Clover Meaning In Love Quotes

Bramble's lips were tight. Her fists still shook. "Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!" Teddie drew himself up to his full, towering taffy height. "N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!" The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white. "Young man," said the King gently. "Your ship leaves soon?" Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved. "Do you mean it?" Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow. "Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!" "Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!" In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his. "Oh...my," said Clover. No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.

while a mother who miscarries might not have ever had the chance to hold that child, they had plenty. of time to love them, to dream and hope for them. And that means their grief is twofold - they're not just grieving the child, but the life they never got to experience. Who are we to tell anyone their pain isn't worthy?

frustrated me that society was so determined to quantify grief, as if time could erase the potency of love. Or, on the other hand, how it dictated that grief for someone you knew fleetingly should be equally as fleeting. But while a mother who miscarries might not have ever had the chance to hold that child, they had plenty of time to love them, to dream and hope for them. And that means their grief is twofold—they’re not just grieving the child, but the life they never got to experience. Who are we to tell anyone their pain isn’t worthy?

It frustrated me that society was so determined to quantify grief, as if time could erase the potency of love. Or, on the other hand, how it dictated that grief for someone you knew fleetingly should be equally as fleeting. But while a mother who miscarries might not have ever had the chance to hold that child, they had plenty of time to love them, to dream and hope for them. And that means their grief is twofold—they’re not just grieving the child, but the life they never got to experience. Who are we to tell anyone their pain isn’t worthy?

I’m sorry we’re not landing on Felimath,” said Lucy. “I’d like to walk there again. It was so lonely--a nice kind of loneliness, and all grass and clover and soft sea air.” “I’d love to stretch my legs too,” said Caspian. “I tell you what. Why shouldn’t we go ashore in the boat and send it back, and then we could walk across Felimath and let the Dawn Treader pick us up on the other side?” If Caspian had been as experienced then as he became later on in this voyage he would not have made this suggestion; but at the moment it seemed an excellent one. “Oh do let’s,” said Lucy. “You’ll come, will you?” said Caspian to Eustace, who had come on deck with his hand bandaged. “Anything to get off this blasted boat,” said Eustace. “Blasted?” said Drinian. “How do you mean?” “In a civilized country like where I come from,” said Eustace, “the ships are so big that when you’re inside you wouldn’t know you were at sea at all.” “In that case you might just as well stay ashore,” said Caspian.

I’m sure we can manage to tolerate each other’s company for one meal.” “I won’t say anything about farming. We can discuss other subjects. I have a vast and complex array of interests.” “Such as?” Mr. Ravenel considered that. “Never mind, I don’t have a vast array of interests. But I feel like the kind of man who does.” Amused despite herself, Phoebe smiled reluctantly. “Aside from my children, I have no interests.” “Thank God. I hate stimulating conversation. My mind isn’t deep enough to float a straw.” Phoebe did enjoy a man with a sense of humor. Perhaps this dinner wouldn’t be as dreadful as she’d thought. “You’ll be glad to hear, then, that I haven’t read a book in months.” “I haven’t gone to a classical music concert in years,” he said. “Too many moments of ‘clap here, not there.’ It makes me nervous.” “I’m afraid we can’t discuss art, either. I find symbolism exhausting.” “Then I assume you don’t like poetry.” “No . . . unless it rhymes.” “I happen to write poetry,” Ravenel said gravely. Heaven help me, Phoebe thought, the momentary fun vanishing. Years ago, when she’d first entered society, it had seemed as if every young man she met at a ball or dinner was an amateur poet. They had insisted on quoting their own poems, filled with bombast about starlight and dewdrops and lost love, in the hopes of impressing her with how sensitive they were. Apparently, the fad had not ended yet. “Do you?” she asked without enthusiasm, praying silently that he wouldn’t offer to recite any of it. “Yes. Shall I recite a line or two?” Repressing a sigh, Phoebe shaped her mouth into a polite curve. “By all means.” “It’s from an unfinished work.” Looking solemn, Mr. Ravenel began, “There once was a young man named Bruce . . . whose trousers were always too loose.” Phoebe willed herself not to encourage him by laughing. She heard a quiet cough of amusement behind her and deduced that one of the footmen had overheard. “Mr. Ravenel,” she asked, “have you forgotten this is a formal dinner?” His eyes glinted with mischief. “Help me with the next line.” “Absolutely not.” “I dare you.” Phoebe ignored him, meticulously spreading her napkin over her lap. “I double dare you,” he persisted. “Really, you are the most . . . oh, very well.” Phoebe took a sip of water while mulling over words. After setting down the glass, she said, “One day he bent over, while picking a clover.” Ravenel absently fingered the stem of an empty crystal goblet. After a moment, he said triumphantly, “. . . and a bee stung him on the caboose.” Phoebe almost choked on a laugh. “Could we at least pretend to be dignified?” she begged. “But it’s going to be such a long dinner.

