouette?)
Writers write for the book lovers. And when the readers are soulful and sensitive to understand the nuances and subtleties of a story, then writing and reading the lines of your book becomes a pleasure!
Avijeet Das (Why the Silhouette?)
Sometimes people choose an easy life. They don't want to go through the struggle. But struggle makes us better. It gives us strength and character. It is with struggle that someone can catch the brilliance of their creativity! Embrace your struggles. They are making you the person you were meant to be.
Avijeet Das (Why the Silhouette?)
Taking quick looks behind him on the trail, Lew Basnight was apt to see things that weren’t necessarily there. Mounted figure in a black duster and hat, always still, turned sidewise in the hard, sunlit distance, horse bent to the barren ground. No real beam of attention, if anything a withdrawal into its own lopsided star-shaped silhouette, as if that were all it had ever aspired to. It did not take long to convince himself that the presence behind him now, always just out of eyeball range, belonged to one and the same subject, the notorious dynamiter of the San Juans known as the Kieselguhr Kid. The Kid happened to be of prime interest to White City Investigations. Just around the time Lew was stepping off the train at the Union Station in Denver, and the troubles up in the Coeur d’Alene were starting to bleed over everywhere in the mining country, where already hardly a day passed without an unscheduled dynamite blast in it someplace, the philosophy among larger, city-based detective agencies like Pinkerton’s and Thiel’s began to change, being as they now found themselves with far too much work on their hands. On the theory that they could look at their unsolved cases the way a banker might at instruments of debt, they began selling off to less-established and accordingly hungrier outfits like White City their higher-risk tickets, including that of the long-sought Kieselguhr Kid. It was the only name anybody seemed to know him by, “Kieselguhr” being a kind of fine clay, used to soak up nitroglycerine and stabilize it into dynamite. The Kid’s family had supposedly come over as refugees from Germany shortly after the reaction of 1849, settling at first near San Antonio, which the Kid-to-be, having developed a restlessness for higher ground, soon left, and then after a spell in the Sangre de Cristos, so it went, heading west again, the San Juans his dream, though not for the silver-mine money, nor the trouble he could get into, both of those, he was old enough by then to appreciate, easy enough to come by. No, it was for something else. Different tellers of the tale had different thoughts on what. “Don’t carry pistols, don’t own a shotgun nor a rifle—no, his trade-mark, what you’ll find him packing in those tooled holsters, is always these twin sticks of dynamite, with a dozen more—” “Couple dozen, in big bandoliers across his chest.” “Easy fellow to recognize, then.” “You’d think so, but no two eyewitnesses have ever agreed. It’s like all that blasting rattles it loose from everybody’s memory.” “But say, couldn’t even a slow hand just gun him before he could get a fuse lit?” “Wouldn’t bet on it. Got this clever wind-proof kind of striker rig on to each holster, like a safety match, so all’s he has to do’s draw, and the ‘sucker’s all lit and ready to throw.” “Fast fuses, too. Some boys down the Uncompahgre found out about that just last August, nothin left to bury but spurs and belt buckles. Even old Butch Cassidy and them’ll begin to coo like a barn full of pigeons whenever the Kid’s in the county.” Of course, nobody ever’d been sure about who was in Butch Cassidy’s gang either. No shortage of legendary deeds up here, but eyewitnesses could never swear beyond a doubt who in each case, exactly, had done which, and, more than fear of retaliation—it was as if physical appearance actually shifted, causing not only aliases to be inconsistently assigned but identity itself to change. Did something, something essential, happen to human personality above a certain removal from sea level? Many quoted Dr. Lombroso’s observation about how lowland folks tended to be placid and law-abiding while mountain country bred revolutionaries and outlaws. That was over in Italy, of course. Theorizers about the recently discovered subconscious mind, reluctant to leave out any variable that might seem helpful, couldn’t avoid the altitude, and the barometric pressure that went with it. This was spirit, after all.
Thomas Pynchon (Against the Day)
Broken, bruised, but still fighting.
Avijeet Das (Why the Silhouette?)
Love is when you can understand each other's silences.
Avijeet Das (Why the Silhouette?)
Silence is a beautiful healing therapy – allowing your soul to be at peace with your thoughts.
Avijeet Das (Why the Silhouette?)
Love yourself unconditionally. Love yourself so much that you will grant your heart feelings of love and kindness for others.
Avijeet Das (Why the Silhouette?)
First we lose, then we win in life. The one who wins after losing is known as the Maverick!
Avijeet Das (Why the Silhouette?)
