Siegfried Sassoon Quotes

The fact is that five years ago I was, as near as possible, a different person to what I am tonight. I, as I am now, didn't exist at all. Will the same thing happen in the next five years? I hope so.

Suicide in the trenches: I knew a simple soldier boy Who grinned at life in empty joy, Slept soundly through the lonesome dark, And whistled early with the lark. In winter trenches, cowed and glum With crumps and lice and lack of rum, He put a bullet through his brain. No one spoke of him again. * * * * * You smug-faced crowds with kindling eye Who cheer when soldier lads march by, Sneak home and pray you'll never know The hell where youth and laughter go.

Oh yes, I know the way to heaven was easy. We found the little kingdom of our passion that all can share who walk the road of lovers. In wild and secret happiness we stumbled; and gods and demons clamoured in our senses.

But I've grown thoughtful now. And you have lost Your early-morning freshness of surprise At being so utterly mine: you've learned to fear The gloomy, stricken places in my soul, And the occasional ghosts that haunt my gaze.

Why do you lie with your legs ungainly huddled, And one arm bent across your sullen cold Exhausted face? It hurts my heart to watch you, Deep-shadow'd from the candle's guttering gold; And you wonder why I shake you by the shoulder; Drowsy, you mumble and sigh and turn your head.... You are too young to fall asleep for ever; And when you sleep you remind me of the dead.

You smug-faced crowds with kindling eye Who cheer when soldier lads march by, Sneak home and pray you'll never know The hell where youth and laughter go." "The War Poems

Mute in that golden silence hung with green, Come down from heaven and bring me in your eyes Remembrance of all beauty that has been, And stillness from the pools of Paradise.

I didn't want to die - not before I'd finished reading The Return of the Native anyhow.

P.S. Wilfred Owen to Siegfried Sassoon—1917: And you have fixed my Life—however short. You did not light me: I was always a mad comet; but you have fixed me. I spun round you a satellite for a month, but shall swing out soon, a dark star in the orbit where you will blaze.

The dead...are more real than the living because they are complete.

In me the tiger sniffs the rose. Look in my heart, kind friends, and tremble, Since there your elements assemble.

December stillness, teach me through your trees That loom along the west, one with the land, The veiled evangel of your mysteries. While nightfall, sad and spacious, on the down Deepens, and dusk embues me where I stand, With grave diminishings of green and brown, Speak, roofless Nature, your instinctive words; And let me learn your secret from the sky, Following a flock of steadfast-journeying birds In lone remote migration beating by. December stillness, crossed by twilight roads, Teach me to travel far and bear my loads.

Who's this—alone with stone and sky? It's only my old dog and I— It's only him; it's only me; Alone with stone and grass and tree. What share we most—we two together? Smells, and awareness of the weather. What is it makes us more than dust? My trust in him; in me his trust.

I believe that this war, upon which I entered as a war of defense and liberation, has now become a war of aggression and conquest.

EVERYONE suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom, Winging wildly across the white Orchards and dark-green fields; on—on—and out of sight. Everyone’s voice was suddenly lifted; And beauty came like the setting sun: My heart was shaken with tears; and horror Drifted away ... O, but Everyone Was a bird; and the song was wordless; the singing will never be done.

O, but Everyone Was a bird; and the song was wordless; the singing will never be done.

You smug-faced crowds with kindling eye Who cheer when soldier lads march by, Sneak home and pray you’ll never know The hell where youth and laughter go.

I keep such music in my brain No din this side of death can quell; Glory exulting over pain, And beauty, garlanded in hell.

All the sanguine guesswork of youth is there, and the silliness; all the novelty of being alive and impressed by the urgency of tremendous trivialities.

For it is humanly certain that most of us remember very little of what we have read. To open almost any book a second time is to be reminded that we had forgotten well-nigh everything that the writer told us. Parting from the narrator and his narrative, we retain only a fading impression; and he, as it were, takes the book away from us and tucks it under his arm.

