Silencing The Opposition Quotes

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Love is the voice under all silences, the hope which has no opposite in fear; the strength so strong mere force is feebleness: the truth more first than sun, more last than star...
E.E. Cummings
Once a government is committed to the principle of silencing the voice of opposition, it has only one way to go, and that is down the path of increasingly repressive measures, until it becomes a source of terror to all its citizens and creates a country where everyone lives in fear." [Special Message to the Congress on the Internal Security of the United States, August 8, 1950]
Harry Truman
Or, if you decide you want to sleep at my place, on opposite sides of my bedroom with a Do Not Cross line drawn down the middle, I'll do it. I won't like it, but I'll do it.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
We don't have to go back to my place, Angel. I can take you home, if that's what you want. Or, if you decide you want to sleep at my place, on opposite sides of my bedroom with a Do Not Cross line drawn down the middle, I'll do it. I won't like it, but I'll do it.
Becca Fitzpatrick
Actually, I think it's the opposite. We know each other so well there isn't anything left to say. Sometimes it's nice just sitting here with you all, thinking. It's only best friends who can be comfortable with silence, wouldn't you say?
Benjamin Wood (The Bellwether Revivals)
Letting him go There is a particular kind of suffering to be experienced when you love something greater than yourself. A tender sacrifice. Like the pained silence felt in the lost song of a mermaid; or the bent and broken feet of a dancing ballerina. It is in every considered step I am taking in the opposite direction of you.
Lang Leav
Look closely and you will find that people are happy because they are grateful. The opposite of gratefulness is just taking everything for granted.
David Steindl-Rast (Music of Silence: A Sacred Journey through the Hours of the Day)
Oh, if only it were possible to find understanding,” Joseph exclaimed. “If only there were a dogma to believe in. Everything is contradictory, everything tangential; there are no certainties anywhere. Everything can be interpreted one way and then again interpreted in the opposite sense. The whole of world history can be explained as development and progress and can also be seen as nothing but decadence and meaninglessness. Isn’t there any truth? Is there no real and valid doctrine?” The master had never heard him speak so fervently. He walked on in silence for a little, then said: “There is truth, my boy. But the doctrine you desire, absolute, perfect dogma that alone provides wisdom, does not exist. Nor should you long for a perfect doctrine, my friend. Rather, you should long for the perfection of yourself. The deity is within you, not in ideas and books. Truth is lived, not taught. Be prepared for conflicts, Joseph Knecht - I can see that they already have begun.
Hermann Hesse (The Glass Bead Game)
We were opposites in every way until we grew up, left home, and discovered we were more alike than we'd thought. Sisters only get to be opposites within the family; separated by the world, they become practically identical.
Helen Fremont (After Long Silence: A Memoir)
Here is the true meaning and value of compassion and nonviolence, when it helps us to see the enemy's point of view, to hear his questions, to know his assessment of ourselves. For from his view we may indeed see the basic weaknesses of our own condition, and if we are mature, we may learn and grow and profit from the wisdom of the brothers who are called the opposition.
Martin Luther King Jr.
Maybe children just want whatever it is they don't get. And then they grow up and give their children what they wanted, be it silence or information, affection or independence--so that child, in turn, craves something else. With every generation the pendulum swings from opposite to opposite, stillness and peace so elusive.
Laura Moriarty (The Rest of Her Life)
…And you’re acting like I should be able to read something in your silence. The problem is that speech needs periods of silence to be intelligible, to separate the words and keep it from being a steady drone of noise. To frame it. The opposite is true. To find the meaning in what’s left unsaid, we need words to punctuate it.
Wildbow (Worm (Parahumans, #1))
Silence, it appears, is not the opposite of sound. It is another world altogether, literally offering a deeper level of thought, a journey to the bedrock of the self.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
There are many things that make this book fiction, but the roles women play within it are not. The women of the eighteenth century were met with opposition. They had to fight endlessly. Their work was silenced, their contributions ignored, and many of their stories are forgotten today. Nevertheless, they persisted.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
Bell seated himself behind the desk, motioning for Nancy to stand opposite him. There was tense silence for a moment. Then Bell reached for a desk telephone. "I am going to call the police, Miss Drew, and turn you over to them on a charge of trespassing, breaking, and entering with an attempt to steal." "I wish you would," Nancy replied. "if it is possible over that dummy telephone.
Carolyn Keene (Password to Larkspur Lane (Nancy Drew Mystery Stories, #10))
Before that night, I didn't grasp that the shadows that sometimes crossed her face weren't momentary clouds passing in front of the sun. Her deep silences were more than daydreams. And her habit of standing with her arms wrapped around her ribs was a way of holding herself together. I didn't get there must be balance. She couldn't hold so much life, light and joy without also containing their opposites.
Chelsey Philpot (Even in Paradise)
There is an easy way to silence your critics; just try to do what they say you can't do. If they are still not content, do more of it! Keep doing it until you become a master. Then look around, and you will see fewer critics and many compliments!
Israelmore Ayivor
just because one is submissive doesn’t make them stupid. My experience has suggested the opposite. We have a saying, ‘Listen when the soft ones speak.’” Smith
Patricia Briggs (Silence Fallen (Mercy Thompson, #10))
The night I met him [he] told me that, for some reason, life usually grants us what we are not looking for. He was given wealth, fame, and power, yet his soul yearned only for spiritual peace so that he could silence the shadows in his heart...
Carlos Ruiz Zafón (Marina)
There is a particular kind of suffering to be experienced when you love something greater than yourself. A tender sacrifice.   Like the pained silence felt in the lost song of a mermaid; or the bent and broken feet of a dancing ballerina. It is in every considered step I am taking in the opposite direction of you.
Lang Leav (Love & Misadventure)
Shutting out the world is not about turning your back on your surroundings, but rather the opposite: it is seeing the world a bit more clearly, staying a course and trying to love your life. Silence in itself is rich. It is exclusive and luxurious. A key to unlock new ways of thinking. I don’t regard it as a renunciation or something spiritual, but rather as a practical resource for living a richer life.
Erling Kagge (Stillhet i støyens tid. Gleden ved å stenge verden ute)
Let my silence grow with noise as pregnant mothers grow with life. Let my silence permeate these walls as sunlight permeates a home. Let the silence rise from unwatered graves and craters left by bombs. Let the silence rise from empty bellies and surge from broken hearts. The silence of the hidden and forgotten. The silence of the abused and tortured. The silence of the persecuted and imprisoned. The silence of the hanged and massacred. Loud as all the sounds can be, let my silence be loud so the hungry may eat my words and the poor may wear my words. Loud as all the sounds can be, let my silence be loud so I may resurrect the dead and give voice to the oppressed. My silence speaks.
Kamand Kojouri
The lesson we are indebted to Egypt for, our future generations learned that in the face of oppression silence is never golden.
Aysha Taryam (The Opposite of Indifference: A Collection of Commentaries)
Two things of opposite natures seem to depend On on another, as Logos depends On Eros, day on night, the imagined On the real. This is the origin of change. Winter and spring, cold copulars, embrace And forth the particulars of rapture come. Music falls on the silence like a sense A passion that we feel, not understand. Morning and afternoon are clasped together And North and South are an intrinsic couple And sun and rain a plural, like two lovers That walk away together as one in the greenest body.
Wallace Stevens (The Collected Poems)
The democratic process begins with free and fair elections, but the winners of these elections tend to use political power in authoritarian ways, such as the suppression of the opposition or the silencing of critics.
Mustafa Akyol (Islam without Extremes: A Muslim Case for Liberty)
The worst that my enemies can do…they have done, and I fear them no more,” she wrote with increasing excitement. “I am now free to be true and honest…no opposition can overcome me.
Kate Moore (The Woman They Could Not Silence: One Woman, Her Incredible Fight for Freedom, and the Men Who Tried to Make Her Disappear)
If you attempt an actual argument with a modern paper of opposite politics, you will have no answer except slanging or silence.
G.K. Chesterton (What's Wrong with the World)
The great gift of solitude is that although you might think that it provokes introspection, actually the very opposite is true - you can lose all sense of self.
Neil Ansell (The Last Wilderness, A Journey into Silence)
I have very strong opinions and don’t want to give them up.. That’s your problem! You’ll be screwed up by those who have the same opinions as you and by those who have the opposite opinions.
