Sight For Sore Eyes Quotes

We've searched our database for all the quotes and captions related to Sight For Sore Eyes. Here they are! All 49 of them:

Lincoln?” she asked. “Yes?” “Do you believe in love at first sight?” He made himself look at her face, at her wide-open eyes and earnest forehead. At her unbearably sweet mouth. “I don’t know,” he said. “Do you believe in love before that?” Her breath caught in her throat like a sore hiccup. And then it was too much to keep trying not to kiss her.
Rainbow Rowell (Attachments)
Cas whistled. “You are a sight for sore eyes, Anna Banana.
Jennifer Rush (Altered (Altered, #1))
the sight of me is good for sore eyes
Charles Dickens (David Copperfield)
Yes, he said, taking her hand. And now I think I finally understand that old expression - a sight for sore eyes.
Justin Somper (Blood Captain (Vampirates, #3))
Dulce Et Decorum Est Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of disappointed shells that dropped behind. GAS! Gas! Quick, boys!-- An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling And floundering like a man in fire or lime.-- Dim, through the misty panes and thick green light As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,-- My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.
Wilfred Owen (The War Poems)
The Quitter When you're lost in the Wild, and you're scared as a child, And Death looks you bang in the eye, And you're sore as a boil, it's according to Hoyle To cock your revolver and . . . die. But the Code of a Man says: "Fight all you can," And self-dissolution is barred. In hunger and woe, oh, it's easy to blow... It's the hell-served-for-breakfast that's hard. "You're sick of the game!" Well, now, that's a shame. You're young and you're brave and you're bright. "You've had a raw deal!" I know — but don't squeal, Buck up, do your damnedest, and fight. It's the plugging away that will win you the day, So don't be a piker, old pard! Just draw on your grit; it's so easy to quit: It's the keeping-your-chin-up that's hard. It's easy to cry that you're beaten — and die; It's easy to crawfish and crawl; But to fight and to fight when hope's out of sight — Why, that's the best game of them all! And though you come out of each gruelling bout, All broken and beaten and scarred, Just have one more try — it's dead easy to die, It's the keeping-on-living that's hard.
Robert W. Service (Rhymes of a Rolling Stone)
If someone says to you, “you’re a sight for sore eyes”—make sure it’s a compliment.
Clifford Cohen
Lucy in the sky with diamonds. Aren’t you just a sight for sore eyes?
Tara Sivec (Fisher's Light (Fisher's Light, #1))
Spock," (Kirk) said, "you're a sight for sore eyes!" "I fail to understand, Captain, what bearing my presence could possibly have on the condition of your vision... but I am pleased to see you.
Janet Kagan (Uhura's Song (Star Trek: The Original Series #21))
Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of disappointed shells that dropped behind. GAS! Gas! Quick, boys!-- An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling And floundering like a man in fire or lime.-- Dim, through the misty panes and thick green light As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,-- My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.
Wilfred Owen (The Collected Poems of Wilfred Owen)
Hey, pretty child. You’re a sight for sore fucking eyes.
Debra Anastasia (Bittersweet Seraphim (Seraphim, #2))
The sensations he had were shared by many of the young, poor and beautiful: how unfair it was that they should be denied benefits which the old and ugly enjoyed.
Ruth Rendell (A Sight for Sore Eyes)
People were, as he had long suspected, uniformly vile and rotten, vastly inferior to things. Objects never let you down.
Ruth Rendell (A Sight for Sore Eyes)
Now that's a sight for sore eyes, Sebastian. Maybe I should just leave you here: the hotel maids might appreciate that. Or, better still, maybe I'll take a photograph of you on my phone. Dont worry, I wont post it on the internet, it'll just be my screen saver.
Jane Harvey-Berrick (The Education of Caroline (The Education of..., #2))
Beckett pounded down the steps and smiled from ear to ear when he saw her. Eve tried to ignore the tremor she felt, the fracture in her shield. “You’re a sight for sore fucking eyes. Are you trying to kill me, hotness?” He walked with a fake pimp limp as he got closer. “Yeah, I am.” If he only knew
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I pronounce you cured," he said. "My condition, however, is more critical. Alas. It's worsened considerably." "What condition?" said Alice, testing her foot out, stamping it on the ground to see how sore it was. "Being in love," he said, "with you." Alice didn't look at him. "Since when?" she asked after a minute. "Who can say? I think, probably, since the first second I laid eyes on you.
Lisa Dierbeck (One Pill Makes You Smaller: A Novel)
Dani: "Warlock! You, pal, are the proverbial sight for sore eyes!" Warlock: "Concern! Are selfriend's primary ocular sensors dysfunctional?
Chris Claremont (The New Mutants Classic, Vol. 4)
Well, hello, beautiful … You are a sight for sore eyes.
