Silence Is Full Of Answers Quotes

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Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause of a room full of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're alone in the whole house? Each one is different, you know, and all very beautiful if you listen carefully.
Norton Juster (The Phantom Tollbooth)
Do you love me?' I asked her. She smiled. 'Yes.' 'Do you want me to be happy?' as I asked her this I felt my heart beginning to race. 'Of course I do.' 'Will you do something for me then?' She looked away, sadness crossing her features. 'I don't know if I can anymore.' she said. 'but if you could, would you?' I cannot adequately describe the intensity of what I was feeling at that moment. Love, anger, sadness, hope, and fear, whirling together sharpened by the nervousness I was feeling. Jamie looked at me curiously and my breaths became shallower. Suddenly I knew that I'd never felt as strongly for another person as I did at that moment. As I returned her gaze, this simple realization made me wish for the millionth time that I could make all this go away. Had it been possible, I would have traded my life for hers. I wanted to tell her my thoughts, but the sound of her voice suddenly silenced the emotions inside me. 'yes' she finally said, her voice weak yet somehow still full of promise. 'I would.' Finally getting control of myself I kissed her again, then brought my hand to her face, gently running my fingers over her cheek. I marveled at the softness of her skin, the gentleness I saw in her eyes. even now she was perfect. My throat began to tighten again, but as I said, I knew what I had to do. Since I had to accept that it was not within my power to cure her, what I wanted to do was give her something that she'd wanted. It was what my heart had been telling me to do all along. Jamie, I understood then, had already given me the answer I'd been searching for, the answer my heart needed to find. She'd told me outside Mr. Jenkins office, the night we'd asked him about doing the play. I smiled softly, and she returned my affection with a slight squeeze of my hand, as if trusting me in what I was about to do. Encouraged, I leaned closer and took a deep breath. When I exhaled, these were the words that flowed with my breath. 'Will you marry me?
Nicholas Sparks (A Walk to Remember)
I answer her with my silence, understanding the full power of it for the first time. Words are weapons. Weapons are powerful. So are unsaid words. So are unused weapons.
Emily Murdoch (If You Find Me)
Quoting from Thomas Merton Dialogues With Silence The true contemplative is not one who prepares his mind for a particular message that he wants or expects to hear, but is one who remains empty because he knows that he can never expect to anticipate the words that will transform his darkness into light. He does not even anticipate a special kind of transformation. He does not demand light instead of darkness. He waits on the Word of God in silence, and, when he is answered it is not so much by a word that bursts into his silence. It is by his silence itself, suddenly, inexplicably revealing itself to him as a word of great power, full of the voice of God. (17)
Stephen Cope (The Wisdom of Yoga: A Seeker's Guide to Extraordinary Living)
It was an old fear, a fear that has never left me: the fear that, in losing pieces of her life, mine lost intensity and importance. And the fact that she didn’t answer emphasized that preoccupation. However hard I tried in my letters to communicate the privilege of the days in Ischia, my river of words and her silence seemed to demonstrate that my life was splendid but uneventful, which left me time to write to her every day, while hers was dark but full.
Elena Ferrante (My Brilliant Friend (Neapolitan Novels, #1))
The Balrog reached the bridge. Gandalf stood in the middle of the span, leaning on the staff in his left hand, but in his other hand Glamdring gleamed, cold and white. His enemy halted again, facing him, and the shadow about it reached out like two vast wings. It raised the whip, and the thongs whined and cracked. Fire came from its nostrils. But Gandalf stood firm. 'You cannot pass,' he said. The orcs stood still, and a dead silence fell. 'I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.' The Balrog made no answer. The fire in it seemed to die, but the darkness grew. It stepped forward slowly onto the bridge, and suddenly it drew itself up to a great height, and its wings were spread from wall to wall; but still Gandalf could be seen, glimmering in the gloom; he seemed small, and altogether alone: grey and bent, like a wizened tree before the onset of a storm. From out of the shadow a red sword leaped flaming. Glamdring glittered white in answer. There was a ringing clash and a stab of white fire. The Balrog fell back and its sword flew up in molten fragments. The wizard swayed on the bridge, stepped back a pace, and then again stood still. 'You cannot pass!' he said. With a bound the Balrog leaped full upon the bridge. Its whip whirled and hissed. 'He cannot stand alone!' cried Aragorn suddenly and ran back along the bridge. 'Elendil!' he shouted. 'I am with you, Gandalf!' 'Gondor!' cried Boromir and leaped after him. At that moment Gandalf lifted his staff, and crying aloud he smote the bridge before him. The staff broke asunder and fell from his hand. A blinding sheet of white flame sprang up. The bridge cracked. Right at the Balrog's feet it broke, and the stone upon which it stood crashed into the gulf, while the rest remained, poised, quivering like a tongue of rock thrust out into emptiness. With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard's knees, dragging him to the brink. He staggered and fell, grasped vainly at the stone, and slid into the abyss. 'Fly, you fools!' he cried, and was gone.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
A rose lay open in full bloom and, looking from my garden room, I watched the sun-baked flower fill with rain. It seemed so fragile, resting there, and such a silence filled the air, the beauty of the moment caused me pain. "What more?" I thought. "There must be more." As if in answer then, I saw one weighty drop that caused my rose to fall. It trembled, then cascaded down to earth just staining gentle brown and, since then, I've felt different. That's all.
Julie Andrews Edwards (Home: A Memoir of My Early Years)
Not long ago, I learned that if I let other people tell me how God was supposed to work in my life I would be dead. If I would have given into someone else’s version of God then I would have done nothing to improve my situation. The notion that “if it was meant to be, it will be”, is a pacifying, yet harmful quote, that many spiritualists use to soften the blow of anger. God is not passive. He is relentless, and he will build you through fire. He will put in your heart a need for answers. The intensity of what bothers your soul is often his voice trying to take you from the limited vision of mankind to the full view of the best life he would like to offer you. He is above any pastor, any bishop, any prophet, any church, any cleverly crafted sermon or multi-meaning verse. He is the master of his craft and the author of your forever. Inner peace is only found through action. Fear may darken the trail, but the light of peace stands at the end of such a journey ----waiting with truth.
Shannon L. Alder
What's that you're doing, Sassenach?" "Making out little Gizmo's birth certificate--so far as I can," I added. "Gizmo?" he said doubtfully. "That will be a saint's name?" "I shouldn't think so, though you never know, what with people named Pantaleon and Onuphrius. Or Ferreolus." "Ferreolus? I dinna think I ken that one." He leaned back, hands linked over his knee. "One of my favorites," I told him, carefully filling in the birthdate and time of birth--even that was an estimate, poor thing. There were precisely two bits of unequivocal information on this birth certificate--the date and the name of the doctor who's delivered him. "Ferreolus," I went on with some new enjoyment, "is the patron saint of sick poultry. Christian martyr. He was a Roman tribune and a secret Christian. Having been found out, he was chained up in the prison cesspool to await trial--I suppose the cells must have been full. Sounds rather daredevil; he slipped his chains and escaped through the sewer. They caught up with him, though, dragged him back and beheaded him." Jamie looked blank. "What has that got to do wi' chickens?" "I haven't the faintest idea. Take it up with the Vatican," I advised him. "Mmphm. Aye, well, I've always been fond of Saint Guignole, myself." I could see the glint in his eye, but couldn't resist. "And what's he the patron of?" "He's involved against impotence." The glint got stronger. "I saw a statue of him in Brest once; they did say it had been there for a thousand years. 'Twas a miraculous statue--it had a cock like a gun muzzle, and--" "A what?" "Well, the size wasna the miraculous bit," he said, waving me to silence. "Or not quite. The townsfolk say that for a thousand years, folk have whittled away bits of it as holy relics, and yet the cock is still as big as ever." He grinned at me. "They do say that a man w' a bit of St. Guignole in his pocket can last a night and a day without tiring." "Not with the same woman, I don't imagine," I said dryly. "It does rather make you wonder what he did to merit sainthood, though, doesn't it?" He laughed. "Any man who's had his prayer answered could tell yet that, Sassenach." (PP. 841-842)
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Being afraid's not always bad." he said gently. "It can keep you moving forward. It can help you get things done." The silence between us was different than any silence I'd known before, full and warm and waiting. "What are you afraid of?" I dared to ask. There was a flicker of surprise in his eyes, as if it were something he'd never been asked before. For a moment I thought he wouldn't answer. But he let out a slow breath, and his gaze left mine to sweep across the trailer park. "Staying here." he finally said. "Staying until I'm not fit to belong anywhere else." "Where do you want to belong?" I half whispered. His expression changed with quicksilver speed, amusement dancing in his eyes. "Anywhere they don't want me.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Instructions for a Broken Heart I will find a bare patch of earth, somewhere where the ruins have fallen away, somewhere where I can fit both hands, and I will dig a hole. And into that hole, I will scream you, I will dump all the shadow places of my heart—the times you didn’t call when you said you’d call, the way you only half listened to my poems, your eyes on people coming through the swinging door of the café—not on me—your ears, not really turned toward me. For all those times I started to tell you about the fight with my dad or when my grandma died, and you said something about your car, something about the math test you flunked, as an answer. I will scream into that hole the silence of dark nights after you’d kissed me, how when I asked if something was wrong—and something was obviously so very wrong—how you said “nothing,” how you didn’t tell me until I had to see it in the dim light of a costume barn—so much wrong. I will scream all of it. Then I will fill it in with dark earth, leave it here in Italy, so there will be an ocean between the hole and me. Because then I can bring home a heart full of the light patches. A heart that sees the sunset you saw that night outside of Taco Bell, the way you pointed out that it made the trees seem on fire, a heart that holds the time your little brother fell on his bike at the fairgrounds and you had pockets full of bright colored Band-Aids and you kissed the bare skin of his knees. I will take that home with me. In my heart. I will take home your final Hamlet monologue on the dark stage when you cried closing night and it wasn’t really acting, you cried because you felt the words in you and on that bare stage you felt the way I feel every day of my life, every second, the way the words, the light and dark, the spotlight in your face, made you Hamlet for that brief hiccup of a moment, made you a poet, an artist at your core. I get to take Italy home with me, the Italy that showed me you and the Italy that showed me—me—the Italy that wrote me my very own instructions for a broken heart. And I get to leave the other heart in a hole. We are over. I know this. But we are not blank. We were a beautiful building made of stone, crumbled now and covered in vines. But not blank. Not forgotten. We are a history. We are beauty out of ruins.
