β
Just when you think it can't get any worse, it can. And just when you think it can't get any better, it can.
β
β
Nicholas Sparks (At First Sight (Jeremy Marsh & Lexie Darnell, #2))
β
Many people, myself among them, feel better at the mere sight of a book.
β
β
Jane Smiley (Thirteen Ways of Looking at the Novel)
β
I no longer believed in the idea of soul mates, or love at first sight. But I was beginning to believe that a very few times in your life, if you were lucky, you might meet someone who was exactly right for you. Not because he was perfect, or because you were, but because your combined flaws were arranged in a way that allowed two separate beings to hinge together.
β
β
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
β
You cannot swim for new horizons until you have courage to lose sight of the shore.
β
β
William Faulkner
β
It was love at first sight, at last sight, at ever and ever sight.
β
β
Vladimir Nabokov (Lolita)
β
And he took her in his arms and kissed her under the sunlit sky, and he cared not that they stood high upon the walls in the sight of many.
β
β
J.R.R. Tolkien
β
In your light I learn how to love. In your beauty, how to make poems. You dance inside my chest where no-one sees you, but sometimes I do, and that sight becomes this art.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
We sometimes encounter people, even perfect strangers, who begin to interest us at first sight, somehow suddenly, all at once, before a word has been spoken.
β
β
Fyodor Dostoevsky (Crime and Punishment)
β
That's the thing about depression: A human being can survive almost anything, as long as she sees the end in sight. But depression is so insidious, and it compounds daily, that it's impossible to ever see the end.
β
β
Elizabeth Wurtzel (Prozac Nation)
β
Charms strike the sight, but merit wins the soul.
β
β
Alexander Pope (The Rape of the Lock (Wildside Classic))
β
But who can remember pain, once itβs over? All that remains of it is a shadow, not in the mind even, in the flesh. Pain marks you, but too deep to see. Out of sight, out of mind.
β
β
Margaret Atwood (The Handmaidβs Tale (The Handmaid's Tale, #1))
β
Did my heart love till now? forswear it, sight! For I ne'er saw true beauty till this night.
β
β
William Shakespeare (Romeo & Juliet)
β
The emotion that can break your heart is sometimes the very one that heals it...
β
β
Nicholas Sparks (At First Sight (Jeremy Marsh & Lexie Darnell, #2))
β
We live and breathe words. .... It was books that made me feel that perhaps I was not completely alone. They could be honest with me, and I with them. Reading your words, what you wrote, how you were lonely sometimes and afraid, but always brave; the way you saw the world, its colors and textures and sounds, I felt--I felt the way you thought, hoped, felt, dreamt. I felt I was dreaming and thinking and feeling with you. I dreamed what you dreamed, wanted what you wanted--and then I realized that truly I just wanted you.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
I have come to accept the feeling of not knowing where I am going. And I have trained myself to love it. Because it is only when we are suspended in mid-air with no landing in sight, that we force our wings to unravel and alas begin our flight. And as we fly, we still may not know where we are going to. But the miracle is in the unfolding of the wings. You may not know where you're going, but you know that so long as you spread your wings, the winds will carry you.
β
β
C. JoyBell C.
β
Man cannot discover new oceans unless he has the courage to lose sight of the shore.
β
β
AndrΓ© Gide
β
I could not tell you if I loved you the first moment I saw you, or if it was the second or third or fourth. But I remember the first moment I looked at you walking toward me and realized that somehow the rest of the world seemed to vanish when I was with you.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
Come over here so I can examine your face with my hands and see deeper into your soul than a sighted person ever could.
β
β
John Green (The Fault in Our Stars)
β
I know, up on top you are seeing great sights, but down here at the bottom we, too, should have rights.
β
β
Dr. Seuss (Yertle the Turtle and Gertrude McFuzz ( Collins Colour Cubs Mini Format ))
β
That's what I love about reading: one tiny thing will interest you in a book, and that tiny thing will lead you to another book, and another bit there will lead you onto a third book. It's geometrically progressive - all with no end in sight, and for no other reason than sheer enjoyment.
