Silhouette Meaning In Life Quotes

I took a final look at my mother’s silhouette in the doorway and tightened my grip on the steering wheel. Hades followed my gaze. “She was trying to protect you.” “I know. That’s the worst part. I’m just tired of her deception. I mean, keeping the fact that I was a goddess from me my whole life was one thing, but to still keep something from me? That’s just…” I couldn’t put words to the feelings that were bothering me. “You wanted her to be as honest as you’ve always perceived her to be.” “Yes.” “It could be worse.” “How?” “My father ate me.

It's like some part of me is always with you" she said. I looked at the sky and smiled.

Tree' is the title of a dance, is the cadence of a song. The black silhouette is only a moment of stillness caught by the shutter of the eye. It is finely tuned to the harmonics of the air. It loves both the sun and the wind and is let turn towards its beloved and so become itself. This is the dance of all living things. This is why endangered peoples say if they have their dance they will never die.

The "Monalisa Lisa" is an optical illusion created by Leonardo Da Vinci. The woman in the painting "The Mona Lisa" doesn't appear to be always smiling. When you look at the mouth you feel she looks sad, melancholic, and hostile. But when you look at the eyes you feel she is happy and cheerful. Leonardo perfected the "sfumato technique," which translated literally from Italian means "vanished or evaporated." He created imperceptible transitions between light and shade, and sometimes between colors. "Why the Silhouette?" appears as a simple story of a few individuals, but when you look at it from a distance, it appears to show you the philosophy of life. I have tried to create imperceptible transitions between light and darkness and sometimes between colors. Hope you see the illusion in "Why the Silhouette?

The "Mona Lisa" is an optical illusion created by Leonardo Da Vinci. The woman in the painting "The Mona Lisa" doesn't appear to be always smiling. When you look at the mouth you feel she looks sad, melancholic, and hostile. But when you look at the eyes you feel she is happy and cheerful. Leonardo perfected the "sfumato technique," which translated literally from Italian means "vanished or evaporated." He created imperceptible transitions between light and shade, and sometimes between colors. "Why the Silhouette?" appears as a simple story of a few individuals, but when you look at it from a distance, it appears to show you the philosophy of life. I have tried to create imperceptible transitions between light and darkness and sometimes between colors. Hope you see the illusion in "Why the Silhouette?

The "Mona Lisa" is an optical illusion created by Leonardo Da Vinci. The woman in the painting "The Mona Lisa" doesn't appear to be always smiling. When you look at her mouth you feel she looks sad, melancholic, and hostile. But when you look at her eyes you feel she is happy and cheerful. Leonardo perfected the "sfumato technique," which translated literally from Italian means "vanished or evaporated." He created imperceptible transitions between light and shade, and sometimes between colors. "Why the Silhouette?" appears as a simple story of a few individuals, but when you look at it from a distance, it appears to show you the philosophy of life. I have tried to create imperceptible transitions between light and darkness and sometimes between colors. Hope you see the illusion in "Why the Silhouette?

You know what Love is, it's believing in him, even when he stops believing in himself, it's finding and reminding him of his lost dreams, it's walking him through his visions and watching him grow in everything that shapes him in his true self, it's finding a thousand ways to simply talk to each other and being fluent in each other's silences, it's watching the stars glow at night to chasing a sunrise in each other's embrace, it's kissing a millionth time and know that's just not enough, it's praying for him before you even start praying for your self, it's choosing him over and over again and growing old in each other's silhouette, it's making him know each moment of every single day of how special he is, it's finding him in everything that he loves and searching for the littlest ways to bring that smile in his heart that makes your Soul smile the most, it's fighting for him and standing up for him every single time, it's making efforts and taking time for each other, it's just literally breathing in your lifeforce in him when he finds life a bit blurry, it's simply a beautiful tornado of finding the most foolish reasons to never leave him to making the most concrete decision that no matter what you would stand right beside him, in every time, in every breath, in every tunnel of Life. Because that's what Love is, it simply means you love him more than you love yourself.

Sam was hovering right beside me, watching my face intently. "You ok, sweetie?" I looked at him with a smile. "I did it! I just asked, and she started pushing. I had no idea it would be so easy. I mean, I figured there was some mental magic you had to pull to get people to die for you, but it's so easy! And she gave me all her life, just boom." He stared at me in shock for a moment, his eyes flicking between mine as I rambled on. Gently, he pulled me away from the neon reflection of the daughter and the grey silhouette of the corpse, easing me out of the room without saying a thing. That in itself was enough to make me worried, replaying what had happened over and over in my mind as I tried to figure out where I'd made some kind of horrendous mistake. "Sia?" he finally asked when we reached the hall. "You know it's ok to be sad about this, right?" "Why would I feel bad? I didn't know her." "Because her daughter was there?" I waved that away. "Her daughter was telling her to let go. The old woman was suffering, and I found a way to make it better." "You know you killed her, right?" Those words made me finally understand the problem. "Sam, that woman was going to die. She could've rolled around in pain, groaning in misery until her heart clenched or her lungs gave out. As her body failed her, she would've panicked. It's kinda what we do. Instead, I made her smile. In her last moments on Earth, I made her feel comforted and protected, like this was just moving to the next step. She wasn't afraid." He nodded, taking that in. "Ok?" "You don't get it because you can't die. Death? It's the monster in the dark. It's the one thing we all fear the most, and in her last seconds, she wasn't afraid. She was thrilled. She knew she'd had a good life, and seeing me proved it to her. That's all we want. People pray to die in their sleep so they don't have to face that one terrifying second. We think about it our whole lives, refusing to talk about it because no one knows the answer, but now I do. I finally understand, and I made her death into something beautiful. Something her daughter will look back on and think is proof that she's in a better place.