J.R. Ward (The Thief (Black Dagger Brotherhood, #16))
They remained the same and could be an endless source of pleasure and satisfaction. There might be people, or a person, of whom that was also true, but he had never, by the age of eighteen, come across any of them.
Ruth Rendell (A Sight for Sore Eyes)
You - a sight for sore eyes, a touch of brush on canvas, an enclave on my wicked heart, a ludicrous perfect composition of selected words, of an unknown poet, such perfection, uniquely spread in a human being. (Excerpted from The runner, chapter Pain)
Claudia Pavel (The odyssey of my lost thoughts)
The term '20/20 vision' implies good if not perfect sight. May the advent of 2020 - a new year, a new decade - see a lifting of the fog which has recently blurred the edges of what can be described as 'acceptable political discourse', and in the process refocus voter attention on the clear need to demand from elected representatives, a display of basic decency and decorum in public life - both of which have been seriously lacking in the behaviour of some high profile politicians on both sides of the pond, on an eye-watering number of occasions. That indeed would be a sight for sore eyes.
Alex Morritt (Impromptu Scribe)
His school had been so committed to establishing equality that the staff told a pupil he or she had done well only if they could tell every other member of the class the same thing.
Ruth Rendell (A Sight for Sore Eyes)
The Quitter When you're lost in the Wild, and you're scared as a child, And Death looks you bang in the eye, And you're sore as a boil, it's according to Hoyle To cock your revolver and . . . die. But the Code of a Man says: "Fight all you can," And self-dissolution is barred. In hunger and woe, oh, it's easy to blow . . . It's the hell-served-for-breakfast that's hard. "You're sick of the game!" Well, now, that's a shame. You're young and you're brave and you're bright. "You've had a raw deal!" I know -- but don't squeal, Buck up, do your damnedest, and fight. It's the plugging away that will win you the day, So don't be a piker, old pard! Just draw on your grit; it's so easy to quit: It's the keeping-your-chin-up that's hard. It's easy to cry that you're beaten -- and die; It's easy to crawfish and crawl; But to fight and to fight when hope's out of sight -- Why, that's the best game of them all! And though you come out of each gruelling bout, All broken and beaten and scarred, Just have one more try -- it's dead easy to die, It's the keeping-on-living that's hard.
Robert W. Service
The door clicked. She inhaled a tiny gasp. "You should use the deadbolt." "I was expecting you," she said. "I was afraid you might change your mind." "No, Reid. I haven't changed my mind. No games, right?" His hot gaze raked slowly up and down her body. He doffed his hat and tossed it on the chair. "You're a sight for sore eyes, Haley Cooper. His voice was low and husky, inciting tiny ripples deep inside her sex. He was in tight control, but his desire was palpable, like some powerful force that was about to unleash. He extended his hand. She approached with an intentional slow and seductive sway of her hips, shivering again as their gazes met and held. Oh dear God. All the foreplay she needed was right there, reflected in his blue eyes.
Victoria Vane (Sharp Shootin' Cowboy (Hot Cowboy Nights, #3))
Well, well, well... if it isn’t Johnny Cunning.” Jazz’s voice calls out as she approaches the trailer. “Talk about a sight for sore eyes.” I glance at her, grinning, as I close the notebook. “Jazz.” “Is that…?” She grabs her chest, feigning shock. “Is that a smile on your face?” “Maybe,” I say. “What, can’t remember the last time you saw one of those?” “Oh no, I remember,” she says. “Five years ago, your very first day on the set of Breezeo. Only time I saw you genuinely smile was the first time you put on the suit.” I stare at her blankly. “Jesus, what did you do, write it on your calendar like an annual holiday?” “Johnny Cunning isn’t always a dick day. We used to celebrate it with a bottle of hard liquor but now we just sleep all day and avoid being around assholes.” “Sounds nice.
J.M. Darhower (Ghosted)
Your charming charm is a super sexy mega power that is simply impossible to overcome. Sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will give myself completely to you. I will always love only you unconsciously, unconsciously, your gently erotic image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and speechless is lost. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such an extent, so beautiful, so exotic, erotic, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t talk normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, simply: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt before you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have sex forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a sexy smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and sexual inclination. You're cooler than any Viagra and afrodosiak. From your beauty just cling to the constraints and embarrassment.