Dark clouds are smouldering into red While down the craters morning burns. The dying soldier shifts his head To watch the glory that returns: He lifts his fingers toward the skies Where holy brightness breaks in flame; Radiance reflected in his eyes, And on his lips a whispered name.

I did not dread the dark winter as people do when they have lost their youth and live alone in some great city.

Does it matter?--losing your legs?... For people will always be kind, And you need not show that you mind When the others come in after football To gobble their muffins and eggs. Does it matter?--losing your sight?... There's such splendid work for the blind; And people will always be kind, As you sit on the terrace remembering And turning your face to the light. Do they matter?--those dreams from the pit?... You can drink and forget and be glad, And people won't say that you're mad; For they'll know that you've fought for your country, And no one will worry a bit.

Phantoms of thought and memory thinned and fled.

They march from safety, and the bird-sung joy Of grass-green thickets, to the land where all Is ruin, and nothing blossoms but the sky

In 1917 I was only beginning to learn that life, for the majority of the population, is an unlovely struggle against unfair odds, culminating in a cheap funeral.

And my last words shall be these – that it is only from the inmost silences of the heart that we know the world for what it is, and ourselves for what the world has made us.

You smug-faced crowds with kindling eye Who cheer when soldier lads march by, Sneak home and pray you’ll never know The hell where youth and laughter go.

I have always been considerably addicted to my own company.

His wet white face and miserable eyes Brought nurses to him more than groans and sighs: But hoarse and low and rapid rose and fell His troubled voice: he did the business well. (First verse of Died of Wounds)

I am banished from the patient men who fight. They smote my heart to pity, built my pride. Shoulder to aching shoulder, side by side, They trudged away from life's broad wealds of light. Their wrongs were mine; and ever in my sight They went arrayed in honour. But they died,-- Not one by one: and mutinous I cried To those who sent them out into the night. The darkness tells how vainly I have striven To free them from the pit where they must dwell In outcast gloom convulsed and jagged and riven By grappling guns. Love drove me to rebel. Love drives me back to grope with them through hell; And in their tortured eyes I stand forgiven.

I died in hell. They called it Passchendaele.

Against the background of the War and its brutal stupidity those men had stood glorified by the thing which sought to destroy them…. I

If I ever thought of myself as a man of thirty-five it was a visualization of dreary decrepitude.

Winged lovely moments, can I call you home?

Soldiers are dreamers.

Before the Battle: Music of whispering trees Hushed by the broad-winged breeze Where shaken water gleams; And evening radiance falling With reedy bird-notes calling. O bear me safe through dark, you low-voiced streams. I have no need to pray That fear may pass away; I scorn the growl and rumble of the fight That summons me from cool Silence of marsh and pool, And yellow lilies islanded in light. O river of stars and shadows, lead me through the night.

Books; what a jolly company they are, Standing so quiet and patient on their shelves, Dressed in dim brown, and black, and white, and green And every kind of colour. Which will you read? Come on; O do read something; they're so wise. I tell you all the wisdom of the world Is waiting for you on those shelves; and yet You sit and gnaw your nails, and let your pipe out, And listen to the silence.

Have you forgotten yet?... For the world's events have rumbled on since those gagged days, Like traffic checked while at the crossing of city-ways: And the haunted gap in your mind has filled with thoughts that flow Like clouds in the lit heaven of life; and you're a man reprieved to go, Taking your peaceful share of Time, with joy to spare. But the past is just the same--and War's a bloody game... Have you forgotten yet?... Look down, and swear by the slain of the War that you'll never forget. Do you remember the dark months you held the sector at Mametz The nights you watched and wired and dug and piled sandbags on parapets? Do you remember the rats; and the stench Of corpses rotting in front of the front-line trench-- And dawn coming, dirty-white, and chill with a hopeless rain? Do you ever stop and ask, 'Is it all going to happen again?' Do you remember that hour of din before the attack-- And the anger, the blind compassion that seized and shook you then As you peered at the doomed and haggard faces of your men? Do you remember the stretcher-cases lurching back With dying eyes and lolling heads--those ashen-grey Masks of the lads who once were keen and kind and gay? Have you forgotten yet?... Look up, and swear by the green of the spring that you'll never forget.