Francis Lucille (The Perfume of Silence)
The philosopher Schopenhauer said, 'Opposites throw light upon each other.' Beauty does not belong exclusively to the regions of light and loveliness, cut off from the conversation of oppositions. The vigour and vitality of beauty derives precisely from the heart of difference. No life is one-sided; the life of each of us is animated by the inner conversation of forces which counter and complement each other. Beauty inhabits the cutting edge of creativity -- mediating between the known and unknown, light and darkness, masculine and feminine, visible and invisible, chaos and meaning, sound and silence, self and others.
John O'Donohue
Language and hearing are seated in the cerebral cortex, the folded gray matter that covers the first couple of millimeters of the outer brain like wrapping paper. When one experiences silence, absent even reading, the cerebral cortex typically rests. Meanwhile, deeper and more ancient brain structures seem to be activated--the subcortical zones. People who live busy, noisy lives are rarely granted access to these areas. Silence, it appears, is not the opposite of sound. It is another world altogether, literally offering a deeper level of thought, a journey to the bedrock of the self.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
the essence of a therapeutic relationship: finding words where words were absent before and, as a result, being able to share your deepest pain and deepest feelings with another human being. This is one of the most profound experiences we can have, and such resonance, in which hitherto unspoken words can be discovered, uttered, and received, is fundamental to healing the isolation of trauma—especially if other people in our lives have ignored or silenced us. Communicating fully is the opposite of being traumatized.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
A year later we were in a coffee shop, the kind taking a last stand against Starbucks with its thrift-store chairs, vegan cookies, and over-promising teas with names like Serenity and Inner Peace. I was curled up with a stack of causes, trying to get in a few extra hours of work over the weekend, and Andrew sat with one hand gripping his mug, his nose in The New York Times; the two of us a parody of the yuppie couple of the new millennium. We sat silently that way, though there wasn't silence at all. On top of the typical coffee-shop sounds - the whir of an expresso machine, the click of the cash register, the bell above the door - Andrew was making his noises, an occasional snort at something he read in the paper, the jangle of his keys in his pocket, a sniffle since he was getting over a cold, a clearing of his throat. And as we sat there, all I could do was listen to those Andrew-specific noises, the rhythm of his breath, the in-out in-out, its low whistle. Snort. Jangle. Sniffle. Clear. Hypnotized. I wanted to buy his soundtrack. This must be what love is, I thought. Not wanting his noises to ever stop.
Julie Buxbaum (The Opposite of Love)
It’s so simple, what happened at St. Paul’s. It happens all the time. First, they refused to believe me. Then they shamed me. Then they silenced me. On balance, if this is a girl’s trajectory from dignity to disappearance, I say it is better to be a slut than to be silent. I believe, in fact, that the slur slut carries within it, Trojan-horse style, silence as its true intent. That the opposite of slut is not virtue but voice.
Lacy Crawford (Notes on a Silencing)
As for me, I feel myself living and thinking in a room where everything is the creation and the language of lives profoundly different from mine, of a taste opposite to mine, where I find nothing of my conscious thought, where my imagination is excited by feeling itself plunged into the depths of the non-ego; I feel happy only when setting foot—on the Avenue de la Gare, on the Port, or on the Place de l'Eglise—in one of those provincial hotels with cold, long corridors where the wind from outside contends successfully with the efforts of the heating system, where the detailed geographic map of the district is still the sole ornament on the walls, where each noise helps only to make the silence appear by displacing it, where the rooms keep a musty perfume which the open air comes to wash, but does not eliminate, and which the nostrils inhale a hundred times in order to bring it to the imagination, which is enchanted with it, which has it pose like a model to try to recreate it with all the thoughts and remembrances that it contains...
Marcel Proust
Even now, you refused to be pixelated, forgotten, silenced, erased. Not that I wanted to erase you. The opposite. I wanted the opposite.
David Levithan
a calm that would undo most anyone who thought noise worse than its opposite
Kevin Young (Brown: Poems)
Love is the voice under all silences, the hope which has no opposite in fear.
Carlos Hernandez (Sal and Gabi Break the Universe (Sal and Gabi, #1))
The very word "secrecy" is repugnant in a free and open society; and we are as a people inherently and historically opposed to secret societies, to secret oaths and to secret proceedings...Our way of life is under attack. Those who make themselves our enemy are advancing around the globe...no war ever posed a greater threat to our security. If you are awaiting a finding of "clear and present danger," then I can only say that the danger has never been more clear and its presence has never been more imminent...For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on covert means for expanding its sphere of influence–on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerrillas by night instead of armies by day. It is a system which has conscripted vast human and material resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific and political operations. Its preparations are concealed, not published. Its mistakes are buried, not headlined. Its dissenters are silenced, not praised. No expenditure is questioned, no rumor is printed, no secret is revealed.
John F. Kennedy
It’s okay to have some things you never get over. In the span of half an hour, this man whom I had known for less than a season did what nobody in my life ever had: He took all of my sins and simply forgave them. He didn’t demand relentless improvement. There were no ultimatums. He asserted that I was enough, as is. The gravity of it stunned me into silence. Joey was the opposite of the dread.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
Coddly slammed a fist on the table. “No one will take you seriously if you do not act decisively.” There was a beat of silence after his voice stopped echoing around the room, and the entire table sat motionless. “Fine,” I responded calmly. “You’re fired.” Coddly laughed, looking at the other gentlemen at the table. “You can’t fire me, Your Highness.” I tilted my head, staring at him. “I assure you, I can. There’s no one here who outranks me at the moment, and you are easily replaceable.” Though she tried to be discreet, I saw Lady Brice purse her lips together, clearly determined not to laugh. Yes, I definitely had an ally in her. “You need to fight!” he insisted. “No,” I answered firmly. “A war would add unnecessary strain to an already stressful moment and would cause an upheaval between us and the country we are now bound to by marriage. We will not fight.” Coddly lowered his chin and squinted. “Don’t you think you’re being too emotional about this?” I stood, my chair screeching behind me as I moved. “I’m going to assume that you aren’t implying by that statement that I’m actually being too female about this. Because, yes, I am emotional.” I strode around the opposite side of the table, my eyes trained on Coddly. “My mother is in a bed with tubes down her throat, my twin is now on a different continent, and my father is holding himself together by a thread.” Stopping across from him, I continued. “I have two younger brothers to keep calm in the wake of all this, a country to run, and six boys downstairs waiting for me to offer one of them my hand.” Coddly swallowed, and I felt only the tiniest bit of guilt for the satisfaction it brought me. “So, yes, I am emotional right now. Anyone in my position with a soul would be. And you, sir, are an idiot. How dare you try to force my hand on something so monumental on the grounds of something so small? For all intents and purposes, I am queen, and you will not coerce me into anything.” I walked back to the head of the table. “Officer Leger?” “Yes, Your Highness?” “Is there anything on this agenda that can’t wait until tomorrow?” “No, Your Highness.” “Good. You’re all dismissed. And I suggest you all remember who’s in charge here before we meet again.
Kiera Cass (The Crown (The Selection, #5))
The old man would go on with this talking and this talking, drop by drop, stone by stone, flake by flake. His mind would well over at last and he would not be Montag any more, this the old man told him, assured him, promised him. He would be Montag-plus-Faber, fire plus water, and then, one day, after everything had mixed and simmered and worked away in silence, there would be neither fire nor water, but wine. Out of two separate and opposite things, a third. And one day he would look back upon the fool and know the fool.
Ray Bradbury (Fahrenheit 451)
One can only imagine how greatly the political and religious culture wars of our era could be eased by this simple courtesy of the Law of Three: (1) the enemy is never the problem but the opportunity; (2) the problem will never be solved through eliminating or silencing the opposition but only through creating a new field of possibility large enough to hold the tension of the opposites and launch them in a new direction. Imagine what a different world it would be if these two simple precepts were internalized and enacted.
Cynthia Bourgeault (The Holy Trinity and the Law of Three: Discovering the Radical Truth at the Heart of Christianity)
The sleeping and the waking, the bright and the dark, the voice and the silence... la présence et l'absence. All the presumed opposites which converge somewhere in one point where they sing the hymn of their union--and this place is, for the time being, our heart.
Rainer Maria Rilke (The Dark Interval: Letters on Loss, Grief, and Transformation (Modern Library Classics))
Music is born in opposition to the beauty of silence; the creation of music lies in the attempt to use sound to bring about new beauty that contrasts with the beauty of silence.
Keiichirō Hirano (At the End of the Matinee)
Silence isn’t the opposite of sound, it is merely its absence.
Terry Pratchett (Sourcery (Discworld, #5))
...philosophers will forever wrangle about the true nature of science as a prelude to their dream of the final knockdown argument which will silence all doubt and opposition to their own favorite utopia.
