Silhouette Friends Quotes

We've searched our database for all the quotes and captions related to Silhouette Friends. Here they are! All 24 of them:

Each time a person’s essence was captured, the copper pot glowed. Not once did the happy couples notice the pot as Joroku’s golden nails carved the intricate design. Just like when he cut the silhouette for Lyly and her friend, Patrick. They were too much in love to feel their souls bleed.
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
No, you're not getting exhausted yet, Garraty." [Stebbins] jerked a thumb at Olson's silhouette. "That's exhausted. He's almost through now." Garraty watched Olson, fascinated, almost expecting him to drop at Stebbins's word. "What are you driving at?" "Ask your cracker friend, Art Baker. A mule doesn't like to plow. But he likes carrots. So you hang a carrot in front of his eyes. A mule without a carrot gets exhausted. A mule with a carrot spends a long time being tired. You get it?" "No." Stebbins smiled again. "You will. Watch Olson. He lost his appetite for the carrot. He doesn't quite know it yet, but he has. Watch Olson, Garraty. You can learn from Olson." Garraty looked at Stebbins closely, not sure how seriously to take him. Stebbins laughed aloud. His laugh was rich and full-a startling sound that made other Walkers turn their heads. "Go on. Go talk to him, Garraty. And if he won't talk, just get up close and have a good look. It's never too late to learn.
Stephen King (The Long Walk)
The result of these shared experiences was a closeness unknown to all outsiders. Comrades are closer than friends, closer than brothers. Their relationship is different from that of lovers. Their trust in, and knowledge of, each other is total. They got to know each other's life stories, what they did before they came into the Army, where and why they volunteered, what they liked to eat and drink, what their capabilities were. On a night march they would hear a cough and know who it was; on a night maneuver they would see someone sneaking through the woods and know who it was from his silhouette.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Climbing up on solsbury hill I could see the city light Wind was blowing, time stood still Eagle flew out of the night He was something to observe Came in close, I heard a voice Standing stretching every nerve I had to listen had no choice I did not believe the information Just had to trust imagination My heart was going boom boom, boom Son, he said, grab your things, Ive come to take you home. To keeping silence I resigned My friends would think I was a nut Turning water into wine Open doors would soon be shut So I went from day to day Tho my life was in a rut till I thought of what Id say Which connection I should cut I was feeling part of the scenery I walked right out of the machinery My heart was going boom boom boom Hey, he said, grab your things, Ive come to take you home. Yeah back home When illusion spin her net Im never where I want to be And liberty she pirouette When I think that I am free Watched by empty silhouettes Who close their eyes, but still can see No one taught them etiquette I will show another me Today I dont need a replacement Ill tell them what the smile on my face meant My heart was going boom boom boom Hey, I said, you can keep my things, theyve come to take me home.
Peter Gabriel (Peter Gabriel: In His Own Words)
She looks at the Dictaphone in my hand. “Are you recording this?” “No, Alex, I was summarizing a deposition.” “How can you work?” “How can you see a movie? How can you have a friend over?” She looks away. Half of the room is bright from my lamp. The other side is dark, the sharp silhouette of the mountain framed by the window running across the room. The image always reminds me of a panoramic picture.
Kaui Hart Hemmings (The Descendants)
So couples relive romantic memories, families watch home movies, and friends "catch up" with each other, as if they've lagged behind on a trail. Sifting memory for saliences to report, they reveal how vital pieces of their identity have changed. Aging, we tailor memories to fit our evolving silhouette, and as life's vocabulary changes, memories change to fathom the new order. Lose your memory, and you may drift in an alien world.
Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
He had given himself over to endless wanderings, a life of migration from life-to-life, albeit not necessarily a set of migrations one must view as physical, but rather a set of migrations between circumstances, a set of migrations where the players surrounding him were just as likely to move as he, but nonetheless, a set of migrations calling forth a life unalterable only by its lack of permanence. Along with this came the slow, but dawning realization that he had relinquished his claim over those new memories he could have created alongside the friends and relatives closest to him; and that he had, furthermore, ceased to exist in such people’s minds, except as a faint and indistinct silhouette of what he had once been, situated seamlessly against the vivid and oddly memorable backdrops of spaces and moments which shall never be again.
