Outpost Quotes

We've searched our database for all the quotes and captions related to Outpost. Here they are! All 100 of them:

Colorful demonstrations and weekend marches are vital but alone are not powerful enough to stop wars. Wars will be stopped only when soldiers refuse to fight, when workers refuse to load weapons onto ships and aircraft, when people boycott the economic outposts of Empire that are strung across the globe.
Arundhati Roy (Public Power in the Age of Empire (Open Media Series))
My full name's Ed Kennedy. I'm nineteen. I'm an underage cab driver. I'm typical of many of the young men you see in this suburban outpost of the city -- not a whole lot of prospects or possibility. That aside, I read more books than I should, and I'm decidedly crap at sex and doing my taxes. Nice to meet you.
Markus Zusak (I Am the Messenger)
It's hard to fight an enemy who has outposts in your head.
Sally Kempton
The first thing Connor said when I saw him after he'd been at the outpost for a few months was, 'I see you got breasts, congratulations. I hope you know how to use them.
Andrea Cremer (Wolfsbane (Nightshade, #2; Nightshade World, #5))
People try to make sense of things, and if they don’t know the answers, they make them up, because for some, a wrong answer is better than none.
Ann Aguirre (Outpost (Razorland, #2))
In this world of ours, a world of powerful centers and subjugated outposts, there is no wealth that must not be held in some suspicion.
Eduardo Galeano
Love sounded terrible if it made you so weak, you couldn't survive with out it.
Ann Aguirre (Outpost (Razorland, #2))
Yet sometimes being a friend meant letting people do things that hurt, like putting distance between you, just because it made them happy.
Ann Aguirre (Outpost (Razorland, #2))
I want to drag you off and hide you away,” he whispered. “Why?” “I always knew you were beautiful, but now everyone else will too. I won’t be able to keep other boys away from you, and it’ll make me crazy.
Ann Aguirre (Outpost (Razorland, #2))
Jane woke, stretched, and decided to kill herself. If she hadn’t found a reason to live by the end of the day she would jump from the rig. It felt good to have a plan.
Adam Baker (Outpost (Outpost, #1))
You believe in God?" demanded Billy Karma. "I believe in thirty-seven separate and distinct gods," answered Argyle proudly. "That puts me thirty-six ahead of you." "It makes you a pagan." "It makes you a man of limited vision," said Argyle.
Mike Resnick (The Outpost (Birthright, #26))
Caring too much could be dangerous; I saw that now. But the alternative was no better.
Ann Aguirre (Outpost (Razorland, #2))
If I ever win you," he said, anger bright in his pale eyes, "it will be because you want me more. Not because he's gone. I'm nobody's second best.
Ann Aguirre (Outpost (Razorland, #2))
Like most, I was a mix of good and bad, anger and protectiveness, kindness and pride. But right now, I had only strangled fear and the promise of revenge.
Ann Aguirre (Outpost (Razorland, #2))
I couldn't help what I'd done before I learned it was wrong. I could only do better in the future.
Ann Aguirre (Outpost (Razorland, #2))
People grew lazy. They knew too many blessings, and so lost the ability to appreciate what they had
Ann Aguirre (Outpost (Razorland, #2))
I sighed. 'It's hard. You're the only one who listens to what I have to say.' Longshot dropped a gentle, comforting arm around my shoulders. 'Then speak louder, girl. Don't let them put out your spark.
Ann Aguirre (Outpost (Razorland, #2))
Our form of compulsory schooling is an invention of the State of Massachusetts around 1850. It was resisted — sometimes with guns — by an estimated eighty percent of the Massachusetts population, the last outpost in Barnstable on Cape Cod not surrendering its children until the 1880s, when the area was seized by militia and children marched to school under guard.
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
Perhaps that was the point; life, if you did it right, meant learning and changing. If you didn't, you died- or stopped growing - which amounted to more or less the same thing. So I would slide in and out of different roles until I discovered the one that fit me best. -Deuce, (183)
Ann Aguirre (Outpost (Razorland, #2))
Did he die well?" No, I thought. Nobody did. They just died.
Ann Aguirre (Outpost (Razorland, #2))
If so, I couldn't imagine how the opposite gender managed to get out of bed in the morning. They might be lovely to look at, but clear thinking wasn't their strong point.
Ann Aguirre (Outpost (Razorland, #2))
If you don't tell me what's on your mind, I can't guess
Ann Aguirre (Outpost (Razorland, #2))
Maybe I was just one of those people who couldn't rest easy unless things went catastrophically wrong.