NOT A BOOK
Do you believe in love at first sight?” He made himself look at her face, at her wide-open eyes and earnest forehead. At her unbearably sweet mouth. “I don’t know,” he said. “Do you believe in love before that?” Her breath caught in her throat like a sore hiccup. And then it was too much to keep trying not to kiss her. She came readily into his arms. Lincoln leaned against the coffee machine and pulled her onto him completely. There it was again, that impossible to describe kiss. This is how 2011 should have ended, he thought. This is infinity. The first time Beth pulled away, he pulled her back. The second time, he bit her lip. Then her neck. Then the collar of her shirt. “I don’t know…,” she said, sitting up in his lap, laying her check on the top of his head. “I don’t know what you meant by love before love at first sight.” Lincoln pushed his face into her shoulder and tried to think of a good way to answer. “Just that… I knew how I felt about you before I ever saw you,” he said, “when I still thought I might never see you…” She held his head in her hands and titled it back, so she could see his face. “That’s ridiculous,” she said. Which made him laugh. “Absolutely,” he said. “No, I mean it,” Beth said. “Men fall in love with their eyes.” He closed his. “That’s practically science,” she said. “Maybe,” Lincoln said. Her fingers felt so good in his hair. “But I couldn’t see you, so…” “So, what did you see?” “Just…the sort of girl who would write the sort of things that you wrote.” “What things?” Lincoln opened his eyes. Beth was studying his face. She looked skeptical-maybe about more than just the last thing he said. This was important, he realized. “Everything,” he said, sitting straighter, keeping hold of her waist. “Everything you wrote about your work, about your boyfriend…The way you comforted Jennifer and made her laugh, through the baby and after. I pictured a girl who could be kind, and that kind of funny. I pictured a girl who was that alive…” She looked guarded. Lincoln couldn’t tell from her eyes whether he was pushing her away or winning her over. “A girl who never got tired of her favourite movies,” he said softly. “Who saved dresses like ticket stubs. Who could get high on the weather.. “I pictured a girl who made every moment, everything she touched, and everyone around her feel lighter and sweeter. I pictured you,” he said. “I just didn’t know what you looked like. And then, when I did know what you looked like, you looked like the girl who was all those things. You looked like the girl I loved.” Beth’s fingers trembled in his hair, and her forehead dropped against his. A heavy, wet tear fell onto Lincoln’s lips, and he licked it. He pulled her close, as close as he could. Like he didn’t care for the moment whether she could breath. Like there were two of them and only one parachute. “Beth,” he barely said, pressing his face against hers until their lashes brushed, pressing his hand into the small of her back. “I don’t think I can explain it. I don’t think I can make any more sense. But I’ll keep trying. If you want me to.” She almost shook her head. “No,” she said, “no more explaining. Or apologizing. I don’t think it matters how we ended up here. I just…I want to stay…I want.. He kissed her then. There. In the middle of the sentence.
Rainbow Rowell (Attachments)
Dulce et Decorum Est Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of tired, outstripped Five-nines that dropped behind. Gas! GAS! Quick, boys! – An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling, And flound’ring like a man in fire or lime … Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, – My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.
Wilfred Owen (Anthem For Doomed Youth)
Noboru managed, while following his own dreamy thoughts, to pay scrupulous attention to the details. The kitten's dead pupils were purple flecked with white; the gaping mouth was stuffed with congealed blood, the twisted tongue visible between the fangs. As the fat-yellowed scissors cut them, he heard the ribs creak. And he watched intently while the chief groped in the abdominal cavity, withdrew the small pericardium, and plucked from it the tiny oval heart. When he squeezed the heart between two fingers, the remaining blood gushed onto his rubber gloves, reddening them to the tips of the fingers. *What is really happening here?* Noboru had withstood the ordeal from beginning to end. Now his half-dazed brain envisioned the warmth of the scattered viscera and the pools of blood in the gutted belly finding wholeness and perfection in the rapture of the dead kitten's large languid soul. The liver, limp beside the corpse, became a soft peninsula the squashed heart a little sun, the reeled-out bowels a white atoll, and the blood in the belly the tepid waters of a tropical sea. Death had transfigured the kitten into a perfect, autonomous world. *I killed it all by myself* - a distant hand reached into Noboru's dream and awarded him a snow-white certificate of merit - *I can do anything, no matter how awful.* The Chief peeled off the squeaky rubber gloves and laid one beautiful white hand on Noboru's shoulder. 'You did a good job. I think we can say this finally made a real man of you - and isn't all this blood a sight for sore eyes!
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
On the wedding day not a few eyes would be wet at the sight of so youthful a man and maiden 'joined together in an honourable estate, instituted of God in the time of man's innocency,' For such ancient traditions—in spite of the fact that man's innocency could not even survive one bite of an apple shared with a woman—are none the less apt to be deeply moving. There they would kneel, the young newly wed, ardent yet sanctified by a blessing, so that all, or at least nearly all, they would do, must be considered both natural and pleasing to a God in the image of man created. And the fact that this God, in a thoughtless moment, had created in His turn those pitiful thousands who must stand for ever outside His blessing, would in no way disturb the large congregation or their white surpliced pastor, or the couple who knelt on the gold-braided, red velvet cushions. And afterwards there would be plentiful champagne to warm the cooling blood of the elders, and much shaking of hands and congratulating, and many kind smiles for the bride and her bridegroom. Some might even murmur a fleeting prayer in their hearts, as the two departed: 'God bless them!' So now Stephen must actually learn at first hand how straight can run the path of true love, in direct contradiction to the time-honoured proverb. Must realize more clearly than ever, that love is only permissible to those who are cut in every respect to life's pattern; must feel like some ill-conditioned pariah, hiding her sores under lies and pretences.