I associate my vagitus with the sound of your music, John Lennon, which continues to ring loud and clear worldwide. The uncommon lyrics you planed down, the charts, the melody, the conviction, the intricacies of loud art, the energy of voluble truth and your profound philosophy all breathe and spell out (next to the silhouette of spiritual balances) your enduring legacies.
Nkwachukwu Ogbuagu
I associate my vagitus with the sound of your music which continues to ring loud and clear worldwide. The uncommon lyrics you planed down, the charts, the melody, the conviction, the intricacies of loud art, the energy of voluble truth and your profound philosophy all breathe and spell out (next to the silhouette of spiritual balances) your enduring legacies.
Nkwachukwu Ogbuagu
A few friends are real treasures, without whom, life would become meaningless.
Avijeet Das (Why the Silhouette?)
Each leaf tells us a story. The story of its struggle. The story of the storms that it faces in life.
Avijeet Das (Why the Silhouette?)
The "Monalisa Lisa" is an optical illusion created by Leonardo Da Vinci. The woman in the painting "The Mona Lisa" doesn't appear to be always smiling. When you look at the mouth you feel she looks sad, melancholic, and hostile. But when you look at the eyes you feel she is happy and cheerful. Leonardo perfected the "sfumato technique," which translated literally from Italian means "vanished or evaporated." He created imperceptible transitions between light and shade, and sometimes between colors. "Why the Silhouette?" appears as a simple story of a few individuals, but when you look at it from a distance, it appears to show you the philosophy of life. I have tried to create imperceptible transitions between light and darkness and sometimes between colors. Hope you see the illusion in "Why the Silhouette?
Avijeet Das (Why the Silhouette?)
The "Mona Lisa" is an optical illusion created by Leonardo Da Vinci. The woman in the painting "The Mona Lisa" doesn't appear to be always smiling. When you look at the mouth you feel she looks sad, melancholic, and hostile. But when you look at the eyes you feel she is happy and cheerful. Leonardo perfected the "sfumato technique," which translated literally from Italian means "vanished or evaporated." He created imperceptible transitions between light and shade, and sometimes between colors. "Why the Silhouette?" appears as a simple story of a few individuals, but when you look at it from a distance, it appears to show you the philosophy of life. I have tried to create imperceptible transitions between light and darkness and sometimes between colors. Hope you see the illusion in "Why the Silhouette?
Avijeet Das (Why the Silhouette?)
The "Mona Lisa" is an optical illusion created by Leonardo Da Vinci. The woman in the painting "The Mona Lisa" doesn't appear to be always smiling. When you look at her mouth you feel she looks sad, melancholic, and hostile. But when you look at her eyes you feel she is happy and cheerful. Leonardo perfected the "sfumato technique," which translated literally from Italian means "vanished or evaporated." He created imperceptible transitions between light and shade, and sometimes between colors. "Why the Silhouette?" appears as a simple story of a few individuals, but when you look at it from a distance, it appears to show you the philosophy of life. I have tried to create imperceptible transitions between light and darkness and sometimes between colors. Hope you see the illusion in "Why the Silhouette?
Avijeet Das (Why the Silhouette?)
We are all from small towns. But we dream big!
Avijeet Das (Why the Silhouette?)
All science, like all religion, like most history, like philosophy and probably all great art, addresses a set of universal, enduring questions: how did we get here? Why are things as they are? Where are we going? What does it all mean? Is there an ultimate purpose to our existence, or is what we can see around us just the result of a horrible accident, or a sublime one? What science--and in this story, physics--does is take a little piece of one of those questions and, systematically and provisionally, deliver an answer. This answer on its own may help nobody and answer nothing. But physics goes on to another little question within that bigger question, and then another and then another, and sooner or later, the mosaic of little answers starts to deliver something of more substance: a pattern, a direction of travel, a model that seems to make sense. Actually, substance might not be the right word: we can never be sure that what we see is reality: we may be observing a mirage, or a reflection of reality, or just the silhouette of reality, as if a figure through an opaque glass door,
Tim Radford (Consolations Of Physics)
On the Road" by Jack Kerouac is a favorite book that I love reading. I spend most times alone.
Avijeet Das (Why the Silhouette?)
Because true magic is found in the depth of one’s soul.
Avijeet Das (Why the Silhouette?)
The other day she asked me "Will you forget me?" I smiled and looked at the sky and asked her: "Can the sky ever forget his moon?
Avijeet Das (Why the Silhouette?)
Sometimes two people have to stay far away from each other. But the distance does not make their bond less strong.
Avijeet Das (Why the Silhouette?)
Be there for someone who has been there for you...
Avijeet Das (Why the Silhouette?)
The rain always reminds me of your sublimity.
Avijeet Das (Why the Silhouette?)