Ann Aguirre (Outpost (Razorland, #2))
For here was Casablanca, a far-flung outpost in a time of war. And here at the heart of the city, right under the sweep of the searchlights, was Rick’s Café Américain, where the beleaguered could assemble for the moment to gamble and drink and listen to music; to conspire, console, and most importantly, hope. And at the center of this oasis was Rick. As the Count’s friend had observed, the saloonkeeper’s cool response to Ugarte’s arrest and his instruction for the band to play on could suggest a certain indifference to the fates of men. But in setting upright the cocktail glass in the aftermath of the commotion, didn’t he also exhibit an essential faith that by the smallest of one’s actions one can restore some sense of order to the world?
Amor Towles (A Gentleman in Moscow)
Beyond, the unknown lay before us once more, and another impossible task. The four of us emerged from the earth and turned our steps west, toward the last hope for Salvation.
Ann Aguirre (Outpost (Razorland, #2))
If there had been another female for him since we arrived in Salvation, I needed to cut off all her hair and beat her half to death. The strength of that impulse scared me, and I took a step back. Deuce the girl was every bit as vicious as the Huntress, it seemed
Ann Aguirre (Outpost (Razorland, #2))
Finally, I understood what else was going on. I might be slow, but given time, I put the pieces together. "You have no reason to be jealous, I promise. We talked... and trained. You're the only boy who gets close like this." "Oh." A long, slow breath escaped him. "I feel so stupid." I put my lips to his cheek and whispered, "Don't. I love you, Fade.
Ann Aguirre (Outpost (Razorland, #2))
I swept down the stairs to find Fade waiting for me at the bottom. His dark eyes widened, and for the first time since I'd known him, he was speechless. He stared up at me like I was everything he ever wanted.
Ann Aguirre (Outpost (Razorland, #2))
You can lick your wounds and miss me until you come searching for me... because you’re mine and I’m yours.
Ann Aguirre (Outpost (Razorland, #2))
My heart raced. He needs you, I thought. Don't let him down. I couldn't remember ever being so happy... or so scared.
Ann Aguirre (Outpost (Razorland, #2))
Just as Australia, when I began visiting it in the 1960s, was more British than Britain itself, Europe’s most remote outpost of Greenland remained emotionally tied to Europe.
Jared Diamond (Collapse: How Societies Choose to Fail or Succeed)
The scrutiny was smothering. Right now it seemed that being Vendan within these outpost walls was preferable to being the impudent royal who had abandoned their precious prince at the altar.
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
I found it curious that people kept animals for companionship and not food. When I'd asked Mama Oaks when she planned to cook the fat creature that slept in a basket in the kitchen, her eyes almost popped out of her head. Since then, she'd kept her pet away from me, like she suspected I meant to turn it into stew. Clearly, I had a lot to learn.
Ann Aguirre (Outpost (Razorland, #2))
Society was calling to its accomplished child to come, to be taken care of, to be instructed, to be judged, to be condemned; it called him to return to that rubbish heap from which he had wandered away, so that justice could be done.
Joseph Conrad (An Outpost of Progress)
Pop culture has entered into a nostalgic malaise. Online culture is dominated by trivial mashups of the culture that existed before the onset of mashups, and by fandom responding to the dwindling outposts of centralized mass media. It is a culture of reaction without action.
Jaron Lanier (You Are Not a Gadget)
My common sense had already packed a bag, prepared to abandon me for the evening.
Ann Aguirre (Outpost (Razorland, #2))
What was the good of having such a fine home if you weren't willing to fight for it?
Ann Aguirre (Outpost (Razorland, #2))
Neighbor to neighbor. It is a mentality that has been fostered over centuries, since the earliest settlers realized the only way to survive in this desolate but beautiful outpost was to work together. Much of their music captures this spirit.
Jim DeFede (The Day the World Came to Town: 9/11 in Gander, Newfoundland)
The flat top of the hill was scattered with the bodies of dead men in the uniforms of Sounis and Eddis. The outposts of both armies had met here. As I stood staring, I thought, These are my dead. All of them. The battle hadn't been unanticipated or forced on me, as the raid in the villa had been. I had chosen it. These men, Eddisian and Sounisian alike, had died for my decisions. When the magus stepped from the bushes toward the back part of the hill, I was more than horrified. I was perilously close to distraught. ... When he pulled away and looked into my face, I knew that he would tell me that I was Sounis and that I needed to pull myself together. "Your uncle," he said, "in all the years I saw him rule, never had a moment of self-doubt. Never a regret for a single life lost. Do you understand?" I understood that I didn't want to be my uncle.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
Midnight! the outpost of advancing day! The frontier town and citadel of night! The watershed of Time, from which the streams Of Yesterday and To-morrow take their way, One to the land of promise and of light, One to the land of darkness and of dreams!
Henry Wadsworth Longfellow (The Complete Poems of Henry Wadsworth Longfellow)
I missed you." I didn't mean to tell him so, even if it was true. Admitting need felt like weakness; it demonstrated dependence and vulnerability.
Ann Aguirre (Outpost (Razorland, #2))
I'm not sick, Deuce. You don't know your own charm." My charm? I hadn't been aware I had any. It must be the dress, I thought.