When the children returned to the studio, the STUDIO CLOSED sign was still on the door. This didn’t stop the Aldens. “Hi, Hilda! It’s the Aldens,” Jessie yelled as she rapped on the window. Hilda whirled around, startled to see four pairs of eyes staring at her. She opened the door slightly. “What are you doing here? My studio is closed right now.” Violet looked past Hilda. “Oh, so you have the Clover Dodge statue,” she said before the young woman could block her view. “Are you fixing it? I’d love to see how.” Hilda stared at Violet. “I’m not here to teach art classes, Violet. I’m here to…well, I haven’t time to explain.” Henry, who was taller than Hilda, peered right over her shoulder. “Are you fixing the arm from the angel statue, too? Charlotte will be glad you got started on that.” Hilda studied the Aldens’ faces. “What do you mean? William was the one who got me working on the angel statue, not Charlotte. He told me she left most of the decisions up to him.” Hilda pushed the door to keep the children back. “I really must get back to my work. I’ll see you at Skeleton Point later this afternoon.” The Aldens had a lot more to say, but they never got the chance. After she slammed the door, Hilda walked over to the windows and pulled the shade down one by one. The Mystery at Skeleton Point

But perhaps that’s the point. Do we actually need to understand the world and all its patterns? You can find meaning in anything if you look hard enough; if you want to believe that everything happens for a reason. But if we completely understood one another, if every event made sense, none of us would ever learn or grow. Our days might be pleasant, but prosaic. So maybe we just need to appreciate that many aspects of life—and the people we love—will always be a mystery. Because without mystery, there is no magic. And instead of constantly asking ourselves the question of why we’re here, maybe we should be savoring a simpler truth: We are here.

You can find meaning in anything if you look hard enough; if you want to believe that everything happens for a reason. But if we completely understood one another, if every event made sense, none of us would ever learn or grow. Our days might be pleasant, but prosaic. So maybe we just need to appreciate that many aspects of life—and the people we love—will always be a mystery. Because without mystery, there is no magic.

But perhaps that's the point. Do we actually need to understand the world and all its patterns? You can find meaning in anything if you look hard enough; if you want to believe that everything happens for a reason. But if we completely understood one another, if every event made sense, none of us would ever learn or grow. Our days might be pleasant, but prosaic. So maybe we just need to appreciate that many aspects of life—and the people we love—will always be a mystery. Because without mystery, there is no magic. And instead of constantly asking ourselves the question of why we're here, maybe we should be savoring a simpler truth: We are here.

while a mother who miscarries might not have ever had the chance to hold that child, they had plenty of time to love them, to dream and hope for them. And that means their grief is twofold—they’re not just grieving the child, but the life they never got to experience. Who are we to tell anyone their pain isn’t worthy?

ago so Dad had these workmen come to retile it. They put the ladder up and forgot to take it away again. Lots of green moss has grown back on the roof now, which makes it very soft and comfortable, like a green carpet. I like to sit with my legs swinging down, peering out over next-door’s garden. Not number four next door, where Cecy lives. I mean number eight the other side of us – the sad house. Old Mrs Burton lives there. At least I think she does. No one’s seen her for years and years. She used to be this perfectly ordinary old lady when Mr Burton was still around. They invited Clover and me in for tea several times, after Mum died. We didn’t really like to go, because we didn’t know what to say to them and there was nothing very much to do. Mrs Burton had a collection of little china pots with painted lids and she let us look at each one, but we weren’t allowed to touch because they were precious and we were only little. The tea was very strange too. We had to drink out of cups on saucers, whereas we were used to mugs, so we found it difficult. Then there was a plate of thin bread and butter to eat. Not even any jam. Just a piece of bread and butter. Mrs Burton said if we ate it all up we would be allowed cakes. So we chewed valiantly and then Mr Burton went into the kitchen and came back with a small plate of little iced cakes. He called them fancies. There were two yellow and two pink. I chose yellow and Mrs Burton and Mr Burton took the pink ones. I saw Clover’s face. I knew just how much she wanted a pink one too. She didn’t eat her yellow one properly; she just bit all the icing off the top and licked the little bit of cream inside. Mr and Mrs Burton weren’t cross with her. They shook their heads and patted her curls and said she was a lovely little girlie. ‘A real Goldilocks,’ said Mr Burton. They