β
β
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
β
No sight so sad as that of a naughty child," he began, "especially a naughty little girl. Do you know where the wicked go after death?"
"They go to hell," was my ready and orthodox answer.
"And what is hell? Can you tell me that?"
"A pit full of fire."
"And should you like to fall into that pit, and to be burning there for ever?"
"No, sir."
"What must you do to avoid it?"
I deliberated a moment: my answer, when it did come was objectionable: "I must keep in good health and not die.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
The most pathetic person in the world is some one who has sight but no vision.
β
β
Helen Keller
β
I pull an arrow, whip the notch into place, and am about to let it fly when I'm stopped by the sight of Finnick kissing Peeta. And it's so bizarre, even for Finnick.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
I love the silent hour of night,
For blissful dreams may then arise,
Revealing to my charmed sight
What may not bless my waking eyes.
β
β
Anne BrontΓ« (Best Poems of the BrontΓ« Sisters)
β
It's easy to look at people and make quick judgments about them, their present and their past, but you'd be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often then not, it's lined with cracks and scars that go all the way to the foundation of their soul.
β
β
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
β
If you take a book with you on a journey," Mo had said when he put the first one in her box, "an odd thing happens: The book begins collecting your memories. And forever after you have only to open that book to be back where you first read it. It will all come into your mind with the very first words: the sights you saw in that place, what it smelled like, the ice cream you ate while you were reading it... yes, books are like flypaperβmemories cling to the printed page better than anything else.
β
β
Cornelia Funke (Inkheart (Inkworld, #1))
β
A pretty sight, a lady with a book.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
It is an absolute human certainty that no one can know his own beauty or perceive a sense of his own worth until it has been reflected back to him in the mirror of another loving, caring human being.
β
β
John Joseph Powell (The Secret of Staying in Love)
β
Every couple has ups and downs, every couple argues, and thatβs the thingβyouβre a couple, and couples canβt function without trust.
β
β
Nicholas Sparks (At First Sight (Jeremy Marsh & Lexie Darnell, #2))
β
We are
Born like this
Into this
Into these carefully mad wars
Into the sight of broken factory windows of emptiness
Into bars where people no longer speak to each other
Into fist fights that end as shootings and knifings
Born into this
Into hospitals which are so expensive that itβs cheaper to die
Into lawyers who charge so much itβs cheaper to plead guilty
Into a country where the jails are full and the madhouses closed
Into a place where the masses elevate fools into rich heroes
β
β
Charles Bukowski
β
When I lost my sight, Werner, people said I was brave. When my father left, people said I was brave. But it is not bravery; I have no choice. I wake up and live my life. Don't you do the same?
β
β
Anthony Doerr (All the Light We Cannot See)
β
In many cases when a reader puts a story aside because it 'got boring,' the boredom arose because the writer grew enchanted with his powers of description and lost sight of his priority, which is to keep the ball rolling.
β
β
Stephen King (On Writing: A Memoir of the Craft)
β
Thereβs a Japanese phrase that I like: koi no yokan. It doesnβt mean love at first sight. Itβs closer to love at second sight. Itβs the feeling when you meet someone that youβre going to fall in love with them. Maybe you donβt love them right away, but itβs inevitable that you will.
β
β
Nicola Yoon (The Sun Is Also a Star)
β
There are two ways of seeing: with the body and with the soul. The body's sight can sometimes forget, but the soul remembers forever.
β
β
Alexandre Dumas (The Count of Monte Cristo)
β
Did you enjoy the sight of me kneeling before you?
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
Like a sculptor, if necessary,
carve a friend out of stone.
Realize that your inner sight is blind
and try to see a treasure in everyone.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
It's not the changes that will break your heart; it's that tug of familiarity.
β
β
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
β
So much of the language of love was like that: you devoured someone with your eyes, you drank in the sight of him, you swallowed him whole. Love was substance, broken down and beating through your bloodstream.