Kim Culbertson (Instructions for a Broken Heart)
I missed only Lila, Lila who didn’t answer my letters. I was afraid of what was happening to her, good or bad, in my absence. It was an old fear, a fear that has never left me: the fear that, in losing pieces of her life, mine lost intensity and importance. And the fact that she didn’t answer emphasized that preoccupation. However hard I tried in my letters to communicate the privilege of the days in Ischia, my river of words and her silence seemed to demonstrate that my life was splendid but uneventful, which left me time to write to her every day, while hers was dark but full.
Elena Ferrante (My Brilliant Friend (Neapolitan Novels, #1))
Touch was absolutely out of the question. I couldn’t stop sweating. My heart, a butterfly pinned to a glacier. Empires fell inside my mouth. I touched myself like a pogrom & broke my sex into a history of inconsequential shames. I wept viciously inside of my own stomach & had it condemned. From an upside-down bell I drank silence, subsisted on the memory of someone else’s hands. Wolves sang & I did not answer. I forgot their names. Mornings were the worst, then there were days & evenings. Streetlights & darkened sycamore & suburban grief so full it made me foolish. I shattered my fist on the Lord’s jaw. Sorrow sat, licking my wrists & my neck. I slept at its convenience. O, uncelebrated body. My penis, a lighthouse on the bottom of the ocean, shining shadows at the undersides of boats. Nobody drowned for so many years. Desperate for the making of those candy-throated ghosts, I found the rooms between the violence of comets. I threw myself into anything’s path. Even the sky bent around me. How lonely to be something that nothing wants to kill. (So I Locked Myself Inside A Star for Twenty Years)
Jeremy Radin
When you ask the question, “Who am I?”—if you have enough time and concentration—you may find some surprising answers. You may see that you are a continuation of your ancestors. Your parents and your ancestors are fully present in every cell of your body; you are their continuation. You don’t have a separate self. If you remove your ancestors and your parents from you, there’s no “you” left. You may see that you’re made of elements, like water for example. If you remove the water from you, there’s no “you” left. You’re made of earth. If you remove the element earth from you, there’s no “you” left. You’re made of air. You need air desperately; without air you cannot survive. So if you remove the element of air from you, there’s no “you” left. And there’s the fire element, the element of heat, the element of light, in you. You know that you are made of light. Without sunlight, nothing can grow on Earth. If you continue to look, you see that you are made of the sun, one of the biggest stars in the galaxy. And you know that the Earth, as well as yourself, is made of the stars. So you are the stars. On a clear night, look up, and you can see that you are the stars above. You’re not just the tiny body you normally may think of as “yourself.
Thich Nhat Hanh (Silence: The Power of Quiet in a World Full of Noise)
At the balls he took me to there were many beautiful young women who didn't say a word. They answered every question with a shrug or a smile. If champagne got spilt down their dresses they only sighed; when the full moon slid out from behind the castle they watched it in silence. I could not understand it. Had they sold their voices too? Even their bodies were silent, always upright, never loosening their lines. They walked like letters on a page.
Emma Donoghue (Kissing the Witch: Old Tales in New Skins)
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
Gonzalo Guma (Equinoccio. Susurros del destino)
Space, the place and the concept, is both empty and full. It is nothingness, and it is everything. It is soundless without silence. It is aloneness, but its visitors may not be alone. Space may bring answers that ask greater questions, an awareness of unforeseen connections, and new definitions of life.
William David Hannah (Personal Space: Return to the Garden)
Then a priestess said, “Speak to us of Prayer.” And he answered, saying: You pray in your distress and in your need; would that you might pray also in the fullness of your joy and in your days of abundance. For what is prayer but the expansion of your self into the living ether? And if it is for your comfort to pour your darkness into space, it is also for your delight to pour forth the dawning of your heart. And if you cannot but weep when your soul summons you to prayer, she should spur you again and yet again, though weeping, until you shall come laughing. When you pray you rise to meet in the air those who are praying at that very hour, and whom save in prayer you may not meet. Therefore let your visit to that temple invisible be for naught but ecstasy and sweet communion. For if you should enter the temple for no other purpose than asking you shall not receive: And if you should enter into it to humble yourself you shall not be lifted: Or even if you should enter into it to beg for the good of others you shall not be heard. It is enough that you enter the temple invisible. I cannot teach you how to pray in words. God listens not to your words save when He Himself utters them through your lips. And I cannot teach you the prayer of the seas and the forests and the mountains. But you who are born of the mountains and the forests and the seas can find their prayer in your heart, And if you but listen in the stillness of the night you shall hear them saying in silence: “Our God, who art our winged self, it is thy will in us that willeth. “It is thy desire in us that desireth. “It is thy urge in us that would turn our nights, which are thine, into days, which are thine also. “We cannot ask thee for aught, for thou knowest our needs before they are born in us: “Thou art our need; and in giving us more of thyself thou givest us all.
Kahlil Gibran (The Prophet)
From other stories that have been handed down to me I know that my people, like many others in the slave states, went to church with their slaves, were baptized with them, and presumably expected to associate with them in heaven. Again, I have been years realizing what this means, and what it has cost. First, consider the moral predicament of the master who sat in church with his slaves, thus attesting his belief in the immortality of the souls of people whose bodies he owned and used. He thus placed his body, if not his mind, at the very crux of the deepest contradiction of his life. How could he presume to own the body of a man whose soul he considered as worthy of salvation as his own? To keep this question from articulating itself in his thoughts and demanding an answer, he had to perfect an empty space in his mind, a silence, between heavenly concerns and earthly concerns, between body and spirit. If there had ever opened a conscious connection between the two claims, if the two sides of his mind had ever touched, it would have been like building a fire in a house full of gunpowder: somewhere down deep in his mind he always knew of the danger, and his nerves were always alert to it.
Wendell Berry (The Hidden Wound)
I need to know something, and I need you to answer me in full honesty." Cullan said, breaking the silence. Alynna nodded. "When you saw me kissing that woman...were you jealous?" Alynna looked in his eyes. Was I jealous? She asked herself. "Yes, I was." Cullan heard enough. He raised his head and brushed his thumb against Alynna's soft lips. Just that simple admission from her made him feel alive, as if it was all he had been waiting for a long time.
Nicholaa Spencer (Marrying A Wannabe Nun)
I shook with cold and fear, without being able to answer. After a lapse of some moments, I was again called. I made an effort to speak, and then felt the bandage which wrapped me from head to foot. It was my shroud. At last, I managed feebly to articulate, 'Who calls?' 'Tis I' said a voice. 'Who art thou?' 'I! I! I!' was the answer; and the voice grew weaker, as if it was lost in the distance; or as if it was but the icy rustle of the trees. A third time my name sounded on my ears; but now it seemed to run from tree to tree, as if it whistled in each dead branch; so that the entire cemetery repeated it with a dull sound. Then I heard a noise of wings, as if my name, pronounced in the silence, had suddenly awakened a troop of nightbirds. My hands, as if by some mysterious power, sought my face. In silence I undid the shroud which bound me, and tried to see. It seemed as if I had awakened from a long sleep. I was cold. I then recalled the dread fear which oppressed me, and the mournful images by which I was surrounded. The trees had no longer any leaves upon them, and seemed to stretch forth their bare branches like huge spectres! A single ray of moonlight which shone forth, showed me a long row of tombs, forming an horizon around me, and seeming like the steps which might lead to Heaven. All the vague voices of the night, which seemed to preside at my awakening, were full of terror. ("The Dead Man's Story")
James Hain Friswell
I don't know what's happening to me," she says, blinking through a veil of tears as she looks everywhere but at me. "I don't think I can do this anymore." My heart plummets inside my chest, my lips still hovering over hers, my hands on her waist "do what anymore?" I don't want the answer, don't want to hear what follows my question, don't want to lose her. "Fight it." Tears are still flowing from her eyes, but I think she stop crying. She sucks and several breaths when she looks at me, her eyes are clear that I anticipated. She's scared shitless - that's clear - but it's like she stop fighting the fear, giving into it instead. Her lips apart and I'm a stop whatever she's about to say, silence her with my lips, but I don't, forcing myself to hear, needing to know what's got all worked up. "I think I'm in love with you," she says, her chest heaving with every ravenous breath she takes, yet her voice is astonishingly even and she manages to maintain my gaze. My voice however is the exact opposite of even, coming out all high-pitched like I'm a thirteen year old and going through puberty all over again. "What?" She sucks and a breath, then releases is slowly, the fear in her eyes subsiding, as if she just won it. "I think I'm in love with you..." She bites on your lips and shakes her head. "No...I don't think. I know." I gradually process her words and the full extent of what she's saying. I think I'd honestly believed that she might never say them, that this love thing was going to be a one-way street. Hearing her say it... I don't even know how to describe it. It's like my entire life of associated the word with hatred. Every time my mother said it, it felt like she was trying to take something from me and it made me hate her and myself-Love equaled hate for me. But hearing it from Violet's lips, seeing that look in her eyes, the one I've never seen from anyone, is so different. She's not taking something for me right now, she's giving me something. She's giving me everything.
Jessica Sorensen (The Certainty of Violet & Luke (The Coincidence, #5))
Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause of a room full of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're alone in the whole house? Each one is different, you know, and all very beautiful if you listen carefully.