Ann Aguirre (Outpost (Razorland, #2))
Sometimes people don’t have to say or do anything weird. They just sit there, quietly sipping tea, all the while putting out an ultrasonic scream like they are dying inside.
Adam Baker (Outpost (Outpost, #1))
Whatever your grievances, I'm sure we can address them without resorting to war," persisted Argyle.... Nonsense," said the alien. "Do you know how many laborers and industries we'd put out of work if we were to stop the war just because a few bleeding hearts think we can talk out our grievances?
Mike Resnick (The Outpost (Birthright, #26))
People try to make sense of things, and if they don't know the answers, they make them up, because for some, a wrong answer is better than none.
Ann Aguirre (Outpost (Razorland, #2))
Stalkers lips curled into a sneer. "You won't make a move without him, huh? That's embarrassing." "No," I said softly. "It just hurts because you wish it was you.
Ann Aguirre (Outpost (Razorland, #2))
When we privatize our faith, we cease to be salt and light in the world. No longer part of a countercultural revolution, or an outpost of heaven demonstrating God’s plan for restoration and resurrection, we reduce our faith to this: “Jesus came, died, and rose from the grave to get me into heaven.
Mike Slaughter (Renegade Gospel: The Rebel Jesus)
He was beautiful in a way that hurt me, but it was the sweetest pain I ever knew, better even than the scars I took on my naming day.
Ann Aguirre (Outpost (Razorland, #2))
I resolved, then, deep in my soul never to let him go. I'd be the one never to leave him. I'd prove to him that some things could be for always- that we could be.
Ann Aguirre (Outpost (Razorland, #2))
Go mad I cannot: I maintain The perilous outpost of the sane.
Herman Melville (Clarel: A Poem and Pilgrimage in the Holy Land (Melville))
The War Department in Washington briefly weighed more ambitious schemes to relieve the Americans on a large scale before it was too late. But by Christmas of 1941, Washington had already come to regard Bataan as a lost cause. President Roosevelt had decided to concentrate American resources primarily in the European theater rather than attempt to fight an all-out war on two distant fronts. At odds with the emerging master strategy for winning the war, the remote outpost of Bataan lay doomed. By late December, President Roosevelt and War Secretary Henry Stimson had confided to Winston Churchill that they had regrettably written off the Philippines. In a particularly chilly phrase that was later to become famous, Stimson had remarked, 'There are times when men have to die.
Hampton Sides (Ghost Soldiers: The Epic Account of World War II's Greatest Rescue Mission)
Kirk: How close will we come to the nearest Klingon outpost if we continue on our present course? Chekov: Vun parsec, sir. Close enough to smell them. Spock: That is illogical, ensign. Odors cannot travel through the vacuum of space. Chekov: I vas making a little joke, sir. Spock: Extremely little, ensign.
David Gerrold (The Trouble with Tribbles)
There on the hot white roof of humanity's last outpost, we look out over our rapidly, hopelessly, irretrievably changing world, and we sing: Nothing's gonna change my world. Nothing's gonna change my world.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
No man would ever hold me this well. I was made to be wrapped in these arms. A woman could tell a lot by the way a man holds her. She could tell if he had the strength to endure the rougher moments. If he had a mighty yet kind heart. If he could make her feel safe and cherished. Beau’s embrace said all that and more.
Devney Perry (The Outpost (Jamison Valley, #4))
you know,' said Jane, 'for a while there I thought we would be okay.
Adam Baker (Outpost (Outpost, #1))
Edmund cleared his throat. "Pretty as a picture, isn't she?" Fade only nodded. His hungry stare brought color to my cheeks, and I was conscious of the warmth of his fingers when he touched me. Just on the arm, but my skin was bare, and it felt shocking, intimate, too darking in front of my foster parents.
Ann Aguirre (Outpost (Razorland, #2))
When a group of frontiersmen camped on the middle fork of Elkhorn Creek heard about the militiamen’s deaths in Massachusetts, they decided to name their outpost for the historic event. That is why what was then a part of Virginia is known today as Lexington, Kentucky.
Nathaniel Philbrick (Bunker Hill: A City, a Siege, a Revolution)
Age had nothing to do with how well my brain worked.
Ann Aguirre (Outpost (Razorland, #2))
It’s impossible to defeat an enemy who has an outpost in your head.
Sally Kempton
A man with no coin had no reason to pace his trek in terms of outposts and inns. He could pay for no bed. Thus, he could wander to his heart’s content,
Emma Mieko Candon (Star Wars Visions: Ronin)
Stalker put his hands on my shoulders - and for a moment, his pale eyes blazed with the power of what he felt for me. The reflected head warmed me where I hadn't even know I was cold. Then his golden, spiky lashes swept down, veiling his thoughts. I shouldn't let this boy comfort me when I'd rejected him. Weakness made me selfish, but I didn't resist when he pulled me against him.