β
β
Jodi Picoult (Nineteen Minutes)
β
Touch comes before sight, before speech. It is the first language and the last, and it always tells the truth.
β
β
Margaret Atwood (Der blinde MΓΆrder)
β
Be strong, saith my heart; I am a soldier;
I have seen worse sights than this.
β
β
Homer (The Odyssey)
β
I think it's perfectly possible to explain how the universe came about without bringing God into it, but I don't know everything, and there may well be a God somewhere, hiding away. Actually, if he is keeping out of sight, it's because he's ashamed of his followers and all the cruelty and ignorance they're responsible for promoting in his name. If I were him, I'd want nothing to do with them.
β
β
Philip Pullman
β
Well,β Tessa said, sighting along the line of the knife, βyou behave as if you dislike me. In fact, you behave as if you dislike us all.β
βI donβt,β Gabriel said. βI just dislike him.β He pointed at Will.
βDear me,β said Will, and he took another bite of his apple. βIs it because Iβm better-looking than you?
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
There could not have been a lovelier sight; but there was none to see it except a little boy who was staring in at the window. He had ecstasies innumerable that other children can never know; but he was looking through the window at the one joy from which he must be for ever barred.
β
β
J.M. Barrie (Peter Pan)
β
...and when one of them meets the other half, the actual half of himself, whether he be a lover of youth or a lover of another sort, the pair are lost in an amazement of love and friendship and intimacy and one will not be out of the other's sight, as I may say, even for a moment...
β
β
Plato (The Symposium)
β
You'll be on your way up!
You'll be seeing great sights!
You'll join the high fliers
who soar to high heights.
β
β
Dr. Seuss
β
It is said that the darkest hour of the night comes just before the dawn.
β
β
Thomas Fuller (A Pisgah Sight of Palestine and the Confines Thereof: With the History of the Old and New Testament Acted Thereon)
β
Why am I fighting to live,
If I am just living to fight
Why am I trying to see.
When there aint nothing in sight
Why am I trying to give,
When no one gives me a try
Why am I dying to live,
If I am just living to die?
β
β
Tupac Shakur
β
Ooh, you look much tastier than Crabbe and Goyle, Harry" said Hermione, before catching sight of Ron's raised eyebrows, blushing slightly and saying "oh you know what I mean - Goyle's Potion looked like bogies.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
Sixteen years on the streets and you can learn a lot. But all the wrong things, not the things you want to learn. Sixteen years on the streets and you see a lot. But all the wrong sights, not the things you want to see.
β
β
S.E. Hinton (The Outsiders)
β
Wrong will be right, when Aslan comes in sight,
At the sound of his roar, sorrows will be no more,
When he bares his teeth, winter meets its death,
And when he shakes his mane, we shall have spring again.
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
β
Take off your shirt."
Jace raised his eyebrows.
"I'm not going to attack you," she said impatiently. "I can take the sight of your naked chest without swooning."
"Are you sure?" he asked, obediently sliding the shirt off his shoulders. "Because viewing my naked chest has caused many women to seriously injure themselves stampeding to get to me.
β
β
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
β
Love is the strangest, most illogical thing in the world.
β
β
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
β
The tears I feel today
I'll wait to shed tomorrow.
Though I'll not sleep this night
Nor find surcease from sorrow.
My eyes must keep their sight:
I dare not be tear-blinded.
I must be free to talk
Not choked with grief, clear-minded.
My mouth cannot betray
The anguish that I know.
Yes, I'll keep my tears til later:
But my grief will never go.
β
β
Anne McCaffrey (Dragonsinger (Harper Hall, #2))
β
There are few sights sadder than a ruined book.
β
β
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
β
Is it better to have had a good thing and lost it, or never to have had it?
β
β
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
β
I would catch sight of some flawless man off in the distance, but as soon as he moved closer I immediately saw he wouldnβt do at all.
