Impressions De France Quotes

We've searched our database for all the quotes and captions related to Impressions De France. Here they are! All 13 of them:

Ça, il lui a transmis, oui, cette impression qu'elle paiera pour tout ce que font les autres immigrés de France.
Alice Zeniter (L'Art de perdre)
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Possessed of many of those royal qualities for which he was termed by his subjects the August, Philip might be termed the Ulysses, as Richard was indisputably the Achilles, of the Crusade. The King of France was sagacious, wise, deliberate in council, steady and calm in action, seeing clearly, and steadily pursuing, the measures most for the interest of his kingdom—dignified and royal in his deportment, brave in person, but a politician rather than a warrior. The Crusade would have been no choice of his own; but the spirit was contagious, and the expedition was enforced upon him by the church, and by the unanimous wish of his nobility. In any other situation, or in a milder age, his character might have stood higher than that of the adventurous Coeur de Lion. But in the Crusade, itself an undertaking wholly irrational, sound reason was the quality of all others least estimated, and the chivalric valour which both the age and the enterprise demanded was considered as debased if mingled with the least touch of discretion. So that the merit of Philip, compared with that of his haughty rival, showed like the clear but minute flame of a lamp placed near the glare of a huge, blazing torch, which, not possessing half the utility, makes ten times more impression on the eye.
Walter Scott (The Talisman)
Roosevelt fought hard for the United States to host the opening session [of the United Nations]; it seemed a magnanimous gesture to most of the delegates. But the real reason was to better enable the United States to eavesdrop on its guests. Coded messages between the foreign delegations and their distant capitals passed through U.S. telegraph lines in San Francisco. With wartime censorship laws still in effect, Western Union and the other commercial telegraph companies were required to pass on both coded and uncoded telegrams to U.S. Army codebreakers. Once the signals were captured, a specially designed time-delay device activated to allow recorders to be switched on. Devices were also developed to divert a single signal to several receivers. The intercepts were then forwarded to Arlington Hall, headquarters of the Army codebreakers, over forty-six special secure teletype lines. By the summer of 1945 the average number of daily messages had grown to 289,802, from only 46,865 in February 1943. The same soldiers who only a few weeks earlier had been deciphering German battle plans were now unraveling the codes and ciphers wound tightly around Argentine negotiating points. During the San Francisco Conference, for example, American codebreakers were reading messages sent to and from the French delegation, which was using the Hagelin M-209, a complex six-wheel cipher machine broken by the Army Security Agency during the war. The decrypts revealed how desperate France had become to maintain its image as a major world power after the war. On April 29, for example, Fouques Duparc, the secretary general of the French delegation, complained in an encrypted note to General Charles de Gaulle in Paris that France was not chosen to be one of the "inviting powers" to the conference. "Our inclusion among the sponsoring powers," he wrote, "would have signified, in the eyes of all, our return to our traditional place in the world." In charge of the San Francisco eavesdropping and codebreaking operation was Lieutenant Colonel Frank B. Rowlett, the protégé of William F. Friedman. Rowlett was relieved when the conference finally ended, and he considered it a great success. "Pressure of work due to the San Francisco Conference has at last abated," he wrote, "and the 24-hour day has been shortened. The feeling in the Branch is that the success of the Conference may owe a great deal to its contribution." The San Francisco Conference served as an important demonstration of the usefulness of peacetime signals intelligence. Impressive was not just the volume of messages intercepted but also the wide range of countries whose secrets could be read. Messages from Colombia provided details on quiet disagreements between Russia and its satellite nations as well as on "Russia's prejudice toward the Latin American countries." Spanish decrypts indicated that their diplomats in San Francisco were warned to oppose a number of Russian moves: "Red maneuver . . . must be stopped at once," said one. A Czechoslovakian message indicated that nation's opposition to the admission of Argentina to the UN. From the very moment of its birth, the United Nations was a microcosm of East-West spying. Just as with the founding conference, the United States pushed hard to locate the organization on American soil, largely to accommodate the eavesdroppers and codebreakers of NSA and its predecessors.