Philip Mirowski (The Effortless Economy of Science? (Science and Cultural Theory))
If I could go back in time I'd make the same choice in a snap. And yet, there remains my sister life. All the other things I could have done instead. I wouldn't know what I couldn't know until I became a mom, and so I'm certain there are things I don't know because I can't know because I did. Who would I have nurtured had I not been nurturing my two children over these past seven years? In what creative and practical forces would my love have been gathered up? What didn't I write because I was catching my children at the bottoms of slides and spotting them as they balanced along the tops of low brick walls and pushing them endlessly in swings? What did I write because I did? Would I be happier and more intelligent and prettier if I had been free all this time to read in silence on a couch that sat opposite of Mr. Sugar's? Would I complain less? Has sleep deprivation and the consumption of an exorbitant number of Annie's Homegrown Organic Cheddar Bunnies taken years off my life or added years onto it? Who would I have met if I had bicycled across Iceland and hiked around Mongolia and what would I have experienced and where would that have taken me? I'll never know, and neither will you of the life you don't choose. We'll only know that whatever that sister life was, it was important and beautiful and not ours. It was the ghost ship that didn't carry us. There's nothing to do but salute it from the shore.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
If you want to immediately reduce your stress levels, to begin each day with the kind of calm, clarity, and peace of mind that will allow you to stay focused on what’s most important in your life, and even dance on the edge of enlightenment—do the opposite of what most people do—start every morning with a period of purposeful Silence.
Hal Elrod (The Miracle Morning: The Not-So-Obvious Secret Guaranteed to Transform Your Life: Before 8AM)
When we embrace the opposites within ourselves and understand that inner harmony arises when they mature, we find the love, joy, silence and freedom that are hidden in every moment. It is my experience that it is through the inner female side that we find the depth within ourselves – independent of if we are a man or a woman. It is through the female side that we find the inner source of love and truth. It is through the female side that we lit the light of our own consciousness. The more we learn to know the inner man and woman and the more we accept their different visions of life, the more a meeting happens between them that makes us happy and satisfied. Through embracing both these sides in ourselves, we realize that we really lack nothing – but that we already are love. When both the male and female side is capable of living in trust, a love begins to flow between them – a love that was always possible, but not realized. The inner woman is the meditative quality within ourselves. The inner woman is the source of love and truth. The inner woman is the capacity to surrender to life. It is through the inner woman that we are in contact with life. It is the inner woman that is the door to belongingness with the Whole.
Swami Dhyan Giten (Presence - Working from Within. The Psychology of Being)
But our task is the opposite of distraction. Our task is to help people concentrate on the real but often hidden event of God’s active presence in their lives. Hence, the question that must guide all organizing activity in a parish is not how to keep people busy, but how to keep them from being so busy that they can no longer hear the voice of God who speaks in silence.
Henri J.M. Nouwen (The Way of the Heart: The Spirituality of the Desert Fathers and Mothers)
I Ask for Silence" Now they can leave me in peace. Now they grow used to my absence. I am going to close my eyes. I want only five things, five chosen roots. One is an endless love. Two is to see the autumn. I cannot exist without leaves flying and falling to the earth. The third is the solemn winter, the rain I loved, the caress of fire in the rough cold. Fourth, the summer, plump as a watermelon. And fifthly, your eyes, Matilde, my dear love, I won’t sleep without your eyes, I won’t exist without your gaze, I adjust the spring for you to follow me with your eyes. That, friends, is all I want. Next to nothing, close to everything. Now they can go if they wish. I have lived so much that some day they will have to forget me forcibly, rubbing me off the blackboard. My heart was inexhaustible. But because I ask for silence, don’t think I’m going to die. The opposite is true; it happens I am going to live. To be, and to go on being. I will not be, however, if inside me, the crop does not keep sprouting, the shoots first, breaking through the earth to reach the light; but the mothering earth is dark, and, deep inside me, I am dark. I am a well in the water of which the night leaves behind stars and goes on alone across fields. It’s a question of having lived so much that I want to live a bit more. I never felt my voice so clear, never have been so rich in kisses. Now, as always, it is early. The light is a swarm of bees. Let me alone with the day. I ask leave to be born.
Pablo Neruda (I Explain a Few Things: Selected Poems (English and Spanish Edition))
Most of my opinions are not as informed and well rounded as I would like. I have to be humble enough to accept that I don’t know enough. If my goal is to understand something true, then being challenged is a good thing. We need to be challenged occasionally and to get out of the echo chamber that is your own philosophical group or your own confirmation biased mind. The alternative is to only be able to hear one narrative and for those who oppose that narrative to be silenced, or to have uncivil debate by two polar opposite opinions. Truth is usually found to be hidden in a field of nuance and, as Albert Maysles said, “Tyranny is the deliberate removal of nuance.
Eric Overby (Legacy)
I could feel the ghosts of all the girls I'd been behind me in the alleyway, creeping in my wake. I could almost hear my own footsteps as an echo. For a moment it was so real that I spooked myself. I stopped and turned to look. There was only silence and darkness. I walked on.
Joshilyn Jackson (The Opposite of Everyone)
Once a government is committed to the principle of silencing the voice of opposition, it has only one way to go, and that is down the path of increasingly repressive measures, until it becomes a source of terror to all its citizens and creates a country where everyone lives in fear.
Jack Carr (Only the Dead (Terminal List #6))
Churchill was exactly the kind of brilliant amateur meddler in military affairs that Hitler was. Both rose to power from the depths of political rejection. Both relied chiefly on oratory to sway the multitude. Both somehow expressed the spirits of their peoples and so won loyalty that outnumbered any mistakes, defeats and disasters. Both thought in grandiose terms, knew little about economic and logistical realities, and cared less. Both were iron men in defeat. Above all, both men had overwhelming personalities that could silence rational opposition when they talked.
Herman Wouk (The Winds of War (The Henry Family, #1))
Whoever will listen will hear the speaking Heaven. This is definitely not the hour when men take kindly to an exhortation to listen, for listening is not today a part of popular religion. We are at the opposite end of the pole from there. Religion has accepted the monstrous heresy that noise, size, activity and bluster make a man dear to God. But we may take heart. To a people caught in the tempest of the last great conflict God says, "Be still, and know that I am God," and still He says it, as if He means to tell us that our strength and safety lie not in noise but in silence.
A.W. Tozer (The Pursuit of God)
Believers in psychic phenomena... appear to have won a decisive victory and virtually silenced opposition.... This victory is the result of careful experimentation and intelligent argumentation. Dozens of experimenters have obtained positive results in ESP experiments, and the mathematical procedures have been approved by leading statisticians.... Against all this evidence, almost the only defense remaining to the skeptical scientist is ignorance.
George R. Price
How did you find out?” he asked. I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.” He sighed and sat on the arm of my couch and stared into space. “That’s it? You have nothing else to say?” I asked. “I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.” “Were you ever going to tell me?” “Yeah...of course.” His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome. Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.” I sank down into the arm chair opposite him. “Then…then…what happened?” It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…” “Aroused? Horny? Lust-filled?” He grimaced. “Something like that. But, I don’t know. There was more to it than just that.” The tape in my mind rewound. “Did you say you were going to call Niphon?” “Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.” “Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath. “Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.” He tilted his head curiously. “What do you mean?” “This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.” A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response. “Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.” My hand froze on Aubrey’s back. “What are you saying?” “I…don’t have flings.” “Are you saying you want to start something with her?” He looked miserable. “I don’t know.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
In a sense the dramatic dialogue is both the fullest symbol and the final justification of the city's life. For the same reason, the most revealing symbol of the city's failure, of its very non-existence as a social personality, is the absence of dialogue-not necessarily a silence, but equally the loud sound of a chorus uttering the same words in cowed if complacent conformity. The silence of a dead city has more dignity than the vocalisms of a community that knows neither detachment nor dialectic opposition, neither ironic comment nor stimulating disparity, neither an intelligent conflict nor an active moral resolution. Such a drama is bound to have a fatal last act.
Lewis Mumford (The City in History: Its Origins, Its Transformations, and Its Prospects)
They were opposites in one way They were similar in another But they felt real with each other They felt alive with each other They understood their silences even when one would forget the other and be busy with work and struggles of life And when they finally spoke to each other, their conversation sparked a fire in the atmosphere!