Radclyffe Hall (The Well of Loneliness)
It’s all right, I got off the ship okay. I’m alive,” he said again. But his voice sounded different now. “I said I’m alive, Camille. Open your eyes and look at me.” Camille’s heart shriveled as her eyelids fluttered open and she saw the ceiling of Monty’s shack. “Camille?” Oscar leaned over her, his calloused hand on her cheek. “Thank God. You’ve been delirious for nearly an hour.” Tears slipped down her cheeks as the truth stung her with renewed vigor. Her father wasn’t alive. He was truly gone. It had been nothing but a hallucination. “Why are you crying? Does something hurt?” Oscar asked, lightly prodding her arms and then checking her head. She was lying on a cot in front of the blazing stove, blankets covering her. They were scratchy and too heavy. She tried to push them away. “No.” Oscar blocked her arms. “Don’t do that.” “Why?” she asked, her throat dry and sore. Oscar looked apprehensive as he tucked the blankets tightly around her arms and neck. “Your clothes were soaked. You were shivering and flush with fever.” “Had to take ‘em off, love,” Ira said, coming to the foot of the cot. “You gave us quite a scare. That lump on the back of your head worked you over something nasty.” Camille stared at Ira, then Oscar. The crushed hope of her father being alive withered under the heat of embarrassment. “You…you removed my dress?” she whispered. Oscar backed away from her, as if he’d just slid his hand over an open flame. “No, no, I didn’t.” She looked to Ira. “Much as I’d been honored, the Irish bastard wouldn’t hear of it. Quite the prude.” Frustrated and head still piercing with pain, Camille felt the blood rush to her cheeks. “Well, then, who?” “Nothin’ I ain’t seen before, woman,” Monty grumbled from his seat at the table as he sprinkled tobacco into a pipe. Camille gasped and pressed her lips together. She caught sight of her dress hanging on a rack by the fire.
Angie Frazier (Everlasting (Everlasting, #1))
I'm in sore straits, Jeeves.' 'I am sorry to hear that, sir.' 'You'll be sorrier when I explain further. Have you ever seen a garrison besieged by howling savages, with their ammunition down to the last box of cartridges, the water supply giving our and the United States Marines nowhere in sight?' 'Not to my recollection, sir.' 'Well, my position is roughly that of such a garrison, except that compared with me they're sitting pretty. Compared with me they haven't a thing to worry about.' 'You fill me with alarm, sir.' 'I bet I do, and I haven't even started yet. I will begin by saying that Miss Cook, to whom I'm engaged, is a lady for whom I have the utmost esteem and respect, but on certain matters we do not... what's the expression?' 'See eye to eye, sir?' 'That's right. And unfortunately those matters are the what-d'you-call-it of my whole policy. What is it that policies have?' 'I think the word for which you are groping, sir, may possibly be cornerstone.' 'Thank you, Jeeves. She disapproves of a variety of things which are the cornerstone of my policy. Marriage with her must inevitably mean that I shall have to cast them from my life, for she has a will of iron and will have no difficulty in making her husband jump through hoops and snap sugar off his nose. You get what I mean?' 'I do, sir. A very colourful image.' 'Cocktails, for instance, will be barred. She says they are bad for the liver. Have you noticed, by the way, how frightfully lax everything's getting now? In Queen Victoria's day a girl would never have dreamed of mentioning livers in mixed company.' 'Very true, sir. Tempora mutanter, nos et mutamur in illis.' 'That, however, is not the worst.' 'You horrify me, sir.' 'At a pinch I could do without cocktails. It would be agony, but we Woosters can rough it. But she says I must give up smoking.' 'This was indeed the most unkindest cut of all, sir.' 'Give up smoking, Jeeves!' 'Yes, sir. You will notice that I am shuddering.