β
β
Sylvia Plath (The Bell Jar)
β
Painting is the silence of thought and the music of sight.
β
β
Orhan Pamuk (My Name Is Red)
β
Don't laugh at the spinsters, dear girls, for often very tender, tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and many silent sacrifices of youth, health, ambition, love itself, make the faded faces beautiful in God's sight. Even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life, if for no other reason.
β
β
Louisa May Alcott (Little Women)
β
The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it's when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it's when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there...
β
β
Stephen King
β
Catching sight of himself in the long mirrors that ran along the walls, he stiffened in shock...His eyes were surrounded by black shadows, his shirt smeared with dried blood and filthy mud...
"Admiring yourself?" The Inquisitor's voice cut through his reverie. "You won't look so pretty when the Clave gets through with you."
"You do seem obsessed with my look...Could it be that you're attracted to me?"
"Don't be revolting...You could be my son.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
He leaned against the door frame, ignoring the kick of adrenaline the sight of her produced. He wondered why, not for the first time. Isabelle used her beauty like she used her whip, but Clary didn't know she was beautiful at all. Maybe that was why.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Somebody who only reads newspapers and at best books of contemporary authors looks to me like an extremely near-sighted person who scorns eyeglasses. He is completely dependent on the prejudices and fashions of his times, since he never gets to see or hear anything else.
β
β
Albert Einstein
β
Love.
Because of you, in gardens of blossoming
Flowers I ache from the perfumes of spring.
I have forgotten your face, I no longer
Remember your hands; how did your lips
Feel on mine?
Because of you, I love the white statues
Drowsing in the parks, the white statues that
Have neither voice nor sight.
I have forgotten your voice, your happy voice;
I have forgotten your eyes.
Like a flower to its perfume, I am bound to
My vague memory of you. I live with pain
That is like a wound; if you touch me, you will
Make to me an irreperable harm.
Your caresses enfold me, like climbing
Vines on melancholy walls.
I have forgotten your love, yet I seem to
Glimpse you in every window.
Because of you, the heady perfumes of
Summer pain me; because of you, I again
Seek out the signs that precipitate desires:
Shooting stars, falling objects.
β
β
Pablo Neruda
β
I looked and looked at her, and I knew, as clearly as I know that I will die, that I loved her more than anything I had ever seen or imagined on earth. She was only the dead-leaf echo of the nymphet from long ago - but I loved her, this Lolita, pale and polluted and big with another man's child. She could fade and wither - I didn't care. I would still go mad with tenderness at the mere sight of her face.
β
β
Vladimir Nabokov (Lolita)
β
Life is like a game of chess.
To win you have to make a move.
Knowing which move to make comes with IN-SIGHT
and knowledge, and by learning the lessons that are
acculated along the way.
We become each and every piece within the game called life!
β
β
Allan Rufus (The Master's Sacred Knowledge)
β
And then I feel as if I'm witnessing a miracle, as ever so slowly she raises her face towards the moon. I watch her drink in the sight, sensing the flood of memories she's unleashed and wanting nothing more than to let her know I'm here. But instead I stay where I am and stare up at the moon as well. And for the briefest instant, it almost feels like we're together again.
β
β
Nicholas Sparks (Dear John)
β
Festus just detected a large group of eagles behind usβlong-range radar, still not in sight.β
Piper leaned over the console. βAre you sure theyβre Roman?β
Leo rolled his eyes. βNo, Pipes. It could be a random group of giant eagles flying in perfect formation. Of course theyβre Roman!
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
Tell me again what we're doing here," I said, running a continuous scan of our surroundings.
Fang popped some Cracker Jack into his mouth. "We're here to watch manly men do manly things."
I followed Fang's line of sight: He was watching the Dallas Cowboys Cheerleaders, who were not doing manly things, by any stretch of the imagination.
β
β
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
β
Zach,β I said as I lay there βWhere did you go? When you were looking for me?β
I shifted in his arms, looked into his eyes.