James Bamford (Body of Secrets: Anatomy of the Ultra-Secret National Security Agency from the Cold War Through the Dawn of a New Century)
Today I had a lively discussion with a merchant in Fez with a view to finding out what the Moors think of European civilization.... He was a fine man, about forty years old, with an honest and serious face, who had made business visits to the most important cities in Western Europe and had lived for a long time in Tangier, where he learnt Spanish.... I asked him therefore what kind of impression the large cities of Europe had made on him.... He looked hard at me and answered coldly: “Large streets, fine shops, beautiful palaces, good workshops, everything clean.” He gave the impression that with these words, he had mentioned everything in our countries that was worthy of praise. “Have you not found anything else in Europe that is beautiful and good?” I asked. He looked at me questioningly. “Is it possible,” I went on, “that an intelligent man like you, who has visited several countries so marvelously superior to your own can speak about them without astonishment, or at least without the emotion of a country boy who has seen the pasha’s palace? What can you possibly admire in the world? What sort of people are you? Who can possibly understand you?” “Perdone Usted”, he answered coldly, “it is for me to say that I cannot understand you. I have told you all the things which I consider to be better in Europe. What more can I say? Have I to say something that I do not believe to be true? I repeat that your streets are larger than ours, your shops finer, that you have workshops such as we do not have, and also rich palaces. That is all. I can only add one more thing: that you know more than we do, because you have many books, and read more.” I became impatient. “Do not lose patience, Caballero,” he said, “let us speak together calmly. Is not a man’s first duty honesty? Is it not honesty more than anything else that makes a man worthy of respect, and one country superior to another? Very well, then. As far as honesty is concerned, your countries are certainly not better than ours. That much I can say right away.” “Gently, gently!” I said, “Tell me first what you mean by honesty!” “Honesty in business, Caballero. The Moors, for example, sometimes cheat the Europeans in trade, but you Europeans cheat the Moors much more often.” “There must be a few cases,” I replied, in order to say something. “Casos raros?” he exclaimed angrily. “It happens every day! Proof: I go to Marseilles. I buy cotton. I choose a particular thread, give the exact reference number and brand-name, as well as the amount required. I ask for it to be sent, I pay, and I return home. Back in Morocco, I receive the cotton. I open the consignment, and take a look. I find the same number, the same brand-name, and a thread that is of one third the thickness! This is anything but good, and I lose thousands of francs! I rush to the consulate, but in vain. Another case: A merchant from Fez places an order in Europe for blue cloth, so many pieces, of such and such a length and breadth. He pays for it when the bargain is made. In due course he receives the cloth, opens the package, and checks the measurements. The first pieces are all right, those underneath are shorter, and those lowest down are half a meter too short! The cloth cannot be used for cloaks, and the merchant is ruined. . . . And so on and so on!
Edmondo de Amicis (Morocco: Its People & Places)
the table Danièle was sitting ramrod straight, her hand out before her, fingers splayed, as she told of the time she had met the Russian ambassador to France at Place de la Bastille. She was up to the point when she had pretended to be Russian to gain access to the VIP room, where all the diplomats were knocking back free champagne during the ballet’s intermission. Obviously she was trying to impress Will, who was listening stoically beside her, staring into the beer he’d ordered. Pascal slurped a second oyster from the shell and entertained himself for a bit with all the different ways the American could meet a grisly demise in the catacombs tonight.
Jeremy Bates (The Catacombs (World's Scariest Places #2))
Au bout d'un instanrt de fixité presque douloureuse, j'avais l'impression que mon reflet dans la glace se détachait de la surface polie, avançant vers moi, ou bien reculant plus loin, au-delà de la glace, mais en tout cas cerné par une sort de france lumineuse qui l'isolait de tous les autres reflets, devenus flous, obscurcis. Un effort de plus, et la vibration de la tondeuse sur ma nuque, je ne la sentais plus sur ma nuque, c'est-à-dire, si, je la sentais sur ma nuque, mais là-bas, en face de moi, sur cette nuque qui devait se trouver derrière l'image de ma tête reflétée dans la glace. Aujourd'hui cependant, je n'ai pas besoin de jouer, douloureusement, à égarer autour de moi mes propres sensations corporelles, aujourd'hui, tous les mourceaux brisés et piétinés de mon corps s'éparpillent aux quatre coins de l'horizon restreint du wagon. Il ne me rest plus, bien à moi, à l'intérieur de moi-même, que cette boule de feu, spongieuse et brülante, quelque part derrière mes yeux, où semblent se répercuter, mollement parfois, et soudain d'une façon aiguë, toutes les douleurs qui me parviennent de mon corps briséen morceaux éparpillés autour de moi.