Ann Aguirre (Outpost (Razorland, #2))
A woman could tell a lot by the way a man holds her. She could tell if he had the strength to endure the rougher moments. If he had a mighty yet kind heart. If he could make her feel safe and cherished. Beau’s embrace said all that and more.
Devney Perry (The Outpost (Jamison Valley, #4))
But about feelings people really know nothing. We talk with indignation or enthusiasm; we talk about oppression, cruelty, crime, devotion, self-sacrifice, virtue, and we know nothing real beyond these words.
Joseph Conrad (An Outpost of Progress)
Poetry should express the apex, should constitute a kind of pioneering outpost in the unexplored area of life, should precede other arts in the depiction of sensitivity. It should be the word and sword intervening in the spirit, so that matter, docile, can follow. Creation, especially poetic, is above all a result.
Odysseas Elytis (Open Papers - Selected Essays)
It isn't easy being an organism. In the whole universe, as far as we yet know, there is only one place, an inconspicuous outpost of the Milky Way called Earth, that will sustain you, and even it can be pretty grudging.
Bill Bryson (A Short History of Nearly Everything)
While Americans view the Revolutionary War as a conflict fought from Maine to Florida, France actually forced Britain to fight the Revolution as a world war, defending its outposts in India, Jamaica, and Africa. The British had to divert most of their celebrated navy from the American coast to defend against French attacks elsewhere.‡
Tom Reiss (The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo)
Good people don’t just see the good in others, they see it in themselves too.
Devney Perry (The Outpost (Jamison Valley, #4))
Sometimes the Force challenges us," the older woman said. "And we don't find out until later why we had to suffer. Every setback contains hidden blessings.
Delilah S. Dawson (Black Spire (Star Wars: Galaxy's Edge, #2))
The letter is only an aid to philosophical communication, the actual essence of which consists in arousing a particular train of thought. Someone speaking thinks and produces—someone listening reflects—and reproduces. Words are a deceptive medium for what is already though—unreliable vehicles of a particular, specific stimulus. The true teacher is a guide. If the pupil genuinely desires truth it requires only a hint to show him how to find what he is seeking. Accordingly the representation of philosophy consists purely of themes—of initial propositions—principles. It exists only for autonomous lovers of truth. The analytical exposition of the theme is only for those who are sluggish or unpracticed. The latter must learn thereby how to fly and keep themselves moving in a particular direction. Attentiveness is a centripetal force. The effective relation between that which is directed and the object of direction begins with the given direction. If we hold fast to this direction we are apodictically certain of reaching the goal that has been set. True collaboration in philosophy then is a common movement toward a beloved world—whereby we relieve each other in the most advanced outpost, a movement that demands the greatest effort against the resisting element within which we are flying.
Novalis (Philosophical Writings)
They were two perfectly insignificant and incapable individuals, whose existence is only rendered possible through the high organization of civilized crowds. Few men realize that their life, the very essence of their character, their capabilities, and their audacities are only the expression of their belief in the safety of their surroundings. The courage, the composure, the confidence, the emotion and principle, every great and every insignificant thought, belongs not to the individual, but to the crowd: to the crowd that believes blindly in the irresistible force of its institutions and of its morals, in the power of its police and of its opinion. But the contact with pure unmitigated savagery, with primitive nature and primitive man brings sudden and profound trouble to the heart. To the sentiment of one's loneliness, to the loneliness of one's thoughts and one's sensations. To the negation of the habitual, which is safe, there is added the affirmation of the unusual, which is dangerous. A suggestion of things vague uncontrollable and repulsive, whose discomposing intrusion excites the imagination and tries the civilized nerves of the foolish and the wise alike.
Joseph Conrad (An Outpost of Progress)
Advancing computer performance is like water slowly flooding the landscape. A half century ago it began to drown the lowlands, driving out human calculators and record clerks, but leaving most of us dry. Now the flood has reached the foothills, and our outposts there are contemplating retreat. We feel safe on our peaks, but, at the present rate, those too will be submerged within another half century. I propose that we build Arks as that day nears, and adopt a seafaring life!
Max Tegmark (Life 3.0: Being Human in the Age of Artificial Intelligence)
There is no returning to the masses - once your forays into theory have borne you far enough away from them that you can perceive them and the benefits of being among them. the only return is through the process of disillusionment; one must cease to care about motivating the masses to be reunited with them. Likewise, there is no converting them - no matter how many people you come to join you at your outpost, from up close they will never look as impressive as the distant crowd.
CrimethInc. (Contradictionary)
The Church acts as a sort of embassy for the government of the King. It is an outpost of the Kingdom of God surrounded by the kingdom of darkness. Just as an embassy is meant to showcase the life of a nation to the surrounding people, so the Church is meant to manifest the life of the Kingdom of God to the people around it.