Alone he staggered on until he found Dawn's ghost that filtered down a shafted stair To the dazed, muttering creatures underground Who hear the boom of shells in muffled sound.

Soldiers are citizens of death’s grey land, Drawing no dividend from time’s to-morrows. In the great hour of destiny they stand, Each with his feuds, and jealousies, and sorrows.

We were carrying something in our heads which belonged to us alone, and to those we had left behind us in the battle.

Oh yes, I know the way to heaven was easy.

The phrase "after-life" was also vaguely confused with going to church and not wanting to be dead - a perplexity which can be omitted from a narrative in which I am doing my best to confine myself to actual happenings. At the age of twenty-two I believed myself to be unextinguishable.

One evening I asked whether he [Rivers] thought I was suffering from shell-shock. ‘Certainly not,’ he replied. 'What have I got then?’ 'Well, you appear to be suffering from an anti-war complex.

An innocent youth wrote recently that he is convinced I am the greatest writer in the world (from New Zealand). A touching letter – so simple & unaffected. Another young man wrote, only yesterday, that I am to him what Hardy must have been to me. Such tributes are worth having, aren't they, even if I don't deserve them.

P.S. Mrs. Maugery lent me a book last week. It’s called The Oxford Book of Modern Verse, 1892–1935. They let a man named Yeats make the choosings. They shouldn’t have. Who is he—and what does he know about verse? I hunted all through that book for poems by Wilfred Owen or Siegfried Sassoon. There weren’t any—nary a one. And do you know why not? Because this Mr. Yeats said—he said, “I deliberately chose NOT to include any poems from World War I. I have a distaste for them. Passive suffering is not a theme for poetry.” Passive Suffering? Passive Suffering! I nearly seized up. What ailed the man? Lieutenant Owen, he wrote a line, “What passing-bells for these who die as cattle? Only the monstrous anger of the guns.” What’s passive about that, I’d like to know? That’s exactly how they do die. I saw it with my own eyes, and I say to hell with Mr. Yeats.

Shaken from sleep, and numbed and scarce awake, Out in the trench with three hours' watch to take, I blunder through the splashing mirk; and then Hear the gruff muttering voices of the men Crouching in cabins candle-chinked with light. Hark! There's the big bombardment on our right Rumbling and bumping; and the dark's a glare Of flickering horror in the sectors where We raid the Boche; men waiting, stiff and chilled, Or crawling on their bellies through the wire. "What? Stretcher-bearers wanted? Some one killed?" Five minutes ago I heard a sniper fire: Why did he do it?... Starlight overhead-- Blank stars. I'm wide-awake; and some chap's dead.

Sitting here I glance over my right shoulder at the little row of books, red and green and blue, which stand waiting for my hand, offering their accumulated riches. I think of the years that may be in store for me, and of all the pages I may turn.

When Dick was killed last week he looked like that, Flapping along the fire-step like a fish, After the blazing crump had knocked him flat…. "How many dead? As many as ever you wish. Don't count 'em; they're too many. Who'll buy my nice fresh corpses, two a penny?

Speak, roofless Nature, your instinctive words; And let me learn your secret from the sky, Following a flock of steadfast-journeying birds In lone remote migration beating by. December stillness, crossed by twilight roads, Teach me to travel far and bear my loads.

Five minutes ago I heard a sniper fire: Why did he do it?… Starlight overhead— Blank stars. I'm wide-awake; and some chap's dead.

I didn’t want to die – not before I’d finished reading The Return of the Native anyhow.

In war-time the word patriotism means suppression of truth.

As regards being dead, however, one of my main consolations has always been that I have the strongest intention of being an extremely active ghost. Let nobody make any mistake about that.