Ashim Shanker (Only the Deplorable (Migrations, Volume II))
A brusque whisper coaxed Phillip from slumber. Someone had called his name. The cot squeaked as he sat up and squinted at a featureless silhouette. “Who is it?” “Rise. Quick. Bring your medicine maker.” The ragged voice belonged to True Seeker. Tasked with keeping a watchful eye on Milly, the young man would come to Phillip at this hour for only one reason. He swung his legs to the ground. With one foot going into his trousers, he took a wide step across the narrow barracks and jostled Buck’s shoulder. His friend was on his feet and half-dressed before Phillip left the building, alarm urging his feet to a gallop. No one need tell him which direction to go. He buckled his sword belt as he went. The scabbard slapped his leg with each footfall, bringing to mind a similar night not long enough ago. His stride lengthened. This time, he would run Collins clean through.
April W. Gardner (Beneath the Blackberry Moon: The Ebony Cloak (Creek Country Saga #3))
You must watch and observe your friends and family around you. Offer love and support to those who may suffer from acute depression. Depression is one of the most common mental disorders affecting approximately 350 million people all over the world. No person can ever be immune to this mental problem. I have suffered from depression in my life. So, I know the signs pretty well. Approximately one in four women and one in ten men suffer from depression in their lifetime. We need to help and support those who may need it the most
Avijeet Das (Why the Silhouette?)
And then, with a shock like high-voltage coursing through me, the phone beside me started pealing thinly. I just stood there and stared at it, blood draining from my face. A call to a tollbooth? It must, it must be a wrong number, somebody wanted the Information Booth or-! It must have been audible outside, with all I had the slide partly closed. One of the redcaps passing by turned, looked over, then started coming across toward where I was. To get rid of him I picked up the receiver, put it to my ear. 'You'd better come out now, time's up,' a flat, deadly voice said. 'They're calling your train, but you're not getting on that one - or any other.' 'Wh-where are talking from?' 'The next booth to yours,' the voice jeered. 'You forgot the glass inserts only reach halfway down.' The connection broke and a man's looming figure was shadowing the glass in front of my eyes, before I could even get the receiver back on the hook. I dropped it full-length, tensed my right arm to pound it through his face as soon as I shoved the glass aside. He had a revolver-bore for a top vest-button, trained on me. Two more had shown up behind him, from which direction I hadn't noticed. It was very dark in the booth now, their collective silhouettes shut out all the daylight. The station and all its friendly bustle was blotted out, had receded into the far background, a thousand miles away for all the help it could give me. I slapped the glass wearily aside, came slowly out. One of them flashed a badge - maybe Crow had loaned him his for the occasion. 'You're being arrested for putting slugs in that phone. It won't do any good to raise your voice and shriek for help, try to tell people different. But suit yourself.' I knew that as well as he; heads turned to stare after us by the dozens as they started with me in their midst through the station's main-level. But not one in all that crowd would have dared interfere with what they mistook for a legitimate arrest in the line of duty. The one with the badge kept it conspicuously tilted in his upturned palm, at sight of which the frozen onlookers slowly parted, made way for us through their midst. I was being led to my doom in full view of scores of people. ("Graves For The Living")
Cornell Woolrich
Good-bye, my friend,” she whispered. As if he had heard her, Hunter reappeared alone on the rise. Bringing his stallion to a halt, he straightened and lifted his head, forming a dark silhouette, his quiver and arrows jutting up above his shoulder, his shield braced on his thigh, his long hair drifting in the wind. Forgetting all about her family watching her, Loretta stumbled down the steps and out into the yard to be sure Hunter could see her. Then she waved. In answer, he raised his right arm high in a salute. He remained there for several seconds, and she stood rooted, memorizing how he looked. When he wheeled his horse and disappeared, she stared after him for a long while. I will know the song your heart sings, eh? And you will know mine.
Catherine Anderson (Comanche Moon (Comanche, #1))
Hate is a treacherous silhouette disguising as a friend when your guards are down.