βCrazy.β His voice was a whisper against my skin. βI went crazy.
β
β
Ally Carter (Out of Sight, Out of Time (Gallagher Girls, #5))
β
Men in general judge more by the sense of sight than by the sense of touch, because everyone can see but few can test by feeling. Everyone sees what you seem to be, few know what you really are; and those few do not dare take a stand against the general opinion.
β
β
NiccolΓ² Machiavelli (The Prince)
β
I wasn't kind, Jude. Not to many people. Not to you. I wasn't sure if I wanted you or if I wanted you gone from my sight so that I would stop feeling as I did, which made me even more unkind. But when you were goneβtruly gone beneath the wavesβI hated myself as I never have before.
β
β
Holly Black (The Wicked King (The Folk of the Air, #2))
β
Even broken in spirit as he is, no one can feel more deeply than he does the beauties of nature. The starry sky, the sea, and every sight afforded by these wonderful regions, seems still to have the power of elevating his soul from earth. Such a man has a double existence: he may suffer misery, and be overwhelmed by disappointments; yet, when he has retired into himself, he will be like a celestial spirit that has a halo around him, within whose circle no grief or folly ventures.
β
β
Mary Wollstonecraft Shelley (Frankenstein)
β
It does little good to regret a choice. So often people say, βIf only I had known,β implying they wouldβve acted differently in a given situation. It is true that desires of the moment can blind oneβs sight of the future. Revenge is not as sweet as the adage claims. Yet who could pass a chance to taste it? And if the chance were allowed to slip by, would the fool regret his lack of action?Β
β
β
K. Ritz (Sheever's Journal, Diary of a Poison Master)
β
Well, good-bye for now," he said, rolling his neck as if we hadn't been talking about anything important at all. He bowed at the waist, those wings vanishing entirely, and had begun to fade into the nearest shadow when he went rigid.
His eyes locked on mine wide and wild, and his nostrils flared. Shockβpure shock flashed across his features at whatever he saw on my face, and he stumbled back a step. Actually stumbled.
"What isβ" I began.
He disappearedβsimply disappeared, not a shadow in sightβinto the crisp air.
β
β
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
β
I wore your promise on my finger for one year
I'll wear your name on my heart til I die
Because you were my boy, you were my only boy forever.
β
β
Coco J. Ginger
β
The gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go. Which they won't do if they don't know about it. This explains why it is so important to shoot missionaries on sight.
β
β
Terry Pratchett (Eric)
β
The burning of a book is a sad, sad sight, for even though a book is nothing but ink and paper, it feels as if the ideas contained in the book are disappearing as the pages turn to ashes and the cover and binding--which is the term for the stitching and glue that holds the pages together--blacken and curl as the flames do their wicked work. When someone is burning a book, they are showing utter contempt for all of the thinking that produced its ideas, all of the labor that went into its words and sentences, and all of the trouble that befell the author . . .
β
β
Lemony Snicket (The Penultimate Peril (A Series of Unfortunate Events, #12))
β
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.
β
β
Elizabeth Barrett Browning (Sonnets from the Portuguese)
β
What are you really studying?"
He leans back to look at her. "The statistical probability of love at first sight."
"Very funny," she says. "What is it really?"
"I'm serious."
"I don't believe you."
He laughs, then lowers his mouth so that it's close to her ear. "People who meet in airports are seventy-two percent more likely too fall for each other than people who meet anywhere else.
β
β
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
β
You two are too cute,β the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. βSeriously. How long have you been going out?β
Sam let go of my hands to get his wallet and took out some bills. βSix years.β
I wrinkled my nose to cover a laugh. Of course he would count the time that weβd been two entirely different species.
Whoa.β Counter girl nodded appreciatively. βThatβs pretty amazing for a couple your age."
Sam handed me my hot chocolate and didnβt answer. But his yellow eyes gazed at me possessivelyβI wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be.