P.G. Wodehouse (Aunts Aren't Gentlemen (Jeeves, #15))
First came the flower girls, pretty little lasses in summery frocks, skipping down the aisle, tossing handfuls of petals and, in one case, the basket when it was empty. Next came the bridesmaids, Luna, strutting in her gown and heels, a challenging dare in her eyes that begged someone to make a remark about the girly getup she was forced to wear. Next came Reba and Zena, giggling and prancing, loving the attention. This time, Leo wasn’t thrown by Teena’s appearance, nor was he fooled. How could he have mistaken her for his Vex? While similar outwardly, Meena’s twin lacked the same confident grin, and the way she moved, with a delicate grace, did not resemble his bold woman at all. How unlike they seemed. Until Teena tripped, flailed her arms, and took out part of a row before she could recover! Yup, they were sisters all right. With a heavy sigh, and pink cheeks, Teena managed to walk the rest of the red carpet, high heels in hand— one of which seemed short a heel. With all the wedding party more or less safely arrived, there was only one person of import left. However, she didn’t walk alone. Despite his qualms, which Leo heard over the keg they’d shared the previous night, Peter appeared ready to give his daughter away. Ready, though, didn’t mean he looked happy about it. The seams of the suit his soon-to-be father-in-law wore strained, the rented tux not the best fit, but Leo doubted that was why he looked less than pleased. Leo figured there were two reasons for Peter’s grumpy countenance. The first was the fact that he had to give his little girl away. The second probably had to do with the snickers and the repetition of a certain rumor, “I hear he lost an arm-wrestling bet and had to wear a tie.” For those curious, Leo had won that wager, and thus did his new father-in-law wear the, “gods-damned-noose” around his neck. However, who cared about that sore loser when upon his arm rested a vision of beauty. Meena’s long hair tumbled in golden waves over her shoulders, the ends curled into fat ringlets that tickled her cleavage. At her temples, ivory combs swept the sides up and away, revealing the creamy line of her neck. The strapless gown made her appear as a goddess. The bust, tight and low cut, displayed her fantastic breasts so well that Leo found himself growling. He didn’t like the appreciative eyes in the crowd. Yet, at the same time, he felt a certain pride. His bride was beautiful, and it was only right she be admired. From her impressive breasts, the gown cinched in before flaring out. The filmy white fabric of the skirt billowed as she walked. He noted she wore flats. Reba’s suggestion so she wouldn’t get a heel stuck. Her gown didn’t quite touch the ground. Zena’s idea to ensure she wouldn’t trip on the hem. They’d taken all kinds of precautions to ensure her the smoothest chance of success. She might lack the feline grace of other ladies. She might have stumbled a time or two and been kept upright only by the smooth actions of her father, but dammit, in his eyes, she was the daintiest, most beautiful sight he’d ever seen. And she is mine.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
When you can face reality without camouflage, yours is the face of compassion. What a sight for sore eyes!
Karen Maezen Miller (Paradise in Plain Sight: Lessons from a Zen Garden)
He pressed a kiss to her forehead. “Ye be a sight for sore eyes, lass,” he told her. “But we’ve no’ much time.” He handed her up to Marcum, who placed her on his lap and wrapped his arms around her. “Nay!” she pleaded, her mind dizzy with fear, relief, terror. “I want Albert!” Marcum started to pat her hands comfortingly when he realized her wrists were bound. He removed his dirk and began to carefully cut away the leather straps. “Where do ye hurt, lass?” he asked. Laurin gave a rapid shake of her head. “Everywhere, but I do no’ think anythin’ is broken,” she told him through chattering teeth. Making certain she’d not fall, he removed his cloak and draped it around her shoulders. “Where is Albert?” she implored as she searched for him. “I want Albert!” “Och, lass, Albert be a wee bit busy at the moment,” he explained. “He has a few men to kill.
Suzan Tisdale (Isle of the Blessed)
A snowball unexpectedly and painfully pounded hard into the back of my head. “Ow!” Putting my hand back there, rubbing the sore spot, I spun around and could hardly believe my eyes. My irksome brother was standing on the deck, a huge cocky grin plastered on his irritatingly handsome face. Why had I gotten stuck with the red hair and freckles like Mom while he had not a freckle in sight and had inherited Dad’s dark hair? I tried to take consolation in the fact that he wouldn’t hold on to that beautiful thick hair forever. Eventually, hopefully, it would start to disappear like Dad’s was now doing. “You’re building a snowman? What are you, like, two years old?” he taunted. I was stunned. My brain wouldn’t function, no words would come forth. Because standing right beside him, grinning as well, was . . . Brad Connor. “You’re one to talk,” I finally tossed back at him when my brain kicked into gear. “Throwing snowballs. What are you, like, one?” Okay, so maybe my brain was still in lock-down mode. It was trying to putter along, but it obviously wasn’t warmed up yet. “God, Kate, your comebacks are sharp enough to . . . well, heck, I guess they aren’t sharp.