Avijeet Das
Given the obstacles to merging these fragile and diverse forms of storytelling into a single tale, it is, paradoxically, by venturing in the opposite direction -- by listening for the silences between accounts; by discovering what each genre of recordkeeping cannot tell us -- that we can capture most fully the human struggle to understand our elusive past. What this past asks of us in return is a willingness to recount all our stories -- our darkest tales as well as our most inspiring ones -- and to ponder those stories that violence has silenced forever. For until we recognize our shared capacity for inhumanity, how can we ever hope to tell stories of our mutual humanity?
Karl Jacoby (Shadows at Dawn: A Borderlands Massacre and the Violence of History)
Because they lacked the experience of their own childhoods, they allowed rejection by their peers to divert them from their goal. Had they found their way back to their own childhoods, they would not have needed this confirmation from outside. To live with one's own truth is to be at home with one self. That is the opposite of isolation. We only need confirmation when we are alienated from ourselves in the flight from the truth. All the friends and devoted admirers in the world cannot make up for that loss.
Alice Miller (Breaking Down the Wall of Silence: The Liberating Experience of Facing Painful Truth)
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.' But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich. Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth. Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ. I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.' I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain. I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again. This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
People who question these nefarious prevaricators are accused of being socialists, or anti-capitalist, in much the same manner that critics of Israel are dismissed as being anti-Semite, or anyone questioning the deeds of a person of color is accused of racism; simple, loaded, propagandistic labels used to silence opposition while evading the relevant issues.
Joseph Befumo (The Republicrat Junta: How Two Corrupt Parties, in Collusion with Corporate Criminals, have Subverted Democracy, Deceived the People, and Hijacked Our Constitutional Government)
I am so incredibly confused.” Blinking away his tears, Darling burst out laughing at Drake’s befuddled exclamation from the opposite hallway. With a shake of his head to clear his vision, he leaned against Maris and met his brother’s fierce scowl. “Yes, little brother, I’m that confidently heterosexual that I can hug my best friend in public and not feel awkward while doing it.” “Yeah, I can hug a guy, too. Just not nipple to nipple.” Drake shivered in revulsion. “That’s just a little too much bromancy for me, thank you very much.” Laughing,
Sherrilyn Kenyon (Born of Silence (The League #5))
When one looks at the all-prevailing schizophrenia of democratic societies, the lies that have to be told for vote-catching purposes, the silence about major issues, the distortions of the press, it is tempting to believe that in totalitarian countries there is less humbug, more facing of the facts. There, at least, the ruling groups are not dependent on popular favour and can utter the truth crudely and brutally. Goering could say ‘Guns before butter’, while his democratic opposite numbers had to wrap the same sentiment up in hundreds of hypocritical words.
George Orwell (Essays)
Darkness makes the brain giddy. Man needs light. Whoever plunges into the opposite of day feels his heart chilled. When the eye sees blackness, the mind sees trouble. In an eclipse, in night, in the sooty darkness, there is an anxiety even to the strongest. Nobody walks alone at night in the forest without trembling. Darkness and trees, two formidable depths - a reality of chimeras appears in the indistinct distance. The Inconceivable outlines itself a few steps from you with a spectral clearness. You see floating in space or in your brain something strangely vague and unseizable as the dreams of sleeping flowers. There are fierce phantoms in the horizon. You breathe in the odours of the great black void. You are afraid, and tempted to look behind you. The hollowness of night, the haggardness of all things, the silent profiles that fade away as you advance, the obscure dishevelments, angry clumps, livid pools, the gloomy reflected in the funeral, the sepulchral immensity of silence, the possible unknown beings, the swaying of mysterious branches, the frightful twistings of the trees, long spires of shivering grass - against all this you have no defence. There is no bravery which does not shudder and feel the nearness of anguish. You feel something hideous as if the soul were amalgamating with the shadow. This penetration of the darkness is inexperessibly dismal for a child. Forests are apocalypses; and the beating of the wings of a little soul makes an agonising sound under their monstrous vault.
Victor Hugo (Les Misérables)
There’s a book here in which I read about the trial of a Jew, who took a child of four years old and cut off the fingers from both hands, and then crucified him on the wall, hammered nails into him and crucified him, and afterwards, when he was tried, he said that the child died soon, within four hours. That was ‘soon’! He said the child moaned, kept on moaning and he stood admiring it. That’s nice!” “Nice?” “Nice; I sometimes imagine that it was I who crucified him. He would hang there moaning and I would sit opposite him eating pineapple compote. I am awfully fond of pineapple compote. Do you like it?” Alyosha looked at her in silence. Her pale, sallow face was suddenly contorted, her eyes burned. “You know, when I read about that Jew I shook with sobs all night. I kept fancying how the little thing cried and moaned (a child of four years old understands, you know), and all the while the thought of pineapple compote haunted me. In the morning I wrote a letter to a certain person, begging him particularly to come and see me. He came and I suddenly told him all about the child and the pineapple compote. All about it, all, and said that it was nice. He laughed and said it really was nice. Then he got up and went away. He was only here five minutes. Did he despise me? Did he despise me? Tell me, tell me, Alyosha, did he despise me or not?” She sat up on the couch, with flashing eyes.
Fyodor Dostoevsky (The Brothers Karamazov)
The more perfect something is, the less it can be loved -- like a face, a body, voice, tone, color, or music itself. In playing a piece, don't strive for perfection: it will kill the piece in that it will prevent it from entering the emotions. That's the kind of advice you can't do anything with except perhaps later, when you don't even know you're doing it. It's part of the freeze of counterpoint.' 'I've never heard that expression,' she said. 'Stasis may be a better word -- the liberation of the space between two contradictions. Let me explain if I can. If two waves of equal but opposite amplitude meet in water, what do you get' 'Flat water.' 'In sound?' 'Silence.' 'Right. From agitation, peace, a perfection that you might have thought unobtainable from the clash of contradictory elements.' 'I think you've explained the magic of counterpoint very well.' 'Not really. It's inexplicable. I've noted it, that's all. Half of humanity's troubles arise from the inability to see that contradictory propositions can be valid simultaneously.
Mark Helprin (Paris in the Present Tense)
The very word "secrecy" is repugnant in a free and open society; and we are as a people inherently and historically opposed to secret societies, to secret oaths and to secret proceedings...Our way of life is under attack. Those who make themselves our enemy are advancing around the globe...no war ever posed a greater threat to our security. If you are awaiting a finding of "clear and present danger," then I can only say that the danger has never been more clear and its presence has never been more imminent...For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on covert means for expanding its sphere of influence–on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerrillas by night instead of armies by day. It is a system which has conscripted vast human and material resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific and political operations. Its preparations are concealed, not published. Its mistakes are buried, not headlined. Its dissenters are silenced, not praised. No expenditure is questioned, no rumor is printed, no secret is revealed.
ohn F. Kennedy
Are there imbrules here? Stantars? Luthuras – are there luthuras here? Scaly, long grasping tails, eyes like the eyes of purlith bats-' 'No,' Apsalar said. 'None of those creatures.' She frowned. 'Those you have mentioned are of Starvald Demelain.' A momentary silence from the two ghosts, then Curdle snaked along the top of the wall until its eerie face was opposite Apsalar. 'Really? Now, that's a peculiar coincidence-
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
A need to tell and hear stories is essential to the species Homo sapiens--second in necessity apparently after nourishment and before love and shelter. Millions survive without love or home, almost none in silence; the opposite of silence leads quickly to narrative, and the sound of story is the dominant sound of our lives, from the small accounts of our day's events to the vast incommunicable constructs of psychopaths.
Reynolds Price (A Palpable God: Thirty Stories Translated from the Bible With an Essay on the Origins and Life of Narrative)
It was my experience that it was precisely the opposite of forgiveness—namely, rebellion against mistreatment suffered, the recognition and condemnation of my parents' misleading opinions and actions, and the articulation of my own needs—that ultimately freed me from the past. In my childhood, these things had been ignored in the name of "a good upbringing," and I myself learned to ignore them for decades in order to be the "good" and "tolerant" child my parents wished me to be. But today I know: I always needed to expose and fight against opinions and attitudes that I considered destructive of life wherever I encountered them, and not to tolerate them. But I could only do this effectively if I had felt and experienced what was inflicted on me earlier. By preventing me from feeling the pain, the moral-religious injunction to forgive did nothing but hinder this process.