Rambling among woods and meadows, I could ‘take sweet counsel’ with the country-side; sitting on a grassy bank and lifting my face to the sun, I could feel an intensity of thankfulness such as I’d never known before the War; listening to the little brook that bubbled out of a copse and across a rushy field, I could discard my personal relationship with the military machine and its ant-like armies. On

His face - what would it have become? While calling him back in memory I have been haunted by the idea of the unalterable features of those who have died in youth. Borne away from them by the years, we - with our time-troubled looks and diminished alertness - have submitted to many a gradual detriment of change. But the young poet of twenty-five years ago remains his world-discovering self. His futureless eyes encounter ours from the faintly smiling portrait, unconscious of the privilege and deprivation of never growing old, unconscious of the dramatic illusion of completeness that he is destined to create.

In bitter safety I awake, unfriended; And while the dawn begins with slashing rain I think of the Battalion in the mud. ‘When are you going out to them again? Are they not still your brothers through our blood?

54. At Daybreak I LISTEN for him through the rain, And in the dusk of starless hours I know that he will come again; Loth was he ever to forsake me: He comes with glimmering of flowers 5 And stir of music to awake me. Spirit of purity, he stands As once he lived in charm and grace: I may not hold him with my hands, Nor bid him stay to heal my sorrow; 10 Only his fair, unshadowed face Abides with me until to-morrow.

All this, I suspect, has been little more than the operation known as the pilgrimage from the cradle to the grave, but I have had a comfortable feeling that, however ordinary my enterprises may have been, they had at any rate the advantage of containing, for me, an element of sustained unfamiliarity. I am one of those persons who begin life by exclaiming they've "never seen anything like this before" and die in the hope that they may say the same of heaven.

Let no one ever from henceforth say a word in any way countenancing war. It is dangerous even to speak of how here and there the individual may gain some hardship of soul by it. For war is hell and those who institute it are criminals.

Even T.E. Lawrence, who hardly knew the meaning of fear, was by Sassoon's own account, terrified after only five minutes of his driving; 'my methods of turning from side roads into main roads were abrupt in those days' Sassoon added by way of explanation.

To him, as to me, the War was inevitable and justifiable. Courage remained a virtue. And that exploitation of courage, if I may be allowed to say a thing so obvious, was the essential tragedy of the War, which, as everyone now agrees, was a crime against humanity.

Dim, gradual thinning of the shapeless gloom Shudders to drizzling daybreak that reveals Disconsolate men who stamp their sodden boots And turn dulled, sunken faces to the sky Haggard and hopeless. They, who have beaten down The stale despair of night, must now renew Their desolation in the truce of dawn, Murdering the livid hours that grope for peace. Yet these, who cling to life with stubborn hands, Can grin through storms of death and find a gap In the clawed, cruel tangles of his defence. They march from safety, and the bird-sung joy Of grass-green thickets, to the land where all Is ruin, and nothing blossoms but the sky That hastens over them where they endure Sad, smoking, flat horizons, reeking woods, And foundered trench-lines volleying doom for doom. O my brave brown companions, when your souls Flock silently away, and the eyeless dead, Shame the wild beast of battle on the ridge, Death will stand grieving in that field of war Since your unvanquished hardihood is spent. And through some mooned Valhalla there will pass Battalions and battalions, scarred from hell; The unreturning army that was youth; The legions who have suffered and are dust.

Alone he staggered on until he found Dawn's ghost that filtered down a shafted stair To the dazed, muttering creatures underground Who hear the boom of shells in muffled sound. At last, with sweat of horror in his hair, He climbed through darkness to the twilight air, Unloading hell behind him step by step.

It is also worth noting that it was only through my urgent instigation that he printed a short poem of his own. This was in accordance with his essential unassumingness. Though not clearly conscious of it at the time, I now realize that in a young man of twnty-four his selflessness was extraordinary. The clue to his poetic genius was sympathy, not only in his detached outlook upon humanity but in all his actions and responses towards individuals. I can remember nothing in my observations of his character which showed any sign of egotism or desire for self-advancement. When contrasting the two of us, I find that - highly strung and emotional though he was - his whole personality was far more compact and coherent than mine. He readily recognized and appreciated this contrast, and I remember with affection his amused acceptance of my exclamatory enthusiasms and intolerances. Most unfairly to himself, he even likened us to Don Quixote and Sancho Panza!