Noton Juster Phantom Tollbooth
Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven’t the answer to a question you’ve been asked, or the hush of a country road at night, or the expectant pause of a room full of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you’re alone in the whole house? Each one is different, you know, and all very beautiful if you listen carefully.
Norton Juster
Lazily...possessively he ran a hand down her back. "Mmm, again," Shelby murmured. With a quiet laugh, Alan stroked up and down until she was ready to purr. "Shelby..." She gave another sigh as an answer and snuggled closer. "Shelby,there's something warm and fluffy under my feet." "Mmm-hmm." "If it's your cat, he's not breathing." "MacGregor." He kissed the top of her head. "What?" She gave a muffled laugh against his shoulder. "MacGregor," she repeated. "My pig." There was silence for a moment while he tried to digest this. "I beg your pardon?" The dry serious tone had more laughter bubbling up. Would she ever be able to face a day without hearing it? "Oh, say that again.I love it." Because she had to see his face, Shelby found the energy to lean across him and grope for the matches on the nightstand. Skin rubbed distractedly against skin while she struck one and lit a candle. "MacGregor," she said, giving Alan a quick kiss before she gestured to the foot of the bed. Alan studied the smiling porcine face. "You named a stuffed purple pig after me?" "Alan, is that any way to talk about our child?" His eyes shifted to hers in an expression so masculine and ironic, she collapsed on his chest in a fit of giggles. "I put him there because he was supposed to be the only MacGregor who charmed his way into my bed." "Really." Alan tugged on her hair until she lifted her face, full of amusement and fun,to his. "Is that what I dd?" "You knew damn well I wouldn't be able to resist balloons and rainbows foever.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
THERE WAS A BOY" THERE was a Boy; ye knew him well, ye cliffs And islands of Winander!--many a time, At evening, when the earliest stars began To move along the edges of the hills, Rising or setting, would he stand alone, Beneath the trees, or by the glimmering lake; And there, with fingers interwoven, both hands Pressed closely palm to palm and to his mouth Uplifted, he, as through an instrument, Blew mimic hootings to the silent owls, 10 That they might answer him.--And they would shout Across the watery vale, and shout again, Responsive to his call,--with quivering peals, And long halloos, and screams, and echoes loud Redoubled and redoubled; concourse wild Of jocund din! And, when there came a pause Of silence such as baffled his best skill: Then, sometimes, in that silence, while he hung Listening, a gentle shock of mild surprise Has carried far into his heart the voice 20 Of mountain-torrents; or the visible scene Would enter unawares into his mind With all its solemn imagery, its rocks, Its woods, and that uncertain heaven received Into the bosom of the steady lake. This boy was taken from his mates, and died In childhood, ere he was full twelve years old. Pre-eminent in beauty is the vale Where he was born and bred: the churchyard hangs Upon a slope above the village-school; 30 And, through that church-yard when my way has led On summer-evenings, I believe, that there A long half-hour together I have stood Mute--looking at the grave in which he lies!
William Wordsworth
Necessities 1 A map of the world. Not the one in the atlas, but the one in our heads, the one we keep coloring in. With the blue thread of the river by which we grew up. The green smear of the woods we first made love in. The yellow city we thought was our future. The red highways not traveled, the green ones with their missed exits, the black side roads which took us where we had not meant to go. The high peaks, recorded by relatives, though we prefer certain unmarked elevations, the private alps no one knows we have climbed. The careful boundaries we draw and erase. And always, around the edges, the opaque wash of blue, concealing the drop-off they have stepped into before us, singly, mapless, not looking back. 2 The illusion of progress. Imagine our lives without it: tape measures rolled back, yardsticks chopped off. Wheels turning but going nowhere. Paintings flat, with no vanishing point. The plots of all novels circular; page numbers reversing themselves past the middle. The mountaintop no longer a goal, merely the point between ascent and descent. All streets looping back on themselves; life as a beckoning road an absurd idea. Our children refusing to grow out of their childhoods; the years refusing to drag themselves toward the new century. And hope, the puppy that bounds ahead, no longer a household animal. 3 Answers to questions, an endless supply. New ones that startle, old ones that reassure us. All of them wrong perhaps, but for the moment solutions, like kisses or surgery. Rising inflections countered by level voices, words beginning with w hushed by declarative sentences. The small, bold sphere of the period chasing after the hook, the doubter that walks on water and treads air and refuses to go away. 4 Evidence that we matter. The crash of the plane which, at the last moment, we did not take. The involuntary turn of the head, which caused the bullet to miss us. The obscene caller who wakes us at midnight to the smell of gas. The moon's full blessing when we fell in love, its black mood when it was all over. Confirm us, we say to the world, with your weather, your gifts, your warnings, your ringing telephones, your long, bleak silences. 5 Even now, the old things first things, which taught us language. Things of day and of night. Irrational lightning, fickle clouds, the incorruptible moon. Fire as revolution, grass as the heir to all revolutions. Snow as the alphabet of the dead, subtle, undeciphered. The river as what we wish it to be. Trees in their humanness, animals in their otherness. Summits. Chasms. Clearings. And stars, which gave us the word distance, so we could name our deepest sadness.
Lisel Mueller (Alive Together)
from all I have read of the history of Greece and Rome, England and France, and all I have observed at home and abroad, eloquence in public assemblies is not the surest road to fame or preferment, at least, unless it be used with caution, very rarely, and with great reserve. The examples of Washington, Franklin, and Jefferson, are enough to show that silence and reserve in public, are more efficacious than argumentation or oratory. A public speaker who inserts himself, or is urged by others, into the conduct of affairs, by daily exertions to justify his measures, and answer the objections of opponents, makes himself too familiar with the public, and unavoidably makes himself enemies. Few persons can bear to be outdone in reasoning or declamation or wit or sarcasm or repartee or satire, and all these things are very apt to grow out of public debate. In this way, in a course of years, a nation becomes full of a man’s enemies, or at least, of such as have been galled in some controversy, and take a secret pleasure in assisting to humble and mortify him.
John Adams (Autobiography)
A bout of nerves crept up my spine and I tilted my head at him, hoping I was imagining the heat spreading over my cheeks to spare myself the embarrassment of blushing merely because he was piercing me with those chocolate eyes that I had never noticed were so amazing. “What are you staring at?” “Can I take you to prom?” He asked me. Just like that, no hesitation or insecurity to be found in his tone or facial expression. His confidence caught me completely off guard and I gaped at him in a stunned silence for almost twenty full seconds. His expression never faltered, though. He just watched my mouth work to make some sort of intelligible sound, waiting for my answer as he oozes at least the illusion of complete calm. “Huh?” I blurted in an embarrassingly high-pitched squeak. I sounded like a chipmunk and his smirk made me turn a deep shade of red. “Um… Uh… Prom?” I managed, eloquent as ever. He laughed at me fondly, nodding his head. “Yeah, prom.” Shock was not a deep enough word to describe what I was feeling over this proposal. This was Jim, the kid who swore up and down he would rather gouge out his eyes with a grapefruit spoon than put on dress clothes and he was offering to take me to a place where flannel shirts and ratty jeans were unacceptable and dance me around a room in uncomfortable shoes all night long? This couldn’t be real life. But it was real life. I was sitting in the car with him with my mouth hanging open like a fish waiting for him to laugh and tell me he was kidding, that there was no way he was going to put on a tie for my benefit, and he was sitting right there, a slightly nervous look crossing his features over my dumbstruck expression. Breathe, Lizzie, I scolded myself. Answer him! Say yes! You could have knocked me over with a feather and I was very relieved to be sitting down in a car so I could prevent anything humiliating from happening. Having already proved I could not trust my voice to answer him I jerkily nodded my head as my mouth grew into a Cheshire cat sized smile. I turned my face away and hid behind my hair as if I could hide my excitement from the world. Jim was visibly euphoric and that only made me want to squeal even more. He was excited to take me out. How cool was that?
Melissa Simmons (Best Thing I Never Had (Anthology))
But then grey, watery light hit her. And the air- the air was heavy, full of slow-running water and mould and loamy earth. No wind moved around them; not even a breeze. Cassian whistled. 'Look at this hellhole.' Dropping Azriel's hand. Nesta did just that. Oorid stretched before them. She had never seen a place so dead. A place that made the still-human part of her recoil, whispering that it was wrong wrong wrong to be here. Azriel winced. The shadowsinger of the Night Court winced as the full brunt of Oorid's oppressive air and scent and stillness hit him. The three of them surveyed the wasteland. Even the Cauldron's water hadn't been so solidly black as the water here, as if it were made of ink. In the shallows mere feet away, where the water met the grass, not one blade was visible where the surface touched it. Dead trees, grey with age and weather, jutted like the broken lances of a thousand soldiers, some draped with curtains of moss. No leaves clung to their branches. Most of the branches had been cracked off, leaving jagged spears extending from the trunks. 'Not one insect,' Azriel observed. 'Not one bird.' Nesta strained to listen. Only silence answered. Empty of even a whistle of a breeze.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
He Asked About The Quality" by C.P. Cavafy He left the office where he’d taken up a trivial, poorly paid job (eight pounds a month, including bonuses)— left at the end of the dreary work that kept him bent all afternoon, came out at seven and walked off slowly, idling his way down the street. Good-looking; and interesting: showing as he did that he’d reached his full sensual capacity. He’d turned twenty-nine the month before. He idled his way down the main street and the poor side-streets that led to his home. Passing in front of a small shop that sold cheap and flimsy things for workers, he saw a face inside there, saw a figure that compelled him to go in, and he pretended he wanted to look at some colored handkerchiefs. He asked about the quality of the handkerchiefs and how much they cost, his voice choking, almost silenced by desire. And the answers came back the same way, distracted, the voice hushed, offering hidden consent. They kept on talking about the merchandise—but the only purpose: that their hands might touch over the handkerchiefs, that their faces, their lips, might move close together as though by chance— a moment’s meeting of limb against limb. Quickly, secretly, so the shopowner sitting at the back wouldn’t realize what was going on.