Alice Miller (Breaking Down the Wall of Silence: The Liberating Experience of Facing Painful Truth)
A dark, omnipresent pool of water. It was probably always there, hidden away somewhere. But when the time comes it silently rushes out, chilling every cell in your body. You drown in that cruel flood, gasping for breath. You cling to a vent near the ceiling, struggling, but the air you manage to breathe is dry and burns your throat. Water and thirst, cold and heat – these supposedly opposite elements combine to assault you. The world is a huge space, but the space that will take you in – and it doesn’t have to be very big - is nowhere to be found. You seek a voice, but what do you get? Silence. You look for silence, but guess what? All you hear over and over and over is the voice of this omen. And sometimes these prophetic voice pushes a secret switch hidden deep inside your brain. Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still, the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.
Haruki Murakami
Witcher,’ Three Jackdaws suddenly said, ‘I want to ask you a question.’ ‘Ask it.’ ‘Why don’t you turn back?’ The Witcher looked at him in silence for a moment. ‘Do you really want to know?’ ‘Yes, I do,’ Three Jackdaws said, turning his face towards Geralt. ‘I’m riding with them because I’m a servile golem. Because I’m a wisp of oakum blown by the wind along the highway. Tell me, where should I go? And for what? At least here some people have gathered with whom I have something to talk about. People who don’t break off their conversations when I approach. People who, though they may not like me, say it to my face, and don’t throw stones from behind a fence. I’m riding with them for the same reason I rode with you to the log drivers’ inn. Because it’s all the same to me. I don’t have a goal to head towards. I don’t have a destination at the end of the road.’ Three Jackdaws cleared his throat. ‘There’s a destination at the end of every road. Everybody has one. Even you, although you like to think you’re somehow different.’ ‘Now I’ll ask you a question.’ ‘Ask it.’ ‘Do you have a destination at the end of the road?’ ‘I do.’ ‘Lucky for you.’ ‘It is not a matter of luck, Geralt. It is a matter of what you believe in and what you serve. No one ought to know that better than… than a witcher.’ ‘I keep hearing about goals today,’ Geralt sighed. ‘Niedamir’s aim is to seize Malleore. Eyck of Denesle’s calling is to protect people from dragons. Dorregaray feels obligated to something quite the opposite. Yennefer, by virtue of certain changes which her body was subjected to, cannot fulfil her wishes and is terribly undecided. Dammit, only the Reavers and the dwarves don’t feel a calling, and simply want to line their pockets. Perhaps that’s why I’m so drawn to them?’ ‘You aren’t drawn to them, Geralt of Rivia. I’m neither blind nor deaf. It wasn’t at the sound of their name you pulled out that pouch. But I surmise…’ ‘There’s no need to surmise,’ the Witcher said, without anger. ‘I apologise.’ ‘There’s no need to apologise.
Andrzej Sapkowski (Miecz przeznaczenia (Saga o Wiedźminie, #0.7))
But it's not as simple as that," he told himself, because the dance of the Shadow Warrior showed him that silence had its own grace and beauty (just as speech could be graceless and ugly); and that Action could be as noble as Words; and that creatures of darkness could be as lovely as the children of the light. "If Guppees and Chupwalas didn't hate each other so," he thought, "they might actually find each other pretty interesting. Opposites attract, as they say.
Salman Rushdie (Haroun and the Sea of Stories (Khalifa Brothers, #1))
You know what else is adorable? When I can clearly see you having a furious discussion in your own head.” “That’s visible?” Oh, God, how mortifying. “Kit, you practically mouth the words.” “I do not,” I protest, but now I’m not so sure. No one’s ever said this to me before. I was always certain that my silence was taken for a lack of things to say, instead of the opposite: sometimes, there are so many things I want to say that they overwhelm me. I’ve got years of unsaid conversations in my head.
Charlotte Stein (Addicted)
Bands of Apollonian lightness and Dionysian darkness fill my inscrutable chamber. Apollo represents harmony, progress, clarity, and logic, whereas Dionysus represents disorder, intoxication, emotion, and ecstasy. Manchurian opposites of good and evil tug at me. My lifelong state of confusion manufactured a gray fog that engulfs me. Multilayers of misgiving line my impenetrable soul. Secret tunnels, coagulation’s of light and dense waves of incomprehensible silence, wend through me. I am constantly surprised to see slivers of myself. At times, I am utterly devoid of ambition. At other times, radical surges of energy convulse within me. Guilt, pleasure, anger, joy, impulsivity, watchfulness, sensual longings, and exhibitionist tendencies tumble within.
Kilroy J. Oldster (Dead Toad Scrolls)
Lao Tzu's first paragraph in the book "Tao Te Ching" is that the Tao that can be told is not the absolute Tao. Lao Tzu has his own logic, the logic of paradoxes, the logic of life. To understand Tao, you will have to create eyes. Lao Tzu believes in the unity of opposites, because that is how life is. The Tao can be communicated, but it can only be communicated from heart to heart, from being to being, from love to love, from silence to silence. Truth is always realized in silence. In silence, the truth is realized. You reach to truth through silence. All spiritual books tries to say something that can not be said in the hope that a thirst, a longing, is created in your heart to know the truth. Tao is totality. Life exists through the tension of the opposites, the meeting of the opposites. Lao Tzu says that the opposite poles of life are not really opposites, but complementaries. Thinking is always of opposites. Lao Tzu says: drop the split attitude. Be simple. And when you are simple, you do not choose. Lao Tzu says: be choiceless, let life flow. Enjoy both poles in life, and then your life becomes a symphony of opposites. How to drop the mind: do not choose. If you do not choose, the mind drops. Live life as it comes - float. Float with life. Enjoy the moment in its totality, It is to live as part of the whole, to live as part of existence. If you become silent and empty, everything will come on it's own accord. When you live without any desire for power, position, fame or success, the whole existence pours down into your emptiness.
Swami Dhyan Giten
How did the American people ever reach this point where they believe that US aggression in the Middle East will make us safe when it does the opposite? How did the American people ever reach the point where they believe that fighting unconstitutional wars is required to protect our freedoms and our Constitution? Why do we allow the NSA, CIA, FBI, TSA, etc. to destroy our liberty at home, as part of the Global War on Terror, with a pretext that they are preserving our liberty? Why are the lying politicians reelected and allowed to bankrupt our country, destroy our money, and enter wars without the proper consent? Why do the American people suffer in silence and not scream “Enough is enough!”? We’ve had enough of the “humanitarian do-gooders” and the proponents of “American exceptionalism” who give us nothing but war, economic suffering, and less freedom. This can and must be stopped.
Ron Paul (Swords into Plowshares: A Life in Wartime and a Future of Peace and Prosperity)
When you’ve invested a lot of time in being accessible and keeping up with what’s happening, it’s easy to conclude that it all has a certain value, even if what you have done might not be important. This is called rationalization. The New York Review of Books labeled the battle between producers of apps “the new opium wars,” and the paper claims that “marketers have adopted addiction as an explicit commercial strategy.” The only difference is that the pushers aren’t peddling a product that can be smoked in a pipe, but rather is ingested via sugar-coated apps. In a way, silence is the opposition to all of this. It’s about getting inside what you are doing. Experiencing rather than overthinking. Allowing each moment to be big enough. Not living through other people and other things. Shutting out the world and fashioning your own silence whenever you run, cook food, have sex, study, chat, work, think of a new idea, read or dance.
Erling Kagge (Stillhet i støyens tid. Gleden ved å stenge verden ute)
When you feel the need to escape your problems, to escape from this world, don't make the mistake of resorting to suicide Don't do it! You will hear the empty advice of many scholars in the matter of life and death, who will tell you, "just do it" there is nothing after this, you will only extinguish the light that surrounds you and become part of nothingness itself, so when you hear these words remember this brief review of suicide: When you leave this body after committing one of the worst acts of cowardice that a human being can carry out, you turn off the light, the sound and the sense of reality, you become nothing waiting for the programmers of this game to pick you up from the darkness, subtly erase your memories and enable your return and I emphasize the word subtle because sometimes the intelligence behind this maneuver or automated mechanism is wrong and send human beings wrongly reset to such an extent, that when they fall to earth and are born again, they begin to experience memories of previous lives, in many cases they perceive themselves of the opposite sex, and science attributes this unexplainable phenomenon to genetic and hormonal factors, but you and I know better! And we quickly identified this trigger as a glitch in the Matrix. Then we said! That a higher intelligence or more advanced civilization throws you back into this game for the purpose of experimenting, growing and developing as an advanced consciousness and due to your toxic and destructive behavior you come back again but in another body and another life, but you are still you, then you will carry with you that mark of suicide and cowardice, until you learn not to leave this experience without having learned the lesson of life, without having experienced and surprised by death naturally or by design of destiny. About this first experience you will find very little material associated with this event on the internet, it seems that the public is more reserved, because they perceive themselves and call themselves "awakened" And that is because the system has total control over the algorithm of fame and fortune even over life and death. Now, according to religion and childish fears, which are part of the system's business to keep you asleep, eyes glued to the cellular device all day, it says the following: If you commit this act of sin, you turn off light, sound and sense of reality, and from that moment you begin to experience pain, fear and suffering on alarming scales, and that means they will come for you, a couple of demons and take you to the center of the earth where the weeping and gnashing of teeth is forever, and in that hell tormented by demons you will spend eternity. About this last experience we will find hundreds of millions of people who claim to have escaped from there! And let me tell you that all were captivated by the same deity, one of dubious origin, that feeds on prayers and energetic events, because it is not of our nature, because it knows very well that we are beings of energy, then this deity or empire of darkness receives from the system its food and the system receives from them power, to rule, to administer, to control, to control, to kill, to exclude, to inhibit, to classify, to imprison, to silence, to infect, to contaminate, to depersonalize. So now that you know the two sides of the same coin, which one will your intelligence lean towards! You decide... Heads or tails? From the book Avatars, the system's masterpiece.