Joan Ambu
Most of the Times, Life shows us how difficult this journey is, only at Times when the sun clears we see the Sunshine, but the rain often washes away the clouds and both the clouds and the rain dampen our weary hearts, only to let us see a glimpse of a distant rainbow, once in a while. I guess it's always about the Time, the guardian of this Journey that we have to wait and persevere, that we have to remain resilient in the resolve to walk ahead, to find some way to hold on to the voyage, to not let the ship sink in the hollows of a mirage, to just live. And that is what Life is about, perhaps to know that Gloom and Melancholy is a distinct part of our journey, and actually something that occupies the most part of our journey, and it doesn't have to be a deep Grief it can simply be the mundane sorrow of carrying on this existence knowing that Life is just a short frame holding dark colours as much as the bright ones, sometimes even more of those blackness only to bring out the whites a little bit more. And while all of this goes on, somewhere our heart would know that there is One who is beyond this frame of Life and the space of Time and Cosmos; who is always holding your hand giving you the breath to walk ahead. May be He doesn't take away the blackness but throughout stays firm in your path, holding your shadow and your soul ever so gently to make you become the Light that you could only possibly be by embracing all of your Soul's journey. He doesn't perhaps change the potholes in your way, but He does ensure that even when you tumble you don't end up falling and if you do fall, He makes sure that you rise all over again from the flames of Life's fire with the fury of a phoenix. He doesn't end your suffering but lets you see that throughout your pain He is partaking in an even greater portion of it, alongside you. Simple, He doesn't let you see that He is God, because He shares your Life as a companion, walking beside you hand in hand, to make you live all that your soul had contracted before this journey began and even when He is beyond Time, He lets Time be your friend in a journey that is bound in human flesh and guarded by the tick-tock of that guardian. So when I asked my Soul, what is that troubles me the most, I heard my Soul, Smile in a safe knowledge, when I have Him, need I let my troubles concern me? My heart knew, He has already tucked my mind in the tranquil world of Life's paint-brush and a rainbow is just around the corner. A distant yet distinct rainbow. A rainbow that is churned in Love, the love that only He can provide, the Love that is always lurking on the edges of those clouds and rain, in the silhouette of a rainbow forever promised on the other side of a thunderstorm. Love & Light, always - Debatrayee
Debatrayee Banerjee
Did you just say that bustles are expected to get even larger?” Miss Griswold nodded. “I’m afraid so. According to one of my sources—er . . . friends, I mean—quite a few designers are beginning to contemplate a new silhouette for ladies—one that will require bustles to achieve the size of a large birdcage in order to pull off the look designers are convinced will be complimentary to every lady’s figure.” “Who in the world would want to wear a birdcage on their behind?” Miss Cadwalader asked, once again in possession of the platter of treats, treats she immediately began perusing, looking completely delighted. Miss Griswold reached out, snagged a sugar biscuit, popped it into her mouth, and shrugged even as she swallowed. “I’m sure there are very few ladies who’d appreciate such an appendage attached to them, but evidently the gentlemen in charge of our fashions seem to believe that larger behinds are . . .” She stopped talking, shot a look to Edgar, turned pink in the face, and immediately returned her attention to Wilhelmina.
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
Claudette wasn’t just my lover. She was also my best friend. I wish that on everyone. Sure, I used the money I made from bussing tables to buy her flowers or take her to a restaurant every chance I had. And sure, the mere sight of her silhouette in a summer dress was enough to make me pass out with cum in my shorts. But she was also my pal. 