J.D. McClatchy
Tis the middle of night by the castle clock" 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit!—Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud. Is the night chilly and dark? The night is chilly, but not dark. The thin gray cloud is spread on high, It covers but not hides the sky. The moon is behind, and at the full; And yet she looks both small and dull. The night is chill, the cloud is gray: 'Tis a month before the month of May, And the Spring comes slowly up this way. The lovely lady, Christabel, Whom her father loves so well, What makes her in the wood so late, A furlong from the castle gate? She had dreams all yesternight Of her own betrothèd knight; And she in the midnight wood will pray For the weal of her lover that's far away. She stole along, she nothing spoke, The sighs she heaved were soft and low, And naught was green upon the oak But moss and rarest mistletoe: She kneels beneath the huge oak tree, And in silence prayeth she. The lady sprang up suddenly, The lovely lady, Christabel! It moaned as near, as near can be, But what it is she cannot tell.— On the other side it seems to be, Of the huge, broad-breasted, old oak tree. The night is chill; the forest bare; Is it the wind that moaneth bleak? There is not wind enough in the air To move away the ringlet curl From the lovely lady's cheek— There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky …
Samuel Taylor Coleridge (Christabel)
You cannot pass,’ he said. The orcs stood still, and a dead silence fell. ‘I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.’ The Balrog made no answer. The fire in it seemed to die, but the darkness grew. It stepped forward slowly on to the bridge, and suddenly it drew itself up to a great height, and its wings were spread from wall to wall; but still Gandalf could be seen, glimmering in the gloom; he seemed small, and altogether alone: grey and bent, like a wizened tree before the onset of a storm. From out of the shadow a red sword leaped flaming. Glamdring glittered white in answer. There was a ringing clash and a stab of white fire. The Balrog fell back, and its sword flew up in molten fragments. The wizard swayed on the bridge, stepped back a pace, and then again stood still. ‘You cannot pass!’ he said. With a bound the Balrog leaped full upon the bridge. Its whip whirled and hissed. ‘He cannot stand alone!’ cried Aragorn suddenly and ran back along the bridge. ‘Elendil!’ he shouted. ‘I am with you, Gandalf!’ ‘Gondor!’ cried Boromir and leaped after him. At that moment Gandalf lifted his staff, and crying aloud he smote the bridge before him. The staff broke asunder and fell from his hand. A blinding sheet of white flame sprang up. The bridge cracked. Right at the Balrog’s feet it broke, and the stone upon which it stood crashed into the gulf, while the rest remained, poised, quivering like a tongue of rock thrust out into emptiness. With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard’s knees, dragging him to the brink. He staggered and fell, grasped vainly at the stone, and slid into the abyss. ‘Fly, you fools!’ he cried, and was gone.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Go on, ask me another question. I’m rather enjoying this game.” He cocked an eyebrow at her and, although he was certain it was pointless, he said, “Cheep cheep?” The herbalist brayed with laughter, and some of the werecats opened their mouths in what appeared to be toothy smiles. However, Shadowhunter seemed displeased, for she dug her claws into Eragon’s legs, making him wince. “Well,” said Angela, still laughing, “if you must have answers, that’s as good a story as any. Let’s see…Several years ago, when I was traveling along the edge of Du Weldenvarden, way out to the west, miles and miles from any city, town, or village, I happened upon Grimrr. At the time, he was only the leader of a small tribe of werecats, and he still had full use of both his paws. Anyway, I found him toying with a fledgling robin that had fallen out of its nest in a nearby tree. I wouldn’t have minded if he had just killed the bird and eaten it--that’s what cats are supposed to do, after all--but he was torturing the poor thing: pulling on its wings; nibbling its tail; letting it hop away, then knocking it over.” Angela wrinkled her nose with distaste. “I told him that he ought to stop, but he only growled and ignored me.” She fixed Eragon with a stern gaze. “I don’t like it when people ignore me. So, I took the bird away from him, and I wiggled my fingers and cast a spell, and for the next week, whenever he opened his mouth, he chirped like a songbird.” “He chirped?” Angela nodded, beaming with suppressed mirth. “I’ve never laughed so hard in my life. None of the other werecats would go anywhere near him for the whole week.” “No wonder he hates you.” “What of it? If you don’t make a few enemies every now and then, you’re a coward--or worse. Besides, it was worth it to see his reaction. Oh, he was angry!” Shadowhunter uttered a soft warning growl and tightened her claws again. Grimacing, Eragon said, “Maybe it would be best to change the subject?” “Mmm.” Before he could suggest a new topic, a loud scream rang out from somewhere in the middle of the camp. The cry echoed three times over the rows of tents before fading into silence. Eragon looked at Angela, and she at him, and then they both began to laugh.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
We eat in silence for a few minutes, and then Alexandra says, “That reminds me. Matthew, could you escort me to a charity dinner the second Saturday in December? Steven is going to be out of town.” She looks toward me. “I would ask my darling brother to do it, but we all know he spends his Saturday nights with the city slu—” she glances at her daughter “—undesirables.” Before Matthew can answer, Mackenzie puts her two cents in. “I don’t think Uncle Matthew can come, Momma. He been too busy bein’ pussy whipped. Wha’s pussy whipped, Daddy?” As soon as the words leave her angelic little lips, a horrendous chain reaction is set off: Matthew chokes on the black olive in his mouth, which flies out and nails Steven right in the eye. Steven doubles over, holding his eye and yelling, “I’m hit! I’m hit!” and then goes on about how the salt from the olive juice is eating away at his cornea. My father starts coughing. George stands up and begins pounding on his back while asking no one in particular if he should perform the Heimlich. Estelle knocks over her glass of red wine, which quickly seeps into my mother’s lace tablecloth. She makes no move to clean up the mess, but instead chants, “Oh, my goodness. Oh, my goodness.” My mother runs around the dining room like a chicken with its head cut off, searching for non-cloth napkins to wipe up the stain, all the while assuring Estelle that everything’s fine. And Frank…well…Frank just keeps eating. While the chaos continues around us, Alexandra’s death-ray glare never wavers from Matthew and me. After squirming under it for about thirty seconds, Matthew caves. “It wasn’t me, Alexandra. I swear to Christ it wasn’t me.” Chicken shit. Thanks, Matthew. Way to leave my ass blowing in the wind. Remind me never to go to war with him as my wingman. But as The Bitch glower is turned full force on me alone, I forgive him. I feel like at any moment I’ll be reduced to a smoking pile of Drew ash on the chair. I dig deep and give her the sweetest Baby Brother smile I can manage. Take a look. Is it working? I’m so fucking dead. See, there’s one thing about Bitch Justice you should know. It’s swift and merciless. You won’t know when it’s coming; all you can be certain of is that it will come. And when it does, it will be painful. Very, very painful.
Emma Chase (Tangled (Tangled, #1))
He returned to the table with a pile of pastries and two coffees. “Hungry?” she asked. “Let’s figure out what you like.” He waved at the pastries. How thoughtful. She picked up a small biscuit cookie to nibble but shook her head. “Too crunchy.” “Try the scone,” he recommended. One bite. “Nope. No scones. Maybe I’m not a pastry person.” “I’m taking notes over here.” He almost spit out his sip of coffee from laughter when she had to empty her mouth into a small napkin after biting into a cheesy sweet concoction. “Sorry.” Her face went hot. “I’ll stick with croissants. What about you? What do you like?” He shrugged. “I’m not picky.” “Is it bad to be picky? Does it mean I’m high maintenance?” “Maybe you’re not into sweets.” “If I dribbled chocolate all over you, I’d lick it off and like it.” She slapped a hand over her mouth. “Did I just say that out loud? Forget I said that.” “No undoing that. It’s stuck in here.” He tapped his head. “Moon madness.” “It’s mid-morning. There’s no moon in the sky.” He peeked out the window. “Maybe not a full moon, but there’s one in the sky. This insanity is our bodies cranking up for the main event later today.” His eyes traveled down her body and back up; he wet his lips with his tongue. Her mind flashed back to the moment his lips were on hers, the way his fingers had dug into her, the desperation flowing from his fingertips. Things were about to get a lot more interesting as the day wore on. In silence, they ate for a while. She leaned back and stared at him. “You may have to answer to someone, but you like what you do most of the time. Why do you do it? Save humans against things that bump in the night?” “I’m cursed to follow orders.” “Sure, you’re forced into some things, but that only goes so far.” He wiped a few crumbs off the table. “Perhaps so. It’s a good cause. Most of the time. Occasionally, the missions we’re ordered on are based on erroneous information.” She reached out and put her hand over his. “I might be as bad as they made me out. I don’t remember. I appreciate you trying to help me figure it out, but if I start to show an inclination toward evil or world domination, do your job.” He rotated his hand to hold hers and stared at their connection. “The fact you considered it means you’re not someone I should kill.” “We don’t know.” She removed her hand from his. “Tell me something about yourself. What pastry do you like? Are you a scones person?” He shook his head. “I’m not into a lot of sweets, but I’ve realized I like chocolate.