I crouched to look at the almond bark on the bottom shelf in the counter. I wasnβt quite bold enough to look at either of them when I admitted, βWell, it was love at first sight.β
The girl sighed. βThat is just so romantic. Do me a favor, and donβt you two ever change. The world needs more love at first sight.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
Do not go gentle into that good night,
Old age should burn and rage at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
β
β
Dylan Thomas (Do Not Go Gentle Into That Good Night)
β
Ships at a distance have every man's wish on board. For some they come in with the tide. For others they sail forever on the same horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men.
Now, women forget all those things they don't want to remember, and remember everything they don't want to forget. The dream is the truth. Then they act and do things accordingly.
β
β
Zora Neale Hurston (Their Eyes Were Watching God)
β
Our bodies have five senses: touch, smell, taste, sight, hearing. But not to be overlooked are the senses of our souls: intuition, peace, foresight, trust, empathy. The differences between people lie in their use of these senses; most people don't know anything about the inner senses while a few people rely on them just as they rely on their physical senses, and in fact probably even more.
β
β
C. JoyBell C.
β
Did you know that people who meet at least three different times within twenty-four hour period are ninety-eight percent more likely to meet again?
β
β
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
β
Falling in love is very real, but I used to shake my head when people talked about soul mates, poor deluded individuals grasping at some supernatural ideal not intended for mortals but sounded pretty in a poetry book. Then, we met, and everything changed, the cynic has become the converted, the sceptic, an ardent zealot.
β
β
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
β
Why do I read?
I just can't help myself.
I read to learn and to grow, to laugh
and to be motivated.
I read to understand things I've never
been exposed to.
I read when I'm crabby, when I've just
said monumentally dumb things to the
people I love.
I read for strength to help me when I
feel broken, discouraged, and afraid.
I read when I'm angry at the whole
world.
I read when everything is going right.
I read to find hope.
I read because I'm made up not just of
skin and bones, of sights, feelings,
and a deep need for chocolate, but I'm
also made up of words.
Words describe my thoughts and what's
hidden in my heart.
Words are alive--when I've found a
story that I love, I read it again and
again, like playing a favorite song
over and over.
Reading isn't passive--I enter the
story with the characters, breathe
their air, feel their frustrations,
scream at them to stop when they're
about to do something stupid, cry with
them, laugh with them.
Reading for me, is spending time with a
friend.
A book is a friend.
You can never have too many.
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Gary Paulsen (Shelf Life: Stories by the Book)
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I meant it when I said I didnβt believe in love at first sight. It takes time to really, truly fall for someone. Yet I believe in a moment. A moment when you glimpse the truth within someone, and they glimpse the truth within you. In that moment, you donβt belong to yourself any longer, not completely. Part of you belongs to him; part of him belongs to you. After that, you canβt take it back, no matter how much you want to, no matter how hard you try.
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Claudia Gray (A Thousand Pieces of You (Firebird, #1))
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We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.
Love arrives
and in its train come ecstasies
old memories of pleasure
ancient histories of pain.
Yet if we are bold,
love strikes away the chains of fear
from our souls.
We are weaned from our timidity
In the flush of love's light
we dare be brave
And suddenly we see
that love costs all we are
and will ever be.
Yet it is only love
which sets us free.
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Maya Angelou
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Heβs like a song she canβt get out of her head. Hard as she tries, the melody of their meeting runs through her mind on an endless loop, each time as surprisingly sweet as the last, like a lullaby, like a hymn, and she doesnβt think she could ever get tired of hearing it.
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Jennifer E. Smith (The Statistical Probability of Love at First Sight)
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Colpo di fulmine. The thunderbolt, as Italians call it. When love strikes someone like lightning, so powerful and intense it canβt be denied. Itβs beautiful and messy,
cracking a chest open and spilling their soul out for the world to see. It turns a person inside out, and thereβs no going back from it. Once the thunderbolt hits, your life is
irrevocably changed.