Andrew Armacost (The Poor Man's Guide to Suicide)
There they came, forty Comanches, all whooping and hollering, lances raised, a frightening spectacle indeed. Forgetting for the moment that she must guard what she said, she cried, “They aren’t attacking. He promised.” “Then what the hell are they doin’? Get outa my way!” Henry shoved her aside and resighted his rifle. “He promised? She’s touched, Rachel! They messed her up in the head, keepin’ her all this time.” Loretta ran for the door. “He isn’t attacking! I know he isn’t. Please, don’t shoot!” The bar stuck as she tried to lift it. Her heart began to slam as she wrestled with it. A vision of Hunter lying dead in the yard flashed through her head. This was exactly what she had dreaded might happen, what she’d tried to explain to him last night. “Please, Uncle Henry--he promised me. And he wouldn’t make a lie of it, he wouldn’t, I know he wouldn’t!” The bar finally came free. “Don’t shoot him, don’t!” Throwing the door wide, Loretta ran out onto the porch. The Comanches were circling the house. She ran to the end of the porch and saw a lance embedded in the dirt fifteen feet away. Hi, hites, hello, my friend. Her knees went weak with relief. “Uncle Henry,” she cried over her shoulder, “they’re marking the property. Protecting us! Don’t shoot or you’ll cause a bloodbath for sure!” She ran to the window and peered in the crack at her uncle. “Did you hear me? If they were wanting to murder somebody, I’d be dead.” She turned back to watch as the Comanches widened their circle to mark the outer perimeters of Henry’s land. Tears stung her eyes. Hunter was leaving a message to every Indian in the whole territory: those at this farm were not to be attacked. Within minutes the braves had driven all forty willow lances into the dirt and ridden to the crest of the hill. Loretta shaded her brow, trying to find Hunter in the swarm. Recognizing him from the rest at this distance was impossible. Then they disappeared over the rise. Loretta stared at the empty knoll, her chest aching, her knees still shaking. “Good-bye, my friend,” she whispered. As if he had heard her, Hunter reappeared alone on the rise. Bringing his stallion to a halt, he straightened and lifted his head, forming a dark silhouette, his quiver and arrows jutting up above his shoulder, his shield braced on his thigh, his long hair drifting in the wind. Forgetting all about her family watching her, Loretta stumbled down the steps and out into the yard to be sure Hunter could see her. Then she waved. In answer, he raised his right arm high in a salute. He remained there for several seconds, and she stood rooted, memorizing how he looked. When he wheeled his horse and disappeared, she stared after him for a long while. I will know the song your heart sings, eh? And you will know mine.
Catherine Anderson (Comanche Moon (Comanche, #1))
As Enzo and his friend bring the sofa into our beautiful new house, I raise my eyes again to look at the house across the way. Number 13 Locust Street. There’s still someone staring at me from the window. The house is dark inside, so I can’t see much, but that silhouette is still at the window. Somebody is watching us.
Freida McFadden (The Housemaid Is Watching (The Housemaid, #3))
In an effort to change my ways and be more friendly like my husband, I lift a hand to wave at the silhouette. May as well meet my new neighbor at 13 Locust. Except the person at the window doesn’t wave back. Instead, the shutters suddenly snap closed and the silhouette disappears. Welcome to the neighborhood.
Freida McFadden (The Housemaid Is Watching (The Housemaid, #3))
When everything-EVERYTHING about life makes you want to grin, and it just gets sunnier and funnier until after a while you can only see the teeth in the smiles and then you feel... —well, not "on the edge" exactly, for the world has no edge; but as if you have always been over the edge, and the smiling and laughing is a sort of spastic reflex like crying or retching (really, it's all the same);— when you drink red wine in a cup and try to categorize the geometry of the gleam-patterns you see on the liquid's surface-and you may find, my friends, that you can almost do it: you agree with yourself upon the existence of a light-shape like the outline of a hemisphere drawn in concave at the equator; but another sip and it changes to a gleam-ring all around the rim of the wine circle; and another and it is reddish-black everywhere with the unsteady image of your face in it, your skin redder and your mouth blacker than the wine, and another and you see white specks swimming in the cup: they are not reflections at all, but bits of grease or rice or cereal, or maybe cheek-cells that got washed out of your mouth (the age-old question: is the imper-fection, the filth, in you or in the glass?); —but then your attention is diverted forever by the ugly purple stain around the edge of the cup where your lips have been; when everything is so confusing that you can never be sure whether or not your whore is a woman until she pulls her underpants down; when nothing is clear, and whore-chasing is a merry-go-round of death (if you don't catch a disease that will kill you, why, you will go around again, not because you want to die but because until you do everything remains unclear); when you get drunken crushes on women whose drunken mothers used to try to stab them; when the names of streets are like Nabokov's wearisome clever-ness; when only the pretty shapes of women have integrity and when you close your eyes still see them leaning and crossing their legs and milking their tits at you, THEN you may on occasion like Jimmy find yourself looking down a long black block, down the tunnels of infinity to a streedamp, a corner and a woman's waiting silhouette. —Or else like Jimmy you may have another drink
William T. Vollmann (Whores for Gloria)
A few friends are real treasures, without whom, life would become meaningless.