Marcos Orowitz (THE LORD OF TALES: The masterpiece of deceit)
Oh, if only it were possible to find understanding,” Joseph exclaimed. “If only there were a dogma to believe in. Everything is contradictory, everything tangential; there are no certainties anywhere. Everything can be interpreted one way and then again interpreted in the opposite sense. The whole of world history can be explained as development and progress and can also be seen as nothing but decadence and meaninglessness. Isn’t there any truth? Is there no real and valid doctrine?” The Master had never heard him speak so fervently. He walked on in silence for a little, then said: “There is truth, my boy. But the doctrine you desire, absolute, perfect dogma that alone provides wisdom, does not exist. Nor should you long for a perfect doctrine, my friend. Rather, you should long for the perfection of yourself. The deity is within you, not in ideas and books. Truth is lived, not taught. Be prepared for conflicts, Joseph Knecht—I can see they have already begun.
Hermann Hesse (The Glass Bead Game)
Danger in modesty ― To adapt ourselves too early to the tasks, societies, everyday life and everyday work, in which chance has placed us, at a time when neither our strength nor our goal has yet entered our consciousness with the force of law; the all-too-early certainty of consciousness, comfortableness, sociability thus achieved, this premature resignation that insinuates itself into our feelings as a release from inner and outer unrest, pampers and holds one back in the most dangerous fashion. To learn to feel respect after the fashion of 'those like us,' as if we ourselves had no measure in us and no right to determine values; the effort to evaluate as others do, against the inner voice of our taste, which is also a form of conscience, becomes a terrible, subtle constraint: if there is not finally an explosion, with a sudden bursting asunder of all the bonds of love and morality, then such a spirit becomes withered, petty, effeminate, and factual. The opposite is bad enough, but better nonetheless: to suffer from one’s environment, from its praise as well as from its blame, wounded by it and festering inwardly without betraying the fact; to defend oneself with involuntary mistrust against its love, to learn silence, perhaps concealing it behind speech, to create for oneself nooks and undiscoverable solitudes for moments of relief, of tears, of sublime consolation ― until one is finally strong enough to say, 'what do I have to do with you?' and go one’s own way.
Friedrich Nietzsche (The Will to Power)
It felt like I was living in two worlds. There was one world which was a daylight world and another dark world (though I'm not saying that everything bad happened in darkness because it didn't). In the daylight world, life had a veneer of normality - my mum was a bit violent, my dad was a bit distant, my big brother was in hospital somewhere, my little brother was always with Mum, and I had an uncle who was very loving and caring and did nice things for me. In this daylight world, I went to church and learned about Jesus. I was told about innocence and how He loves children. Then there was the other side, the dark world, which was almost a mirror image. But what I was getting taught there was all of the opposites. It was almost the reverse of Christianity. They would say that the Christian teachings were rubbish, and everything in the Kirk was right. they would sing a hymn - not like 'All Things Bright and Beautiful' but something about being strong. The hymns were quite Germanic, with harsh, aggressive chanting. They were always about power and strength and right. When they were singing I would be standing or sitting with whoever had taken me.
Laurie Matthew (Groomed)
Liberals are supposed to believe in protecting minority views, even when they disapprove of those views. Instead an online mob of presumably “liberal” people tweeted about Eich’s donation,23 many calling him a bigot and homophobe for supporting Prop 8. Remember, this proposition passed the same year Senator Barack Obama sat in Rick Warren’s church to explain his religious based opposition to same-sex marriage.
Kirsten Powers (The Silencing: How the Left is Killing Free Speech)
No,” said Myrna. “It happened because no one stopped them. Not enough people stood up soon enough. And why was that?” “Fear?” asked Clara. “Yes, partly. And partly programming. All around them, respectable Germans saw others behaving brutally toward people they considered outsiders. The Jews, gypsies, gays. It became normal and acceptable. No one told them what was happening was wrong. In fact, just the opposite.” “No one should have had to,” snapped Reine-Marie. “Myrna’s right,” said Armand, breaking his silence. “We see what she describes all the time. I saw it in the Sûreté Academy. I saw it in the brutality of the Sûreté itself. We see it when bullies are in charge. It becomes part of the culture of an institution, a family, an ethnic group, a country. It becomes not just acceptable, but expected. Applauded even.
Louise Penny (Glass Houses (Chief Inspector Armand Gamache, #13))
I don't know what's happening to me," she says, blinking through a veil of tears as she looks everywhere but at me. "I don't think I can do this anymore." My heart plummets inside my chest, my lips still hovering over hers, my hands on her waist "do what anymore?" I don't want the answer, don't want to hear what follows my question, don't want to lose her. "Fight it." Tears are still flowing from her eyes, but I think she stop crying. She sucks and several breaths when she looks at me, her eyes are clear that I anticipated. She's scared shitless - that's clear - but it's like she stop fighting the fear, giving into it instead. Her lips apart and I'm a stop whatever she's about to say, silence her with my lips, but I don't, forcing myself to hear, needing to know what's got all worked up. "I think I'm in love with you," she says, her chest heaving with every ravenous breath she takes, yet her voice is astonishingly even and she manages to maintain my gaze. My voice however is the exact opposite of even, coming out all high-pitched like I'm a thirteen year old and going through puberty all over again. "What?" She sucks and a breath, then releases is slowly, the fear in her eyes subsiding, as if she just won it. "I think I'm in love with you..." She bites on your lips and shakes her head. "No...I don't think. I know." I gradually process her words and the full extent of what she's saying. I think I'd honestly believed that she might never say them, that this love thing was going to be a one-way street. Hearing her say it... I don't even know how to describe it. It's like my entire life of associated the word with hatred. Every time my mother said it, it felt like she was trying to take something from me and it made me hate her and myself-Love equaled hate for me. But hearing it from Violet's lips, seeing that look in her eyes, the one I've never seen from anyone, is so different. She's not taking something for me right now, she's giving me something. She's giving me everything.
Jessica Sorensen (The Certainty of Violet & Luke (The Coincidence, #5))
The lawn gently sloped to a winding stream, so clear as perfectly to reflect the beautiful scenery of heaven, now glowing with the gold and purple of the setting sun; from the opposite bank of the stream rose a stupendous mountain, diversified with little verdant hills and dales, and skirted with a wild shrubbery, the blossoms of which perfumed the air with the most balmy fragrance. Lord Mortimer prevailed upon Amanda to sit down upon a rustic bench, beneath the spreading branches of an oak, enwreathed with ivy; here they had not sat long ere the silence which reigned around was suddenly interrupted by strains, at once low, solemn and melodious, that seemed to creep along the water, till they had reached the place where they sat; and then, as if a Naiad of the stream had left her rushy couch to do them homage, they swelled by degrees into full melody, which the mountain echoes alternately revived and heightened. It appeared like enchantment to Amanda, and her eyes, turned to lord Mortimer, seemed to say it was to his magic it was owing.