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J.M. Darhower (Sempre (Sempre, #1))
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Memory is a funny thing. When I was in the scene, I hardly paid it any mind. I never stopped to think of it as something that would make a lasting impression, certainly never imagined that eighteen years later I would recall it in such detail. I didn't give a damn about the scenery that day. I was thinking about myself. I was thinking about the beautiful girl walking next to me. I was thinking about the two of us together, and then about myself again. It was the age, that time of life when every sight, every feeling, every thought came back, like a boomerang, to me. And worse, I was in love. Love with complications. The scenery was the last thing on my mind.
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Haruki Murakami (Norwegian Wood)
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What we do see depends mainly on what we look for. ... In the same field the farmer will notice the crop, the geologists the fossils, botanists the flowers, artists the colouring, sportmen the cover for the game. Though we may all look at the same things, it does not all follow that we should see them.
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John Lubbock (The Beauties of Nature and the Wonders of the World We Live in)
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The first men to be created and formed were called the Sorcerer of Fatal Laughter, the Sorcerer of Night, Unkempt, and the Black Sorcerer β¦ They were endowed with intelligence, they succeeded in knowing all that there is in the world. When they looked, instantly they saw all that is around them, and they contemplated in turn the arc of heaven and the round face of the earth β¦ [Then the Creator said]: 'They know all β¦ what shall we do with them now? Let their sight reach only to that which is near; let them see only a little of the face of the earth!β¦ Are they not by nature simple creatures of our making? Must they also be gods?
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Anonymous (Popol Vuh)
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I'd like to repeat the advice that I gave you before, in that I think you really should make a radical change in your lifestyle and begin to boldly do things which you may previously never have thought of doing, or been too hesitant to attempt. So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservatism, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man's living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.
If you want to get more out of life, Ron, you must lose your inclination for monotonous security and adopt a helter-skelter style of life that will at first appear to you to be crazy. But once you become accustomed to such a life you will see its full meaning and its incredible beauty. And so, Ron, in short, get out of Salton City and hit the Road. I guarantee you will be very glad you did. But I fear that you will ignore my advice. You think that I am stubborn, but you are even more stubborn than me. You had a wonderful chance on your drive back to see one of the greatest sights on earth, the Grand Canyon, something every American should see at least once in his life. But for some reason incomprehensible to me you wanted nothing but to bolt for home as quickly as possible, right back to the same situation which you see day after day after day. I fear you will follow this same inclination in the future and thus fail to discover all the wonderful things that God has placed around us to discover.
Don't settle down and sit in one place. Move around, be nomadic, make each day a new horizon. You are still going to live a long time, Ron, and it would be a shame if you did not take the opportunity to revolutionize your life and move into an entirely new realm of experience.
You are wrong if you think Joy emanates only or principally from human relationships. God has placed it all around us. It is in everything and anything we might experience. We just have to have the courage to turn against our habitual lifestyle and engage in unconventional living.
My point is that you do not need me or anyone else around to bring this new kind of light in your life. It is simply waiting out there for you to grasp it, and all you have to do is reach for it. The only person you are fighting is yourself and your stubbornness to engage in new circumstances.
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Jon Krakauer (Into the Wild)
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A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. And so she comes to consider the surveyor and the surveyed within her as the two constituent yet always distinct elements of her identity as a woman. She has to survey everything she is and everything she does because how she appears to men, is of crucial importance for what is normally thought of as the success of her life. Her own sense of being in herself is supplanted by a sense of being appreciated as herself by another....
One might simplify this by saying: men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object -- and most particularly an object of vision: a sight.
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John Berger (Ways of Seeing)
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Death is nothing at all. It does not count. I have only slipped away into the next room. Nothing has happened. Everything remains exactly as it was. I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used. Put no difference into your tone. Wear no forced air of solemnity or sorrow. Laugh as we always laughed at the little jokes that we enjoyed together. Play, smile, think of me, pray for me. Let my name be ever the household word that it always was. Let it be spoken without an effort, without the ghost of a shadow upon it. Life means all that it ever meant. It is the same as it ever was. There is absolute and unbroken continuity. What is this death but a negligible accident? Why should I be out of mind because I am out of sight? I am but waiting for you, for an interval, somewhere very near, just round the corner. All is well. Nothing is hurt; nothing is lost. One brief moment and all will be as it was before. How we shall laugh at the trouble of parting when we meet again!