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
Priests, because they hear confessions and forgive sins and give counsel, are often called doctors of souls. You might call us the specialist surgeons of souls. We find the hidden problems, that people won’t speak about and couldn’t even if they would. We delve into the worst that human beings do—into the things that even they can’t explain—in order to find the person buried underneath the sin. Then we do our best to bring them back up with us. We see some of the harshest ugliness there is. Do you know why a person would cheat on their loving spouse with the full knowledge that it will wreck their children’s lives when the family falls apart? Do you know why a man would turn his own children against their mother so that they refuse to talk to her? Do you know why a woman would torture her children without leaving a mark, and scare them into not telling anyone? Do you know why people fake crimes and get their spouse arrested and sent to prison?” He stared at her expecting an answer, with an intensity that was almost frightening. She tried to voice an answer or two, but in the face of that earnest inquiry, they died unspoken. Easy answers and joking evasions wouldn’t do. She shook her head in the negative. “I do,” he said. “I’ve seen every one of those at least twice. And do you know what it’s taught me?” “What?” she asked, faintly. Sonia felt like she was talking with a monster. She was almost afraid of what lessons it had learned from the worst that human beings had to offer. “That the love of God is greater than all human evil. That where sin abounds, grace abounds more. I’ve seen some of the worst there is, and it doesn’t prove that life is meaningless. It proves that life is worth living. And it proves that we need God. I’m probably the most cynical person you’ve ever met, or ever will meet. But that doesn’t mean that I think life is bad. It means I know how much evil can exist in a good world. That’s what the faith gives me: I can stare evil in the face without blinking, because I know that it’s not the whole story.” He took a deep breath, then continued, a little more relaxed. “I’m sure that’s scary, if you’re used to blinking. I don’t know what to tell you, except that closing your eyes is not the way to be happy. If there’s something that you’re not supposed to look at, then look at it. If there’s something you’re not supposed to think about, then think about it. If something is too horrible to face, face it. Because the truth will set you free.” “You scare me,” she said, but it was an observation, neither a criticism nor a request to stop. He shrugged his shoulders. “Comfort is overrated,” he said. They stood there in silence for a few moments.
Christopher Lansdown (The Dean Died Over Winter Break (The Chronicles of Brother Thomas, #1))
It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano. Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place… At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void. Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning… Everybody and everything is a part of life... As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth. Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.
Henry Miller (Tropic of Capricorn (Tropic, #2))
12 See how dear he held him. (John 11:36 WEYMOUTH) He loved, yet lingered. We are so quick to think that delayed answer to prayer means that the prayer is not going to be answered. Dr. Stuart Holden has said truly: “Many a time we pray and are prone to interpret God’s silence as a denial of our petitions; whereas, in truth, He only defers their fulfillment until such time as we ourselves are ready to cooperate to the full in His purposes.” Prayer registered in heaven is prayer dealt with, although the vision still tarries. Faith is trained to its supreme mission under the discipline of patience. The man who can wait God’s time, knowing that He edits his prayer in wisdom and affection, will always discover that He never comes to man’s aid one minute too soon or too late. God’s delay in answering the prayer of our longing heart is the most loving thing God can do. He may be waiting for us to come closer to Him, prostrate ourselves at His feet and abide there in trustful submission, that His granting of the longed-for answer may mean infinitely greater blessing than if we received it anywhere else than in the dust at His feet. O wait, impatient heart! As winter waits, her songbirds fed. And every nestling blossom dead; Beyond the purple seas they sing! Beneath soft snows they sleep! They only sleep. Sweet patience keep And wait, as winter waits the spring. Nothing can hold our ship down when the tide comes in! The aloe blooms but once in a hundred years; but every hour of all that century is needed to produce the delicate texture and resplendent beauty of the flower. Faith heard the sound of “the tread of rain,” and yet God made Elijah wait! God never hastens, and He never tarries!
Lettie B. Cowman (Springs in the Valley: 365 Daily Devotional Readings)
I began to tell the Lord how beautiful His creation was. Of course He was already aware of that, so I described how marvelous were the works of His hands and how utterly fantastic it was that each tiny snowflake was different. I described how wonderful the colors of the rainbow were and how they represented His covenant with man. The Lord was patient and allowed me to carry on in this fashion for several minutes, but alas, I was not really able to accurately answer His simple request. Then He spoke to me and gave me the revelation to what I was seeing. The Lord said, “My son, what you are seeing are the souls of unsaved men and women of earth who are dying and going to hell at this very moment.” Those words penetrated my spirit like a sharp two-edged sword. I fell to my knees and began to weep as a passion that I had never known began to well up from some mysterious and hidden place deep within my spirit. “Oh, God, look at all of those souls,” I said, breaking the silence. Suddenly, I was overwhelmed with a strange compulsion to watch for a long time as thousands upon thousands of tiny flakes fell through the bright sunbeam. Their short fall was full of spectacular color and glory, but when they hit the ground, it was all over. The Lord was revealing to me a prophetic picture of the brevity of our short lives on an eternal scale. Our days on earth are but a vapor! (See Psalm 39:5 and James 4:14.) I was pierced through to the very heart. “Lord!” I cried out. “What can I possibly do?” He replied, “Just do what I ask, and preach the Cross of Christ.” “I can do that Lord. I will do that, my God, but I will need Your help.” I stayed upon my knees for a long time gazing at this spectacle. During this encounter, God birthed within me a holy passion and hunger to witness souls saved and people totally healed and delivered. I was absorbed in witnessing the array of tiny cascades of colors that luxuriated in the glory of God. I contemplated the ramifications of what I had been told. What a beautiful and glorious God He is. How can we as humankind turn our backs upon Him and such a great salvation that is so easily ours? I pondered all of the events that had been unfolding over the past few days, realizing that I would never be the same. I also realized that God would have to bring all the things that He had birthed in my heart to pass. I purposed to surrender my life and destiny to His will, and to Him. I “altared” my destiny into the hands of God. It was also during this encounter that the Lord instructed me to travel to Africa as an “armor bearer,” to preach His Gospel there and to pray for the sick. I was actually terrified by the prospect of traveling to Africa. I couldn’t imagine that in reality I could go there, considering my current financial situation and my lack of training to preach or minister in healing. However, I soon learned that with God nothing is impossible. Perhaps my obedience to walk with God in minus 12 degree temperatures opened the door to Africa to me? It was still another seemingly bizarre and peculiar gesture of obedience to the Spirit of God. ENTERTAINING ANGELS IN AMERICA After my return to the United States from Canada, I was radically transformed. I could no longer settle for a form of godliness. I began to wait on God, and He began to release supernatural provision
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
I can’t hear you, people! Make some noise if you want a good show. How about death? Do you wanna see lots and lots of death tonight?” I took in the applause, the hollering, the hammering feet, basking in it. Then my arm shot up, pointing one finger to the ceiling. The guard-tower window exploded. A man plummeted from the tower, slamming on the concrete floor behind me with a splat like someone stomping on a tomato. He’d been torn open from throat to groin, his chest a ragged ruin of splintered, wrenched-back ribs and mangled organs. His dead eyes were still open, jaw wrenched wide in terror. Then came the rain. The second sniper, one piece at a time. Hands. Feet. Arms, wrenched off at the elbows. His severed head bounced like a basketball as it hit the concrete, rolling across the floor and coming to a stop next to Warden Lancaster’s Italian leather shoe. A horrified silence fell across the room. The guards looked at one another, uncertain, hands on their guns but not sure if they should draw. Lancaster stared down at the severed head, frozen like a deer in the headlights. “Well,” I said, “you’re about to get everything you asked for. What do you think, Warden? Is this good and messy enough for you? Wouldn’t want you to think I ‘pussied out’ again.” His gaze snapped toward me. He took a halting step back, away from the carnage. “How? How did you—” A third body dove from the shattered window. Not in a guard’s uniform, but a billowing white leather coat. She landed as graceful as a raptor, absorbing the impact with one knee and the outstretched fingers of a single hand, and slowly rose to her full willowy height. Her eyes blazed like molten copper, as radiant as her twist of scarlet hair. “If anyone in this room believes themselves to be a righteous soul,” Caitlin said, “I suggest you kneel down and pray. If nobody answers…then you belong to me.
Craig Schaefer (The Killing Floor Blues (Daniel Faust, #5))
One of the pilots asked what Doolittle would do if his plane were hit. “Each pilot must decide for himself what he will do and what he’ll tell his crew to do if that happens,” he answered. “I know what I’m going to do.” A silence hung over the men before the pilot asked the logical follow-up. “I don’t intend to be taken prisoner,” Doolittle replied. “I’m 45 years old and have lived a full life. If my plane is crippled beyond any possibility of fighting or escape, I’m going to have my crew bail out and then I’m going to dive my B-25 into the best military target I can find. You fellows are all younger and have a long life ahead of you. I don’t expect any of the rest of you to do what I intend to do.