Avijeet Das (Why the Silhouette?)
Eyes of the Cat I wrote this little story for the schoolgirl who said my stories weren’t scary enough. Her comment was ‘Not bad’, and she gave me seven out of ten. Her eyes seemed flecked with gold when the sun was on them. And as the sun set over the mountains, drawing a deep red wound across the sky, there was more than gold in Kiran’s eyes. There was anger; for she had been cut to the quick by some remarks her teacher had made—the culmination of weeks of insults and taunts. Kiran was poorer than most of the girls in her class and could not afford the tuitions that had become almost obligatory if one was to pass and be promoted. ‘You’ll have to spend another year in the ninth,’ said Madam. ‘And if you don’t like that, you can find another school—a school where it won’t matter if your blouse is torn and your tunic is old and your shoes are falling apart.’ Madam had shown her large teeth in what was supposed to be a good-natured smile, and all the girls had tittered dutifully. Sycophancy had become part of the curriculum in Madam’s private academy for girls. On the way home in the gathering gloom, Kiran’s two companions commiserated with her. ‘She’s a mean old thing,’ said Aarti. ‘She doesn’t care for anyone but herself.’ ‘Her laugh reminds me of a donkey braying,’ said Sunita, who was more forthright. But Kiran wasn’t really listening. Her eyes were fixed on some point in the far distance, where the pines stood in silhouette against a night sky that was growing brighter every moment. The moon was rising, a full moon, a moon that meant something very special to Kiran, that made her blood tingle and her skin prickle and her hair glow and send out sparks. Her steps seemed to grow lighter, her limbs more sinewy as she moved gracefully, softly over the mountain path. Abruptly she left her companions at a fork in the road. ‘I’m taking the short cut through the forest,’ she said. Her friends were used to her sudden whims.
Ruskin Bond (The Laughing Skull)
Sometimes, healing consists of sitting in coffee shops and writing the years from your mind. Sometimes, healing is laughing until you cry; it is kissing your friends’ faces and being moved and inspired by your life. And sometimes, healing is rest; it is hiding from the world, it is having everything inside of you be still and quiet and eerily bare. Sometimes healing feels like nothing at all, like you are a silhouette of hope and hurt at the same time. Do not fight it. Whatever your healing looks like today, whatever it consists of—just allow it to be what it is. Just take care of yourself.
Bianca Sparacino (The Strength In Our Scars)
The monument seems to stare back at me, and I think to myself, They need to add a silhouette of a guy in a wheelchair.
Patrick Gray (I'll Push You: A Journey of 500 Miles, Two Best Friends, and One Wheelchair)
She remembered, as she watched herself, the aches in her shoulders and arms. The stiff heaviness of them, as if she'd been wearing armour. She remembered not understanding why, for all that effort, the silhouette of the sycamore trees stubbornly stayed the same size, just as the bank stayed exactly the same distance away. She remembered swallowing some of the dirty water. And looking around at the other bank, the bank from where she had come and the place where she was kind of now standing, watching, along with that younger version of her brother and his friends, beside her, oblivious to her present self, and to the bookshelves on either side of them. She remembered how, in her delirium, she had thought of the word 'equidistant'. A word that belonged in the clinical safety of a classroom. Equidistant. Such a neutral, mathematical kind of word, and one that became a stuck thought, repeating itself like a manic meditation as she used the last of her strength to stay almost exactly where she was. Equidistant. Equidistant. Equidistant. Not aligned to one bank or the other. That was how she had felt most of her life. Caught in the middle. Struggling, flailing, just trying to survive while not knowing which way to go. Which path to commit to without regret.
Matt Haig (The Midnight Library)