Regina Maria Roche (The Children of the Abbey)
I’ve heard that when you’re in a life-or-death situation, like a car accident or a gunfight, all your senses shoot up to almost superhuman level, everything slows down, and you’re hyper-aware of what’s happening around you. As the shuttle careens toward the earth, the exact opposite is true for me. Everything silences, even the screams and shouts from the people on the other side of the metal door, the crashes that I pray aren’t bodies, the hissing of rockets, Elder’s cursing, my pounding heartbeat. I feel nothing—not the seat belt biting into my flesh, not my clenching jaw, nothing. My whole body is numb. Scent and taste disappear. The only thing about my body that works is my eyes,and they are filled with the image before them. The ground seems to leap up at us as we hurtle toward it. Through the blurry image of the world below us, I see the outline of land—a continent. And at once, my heart lurches with the desire to know this world, to make it our home. My eyes drink up the image of the planet—and my stomach sinks with the knowledge that this is a coastline I’ve never seen before. I could spin a globe of Earth around and still be able to recognize the way Spain and Portugal reach into the Atlantic, the curve of the Gulf of Mexico, the pointy end of India. But this continent—it dips and curves in ways I don’t recognize, swirls into an unknown sea, creating peninsulas in shapes I do not know, scattering out islands in a pattern I cannot connect. And it’s not until I see this that I realize: this world may one day become our home,but it will never be the home I left behind.
Beth Revis (Shades of Earth (Across the Universe, #3))
The Winter of Listening" No one but me by the fire, my hands burning red in the palms while the night wind carries everything away outside. All this petty worry while the great cloak of the sky grows dark and intense round every living thing. What is precious inside us does not care to be known by the mind in ways that diminish its presence. What we strive for in perfection is not what turns us into the lit angel we desire, what disturbs and then nourishes has everything we need. What we hate in ourselves is what we cannot know in ourselves but what is true to the pattern does not need to be explained. Inside everyone is a great shout of joy waiting to be born. Even with the summer so far off I feel it grown in me now and ready to arrive in the world. All those years listening to those who had nothing to say. All those years forgetting how everything has its own voice to make itself heard. All those years forgetting how easily you can belong to everything simply by listening. And the slow difficulty of remembering how everything is born from an opposite and miraculous otherness. Silence and winter has led me to that otherness. So let this winter of listening be enough for the new life I must call my own.
David Whyte
When at last he finally hooked one, despite Elizabeth’s best efforts to prevent it, she scrambled to her feet and backed up a step. “You-you’re hurting it!” she cried as he pulled the hook from its mouth. “Hurting what? The fish?” he asked in disbelief. “Yes!” “Nonsense,” said he, looking at her as if she was daft, then he tossed the fish on the bank. “It can’t breathe, I tell you!” she wailed, her eyes fixed on the flapping fish. “It doesn’t need to breathe,” he retorted. “We’re going to eat it for lunch.” “I certainly won’t!” she cried, managing to look at him as if he were a cold-blooded murderer. “Lady Cameron,” he said sternly, “am I to believe you’ve never eaten a fish?” “Well, of course I have.” “And where do you think the fish you’ve eaten came from?” he continued with irate logic. “It came from a nice tidy package wrapped in paper,” Elizabeth announced with a vacuous look. “They come in nice, tidy paper wrapping.” “Well, they weren’t born in that tidy paper,” he replied, and Elizabeth had a dreadful time hiding her admiration for his patience as well as for the firm tone he was finally taking with her. He was not, as she had originally thought, a fool or a namby-pamby. “Before that,” he persisted, “where was the fish? How did that fish get to the market in the first place?” Elizabeth gave her head a haughty toss, glanced sympathetically at the flapping fish, then gazed at him with haughty condemnation in her eyes. “I assume they used nets or something, but I’m perfectly certain they didn’t do it this way.” “What way?” he demanded. “The way you have-sneaking up on it in its own little watery home, tricking it by covering up your hook with that poor fuzzy thing, and then jerking the poor fish away from its family and tossing it on the bank to die. It’s quite inhumane!” she said, and she gave her skirts an irate twitch. Lord Marchman stared at her in frowning disbelief, then he shook his head as if trying to clear it. A few minutes later he escorted her home. Elizabeth made him carry the basket containing the fish on the opposite side from where she walked. And when that didn’t seem to discomfit the poor man she insisted he hold his arm straight out-to keep the basket even further from her person. She was not at all surprised when Lord Marchman excused himself until supper, nor when he remained moody and thoughtful throughout their uncomfortable meal. She covered the silence, however, by chattering earnestly about the difference between French and English fashions and the importance of using only the best kid for gloves, and then she regaled him with detailed descriptions of every gown she could remember seeing. By the end of the meal Lord Marchman looked dazed and angry; Elizabeth was a little hoarse and very encouraged.
Judith McNaught (Almost Heaven (Sequels, #3))
■​Imagine yourself in your counterpart’s situation. The beauty of empathy is that it doesn’t demand that you agree with the other person’s ideas (you may well find them crazy). But by acknowledging the other person’s situation, you immediately convey that you are listening. And once they know that you are listening, they may tell you something that you can use. ■​The reasons why a counterpart will not make an agreement with you are often more powerful than why they will make a deal, so focus first on clearing the barriers to agreement. Denying barriers or negative influences gives them credence; get them into the open. ■​Pause. After you label a barrier or mirror a statement, let it sink in. Don’t worry, the other party will fill the silence. ■​Label your counterpart’s fears to diffuse their power. We all want to talk about the happy stuff, but remember, the faster you interrupt action in your counterpart’s amygdala, the part of the brain that generates fear, the faster you can generate feelings of safety, well-being, and trust. ■​List the worst things that the other party could say about you and say them before the other person can. Performing an accusation audit in advance prepares you to head off negative dynamics before they take root. And because these accusations often sound exaggerated when said aloud, speaking them will encourage the other person to claim that quite the opposite is true. ■​Remember you’re dealing with a person who wants to be appreciated and understood. So use labels to reinforce and encourage positive perceptions and dynamics.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
Now, where were we when our conversation had to be abandoned downstairs?” he said when Ian handed the papers back to him. Ian’s thoughts were still in the study, where a desk was filled with his likenesses and carefully maintained reports of every facet of his life, and for a moment he looked blankly at the older man. “Ah, yes,” the duke prodded as Ian sat down across from him, “we were discussing your future wife. Who is the fortunate young woman?” Propping his ankle atop the opposite knee, Ian leaned back in his chair and regarded him in casual, speculative silence, one dark brow lifted in amused mockery. “Don’t you know?” he asked dryly. “I’ve known for five days. Or is Mr. Norwich behind in his correspondence again?” His grandfather stiffened and then seemed to age in his chair. “Charity,” he said quietly. With a ragged sigh he lifted his eyes to Ian’s, his gaze proud and beseeching at the same time. “Are you angry?” “I don’t know.” He nodded. “Do you have any idea how difficult it is to say ‘I’m sorry’?” "Don't say it," Ian said curtly. His grandfather drew a long breath and nodded again, accepting Ian's answer. "Well, then, can we talk? For just a little while?" "What do you want to talk about?" "Your future wife, for one thing," he said warmly. "Who is she?" "Elizabeth Cameron." The duke gave a start. "Really? I thought you had done with that messy affair two years ago." Ian suppressed a grim smile at his phrasing and his gall. "I shall send her my congratulations at once," his grandfather announced. "They'd be extremely premature," Ian said flatly.