James M. Scott (Target Tokyo: Jimmy Doolittle and the Raid That Avenged Pearl Harbor)
Surely a young beauty like yourself is lonely, too. It can be a part of the game, if you like.” “Get off,” she said, thoroughly done with this. His answer was to lean in closer. So she kneed him in the groin. As hard as she could. “Aw, ow, dammit!” He doubled over and thudded onto his knees. Jane brushed off her knee, feeling like it had touched something dirty. “Aw, ow, dammit indeed! What’re you thinking?” Jane heard hurried footsteps coming down the stairs. It was Mr. Nobley. “Miss Erstwhile!” He was barefoot in his breeches, his shirt untucked. He glanced down at the groaning man. “Sir Templeton!” “Ow, she kicked me,” said Sir Templeton. “Kneed him, I kneed him,” Jane said. “I don’t kick. Not even when I’m a ninja.” Mr. Nobley stood a moment in silence, looking over the scene. “I hope you remembered to shout ‘Ya’ when taking him down. I hear that is very effective.” “I’m afraid I neglected that bit, but I’ll certainly ‘ya’ from here to London if he ever touches me again.” “Miss Erstwhile, were you perhaps employed by your president’s armed forces in America?” “What? Don’t British women know how to use their knees?” “Happily, I have never put myself in a position to find out.” He stared at the prostrate Sir Templeton. “Did he hurt you?” “Frankly, your arm-yanking earlier was worse.” “I see. Perhaps you should retire to your chambers, Miss Erstwhile. Would you like me to escort you?” “I’m fine,” she said, “as long as there aren’t any other Sir Templetons lurking upstairs.” “Well, I cannot give Colonel Andrews a glowing reference, but I believe the way is safe.” She stepped closer to Mr. Nobley and whispered, “Are you going to out me to Mrs. Wattlesbrook for the servants’ quarters lurking?” “I think,” he said, nudging the prostrate Sir Templeton with his foot, “that you have suffered enough tonight.” Mr. Nobley smiled at her, the first time she had seen his real smile. She wouldn’t go so far as to call it a grin. His lips were closed, but his eyes brightened and the corners of his mouth definitely turned up, creating pleasing little cheek wrinkles on either side as though the smile were in parentheses. It bothered her in a way she couldn’t explain, like feeling itchy but not knowing exactly where to scratch. He was not particularly amused, she saw, but smiled to reassure her. Wait, who wanted to reassure her? Mr. Nobley or the actual man, Actor X? “Thanks. Good night, Mr. Nobley.” “Good night, Miss Erstwhile.” She hesitated, then left, Sir Templeton’s groans following her up the stairs. On the second floor, Aunt Saffronia was emerging from her room, clutching a white shawl over her nightgown. “What was that noise? Is everything all right?” “Yes. It was…your husband. He was being inappropriate.” Aunt Saffronia blinked. “Inebriated?” “Yes.” She nodded slowly. “I’m sorry, Jane.” Jane wasn’t sure if Aunt Saffronia was speaking to Jane the niece or Jane the client. For the first time it didn’t matter; both Janes felt exactly the same. She acknowledged the apology with a nod, went to her room, and locked the door behind her. She thought she was angry but instead she plopped herself down on her bed, put her face in her pillow, and laughed. “What a joke,” she said, sounding to herself like the movie incarnation of Lydia Bennet. “I come for Mr. Darcy, fall for the gardener, and get propositioned by the drunk husband.” Tomorrow would be different. Tomorrow she would play for real. She was going to drive full force into the game, have a staggering good time, and kick the nasty Darcy habit for good. She fell asleep with the ticklish thought of Mr. Nobley’s smile.
Shannon Hale (Austenland (Austenland, #1))
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation
Gonzalo Guma (Equinoccio. Susurros del destino)
I answer with my silence, understanding the full power of it for the first time. Words are weapons. Weapons are powerful. So are unsaid words. So are unused weapons.
Emily E.K. Murdoch
Silence isn’t empty. It’s full of answers. Everything you could ever desire to know is available to you. The mind fears silence because it believes that if it stops thinking, it might go insane, nothing will get done, or perhaps it will even die. And so, out of familiarity, the mind never stops thinking due to fear of the unknown of silence. Yet, in the silence of the mind, all continues on joyfully without need for commentary.
Mathew Micheletti (The Inner Work: An Invitation to True Freedom and Lasting Happiness)
The most amazing part,” Katherine said, “is that as soon as we humans begin to harness our true power, we will have enormous control over our world. We will be able to design reality rather than merely react to it.” Langdon lowered his gaze. “That sounds . . . dangerous.” Katherine looked startled . . . and impressed. “Yes, exactly! If thoughts affect the world, then we must be very careful how we think. Destructive thoughts have influence, too, and we all know it’s far easier to destroy than it is to create.” Langdon thought of all the lore about needing to protect the ancient wisdom from the unworthy and share it only with the enlightened. He thought of the Invisible College, and the great scientist Isaac Newton’s request to Robert Boyle to keep “high silence” about their secret research. It cannot be communicated, Newton wrote in 1676, without immense damage to the world. “There’s an interesting twist here,” Katherine said. “The great irony is that all the religions of the world, for centuries, have been urging their followers to embrace the concepts of faith and belief. Now science, which for centuries has derided religion as superstition, must admit that its next big frontier is quite literally the science of faith and belief . . . the power of focused conviction and intention. The same science that eroded our faith in the miraculous is now building a bridge back across the chasm it created.” Langdon considered her words for a long time. Slowly he raised his eyes again to the Apotheosis. “I have a question,” he said, looking back at Katherine. “Even if I could accept, just for an instant, that I have the power to change physical matter with my mind, and literally manifest all that I desire . . . I’m afraid I see nothing in my life to make me believe I have such power.” She shrugged. “Then you’re not looking hard enough.” “Come on, I want a real answer. That’s the answer of a priest. I want the answer of a scientist.” “You want a real answer? Here it is. If I hand you a violin and say you have the capability to use it to make incredible music, I am not lying. You do have the capability, but you’ll need enormous amounts of practice to manifest it. This is no different from learning to use your mind, Robert. Well-directed thought is a learned skill. To manifest an intention requires laserlike focus, full sensory visualization, and a profound belief. We have proven this in a lab. And just like playing a violin, there are people who exhibit greater natural ability than others. Look to history. Look to the stories of those enlightened minds who performed miraculous feats.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
THE FELLOWSHIP OF THE RING "Many that live deserve death. And some that die deserve life." "Do not meddle in the affairs of Wizards, for they are subtle and quick to anger." "Go not to the Elves for counsel, for they will say both no and yes." "Hey dol! merry dol! ring a dong dillo! Ring a dong! hop along! fal lal the willow! Tom Bom, jolly Tom, Tom Bombadillo!" "No black man shall pass my doors, while I can stand on my legs." "All that is gold does not glitter, Not all those who wander are lost; The old that is strong does not wither, Deep roots are not reached by the frost. From the ashes a fire shall be woken, A light from the shadows shall spring; Renewed shall be blade that was broken, The crownless again shall be king." "One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the Darkness bind them." "A deadly sword, a healing hand, a back that bent beneath its load; a trumpet-voice, a burning brand, a weary pilgrim on the road. A lord of wisdom throned he sat, swift in anger, quick to laugh; an old man in a battered hat who leaned upon a thorny staff.” "The Balrog reached the bridge. Gandalf stood in the middle of the span, leaning on the staff in his left hand, but in his other hand Glamdring gleamed, cold and white. His enemy halted again, facing him, and the shadow about it reached out like two vast wings. It raised the whip, and the thongs whined and cracked. Fire came from its nostrils. But Gandalf stood firm. ‘You cannot pass,’ he said. The orcs stood still, and a dead silence fell. ‘I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.’ The Balrog made no answer. The fire in it seemed to die, but the darkness grew. It stepped forward slowly on to the bridge, and suddenly it drew itself up to a great height, and its wings were spread from wall to wall; but still Gandalf could be seen, glimmering in the gloom; he seemed small, and altogether alone: grey and bent, like a wizened tree before the onset of a storm. From out of the shadow a red sword leaped flaming. Glamdring glittered white in answer. There was a ringing clash and a stab of white fire. The Balrog fell back, and its sword flew up in molten fragments. The wizard swayed on the bridge, stepped back a pace, and then again stood still. ‘You cannot pass!’ he said. With a bound the Balrog leaped full upon the bridge. Its whip whirled and hissed. ‘He cannot stand alone!’ cried Aragorn suddenly and ran back along the bridge. ‘Elendil!’ he shouted. ‘I am with you, Gandalf!’ ‘Gondor!’ cried Boromir and leaped after him. At that moment Gandalf lifted his staff, and crying aloud he smote the bridge before him. The staff broke asunder and fell from his hand. A blinding sheet of white flame sprang up. The bridge cracked. Right at the Balrog’s feet it broke, and the stone upon which it stood crashed into the gulf, while the rest remained, poised, quivering like a tongue of rock thrust out into emptiness. With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard’s knees, dragging him to the brink. He staggered and fell, grasped vainly at the stone, and slid into the abyss. ‘Fly, you fools!’ he cried, and was gone.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
What do you think a soldier's job is, Derfel?" he asked me in that intimate manner that made you feel he was more interested in you than anyone else in the world. "To fight battles, Lord," I said. He shook his head. "To fight battles, Derfel," he corrected me, 'on behalf of people who can't fight for themselves. I learned that in Brittany. This miserable world is full of weak people, powerless people, hungry people, sad people, sick people, poor people, and it's the easiest thing in the world to despise the weak, especially if you're a soldier. If you're a warrior and you want a man's daughter, you just take her; you want his land, you just kill him; after all, you're a soldier and you have a spear and a sword, and he's just a poor weak man with a broken plough and a sick ox and what's to stop you?" He did not expect an answer to the question, but just paced on in silence. We had come to the western gateway and the split-log steps that climbed to the platform over the gate were whitening with a new frost. We climbed them side by side. "But the truth is, Derfel," Arthur said when we reached the high platform, 'that we are only soldiers because that weak man makes us soldiers. He grows the grain that feeds us, he tans the leather that protects us and he polls the ash trees that make our spear-shafts. We owe him our service.
Bernard Cornwell (The Winter King (The Warlord Chronicles, #1))
Someone to thank! There is no one there, and my involuntary ingratitude depresses me. Feeling jealous about my discovery, I take no steps to make it known. In my modesty I turn neither to authorities nor to universities. While I continue my experiments, the cracked skin of my hands becomes worse, the fissures gape and become full of coal-dust; blood oozes out, and the pains become so intolerable that I can undertake nothing more. I am inclined to attribute these pains which drive me wild to the unknown powers which have persecuted me for years, and frustrate my endeavours. I avoid people, neglect society, refuse invitations, and make myself inaccessible to friends. I am surrounded by silence and loneliness. It is the solemn and terrible silence of the desert in which I defiantly challenge the unknown, in order to wrestle with him, body with body, and soul with soul. I have proved that sulphur contains carbon; now I intend to discover hydrogen and oxygen in it, for they must be also present. But my apparatus is insufficient, I need money, my hands are black and bleeding, black as misery, bleeding as my heart. For, during this time, I continue to correspond with my wife. I tell her of my successes in chemical experiments; she answers with news about the illness of our child, and here and there drops hints that my science is futile, and that it is foolish to waste money on it.