Vision" I love all things that pass: their briefness is Music that fades on transient silences. Winds, birds, and glittering leaves that flare and fall— They fling delight across the world; they call To rhythmic-flashing limbs that rove and race… A moment in the dawn for Youth’s lit face; A moment’s passion, closing on the cry— ‘O Beauty, born of lovely things that die!

The civil machinery which ensured the carrying out of this law, and the military organization which turned numbers of men into battalions and divisions, were each founded on a bureaucracy. The production of resources, in particular guns and ammunition, was a matter for civil organization. The movement of men and resources to the front, and the trench system of defence, were military concerns.” Each interlocking system was logical in itself and each system could be rationalized by those who worked it and moved through it. Thus, Elliot demonstrates, “It is reasonable to obey the law, it is good to organize well, it is ingenious to devise guns of high technical capacity, it is sensible to shelter human beings against massive firepower by putting them in protective trenches.” What was the purpose of this complex organization? Officially it was supposed to save civilization, protect the rights of small democracies, demonstrate the superiority of Teutonic culture, beat the dirty Hun, beat the arrogant British, what have you. But the men caught in the middle came to glimpse a darker truth. “The War had become undisguisedly mechanical and inhuman,” Siegfried Sassoon allows a fictional infantry officer to see. “What in earlier days had been drafts of volunteers were now droves of victims.”378 Men on every front independently discovered their victimization. Awareness intensified as the war dragged on. In Russia it exploded in revolution. In Germany it motivated desertions and surrenders. Among the French it led to mutinies in the front lines. Among the British it fostered malingering.

Light many lamps and gather round his bed. Lend him your eyes, warm blood, and will to live. Speak to him; rouse him; you may save him yet. He's young; he hated war; how should he die When cruel old campaigners win safe through? But death replied: “I choose him.” So he went, And there was silence in the summer night; Silence and safety; and the veils of sleep. Then, far away, the thudding of the guns.

Easter was late in April that year; my first three tours of trenches occupied me during the last thirty days of Lent. This essential season in the Church calendar was not, as far as I remember, remarked upon by anyone in my company, although the name of Christ was often on our lips, and Mansfield (when a canister made a mess of the trench not many yards away from him) was even heard to refer to our Saviour as ‘murry old Jesus!’ These innocuous blasphemings of the holy name were a peculiar feature of the War, in which the principles of Christianity were either obliterated or falsified for the convenience of all who were engaged in it. Up in the trenches every man bore his own burden; the Sabbath was not made for man; and if a man laid down his life for his friends it was no part of his military duties. To kill an enemy was an effective action; to bring in one of our own wounded was praiseworthy, but unrelated to our war-aims. The Brigade chaplain did not exhort us to love our enemies. He was content to lead off with the hymn ‘How sweet the name of Jesus sounds’!

To The Warmongers I'm back again from hell With loathsome thoughts to sell; secrets of death to tell; And horrors from the abyss. Young faces bleared with blood sucked down into the mud, You shall hear things like this, Till the tormented slain Crawl round and once again, With limbs that twist awry Moan out their brutish pain, As the fighters pass them by. For you our battles shine With triumph half-divine; And the glory of the dead Kindles in each proud eye. But a curse is on my head, That shall not be unsaid, And the wounds in my heart are red, For I have watched them die.

He belonged to the old school of country gentlemen, ruling his estate with semi-benevolent tyranny and turning his back on all symptoms of social innovation. Under his domination the Packlestone country had been looked after on feudal system lines. His method of dealing with epistolary complaints from discontented farmers was to ignore them; in verbal intercourse he bulled them and sent them about their business with a good round oath. Such people, he firmly believed, were put there by Providence to touch their hats and do as they were told by their betters...And as such he continued beyond his eightieth year, until he fell into a fish-pond on his estate and was buried by the parson whose existence he had spurned by his arrogance.