Rachel Hawthorne (Love on the Lifts)
Dulce et Decorum Est Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of tired, outstripped Five-Nines that dropped behind. Gas! GAS! Quick, boys!—An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling, And flound’ring like a man in fire or lime . . . Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, – My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori. (1917–1918)
Anthony Holden (Poems That Make Grown Men Cry: 100 Men on the Words That Move Them)
was slowly waking up and I noticed that I was half submerged in water. I could hear the waves, as they were my wake up call. Groggily I had opened my eyes, finding the sand in front of me. It took me a while to remember what happened but my head was pounding and I want nothing more than to go back to sleep. I dropped my head back on the damp sand; eagerly waiting for sleep but there’s this weird feeling in my gut. All of a sudden, images started to play in my mind. There was a storm while I was out fishing. I had read the weather reports before going out and they had promised a clear day which meant a time for me to go out to sea. I had checked the night before and relied too much on the current season, summer, that there were be little to no chance of storms. With all the waves tumbling about, I didn’t even know where I was heading nor could I remember if I had a certain destination after my boat floated further into the sea. I shook the grim thoughts away; there was no point on thinking about what has already happened. I slowly dragged my arms to push myself off the shore. My body was sore all over and I noticed a lot of debris around me. With no technology to turn to, I couldn’t even determine what island I’ve washed ashore unto. Blinking away the traces of sleep, I made my way to the dry portion of land hoping to get some help as long as I continue walking. It’s a good thing that nothing was broken or was I badly injured from the experience. I did have a bruise here and there but I’m sure that they’ll fade soon. Now, it’s best if I get some dry clothes and something good to eat. I looked at the position of the sun. If I had to guess, it’s almost lunch time. That and the loud noises from my stomach would be a good measure of time. I had a painful time walking so I took one of the bigger debris from the boat and used it to aid me in my walking. The whole place was a sight to behold. It looked far too lush compared to the forests back home. I had to pinch myself to make sure I wasn’t dreaming. I mean, this was a good dream but I’d rather be home and eating some grilled fish. The thought of grilled fish got my stomach rumbling even more.
Mark Mulle (Trapped (Book 1): Tom's Guide (An Unofficial Minecraft Book for Kids Ages 9 - 12 (Preteen))
I needed to make sure you were okay.” “And if I had not been…?” “I would have done what was required to save you.” Tears entered her eyes, putting a gloss over her vision that blurred him and the meadow. “Why,” she breathed. An eternity of silence stretched out between them. And then he reached out and brushed her cheek. When he dropped his hand, she smelled the scent—and could not understand it. Why would the perfume of fresh flowers be out— Rahvyn gasped. Looking down at their feet, she saw violets spring up from the scruffy ground, the fragile purple blooms unfurling, little flags upon green nests. And among them sprouted also daisies and dandelions, then other colorful blooms, all of the heads lifting free of the soil, maturing as if it were July, not April, as if the air were warm, not chilled. The rush of wild flowers swirled around them both, encompassing their vicinity in the meadow, bringing daylight unto the night—and Rahvyn was so o’ercome, she let out a sound of delight and swept her hands to the sky. In a twirl, she imagined that she could gather them up in her arms, a sight for sore eyes, a lift for a heavy heart, a sniff into a grateful, astounded nose. And then she stilled. Lowering her arms, she saw that he remained grim. “Are you leaving right the now?” He took a step back. “I just wanted to give you something beautiful, so you can feel even a little of the wonder I have whenever I look into your eyes.
J.R. Ward (Lover Arisen (Black Dagger Brotherhood, #20))
The seventh Earl of Sidcup is a sore for sighted eyes. It’s as if evolution took a wrong turn, got stuck in a cul-de-sac, and just threw in the sponge.