August Strindberg (Inferno)
While you wandered the meadows of sleep, my seminocturnal flower, your private secretary has been taking your calls.” Eddi coughed, and he ignored her. “Carla will be here in a quarter of an hour to discuss a gig—quaint, that; it used to mean a small carriage—for the band.” “We don’t even have a name yet, and already she found us a job?” “You’ll have to ask her.” He looked at the ceiling, as if reading it off. “And Willy Silver telephoned.” Perhaps Eddi only imagined the pause after that, the fragment of silence as loud as a voice. She was certain it wasn’t as long as it seemed to be. “What’d he say?” She asked. “He wanted to know, since there’s no rehearsal this evening, if you would like to go dancing.” And, of course, she would like to. The phouka was still staring at the ceiling, his expression perfectly neutral. “Would it be dangerous?” Eddi asked him. She wasn’t sure why she did; surely the wisest course was to treat the news casually and change the subject. He gave her a long, sardonic look. “Dangerous to what?” “Me.” “Oh, I know that, my sweet, but dangerous to what portion of you? Your physical self? Your sanity? Your immortal soul? Or, perhaps, your heart?” Eddi couldn’t help but flinch a little at that. “Don’t be annoying. You know what I mean.” “Yes,” he sighed. “I do. But are you certain you don’t want the answers to the others as well?” “No. Not from you, anyway.” “I didn’t really think you would. No, my iris, you may go dancing fearlessly and with the utmost lightness of foot. You will be as safe as if you were at home with me.” “How safe is that?” Eddi asked. The phouka’s gaze was measuring. “My, you’re full of many-faceted questions this morning.” Something in his expression made Eddi look away.
Emma Bull (War for the Oaks)
him about the proposed change in name. He thought it sounded like nonsense then and hadn’t changed his mind yet. ‘To answer your question though, I think it will depend on how many other crimes they are able to sew up with this discovery. All the different piles of goods in there might each represent a separate reported theft. They could clear a list of crimes and, if they are finding fingerprints or other physical evidence, they might be able to catch multiple criminals. They’ll be trying to find Karl Tarkovsky, but I doubt he’s in the country. I reckon he took the van full of Stilton and fled, getting across the channel before anyone even had a chance to report the van stolen, let alone the cheese.’ ‘I’m sure you’re right,’ Dave agreed. ‘It’s a shame for the festival. And for the dairy, but they’ll recover sure enough. The insurance will pay for it and it’s not like suppliers can go elsewhere to get it. Stilton isn’t Stilton if it’s made by anyone else,’ the security guard said knowingly. He lapsed into silence and neither man spoke for a moment. It became an awkward silence after about ten seconds, at which point Dave said, ‘Well, must be off. Goodnight.’ ‘Goodnight,’ Albert called after the man as he vanished into the dark again. It was good of him to check on Oxford, especially given the day he’d had. Albert watched the police working in the lockup for a few seconds as he continued to chew over the misalignment of clues in his head. The counterfeit note didn’t fit. In fact, the only way he could make it fit, was to assume it appeared in Karl’s room out of pure coincidence, and he didn’t like that at all. Unable to shift the feeling that he was blind to the truth, he turned around and started back towards the pub. Perhaps a gin and tonic to help him sleep was in order. The imagined taste hastened his steps, but he might have walked faster yet had he known what waited for him in the bar.
Steve Higgs (Stilton Slaughter (Albert Smith's Culinary Capers #3))
She let go of the vine and settled her carry-sack on her shoulder. She stared out through the leaves at the distant shore. After a time, in a quieter voice she said, “It’s all very well for Greft to talk about new rules. It infuriates me when he says that I ‘must make my choice soon’ as I’d my only choice is choosing which male. To him, it probably seems so simple. There’s no authority out here to tell him that he can’t do a thing, so he does it. And never thinks about the reason that rule came to be. To him, it’s just a bar that keeps him from doing what he wants.” She turned her head to look at him. “Can’t you see that for me, it’s just another rule that he’s talking about putting on me? His rule is that I have to choose a mate. ‘For the good of the keepers,’ to keep the boys from fighting over me. How is that better than the old rule?” When he didn’t answer, she glanced back out over the river. “You know, I just now realized something. Jerd and Greft, they think that breaking the rules is the same as proving themselves. To me, breaking an old rule doesn’t mean anything except that they broke a rule. I don’t think Jerd is braver or stronger or more capable because she did it. In fact, with a baby growing in her belly, she’s more vulnerable. More dependent on the rest of us, regardless of how hard that makes it. So. What does that prove about Jerd? Or the boys who slept with her?” In unfolding her thought, she’d forgotten to whom she was speaking. The stunned look on Tat’s face stopped her words. She wanted to apologize, to say she hadn’t meant it. But her tongue couldn’t find the lie. After a few moments of his silence, she said quietly, “My bag is full. Let’s take what we have back to the barge.” He bobbed just head in a brusque nod of agreement, not looking at her. Had she shamed him? Made him angry? Suddenly it all just made her tired, and she didn’t want to understand him or have him understand her. It was all too much trouble. It was so much easier being alone.
Robin Hobb (City of Dragons (Rain Wild Chronicles, #3))
Nesta forced herself to ignore the nauseating thought as Amren continued, “If you were to gather all three objects, you could use the potency of their combined Made essence to track down the Cauldron, no matter where it is.” “Not to mention gain three objects of terrible power,” Azriel added grimly. “Capable of granting even a human army an advantage against the Fae.” “Raise the dead,” Cassian mused, his face tightening, any trace of that approving smile gone, “and you’d have an unstoppable force, able to march without rest or food. Open any door, and you could move that army of the dead wherever you wished. And with unrestrained influence, you could make any enemy territory and its people bow to you.” Silence again filled the room. Nesta’s heart thundered. “And all Koschei wants is to be free from his lake?” Rhys asked Azriel. But Amren answered. “No one really knows the full scope of the Trove’s powers. Beyond freeing him from his lake, Koschei may very well know something about the Trove that we don’t—some greater power that manifests when all three are united.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
It’s making time to sit in silence, be in nature, and go inward to receive the answers that are meant for you. It’s questioning whether things are true for you and honoring that—full stop. Slow living is intuitive living, intentional living, and simple living all in one. It’s about connecting with yourself and honoring your needs while resisting the pressure to speed up and do what everyone else is doing.
Helena Woods (Slow Living: The Secrets to Slowing Down and Noticing the Simple Joys Anywhere)
The phone rang and Chassie excused herself to answer it. Silence hung between them as heavy as snow clouds in a winter sky. Eventually, Edgard said, "She doesn't know anything about me. Not even that we were roping partners. Not that we were..." He looked at Trevor expectantly. "No." Trevor quickly glanced at the living room where Chassie was chattering away. "You surprised?" 224 Coming Full Circle by Liz Andrews "Maybe that she isn't aware of our official association as roping partners. There was no shame in that. We were damn good together, Trev." The word shame echoed like a slap. As good as they were together, it'd never been enough, in an official capacity or behind closed doors.
Liz Andrews
When you ask the question, “Who am I?”—if you have enough time and concentration—you may find some surprising answers. You may see that you are a continuation of your ancestors. Your parents and your ancestors are fully present in every cell of your body; you are their continuation. You don’t have a separate self. If you remove your ancestors and your parents from you, there’s no “you” left. You may see that you’re made of elements, like water for example. If you remove the water from you, there’s no “you” left. You’re made of earth. If you remove the element earth from you, there’s no “you” left. You’re made of air. You need air desperately; without air you cannot survive. So if you remove the element of air from you, there’s no “you” left. And there’s the fire element, the element of heat, the element of light, in you. You know that you are made of light. Without sunlight, nothing can grow on Earth. If you continue to look, you see that you are made of the sun, one of the biggest stars in the galaxy. And you know that the Earth, as well as yourself, is made of the stars. So you are the stars. On a clear night, look up, and you can see that you are the stars above. You’re not just the tiny body you normally may think of as “yourself.
Thich Nhat Hanh (Silence: The Power of Quiet in a World Full of Noise)
God created the world in six days and it is difficult for us to perceive the greatness of the primary information, unless we understand a work of inner transformation or the need for a more secure future for the next generation! The immediate answer is cold and false and it has a tinge of emotional therapy. Only the inner acceptance of reality has a dose of pure truth and can generate the echo of the self that may give us a middle way in our own vision of how to avoid the evil that extends and takes over the world! Is the deceptive tranquility of the silence that conquers us, a collective passivity that reigns over the weak, frightened and cowardly people, fueled by mediocrity and the vain hope into a better future. What happens now in this world is an ancient Greek tragedy, in which we like actors that can no longer tell the stage from reality. It is like in a therapy-drama, seen as a solution for those who had traumatic experiences in their life and cannot communicate through words. It is those who choose a non-verbal language and who saw their hands in desperation, as they can no longer articulate words. They communicate like primitive people after the discovery of fire. Others are playing their role in a theater of the absurd, like some amateur actors or as mimes in a stand-up comedy show where self-deprecation is adored. Depending on each one’s perception power, different ways of expression are chosen, perhaps more superficial and well-anchored in the context of the drama we are living to the full. It is a false sense of inner security, a mere relief valve for our emotional expression and a recipe for disaster! Why is it that nothing good and fair happens in this world anymore? Is the evil perpetuating itself in shapes and patterns we are no longer capable to distinguish from the good and the right? Why are we deceiving ourselves? “Ask, and it shall be given you; seek, and ye shall find; knock, and it shall be opened unto you.” But who, how, why, for whom, by whom, what, and in particular when ? Lucian Ciuchita
Lucian Ciuchita
Tille Olsen was also a writer, as well as something of a soothsayer about the ways in which the demands of domesticity can limit women’s literary production. In her book Silences, published in 1978, she asks: “What are creation’s needs for full functioning?” Her answer: “Wholly surrendered and dedicated lives; time as needed for the work; totality of self.