Kevin DeYoung (What is the Mission of the Church?: Making sense of social justice, Shalom and the Great Commission)
Soldier on guard says they've identified “someone on two legs a hundred metres from the outpost”. The other soldier, in the lookout, says “A girl about ten,” but by then they're already shooting. Girl's dead[...]The point is this use of code, on two legs, denoting human. It reminded me of that speech by their Prime Minister saying that we were beasts walking on two legs [...]The idea that having legs makes you human. I thought of adding a Primo Levi-ish dimension to it. Merging this two-legged idea with a sort of general question about what is a man, you know, linking it to “if this is a man who labours in the mud/ who knows no peace/ who fights for a crust of bread?” [...] my thesis being that the occupation, the closures, the siege have made amputees of all of us, crawling around in the mud. Legless in Gaza. The lot of us.
Selma Dabbagh (Out of It)
They say a happy childhood is a lousy preparation for life. Kids who spend their playground days fat, ginger or gay know the truth. The world has always been full of vicious predators. For plenty of people this carnage and savagery is business as usual.
Adam Baker (Outpost (Outpost, #1))
Astronomers suspect that the Oort Cloud could extend as far as three light-years from our solar system. That is more than halfway to the nearest stars, the Centauri triple star system, which is slightly more than four light-years from Earth. If we assume that the Centauri star system is also surrounded by a sphere of comets, then there might be a continuous trail of comets connecting it to Earth. It may be possible to establish a series of refueling stations, outposts, and relay locations on a grand interstellar highway. Instead of leaping to the next star in one jump, we might cultivate the more modest goal of "comet hopping" to the Centauri system. This thoroughfare could become a cosmic Route 66.
Michio Kaku (The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality and Our Destiny Beyond Earth)
Queen Gunnhild waves away the advice with a pale hand. "I can't abide that scourge sneaking around the Chateau, killing everyone that comes within an inch of its evil presence. That building and its surrounds are Nord Property and we are in dire need of an outpost so near the Gray Sea again. It's time to end this, return a presence to a southern territory.
Mandy Gardner (Short Tales From Earth's Final Chapter: Book 1: Volume 1 Paperback (English) Close)
They say a happy childhood is a lousy preparation for life. Kids who spend their playground days fat, ginger or gay know the truth.
Adam Baker (Outpost (Outpost, #1))
Negative courage. Give up on yourself, and you have nothing left to fear. You become invincible.
Adam Baker (Outpost (Outpost, #1))
Some days I spent up to three hours in the arcade after school, dimly aware that we were the first people, ever, to be doing these things. We were feeling something they never had - a physical link into the world of the fictional - through the skeletal muscles of the arm to the joystick to the tiny person on the screen, a person in an imagined world. It was crude but real. We'd fashioned an outpost in the hostile, inaccessible world of the imagination, like dangling a bathysphere into the crushing dark of the deep ocean, a realm hitherto inaccessible to humankind. This is what games had become. Computers had their origin in military cryptography - in a sense, every computer game represents the commandeering of a military code-breaking apparatus for purposes of human expression. We'd done that, taken that idea and turned it into a thing its creators never imagined, our own incandescent mythology.
Austin Grossman (You)
Night Song” suggests that the oblivion we ultimately achieve is an outpost of solitude from which the other is exiled—your oblivion is not mine, as your dream is not. This last line makes a mockery of placation; it damns the wish it grants. Against the relentless pronoun, the verbs are drumbeats, infantile, primitive. If what we want is oblivion, we are all lucky.
Louise Glück (Proofs & Theories: Essays on Poetry)
war. The ultimate betrayal of tribe isn’t acting competitively—that should be encouraged—but predicating your power on the excommunication of others from the group. That is exactly what politicians of both parties try to do when they spew venomous rhetoric about their rivals. That is exactly what media figures do when they go beyond criticism of their fellow citizens and openly revile them. Reviling people you share a combat outpost with is an incredibly stupid thing to do, and public figures who imagine their nation isn’t, potentially, one huge combat outpost are deluding themselves. In
Sebastian Junger (Tribe: On Homecoming and Belonging)
What will be lost, and what saved, of our civilization probably lies beyond our powers to decide. No human group has ever figured out how to design its future. That future may be germinating today not in a boardroom in London or an office in Washington or a bank in Tokyo, but in some antic outpost or other -- a kindly British orphanage in the grim foothills of Peru, a house for the dying in a back street of Calcutta run by a fiercely single-minded Albanian nun, an easy-going French medical team at the starving edge of the Sahel, a mission to Somalia by Irish social workers who remember their own Great Hunger, a nursery program to assist convict-mothers at a New York Prison -- in some unheralded corner where a great-hearted human being is committed to loving o9utcasts in an extraordinary way.