Judith McNaught (Almost Heaven (Sequels, #3))
The great self-limitation practiced by man for ten centuries yielded, between the fourteenth and seventeenth centuries, the whole flower of the so-called "Renaissance." The root, usually, does not resemble the fruit in appearance, but there is an undeniable connection between the root's strength and juiciness and the beauty and taste of the fruit. The Middle Ages, it seems, have nothing in common with the Renaissance and are opposite to it in every way; nonetheless, all the abundance and ebullience of human energies during the Renaissance were based not at all on the supposedly "renascent" classical world, nor on the imitated Plato and Virgil, nor on manuscripts torn from the basements of old monasteries, but precisely on those monasteries, on those stern Franciscians and cruel Dominicans, on Saints Bonaventure, Anselm of Canterbury, and Bernard of Clairvaux. The Middle Ages were a great repository of human energies: in the medieval man's asceticism, self-abnegation, and contempt for his own beauty, his own energies, and his own mind, these energies, this heart, and this mind were stored up until the right time. The Renaissance was the epoch of the discovery of this trove: the thin layer of soil covering it was suddenly thrown aside, and to the amazement of following centuries dazzling, incalculable treasures glittered there; yesterday's pauper and wretched beggar, who only knew how to stand on crossroads and bellow psalms in an inharmonious voice, suddenly started to bloom with poetry, strength, beauty, and intelligence. Whence came all this? From the ancient world, which had exhausted its vital powers? From moldy parchments? But did Plato really write his dialogues with the same keen enjoyment with which Marsilio Ficino annotated them? And did the Romans, when reading the Greeks, really experience the same emotions as Petrarch, when, for ignorance of Greek, he could only move his precious manuscripts from place to place, kiss them now and then, and gaze sadly at their incomprehensible text? All these manuscripts, in convenient and accurate editions, lie before us too: why don't they lead us to a "renascence" among us? Why didn't the Greeks bring about a "renascence" in Rome? And why didn't Greco-Roman literature produce anything similar to the Italian Renaissance in Gaul and Africa from the second to the fourth century? The secret of the Renaissance of the fourteenth-fifteenth centuries does not lie in ancient literature: this literature was only the spade that threw the soil off the treasures buried underneath; the secret lies in the treasures themselves; in the fact that between the fourth and fourteenth centuries, under the influence of the strict ascetic ideal of mortifying the flesh and restraining the impulses of his spirit, man only stored up his energies and expended nothing. During this great thousand-year silence his soul matured for The Divine Comedy; during this forced closing of eyes to the world - an interesting, albeit sinful world-Galileo was maturing, Copernicus, and the school of careful experimentation founded by Bacon; during the struggle with the Moors the talents of Velasquez and Murillo were forged; and in the prayers of the thousand years leading up to the sixteenth century the Madonna images of that century were drawn, images to which we are able to pray but which no one is able to imitate. ("On Symbolists And Decadents")
Vasily Rozanov (Silver Age of Russian Culture (An Anthology))
Both the date of Lennon’s murder and the careful selection of this particular victim are very important. Six weeks after Lennon’s death, Ronald Reagan would become President. Reagan and his soon-to-be appointed cabinet were prepared to build up the Pentagon war machine and increase the potential for war against the USSR. The first strike would fall on small countries like El Salvador and Guatemala. Lennon, alone, was the only man (even without his fellow Beatles) who had the ability to draw out one million anti-war protestors in any given city within 24 hours if he opposed those war policies. John Lennon was a spiritual force. He was a giant, like Gandhi, a man who wrote about peace and brotherly love. He taught an entire generation to think for themselves and challenge authority. Lennon and the Beatles’ songs shout out the inequalities of American life and the messages of change. Change is a threat to the longtime status quo that Reagan’s team exemplified. On my weekly radio broadcast of December 7, 1980, I stated, “The old assassination teams are coming back into power.” The very people responsible for covering up the murders of President John F. Kennedy, Senator Robert Kennedy, Reverend Martin Luther King, for Watergate and Koreagate, and the kidnapping and murder of Howard Hughes, and for hundreds of other deaths, had only six weeks before they would again be removing or silencing those voices of opposition to their policies. Lennon was coming out once more. His album was cut. He was preparing to be part of the world, a world which was a worse place since the time he had withdrawn with his family. It was a sure bet Lennon would react and become a social activist again. That was the threat. Lennon realized that there was danger in coming back into public view. He took that dangerous chance and we all lost!
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness and pain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course. When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding. A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.
Wheston Chancellor Grove (Who Has Known Heights)
To understand how shame is influenced by culture, we need to think back to when we were children or young adults, and we first learned how important it is to be liked, to fit in, and to please others. The lessons were often taught by shame; sometimes overtly, other times covertly. Regardless of how they happened, we can all recall experiences of feeling rejected, diminished and ridiculed. Eventually, we learned to fear these feelings. We learned how to change our behaviors, thinking and feelings to avoid feeling shame. In the process, we changed who we were and, in many instances, who we are now. Our culture teaches us about shame—it dictates what is acceptable and what is not. We weren’t born craving perfect bodies. We weren’t born afraid to tell our stories. We weren’t born with a fear of getting too old to feel valuable. We weren’t born with a Pottery Barn catalog in one hand and heartbreaking debt in the other. Shame comes from outside of us—from the messages and expectations of our culture. What comes from the inside of us is a very human need to belong, to relate. We are wired for connection. It’s in our biology. As infants, our need for connection is about survival. As we grow older, connection means thriving—emotionally, physically, spiritually and intellectually. Connection is critical because we all have the basic need to feel accepted and to believe that we belong and are valued for who we are. Shame unravels our connection to others. In fact, I often refer to shame as the fear of disconnection—the fear of being perceived as flawed and unworthy of acceptance or belonging. Shame keeps us from telling our own stories and prevents us from listening to others tell their stories. We silence our voices and keep our secrets out of the fear of disconnection. When we hear others talk about their shame, we often blame them as a way to protect ourselves from feeling uncomfortable. Hearing someone talk about a shaming experience can sometimes be as painful as actually experiencing it for ourselves. Like courage, empathy and compassion are critical components of shame resilience. Practicing compassion allows us to hear shame. Empathy, the most powerful tool of compassion, is an emotional skill that allows us to respond to others in a meaningful, caring way. Empathy is the ability to put ourselves in someone else’s shoes—to understand what someone is experiencing and to reflect back that understanding. When we share a difficult experience with someone, and that person responds in an open, deeply connected way—that’s empathy. Developing empathy can enrich the relationships we have with our partners, colleagues, family members and children. In Chapter 2, I’ll discuss the concept of empathy in great detail. You’ll learn how it works, how we can learn to be empathic and why the opposite of experiencing shame is experiencing empathy. The prerequisite for empathy is compassion. We can only respond empathically if we are willing to hear someone’s pain. We sometimes think of compassion as a saintlike virtue. It’s not. In fact, compassion is possible for anyone who can accept the struggles that make us human—our fears, imperfections, losses and shame. We can only respond compassionately to someone telling her story if we have embraced our own story—shame and all. Compassion is not a virtue—it is a commitment.
Anonymous
I sucked on a blade of grass and watched the millwheel turn. I was lying on my stomach on the stream's opposite bank, my head propped in my hands. There was a tiny rainbow in the mist above the froth and boil at the foot of the waterfall, and an occasional droplet found its way to me. The steady splashing and the sound of the wheel drowned out all other noises in the wood. The mill was deserted today, and I contemplated it because I had not seen its like in ages. Watching the wheel and listening to the water were more than just relaxing. It was somewhat hypnotic. … My head nodding with each creak of the wheel, I forced everything else from my mind and set about remembering the necessary texture of the sand, its coloration, the temperature, the winds, the touch of salt in the air, the clouds... I slept then and I dreamed, but not of the place that I sought. I regarded a big roulette wheel, and we were all of us on it-my brothers, my sisters, myself, and others whom I knew or had known-rising and falling, each with his allotted section. We were all shouting for it to stop for us and wailing as we passed the top and headed down once more. The wheel had begun to slow and I was on the rise. A fair-haired youth hung upside down before me, shouting pleas and warnings that were drowned in the cacophony of voices. His face darkened, writhed, became a horrible thing to behold, and I slashed at the cord that bound his ankle and he fell from sight. The wheel slowed even more as I neared the top, and I saw Lorraine then. She was gesturing, beckoning frantically, and calling my name. I leaned toward her, seeing her clearly, wanting her, wanting to help her. But as the wheel continued its turning she passed from my sight. “Corwin!” I tried to ignore her cry, for I was almost to the top. It came again, but I tensed myself and prepared to spring upward. If it did not stop for me, I was going to try gimmicking the damned thing, even though falling off would mean my total ruin. I readied myself for the leap. Another click... “Corwin!” It receded, returned, faded, and I was looking toward the water wheel again with my name echoing in my ears and mingling, merging, fading into the sound of the stream. … It plunged for over a thousand feet: a mighty cataract that smote the gray river like an anvil. The currents were rapid and strong, bearing bubbles and flecks of foam a great distance before they finally dissolved. Across from us, perhaps half a mile distant, partly screened by rainbow and mist, like an island slapped by a Titan, a gigantic wheel slowly rotated, ponderous and gleaming. High overhead, enormous birds rode like drifting crucifixes the currents of the air. We stood there for a fairly long while. Conversation was impossible, which was just as well. After a time, when she turned from it to look at me, narrow-eyed, speculative, I nodded and gestured with my eyes toward the wood. Turning then, we made our way back in the direction from which we had come. Our return was the same process in reverse, and I managed it with greater ease. When conversation became possible once more, Dara still kept her silence, apparently realizing by then that I was a part of the process of change going on around us. It was not until we stood beside our own stream once more, watching the small mill wheel in its turning, that she spoke.
Roger Zelazny (The Great Book of Amber (The Chronicles of Amber, #1-10))