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Henry Scott Holland (Death is Nothing at All)
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Amor"
So many days, oh so many days
seeing you so tangible and so close,
how do I pay, with what do I pay?
The bloodthirsty spring
has awakened in the woods.
The foxes start from their earths,
the serpents drink the dew,
and I go with you in the leaves
between the pines and the silence,
asking myself how and when
I will have to pay for my luck.
Of everything I have seen,
it's you I want to go on seeing:
of everything I've touched,
it's your flesh I want to go on touching.
I love your orange laughter.
I am moved by the sight of you sleeping.
What am I to do, love, loved one?
I don't know how others love
or how people loved in the past.
I live, watching you, loving you.
Being in love is my nature.
You please me more each afternoon.
Where is she? I keep on asking
if your eyes disappear.
How long she's taking! I think, and I'm hurt.
I feel poor, foolish and sad,
and you arrive and you are lightning
glancing off the peach trees.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
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Pablo Neruda (Intimacies: Poems of Love)
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If what's always distinguished bad writing--flat characters, a narrative world that's clichΓ©d and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.
Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage⦠The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.
We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once weβve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then itβs stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naΓ―vetΓ©. Sentiment equals naΓ―vetΓ© on this continent.
You burn with hunger for food that does not exist.
A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.
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David Foster Wallace
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[The Old Astronomer to His Pupil]
Reach me down my Tycho Brahe, I would know him when we meet,
When I share my later science, sitting humbly at his feet;
He may know the law of all things, yet be ignorant of how
We are working to completion, working on from then to now.
Pray remember that I leave you all my theory complete,
Lacking only certain data for your adding, as is meet,
And remember men will scorn it, 'tis original and true,
And the obloquy of newness may fall bitterly on you.
But, my pupil, as my pupil you have learned the worth of scorn,
You have laughed with me at pity, we have joyed to be forlorn,
What for us are all distractions of men's fellowship and smiles;
What for us the Goddess Pleasure with her meretricious smiles.
You may tell that German College that their honor comes too late,
But they must not waste repentance on the grizzly savant's fate.
Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too fondly to be fearful of the night.
What, my boy, you are not weeping? You should save your eyes for sight;
You will need them, mine observer, yet for many another night.
I leave none but you, my pupil, unto whom my plans are known.
You 'have none but me,' you murmur, and I 'leave you quite alone'?
Well then, kiss me, -- since my mother left her blessing on my brow,
There has been a something wanting in my nature until now;
I can dimly comprehend it, -- that I might have been more kind,
Might have cherished you more wisely, as the one I leave behind.
I 'have never failed in kindness'? No, we lived too high for strife,--
Calmest coldness was the error which has crept into our life;
But your spirit is untainted, I can dedicate you still
To the service of our science: you will further it? you will!
There are certain calculations I should like to make with you,
To be sure that your deductions will be logical and true;
And remember, 'Patience, Patience,' is the watchword of a sage,
Not to-day nor yet to-morrow can complete a perfect age.
I have sown, like Tycho Brahe, that a greater man may reap;
But if none should do my reaping, 'twill disturb me in my sleep
So be careful and be faithful, though, like me, you leave no name;
See, my boy, that nothing turn you to the mere pursuit of fame.
I must say Good-bye, my pupil, for I cannot longer speak;
Draw the curtain back for Venus, ere my vision grows too weak:
It is strange the pearly planet should look red as fiery Mars,--
God will mercifully guide me on my way amongst the stars.
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Sarah Williams (Twilight Hours: A Legacy of Verse)
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The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctorβs clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
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John Richard Spencer