Thomas Cahill (How the Irish Saved Civilization: The Untold Story of Ireland's Heroic Role from the Fall of Rome to the Rise of Medieval Europe)
There are strawberries growing among my bulbs. Wild ones, seeded from God knows where, poking their pale little fingers among the tulips and crocuses. Wild strawberries are invasive; not quite as invasive as dandelions, but those little heart-shaped leaves conceal a powerful hunger for conquest, sending their runners everywhere, each one an outpost preparing itself for a future invasion. And yet I cannot bring myself, père, to curb their cheery exuberance. Though more or less worthless in terms of fruit, the little white flowers and pretty leaves make excellent ground count cover, keeping the thistles and ragwort at bay without suppressing my daffodils. And besides, in summer, there may be enough of the tiny red berries to put on a tart, or flavor a glassful of sweet white wine. That is, if the birds do not steal them first. They too enjoy their sweetness. Those strawberries will creep, Reynaud, said Narcisse's voice in my mind. Let them stay, and in a month, your beds will be nothing but strawberries.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
I will also talk about my experience of growing up in the former Soviet Union, where mathematics became an outpost of freedom in the face of an oppressive regime. I was denied entrance to Moscow State University because of the discriminatory policies of the Soviet Union. The doors were slammed shut in front of me. I was an outcast. But I didn’t give up. I would sneak into the University to attend lectures and seminars. I would read math books on my own, sometimes late at night. And in the end, I was able to hack the system. They didn’t let me in through the front door; I flew in through a window. When you are in love, who can stop you?
Edward Frenkel (Love and Math: The Heart of Hidden Reality)
He was the most enigmatic man she'd ever met. On the one hand he was a Thor-like sex warrior, perfectly at home slinking around the debaucherous outposts of his commercial empire, and on the other hand he was a man who craved his solitude and privacy and loved this rare and extra-ordinary setting. It was a heady combination, and it left Sophie wanting very much to know the roots of this man who existed between the two extremes.
Kitty French (Knight & Play (Knight, #1))
Do you know how to kill a Freak with your bare hands? Can you skin and cook a rabbit? Do you know what wild plants you can eat? Would you be able to get yourself from the ruins where I was born all the way up north?” I shook my head, knowing the answer already. “In my world, lady, I’m already as good as I need to be, and I don’t like your tone.
Ann Aguirre (Outpost (Razorland, #2))
From when she was young, Molly had learned that the fence was an important landmark for the Mardudjara people of the Western Desert who migrated south from the remote regions. They knew that once they reached Billanooka Station, it was simply a matter of following the rabbit-proof fence to their final destination, the Jigalong government depot; the desert outpost of the white man. The fence cut through the country from south to north. It was a typical response by the white people to a problem of their own making. Building a fence to keep the rabbits out proved to be a futile attempt by the government of the day. For the three runaways, the fence was a symbol of love, home and security.
Doris Pilkington (Rabbit-Proof Fence)
Prison Moon Four a.m. work duty and I begin my solitary trudge from outer compound to main building. A shivering guard, chilled in his lonely outpost, strip searches me until content that my inconsequential nudity. poses no threat and then whispers the secret code that allows me admittance into the open quarter-mile walkway. I chuff my way into another day as ice glints on the razor wire and the rifles note my numbed passage, silent but for my huffs and scuffle on the cracked, slippery sidewalk A new moon, veiled in wispy fog and beringed in glory, hangs over the prison, its gaudy glow taunting the halogen spotlights. The moon’s creamy pull upsets some liquid equilibrium within me and like tides, wolves and all manner of madmen, I surrender disturbed by the certainty that under the bony luminescence of a grinning moon The lunar deliriums grip me and I howl--once, then again, and surely somewhere an unbound sleeper stirs, penitence is dying a giddy death. I shake myself sane and as the echoes hang in the frigid air I explain to the wild-eyed guard that convicts, like all animals under the leash, must bay at the beauty beyond them.
Jorge Antonio Renaud
Is this what you did at Death’s?” Jack demanded. “Let him touch your face, you? After you danced for him?” “Why didn’t you answer the radio?” I didn’t hear anything.” “Because I turned off the volume,” Aric said with a shrug. Precarious moments eked by before he lowered the pistol. “You’re right. I’m sorry, bébé.” “She refuses both our advances, mortal.” “Until she sees her way clear to me.” “Advances? You mean you messed with her head some more and reminded her of old games?” “Not at all. I merely pointed out some of the countless ways I’m better for her than you are. Even you recognize this.” When Jack clenched his hands, I shot to my feet. “Don’t touch him!” “Not goan to poison myself, no. Not when I have a future to look forward to.” “Ah, yes, a new start with Selena. My wife and I extend our felicitations.” “You think she’s goan to pick you over me? Imbécile!” “I have no doubt in my mind.” Where was Aric’s unnerving confidence coming from? If his gift would skew my decision, then was there even a choice? “When we return the Archer to the outpost,” Aric said, “you’ll kindly give us your answer. The suitor you pass over will leave you alone.” He offered Jack his deadly hand. “Come, let’s shake on it.” “Sheathe your goddamned weapons, Reaper, or I’ll pull my own again.” He asked me, “You agree to this?