Jorge Semprún (The Long Voyage)
First impressions are of great importance, if given only as such; but if laid down as decided opinions, how apt they are to be erroneous! It is like judging of individuals by their physiognomy and manners, without having had time to study their character. We all do so more or less, but how frequently we find ourselves deceived!
Frances Calderón de la Barca (Life in Mexico)
of the church in the distance, for which Millet used the church of Chailly-en-Bière in the Île-de-France as a model. Moments before, they had been busy at work harvesting their modest potato field, as shown by the pathetically small basket at their feet. Though it fetched only a small sum at the Salon of 1860, the work became wildly popular in the 1870s and eventually would be one of the most widely replicated images of the nineteenth century. Originally purchased for one thousand francs, it fetched as much as half a million francs just thirty years later, as a result of a bidding war between the Louvre and the American Art Association. Fig. 47. Jean-François Millet, The Angelus, 1859 While some interpreted The Angelus as a religious work, as an expression of simple and humble piety, others saw it as a socialist statement, in which Millet was supposed to have paid homage to the growing worker movement in France. It is unlikely that Millet intended either; as he later said, the picture was inspired by a childhood memory in which “my grandmother, hearing the church bell ringing while we were working in the fields, always made us stop work to say the Angelus prayer for the poor departed.” Dalí was fascinated by the picture. Like Vincent van Gogh, he used it as inspiration for his own work, including a series of paintings in the early 1930s entitled The Architectural Angelus of Millet and Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses. He explained his fascination with the Angelus in an essay entitled “The Tragic Myth of Millet’s Angelus,” in which he revealed that “In June 1932 appears in my mind all of a sudden, without any recent recollection nor any conscious association that lends itself to an immediate explanation, the image of Millet’s L’Angelus.” It made a strong impression on him, he continues, because for him it is “the most enigmatic, the most dense, and the richest in unconscious thoughts ever to have existed.” Fig. 48. Salvador Dalí, Archaeological Reminiscence of Millet’s Angelus, c. 1934 In fact, the painting did not strike Dalí as a rural image of devotion at all but as a source of great inner disquiet and a perfect example of what the paranoiac-critical process could discern that others didn’t. What he saw was a man “who stands hypnotized—and destroyed—by the mother. He seems to me to take on the attitude of the
Christopher Heath Brown (The Dalí Legacy: How an Eccentric Genius Changed the Art World and Created a Lasting Legacy)
Writers don't have the impression that they are creating or inventing because they are, in effect, in the process of deciphering the hieroglyphics of their landscape.
Maurice Merleau-Ponty (The Possibility of Philosophy: Course Notes from the Collège de France, 1959–1961 (Studies in Phenomenology and Existential Philosophy))
J'ai parfois l'impression que la France est gouvernée par le BDE d'une école de commerce.
Benoît Hamon (Ce qu'il faut de courage : Plaidoyer pour le revenu universel)
I remember being impressed that they were carrying hepatitis vaccine—pretty thoughtful, given how many shots those riders were getting.
Tyler Hamilton (The Secret Race: Inside the Hidden World of the Tour de France)
Ullrich was like a superman—or, to be more accurate, a superboy. He’d come up training in East Germany, where the coaches lived by the maxim Throw a dozen eggs against the wall, and keep the ones that don’t break. Ullrich was the unbreakable egg, a Cold War kid who, like Lance, had grown up without a father and, with the help of the East German state, had turned his energy into the single most impressive physique in cycling history.
Tyler Hamilton (The Secret Race: Inside the Hidden World of the Tour de France)