I am making this statement as an act of willful defiance of military authority, because I believe that the War is being deliberately prolonged by those who have the power to end it. I am a soldier, convinced that I am acting on behalf of soldiers. I believe that this War, upon which I entered as a War of defence, has now become a War of aggression and conquest. The letter writer, Second Lieutenant Siegfried Sassoon, had just published a much-praised book of war poems.

He’s a cheery old card”, grunted Harry to Jack As they slogged up to Arras with rifle and pack. But he did for them both by his plan of attack. (The General)

Oh yes, I know the way to heaven was easy.

But death replied: “I choose him.” So he went, And there was silence in the summer night; Silence and safety; and the veils of sleep. Then, far away, the thudding of the guns.

None of us could know how insignificant we were...

The purgatory I'd let myself in for always came between me and the pages; there was no escape for me now.

Burning my dreams away beside the fire: For death has made me wise and bitter and strong; And I am rich in all that I have lost.

In your gaze / show me the vanquished vigil of my days

He pushed another bag along the top, Craning his body outward; then a flare Gave one white glimpse of No Man's Land and wire; And as he dropped his head the instant split His startled life with lead, and all went out.

Time makes me be a soldier; but I know That had I lived six hundred years ago, I might have tried to build within my heart A church like this, where I could dwell apart

I did not dread the dark winter as people do when they have lost their youth and live alone in some great city. ― Siegfried Sassoon, Memoirs of a Fox-Hunting Man (Andesite Press, August 8, 2015)

AUGUST 12 • Everyone suddenly burst out singing. — Siegfried Sassoon The child within us wants to come out and play. The adult in us may resist, but why not do it anyway? Having fun, being playful, and letting go of rigid personas is as necessary to recovery as good food and loving relationships. Having fun is an attitude as well as an activity. We can have a good time with everything we do — well, almost everything. But dancing around the living room, taking a day off work, doing something artistic, taking a child to the zoo — the world is full of things that are enjoyable. It might even be fun to make a list of things that are fun. Being willing to have fun frees the spontaneous, goofy, carefree parts of ourselves. We can show that side to people and practice not caring what they think. While we don’t have to abandon our boundaries, it’s good to take a risk and let go. In the end it’s our spirits that are freed. Who knows? We might even jump off the high pinnacle of the adult world and laugh as we take the fall. Discovering what I have fun at, and doing it, helps me grow in my recovery.

The anguish of the earth absolves our eyes Till beauty shines in all that we can see. War is our scourge; yet war has made us wise, And, fighting for our freedom, we are free. Horror of wounds and anger at the foe, And loss of things desired; all these must pass. We are the happy legion, for we know Time's but a golden wind that shakes the grass. There was an hour when we were loth to part From life we longed to share no less than others. Now, having claimed this heritage of heart, What need we more, my comrades and my brothers?

The art of poetry belongs to life; one lives for it just as other people live for their essential vocations of whatever kind they may be. It is one’s earthly home, and the other poets, dead or living, when masters of the art, are one’s housemates.

Soñadores "Los soldados son cautivos en la tierra de la muerte, no especulan con los riesgos que los hados les reservan, a la hora del destino le dan la cara a su suerte. (...) Los soldados se conjuran para alcanzar la victoria, en exultante y fatal culminación de sus vidas, desoyendo de las balas la terminal trayectoria. Soñando íntimos hogares, y con esposas queridas; yo los veo en agujeros y roídos por las ratas, azotados por la lluvia, en las trincheras... hundidos. Soñando infantiles juegos con bolas, peonzas y estacas; fingiendo sin esperanzas ansías de tiempos perdidos. Fiestas, bailes en la aldea, caricias tras de las matas; y aquel marchar al trabajo en un tren… adormecidos.