Kresley Cole (Dead of Winter (The Arcana Chronicles, #3))
But if you fake any trait long enough it becomes an essential part of you, like your fingerprint. So there’s no point telling yourself not to be scared. You can’t control your thoughts and emotions. But you can control your actions. In the end, we are the sum of what we do.
Adam Baker (Outpost (Outpost, #1))
I thought back to Europe, where this journey began, then to Berkeley and even Madison, where the plans were first hatched. I thought about how the road led through Amsterdam, Paris and Greece, how for Guy and Sarah it continued through Central Asia, and how for me it detoured through East Africa. I thought about how many people had started off on this same journey, and how few had made it this far. I thought about how, of all the possible destinations this was the farthest outpost, the most remote spot of all - Kathmandu was the end of the road.
Terry Tarnoff (The Bone Man of Benares: A Lunatic Trip Through Love and the World)
All these adoptions of European styles make it obvious that the Greenlanders paid very close attention to European fashions and followed them in detail. The adoptions carry the unconscious message, “We are Europeans, we are Christians, God forbid that anyone could confuse us with the Inuit.” Just as Australia, when I began visiting it in the 1960s, was more British than Britain itself, Europe’s most remote outpost of Greenland remained emotionally tied to Europe. That would have been innocent if the ties had expressed themselves only in two-sided combs and in the position in which the arms were folded over a corpse. But the insistence on “We are Europeans” becomes more serious when it leads to stubbornly maintaining cows in Greenland’s climate, diverting manpower from the summer hay harvest to the Nordrseta hunt, refusing to adopt useful features of Inuit technology, and starving to death as a result. To us in our secular modern society, the predicament in which the Greenlanders found themselves is difficult to fathom. To them, however, concerned with their social survival as much as with their biological survival, it was out of the question to invest less in churches, to imitate or intermarry with the Inuit, and thereby to face an eternity in Hell just in order to survive another winter on Earth. The Greenlanders’ clinging to their European Christian image may have been a factor in their conservatism that I mentioned above: more European than Europeans themselves, and thereby culturally hampered in making the drastic lifestyle changes that could have helped them survive.
Jared Diamond (Collapse: How Societies Choose to Fail or Survive)
So it’s democracy versus capitalism at this point, friends, and we out on this frontier outpost of the human world are perhaps better positioned than anyone else to see this and to fight this global battle, there’s empty land here, there’s scarce and nonrenewable resources here, and we’re going to get swept up into the fight and we cannot choose not to be part of it, we are one of the prizes and our fate will be decided by what happens throughout the human world. That being the case, we had better band together for the common good, for Mars and for us and for all the people on earth and for the seven generations, it’s going to be hard it’s going to take years, and the stronger we are the better our chances, which is why I’m so happy to see that burning meteor in the sky pumping the matrix of life into our world, and why I’m so happy to see you all here to celebrate it together, a representative congress of all that I love in this world, but look I think that steel-drum band is ready to play aren’t you” (shouts of assent) “so why don’t you folks start and we’ll dance till dawn and tomorrow scatter on the winds and down the sides of this great mountain, to carry the gift everywhere.
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
But what lies ahead for those who are young now? I can say with confidence that their future will depend more on science and technology than any previous generation’s has done. They need to know about science more than any before them because it is part of their daily lives in an unprecedented way. Without speculating too wildly, there are trends we can see and emerging problems that we know must be dealt with, now and into the future. Among the problems I count global warming, finding space and resources for the massive increase in the Earth’s human population, rapid extinction of other species, the need to develop renewable energy sources, the degradation of the oceans, deforestation and epidemic diseases—just to name a few. There are also the great inventions of the future, which will revolutionise the ways we live, work, eat, communicate and travel. There is such enormous scope for innovation in every area of life. This is exciting. We could be mining rare metals on the Moon, establishing a human outpost on Mars and finding cures and treatments for conditions which currently offer no hope. The huge questions of existence still remain unanswered—how did life begin on Earth? What is consciousness? Is there anyone out there or are we alone in the universe? These are questions for the next generation to work on.