Ben Schott (Jeeves and the King of Clubs)
For a split second, Az thought Madi might tell him to move so he could slide in behind him, but after a moment's hesitation, he stepped into the oval-shaped tub and sat, moving until he was flush against Az, leaning back tentatively, shoulders up around his ears. Az chuckled. “At ease, motek. I simply want your company. I’m not waiting here with a weapon under the bubbles.” Madi relaxed visibly, resting his head against Az’s shoulder. “That’s better.” Az let his hands roam along Madi’s chest and torso. It seemed the best way to appreciate Madi’s form: slick, soapy fingers playing at his nipples, slipping along the ridges of his abdomen, threading through the hair just beneath his navel, stopping just short of his cock before slowly traveling upward again. Madi gave a sigh that sounded almost content. Az nuzzled behind his ear and along the curve of his throat, enjoying the salty tang of Madi’s skin on his lips. The longer Az caressed him, the more tranquil Madi seemed to grow, his chest rising and falling beneath Az’s hands. “Why didn’t you let me answer the question?” he finally asked. “What?” Madi asked, voice husky. “Earlier. Why didn’t you let me answer the question the therapist asked? What I admired about you? Did you think I’d have nothing to say?” Madi hesitated. “I don’t know. Maybe. Maybe I don’t want to know. Maybe once it’s out there, there’s no taking it back.” Az threaded wet fingers through Madi’s hair, murmuring, “And if I don’t want to take it back?” Madi took a deep breath, shaking his head. “What is there for men like us? Just this. Fighting. Fucking. Killing. Mistrust. Misunderstandings.” “Is that all this is to you?” Az asked, knowing in his heart that wasn’t how Madi truly saw them, even if it would make things easier for the both of them if he did. Madi was quiet, but his hand caught Az’s wrist, sliding to tangle their fingers together. This gesture spoke the words it seemed Madi could not, causing a warmth to spread through Az that rivaled the bath water. Az spoke before he could stop himself. “The first thing I admired about you was your beauty. You were a sight for sore eyes that night in the bar, and I was shocked you wanted me.” This time, it was Madi who turned his head, nosing under Az’s chin in a barely-there touch. “When I realized why you were there after a bit of shameless snooping, I dismantled your weapon, not because you were the competition, but because I realized after the night we spent together, the only way I’d ever see you again was if I did something to make you angry enough to want to get even.” Madi didn’t answer but squeezed Az’s hand. Az could feel the uptick in his breaths, which told him Madi was listening. “I admire your skill with a weapon, motek, your precision. The way you kill is art. Truly. But you fucked like you killed…from a safe distance, where nobody can harm you. I needed you closer to me. At the core of every stupid decision I’ve made, every backwards plan, it was always just that. I wanted you—the real you—as close as I could get you.” “Why?” Madi asked, voice raw. “Because I knew, even then I think, that I could love you, but I wasn’t sure I could ever break down your walls enough to get you to love me.” “Yet here I am.” Az raised their intertwined fingers to kiss Madi’s palm. “Yes, here you are.
Onley James (Play Dirty (Wages of Sin, #2))
For a split second, Az thought Madi might tell him to move so he could slide in behind him, but after a moment's hesitation, he stepped into the oval-shaped tub and sat, moving until he was flush against Az, leaning back tentatively, shoulders up around his ears. Az chuckled. “At ease, motek. I simply want your company. I’m not waiting here with a weapon under the bubbles.” Madi relaxed visibly, resting his head against Az’s shoulder. “That’s better.” Az let his hands roam along Madi’s chest and torso. It seemed the best way to appreciate Madi’s form: slick, soapy fingers playing at his nipples, slipping along the ridges of his abdomen, threading through the hair just beneath his navel, stopping just short of his cock before slowly traveling upward again. Madi gave a sigh that sounded almost content. Az nuzzled behind his ear and along the curve of his throat, enjoying the salty tang of Madi’s skin on his lips. The longer Az caressed him, the more tranquil Madi seemed to grow, his chest rising and falling beneath Az’s hands. “Why didn’t you let me answer the question?” he finally asked. “What?” Madi asked, voice husky. “Earlier. Why didn’t you let me answer the question the therapist asked? What I admired about you? Did you think I’d have nothing to say?” Madi hesitated. “I don’t know. Maybe. Maybe I don’t want to know. Maybe once it’s out there, there’s no taking it back.” Az threaded wet fingers through Madi’s hair, murmuring, “And if I don’t want to take it back?” Madi took a deep breath, shaking his head. “What is there for men like us? Just this. Fighting. Fucking. Killing. Mistrust. Misunderstandings.” “Is that all this is to you?” Az asked, knowing in his heart that wasn’t how Madi truly saw them, even if it would make things easier for the both of them if he did. Madi was quiet, but his hand caught Az’s wrist, sliding to tangle their fingers together. This gesture spoke the words it seemed Madi could not, causing a warmth to spread through Az that rivaled the bath water. Az spoke before he could stop himself. “The first thing I admired about you was your beauty. You were a sight for sore eyes that night in the bar, and I was shocked you wanted me.” This time, it was Madi who turned his head, nosing under Az’s chin in a barely-there touch. “When I realized why you were there after a bit of shameless snooping, I dismantled your weapon, not because you were the competition, but because I realized after the night we spent together, the only way I’d ever see you again was if I did something to make you angry enough to want to get even.” Madi didn’t answer but squeezed Az’s hand. Az could feel the uptick in his breaths, which told him Madi was listening. “I admire your skill with a weapon, motek, your precision. The way you kill is art. Truly. But you fucked like you killed…from a safe distance, where nobody can harm you. I needed you closer to me. At the core of every stupid decision I’ve made, every backwards plan, it was always just that. I wanted you—the real you—as close as I could get you.” “Why?” Madi asked, voice raw. “Because I knew, even then I think, that I could love you, but I wasn’t sure I could ever break down your walls enough to get you to love me.” “Yet here I am.” Az raised their intertwined fingers to kiss Madi’s palm. “Yes, here you are.