Kate Bolick (Spinster: Making a Life of One's Own)
Look, people, I’m announcing a new rule. It’s going to seem harsh. But it’s necessary.” The word “harsh” got almost everyone’s attention. “We can’t have people sitting around all day playing Wii and watching DVDs. We need people to start working in the fields. So, here’s the thing: everyone age seven or older has to put in three days per week picking fruit or veggies. Then Albert’s going to work with the whole question of freezing stuff that can be frozen, or otherwise preserving stuff.” There was dead silence. And blank stares. “What I’m saying is, tomorrow we’ll have two school buses ready to go. They hold about fifty kids each and we need to have them mostly full because we’re going to pick some melons and it’s a lot of work.” More blank stares. “Okay, let me make this simple: get your brothers and sisters and friends and anyone over age seven and be in the square tomorrow morning at eight o’clock.” “But how about—?” “Just be there,” Sam said with less firmness than he’d intended. His frustration was draining away now, replaced by weariness and depression. “Just be there,” someone mimicked in a singsong voice. Sam closed his eyes, and for a moment he almost seemed to be asleep. Then he opened them again and managed a bleak smile. “Please. Be there,” he said quietly. He walked down the three steps and out of the church, knowing in his heart that few would answer his call.
Michael Grant (Hunger (Gone, #2))
How do you think people are going to feel when they find out you’ve deceived them?” he asked. “When they find out you’ve been playing them all for fools for weeks on end?” I didn’t answer until we were safely out in the parking lot. Then I turned to face him. “Gee, I don’t know, Mark. I imagine they’ll be furious and hate me for it. Is that the point you’re trying to make? I get it. Though, for the record, I never wanted to deceive anyone.” “Then why pretend to be dead in the first place?” “I already told you I can’t tell you.” “Then let me tell you something, Calloway--O’Connor--whatever your name is,” Mark said in a furious voice. “I am going to write the tell-all article of your nightmares.” “Gee,” I said. “Now there’s a surprise.” I began to walk quickly through the parking lot in the direction of the street. If I didn’t get away from him soon, I was going to do something completely disgusting, like disgrace myself and cry. “Don’t walk away from me. Where are you going?” Mark said. “To the bus stop.” “What do you mean to the bus stop? Nobody leaves the prom on the bus.” “Now the heck do you think I got here?” I all but shouted, rounding on him as a flood of frustration overcame my desire to cry. “In a carriage that will turn into a pumpkin at midnight?” “Why didn’t Crawford pick you up?” “Because I wasn’t his date,” I said succinctly. “Elaine was. Is.” Mark dragged a hand through his hair. “My car’s right over there,” he said. “I’ll drive you home.” “No way,” I said. “And listen to you tell me what a lying jerk I am all the way across town? I think I’d rather walk.” Before I could take so much as a step back, Mark crossed the distance between us and yanked me into his arms. In the next moment, his mouth crashed down onto mine. Twice before I’d thought he was going to kiss me, but he hadn’t. I guess he must have figured he had nothing to lose now. The kiss was full of frustration, almost as full of frustration as of desire. It was a kiss that begged for mercy, took no prisoners, searched for answers, and made promises it could never keep, all at the same time. In other words, it would have knocked my socks off if I’d been wearing any at the time. It certainly made my knees weak, a thing that probably would have annoyed the hell out of me if it hadn’t been quite so exhilarating. “That’s the last thing I’m ever going to say to you,” Mark said when the kiss was over. In a silence that felt like a blackout at the end of the world, I let him drive me home.
Cameron Dokey (How Not to Spend Your Senior Year (Simon Romantic Comedies))
Mr. Winterborne, I should leave you to rest now--” “Talk to me.” She hesitated. “If you wish. What shall we talk about?” He wanted to ask her if he’d been permanently blinded. If anyone had said anything to him about it, he’d been too drugged to remember. But he couldn’t bring himself to give voice to the question. He was too afraid of the answer. And there was no way to stop thinking about it while he was alone in this quiet room. He needed distraction and comfort. He needed her. “Shall I tell you about orchids?” she asked in the silence. She continued without waiting for an answer, adjusting her position more comfortably. “The word comes from Greek mythology. Orchis was the son of a satyr and a nymph. During a feast to celebrate Bacchus, Orchis drank too much wine and tried to force his attentions on a priestess. Bacchus was very displeased, and reacted by having Orchis torn to pieces. The pieces were scattered far and wide, and wherever one landed, an orchid grew.” Pausing, she leaned away for a few seconds, reaching for something. Something soft and delicate touched his cracked lips…She was applying salve with a fingertip. “Most people don’t know that vanilla is the fruit of an orchid vine. We keep one in a glasshouse on the estate--it’s so long that it grows sideways on the wall. When one of the flowers is full grown, it opens in the morning, and if it isn’t pollinated, it closes in the evening, never to open again. The white blossoms, and the vanilla pods within them, have the sweetest scent in the world…” As her gentle voice continued, Rhys had the sensation of floating, the red tide of fever easing. How strange and lovely it was to lie here half dozing in her arms, possibly even better than fucking…but that thought led to the indecent question of what it might be like with her…how she might lie quietly beneath him while he devoured all that petal softness and vanilla sweetness…and slowly he fell asleep in Lady Helen’s arms.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
You’re still kind of pale though,” she worried, gazing at his face, running her finger along one of his cheekbones. “And your face is still pretty thin.” Gage glanced sideways, trying to avoid the attention. “I’m fine. My leg looks worse than it feels.” “No, it doesn’t,” Etienne teased him. “You’re just being brave.” “No, I’m not. It really doesn’t feel that bad.” “Well, at least you can feel something now,” Parker remarked offhandedly. “The night you got hurt, you couldn’t feel much of anything.” “I couldn’t?” “You mean, the girls didn’t tell you?” Feigning concern, Parker shook his head. “Well, they had to…you know…test a lot of places on you. Just to see if you could still feel.” The flush had already started up Gage’s cheeks. “That’s true,” Roo agreed. “Of course…some places were a lot more fun to test than others.” “A whole lot more fun to test than others,” Ashley insisted. Gage’s embarrassment reached full blush. Hiding a smile, Ashley pressed her palm to his forehead. “But you’re sure you feel fine now? Because you look a little hot.” “He is hot,” Roo answered. “Oh. Oh, you mean his temperature.” “Stop,” poor Gage mumbled. “I’m fine.” Etienne motioned to Ashley, his expression perfectly serious. “Come on. Y’all know how Gage is--he’s suffering in silence ’cause he doesn’t want to look weak in front of you women.” “Cut it out,” Gage said. “No, really. We all know you’re just being modest.” “Shut up.” Roo fixed Gage with an owlish stare. “You cried when you broke your leg.” “I did not.” “Yes, you did. You cried. You’re a crybaby.” The best Parker could offer was a sympathetic shrug. “Sorry, little soldier. You cried.” Gage looked longingly at the truck. Taking pity on him at last, the others stopped teasing and turned their attention back to their project.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
The Power Of Prayer This post is a little long, but full of blessing. A few days ago, I was teaching a message on “Love Relationship.” After the service a lady approaches me. After shaking my hand, she stood there with a puzzled look on her face. When she broke her silence, she asked: “what is a healthy relationship?” Her question seemed simple enough, but as I thought about it for a few seconds, I ask her to pray with me before I would try to give an answer. It was a quick 10 second prayer because I wanted to get back to shaking the other parishioners’ hands standing in line waiting to greet me. So, I gave her a quick, to the point, what I thought was a satisfying answer and hoped she would move on but instead she folded her arms and just stood there staring at me expecting something more. I had approached her answer hurriedly to validate getting back to shaking hands. After I saw she was not going away, I pulled her to the side, leaving the rest of the people waiting in line to greet me. Then I asked her to pray with me once again. This time I prayed intensively. Most of the people in line joined us in prayer. The Holy Spirit moved upon both of us as we both spoke in tongues. After prayer the Holy Spirit gave me these words for her: A healthy relationship is one where both of you can share your honest feelings without worrying about your relationship will end. A sound relationship is also one where both of you should not allow small circumstances to irritate you. Face the terrible times together; they will strengthen your bond and make you both wiser. The difficult times likewise will bring you closer to THE LORD. Today I received a text from her thanking me for the power of prayer. She said she and her husband are communicating and have vowed in the Name of Jesus to work toward a stronger relationship. She also requested I continue to pray for them and if I would share her story on my timeline. Her question taught me several valuable lessons, I will never forget: 1. NEVER RUSH THE POWER OF PRAYER! 2. God knows how to bring a rush to a full stop and still call it the rush hour. 3. It’s only when we slow down, we can express whose we are and show the power of God. Copyright © Apostle Joe Cephus Bingham Sr., 2018
Joe Cephus Bingham Sr. (Righteousness)
I've begun to realize that you can listen to silence and learn from it. It has a quality and a dimension of its own”.~Chaim Potok “Silence isn’t empty; it is full of answers.”~Anonymous
Vishal Gupta (Learn to Win Arguments and Succeed: 20 Powerful Techniques to Never Lose an Argument again, with Real Life Examples. A Life Skill for Everyone. (Argument ... Communication Examination Law Book 1))
A revolution of the heart in the silence of night where you have nothing to lose, for the full moon light loosens the chains of ages and answers unuttered questions that died on the lips.
Jayita Bhattacharjee
Maybe she should have known that if he didn’t love God the way she did, then he couldn’t have been the real answer to her prayers. This could have all been a false faith, and now her eyes were being torn open. If there was gratitude to give God for that clarity, that release from a lie, Aima couldn’t quite find it in her to send it up. Right now, she didn’t want to talk to God. All she had was a plate full of bitter silence.
Akwaeke Emezi (Little Rot)