Stephen Hawking (Brief Answers to the Big Questions)
I already know a thing or two. I know it’s not clothes that make women beautiful or otherwise, nor beauty care, nor expensive creams, nor the distinction or costliness of their finery. I know the problem lies elsewhere. I don’t know where. I only know it isn’t where women think. I look at the women in the streets of Saigon, and up-country. Some of them are very beautiful, very white, they take enormous care of their beauty here, especially up-country. They don’t do anything, just save themselves up, save themselves up for Europe, for lovers, holidays in Italy, the long six-months’ leaves every three years, when at last they’ll be able to talk about what it’s like here, this peculiar colonial existence, the marvellous domestic service provided by the houseboys, the vegetation, the dances, the white villas, big enough to get lost in, occupied by officials in distant outposts. They wait, these women. They dress just for the sake of dressing. They look at themselves. In the shade of their villas, they look at themselves for later on, they dream of romance, they already have huge wardrobes full of more dresses than they know what to do with, added together one by one like time, like the long days of waiting. Some of them go mad. Some are deserted for a young maid who keeps her mouth shut. Ditched. You can hear the word hit them, hear the sound of the blow. Some kill themselves.
Marguerite Duras (The Lover)
To grapple effectually with even purely material problems requires more serenity of mind and more lofty courage than people generally imagine. No two beings could have been more unfitted for such a struggle. Society, not from any tenderness, but because of its strange needs, had taken care of those two men, forbidding them all independent thought, all initiative, all departure from routine; and forbidding it under pain of death. They could only live on condition of being machines. And now, released from the fostering care of men with pens behind the ears, or of men with gold lace on the sleeves, they were like those lifelong prisoners who, liberated after many years, do not know what use to make of their freedom. They did not know what use to make of their faculties, being both, through want of practice, incapable of independent thought.
Joseph Conrad (An Outpost of Progress)
I had tracked down a little cafe in the next village, with a television set that was going to show the World Cup Final on the Saturday. I arrived there mid-morning when it was still deserted, had a couple of beers, ordered a sensational conejo au Franco, and then sat, drinking coffee, and watching the room fill up. With Germans. I was expecting plenty of locals and a sprinkling of tourists, even in an obscure little outpost like this, but not half the population of Dortmund. In fact, I came to the slow realisation as they poured in and sat around me . . . that I was the only Englishman there. They were very friendly, but there were many of them, and all my exits were cut off. What strategy could I employ? It was too late to pretend that I was German. I’d greeted the early arrivals with ‘Guten Tag! Ich liebe Deutschland’, but within a few seconds found myself conversing in English, in which they were all fluent. Perhaps, I hoped, they would think that I was an English-speaker but not actually English. A Rhodesian, possibly, or a Canadian, there just out of curiosity, to try to pick up the rules of this so-called ‘Beautiful Game’. But I knew that I lacked the self-control to fake an attitude of benevolent detachment while watching what was arguably the most important event since the Crucifixion, so I plumped for the role of the ultra-sporting, frightfully decent Upper-Class Twit, and consequently found myself shouting ‘Oh, well played, Germany!’ when Helmut Haller opened the scoring in the twelfth minute, and managing to restrain myself, when Geoff Hurst equalised, to ‘Good show! Bit lucky though!’ My fixed grin and easy manner did not betray the writhing contortions of my hands and legs beneath the table, however, and when Martin Peters put us ahead twelve minutes from the end, I clapped a little too violently; I tried to compensate with ‘Come on Germany! Give us a game!’ but that seemed to strike the wrong note. The most testing moment, though, came in the last minute of normal time when Uwe Seeler fouled Jackie Charlton, and the pig-dog dolt of a Swiss referee, finally revealing his Nazi credentials, had the gall to penalise England, and then ignored Schnellinger’s blatant handball, allowing a Prussian swine named Weber to draw the game. I sat there applauding warmly, as a horde of fat, arrogant, sausage-eating Krauts capered around me, spilling beer and celebrating their racial superiority.
John Cleese (So, Anyway...: The Autobiography)
By the early twenty-second century, the technology for self-replicating robots should be perfected, and we may be able to entrust machines with the task of constructing solar arrays and laser batteries on the moon, Mars, and beyond. We would ship over an initial team of automatons, some of which would mine the regolith and others of which would build a factory. Another set of robots would oversee the sorting, milling, and smelting of raw materials in the factory to separate and obtain various metals. These purified metals could then be used to assemble laser launch stations—and a new batch of self-replicating robots. We might eventually have a bustling network of relay stations throughout the solar system, perhaps stretching from the moon all the way to the Oort Cloud. Because the comets in the Oort Cloud extend roughly halfway to Alpha Centauri and are largely stationary, they may be ideal locations for laser banks that could provide an extra boost to nanoships on their journey to our neighboring star system. As each nanoship passed by one of these relay stations, its lasers would fire automatically and give the ship an added push to the stars. Self-replicating robots could build these distant outposts by using fusion instead of sunlight as the basic source of energy.
Michio Kaku (The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality, and Our Destiny BeyondEarth)
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps. Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air. He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.” “Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.” “There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.” “Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!” The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.” “You keep saying ‘he.’ Who was it that got to work on you?” “Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!” The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves. That night, the news of a far more terrible incident flew around the camp. Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board. His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite. The astonishing thing was that he did not kill himself immediately afterward.
Boris Pasternak (Doctor Zhivago)