Onley James (Play Dirty (Wages of Sin, #2))
The train continued on its way to Rīga. I could not peel my eyes from the window. On some hillock, an old friend from long-gone days rushed towards me: the grey rock. A sight for sore eyes after stone-less Siberia. Beside the large one, two smaller ones. One more. Another one. Now, this is the homeland! Homeland, in which my near and dear long-unseen rocks are greeting me. In Siberia, we felt the lack of rocks keenly, that is why they touched me so deeply now. The Latvian has grown up so symbiotically with the rock, just as he has with his land and his sky. I remembered a scene Pumpurs had described, about some refugee who had embraced the rock in the forest meadow of his home with both arms, pressed his forehead against its cold forehead, stopped suffering, and started being joyful. The land is the same. What had changed were the circumstances and people who also called it their own. A
Melānija Vanaga (Suddenly, a Criminal: Sixteen Years in Siberia)
Come here,” he says, pulling me against him. “I don’t want to go to the wedding anymore. I’d rather have you all to myself.” “No way,” I say, running a slow finger along the side of his jaw. “You’re a tease.” I love this playful side of Alex. It makes me forget all about those demons. “I came to see a Latino wedding, and I expect to see one,” I tell him. “And here I thought you were comin’ to be with me.” “You’ve got a big ego, Fuentes.” “That’s not all I’ve got.” He backs me against my car, his breath warming my neck more than the midday sun. I close my eyes and expect his lips on mine, but instead I hear his voice. “Give me your keys,” he says, reaching around and taking them from my hand. “You’re not going to throw them into the bushes, are you?” “Don’t tempt me.” Alex opens my car door and slides into the driver’s seat. “Aren’t you going to invite me in?” I ask, confused. “No. I’m parkin’ your car in the shop so it doesn’t get jacked. This is an official date. I’m drivin’.” I point to his motorcycle. “Don’t think I’m getting on that thing.” His left eyebrow raises a fraction. “Why not? Julio’s not good enough for you?” “Julio? You named your motorcycle Julio?” “After my great uncle who helped my parents move here from Mexico.” “I like Julio just fine. I just don’t want to ride on him wearing this short dress. Unless you want everyone riding behind us to see my undies.” He rubs his chin, thinking about it. “Now that would be a sight for sore eyes.” I cross my arms over my chest. “I’m jokin’. We’re takin’ my cousin’s car.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Don’t think I’m getting on that thing.” His left eyebrow raises a fraction. “Why not? Julio’s not good enough for you?” “Julio? You named your motorcycle Julio?” “After my great uncle who helped my parents move here from Mexico.” “I like Julio just fine. I just don’t want to ride on him wearing this short dress. Unless you want everyone riding behind us to see my undies.” He rubs his chin, thinking about it. “Now that would be a sight for sore eyes.” I cross my arms over my chest. “I’m jokin’. We’re takin’ my cousin’s car.” We get in a black Camry parked across the street. After driving a few minutes he pulls a cigarette from a pack lying on the dashboard. The click of the lighter makes me cringe. “What?” he asks, the lit cigarette dangling from his lips. He can smoke if he wants. This might be an official date, but I’m not his official girlfriend or anything. I shake my head. “Nothing.” I hear him exhale, and the cigarette smoke burns my nostrils more than my mom’s perfume. As I lower my window all the way, I suppress a cough. When he stops at a stoplight, he looks over at me. “If you’ve got a problem with me smokin’, tell me.” “Okay, I’ve got a problem with you smoking,” I tell him. “Why didn’t you just say so?” he says, then smashes it into the car’s ashtray. “I can’t believe you actually like it,” I say when he starts driving again. “It relaxes me.” “Do I make you nervous?” His gaze travels from my eyes to my breasts and down to where my dress meets my thighs. “In that dress you do.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Don’t think I’m getting on that thing.” His left eyebrow raises a fraction. “Why not? Julio’s not good enough for you?” “Julio? You named your motorcycle Julio?” “After my great uncle who helped my parents move here from Mexico.” "I like Julio just fine. I just don’t want to ride on him wearing this short dress. Unless you want everyone riding behind us to see my undies.” He rubs his chin, thinking about it. “Now that would be a sight for sore eyes.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Was it possible people were heavier dead than alive?
Ruth Rendell (A Sight for Sore Eyes)
He had convinced himself of a ‘truth’, mostly because it was a very welcome sight for sore eyes. To see something meant that it was probable, and to consider something probable meant that it was believable.
H.C. Roberts (Harp and the Lyre: Extraction)
No one gives a shit about dandelions. If they’re lucky, they are a sore sight to the eyes from the beginning. They are immediately uprooted or trampled, doused in poison, and left to shrivel into their quick death. Then there are the unfortunate flowers that somehow fucking survive, just to become little puffballs ripped from their roots, used to blow for someone’s personal entertainment, and what’s left is tossed aside, zero fucks given.
D.W. Cole (Rotten Fruit)